Wikiquote suwikiquote https://su.wikiquote.org/wiki/Tepas MediaWiki 1.47.0-wmf.1 first-letter Média Husus Obrolan Pamaké Obrolan pamaké Wikiquote Obrolan Wikiquote Gambar Obrolan gambar MédiaWiki Obrolan MédiaWiki Citakan Obrolan citakan Pitulung Obrolan pitulung Kategori Obrolan kategori TimedText TimedText talk Modul Pembicaraan Modul Acara Pembicaraan Acara 0 5898 16501 16500 2026-05-10T16:36:13Z Hasnanf 1958 /* Dialog */ 16501 wikitext text/x-wiki '''Sentimental Value''' (basa Norwégia: ''Affeksjonsverdi'') nyaéta pilem drama anu dirilis taun 2025, karya sutradara [[Joachim Trier]], anu ogé ditulis ku anjeunna dibarengan ku [[Eskil Vogt]]. Pilem ieu dibintangan ku [[Renate Reinsve]], [[Inga Libsdotter Lilleaas]], [[Stellan Skarsgård]], jeung [[Elle Fanning]]. Pilem ieu mimiti ditayangkeun dina ajang kompetisi utama 2025 Cannes Film Festival. Pilem ieu nyaritakeun dua sadulur, Nora jeung Agnes Borg, anu panggih deui jeung bapana anu mangrupakeun sutradara katelah, Gustav Borg, sanggeus indungna tilar dunya. Gustav ngusahakeun jang ngarangkul deui dua putrina sakaligus ngajak ngerjakeun proyék pilem anyarna di imah kulawarga anjeunna, anu ngabalukarkeun konplik émosional. == Plot == Sanggeus indungna tilar dunya, Nora jeung Agnes Borg kadatangan deui bapana, Gustav Borg, anu mangrupakeun sutradara kasohor, sanggeus anjeunna lila indit. Gustav datang sakalian méré nyaho yén anjeunna miboga proyék pilem anyar, anu bakal nyaritakeun imah nu dicicingan ku aranjeunna, anu ogé mangrupakeun imah panineungan jang anjeunna. Kahayang anjeunna mah, Nora, anu ogé aktris téater kasohor, bisa jadi béntang utama dina proyék pilemna éta, ku sabab éta pilem ogé ngahaja ditulis ku Gustav jang Nora. Ku sangkan aya rasa teu genah anu dibalukarkeun ku konplik kulawarga ti baheula, Nora nolak tawaran bapana. Teu béak asa, bapana tuluy néang aktris lain jang ngabéntangan éta pilem. Rachel Kemp, salaku aktris nu keur naék daun tuluy dipilih jang jadi pemeran utama. Sanggeus lila dirasa-rasa loba nu teu cocog pikeun diperankeun ku anjeunna, Rachel tuluy manggihan Nora pikeun nyaritakeun rasa hariwangna sarta nanyakeun alasan naha anjeunna nolak éta pilem. Ti dinya, Nora jeung Agnes kudu nyinghareupan hubungan anu sakitu pajeulitna jeung bapana. == Cutatan == === Narator === * ''"In 6th grade, Nora was told to write an essay as if she was an object.'' ''She knew at once she’d be their house.'' ''She described how its belly shook as she and her sister ran downstairs'' ''and out the back door.'' ''That it saw them take the shortcut through the fence and onto the road,'' ''where the house no longer could see them.'' ''She wondered if the house liked to be empty and light,'' ''or full and heavy.'' ''If the floors liked being trod on.'' ''If the walls were ticklish.'' ''If it ever felt pain.'' ''And she thought that yes, it probably liked to be full."'' "Di kelas 6, Nora kungsi dititah nulis éséy saolah-olah anjeunna téh hiji obyék. Anjeunna langsung nyaho yén anjeunna rék jadi imah anjeunna. Anjeunna tuluy nerangkeun kumaha beuteungna téh ngageleter nalika anjeunna jeung adina lumpat ka handap jeung kaluar ti panto tukang. Kumaha imahna téh nénjo aranjeunna nyokot jalan pintas ngaliwatan pager tuluy ka jalan, nu mana imahna téh geus teu bisa deui nénjo anjeunna. Anjeunna panasaran lamun éta imah téh resep lamun kosong jeung hampang, atawa pinuh jeung beurat. Lamun lantéyna resep dileyek. Lamun témbokna téh gétékan. Lamun éta imah téh kungsi ngarasa kanyeri. Tuluy anjeunna mikir yén enya, éta imah téh meureun resep lamun pinuh." === Dialog === * Gustav jeung Nora '''''Gustav''': You two are the best thing that’s happened to me.'' Aranjeun duaan téh hal panghadéna nu kajadian dina hirup sim kuring. '''''Nora''': The best that’s happened to you? Then why weren’t you there?'' Hal panghadéna nu kajadian dina hirup anjeun? Naha atuh anjeun teu di dieu? * Nora jeung Agnes '''''Nora''': Why didn’t our childhood ruin you?'' Naha mangsa keur leutik urang téh teu ngancurkeun anjeun? '''''Agnes''': It hasn’t always been easy for me.'' Éta teu pernah gampil jang abdi. '''''Nora''': But you’ve managed to make a family. A home.'' Tapi anjeun geus bisa ngawangun kulawargi. Hiji imah. '''''Agnes''': Yeah. There’s one major difference in the way we grew up. I had you. I know you think you’re incapable of caring, but you were there for me. When mom was down. You washed my hair. Combed it. Got me to school. I felt safe. … I love you.'' Muhun. Aya hiji pangbéda paling ageung dina cara urang tumuwuh. Abdi gaduh anjeun. Abdi terang yén anjeun téh mikir anjeun teu mampu jang paduli, tapi anjeun aya jang abdi. Nalika ambu nuju rieut. Anjeun nguramasan abdi. Nyisiran abdi. Nganteur abdi ka sakola. Abdi ngarasa aman. ...Abdi nyaah ka anjeun. === Nora === * ''What I like the most about it, is probably… Building a character. Diving into that perspective, or into their feelings by assuming the role of someone else. It maybe provides me the security to connect to my own feelings.'' Anu sim kuring resep pisan ngeunaan éta, nyaéta sapertina... Ngawangun hiji karakter. Neuleuman éta sawangan, atawa ka jero rarasaanna ku ngasumsikeun peran batur. Sapertina éta anu méré kaamanan ka sim kuring jang nyambungkeun diri jeung rarasaan sim kuring sorangan. === Gustav === * ''I know it’s been hard for you. I recognize myself in you. But you’re so goddamn angry. It’s hard to love someone who’s so full of rage. Right? You don’t want to be alone forever. It’s not good for the art either. You need someone to care about. Children or something. You never regret having children.'' Didieu apal éta téh hésé jang anjeun. Sim kuring ngawanohan diri sim kuring sorangan di anjeun. Tapi anjeun téh kacida benduna. Hésé jang bisa nyaah ka hiji jalma anu pinuh ku rasa bendu. Bener? Anjeun moal hayang sosoranganan salilana. Ieu téh moal alus ogé jang seni (nu ku anjeun tedunan). Anjeun mibutuh hiji jalma anu kudu dipadulikeun. Anak atawa nu séjénna. Anjeun moal pernah kaduhung miboga anak. * ''Hi, Nora. I just wanted to call you to say that… We have to talk to each other. It can’t be the case that… I don’t like going to the theatre, for example. And it’s not that I don’t like theatre. It’s just that… I can’t stand watching it. But Chekhov is… I can read Chekhov. It’s really… Not the plays, but… I’m sensitive. So are you. We’re… alike in that sense.'' Hai, Nora. Didieu ngan hoyong nelpon anjeun pikeun nyarios yén... Urang téh kudu saling ngobrol. Teu mungkin ieu téh ngan ku sabab... Didieu ngan teu resep kudu indit ka téater, contona. Jeung ieu téh maksudna lain didieu teu resep téater. Ieu téh.... didieu ngan teu bisa tahan nontonna. Tapi Chekhov téh... Didieu bisa maca Chekhov... éta téh meni... Lain dramana, tapi... Didieu téh sénsitip. Anjeun ogé. Urang téh... mirip dina hal éta. === Rachel === * [maca skenario pilem] ''“I had this kind of crisis. I was alone in the house again, lying in my bed, crying. I know everyone lies in bed, crying, but… Someone said praying isn’t really talking to God. It’s acknowledging the despair. To throw yourself on the ground because that’s all you can do. Not unlike lying with your heart broken, thinking… ‘Please call me. Please forgive me. Please take me back.’ And… I had fucked up. And I was alone, and crying. And then, for the first time, I sat down on the floor and prayed. I don’t know who I said it to, but I said it out loud. ‘Help me. I can’t do this anymore. I want a home.’ “'' [maca skenario pilem] "Kuring miboga ieu rasa krisis. Kuring keur sorangan di imah deui, ngagolér na dipan kuring, ceurik. Kuring nyaho kabéh jalma ogé ngagolér na dipan, ceurik, tapi.... Aya nu ngomong yén ngadua téh lain saenyana ngobrol jeung Gusti. Éta téh pangakuan kana rasa nalangsa. Pikeun ngagebrukeun manéh kana taneuh, lantaran ngan éta wungkul nu bisa dilakukeun. Lain siga ngagolér kalayan manah anu peureus, mikir... ‘Muga kersa telepon kuring. Panghampurakeun kuring. Tarima deui sim kuring.’ Jeung.... kuring geus teu paruguh. Jeung kuring sorangan, jeung ceurik. Tuluy, jang mimitina pisan, kuring diuk di handap na lantéy jeung ngadua. Kuring teu nyaho ka saha kuring ngomong éta, tapi kuring ngomong tarik. ''‘''Tulungan kuring. Kuring geus teu bisa ngalampahan ieu deui. Kuring hayang imah.''’'' "== Tutumbu luar == [https://www.imdb.com/title/tt27714581/quotes/?ref_=tt_dyk_qu Cutatan Sentimental Value - IMBD] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 9ewz920gswau84avoxtt083atu3rpdg 16502 16501 2026-05-10T16:36:46Z Hasnanf 1958 /* Gustav */ 16502 wikitext text/x-wiki '''Sentimental Value''' (basa Norwégia: ''Affeksjonsverdi'') nyaéta pilem drama anu dirilis taun 2025, karya sutradara [[Joachim Trier]], anu ogé ditulis ku anjeunna dibarengan ku [[Eskil Vogt]]. Pilem ieu dibintangan ku [[Renate Reinsve]], [[Inga Libsdotter Lilleaas]], [[Stellan Skarsgård]], jeung [[Elle Fanning]]. Pilem ieu mimiti ditayangkeun dina ajang kompetisi utama 2025 Cannes Film Festival. Pilem ieu nyaritakeun dua sadulur, Nora jeung Agnes Borg, anu panggih deui jeung bapana anu mangrupakeun sutradara katelah, Gustav Borg, sanggeus indungna tilar dunya. Gustav ngusahakeun jang ngarangkul deui dua putrina sakaligus ngajak ngerjakeun proyék pilem anyarna di imah kulawarga anjeunna, anu ngabalukarkeun konplik émosional. == Plot == Sanggeus indungna tilar dunya, Nora jeung Agnes Borg kadatangan deui bapana, Gustav Borg, anu mangrupakeun sutradara kasohor, sanggeus anjeunna lila indit. Gustav datang sakalian méré nyaho yén anjeunna miboga proyék pilem anyar, anu bakal nyaritakeun imah nu dicicingan ku aranjeunna, anu ogé mangrupakeun imah panineungan jang anjeunna. Kahayang anjeunna mah, Nora, anu ogé aktris téater kasohor, bisa jadi béntang utama dina proyék pilemna éta, ku sabab éta pilem ogé ngahaja ditulis ku Gustav jang Nora. Ku sangkan aya rasa teu genah anu dibalukarkeun ku konplik kulawarga ti baheula, Nora nolak tawaran bapana. Teu béak asa, bapana tuluy néang aktris lain jang ngabéntangan éta pilem. Rachel Kemp, salaku aktris nu keur naék daun tuluy dipilih jang jadi pemeran utama. Sanggeus lila dirasa-rasa loba nu teu cocog pikeun diperankeun ku anjeunna, Rachel tuluy manggihan Nora pikeun nyaritakeun rasa hariwangna sarta nanyakeun alasan naha anjeunna nolak éta pilem. Ti dinya, Nora jeung Agnes kudu nyinghareupan hubungan anu sakitu pajeulitna jeung bapana. == Cutatan == === Narator === * ''"In 6th grade, Nora was told to write an essay as if she was an object.'' ''She knew at once she’d be their house.'' ''She described how its belly shook as she and her sister ran downstairs'' ''and out the back door.'' ''That it saw them take the shortcut through the fence and onto the road,'' ''where the house no longer could see them.'' ''She wondered if the house liked to be empty and light,'' ''or full and heavy.'' ''If the floors liked being trod on.'' ''If the walls were ticklish.'' ''If it ever felt pain.'' ''And she thought that yes, it probably liked to be full."'' "Di kelas 6, Nora kungsi dititah nulis éséy saolah-olah anjeunna téh hiji obyék. Anjeunna langsung nyaho yén anjeunna rék jadi imah anjeunna. Anjeunna tuluy nerangkeun kumaha beuteungna téh ngageleter nalika anjeunna jeung adina lumpat ka handap jeung kaluar ti panto tukang. Kumaha imahna téh nénjo aranjeunna nyokot jalan pintas ngaliwatan pager tuluy ka jalan, nu mana imahna téh geus teu bisa deui nénjo anjeunna. Anjeunna panasaran lamun éta imah téh resep lamun kosong jeung hampang, atawa pinuh jeung beurat. Lamun lantéyna resep dileyek. Lamun témbokna téh gétékan. Lamun éta imah téh kungsi ngarasa kanyeri. Tuluy anjeunna mikir yén enya, éta imah téh meureun resep lamun pinuh." === Dialog === * Gustav jeung Nora '''''Gustav''': You two are the best thing that’s happened to me.'' Aranjeun duaan téh hal panghadéna nu kajadian dina hirup sim kuring. '''''Nora''': The best that’s happened to you? Then why weren’t you there?'' Hal panghadéna nu kajadian dina hirup anjeun? Naha atuh anjeun teu di dieu? * Nora jeung Agnes '''''Nora''': Why didn’t our childhood ruin you?'' Naha mangsa keur leutik urang téh teu ngancurkeun anjeun? '''''Agnes''': It hasn’t always been easy for me.'' Éta teu pernah gampil jang abdi. '''''Nora''': But you’ve managed to make a family. A home.'' Tapi anjeun geus bisa ngawangun kulawargi. Hiji imah. '''''Agnes''': Yeah. There’s one major difference in the way we grew up. I had you. I know you think you’re incapable of caring, but you were there for me. When mom was down. You washed my hair. Combed it. Got me to school. I felt safe. … I love you.'' Muhun. Aya hiji pangbéda paling ageung dina cara urang tumuwuh. Abdi gaduh anjeun. Abdi terang yén anjeun téh mikir anjeun teu mampu jang paduli, tapi anjeun aya jang abdi. Nalika ambu nuju rieut. Anjeun nguramasan abdi. Nyisiran abdi. Nganteur abdi ka sakola. Abdi ngarasa aman. ...Abdi nyaah ka anjeun. === Nora === * ''What I like the most about it, is probably… Building a character. Diving into that perspective, or into their feelings by assuming the role of someone else. It maybe provides me the security to connect to my own feelings.'' Anu sim kuring resep pisan ngeunaan éta, nyaéta sapertina... Ngawangun hiji karakter. Neuleuman éta sawangan, atawa ka jero rarasaanna ku ngasumsikeun peran batur. Sapertina éta anu méré kaamanan ka sim kuring jang nyambungkeun diri jeung rarasaan sim kuring sorangan. === Gustav === * ''I know it’s been hard for you. I recognize myself in you. But you’re so goddamn angry. It’s hard to love someone who’s so full of rage. Right? You don’t want to be alone forever. It’s not good for the art either. You need someone to care about. Children or something. You never regret having children.'' Didieu apal éta téh hésé jang anjeun. Sim kuring ngawanohan diri sim kuring sorangan di anjeun. Tapi anjeun téh kacida benduna. Hésé jang bisa nyaah ka hiji jalma anu pinuh ku rasa bendu. Bener? Anjeun moal hayang sosoranganan salilana. Ieu téh moal alus ogé jang seni (nu ku anjeun tedunan). Anjeun mibutuh hiji jalma anu kudu dipadulikeun. Anak atawa nu séjénna. Anjeun moal pernah kaduhung miboga anak. * ''Hi, Nora. I just wanted to call you to say that… We have to talk to each other. It can’t be the case that… I don’t like going to the theatre, for example. And it’s not that I don’t like theatre. It’s just that… I can’t stand watching it. But Chekhov is… I can read Chekhov. It’s really… Not the plays, but… I’m sensitive. So are you. We’re… alike in that sense.'' Hai, Nora. Didieu ngan hoyong nelpon anjeun pikeun nyarios yén... Urang téh kudu saling ngobrol. Teu mungkin ieu téh ngan ku sabab... Didieu ngan teu resep kudu indit ka téater, contona. Jeung ieu téh maksudna lain didieu teu resep téater. Ieu téh.... didieu ngan teu bisa tahan nontonna. Tapi Chekhov téh... Didieu bisa maca Chekhov... éta téh meni... Lain dramana, tapi... Didieu téh sénsitip. Anjeun ogé. Urang téh... mirip dina hal éta. === Rachel === * [maca skenario pilem] ''“I had this kind of crisis. I was alone in the house again, lying in my bed, crying. I know everyone lies in bed, crying, but… Someone said praying isn’t really talking to God. It’s acknowledging the despair. To throw yourself on the ground because that’s all you can do. Not unlike lying with your heart broken, thinking… ‘Please call me. Please forgive me. Please take me back.’ And… I had fucked up. And I was alone, and crying. And then, for the first time, I sat down on the floor and prayed. I don’t know who I said it to, but I said it out loud. ‘Help me. I can’t do this anymore. I want a home.’ “'' [maca skenario pilem] "Kuring miboga ieu rasa krisis. Kuring keur sorangan di imah deui, ngagolér na dipan kuring, ceurik. Kuring nyaho kabéh jalma ogé ngagolér na dipan, ceurik, tapi.... Aya nu ngomong yén ngadua téh lain saenyana ngobrol jeung Gusti. Éta téh pangakuan kana rasa nalangsa. Pikeun ngagebrukeun manéh kana taneuh, lantaran ngan éta wungkul nu bisa dilakukeun. Lain siga ngagolér kalayan manah anu peureus, mikir... ‘Muga kersa telepon kuring. Panghampurakeun kuring. Tarima deui sim kuring.’ Jeung.... kuring geus teu paruguh. Jeung kuring sorangan, jeung ceurik. Tuluy, jang mimitina pisan, kuring diuk di handap na lantéy jeung ngadua. Kuring teu nyaho ka saha kuring ngomong éta, tapi kuring ngomong tarik. ''‘''Tulungan kuring. Kuring geus teu bisa ngalampahan ieu deui. Kuring hayang imah.''’'' " == Tutumbu Luar == [https://www.imdb.com/title/tt27714581/quotes/?ref_=tt_dyk_qu Cutatan Sentimental Value - IMBD] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] obmo6tb4xzce0ih4f1egwqi4zaaxfqf 16503 16502 2026-05-10T16:42:33Z Hasnanf 1958 /* Dialog */ 16503 wikitext text/x-wiki '''Sentimental Value''' (basa Norwégia: ''Affeksjonsverdi'') nyaéta pilem drama anu dirilis taun 2025, karya sutradara [[Joachim Trier]], anu ogé ditulis ku anjeunna dibarengan ku [[Eskil Vogt]]. Pilem ieu dibintangan ku [[Renate Reinsve]], [[Inga Libsdotter Lilleaas]], [[Stellan Skarsgård]], jeung [[Elle Fanning]]. Pilem ieu mimiti ditayangkeun dina ajang kompetisi utama 2025 Cannes Film Festival. Pilem ieu nyaritakeun dua sadulur, Nora jeung Agnes Borg, anu panggih deui jeung bapana anu mangrupakeun sutradara katelah, Gustav Borg, sanggeus indungna tilar dunya. Gustav ngusahakeun jang ngarangkul deui dua putrina sakaligus ngajak ngerjakeun proyék pilem anyarna di imah kulawarga anjeunna, anu ngabalukarkeun konplik émosional. == Plot == Sanggeus indungna tilar dunya, Nora jeung Agnes Borg kadatangan deui bapana, Gustav Borg, anu mangrupakeun sutradara kasohor, sanggeus anjeunna lila indit. Gustav datang sakalian méré nyaho yén anjeunna miboga proyék pilem anyar, anu bakal nyaritakeun imah nu dicicingan ku aranjeunna, anu ogé mangrupakeun imah panineungan jang anjeunna. Kahayang anjeunna mah, Nora, anu ogé aktris téater kasohor, bisa jadi béntang utama dina proyék pilemna éta, ku sabab éta pilem ogé ngahaja ditulis ku Gustav jang Nora. Ku sangkan aya rasa teu genah anu dibalukarkeun ku konplik kulawarga ti baheula, Nora nolak tawaran bapana. Teu béak asa, bapana tuluy néang aktris lain jang ngabéntangan éta pilem. Rachel Kemp, salaku aktris nu keur naék daun tuluy dipilih jang jadi pemeran utama. Sanggeus lila dirasa-rasa loba nu teu cocog pikeun diperankeun ku anjeunna, Rachel tuluy manggihan Nora pikeun nyaritakeun rasa hariwangna sarta nanyakeun alasan naha anjeunna nolak éta pilem. Ti dinya, Nora jeung Agnes kudu nyinghareupan hubungan anu sakitu pajeulitna jeung bapana. == Cutatan == === Narator === * ''"In 6th grade, Nora was told to write an essay as if she was an object.'' ''She knew at once she’d be their house.'' ''She described how its belly shook as she and her sister ran downstairs'' ''and out the back door.'' ''That it saw them take the shortcut through the fence and onto the road,'' ''where the house no longer could see them.'' ''She wondered if the house liked to be empty and light,'' ''or full and heavy.'' ''If the floors liked being trod on.'' ''If the walls were ticklish.'' ''If it ever felt pain.'' ''And she thought that yes, it probably liked to be full."'' "Di kelas 6, Nora kungsi dititah nulis éséy saolah-olah anjeunna téh hiji obyék. Anjeunna langsung nyaho yén anjeunna rék jadi imah anjeunna. Anjeunna tuluy nerangkeun kumaha beuteungna téh ngageleter nalika anjeunna jeung adina lumpat ka handap jeung kaluar ti panto tukang. Kumaha imahna téh nénjo aranjeunna nyokot jalan pintas ngaliwatan pager tuluy ka jalan, nu mana imahna téh geus teu bisa deui nénjo anjeunna. Anjeunna panasaran lamun éta imah téh resep lamun kosong jeung hampang, atawa pinuh jeung beurat. Lamun lantéyna resep dileyek. Lamun témbokna téh gétékan. Lamun éta imah téh kungsi ngarasa kanyeri. Tuluy anjeunna mikir yén enya, éta imah téh meureun resep lamun pinuh." === Dialog === * Gustav jeung Nora '''''Gustav''': You two are the best thing that’s happened to me.'' Aranjeun duaan téh hal panghadéna nu kajadian dina hirup sim kuring. '''''Nora''': The best that’s happened to you? Then why weren’t you there?'' Hal panghadéna nu kajadian dina hirup anjeun? Naha atuh anjeun teu di dieu? <hr width="50%"/> * Nora jeung Agnes '''''Nora''': Why didn’t our childhood ruin you?'' Naha mangsa keur leutik urang téh teu ngancurkeun anjeun? '''''Agnes''': It hasn’t always been easy for me.'' Éta teu pernah gampil jang abdi. '''''Nora''': But you’ve managed to make a family. A home.'' Tapi anjeun geus bisa ngawangun kulawargi. Hiji imah. '''''Agnes''': Yeah. There’s one major difference in the way we grew up. I had you. I know you think you’re incapable of caring, but you were there for me. When mom was down. You washed my hair. Combed it. Got me to school. I felt safe. … I love you.'' Muhun. Aya hiji pangbéda paling ageung dina cara urang tumuwuh. Abdi gaduh anjeun. Abdi terang yén anjeun téh mikir anjeun teu mampu jang paduli, tapi anjeun aya jang abdi. Nalika ambu nuju rieut. Anjeun nguramasan abdi. Nyisiran abdi. Nganteur abdi ka sakola. Abdi ngarasa aman. ...Abdi nyaah ka anjeun. === Nora === * ''What I like the most about it, is probably… Building a character. Diving into that perspective, or into their feelings by assuming the role of someone else. It maybe provides me the security to connect to my own feelings.'' Anu sim kuring resep pisan ngeunaan éta, nyaéta sapertina... Ngawangun hiji karakter. Neuleuman éta sawangan, atawa ka jero rarasaanna ku ngasumsikeun peran batur. Sapertina éta anu méré kaamanan ka sim kuring jang nyambungkeun diri jeung rarasaan sim kuring sorangan. === Gustav === * ''I know it’s been hard for you. I recognize myself in you. But you’re so goddamn angry. It’s hard to love someone who’s so full of rage. Right? You don’t want to be alone forever. It’s not good for the art either. You need someone to care about. Children or something. You never regret having children.'' Didieu apal éta téh hésé jang anjeun. Sim kuring ngawanohan diri sim kuring sorangan di anjeun. Tapi anjeun téh kacida benduna. Hésé jang bisa nyaah ka hiji jalma anu pinuh ku rasa bendu. Bener? Anjeun moal hayang sosoranganan salilana. Ieu téh moal alus ogé jang seni (nu ku anjeun tedunan). Anjeun mibutuh hiji jalma anu kudu dipadulikeun. Anak atawa nu séjénna. Anjeun moal pernah kaduhung miboga anak. * ''Hi, Nora. I just wanted to call you to say that… We have to talk to each other. It can’t be the case that… I don’t like going to the theatre, for example. And it’s not that I don’t like theatre. It’s just that… I can’t stand watching it. But Chekhov is… I can read Chekhov. It’s really… Not the plays, but… I’m sensitive. So are you. We’re… alike in that sense.'' Hai, Nora. Didieu ngan hoyong nelpon anjeun pikeun nyarios yén... Urang téh kudu saling ngobrol. Teu mungkin ieu téh ngan ku sabab... Didieu ngan teu resep kudu indit ka téater, contona. Jeung ieu téh maksudna lain didieu teu resep téater. Ieu téh.... didieu ngan teu bisa tahan nontonna. Tapi Chekhov téh... Didieu bisa maca Chekhov... éta téh meni... Lain dramana, tapi... Didieu téh sénsitip. Anjeun ogé. Urang téh... mirip dina hal éta. === Rachel === * [maca skenario pilem] ''“I had this kind of crisis. I was alone in the house again, lying in my bed, crying. I know everyone lies in bed, crying, but… Someone said praying isn’t really talking to God. It’s acknowledging the despair. To throw yourself on the ground because that’s all you can do. Not unlike lying with your heart broken, thinking… ‘Please call me. Please forgive me. Please take me back.’ And… I had fucked up. And I was alone, and crying. And then, for the first time, I sat down on the floor and prayed. I don’t know who I said it to, but I said it out loud. ‘Help me. I can’t do this anymore. I want a home.’ “'' [maca skenario pilem] "Kuring miboga ieu rasa krisis. Kuring keur sorangan di imah deui, ngagolér na dipan kuring, ceurik. Kuring nyaho kabéh jalma ogé ngagolér na dipan, ceurik, tapi.... Aya nu ngomong yén ngadua téh lain saenyana ngobrol jeung Gusti. Éta téh pangakuan kana rasa nalangsa. Pikeun ngagebrukeun manéh kana taneuh, lantaran ngan éta wungkul nu bisa dilakukeun. Lain siga ngagolér kalayan manah anu peureus, mikir... ‘Muga kersa telepon kuring. Panghampurakeun kuring. Tarima deui sim kuring.’ Jeung.... kuring geus teu paruguh. Jeung kuring sorangan, jeung ceurik. Tuluy, jang mimitina pisan, kuring diuk di handap na lantéy jeung ngadua. Kuring teu nyaho ka saha kuring ngomong éta, tapi kuring ngomong tarik. ''‘''Tulungan kuring. Kuring geus teu bisa ngalampahan ieu deui. Kuring hayang imah.''’'' " == Tutumbu Luar == [https://www.imdb.com/title/tt27714581/quotes/?ref_=tt_dyk_qu Cutatan Sentimental Value - IMBD] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] gzyvo0m10sotba5eyylk93c6vsg2i4b 16504 16503 2026-05-10T16:43:41Z Hasnanf 1958 /* Dialog */ 16504 wikitext text/x-wiki '''Sentimental Value''' (basa Norwégia: ''Affeksjonsverdi'') nyaéta pilem drama anu dirilis taun 2025, karya sutradara [[Joachim Trier]], anu ogé ditulis ku anjeunna dibarengan ku [[Eskil Vogt]]. Pilem ieu dibintangan ku [[Renate Reinsve]], [[Inga Libsdotter Lilleaas]], [[Stellan Skarsgård]], jeung [[Elle Fanning]]. Pilem ieu mimiti ditayangkeun dina ajang kompetisi utama 2025 Cannes Film Festival. Pilem ieu nyaritakeun dua sadulur, Nora jeung Agnes Borg, anu panggih deui jeung bapana anu mangrupakeun sutradara katelah, Gustav Borg, sanggeus indungna tilar dunya. Gustav ngusahakeun jang ngarangkul deui dua putrina sakaligus ngajak ngerjakeun proyék pilem anyarna di imah kulawarga anjeunna, anu ngabalukarkeun konplik émosional. == Plot == Sanggeus indungna tilar dunya, Nora jeung Agnes Borg kadatangan deui bapana, Gustav Borg, anu mangrupakeun sutradara kasohor, sanggeus anjeunna lila indit. Gustav datang sakalian méré nyaho yén anjeunna miboga proyék pilem anyar, anu bakal nyaritakeun imah nu dicicingan ku aranjeunna, anu ogé mangrupakeun imah panineungan jang anjeunna. Kahayang anjeunna mah, Nora, anu ogé aktris téater kasohor, bisa jadi béntang utama dina proyék pilemna éta, ku sabab éta pilem ogé ngahaja ditulis ku Gustav jang Nora. Ku sangkan aya rasa teu genah anu dibalukarkeun ku konplik kulawarga ti baheula, Nora nolak tawaran bapana. Teu béak asa, bapana tuluy néang aktris lain jang ngabéntangan éta pilem. Rachel Kemp, salaku aktris nu keur naék daun tuluy dipilih jang jadi pemeran utama. Sanggeus lila dirasa-rasa loba nu teu cocog pikeun diperankeun ku anjeunna, Rachel tuluy manggihan Nora pikeun nyaritakeun rasa hariwangna sarta nanyakeun alasan naha anjeunna nolak éta pilem. Ti dinya, Nora jeung Agnes kudu nyinghareupan hubungan anu sakitu pajeulitna jeung bapana. == Cutatan == === Narator === * ''"In 6th grade, Nora was told to write an essay as if she was an object.'' ''She knew at once she’d be their house.'' ''She described how its belly shook as she and her sister ran downstairs'' ''and out the back door.'' ''That it saw them take the shortcut through the fence and onto the road,'' ''where the house no longer could see them.'' ''She wondered if the house liked to be empty and light,'' ''or full and heavy.'' ''If the floors liked being trod on.'' ''If the walls were ticklish.'' ''If it ever felt pain.'' ''And she thought that yes, it probably liked to be full."'' "Di kelas 6, Nora kungsi dititah nulis éséy saolah-olah anjeunna téh hiji obyék. Anjeunna langsung nyaho yén anjeunna rék jadi imah anjeunna. Anjeunna tuluy nerangkeun kumaha beuteungna téh ngageleter nalika anjeunna jeung adina lumpat ka handap jeung kaluar ti panto tukang. Kumaha imahna téh nénjo aranjeunna nyokot jalan pintas ngaliwatan pager tuluy ka jalan, nu mana imahna téh geus teu bisa deui nénjo anjeunna. Anjeunna panasaran lamun éta imah téh resep lamun kosong jeung hampang, atawa pinuh jeung beurat. Lamun lantéyna resep dileyek. Lamun témbokna téh gétékan. Lamun éta imah téh kungsi ngarasa kanyeri. Tuluy anjeunna mikir yén enya, éta imah téh meureun resep lamun pinuh." === Dialog === * Gustav jeung Nora :'''''Gustav''': You two are the best thing that’s happened to me.'' :Aranjeun duaan téh hal panghadéna nu kajadian dina hirup sim kuring. :'''''Nora''': The best that’s happened to you? Then why weren’t you there?'' :Hal panghadéna nu kajadian dina hirup anjeun? Naha atuh anjeun teu di dieu? <hr width="50%"/> * Nora jeung Agnes :'''''Nora''': Why didn’t our childhood ruin you?'' :Naha mangsa keur leutik urang téh teu ngancurkeun anjeun? :'''''Agnes''': It hasn’t always been easy for me.'' :Éta teu pernah gampil jang abdi. :'''''Nora''': But you’ve managed to make a family. A home.'' :Tapi anjeun geus bisa ngawangun kulawargi. Hiji imah. :'''''Agnes''': Yeah. There’s one major difference in the way we grew up. I had you. I know you think you’re incapable of caring, but you were there for me. When mom was down. You washed my hair. Combed it. Got me to school. I felt safe. … I love you.'' :Muhun. Aya hiji pangbéda paling ageung dina cara urang tumuwuh. Abdi gaduh anjeun. Abdi terang yén anjeun téh mikir anjeun teu mampu jang paduli, tapi anjeun aya jang abdi. Nalika ambu nuju rieut. Anjeun nguramasan abdi. Nyisiran abdi. Nganteur abdi ka sakola. Abdi ngarasa aman. ...Abdi nyaah ka anjeun. === Nora === * ''What I like the most about it, is probably… Building a character. Diving into that perspective, or into their feelings by assuming the role of someone else. It maybe provides me the security to connect to my own feelings.'' Anu sim kuring resep pisan ngeunaan éta, nyaéta sapertina... Ngawangun hiji karakter. Neuleuman éta sawangan, atawa ka jero rarasaanna ku ngasumsikeun peran batur. Sapertina éta anu méré kaamanan ka sim kuring jang nyambungkeun diri jeung rarasaan sim kuring sorangan. === Gustav === * ''I know it’s been hard for you. I recognize myself in you. But you’re so goddamn angry. It’s hard to love someone who’s so full of rage. Right? You don’t want to be alone forever. It’s not good for the art either. You need someone to care about. Children or something. You never regret having children.'' Didieu apal éta téh hésé jang anjeun. Sim kuring ngawanohan diri sim kuring sorangan di anjeun. Tapi anjeun téh kacida benduna. Hésé jang bisa nyaah ka hiji jalma anu pinuh ku rasa bendu. Bener? Anjeun moal hayang sosoranganan salilana. Ieu téh moal alus ogé jang seni (nu ku anjeun tedunan). Anjeun mibutuh hiji jalma anu kudu dipadulikeun. Anak atawa nu séjénna. Anjeun moal pernah kaduhung miboga anak. * ''Hi, Nora. I just wanted to call you to say that… We have to talk to each other. It can’t be the case that… I don’t like going to the theatre, for example. And it’s not that I don’t like theatre. It’s just that… I can’t stand watching it. But Chekhov is… I can read Chekhov. It’s really… Not the plays, but… I’m sensitive. So are you. We’re… alike in that sense.'' Hai, Nora. Didieu ngan hoyong nelpon anjeun pikeun nyarios yén... Urang téh kudu saling ngobrol. Teu mungkin ieu téh ngan ku sabab... Didieu ngan teu resep kudu indit ka téater, contona. Jeung ieu téh maksudna lain didieu teu resep téater. Ieu téh.... didieu ngan teu bisa tahan nontonna. Tapi Chekhov téh... Didieu bisa maca Chekhov... éta téh meni... Lain dramana, tapi... Didieu téh sénsitip. Anjeun ogé. Urang téh... mirip dina hal éta. === Rachel === * [maca skenario pilem] ''“I had this kind of crisis. I was alone in the house again, lying in my bed, crying. I know everyone lies in bed, crying, but… Someone said praying isn’t really talking to God. It’s acknowledging the despair. To throw yourself on the ground because that’s all you can do. Not unlike lying with your heart broken, thinking… ‘Please call me. Please forgive me. Please take me back.’ And… I had fucked up. And I was alone, and crying. And then, for the first time, I sat down on the floor and prayed. I don’t know who I said it to, but I said it out loud. ‘Help me. I can’t do this anymore. I want a home.’ “'' [maca skenario pilem] "Kuring miboga ieu rasa krisis. Kuring keur sorangan di imah deui, ngagolér na dipan kuring, ceurik. Kuring nyaho kabéh jalma ogé ngagolér na dipan, ceurik, tapi.... Aya nu ngomong yén ngadua téh lain saenyana ngobrol jeung Gusti. Éta téh pangakuan kana rasa nalangsa. Pikeun ngagebrukeun manéh kana taneuh, lantaran ngan éta wungkul nu bisa dilakukeun. Lain siga ngagolér kalayan manah anu peureus, mikir... ‘Muga kersa telepon kuring. Panghampurakeun kuring. Tarima deui sim kuring.’ Jeung.... kuring geus teu paruguh. Jeung kuring sorangan, jeung ceurik. Tuluy, jang mimitina pisan, kuring diuk di handap na lantéy jeung ngadua. Kuring teu nyaho ka saha kuring ngomong éta, tapi kuring ngomong tarik. ''‘''Tulungan kuring. Kuring geus teu bisa ngalampahan ieu deui. Kuring hayang imah.''’'' " == Tutumbu Luar == [https://www.imdb.com/title/tt27714581/quotes/?ref_=tt_dyk_qu Cutatan Sentimental Value - IMBD] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] nwq27wtus0s10xji1cb1d6sr0jh0ud7 0 5899 16506 16206 2026-05-10T17:59:06Z Hasnanf 1958 16506 wikitext text/x-wiki '''Katabasis''' mangrupakeun novél fantasi anu ogé buku kagenep R. F. Kuang anu mimiti diterbitkeun ku Harper Voyage di taun 2025. Dina lima poé mimiti diterbitkeunna, novél ieu katelah jadi novél anu moncér pangjualan panglobana numutkeun ka Sunday Times. == Sinopsis == Alice Law, mahasiswi pascasarjana di Cambridge anu neuleuman élmu gaib kuna, ngalaksanakeun prakték sihir anu kacida bahayana. Nalika aya mantra anu salah dikokolakeun, dosén pembimbingna anu boga pangaruh, Profésor Jacob Grimes, maot kalayan tragis sarta rohona dialungkeun ka Naraka. Alice jeung babaturanna anu sarua kandidat doktoral tuluy kudu ngumbara ka Naraka sangkan nyalametkeun pembimbingna ngarah bisa meunangkeun surat rékomendasi. == Narator == * ''What did Peter desire? Alice wondered. Probably nothing. Peter came into this world with a silver spoon in his mouth; Peter had never wanted for anything''. (page 135) Naon anu dipikahayang ku Peter? Alice nyawang. Meureun teu aya. Peter datang ka ieu dunya jeung séndok pérak na lambeyna; Peter teu pernah mikahayang nanaon. (kaca 135) * ''And maybe they were Grimes's foot soldiers, infantrymen of a dying order. He certainly made them feel that way. Magic was out of favor, he liked to tell them, one of the signs of a decadent civilization. He went on this rant so often they knew it by heart. Men used to be giants, and with every next generation the decline grew. Aristotle invented logic, Euclid geometry, Kant systematic reason. The gains of thought after were marginal. No one invented whole systems anymore; they could only fiddle with what came before, if they could even grasp the ancients well enough to fiddle. Their generation was the most decadent and stupid of all. (page 161)'' Jeung meureun maranéhna téh tantara handapeun Grimes, infantri tina paréntah nu rék paéh. Anjeunna jelas nyieun maranéhna ngarasa kitu. Sihir geus teu diminatan, anjeunna resep méré nyaho éta ka maranéhna, salah sahiji tanda paradaban anu morosot. Anjeunna mineng kukulutus ngeunaan éta anu maranéhna geus apal pisan. Jalma téh kungsi jadi raksasa, jeung tuluy unggal generasi kagagalanna téh tuluy tumuwuh. Aristotle nyiptakeun logika, Euclid géométri, Kant nalar sistematis. Kaleuwihan tina pamikiran sanggeusna téh ngan saeutik. Euweuh deui anu nyiptakeun sistem nu utuh, maranéhna ngan bisa ngagugulung anu geus aya ti saacanna, lamun maranéhna bisa nangkep bener nu diturunkeun ti baheula. Generasi maranéhna téh paling morosot jeung bodo ti sakabéhna. (kaca 161) == Alice == * ''[to Elspeth]'' ''All these scholars have these theories–about sin, karma, repentance–and then you come to Hell and realize it's all up to whims of deities. And I just think if any Tartarologists really came down here they'd burn their previous publications.'' ''(page 281)'' [ka Elspeth] Sakabéh cendekiawan miboga ieu téori–ngeunaan dosa, karma, pertobatan–tuluy anjeun datang ka Naraka jeung nyadar yén kabéh téh gumantung kana kersana para déwa. Jeung kuring téh ngan mikir, lamun Tartarologis mana-mana bener-bener datang ka handap dieu, aranjeunna bakal ngaduruk publikasi-publikasi saacanna. (kaca 281) * ''[to Elspeth]'' ''But there should be some order. It should be fair.'' ''(page 281)'' [ka Elspeth] Tapi kuduna aya aturan. Éta kudu adil. (kaca 281) == Elspeth == * ''[to Alice] That's because they would like to treat the Afterlife like a game. All academia is shoving natural phenomena into boxes that won't fit. They'd like to program it out because it makes them feel safe, because if they can point to all the sinners in Greed and Wrath and Tyranny and say'' ''Well at least I wasn't as bad as him, then they don't have much to worry about. And they get frustrated when Hell won't play along. (page 281)'' [ka Alice] Éta téh kusabab maranéhna bakal merlakukeun kahirupan ahérat siga cocooan. Sakabéh akademia ngasupkeun pénoména alami kanu wadah anu moal asup. Maranéhna resep mrogramkeun éta kusabab éta nyieun maranéhna ngarasa aman, kusabab lamun maranéhna bisa nunjuk ka kabéh anu dosa dinu Kasarakahan jeung Kamurkaan jeung Tirani jeung ngomong Saheunteuna sim kuring teu sagoréng manéhna, tuluy maranéhna teu boga loba nu kudu dipikasieun. Tuluy maranéhna prustasi nalika Naraka teu nurutkeun kahayangna. (kaca 281) * ''[to Alice] You want Hell to obey the rules of classical logic. (page 281)'' Anjeun hayang Naraka jang nurutkeun aturan logika klasik. (kaca 281) [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] k51pimrq4gkuma8k8a53nttius511do 0 5900 16509 16205 2026-05-10T18:10:26Z Hasnanf 1958 16509 wikitext text/x-wiki '''Left-Handed Girl''' nyaéta pilem asal Taiwan anu dirilis taun 2025. Pilem ieu disutradaraan ku Shih-Ching Tsou, sarta ditulis jeung diproduseran babarengan ku anjeunna jeung Sean Baker. Pilem ieu ogé dibintangan ku Janel Tsai, Ma Shih-Yuan, Nina Ye, Brando Huang, Akio Chen and Xin-Yan Chao. Pilem ieu nyaritakeun kahirupan sapopoé I-Jing, budak awéwé umur lima taun, anu percaya yén anjeunna miboga "leungeun sétan" ku sabab anjeunna téh kidal. == Plot == Shu-Fen, saurang indung tunggal, pindah ka Taipei jeung dua anakna, I-Ann jeung I-Jing pikeun muka usaha warung emih di pasar malam. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 2yqspgpchguycnl3h304uh10lwer49x 16510 16509 2026-05-11T04:16:39Z Hasnanf 1958 16510 wikitext text/x-wiki '''Left-Handed Girl''' nyaéta pilem asal Taiwan anu dirilis taun 2025. Pilem ieu disutradaraan ku Shih-Ching Tsou, sarta ditulis jeung diproduseran babarengan ku anjeunna jeung Sean Baker. Pilem ieu ogé dibintangan ku Janel Tsai, Ma Shih-Yuan, Nina Ye, Brando Huang, Akio Chen and Xin-Yan Chao. Pilem ieu nyaritakeun kahirupan sapopoé I-Jing, budak awéwé umur lima taun, anu percaya yén anjeunna miboga "leungeun sétan" ku sabab anjeunna téh kidal. == Plot == Shu-Fen, saurang indung tunggal, pindah ka Taipei jeung dua anakna, I-Ann jeung I-Jing pikeun muka usaha warung emih di pasar malam. == Cutatan == === Shu-Fen === * ''You still haven't learned your lesson. When are you going to take responsibility for your life?'' === I-Jing === * ''Fish are so dumb. Fish have no wisdom, so stupid.'' == Cutatan ngeunaan pilem ieu == * Shih-Ching Tsou, sutradara'': "I wanted to keep the whole family dynamic really strong. You can see how women survive in this society that's male-dominated. It's really important to show that dynamic and to have the audience think about their own family."'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] cmlzgiai18p8bxqrhqenqbmfn8vwu7x 16511 16510 2026-05-11T08:28:06Z Hasnanf 1958 /* Cutatan */ 16511 wikitext text/x-wiki '''Left-Handed Girl''' nyaéta pilem asal Taiwan anu dirilis taun 2025. Pilem ieu disutradaraan ku Shih-Ching Tsou, sarta ditulis jeung diproduseran babarengan ku anjeunna jeung Sean Baker. Pilem ieu ogé dibintangan ku Janel Tsai, Ma Shih-Yuan, Nina Ye, Brando Huang, Akio Chen and Xin-Yan Chao. Pilem ieu nyaritakeun kahirupan sapopoé I-Jing, budak awéwé umur lima taun, anu percaya yén anjeunna miboga "leungeun sétan" ku sabab anjeunna téh kidal. == Plot == Shu-Fen, saurang indung tunggal, pindah ka Taipei jeung dua anakna, I-Ann jeung I-Jing pikeun muka usaha warung emih di pasar malam. == Cutatan == === Shu-Fen === * ''You still haven't learned your lesson. When are you going to take responsibility for your life?'' Anjeun masih kénéh teu diajar. Iraha anjeun bakal tanggungjawab jang hirup anjeun sorangan? === I-Jing === * ''Fish are so dumb. Fish have no wisdom, so stupid.'' Lauk mah mani belet pisan. Lauk téh teu boga kawicaksanan, bodo kabina-bina. == Cutatan ngeunaan pilem ieu == * Shih-Ching Tsou, sutradara'': "I wanted to keep the whole family dynamic really strong. You can see how women survive in this society that's male-dominated. It's really important to show that dynamic and to have the audience think about their own family."'' Shih-Ching Tsou, sutradara'':'' Sim kuring hayang ngajaga dinamika sakabéh kulawarga bener-bener kuat. Anjeun bisa nénjo kumaha para wanoja berjoang di masyarakat anu didominasi ku lalaki. Éta téh penting pisan pikeun nunjukeun dinamika éta, sarta pikeun ngajieun panongton mikirkeun kulawargana sorangan. * Shih-Ching Tsou, sutradara'':'' ''“My grandfather told me the left hand is the devil’s hand. He said: ‘You should not use that.’'' ''I was already ‘corrected’, probably in kindergarten, by the teacher.”'' Shih-Ching Tsou, sutradara: Pun aki nyarios ka sim kuring yén leungeun kénca téh leungeunna sétan. Anjeunna nyarita: ‘Anjeun ulah nganggo panangan éta.’ Sim kuring tos kungsi ‘dibenerkeun’, sigana basa taman kanak-kanak, ku guruna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 473t38w8u14s22srzsoo0jqsr90jrxv 16512 16511 2026-05-11T08:30:31Z Hasnanf 1958 /* Plot */ 16512 wikitext text/x-wiki '''Left-Handed Girl''' nyaéta pilem asal Taiwan anu dirilis taun 2025. Pilem ieu disutradaraan ku Shih-Ching Tsou, sarta ditulis jeung diproduseran babarengan ku anjeunna jeung Sean Baker. Pilem ieu ogé dibintangan ku Janel Tsai, Ma Shih-Yuan, Nina Ye, Brando Huang, Akio Chen and Xin-Yan Chao. Pilem ieu nyaritakeun kahirupan sapopoé I-Jing, budak awéwé umur lima taun, anu percaya yén anjeunna miboga "leungeun sétan" ku sabab anjeunna téh kidal. == Plot == Shu-Fen, saurang indung tunggal, balik deui ka Taipei jeung dua anakna, I-Ann jeung I-Jing pikeun muka usaha warung emih di pasar malam. Ngabiasakeun kabiasaan anyar, aranjeunna nyinghareupan tantangan-tantangan anyar sarta rusiah heubeul anu muncul deui sanggeus I-Jing, anak pangbungsuna digeungeureuhkeun ku akina kusabab anjeunna ngagunakeun leungeun kéncana. == Cutatan == === Shu-Fen === * ''You still haven't learned your lesson. When are you going to take responsibility for your life?'' Anjeun masih kénéh teu diajar. Iraha anjeun bakal tanggungjawab jang hirup anjeun sorangan? === I-Jing === * ''Fish are so dumb. Fish have no wisdom, so stupid.'' Lauk mah mani belet pisan. Lauk téh teu boga kawicaksanan, bodo kabina-bina. == Cutatan ngeunaan pilem ieu == * Shih-Ching Tsou, sutradara'': "I wanted to keep the whole family dynamic really strong. You can see how women survive in this society that's male-dominated. It's really important to show that dynamic and to have the audience think about their own family."'' Shih-Ching Tsou, sutradara'':'' Sim kuring hayang ngajaga dinamika sakabéh kulawarga bener-bener kuat. Anjeun bisa nénjo kumaha para wanoja berjoang di masyarakat anu didominasi ku lalaki. Éta téh penting pisan pikeun nunjukeun dinamika éta, sarta pikeun ngajieun panongton mikirkeun kulawargana sorangan. * Shih-Ching Tsou, sutradara'':'' ''“My grandfather told me the left hand is the devil’s hand. He said: ‘You should not use that.’'' ''I was already ‘corrected’, probably in kindergarten, by the teacher.”'' Shih-Ching Tsou, sutradara: Pun aki nyarios ka sim kuring yén leungeun kénca téh leungeunna sétan. Anjeunna nyarita: ‘Anjeun ulah nganggo panangan éta.’ Sim kuring tos kungsi ‘dibenerkeun’, sigana basa taman kanak-kanak, ku guruna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 1jeev5j5xckpjshjnvx3k5cf28omjvc 16513 16512 2026-05-11T08:32:08Z Hasnanf 1958 /* Cutatan */ 16513 wikitext text/x-wiki '''Left-Handed Girl''' nyaéta pilem asal Taiwan anu dirilis taun 2025. Pilem ieu disutradaraan ku Shih-Ching Tsou, sarta ditulis jeung diproduseran babarengan ku anjeunna jeung Sean Baker. Pilem ieu ogé dibintangan ku Janel Tsai, Ma Shih-Yuan, Nina Ye, Brando Huang, Akio Chen and Xin-Yan Chao. Pilem ieu nyaritakeun kahirupan sapopoé I-Jing, budak awéwé umur lima taun, anu percaya yén anjeunna miboga "leungeun sétan" ku sabab anjeunna téh kidal. == Plot == Shu-Fen, saurang indung tunggal, balik deui ka Taipei jeung dua anakna, I-Ann jeung I-Jing pikeun muka usaha warung emih di pasar malam. Ngabiasakeun kabiasaan anyar, aranjeunna nyinghareupan tantangan-tantangan anyar sarta rusiah heubeul anu muncul deui sanggeus I-Jing, anak pangbungsuna digeungeureuhkeun ku akina kusabab anjeunna ngagunakeun leungeun kéncana. == Cutatan == === Shu-Fen === * ''You still haven't learned your lesson. When are you going to take responsibility for your life?'' Anjeun masih kénéh teu diajar. Iraha anjeun bakal tanggungjawab jang hirup anjeun sorangan? === I-Ann === * ''I-Jing, let me tell you. There is no Devil's Hand or any other supernatural hand. This is your hand. Do you hear me?'' I-Jing, dangukeun. Teu aya nu namina Panangan Sétan atawa panangan supernatural séjénna. Ieu panangan anjeun. Kadangu? === I-Jing === * ''Fish are so dumb. Fish have no wisdom, so stupid.'' Lauk mah mani belet pisan. Lauk téh teu boga kawicaksanan, bodo kabina-bina. == Cutatan ngeunaan pilem ieu == * Shih-Ching Tsou, sutradara'': "I wanted to keep the whole family dynamic really strong. You can see how women survive in this society that's male-dominated. It's really important to show that dynamic and to have the audience think about their own family."'' Shih-Ching Tsou, sutradara'':'' Sim kuring hayang ngajaga dinamika sakabéh kulawarga bener-bener kuat. Anjeun bisa nénjo kumaha para wanoja berjoang di masyarakat anu didominasi ku lalaki. Éta téh penting pisan pikeun nunjukeun dinamika éta, sarta pikeun ngajieun panongton mikirkeun kulawargana sorangan. * Shih-Ching Tsou, sutradara'':'' ''“My grandfather told me the left hand is the devil’s hand. He said: ‘You should not use that.’'' ''I was already ‘corrected’, probably in kindergarten, by the teacher.”'' Shih-Ching Tsou, sutradara: Pun aki nyarios ka sim kuring yén leungeun kénca téh leungeunna sétan. Anjeunna nyarita: ‘Anjeun ulah nganggo panangan éta.’ Sim kuring tos kungsi ‘dibenerkeun’, sigana basa taman kanak-kanak, ku guruna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 1mcy9dsc3a1y2ykq3noylh9541d2ga3 0 5901 16515 16208 2026-05-11T09:17:21Z Hasnanf 1958 16515 wikitext text/x-wiki '''It Was Just an Accident''' (basa Pérsia: یک تصادف ساده; basa Prancis: ''Un simple accident)'' nyaéta pilem thriller taun 2025 anu ditulis jeung disutradaraan ku sutradara asal Iran, [[Jafar Panahi]]. Pilem ieu mangrupakeun pilem kolaborasi babarengan ti Iran, Prancis, jeung Luksemburg. Pilem ieu nyaritakeun sakumpulan mantan tahanan politik anu manggihan rasa diléma pikeun ngabaleskeun dendam ka lalaki anu dicurigaan kungsi nyiksa aranjeunna baheula di tahanan. == Plot == Vahid, mantan tahanan politik anu ayeuna gawé dibengkél, kadatangan lalaki anu leumpang maké suku palsu, anu rék menerkeun mobilna anu mogok lantaran nabrak anjing, nalika keur mawa istrina nu keur hamil jeung budak awéwéna anu leutik kénéh. Anjeunna curiga yén lalaki éta téh jalma anu nyiksa anjeunna basa di penjara, nu ngaranna Eghbal. Isukna, Vahid nyulik éta lalaki tuluy dibawa kana mobil, aya maksud rék dikubur di tegal keusik. Di dinya, lalaki éta téh ngaku yén manéhna lain Eghbal sarta cacad anjeunna téh anyar kénéh. Ngaragukeun idéntitas lalaki éta, Vahid tuluy ngasupkeun deui awak lalaki éta nu geus teu sadar ka jero mobil, tuluy dibawa manggihan babaturanna hiji-hiji jang mastikeun yén lalaki éta téh bener atawa henteu Eghbal nu baheula nyiksa aranjeunna di penjara. == Cutatan == === Vahid === * ''You killed me a hundred times. Have you forgotten? I'm a zombie. One of the living dead.'' * ''Why did you destroy our lives?'' * ''Two or three weeks after your arrest, I too was arrested. On the same charges as everyone else : collusion, conspiracy and propaganda against the regime.'' === Salar === * ''This isn't like you. We aren't killers; we're not like them. There's no need to dig their graves - they've done it themselves. It's your ideals you're burying.'' === Hamid === * ''They hanged me by my feet! I didn't see the sun for three months. I could no longer tell day from night. And now you feel sorry for them? People like you think they're the Gandhis and Mandelas, and they see us as the Hitlers and Mussolinis. You don't get it. If this guy survives, he won't spare us. Don't you realize that?!'' * ''These scumbags created the system. He believes body and soul in the hell he wants to send us to.'' === Shiva === * ''The problem is not individual. You're confusing a submissive agent and the agent.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] daae18v2om9lp7bwqt8q0bs7ghar5ay 16516 16515 2026-05-11T09:25:57Z Hasnanf 1958 /* Cutatan */ 16516 wikitext text/x-wiki '''It Was Just an Accident''' (basa Pérsia: یک تصادف ساده; basa Prancis: ''Un simple accident)'' nyaéta pilem thriller taun 2025 anu ditulis jeung disutradaraan ku sutradara asal Iran, [[Jafar Panahi]]. Pilem ieu mangrupakeun pilem kolaborasi babarengan ti Iran, Prancis, jeung Luksemburg. Pilem ieu nyaritakeun sakumpulan mantan tahanan politik anu manggihan rasa diléma pikeun ngabaleskeun dendam ka lalaki anu dicurigaan kungsi nyiksa aranjeunna baheula di tahanan. == Plot == Vahid, mantan tahanan politik anu ayeuna gawé dibengkél, kadatangan lalaki anu leumpang maké suku palsu, anu rék menerkeun mobilna anu mogok lantaran nabrak anjing, nalika keur mawa istrina nu keur hamil jeung budak awéwéna anu leutik kénéh. Anjeunna curiga yén lalaki éta téh jalma anu nyiksa anjeunna basa di penjara, nu ngaranna Eghbal. Isukna, Vahid nyulik éta lalaki tuluy dibawa kana mobil, aya maksud rék dikubur di tegal keusik. Di dinya, lalaki éta téh ngaku yén manéhna lain Eghbal sarta cacad anjeunna téh anyar kénéh. Ngaragukeun idéntitas lalaki éta, Vahid tuluy ngasupkeun deui awak lalaki éta nu geus teu sadar ka jero mobil, tuluy dibawa manggihan babaturanna hiji-hiji jang mastikeun yén lalaki éta téh bener atawa henteu Eghbal nu baheula nyiksa aranjeunna di penjara. == Cutatan == === Vahid === * ''You killed me a hundred times. Have you forgotten? I'm a zombie. One of the living dead.'' Manéh geus ngabunuh kuring ratusan kali. Manéh poho? Kuring téh mayit hirup. Salah sahiji mayit hirup. * ''Why did you destroy our lives?'' Naha manéh ngacurkeun hirup arurang? * ''Two or three weeks after your arrest, I too was arrested. On the same charges as everyone else : collusion, conspiracy and propaganda against the regime.'' Dua atawa tilu minggu sangges anjeun ditangkep, kuring ogé ditangkep. Dina alesan-alesan anu sarua siga kabéh nu lain: kolusi, konspirasi, jeung propaganda ngalawan rézim. === Salar === * ''This isn't like you. We aren't killers; we're not like them. There's no need to dig their graves - they've done it themselves. It's your ideals you're burying.'' Ieu siga lain anjeun. Urang téh lain pamaten; urang teu jiga maranéhna. Teu kudu ngagali kuburan maranéhna - maranéhna geus ngalakukeun éta sorangan. Ieu téh idéalisme anjeun anu ku anjeun dikubur. === Hamid === * ''They hanged me by my feet! I didn't see the sun for three months. I could no longer tell day from night. And now you feel sorry for them? People like you think they're the Gandhis and Mandelas, and they see us as the Hitlers and Mussolinis. You don't get it. If this guy survives, he won't spare us. Don't you realize that?!'' Maranéhna téh ngagantung kuring tina suku! Kuring teu ningali panonpé salila tilu bulan. Kuring geus teu bisa ngabédakeun beurang jeung peuting. Ayeuna anjeun karunya ka maranéhna? Jalma siga anjeun téh mikir maranéhna téh siga Gandhi jeung Mandela, bari maranéhna téh nigali arurang siga Hitler jeung Mussolini. Anjeun mah teu ngarti. Lamun jalma ieu salamet, manéhna moal ngampunan urang. Anjeun teu nyadar éta?! * ''These scumbags created the system. He believes body and soul in the hell he wants to send us to.'' Jelema-jelema bejad ieu anu geus nyieun sistem. Manéhna percaya jiwa raga kana naraka tempat manéhna hayang nyéréd arurang. === Shiva === * ''The problem is not individual. You're confusing a submissive agent and the system.'' Masalahna téh lain perseorangan. Anjeun patukeur antara agen anu nurut jeung sistemna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] gsabskhhii6imyz8zmqhxvrwypynoe6 0 5902 16505 16204 2026-05-10T17:02:14Z Hasnanf 1958 16505 wikitext text/x-wiki '''One Battle After Another''' nyaéta pilem aksi-thriller komedi-satir Amérika anu dirilis taun 2025, anu ditulis, diproduksi, jeung disutradaraan ku [[Paul Thomas Anderson]]. Pilem ieu dibintangan ku [[Leonardo DiCaprio]], [[Chase Infiniti]], [[Sean Penn]], [[Regina Hall]], [[Teyana Taylor]], jeung [[Benicio del Toro]]. Pilem ieu diinspirasi ku buku [[Vineland]] taun 1990 karya [[Thomas Pynchon]]. == Plot == 16 taun hirup di pangasingan, Bob kapaksa kudu balik deui ka kahirupan pinuh bahaya anu nuturkeun anjeunna jeung anakna, Willa, ku lantaran jadi buronan ti usaha pemberontakkan French 75 baheula. Bob, anu baheula miboga ngaran "Ghetto" Pat Calhoun jeung Perfidia Beverly Hills téh sapasang kabogoh anu ogé anggota kelompok militan révolusioner, French 75. Maranéhna kungsi ngabébaskeun tahanan imigran anu tuluy dibom ku kelompokna. Perfidia kungsi ngéra-ngéra kolonél anu jadi pamingpin kaamanan tempat éta, Lockjaw, anu tuluy jadi musuh kelompok French 75. Teu lila ti éta, Perfidia reuneuh tuluy ngalahirkeun budak awéwé anu dingaranan Charlene. Pat ngararay Perfidia sangkan daék hirup normal, tapi Perfidia tuluy ninggalkeun anjeunna jang neruskeun kagiatan révolusina. Perfidia tuluy jadi tahanan sanggeus jadi tersangka ngabunuh panjaga kaamanan nalika aya parampokan di bank. Ti dinya, Pat jeung anakna, anu tuluy maké ngaran samaran Bob jeung Willa, hirup di pangasingan. Tapi Bob kacida paranoidna, sieun pangasinganna kapanggih ku pamaréntah tuluy manéhna jeung anakna ditéwak. Sanggeus 16 taun éta, Lockjaw ngayakeun operasi jang néwak Bob jeung Willa. == Cutatan == === Bob/Pat === * I don't get mad. I don't get mad about anything anymore. Kuring teu ambek. Kuring geus teu bisa ambek ka nanaon deui. * Freedom is a funny thing, isn't it? When you have it, you don't appreciate it, and when you miss it, it's gone. Kabébasan téh hal nu lucu, lain? Nalika anjeun miboga éta, anjeun téh teu ngahargaan, tapi nalikan anjeun mikahayang éta, éta téh leungit. === Perfidia === * The message is clear. Free borders, free bodies, free choice and free from fucking fear. Pesenna téh jelas. Perbatasan anu bébas, awak anu bébas, pilihan bébas, sarta bébas ti kasieun. * Are you happy? Do you have love? What will you do when you get older? Will you try to change the world like I did? We failed, but maybe you will not. Maybe you will be the one who puts the world right. Anjeun bagja? Anjeun miboga kaasih? Naon anu rék anjeun pibuat nalika anjeun geus leuwih gedé? Anjeun rék nyoba ngobah dunya jiga kuring? Urang téh gagal, tapi meureun anjeun mah moal. Meureun anjeun bakal nu jadi menerkeun dunya. * Your crumbling male ego will never do the revolution like me. Fuck outta here. Égo lalaki manéh anu runtuh moal bisa kungsi ngayakeun révolusi jiga kuring. Ingkah ti dieu. === Willa === * I didn't ask for this. That's just how the cards were rolled out for me. Sim kuring teu ménta ieu. Émang tos kitu guratna jang sim kuring. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] imtyimtmsxme5gzsgei8rjpqibaxvl9 0 5903 16507 16207 2026-05-10T18:08:57Z Hasnanf 1958 16507 wikitext text/x-wiki '''Human Resource''' (basa Thailand: พนักงานใหม่ (โปรดรับไว้พิจารณา)) nyaéta pilem drama Thailand taun 2025 anu ditulis jeung disutradaraan ku Nawapol Thamrongrattanarit. == Plot == Fren, saurang pagawé bagéan departemen sumber daya manusa ngajalankeun kahirupan biasa saurang pagawé kantoran. Nyinghareupan June, pagawé anu bolos tanpa méré katerangan, sakaligus ditugaskeun ngawawancara kandidat pagawé-pagawé anyar sangkan ngeusian posisi nu kosong di kantorna. == Cutatan ngeunaan pilem ieu == * ''Nawapol Thamrongrattanarit, sutradara: "The situation in the film could be present and in the future at the same time. It seems like it will be like this for the next ten years.... Most Thai people work in an office like this, but there’s no film ever recorded this kind of atmosphere before."'' * ''“You are afraid you would be dumped from your office at any time… when you have to improve yourself all the time, it’s tiring. Why do you have to keep improving your life all the time?”'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] ovtaw3h6dn12chsk8w0h6mp5z9qvefw 16514 16507 2026-05-11T08:43:21Z Hasnanf 1958 16514 wikitext text/x-wiki '''Human Resource''' (basa Thailand: พนักงานใหม่ (โปรดรับไว้พิจารณา)) nyaéta pilem drama Thailand taun 2025 anu ditulis jeung disutradaraan ku Nawapol Thamrongrattanarit. Pilem ieu dibéntangan ku Prapamonton Eiamchan, Paopetch Charoensook, Pimmada Chaisakaoen, sarta Chanakan Rattana-Udom. == Plot == Fren, saurang pagawé bagéan departemen sumber daya manusa ngajalankeun kahirupan biasa saurang pagawé kantoran. Nyinghareupan June, pagawé anu bolos tanpa méré katerangan, sakaligus ditugaskeun ngawawancara kandidat pagawé-pagawé anyar sangkan ngeusian posisi nu kosong di kantorna. Di sisi lain, Fren ogé keur ngandung tapi disumputkeun ti carogéna, Thame. Rasa hariwang jang masa depan nyieun anjeunna ngarasa teu percaya diri jang ngalahirkeun anakna. == Cutatan ngeunaan pilem ieu == * ''Nawapol Thamrongrattanarit, sutradara: "The situation in the film could be present and in the future at the same time. It seems like it will be like this for the next ten years.... Most Thai people work in an office like this, but there’s no film ever recorded this kind of atmosphere before."'' Situasi dina pilem ieu bisa jadi ayeuna sakaligus di mangsa hareup. Katingalina éta bakal siga kitu jang sapuluh taun kahareup.... Urang Thailand lolobana gawé di kantor siga kieu, tapi teu acan pernah aya pilem anu ngagambarkeun atmospér siga kieu saacanna. * ''“You are afraid you would be dumped from your office at any time… when you have to improve yourself all the time, it’s tiring. Why do you have to keep improving your life all the time?”'' Anjeun mikasieun anjeun bakal dipecat ti pagawéan anjeun iraha waé... nalika anjeun kudu ningkatkeun diri anjeun tutuluyan, éta téh capé. Naha anjeun kudu tuluy ningkatkeun hirup anjeun tutuluyan? * ''"This is a film for everyone who still has questions in their mind about what's in front of them, but can't ask them aloud—in the office, in a meeting room, on the street, in a car, at the dinner table, in their bedroom, in this country, or in the world."'' Ieu téh pilem jang sakabéh jalma anu masih kénéh miboga patanyaan dina pikirannana ngeunaan naon anu aya di hareupeun dirina tapi teu wani nanya tarik''—''di kantor, di ruang pasamuan, di jalan, di jero mobil, di méja tuang, di kamar, di nagara ieu, atawa di dunia. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] fwxrdjcsurpejwhie1hgc82559xogbz 0 5904 16517 16209 2026-05-11T09:48:37Z Hasnanf 1958 16517 wikitext text/x-wiki '''Kokuho''' (basa Jepang: 国宝) nyaéta pilem drama sejarah Jepang taun 2025 anu disutradaraan ku [[Lee Sang-il]], sarta ditulis ku [[Satoko Okudera]]. Pilem ieu dibintangan ku [[Ryo Yoshizawa]], [[Ryusei Yokohama]], [[Mitsuki Takahata]], [[Shinobu Terajima]], [[Min Tanaka]], and [[Ken Watanabe]]. Pilem ieu mangrupakeun adaptasi tina buku nu miboga judul sarua karya [[Shuichi Yoshida]]. == Plot == Kikuo Tachibana, anak yakuza anu miboga karesep kana seni kabuki, hirup nunggul pinang sanggeus imahna diserang ku lawan bapana anu sasama yakuza. Kikuo tuluy diangkat jadi murid ku Hanjiro Hanai II, aktor nu kakoncara sarta geus kungsi ningali anjeunna nampilkeun seni kabuki onnagata. Anjeunna tuluy dilatih ku Hanai Hanjiro II bareng jeung anakna, Shunsuke, anu ogé saumuran jeung Kikuo. Tumuwuh bareng, Kikuo jeung Shunsuke muléy kasohor jadi béntang anyar di dunya kabuki. Masalah mimiti muncul nalika Hanjiro Hanai II leuwih milih Kikuo jadi panggenti samentarana dibanding milih anakna. == Cutatan == === Kikuo === * ''When he dies, he’ll only leave his art behind.'' Nalika anjeunna tilar dunya, anjeunna ngan bakal ninggalkeun senina di tukang. * ''I asked if he [the Devil] could make me a better Kabuki actor. The best one in all Japan. And what did Mr. Devil say? He said, 'Okay'.'' Sim kuring ménta lamun anjeunna [Sétan] bisa ngajadikeun kuring aktor kabuki anu leuwih alus. Anu pang alusna sa-Jepang. Terus naon ceuk Sétan téh? Ceuk anjeunna, 'Muhun'. * ''What was I even looking for...?'' Naon ogé sabenerna ku kuring téangan...? === Shunsuke === * ''I want to be a real actor, not a pretend one.'' Kuring hayang jadi aktor nu beneran, lain anu ngaku-ngaku. === Hanjiro Hanai II === * ''You were born into a family of actors so your family blood will always protect you.'' Anjeun lahir ka kulawarga aktor jadi getih kulawarga anjeun bakal terus ngalindungan anjeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] rjne1d0i3l9f4xsgepevb14ro8pcygc 16518 16517 2026-05-11T09:49:28Z Hasnanf 1958 /* Plot */ 16518 wikitext text/x-wiki '''Kokuho''' (basa Jepang: 国宝) nyaéta pilem drama sejarah Jepang taun 2025 anu disutradaraan ku [[Lee Sang-il]], sarta ditulis ku [[Satoko Okudera]]. Pilem ieu dibintangan ku [[Ryo Yoshizawa]], [[Ryusei Yokohama]], [[Mitsuki Takahata]], [[Shinobu Terajima]], [[Min Tanaka]], and [[Ken Watanabe]]. Pilem ieu mangrupakeun adaptasi tina buku nu miboga judul sarua karya [[Shuichi Yoshida]]. == Plot == Kikuo Tachibana, anak yakuza anu miboga karesep kana seni kabuki, hirup nunggul pinang sanggeus imahna diserang ku lawan bapana anu sasama yakuza. Kikuo tuluy diangkat jadi murid ku Hanjiro Hanai II, aktor nu kakoncara sarta geus kungsi ningali anjeunna nampilkeun seni kabuki onnagata. Anjeunna tuluy dilatih ku Hanai Hanjiro II bareng jeung anakna, Shunsuke, anu ogé saumuran jeung Kikuo. Tumuwuh bareng, Kikuo jeung Shunsuke muléy kasohor jadi béntang anyar di dunya kabuki. Masalah mimiti muncul nalika Hanjiro Hanai II leuwih milih Kikuo jadi panggenti samentarana dibanding milih anakna. Pasaingan anu mimitina teu dirasa tuluy jadi masalah gedé nalika Shunsuke indit salila dalapan taun euweuh béja. == Cutatan == === Kikuo === * ''When he dies, he’ll only leave his art behind.'' Nalika anjeunna tilar dunya, anjeunna ngan bakal ninggalkeun senina di tukang. * ''I asked if he [the Devil] could make me a better Kabuki actor. The best one in all Japan. And what did Mr. Devil say? He said, 'Okay'.'' Sim kuring ménta lamun anjeunna [Sétan] bisa ngajadikeun kuring aktor kabuki anu leuwih alus. Anu pang alusna sa-Jepang. Terus naon ceuk Sétan téh? Ceuk anjeunna, 'Muhun'. * ''What was I even looking for...?'' Naon ogé sabenerna ku kuring téangan...? === Shunsuke === * ''I want to be a real actor, not a pretend one.'' Kuring hayang jadi aktor nu beneran, lain anu ngaku-ngaku. === Hanjiro Hanai II === * ''You were born into a family of actors so your family blood will always protect you.'' Anjeun lahir ka kulawarga aktor jadi getih kulawarga anjeun bakal terus ngalindungan anjeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] nncyda5oi8a597i4utyrvc66e1x7kfo 0 5929 16520 16211 2026-05-11T10:16:49Z Hasnanf 1958 16520 wikitext text/x-wiki '''Anas Al-Sharif''' nyaéta jurnalis Paléstina sarta videografer média Al-Jazeera, anu dipikawanoh ku réportase anjeunna ti garis hareup génosida Israél di Gaza kalér. Anjeunna kungsi meunang panghargaan Pulitzer Prize Breaking News Photography pikeun karya potograpi anjeunna anu "nyata tur gawat" salila ngadokuméntasikeun kaayaan Gaza. Anas Al-Sharif tilar dunya di taun 2025, dina serangan Israél anu ngahaja nargétkeun anjeunna sarta sababaraha jurnalis lainna, di ténda pangungsian luareun Rumah Sakit Al-Shifa di Kota Gaza. == Cutatan == ''This is my will and my final message. If these words reach you, know that Israel has succeeded in killing me and silencing my voice.'' ''First, peace be upon you and Allah’s mercy and blessings. Allah knows I gave every effort and all my strength to be a support and a voice for my people, ever since I opened my eyes to life in the alleys and streets of the Jabaliya refugee camp. My hope was that Allah would extend my life so I could return with my family and loved ones to our original town of occupied Asqalan (al-Majdal). But Allah’s will came first, and His decree is final.'' ''I have lived through pain in all its details, tasted suffering and loss many times, yet I never once hesitated to convey the truth as it is, without distortion or falsification – so that Allah may bear witness against those who stayed silent, those who accepted our killing, those who choked our breath, and whose hearts were unmoved by the scattered remains of our children and women, doing nothing to stop the massacre that our people have faced for more than a year and a half.'' ''I entrust you with Palestine – the jewel in the crown of the Muslim world, the heartbeat of every free person in this world. I entrust you with its people, with its wronged and innocent children who never had the time to dream or live in safety and peace. Their pure bodies were crushed under thousands of tons of Israeli bombs and missiles, torn apart and scattered across the walls. I urge you not to let chains silence you, nor borders restrain you. Be bridges toward the liberation of the land and its people, until the sun of dignity and freedom rises over our stolen homeland.'' ''I entrust you to take care of my family. I entrust you with my beloved daughter, Sham, the light of my eyes, whom I never got the chance to watch grow up as I had dreamed. I entrust you with my dear son, Salah, whom I had wished to support and accompany through life until he grew strong enough to carry my burden and continue the mission. I entrust you with my beloved mother, whose blessed prayers brought me to where I am, whose supplications were my fortress and whose light guided my path. I pray that Allah grants her strength and rewards her on my behalf with the best of rewards.'' ''I also entrust you with my lifelong companion, my beloved wife, Umm Salah (Bayan), from whom the war separated me for many long days and months. Yet she remained faithful to our bond, steadfast as the trunk of an olive tree that does not bend – patient, trusting in Allah, and carrying the responsibility in my absence with all her strength and faith. I urge you to stand by them, to be their support after Allah Almighty.'' ''If I die, I die steadfast upon my principles. I testify before Allah that I am content with His decree, certain of meeting Him, and assured that what is with Allah is better and everlasting. O Allah, accept me among the martyrs, forgive my past and future sins, and make my blood a light that illuminates the path of freedom for my people and my family. Forgive me if I have fallen short, and pray for me with mercy, for I kept my promise and never changed or betrayed it.'' ''Do not forget Gaza. And do not forget me in your sincere prayers for forgiveness and acceptance.'' == Tutumbu Luar == [https://x.com/AnasAlSharif0/status/1954670507128914219 Amanat panungtung Anas Al-Sharif sateuacan anjeunna tilar dunya.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] a7ry026sj7rjt0uvwvz6bu8ub21m7rb 16521 16520 2026-05-11T10:57:02Z Hasnanf 1958 16521 wikitext text/x-wiki '''Anas Al-Sharif''' nyaéta jurnalis Paléstina sarta videografer média Al-Jazeera, anu dipikawanoh ku réportase anjeunna ti garis hareup génosida Israél di Gaza kalér. Anjeunna kungsi meunang panghargaan Pulitzer Prize Breaking News Photography pikeun karya potograpi anjeunna anu "nyata tur gawat" salila ngadokuméntasikeun kaayaan Gaza. Anas Al-Sharif tilar dunya di taun 2025, dina serangan Israél anu ngahaja nargétkeun anjeunna sarta sababaraha jurnalis lainna, di ténda pangungsian luareun Rumah Sakit Al-Shifa di Kota Gaza. == Cutatan == ''This is my will and my final message. If these words reach you, know that Israel has succeeded in killing me and silencing my voice.'' ''First, peace be upon you and Allah’s mercy and blessings. Allah knows I gave every effort and all my strength to be a support and a voice for my people, ever since I opened my eyes to life in the alleys and streets of the Jabaliya refugee camp. My hope was that Allah would extend my life so I could return with my family and loved ones to our original town of occupied Asqalan (al-Majdal). But Allah’s will came first, and His decree is final.'' ''I have lived through pain in all its details, tasted suffering and loss many times, yet I never once hesitated to convey the truth as it is, without distortion or falsification – so that Allah may bear witness against those who stayed silent, those who accepted our killing, those who choked our breath, and whose hearts were unmoved by the scattered remains of our children and women, doing nothing to stop the massacre that our people have faced for more than a year and a half.'' ''I entrust you with Palestine – the jewel in the crown of the Muslim world, the heartbeat of every free person in this world. I entrust you with its people, with its wronged and innocent children who never had the time to dream or live in safety and peace. Their pure bodies were crushed under thousands of tons of Israeli bombs and missiles, torn apart and scattered across the walls. I urge you not to let chains silence you, nor borders restrain you. Be bridges toward the liberation of the land and its people, until the sun of dignity and freedom rises over our stolen homeland.'' ''I entrust you to take care of my family. I entrust you with my beloved daughter, Sham, the light of my eyes, whom I never got the chance to watch grow up as I had dreamed. I entrust you with my dear son, Salah, whom I had wished to support and accompany through life until he grew strong enough to carry my burden and continue the mission. I entrust you with my beloved mother, whose blessed prayers brought me to where I am, whose supplications were my fortress and whose light guided my path. I pray that Allah grants her strength and rewards her on my behalf with the best of rewards.'' ''I also entrust you with my lifelong companion, my beloved wife, Umm Salah (Bayan), from whom the war separated me for many long days and months. Yet she remained faithful to our bond, steadfast as the trunk of an olive tree that does not bend – patient, trusting in Allah, and carrying the responsibility in my absence with all her strength and faith. I urge you to stand by them, to be their support after Allah Almighty.'' ''If I die, I die steadfast upon my principles. I testify before Allah that I am content with His decree, certain of meeting Him, and assured that what is with Allah is better and everlasting. O Allah, accept me among the martyrs, forgive my past and future sins, and make my blood a light that illuminates the path of freedom for my people and my family. Forgive me if I have fallen short, and pray for me with mercy, for I kept my promise and never changed or betrayed it.'' ''Do not forget Gaza. And do not forget me in your sincere prayers for forgiveness and acceptance.'' :Ieu mangrupakeun wasiat sareng amanat panungtung sim kuring. Upami serat ieu dugi ka anjeun sadaya, terangkeun yén Israél parantos hasil ngabunuh sim kuring sarta mareuman sora sim kuring. :Sateuacanna, mugi kasalametan sarta rahmat sareng berkah Allah aya pikeun urang sadaya. Allah mikaterang yén sim kuring tos masihan sagala usaha sarta sagala kakuatan sim kuring pikeun jadi dukungan sareng sora kanggo dulur-dulur sim kuring, ti sim kuring muka soca kana kahirupan di gang-gang sareng jalan-jalan kamp pangungsian Jabaliya. Harepan sim kuring téh mugi Allah manjangkeun yuswa sim kuring nanging sim kuring tiasa uih sareng kulawargi sim kuring sarta sadaya anu sim kuring pikaasih ka lembur matuh sim kuring, Asqalan (al-Majdal) anu dijajah. Tapi :Tong hilap ngeunaan Gaza. Sarta tong hilap ka kuring pikeun pangampunan sareng panarimaan, dina doa-doa anjeun anu tulus. == Tutumbu Luar == [https://x.com/AnasAlSharif0/status/1954670507128914219 Amanat panungtung Anas Al-Sharif sateuacan anjeunna tilar dunya.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] mhcttoo5md5vdb3rzjefpvz0aa18qxx 0 5930 16519 16210 2026-05-11T10:12:15Z Hasnanf 1958 16519 wikitext text/x-wiki '''Anthony Reid''' nyaéta sajarawan asal Selandia Anyar anu pokus dina bidang sajarah Asia Kidul-wétan. Salah sahiji karya anjeunna kaasup panalungtikan di Sumatra ngeunaan dasar sajarah idéntitas Acéh nu papisah, katertarikan pikeun nasionalisme, diaspora Tionghoa jeung sajarah ekonomi, sarta pakaitan antara géologi jeung sajarah nu jero. Anjeunna tilar dunya di Canberra, Australia, 8 Juni 2025, dina yuswa 85 taun. == Cutatan == * ''Paradoxically, the period of liberation from European power structures marked an unprecedented embrace of modern European cultural and political norms. It marked probably the most dramatic iconoclasm towards Asian traditional cultures of any period in history.'' Sacara paradoks, mangsa pambébasan ti struktur-struktur kakuatan Éropa téh nandaan rangkulan pikeun norma-norma budaya jeung politik Éropa modern anu can pernah aya saacanna. Éta nandaan ikonoklasme anu meureun paling dramatis pikeun budaya-budaya tradisional Asia ti unggal mangsa sajarah. * ''The first generation of revolutionary nationalists had more difficulty occupying the legal-bureaucratic space of the colonial states than the charismatic space in people’s hearts. The first symbolic leaders of the upheavals that delivered proudly independent and assertive states-- Aung San, Ho Chi Minh, Sihanouk, Sukarno, Phibun Songkhram, Tunku Abdul Rahman—achieved an almost supernatural aura from their identification with racial/national liberation, though some of their henchmen also spilled considerable blood to achieve that result. Their successors invariably imposed more of an iron hand, particularly in what I have called the post-revolutionary countries, to defend a single definition of the fruits of those revolutions.'' Generasi mimiti nasionalis révolusionér téh ngalaman leuwih loba kasusah meunangkeun rohang hukum-birokratis negara kolonial dibandingkeun meunangkeun rohang karismatik dina manah rakyatna. Pamingpin simbolis mimiti ti kaharénghéng anu sacara bangga nepikeun nagara anu merdika jeung asértip--Aung San, Ho Chi Minh, Sihanouk, Sukarno, Phibun Songkhram, Tunku Abdul Rahman''—''ngaraih aura anu ampir supernatural ti idéntipikasina jeung pambébasan rasial/nasional, sanajan sababaraha andahanna ogé milu nyéborkeun getih anu teu saeutik sangkan éta maksud bisa laksana. Para panyatutna teu weléh ti nandeskeun kakawasaan anu leuwih telenges, hususna di nagara-nagara nu ku sim kuring sebut sabada-révolusi, demi ngajaga harti tinggal tina naon anu geus kahontal ku éta révolusi. * ''The more balanced power equation between women and men Below the Winds encouraged serial monogamy and easy divorce for both parties… Hybridity was therefore the norm for these cities, up to the point when communication with the homeland became so well established that its prejudices were imported.…. Southeast Asian women were therefore the pioneers of cultural interaction with outsiders, a creative role appreciated by neither nationalist nor imperialist authors.'' Leuwih saimbang pangitungan kakuatan antara wanoja jeung lalaki di [Asia Tenggara] ngajurukeun monogami sérial sarta ngagampangkeun pirak jang kadua beulah pihak... Ku kituna, hibriditas téh geus jadi hal anu lumrah di kota-kota, nepi ka hiji mangsa nalika komunikasi jeung nagara asal téh saking ku geus mapanna nepi ka rupa-rupa prasangka ti dinya téh kabawa asup.... Ku kituna, wanoja Asia Tenggara téh pangarintis interaksi kabudayaan jeung urang luar, peran anu kréatip anu teu bisa diaprésiasi ku penulis-penulis nasionalis atawa imperialis. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] e6ik1sadnswl2p9cwziawxax2z01ldt 0 5933 16508 16214 2026-05-10T18:10:01Z Hasnanf 1958 16508 wikitext text/x-wiki '''Nawapol Thamrongrattanarit''' (basa Thailand: นวพล ธำรงรัตนฤทธิ์) nyaéta sinéas Thailand anu aktip nyieun pilem indepénden ogé pilem arus utama. Karya-karyana kaasup Mary is Happy, Mary is Happy; Happy Old Year; sarta nu pang anyarna, Human Resource anu dirilis taun 2025. == Cutatan == * Every turning point in my life happened because of a book. * You want to stand for the right things, but standing for the right thing has consequences. And sometimes it’s not worth doing it. * Life is ashes… I don’t expect much. I just want my life peaceful every day. Because I could die at any time. If I’m happy today, it’s enough. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] h618qmc28e31u7unoi0z4g5ku288nfj