Electronics/History/Chapter 7

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'''Radio Astronomy: Looking at space'''

==Schumann Resonance==

The phenomenon is named after W. O. Schumann, who predicted this phenomenon in the 1950s, and helped detect its existence.

==CBR==

Cosmic background radiation (CBR) was predicted by George Gamow, Ralph Alpher, and Robert Hermann in the 1940s and was accidentally discovered in microwave frequencies in 1964 by Penzias and Wilson. Penzias and Wilson received a Nobel Prize for this discovery. The CBR had, however, been detected and its temperature deduced in 1941, seven years before Gamow's prediction. Based on the study of narrow absorption line features in the spectra of stars, the astronomer Andrew McKellar wrote: &quot;It can be calculated that the 'rotational' temperature of interstellar space is 2 K.&quot;

Of these experiments, the Cosmic Background Explorer (COBE) satellite that was flown in 1989-1996 is probably the most famous and which made the first detection of the large scale anisotropies (other than the dipole). In June 2001, NASA launched a second CBR space mission, WMAP, to make detailed measurements of the anisotropies over the full sky. Results from this mission provide a detailed measurement of the angular power spectrum down to degree scales, giving detailed constraints on various cosmological parameters. The results are broadly consistent with those expected from cosmic inflation as well as various other competing theories, and are available in detail at NASA's data center for Cosmic Microwave Background (CMB) [ed. see links below],

A third space mission, Planck, is to be launched in 2007. Unlike the previous two space missions, Planck is a collaboration between NASA and ESA (the European Space Agency).

CBR and Non-Standard Cosmologies

During the mid-1990's, the lack of detection of anisotropies in the CBR led to some interest in nonstandard cosmologies (such as plasma cosmology) mostly as a backup in case detectors failed to find anisotropy in the CBR. The discovery of these anisotropies combined with a large amount of new data coming in has greatly reduced interest in these alternative theories.

Some supporters of non-standard cosmology argue that the primodorial background radiation is uniform (which is inconsistent with the big bang) and that the variations in the CBR are due to the Sunyaev-Zel'dovich effect mentioned above (among other effects).

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    <title>Chess Opening Theory/1. e4/1...c5/2. Nc3</title>
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      <comment>/* 2. Nc3 · Closed Sicilian */</comment>
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      <text bytes="6989" sha1="5ywgb6fz1dzi0o8d4oxra4g63lbklrt" xml:space="preserve">{{Chess Opening Theory/Position
|name=Closed Sicilian
|eco=[[Chess/ECOB|B23]]
|parent=[[../|Sicilian defence]]
|responses=&lt;br&gt;
* [[/2...Nc6|2...Nc6]]
* [[/2...d6|2...d6]]
* [[/2...e6|2...e6]]
}}
== 2. Nc3 · Closed Sicilian ==
2. Nc3 is the chief &quot;Anti-Sicilian&quot;, the main sideline to 2. Nf3. White avoids opening the position (for now at least) and avoids the more theoretical main lines that follow 2. Nf3 and 3. d4. White may yet open the position, but White's second move suggests the possibility of playing in a closed, manoeuvring way instead.

There are several approaches for White to keep the position closed: 

* In the &quot;traditional&quot; way, White fianchettos the king side bishop to g2, from where it can pressure the centre. Then they can play moves like d3, Be3, O-O, and try to achieve f4 &amp; f5 and attack on the kingside. Black meanwhile often attacks on the queenside. 
* The other approach to develop the bishop along the a6-f1 diagonal first before they close the pawn chain with d3. This idea is seen in the Grand Prix attack, where White plays an early f4 (2...Nc6 3. f4, then e.g. 3...g6 4. Nf3 Bg7 5. Bb5), or as a common move 3 sideline (2...Nc6 3. Bb5).

2. Nc3 supports either plan, f4 or g3, by controlling the d5 square (compare to 2. f4 or 2. g3, where in response to either the critical move is 2...d5!).

[[/2...Nc6|'''2...Nc6''']] is the most common reply. This develops a piece, controls the d4 and e5 squares, and avoids making a (committal) pawn move until White has shown more of their hand on move 3. For instance, Black may wish to play ...g6 and ...Bg7 against the traditional closed Sicilian with 3. g3 and 4. Bg3, but ...e6 and ...d5 against the Grand Prix attack with 3. f4. 

[[/2...d6|'''2...d6''']] is also very reasonable. This opens an avenue to develop the queen side bishop and controls the e5 square (making it easier for Black to play ...Nf6). This avoids playing 2...Nc6: because 2. Nc3 only suggests the ''possibility'' of playing a closed position, if Black doesn't respond in whatever way they would have responded to 2. Nf3, they risk being &quot;move-ordered&quot; into a Sicilian they don't play. By delaying ...Nc6, if White transposes back to an open Sicilian with 3. Nf3 and 4. d4, Black has kept the option of playing the Najdorf variation, in which the knight does not come to c6. 

[[/2...e6|'''2...e6''']] opens a line of development for the king side bishop. Black prepares to meet either the Grand Prix 3. f4 or the traditional closed Sicilian 3. g3 with 3...d5!, where Black is thought to be equal. Therefore it is usual for White to transpose back into an open Sicilian instead, and Black has to be prepared to play an e6 line like the Kan or Taimanov.

=== Minor sidelines ===

A number of other sidelines are possible, e.g. [[/2...a6|'''2...a6''']] intending 3...b5 or [[/2...b6|'''2...b6?!''']] intending ...Bb7, but these often only transpose into an open Sicilian where Black is stuck playing eccentrically. [[/2...g6|'''2...g6''']] is interesting in that, should White transpose into the open, they have to play against the [[Chess Opening Theory/1. e4/1...c5/2. Nf3/2...g6|Hyperaccelerated Dragon]] without the option of the best line, c4. 

'''2...Nf6?!''', already an irregular move in the open Sicilian, is worse here because after 3. e5 it has nowhere to go but back to g8. 

=== History ===

Some people reserve the name &quot;closed Sicilian&quot; strictly for the approach where White fianchettos, for instance the move order 2...Nc6 3. g3. Most databases classify 2. Nc3 as the start of the closed Sicilian. Other analysts have used the name more generally and include several move orders that avoid d4, including 2. g3 (otherwise known as the Lasker-Dunne attack, 2. g3 plays similarly but White retains the option of c3 &amp; d4), 2. d3 and 2. b3.&lt;ref&gt;{{cite book |last=Ravikumar |first=V |title=The Closed Sicilian |year=1993 |publisher=Tournament Chess |location=Brighton, UK}}&lt;/ref&gt;

The closed Sicilian is popular among players wishing to avoid main line theory, or those who agree with [[w:Bent Larsen|Bent Larsen]] that giving up a central pawn for the c-pawn must surely be bad on positional grounds alone:&lt;ref&gt;{{cite book |title=How to Open a Chess Game |chapter=6. A Personal Approach to the Openings |last=Larsen |first=Bent |year=1974 |isbn=0-273-01481-1}}&lt;/ref&gt;

&lt;blockquote&gt;Almost everybody plays 3 P-Q4 [3. d4]. But isn’t this a positional error? I am not joking. I like my center pawns, and I like a QP [d pawn] better than a QBP [c pawn]! I know that sometimes White sacrifices a Knight on Q5 [d5] or K6 [e6] and smashes Black before he can castle, but in those games where this has been done, haven’t improvements always been found for Black afterward? Well then, '''isn’t 3 P-Q4 something like a cheap trap? I know it can be combined with purely strategical ideas, but I find it easier to discuss strategy when I have an extra center pawn!''' ''(emphasis added)''&lt;/blockquote&gt;

An early adopter of 2. Nc3 was [[w:Louis Paulsen|Louis Paulsen]], who played it in his 1862 match series against [[w:Adolf Anderssen|Adolf Anderssen]].&lt;ref&gt;Paulsen v Anderssen [https://www.chessgames.com/perl/chessgame?gid=1295525 round 2], [https://www.chessgames.com/perl/chessgame?gid=1019124 round 4], [https://www.chessgames.com/perl/chessgame?gid=1295526 round 6] - Chessgames.com&lt;/ref&gt; By the 20th century it was a favourite of many top players with White, including [[w:Boris Spassky|Boris Spassky]].&lt;ref&gt;See lists [https://www.chessgames.com/perl/chess.pl?pid=21136&amp;playercomp=white&amp;eco=b23 one] and [https://www.chessgames.com/perl/chess.pl?pid=21136&amp;playercomp=white&amp;eco=a07 two] at Chessgames.com (NB Chessgames.com splits the games beginning 1. e4 c5 2. Nc3 between classifications B23 and A07)&lt;/ref&gt;

==Theory table==
{{Chess Opening Theory/Table}}

'''1. e4 c5 2. Nc3'''
&lt;table border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;4&quot;&gt;
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                &lt;td&gt;= &lt;/td&gt;
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                &lt;td&gt;= &lt;/td&gt;
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                &lt;th align=&quot;right&quot;&gt;&lt;/th&gt;
                &lt;td&gt;...&lt;br&gt;[[/2...a6|a6]]&lt;/td&gt;
                &lt;td&gt;Nf3&lt;br&gt;&amp;nbsp;&lt;/td&gt;
                &lt;td&gt;=&lt;/td&gt;
        &lt;/tr&gt;
        &lt;tr&gt;
                &lt;th align=&quot;right&quot;&gt;&lt;/th&gt;
                &lt;td&gt;...&lt;br&gt;[[/2...g6|g6]]&lt;/td&gt;
                &lt;td&gt;= &lt;/td&gt;
        &lt;/tr&gt;
&lt;/table&gt;
{{ChessMid}}

==References==
{{reflist}}

=== See also ===
{{Wikipedia|Sicilian Defence}}
{{BCO2}}
{{Chess Opening Theory/Footer}}

[[fi:Shakki/rnbqkbnr;pp1ppppp;8;2p5;4P3;2N5;PPPP1PPP;R1BQKBNR b KQkq]]</text>
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      <comment>Placeholder for now.</comment>
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== [[User:Me Lendroz]] (CU request) ==

{{ping|MarcGarver|Xania}} (this is related to previous CU, [[Wikibooks:Reading_room/Administrative_Assistance/Archives/2024/February#Alert_about_possible_evasion_of_previous_1-week_block_at_English_Wikibooks_(CU_needed?)]], [[Wikibooks:Reading_room/Administrative_Assistance/Archives/2024/August#Another_user_editing_User:Jay_Bolero's_user_page]]) &lt;br&gt;
I found [[Special:Contributions/CarlessParking]] editing the user page of [[User:Me Lendroz]]. What do our CUs think about this? [[User:MathXplore|MathXplore]] ([[User talk:MathXplore|discuss]] • [[Special:Contributions/MathXplore|contribs]]) 14:00, 19 May 2026 (UTC)

:It's an obvious sock of Jay Bolero not least because the account has posted &quot;my name is Karl Basallote&quot; everywhere and &quot;Basallote&quot; matches the previous sock. I've blocked CarlessParking as this is an abusive use of multiple accounts. [[User:MarcGarver|MarcGarver]] ([[User talk:MarcGarver|discuss]] • [[Special:Contributions/MarcGarver|contribs]]) 15:57, 19 May 2026 (UTC)
:: @[[User:MarcGarver|MarcGarver]] In that case, should their edits be reverted and/or marked as unreviewed? They were now blocked indefinitely for sockpuppetry. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 14:38, 27 May 2026 (UTC)

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: Globally locked by Barras. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 12:44, 30 May 2026 (UTC)

== I can't make a page ==

I wished to make a page English in Use/Agreement – a slighty modified version of the Wikipedia article [[https://en.wikipedia.org/wiki/Agreement_in_the_English_language]]. It's written like a textbook, so I thought it would be appropriate here, but some filter has blocked my edit. What shall I do?

[[Special:Contributions/&amp;#126;2026-32366-58|&amp;#126;2026-32366-58]] ([[User talk:&amp;#126;2026-32366-58|talk]]) 10:44, 1 June 2026 (UTC)

Pramod Kumar [[Special:Contributions/&amp;#126;2026-33325-46|&amp;#126;2026-33325-46]] ([[User talk:&amp;#126;2026-33325-46|talk]]) 01:37, 5 June 2026 (UTC)
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== [[:Category:Wikibooks fully protected edit requests]] needs a clean out ==

Has several unhandled requests dating back to December. Thanks. [[User:Pppery|Pppery]] ([[User talk:Pppery|discuss]] • [[Special:Contributions/Pppery|contribs]]) 04:56, 7 June 2026 (UTC)</text>
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      <comment>/* Proposal to discontinue quality criteria levels via FlaggedRevs */ reply: I filed [[phab:T428329]]. (-) ([[mw:c:Special:MyLanguage/User:JWBTH/CD|CD]])</comment>
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      <text bytes="27048" sha1="2q56o6d0442csgsot5ln59kx35y2f6w" xml:space="preserve">__NEWSECTIONLINK__ {{Discussion Rooms}} {{Shortcut|WB:RFC|WB:PROPOSALS}} {{TOC left&lt;!--|limit=2--&gt;}}

Welcome to the '''Proposals reading room'''. On this page, Wikibookians are free to talk about suggestions for improving Wikibooks.

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== Introduce speedy deletion criteria? ==

I would like to propose that we introduce speedy deletion criteria to Wikibooks, such as {{tq|G1: [reason]}}. I suggest that we adapt from the English Wikipedia's CSD criteria ([[:w:Wikipedia:Speedy deletion]]) but utilize our existing deletion reasons, and even include '''G''' for general, '''R''' for redirects, and so on.

Speedy deletion reasons are already included in the [[Wikibooks:Deletion policy|deletion policy]], but should this proposal pass, the new speedy deletion criteria can be split out to a separate policy page, if needed (e.g. [[Wikibooks:Speedy deletion]]).

Thoughts? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 14:39, 7 April 2026 (UTC)

:On the whole, that seems like it could be useful to expand out our CSD in a more detailed way. Why don't you go ahead and create [[Wikibooks:Speedy deletion]] as a draft, write out your initial proposal, and then we can workshop it together? —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 15:33, 10 April 2026 (UTC)
:@[[User:Codename Noreste|Codename Noreste]]: How can this proposal avoid accusations of [[m:Instruction creep|instruction creep]]? [[User:JJPMaster|JJP]]&lt;sub&gt;[[User talk:JJPMaster|Mas]]&lt;sub&gt;[[Special:Contributions/JJPMaster|ter]]&lt;/sub&gt;&lt;/sub&gt; ([[wikt:she|she]]/[[wikt:they|they]]) 23:21, 14 April 2026 (UTC)
:: How does instruction creep have anything to do with this? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 23:31, 14 April 2026 (UTC)
::: Well, in that case, we might keep the descriptions simple, not overly detailed. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 02:30, 17 April 2026 (UTC)
::::In that case, we may need to introduce that motion. – [[User:RestoreAccess111|RestoreAccess111]] &lt;sup style=&quot;font-family:Arimo, Arial;&quot;&gt;[[User talk:RestoreAccess111|Talk!]]&lt;/sup&gt; &lt;sup style=&quot;font-family:Times New Roman, Tinos;&quot;&gt;[[Special:Contributions/RestoreAccess111|Watch!]]&lt;/sup&gt; 04:38, 17 April 2026 (UTC)
:We already have speedy deletion though so I don't understand this proposal. [[User:Leaderboard|Leaderboard]] ([[User talk:Leaderboard|discuss]] • [[Special:Contributions/Leaderboard|contribs]]) 15:56, 24 April 2026 (UTC)
:@[[User:Codename Noreste|Codename Noreste]] I created a very early draft in [[User:Kingofnuthin/sandbox|my sandbox]] by merging content from [[w:Wikipedia:Speedy deletion]] and [[Wikibooks:Deletion policy]]. I added most of the criteria from English Wikipedia's page but I left some that can't be in Wikibooks (such as notability criteria). As I said, the draft is currently very undetailed and only provides simple explanations for criteria except for a few of them.  You can add this draft to [[Wikibooks:Speedy deletion]] to clarify the details of the proposal. I am also open to any feedback regarding the draft. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 16:11, 26 April 2026 (UTC)
:: I moved your draft to [[Wikibooks:Speedy deletion]]. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 18:15, 26 April 2026 (UTC)
::This generally looks good; I've got a couple comments on specific criteria:
::* &quot;G5. Pages dependent on a non-existent or deleted page&quot; includes subpages with no parent page. Given the extent to which Wikibooks uses page nesting, this seems risky - at a minimum, the criterion should be revised to &quot;subpages with no parent '''book'''&quot;, and existing pages which meet this criterion should be grandfathered in or otherwise addressed.
::* &quot;B4. Books that duplicate an existing topic&quot; should probably be removed. Unlike Wikipedia, Wikibooks has historically allowed multiple books to address the same topic, e.g. [[Mandarin Chinese]] and [[Chinese (Mandarin)]], or [[C++ Language]] and [[C++ Programming]]. Whether a book &quot;expands upon, details or improves information&quot; in another book is very subjective; determining whether this is the case should be handled in a deletion discussion, not by an admin processing speedy deletions.
::Additionally, I'd suggest that three criteria be added:
::* Books which are over a week old and which contain no instructional content (e.g. books which are nothing but a table of contents). These books are already routinely deleted under [[WB:NMC]]; adopting this as a CSD streamlines the process.
::* Pages in any namespace which are unambiguously advertisements or promotional in nature (akin to [[:w:WP:CSD#G11]]).
::* Pages in any namespace which infringe upon copyright, akin to [[:w:WP:CSD#G12]]. F6/F7 address ''files'' which are copyvios, but not text.
::[[User:Omphalographer|Omphalographer]] ([[User talk:Omphalographer|discuss]] • [[Special:Contributions/Omphalographer|contribs]]) 05:54, 29 April 2026 (UTC)
::: [[User:Omphalographer|Omphalographer]], feel free to make those changes to [[Wikibooks:Speedy deletion]], from your comments. It's a draft proposal. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 14:21, 29 April 2026 (UTC)
:::@[[User:Omphalographer|Omphalographer]]: I agree on your thoughts for the removal of B4 and the addition of a new general criterion for copyvios, so I did those. However, I think that G5 is fine in its current state. I don't understand what situation would be &quot;risky&quot; in this case, so please provide some example for that. Additionally, I don't think we need an advertisement criterion right now, as Wikibooks does not seem to have a promotion problem, as it is a collection of textbooks. Also, you mentioned [[Wikibooks:NMC]] as a new criterion even though I copy-pasted criterion G1 from the exact part you mentioned. Such pages could be deleted under G1. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 16:06, 29 April 2026 (UTC)
::::With regards to G5, I've seen some situations where a book was incorrectly renamed in such a way that some of the subpages remained under the original title of the book, or pages of a book are inadvertently created under an incorrect title. Given the proposed wording for G5, those pages would be eligible for speedy deletion, even though they are in use as part of the book.
::::With regards to advertisements, Wikibooks does get some spam page creations; you'll see some if you scroll through [https://en.wikibooks.org/wiki/Special:Log?type=delete the deletion log]. It's typically deleted quickly by admins, but if we're codifying criteria for speedy deletion, this should be included as an allowable reason.
::::As far as G1 / NMC is concerned, I initially read G1 as applying only to pages which contain no meaningful content at all, like pages which are empty, nonsense, or vandalism, and which should be deleted promptly. I see this as distinct from books which are superficially well-formed, but which fail to develop, e.g. a user who creates an ambitious-sounding table of contents for a book, but never returns to write any of the text. These shouldn't be deleted immediately (since it takes time to write content!), but are routinely speedily deleted once it's clear that no further content is forthcoming. Since this is a bit of a different process, it should probably be treated as a separate criterion. [[User:Omphalographer|Omphalographer]] ([[User talk:Omphalographer|discuss]] • [[Special:Contributions/Omphalographer|contribs]]) 17:28, 29 April 2026 (UTC)
:::::I added &quot;Editors should be careful when nominating such pages, as they might be incorrectly named instead. In such cases, editors should move the page to its correctly-titled version.&quot; to G5. For advertising you said &quot;Wikibooks does get some spam page creations&quot;, but we already have &quot;Spam and vandalism&quot; for G1. In G1, I removed &quot;abandoned content&quot; and made it a new criterion B5 under the book section. (As this would only apply to books.) [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 17:43, 29 April 2026 (UTC)
:Quite frankly I don't see the need for a wiki of this size, in addition to what {{u|Leaderboard}} has mentioned. The current reasonings are perfectly fine, and subtly discourage the use of using abbreviations meaningless to new users. --[[User:SHB2000|SHB2000]] ([[User talk:SHB2000|discuss]] • [[Special:Contributions/SHB2000|contribs]]) 05:51, 4 May 2026 (UTC)
::Maybe we could do it without abbreviations, whilst keeping the categories. Our current speedy deletion policy is too short, and only includes main and userspace pages. We need more criteria for the Cookbook and Wikijunior for example. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 12:21, 4 May 2026 (UTC)
:::But why? [[:w:Wikipedia:If it ain't broke, don't fix it|If it ain't broke, don't fix it]]. Cookbook and Wikijunior for all purposes of policy can generally be implied to be mainspace pages. I find this really overkill for a wiki of this size. --[[User:SHB2000|SHB2000]] ([[User talk:SHB2000|discuss]] • [[Special:Contributions/SHB2000|contribs]]) 07:55, 5 May 2026 (UTC)
::::I have to agree with SHB2000 here. One perk of a wiki like this is that we have rules when needed, but we don't put a rule for the sake for it. I haven't had anyone tell that they can't perform their tasks, and it's not like there's a lot of pages to delete. [[User:Leaderboard|Leaderboard]] ([[User talk:Leaderboard|discuss]] • [[Special:Contributions/Leaderboard|contribs]]) 12:44, 7 May 2026 (UTC)
::My other worry with this change is that it removes a ''lot'' of flexibility when it comes to page deletions. That's especially crucial on a wiki like this where there is a lot of abandoned content lying around; I thus {{oppose}} this proposal in any form. --[[User:SHB2000|SHB2000]] ([[User talk:SHB2000|discuss]] • [[Special:Contributions/SHB2000|contribs]]) 10:11, 6 May 2026 (UTC)
::: In my [[User:Codename Noreste/sandbox|sandbox]], I changed from criterion number to {{tq|Speedy deletion:}} in accordance with kingofnuthin. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 20:43, 17 May 2026 (UTC)
: Considering the objections above, I hereby {{withdrawn|withdraw}} this, and [[Wikibooks:Speedy deletion]] can be marked as a failed proposal (but it can be changed with the current speedy deletion reasons when it's time). [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 15:01, 5 June 2026 (UTC)

== Questions about [[Wikibooks:Annotated texts]] ==

I was recently reading over the policy on annotated texts and had a few questions aimed at reforming that policy. (The talk page for the policy has been inactive for eleven years, so I figured a post there would be unlikely to attract attention.)

# First and foremost - how many annotated texts of the type described by this policy are actually hosted on Wikibooks? I am only aware of one, [[Annotations to James Joyce's Ulysses]], which is quite incomplete. Are there a significant number more that I am unable to find? If not, might it be appropriate to revise this policy and related documents to reflect that annotated texts are, at best, an experimental part of the project?
# The policy on annotated texts currently permits '''unannotated''' source texts to be hosted on Wikibooks provided that either the text is not on Wikisource, or that it is &quot;widely used in classrooms&quot;. This seems like a rather large unintended loophole in the policy - there are innumerable texts which have not been transcribed on Wikisource, but which it would not make sense for Wikibooks to house either. Similarly, there are many texts which are &quot;widely used in classrooms&quot;, but which have never been annotated on Wikibooks and are unlikely to ever be. The policy also notes the possibility that a multilingual project could create annotated texts with parallel page names across all language editions; I am certainly unaware of any such. Are there any texts on Wikibooks which rely on this policy, or would it be appropriate to strike this section?
[[User:Omphalographer|Omphalographer]] ([[User talk:Omphalographer|discuss]] • [[Special:Contributions/Omphalographer|contribs]]) 18:54, 28 April 2026 (UTC)

:The policy seems to be contradicting [[Wikibooks:SOURCE]], which states that annotated texts are the only exception to published texts being on Wikibooks. This means that we have a policy that says unannotated source texts are permitted, and another one that says they aren't allowed. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 19:02, 28 April 2026 (UTC)
:There is also [[Annotations of The Complete Peanuts]]. —[[User:Koavf|Justin (&lt;span style=&quot;color:grey&quot;&gt;ko'''a'''vf&lt;/span&gt;)]]&lt;span style=&quot;color:red&quot;&gt;❤[[User talk:Koavf|T]]☮[[Special:Contributions/Koavf|C]]☺[[Special:Emailuser/Koavf|M]]☯&lt;/span&gt; 14:26, 29 April 2026 (UTC)
::That isn't an annotated text of the type described by this policy, as it doesn't include the original text that's being commented on. (Which it can't, because ''Peanuts'' is still under copyright.) [[User:Omphalographer|Omphalographer]] ([[User talk:Omphalographer|discuss]] • [[Special:Contributions/Omphalographer|contribs]]) 16:29, 29 April 2026 (UTC)
:::Correct, it is not an inline annotation: I was just pointing it out as another kind of annotated text here.
:::For what it's worth, our sister project Wikisource [[:s:en:Category:Wikisource annotations|also hosts inline annotations]], such as [[:s:en:What to the Slave Is the Fourth of July?/Annotated]], which I made. —[[User:Koavf|Justin (&lt;span style=&quot;color:grey&quot;&gt;ko'''a'''vf&lt;/span&gt;)]]&lt;span style=&quot;color:red&quot;&gt;❤[[User talk:Koavf|T]]☮[[Special:Contributions/Koavf|C]]☺[[Special:Emailuser/Koavf|M]]☯&lt;/span&gt; 16:33, 29 April 2026 (UTC)
:::The main problem here is that the policy permits &quot;unannotated texts&quot; even though we don't host them here. I think that the first thing you mentioned can stay but we might need to strike out the second part from the policy as it is contradictory. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 16:38, 29 April 2026 (UTC)
::::Yeah - I certainly don't mean to suggest that the ''Ulysses'' annotations need to go away; I'm mostly curious if this policy has any wider applicability, or if its only function is to allow this one text. [[User:Omphalographer|Omphalographer]] ([[User talk:Omphalographer|discuss]] • [[Special:Contributions/Omphalographer|contribs]]) 17:37, 29 April 2026 (UTC)

== Proposal related to FlaggedRevs ==
{{tracked|T426992|fixed}}
As said per [[Wikibooks:Reading room/General#Page patrolling]], I would like to propose the following:
# &lt;code&gt;$wgUseNPPatrol&lt;/code&gt; and &lt;code&gt;$wgUseFilePatrol&lt;/code&gt; are both to be set to &lt;code&gt;false&lt;/code&gt;.
# &lt;code&gt;autopatrol&lt;/code&gt; and &lt;code&gt;patrol&lt;/code&gt; are to be removed from some user groups on this wiki.
This is because FlaggedRevs is used to review new pages and edits, so I don't think MediaWiki's native patrol function is needed here. It's similar to [[phab:T423461]] (completely turning off the new page patrol function on Ukrainian Wikipedia).

In addition, I would like to propose we move the following interface pages once after the below configuration has been implemented:
* [[MediaWiki:Revreview-value]] to [[MediaWiki:Revreview-accuracy]]
* [[MediaWiki:Revreview-value-1]] to [[MediaWiki:Revreview-accuracy-1]]
* [[MediaWiki:Revreview-value-2]] to [[MediaWiki:Revreview-accuracy-2]]
* [[MediaWiki:Revreview-value-3]] to [[MediaWiki:Revreview-accuracy-3]]
I don't really see a reason why we should use {{tq|value}} instead of {{tq|accuracy}} to stand out, when some other projects use {{tq|accuracy}}.
{{collapse top|Proposed configuration}}
=== core-Permissions.php ===
&lt;syntaxhighlight lang=&quot;php&quot;&gt;
'+enwikibooks' =&gt; [
	'bot' =&gt; [ 'autopatrol' =&gt; false, ],
	'editor' =&gt; [
		'rollback' =&gt; true,
		'suppressredirect' =&gt; true,
	],
	'flood' =&gt; [ 'bot' =&gt; true ],
	'sysop' =&gt; [
		'autopatrol' =&gt; false,
		'patrol' =&gt; false,
		'importupload' =&gt; true, // T278683
	],
	'uploader' =&gt; [
		'upload' =&gt; true,
		'reupload' =&gt; true,
	],
	'import' =&gt; [ 'mergehistory' =&gt; true ], // T382785
	'transwiki' =&gt; [ 'mergehistory' =&gt; true ], // T382785
],
&lt;/syntaxhighlight&gt;

=== flaggedrevs.php ===
&lt;syntaxhighlight lang=&quot;php&quot;&gt;
elseif ( $wgDBname == 'enwikibooks' ) {
	// Limited to the main, Cookbook, and Wikijunior namespaces (T408110)
	$wgFlaggedRevsNamespaces = [ NS_MAIN, 102, 110 ];
	$wgFlaggedRevsTags = [ 'accuracy' =&gt; [ 'levels' =&gt; 3 ] ];
	$wgGroupPermissions['sysop']['stablesettings'] = true;
	unset( $wgGroupPermissions['reviewer'] );
}
&lt;/syntaxhighlight&gt;

{{collapse bottom}}

Thoughts? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 15:05, 3 May 2026 (UTC)

:{{support}}, patrolling is obsolete since we have FlaggedRevs extension here. Additionally, we should also consider renaming &lt;code&gt;editor&lt;/code&gt; to &lt;code&gt;reviewer&lt;/code&gt; to avoid confusion. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 15:19, 3 May 2026 (UTC)
:: I agree, but about the &lt;code&gt;validate&lt;/code&gt; user right, is this still needed? &lt;code&gt;reviewer&lt;/code&gt; has it by default, and administrators already have that user right; we might need to consider whether to remove &lt;code&gt;validate&lt;/code&gt; completely from this wiki.
:: Also, &lt;code&gt;reviewer&lt;/code&gt; is ''not'' under autopromotion, so this means an administrator will have to manually grant and remove that user group, unlike &lt;code&gt;editor&lt;/code&gt;. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 15:45, 3 May 2026 (UTC)
::: {{courtesy ping}} to @[[User:Kingofnuthin|Kingofnuthin]] to my response. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 20:59, 17 May 2026 (UTC)
::::If renaming the group would result in the autopromotion breaking, couldn't we edit the autopromotion as well? If this would break current reviewers' permissions I don't think we really need it right now as it is just known as &lt;code&gt;editor&lt;/code&gt; to the software. For the validate right, I don't have much technical knowledge so I don't know what it does, I can't give an opinion on that. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 12:07, 18 May 2026 (UTC)
::::: @[[User:Kingofnuthin|Kingofnuthin]] Regarding &lt;code&gt;validate&lt;/code&gt;, if we use this line of code...&lt;syntaxhighlight lang=&quot;php&quot;&gt;
$wgFlaggedRevsTagsRestrictions = [
		'accuracy' =&gt; [ 'review' =&gt; 2, 'validate' =&gt; 3 ],
	];
&lt;/syntaxhighlight&gt;... it means that reviewers will only be able to flag revisions either as minimal or average, while &lt;code&gt;validate&lt;/code&gt; is required to flag revisions as good quality (in which using the current configuration, only administrators can do; therefore, &lt;code&gt;validate&lt;/code&gt; is not needed at all here). [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 15:03, 18 May 2026 (UTC)
:{{support}} I'd be inclined toward standard patrolling rather than FlaggedRevs, but I agree that having both seems clearly redundant and just introduces an administrative burden. ―[[User:Koavf|Justin (&lt;span style=&quot;color:grey&quot;&gt;ko'''a'''&lt;span style=&quot;color:black&quot;&gt;v&lt;/span&gt;f&lt;/span&gt;)]]&lt;span style=&quot;color:red&quot;&gt;❤[[User talk:Koavf|T]]☮[[Special:Contributions/Koavf|C]]☺[[Special:Emailuser/Koavf|M]]☯&lt;/span&gt; 15:21, 18 May 2026 (UTC)
:{{ping|Kingofnuthin}} and {{ping|Koavf}} It's done, but I noticed a major side effect when we removed the `validate` user right, most likely: no one can mark any revisions with quality (aside from reviewing). We might need to add that user right to reviewers and administrators. Thoughts? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 14:07, 25 May 2026 (UTC)
::Do we really need quality marks here? From what I have seen, the revisions are almost always marked as minimal. [[User:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: lime&quot;&gt;kingofnuthin&lt;/span&gt;]] ([[User talk:kingofnuthin|&lt;span style=&quot;font-family: Georgia; color: teal&quot;&gt;talk&lt;/span&gt;]]) 14:58, 25 May 2026 (UTC)
::: If you take a look at [[Special:Log/review]], I just marked [[Cookbook:Githeri]] as reviewed (akin to marking that recipe as patrolled), but the quality is minimal (in which no one can change). Does this describe what you are saying above? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 15:59, 25 May 2026 (UTC)
::Yeah, this is tricky. Like KoN mentions above, I don't really know how important this feature is. ―[[User:Koavf|Justin (&lt;span style=&quot;color:grey&quot;&gt;ko'''a'''&lt;span style=&quot;color:black&quot;&gt;v&lt;/span&gt;f&lt;/span&gt;)]]&lt;span style=&quot;color:red&quot;&gt;❤[[User talk:Koavf|T]]☮[[Special:Contributions/Koavf|C]]☺[[Special:Emailuser/Koavf|M]]☯&lt;/span&gt; 21:29, 25 May 2026 (UTC)
::Has anyone checked to see what the realistic shelf life for [[mw:Extension:FlaggedRevs]] is?  Maybe we should make a change, but in the opposite direction. [[User:WhatamIdoing|WhatamIdoing]] ([[User talk:WhatamIdoing|discuss]] • [[Special:Contributions/WhatamIdoing|contribs]]) 22:56, 25 May 2026 (UTC)
::: Which change are you describing here {{tq|in the opposite direction}}? [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 22:57, 25 May 2026 (UTC)
::::I'm wondering whether we should rely more on MediaWiki's native patrol function than on FlaggedRevs.  MediaWiki's native patrol function is more likely to be working 10 years from now. [[User:WhatamIdoing|WhatamIdoing]] ([[User talk:WhatamIdoing|discuss]] • [[Special:Contributions/WhatamIdoing|contribs]]) 23:05, 25 May 2026 (UTC)
::::: Yes, but according to the historical project page [[Wikibooks:New page patrol]], {{tq|Please note that the patroller flag was retired when English Wikibooks enabled FlaggedRevs. The job that was once done by patrollers is now done by reviewers. Most of the content of this page is still accurate; we just use a different interface to do more-or-less the same thing.}} [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 23:10, 25 May 2026 (UTC)
::::::That doesn't tell us how we should plan for the future. [[User:WhatamIdoing|WhatamIdoing]] ([[User talk:WhatamIdoing|discuss]] • [[Special:Contributions/WhatamIdoing|contribs]]) 02:50, 26 May 2026 (UTC)

== Proposal to discontinue quality criteria levels via FlaggedRevs ==

{{collapse top|Proposed configuration}}
&lt;syntaxhighlight lang=&quot;php&quot;&gt;
elseif ( $wgDBname == 'enwikibooks' ) {
	// Limited to the main, Cookbook, and Wikijunior namespaces (T408110)
	$wgFlaggedRevsNamespaces = [ NS_MAIN, 102, 110 ];
	$wgFlaggedRevsTags = [ 'accuracy' =&gt; [ 'levels' =&gt; 1 ] ];
	$wgGroupPermissions['sysop']['stablesettings'] = true;
	unset( $wgGroupPermissions['reviewer'] );
}
&lt;/syntaxhighlight&gt;
{{collapse bottom}}
I would like to propose discontinuing the [[Help:Tracking changes#Quality criteria and levels|quality criteria levels]]; by using &lt;code&gt;$wgFlaggedRevsTags = [ 'accuracy' =&gt; [ 'levels' =&gt; 1 ] ];&lt;/code&gt;, there would only be two levels, unreviewed and reviewed, per the comments on the previous proposal above (and because &lt;code&gt;validate&lt;/code&gt; is no longer available). [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 11:42, 29 May 2026 (UTC)

:'''Support''' ―[[User:Koavf|Justin (&lt;span style=&quot;color:grey&quot;&gt;ko'''a'''&lt;span style=&quot;color:black&quot;&gt;v&lt;/span&gt;f&lt;/span&gt;)]]&lt;span style=&quot;color:red&quot;&gt;❤[[User talk:Koavf|T]]☮[[Special:Contributions/Koavf|C]]☺[[Special:Emailuser/Koavf|M]]☯&lt;/span&gt; 15:07, 29 May 2026 (UTC)
:{{comment}} In my years here, I have never used, looked at, or seen anyone reference the quality criteria levels—I don't think they are a useful component of the project these days. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 11:01, 1 June 2026 (UTC)
: I filed [[phab:T428329]]. [[User:Codename Noreste|&lt;span style=&quot;color:#0024FF&quot;&gt;Codename Noreste&lt;/span&gt;]] ([[User talk:Codename Noreste|discuss]] • [[Special:Contributions/Codename Noreste|contribs]]) 14:28, 6 June 2026 (UTC)</text>
      <sha1>2q56o6d0442csgsot5ln59kx35y2f6w</sha1>
    </revision>
  </page>
  <page>
    <title>Welsh/Grammar/Verbs/Past</title>
    <ns>0</ns>
    <id>174013</id>
    <revision>
      <id>4639220</id>
      <parentid>4639106</parentid>
      <timestamp>2026-06-06T19:12:29Z</timestamp>
      <contributor>
        <username>~2026-33621-56</username>
        <id>3602314</id>
      </contributor>
      <comment>Formatting improvements (could still be better)</comment>
      <origin>4639220</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="6577" sha1="qlb4rc15fsc1cko7a8vuly6smtdpic7" xml:space="preserve">The past tense in Welsh does not use '''bod (to be)'''. We have to conjugate the verb itself. We add an ending to the stem of the verb.  

Dwy'r amser gorffennol ddim yn defnyddio '''bod.''' Rhaid i ni redeg y ferf. Rhaid i ni ychwanegu terfyniad at fôn y ferf. 

''Note the different mutations in the negative and interrogative forms'' 

{| class=&quot;wikitable&quot;
|+Past Tense - Talu
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Talais i'''
| I paid 
| '''Thalais i ddim'''
| I didn't pay.
|'''Dalais i?'''
|Did I pay?
|-
| '''Talaist ti'''
| You paid
|  '''Thalaist ti ddim'''
| You didn't pay.
|'''Dalaist ti?'''
|Did you pay?
|-
| '''Talodd e/hi'''
| He/She paid
| '''Thalodd e/hi ddim'''
| He/She didn't pay.
|'''Dalodd e/hi?'''
|Did he/she pay?
|-
|'''Talon ni'''
|We paid
|'''Thalon ni ddim'''
|We didn't pay.
|'''Dalon ni?'''
|Did we pay?
|-
|'''Taloch chi'''
|You paid
|'''Thaloch chi ddim'''
|You didn't pay.
|'''Daloch chi?'''
|Did you pay?
|-
|'''Talon nhw'''
|They paid
|'''Thalon nhw ddim'''
|They didn't pay.
|'''Dalon nhw?'''
|Did they pay?
|}
We need to know the stem of verbs to create the past tense and commands.

=== Dyma rai rheolau. ''Here are some rules:'' ===
Berf yn gorffen gyda un llafariad - gollwng y llafariad. ''Verb ending with a single vowel - drop the vowel:''                               &lt;blockquote&gt;bwyta       bwyt-        bwytais i

canu        can-         canais i&lt;/blockquote&gt;Berf yn gorffen gyda '''io''' - gollwng y llafariad ola.     ''Verb ending with '''io''' - drop the final vowel.''                             &lt;blockquote&gt;ffonio          ffoni-          ffoniais i

gweithio      gweithi-      gweithiais i&lt;/blockquote&gt;Berf yn gorffen gyda chytsain - ychwanegu'r terfyniad. ''Verb ending with a consonant - add the ending.''                                                                                   &lt;blockquote&gt;darllen      darllen-      darllenais i

ateb         ateb-         atebais i&lt;/blockquote&gt;Berf yn gorffen gyda '''-ed''' - gollwng yr '''ed'''. Verb ending with '''-ed''' - drop the '''ed'''.                                                             &lt;blockquote&gt;clywed      clyw-        clywais i

yfed        yf-          yfais i&lt;/blockquote&gt;Berf yn gorffen gyda '''-eg''' - gollwng yr '''eg'''. ''Verb ending with '''-eg''' - drop the '''eg'''. ''&lt;blockquote&gt;rhedeg      rhed-       rhedais i&lt;/blockquote&gt;'''Rhai bonau anodd'''/Some more difficult stems:

{| class=&quot;wikitable&quot;
|-
|aros
|arhos- 
|arhosais i
|-
|benthyg
|benthyc-
|benthycias i
|-
|cymryd
|cymer-
|cymerais i
|-
|cyrraedd 
|cyrhaedd-
|cyrhaeddais i
|-
|chwarae
|chwarae-
|chwaraeais i
|-
|dechrau 
|dechreu-
|dechreuais i
|-
|dweud
|dwed-
|dwedais i
|-
|ennill
|enill-
|enillais i
|-
|gadael
|gadaw-
|gadawais i
|-
|glanhau 
|glanheu-
|glanheuais i
|-
|gorffen
|gorffenn-
|gorffennais i
|-
|gweld
|gwel-
|gwelais i
|-
|gwrando 
|gwrandaw-
|gwrandais i
|-
|meddwl 
|meddyli-
|meddyliais i
|-
|mwynhau 
|mwynhe(u)
|mwynhe(u)ais i
|-
|rhoi
|rhoi-/rhodd-
|rhodiais i/rhoddais i
|-
|troi
|troi-
|troiais i
|-
|ymweld
|ymwel-
|ymwelais i
|}

{| border=&quot;0&quot; cellpadding=&quot;5&quot;
|-
| style=&quot;background:#FFFFCC;&quot; | Mae '''gwneud''', '''mynd''', a '''cael''' yn berfau afreolaidd.
'''To do/make''', '''to go''', and '''to have''' are irregular verbs.
|-
|}

{| class=&quot;wikitable&quot;
|+Past Tense - Gwneud
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Gwnes i'''
| I did/made
| '''Wnes i ddim'''
| I didn't do/make
|'''Wnes i?'''
| Did I do/make?
|-
| '''Gwnest ti'''
| You did/made.
|  '''Wnest ti ddim'''
| You didn't do/make.
|'''Wnest ti?'''
| Did you do/make?
|-
| '''Gwnaeth e/hi'''
| He/She did/made.
| '''Wnaeth e/hi ddim'''
| He/She didn't do/make.
|'''Wnaeth e/hi?'''
| Did he/she do/make?
|-
|'''Gwnaethon ni'''
| We did/made.
|'''Wnaethon ni ddim'''
| We didn't do/make.
|'''Wnaethon ni?'''
| Did we do/make?
|-
|'''Gwnaethoch chi'''
|You did/made.
|'''Wnaethoch chi ddim'''
|You didn't do/make.
|'''Wnaethoch chi?'''
|Did you do/make?
|-
|'''Gwnaethon nhw'''
|They did/made.
|'''Wnaethon nhw ddim'''
|They didn't do/make.
|'''Wnaethon nhw?'''
|Did they do/make?
|}

{| class=&quot;wikitable&quot;
|+Past Tense - Mynd
|-
! Cadarnhaol
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Es i'''
| I went.
| '''Es i ddim'''
| I didn't go.
|'''Es i?'''
| Did I go?
|-
| '''Est ti'''
| You went. 
|  '''Est ti ddim'''
| You didn't go.
|'''Est ti?'''
| Did you go?
|-
| '''Aeth e/hi'''
| He/She went.
| '''Aeth e/hi ddim'''
| He/She didn't go.
|'''Aeth e/hi?'''
| Did he/she go?
|-
|'''Aethon ni'''
| We went.
|'''Aethon ni ddim'''
| We didn't go.
|'''Aethon ni?'''
| Did we go?
|-
|'''Aethoch chi'''
|You went.
|'''Aethoch chi ddim'''
|You didn't go.
|'''Aethoch chi?'''
|Did you go?
|-
|'''Aethon nhw'''
|They went. 
|'''Aethon nhw ddim'''
|They didn't go.
|'''Aethon nhw?'''
|Did they go?
|}

There are two possible forms of '''cael''' in the past tense. '''Ces i, cawson ni''' etc. will be found in more formal situations or in writing. '''Ges i, gaethon ni''' etc. tends to be seen as less formal, and is used more commonly in spoken Welsh. (It is also much easier to remember, as it follows the forms for gwneud and mynd!)
{| class=&quot;wikitable&quot;
|+Past Tense - Cael
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Ces/Ges i'''
| I had.
| '''Ches i ddim'''
| I didn't have.
|'''Ges i?'''
| Did I have?
|-
| '''Cest/Gest ti'''
| You had. 
|  '''Chest ti ddim'''
| You didn't have.
|'''Gest ti?'''
| Did you have?
|-
| '''Cafodd/Gaeth e/hi'''
| He/She had.
| '''Chafodd/Chaeth e/hi ddim'''
| He/She didn't have.
|'''Gafodd/Gaeth e/hi?'''
| Did he/she go?
|-
|'''Cawson/Gaethon ni'''
| We had.
|'''Chawson/Chaethon ni ddim'''
| We didn't have.
|'''Gawson/Gaethon ni?'''
| Did we have?
|-
|'''Cawsoch/Gaethoch chi'''
|You had 
|'''Chawsoch/Chaethoch chi ddim'''
|You didn't have.
|'''Gawsoch/Gaethoch chi?'''
|Did you have?
|-
|'''Cawson/Gaethon nhw'''
|They had. 
|'''Chawson/Chaethon nhw ddim'''
|They didn't have.
|'''Gawson/Gaethon nhw?'''
|Did they have?
|}


{| border=&quot;0&quot; cellpadding=&quot;5&quot;
|-
| style=&quot;background:#FFFFCC;&quot; | '''Past tense responses are simple'''.
Yn yr amser gorffennol, 'dyn ni'n ateb '''Do/Naddo''' bob tro.

In the past tense, we answer '''Do/Naddo''' every time.
|-
|}


A: Est ti i'r parc?&lt;br&gt;
B: Do. Es i i'r parc.
:''A: Did you go to the park?''
:''B: I did (yes). I went to the park.''


A: Dalaist ti?&lt;br&gt;
B: Naddo. Thalais i ddim.
:''A: Did you pay?''
:''B: I didn't (no). I didn't pay.''</text>
      <sha1>qlb4rc15fsc1cko7a8vuly6smtdpic7</sha1>
    </revision>
    <revision>
      <id>4639221</id>
      <parentid>4639220</parentid>
      <timestamp>2026-06-06T19:15:47Z</timestamp>
      <contributor>
        <username>~2026-33621-56</username>
        <id>3602314</id>
      </contributor>
      <comment>/* Dyma rai rheolau. Here are some rules: */  tried to improve spacing</comment>
      <origin>4639221</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="6885" sha1="t0dkoy9p9y1n5c7dghzmc9ssakabmdl" xml:space="preserve">The past tense in Welsh does not use '''bod (to be)'''. We have to conjugate the verb itself. We add an ending to the stem of the verb.  

Dwy'r amser gorffennol ddim yn defnyddio '''bod.''' Rhaid i ni redeg y ferf. Rhaid i ni ychwanegu terfyniad at fôn y ferf. 

''Note the different mutations in the negative and interrogative forms'' 

{| class=&quot;wikitable&quot;
|+Past Tense - Talu
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Talais i'''
| I paid 
| '''Thalais i ddim'''
| I didn't pay.
|'''Dalais i?'''
|Did I pay?
|-
| '''Talaist ti'''
| You paid
|  '''Thalaist ti ddim'''
| You didn't pay.
|'''Dalaist ti?'''
|Did you pay?
|-
| '''Talodd e/hi'''
| He/She paid
| '''Thalodd e/hi ddim'''
| He/She didn't pay.
|'''Dalodd e/hi?'''
|Did he/she pay?
|-
|'''Talon ni'''
|We paid
|'''Thalon ni ddim'''
|We didn't pay.
|'''Dalon ni?'''
|Did we pay?
|-
|'''Taloch chi'''
|You paid
|'''Thaloch chi ddim'''
|You didn't pay.
|'''Daloch chi?'''
|Did you pay?
|-
|'''Talon nhw'''
|They paid
|'''Thalon nhw ddim'''
|They didn't pay.
|'''Dalon nhw?'''
|Did they pay?
|}
We need to know the stem of verbs to create the past tense and commands.

=== Dyma rai rheolau. ''Here are some rules:'' ===
Berf yn gorffen gyda un llafariad - gollwng y llafariad. ''Verb ending with a single vowel - drop the vowel:''                               &lt;blockquote&gt;bwyta       bwyt-        bwytais i
                                                                                  
canu        can-         canais i&lt;/blockquote&gt;Berf yn gorffen gyda '''io''' - gollwng y llafariad ola.     ''Verb ending with '''io''' - drop the final vowel.''                             &lt;blockquote&gt;ffonio          ffoni-          ffoniais i
                                                                               
gweithio      gweithi-      gweithiais i&lt;/blockquote&gt;Berf yn gorffen gyda chytsain - ychwanegu'r terfyniad. ''Verb ending with a consonant - add the ending.''                                                                                   &lt;blockquote&gt;darllen      darllen-      darllenais i
                                                                           
ateb         ateb-         atebais i &lt;/blockquote&gt;Berf yn gorffen gyda '''-ed''' - gollwng yr '''ed'''. Verb ending with '''-ed''' - drop the '''ed'''.                                                             &lt;blockquote&gt;clywed      clyw-        clywais i
                                                                       
yfed        yf-          yfais i&lt;/blockquote&gt;Berf yn gorffen gyda '''-eg''' - gollwng yr '''eg'''. ''Verb ending with '''-eg''' - drop the '''eg'''. ''&lt;blockquote&gt;rhedeg      rhed-       rhedais i&lt;/blockquote&gt;'''Rhai bonau anodd'''/Some more difficult stems:

{| class=&quot;wikitable&quot;
|-
|aros
|arhos- 
|arhosais i
|-
|benthyg
|benthyc-
|benthycias i
|-
|cymryd
|cymer-
|cymerais i
|-
|cyrraedd 
|cyrhaedd-
|cyrhaeddais i
|-
|chwarae
|chwarae-
|chwaraeais i
|-
|dechrau 
|dechreu-
|dechreuais i
|-
|dweud
|dwed-
|dwedais i
|-
|ennill
|enill-
|enillais i
|-
|gadael
|gadaw-
|gadawais i
|-
|glanhau 
|glanheu-
|glanheuais i
|-
|gorffen
|gorffenn-
|gorffennais i
|-
|gweld
|gwel-
|gwelais i
|-
|gwrando 
|gwrandaw-
|gwrandais i
|-
|meddwl 
|meddyli-
|meddyliais i
|-
|mwynhau 
|mwynhe(u)
|mwynhe(u)ais i
|-
|rhoi
|rhoi-/rhodd-
|rhodiais i/rhoddais i
|-
|troi
|troi-
|troiais i
|-
|ymweld
|ymwel-
|ymwelais i
|}

{| border=&quot;0&quot; cellpadding=&quot;5&quot;
|-
| style=&quot;background:#FFFFCC;&quot; | Mae '''gwneud''', '''mynd''', a '''cael''' yn berfau afreolaidd.
'''To do/make''', '''to go''', and '''to have''' are irregular verbs.
|-
|}

{| class=&quot;wikitable&quot;
|+Past Tense - Gwneud
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Gwnes i'''
| I did/made
| '''Wnes i ddim'''
| I didn't do/make
|'''Wnes i?'''
| Did I do/make?
|-
| '''Gwnest ti'''
| You did/made.
|  '''Wnest ti ddim'''
| You didn't do/make.
|'''Wnest ti?'''
| Did you do/make?
|-
| '''Gwnaeth e/hi'''
| He/She did/made.
| '''Wnaeth e/hi ddim'''
| He/She didn't do/make.
|'''Wnaeth e/hi?'''
| Did he/she do/make?
|-
|'''Gwnaethon ni'''
| We did/made.
|'''Wnaethon ni ddim'''
| We didn't do/make.
|'''Wnaethon ni?'''
| Did we do/make?
|-
|'''Gwnaethoch chi'''
|You did/made.
|'''Wnaethoch chi ddim'''
|You didn't do/make.
|'''Wnaethoch chi?'''
|Did you do/make?
|-
|'''Gwnaethon nhw'''
|They did/made.
|'''Wnaethon nhw ddim'''
|They didn't do/make.
|'''Wnaethon nhw?'''
|Did they do/make?
|}

{| class=&quot;wikitable&quot;
|+Past Tense - Mynd
|-
! Cadarnhaol
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Es i'''
| I went.
| '''Es i ddim'''
| I didn't go.
|'''Es i?'''
| Did I go?
|-
| '''Est ti'''
| You went. 
|  '''Est ti ddim'''
| You didn't go.
|'''Est ti?'''
| Did you go?
|-
| '''Aeth e/hi'''
| He/She went.
| '''Aeth e/hi ddim'''
| He/She didn't go.
|'''Aeth e/hi?'''
| Did he/she go?
|-
|'''Aethon ni'''
| We went.
|'''Aethon ni ddim'''
| We didn't go.
|'''Aethon ni?'''
| Did we go?
|-
|'''Aethoch chi'''
|You went.
|'''Aethoch chi ddim'''
|You didn't go.
|'''Aethoch chi?'''
|Did you go?
|-
|'''Aethon nhw'''
|They went. 
|'''Aethon nhw ddim'''
|They didn't go.
|'''Aethon nhw?'''
|Did they go?
|}

There are two possible forms of '''cael''' in the past tense. '''Ces i, cawson ni''' etc. will be found in more formal situations or in writing. '''Ges i, gaethon ni''' etc. tends to be seen as less formal, and is used more commonly in spoken Welsh. (It is also much easier to remember, as it follows the forms for gwneud and mynd!)
{| class=&quot;wikitable&quot;
|+Past Tense - Cael
|-
! Cadarnhaol 
!(Affirmative)
! Negyddol 
!(Negative)
! Cwestiwn 
!(Question)
|-
| '''Ces/Ges i'''
| I had.
| '''Ches i ddim'''
| I didn't have.
|'''Ges i?'''
| Did I have?
|-
| '''Cest/Gest ti'''
| You had. 
|  '''Chest ti ddim'''
| You didn't have.
|'''Gest ti?'''
| Did you have?
|-
| '''Cafodd/Gaeth e/hi'''
| He/She had.
| '''Chafodd/Chaeth e/hi ddim'''
| He/She didn't have.
|'''Gafodd/Gaeth e/hi?'''
| Did he/she go?
|-
|'''Cawson/Gaethon ni'''
| We had.
|'''Chawson/Chaethon ni ddim'''
| We didn't have.
|'''Gawson/Gaethon ni?'''
| Did we have?
|-
|'''Cawsoch/Gaethoch chi'''
|You had 
|'''Chawsoch/Chaethoch chi ddim'''
|You didn't have.
|'''Gawsoch/Gaethoch chi?'''
|Did you have?
|-
|'''Cawson/Gaethon nhw'''
|They had. 
|'''Chawson/Chaethon nhw ddim'''
|They didn't have.
|'''Gawson/Gaethon nhw?'''
|Did they have?
|}


{| border=&quot;0&quot; cellpadding=&quot;5&quot;
|-
| style=&quot;background:#FFFFCC;&quot; | '''Past tense responses are simple'''.
Yn yr amser gorffennol, 'dyn ni'n ateb '''Do/Naddo''' bob tro.

In the past tense, we answer '''Do/Naddo''' every time.
|-
|}


A: Est ti i'r parc?&lt;br&gt;
B: Do. Es i i'r parc.
:''A: Did you go to the park?''
:''B: I did (yes). I went to the park.''


A: Dalaist ti?&lt;br&gt;
B: Naddo. Thalais i ddim.
:''A: Did you pay?''
:''B: I didn't (no). I didn't pay.''</text>
      <sha1>t0dkoy9p9y1n5c7dghzmc9ssakabmdl</sha1>
    </revision>
  </page>
  <page>
    <title>OpenSCAD User Manual/First Steps</title>
    <ns>0</ns>
    <id>217108</id>
    <revision>
      <id>4639229</id>
      <parentid>4639126</parentid>
      <timestamp>2026-06-07T03:03:49Z</timestamp>
      <contributor>
        <username>Codename Noreste</username>
        <id>3441010</id>
      </contributor>
      <comment>Rejected the last text change (by [[Special:Contributions/~2026-33479-24|~2026-33479-24]]) and restored revision 4527749 by VulcanWikiEdit</comment>
      <origin>4639229</origin>
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      <text bytes="841" sha1="hhlwkrkgtm6drnjawcrq8aw9fj3t5az" xml:space="preserve">Creating your first model after installing OpenSCAD&lt;ref&gt;
For information about downloading and installing OpenSCAD, see
http://www.openscad.org/downloads.html.
&lt;/ref&gt;.

# [[/Creating a simple model/]]
# [[/Positioning an object/]]
# [[/Changing the color of an object/]]
# [[/Model views/]]
# [[/Opening an existing example model/]]


{{OpenSCAD User Manual/Simple Page Navigation
| prev        = OpenSCAD User Manual
| prev_disp   = User Manual
| next        = OpenSCAD User Manual/The OpenSCAD User Interface
| next_disp   = User Interface
| book        = OpenSCAD User Manual
| book_disp   = User Manual
| bgcolor     = Cornsilk
| bordercolor = PaleGreen
| borderstyle = groove
}}

== Notes ==
{{reflist}}

{{BookCat}}

[[it:OpenSCAD/Primi passi]]
[[ru:Руководство пользователя по OpenSCAD/Первые шаги]]</text>
      <sha1>hhlwkrkgtm6drnjawcrq8aw9fj3t5az</sha1>
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  </page>
  <page>
    <title>Template:Featured Wikijunior book/Languages</title>
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      <contributor>
        <username>Pppery</username>
        <id>3090521</id>
      </contributor>
      <comment>Use png</comment>
      <origin>4639240</origin>
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      <text bytes="309" sha1="8cgrhgf1730m5qq3btg1w6bc15jnrhp" xml:space="preserve">{{Featured Wikijunior book
|edit={{{edit|}}}
|cover=Languages Graphic.png
|title=Languages
|desc=Kids can explore the history and construction of the world's most spoken languages with [[Wikijunior:Languages|Languages]].
}}&lt;noinclude&gt;[[Category:Featured Wikijunior book templates|{{SUBPAGENAME}}]]&lt;/noinclude&gt;</text>
      <sha1>8cgrhgf1730m5qq3btg1w6bc15jnrhp</sha1>
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  </page>
  <page>
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      <timestamp>2026-06-07T04:54:23Z</timestamp>
      <contributor>
        <username>Pppery</username>
        <id>3090521</id>
      </contributor>
      <origin>4639239</origin>
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== Protected edit request on 13 March 2026 ==

{{edit fully-protected|Template:Obsolete|answered=yes}}
Add a blank {{!}}alt= parameter to the icon so that screen readers do not attempt to read it: &lt;syntaxhighlight lang=&quot;wikitext&quot;&gt;|image=[[File:Orange x.svg|30px|link=|alt=]]&lt;/syntaxhighlight&gt; {&amp;#123;'''[[User:Lemondoge|Lemondoge]]'''&amp;#124;[[User talk:Lemondoge|Talk]]&amp;#124;[[Special:Contributions/Lemondoge|Contributions]]&amp;#125;} 16:57, 13 March 2026 (UTC)
: Done. [[User:Pppery|Pppery]] ([[User talk:Pppery|discuss]] • [[Special:Contributions/Pppery|contribs]]) 04:54, 7 June 2026 (UTC)</text>
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  <page>
    <title>Aros/User/Applications</title>
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      <contributor>
        <username>Jeff1138</username>
        <id>301139</id>
      </contributor>
      <minor />
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      <text bytes="232349" sha1="3t6p4ph2j3pd1lo9ls2ffjm2h3nyy4e" xml:space="preserve">
==Introduction==


[[#Graphical Image Editing Art]]
[[#Office Application]]
[[#Audio]]

[[#Misc Application]]
[[#Games &amp; Emulation]]

[[#Application Guides]]

[[#top|...to the top]]


[[#top|...to the top]]

Most apps can be opened on the Workbench (aka publicscreen pubscreen) which is the default display option but can offer a custom one set to your configurations (aka custom screen mode promotion). These custom ones tend to stack so the possible use of A-M/A-N method of switching between full screens and the ability to pull down screens as well 

If you are interested in creating or porting new software, see [http://en.wikibooks.org/wiki/Aros/Developer/Docs here]

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Internet Applications 
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Web Online Browser [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/browser Odyssey 2.0], [https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1175&amp;highlight=odyssey&amp;rowstart=100 Odyssey 3.0], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/comm/www Amelinium], [https://blog.alb42.de/programs/amifox/ amifox] with [https://github.com/alb42/wrp wrp server], IBrowse*, Voyager*, [https://github.com/amigazen/aweb3/ AWeb 3.6 src], [https://github.com/matjam/aweb AWeb Src], [http://aminet.net/package/comm/www/NetSurf-m68k-sources Netsurf], [], 
|&lt;!--AmigaOS4--&gt;[ Odyssey OWB], [ Timberwolf (Firefox port 2011)], [http://amigaworld.net/modules/newbb/viewtopic.php?forum=32&amp;topic_id=32847 OWB-mui], [http://strohmayer.org/owb/ OWB-Reaction], IBrowse*, [http://os4depot.net/index.php?function=showfile&amp;file=network/browser/aweb.lha AWeb], Voyager, [http://www.os4depot.net/index.php?function=browse&amp;cat=network/browser Netsurf], 
|&lt;!--MorphOS--&gt;Wayfarer, [http://fabportnawak.free.fr/owb/ Odyssey OWB], [ Netsurf], IBrowse*, AWeb, [], 
|-
|&lt;!--Sub Menu--&gt;YouTube Viewing and downloading videos 
|&lt;!--AROS--&gt;Odyssey 2.0 can show Youtube webpage, [https://blog.alb42.de/amitube/ Amitube], 
|[https://blog.alb42.de/amitube/ Amitube], [https://github.com/YePpHa/YouTubeCenter/releases or this one], 
|[https://blog.alb42.de/amitube/ Amitube], getVideo, Tubexx, [https://github.com/walkero-gr/aiostreams aiostreams], 
|[ Wayfarer], [https://blog.alb42.de/amitube/ Amitube],Odyssey (OWB), [http://morphos.lukysoft.cz/en/vypis.php?kat=5 getVideo], Tubexx 
|-
|&lt;!--Sub Menu--&gt;E-mailing SMTP POP3 IMAP based 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/email SimpleMail], [http://sourceforge.net/projects/simplemail/files/ src], [https://github.com/jens-maus/yam YAM] 
|&lt;!--Amiga OS--&gt;[http://sourceforge.net/projects/simplemail/files/ SimpleMail], [https://github.com/jens-maus/yam YAM]
|&lt;!--AmigaOS4--&gt;SimpleMail, YAM, 
|&lt;!--MorphOS--&gt; SimpleMail, YAM
|-
|&lt;!--Sub Menu--&gt;IRC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat WookieChat], [https://sourceforge.net/projects/wookiechat/ Wookiechat src], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat AiRcOS], Jabberwocky, 
|&lt;!--Amiga OS--&gt;Wookiechat, AmIRC 
|&lt;!--AmigaOS4--&gt;Wookiechat 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Wookiechat], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 AmIRC], 
|-
|&lt;!--Sub Menu--&gt;Instant Messaging IM like [https://github.com/BlitterStudio/amidon Hollywood lang based Mastodon client], BlueSky AT protocol, Facebook(TM), Twitter X (TM), Bitlbee IRC Gateway and others 
|&lt;!--AROS--&gt;[https://github.com/kaffeine1/telegram-amiga telegram-amiga], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat jabberwocky], 
|&lt;!--Amiga OS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], CLIMM, SabreMSN, jabberwocky, 
|&lt;!--AmigaOS4--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], SabreMSN,
|&lt;!--MorphOS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 PolyglotNG], SabreMSN,
|-
|&lt;!--Sub Menu--&gt;Torrents 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/p2p ArTorr], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;CTorrent, Transmission 
|&lt;!--MorphOS--&gt;MLDonkey, Beehive, [http://morphos.lukysoft.cz/en/vypis.php?kat=5 Transmission], CTorrent, 
|-
|&lt;!--Sub Menu--&gt;FTP 
|&lt;!--AROS--&gt;Plugin included with Dopus Magellan, MarranoFTP, 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/comm/tcp/AmiFTP AmiFTP], AmiTradeCenter, ncFTP, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Pftp], [http://aminet.net/package/comm/tcp/AmiFTP-1.935-OS4 AmiFTP], 
|-
|&lt;!--Sub Menu--&gt;WYSIWYG Web Site Editor
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Internet Radio Streaming Audio [http://www.gnu.org/software/gnump3d/ gnump3d], [http://www.icecast.org/ Icecast2] Server (Broadcast) and Client (Listen), [ mpd], [http://darkice.sourceforge.net/ DarkIce], [http://www.dyne.org/software/muse/ Muse], 
|&lt;!--AROS--&gt;Mplayer (Icecast Client only), 
|&lt;!--Amiga OS--&gt;[https://github.com/sandlbn/TuneFinder TuneFinder C Src], [https://github.com/sandlbn/TuneFinderMUI TuneFinderMUI], [http://amigazeux.net/anr/ AmiNetRadio], [], [], 
|&lt;!--AmigaOS4--&gt;[http://www.tunenet.co.uk/ Tunenet], 
|&lt;!--MorphOS--&gt;Mplayer, AmiNetRadio, 
|-
|&lt;!--Sub Menu--&gt;VoIP (Voice over IP) with SIP Client (Session Initiation Protocol) or Asterisk IAX2 Clients Softphone (skype like) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;AmiPhone with Speak Freely, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Weather Forecast 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ WeatherBar], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench AWeather], []
|&lt;!--Amiga OS--&gt;[http://amigazeux.net/wetter/ Wetter], [https://github.com/emartisoft/AmiWeatherForecasts AmiWeatherForecasts src], 
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/?function=showfile&amp;file=utility/workbench/flipclock.lha FlipClock], 
|&lt;!--MorphOS--&gt;[http://amigazeux.net/wetter/ Wetter], 
|-
|&lt;!--Sub Menu--&gt;Street Road Maps Route Planning GPS Tracking  
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/muimapparium/ MuiMapparium] [https://build.alb42.de/ Build of MuiMapp versions], 
|&lt;!--Amiga OS--&gt;AmiAtlas*, UKRoutePlus*, [http://blog.alb42.de/ AmOSM], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://blog.alb42.de/programs/mapparium/ Mapparium], 
|-
|&lt;!--Sub Menu--&gt;Clock and Date setting from the internet (either ntp or websites) [https://www.timeanddate.com/worldclock/ World Clock], [http://www.time.gov/ NIST], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc ntpsync],  
|&lt;!--Amiga OS--&gt;ntpsync 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Newsgroups
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[http://newscoaster.sourceforge.net/ Newscoaster], [https://github.com/jens-maus/newsrog NewsRog], [ WorldNews], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Graphical Image Editing Art==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Image Editing
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Pixel Raster Artwork [https://github.com/LibreSprite/LibreSprite LibreSprite based on GPL aseprite], [https://github.com/abetusk/hsvhero hsvhero], [], 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/ZunePaint/ ZunePaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit LunaPaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit GrafX2], [ LodePaint needs OpenGL], 
|&lt;!--Amiga OS--&gt;[http://www.amigaforever.com/classic/download.html PPaint], GrafX2, [https://github.com/grovdata/Amiga_Sources/blob/master/software.md DeluxePaint], [http://www.amiforce.de/perfectpaint/perfectpaint.php PerfectPaint], Zoetrope, Brilliance2*, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit LodePaint], GrafX2, 
|&lt;!--MorphOS--&gt;Sketch, Pixel*, GrafX2, [http://morphos.lukysoft.cz/en/vypis.php?kat=3 LunaPaint]
|-
|&lt;!--Sub Menu--&gt;Image viewing 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LookHere], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LoView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer PicShow] , [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--Amiga OS--&gt;PicShow, PicView, Photoalbum,
|&lt;!--AmigaOS4--&gt;WarpView, PicShow, flPhoto, Thumbs, [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album]
|-
|&lt;!--Sub Menu--&gt;Photography retouching / Image Manipulation like Photoshop(tm)  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOEffects], [https://sourceforge.net/projects/zunetools/files/ ZunePaint], [http://sourceforge.net/projects/zunetools/files/ ZuneView], 
|&lt;!--Amiga OS--&gt;[ Tecsoft Video Paint aka TVPaint], Photogenics*, ArtEffect*, ImageFX*, XiPaint, fxPaint, ImageMasterRT, Opalpaint, 
|&lt;!--AmigaOS4--&gt;WarpView, flPhoto, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit Photocrop]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], ImageFX*, 
|-
|&lt;!--Sub Menu--&gt;Manage RAW picture folder galleries like Darktable, RAWtherapy, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Graphic Format Converter - ICC profile support sRGB, Adobe RGB, XYZ and linear RGB 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;GraphicsConverter, ImageStudio, [http://www.coplabs.org/artpro.html ArtPro]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Thumbnail Generator [], 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/shell Thumbnail Generator]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Icon Editor
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/iconedit Archives], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench Icon Toolbox], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/iconedit IconEditor]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Pixel Art Animation 
|&lt;!--AROS--&gt;Lunapaint
|&lt;!--Amiga OS--&gt;PPaint, AnimatED, Scala*, GoldDisk MovieSetter*, Walt Disney's Animation Studio*, ProDAD*, [https://github.com/historicalsource/DeluxePaint DeluxePaint src], Brilliance
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 Titler] 
|-
|&lt;!--Sub Menu--&gt;2D SVG based MovieSetter type 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;MovieSetter*, Fantavision*
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Morphing 
|&lt;!--AROS--&gt;[ GLMorph]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Cad (qcad-&gt;LibreCAD, etc.) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Xcad, MaxonCAD
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Cad like FreeCad, BRL-CAD, OpenSCAD, AvoCADo, etc. using dxf, obj (vertices), blend, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;XCad3d*, DynaCADD*, Cycas, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Model Rendering of glft (json) gbl (png jpg), usdz (USD files with materials, textures, and animations), FBX Filmbox is a proprietary Autodesk format, 
|&lt;!--AROS--&gt;POV-Ray
|&lt;!--Amiga OS--&gt;[http://www.discreetfx.com./amigaproducts.html CINEMA 4D]*, POV-Ray, Lightwave3D*, Real3D*, Caligari24*, Reflections/Monzoom*, [https://github.com/privatosan/RayStorm Raystorm src], Tornado 3D
|&lt;!--AmigaOS4--&gt;Blender, POV-Ray, Yafray
|&lt;!--MorphOS--&gt;Blender, POV-Ray, Yafray
|-
|&lt;!--Sub Menu--&gt;3D Format Converter [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=showfile&amp;file=graphics/convert/ivcon.lha IVCon]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen grabbing display 
|&lt;!--AROS--&gt;[ Screengrabber], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc snapit], [http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record screen recorder], []
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Grab graphics music from apps [https://github.com/Malvineous/ripper6 ripper6], [],
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Office Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Office
!width:10%;|AROS (x86)
!width:10%;|[http://en.wikipedia.org/wiki/Amiga_software Commodore-Amiga OS 3.1] (68k)
!width:10%;|[http://en.wikipedia.org/wiki/AmigaOS_4 Hyperion OS4] (PPC)
!width:10%;|[http://en.wikipedia.org/wiki/MorphOS MorphOS] (PPC)
|-
|&lt;!--Sub Menu--&gt;Word-processing 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=office/wordprocessing Cinnamon Writer], [https://finalwriter.godaddysites.com/ Final Writer 7*], [https://github.com/sodero/MUI-Vim/releases MUI-Vim], [ ], 
|&lt;!--AmigaOS--&gt;[ Softwood FinalCopy II*], Haage AmigaWriter*, Digita WordWorth*, Softwood FinalWriter*, Micro-Systems Excellence 3*, Arnor Protext, Rashumon, [ InterWord], [ KindWords], [WordPerfect], [ New Horizons Flow], [ CygnusEd Pro], [ Micro-systems Scribble], 
|&lt;!--AmigaOS4--&gt;AbiWord, [ CinnamonWriter]
|&lt;!--MorphOS--&gt;[ Cinnamon Writer], [http://www.meta-morphos.org/viewtopic.php?topic=1246&amp;forum=53 scriba], [http://morphos.lukysoft.cz/en/index.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Spreadsheets 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/leu/ Leu], [https://archives.arosworld.org/index.php?function=browse&amp;cat=office/spreadsheet], 
|&lt;!--AmigaOS--&gt;[https://aminet.net/package/biz/spread/ignition-src Ignition Src 1.3], [MaxiPlan 500 Plus], [OXXI Plan/IT v2.0 Speadsheet], [ Superplan], [ Creative Developments TurboCalc], [ ProCalc], [ InterSpread], [Digita DGCalc], [ Gold Disk Advantage], [ Micro-systems Analyze!]
|&lt;!--AmigaOS4--&gt;Gnumeric, [https://ignition-amiga.sourceforge.net/ Ignition], 
|&lt;!--MorphOS--&gt;[ ignition], [http://morphos.lukysoft.cz/en/vypis.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Presentations
|&lt;!--AROS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, 
|&lt;!--Amiga OS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, MediaPoint, PointRider, Scala*, 
|&lt;!--Amiga OS4--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider 
|&lt;!--MorphOS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider
|-
|&lt;!--Sub Menu--&gt;Databases 
|&lt;!--AROS--&gt;[http://sdb.freeforums.org/ SDB], [http://archives.arosworld.org/index.php?function=browse&amp;cat=office/database BeeBase], 
|&lt;!--Amiga OS--&gt;Precision Superbase 4 Pro*, Arnor Prodata*, BeeBase, Datastore, FinalData*, AmigaBase, Fiasco, Twist2*, [Digita DGBase], [], 
|&lt;!--AmigaOS4--&gt;BeeBase, SQLite, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=6 BeeBase], 
|-
|&lt;!--Sub Menu--&gt;PDF Viewing and editing digital signatures 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/arospdf/ ArosPDF via splash], [https://github.com/wattoc/AROS-vpdf vpdf wip], 
|&lt;!--Amiga OS--&gt;APDF 
|&lt;!--AmigaOS4--&gt;AmiPDF 
|&lt;!--MorphOS--&gt;APDF, vPDF, 
|-
|&lt;!--Sub Menu--&gt;Printing 
|&lt;!--AROS--&gt;Postscript 3 laser printers and Ghostscript internal, [ GutenPrint], 
|&lt;!--Amiga OS--&gt;[http://www.irseesoft.de/tp_what.htm TurboPrint]* 
|&lt;!--AmigaOS4--&gt;(some native drivers), 
|&lt;!--MorphOS--&gt;early TurboPrint included, 
|-
|&lt;!--Sub Menu--&gt;Note Taking markdown support like Obsidian like, joplin, OneNote, EverNotes, xournalpp, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Study and analyse, collect, organize, annotate, cite, and share
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PIM Personal Information Manager - Day Diary Planner Calendar App 
|&lt;!--AROS--&gt;[ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;Digita Organiser*, On The Ball, Everyday Organiser, [ Contact Manager], 
|&lt;!--AmigaOS4--&gt;AOrganiser, 
|&lt;!--MorphOS--&gt;[http://polymere.free.fr/orga_en.html PolyOrga], 
|-
|&lt;!--Sub Menu--&gt;Accounting
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=office/misc ETB], LoanCalc, [ ], [ ], [ ], 
|[ Digita Home Accounts2], Accountant, Small Business Accounts, Account Master, [ Amigabok], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Project Management Research 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;SuperGantt, SuperPlan, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System Wide Dictionary - multilingual [http://sourceforge.net/projects/babiloo/ Babiloo], [http://code.google.com/p/stardict-3/ StarDict], 
|&lt;!--AROS--&gt;[ ],  
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System wide Thesaurus - multi lingual
|&lt;!--AROS--&gt;[ ], 
|Kuma K-Roget*, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Sticky Desktop Notes (post it type) 
|&lt;!--AROS--&gt;[http://aminet.net/package/util/wb/amimemos.i386-aros AmiMemos], [https://aminet.net/package/util/wb/amimemos.src-aros AmiMemos Src], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/util/wb/StickIt-2.00 StickIt v2], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DTP Desktop Publishing 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOPublisher], 
|&lt;!--Amiga OS--&gt;[http://pagestream.org/ Pagestream]*, Professional Pro Page*, Saxon Publisher, Pagesetter, PenPal, 
|&lt;!--AmigaOS4--&gt;[http://pagestream.org/ Pagestream]* 
|&lt;!--MorphOS--&gt;[http://pagestream.org/ Pagestream]* 
|-
|&lt;!--Sub Menu--&gt;Scanning 
|&lt;!--AROS--&gt;[ SCANdal], [], 
|&lt;!--Amiga OS--&gt;FxScan*, ScanQuix* 
|&lt;!--AmigaOS4--&gt;SCANdal (Sane)
|&lt;!--MorphOS--&gt;SCANdal
|-
|&lt;!--Sub Menu--&gt;OCR
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/convert gOCR] 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos-files.net/categories/office/text Tesseract] 
|-
|&lt;!--Sub Menu--&gt;Text Editing
|&lt;!--AROS--&gt;Jano Editor (already installed as Editor), [http://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit EdiSyn], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit Annotate], [https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Vim], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd] [https://github.com/vidarh/FrexxEd src], [ NoWinEd], 
|&lt;!--Amiga OS--&gt;Annotate, MicroGoldED/CubicIDE*, CygnusED*, Turbotext, Protext*, NoWinED, 
|&lt;!--AmigaOS4--&gt;Notepad, Annotate, CygnusED*, NoWinED, 
|&lt;!--MorphOS--&gt;MorphOS ED, NoWinED, GoldED/CubicIDE*, CygnusED*, Annotate, 
|-
|&lt;!--Sub Menu--&gt;Office Fonts [http://sourceforge.net/projects/fontforge/files/fontforge-source/ Font Designer] 
|&lt;!--AROS--&gt;[ ], [ ], 
|&lt;!--Amiga OS--&gt;TypeSmith*, SaxonScript (GetFont Adobe Type 1), 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Drawing Vector
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/amifig/ ZuneFIG previously AmiFIG]
|&lt;!--Amiga OS--&gt;Drawstudio*, ProVector*, ArtExpression*, Professional Draw*, AmiFIG, MetaView, [https://gitlab.com/amigasourcecodepreservation/designworks Design Works Src], [], 
|&lt;!--AmigaOS4--&gt;MindSpace, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit amifig], 
|&lt;!--MorphOS--&gt;SteamDraw, [http://aminet.net/package/gfx/edit/amifig amiFIG], 
|-
|&lt;!--Sub Menu--&gt;video conferencing (jitsi) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;source code hosting
|&lt;!--AROS--&gt;Gitlab, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (server)
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/VNC_Server ArosVNCServer], 
|&lt;!--Amiga OS--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC], [http://dspach.free.fr/amiga/avnc/index.html AVNC]
|&lt;!--AmigaOS4--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC] 
|MorphVNC, vncserver
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (client) login and connect to another machine 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/VNC_Client/ ArosVNC], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc rdesktop], 
|&lt;!--Amiga OS--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://dspach.free.fr/amiga/vva/index.html VVA], [http://www.hd-zone.com/ RDesktop]
|&lt;!--AmigaOS4--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|-
|&lt;!--Sub Menu--&gt;notifications 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Ranchero 
|&lt;!--AmigaOS4--&gt;Ringhio 
|&lt;!--MorphOS--&gt;MagicBeacon 
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Audio==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Audio
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing playback Audio like MP3, [https://github.com/chrg127/gmplayer NSF], [https://github.com/kode54/lazyusf miniusf .usflib], [], etc 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer], [ HarmonyPlayer hp], [http://www.a500.org/downloads/audio/index.xhtml playcdda] CDs, [ WildMidi Player], [https://bszili.morphos.me/ UADE mod player], [], [RNOTunes ], [ mp3Player], [], 
|&lt;!--Amiga OS--&gt;AmiNetRadio, AmigaAmp, playOGG, 
|&lt;!--AmigaOS4--&gt;TuneNet, SimplePlay, AmigaAmp, TKPlayer
|AmiNetRadio, Mplayer, Kaya, AmigaAmp
|-
|&lt;!--Sub Menu--&gt;Editing Audio 
|&lt;!--AROS--&gt;[ Audio Evolution 4] 
|&lt;!--Amiga OS--&gt;[ Samplitude Opus Key], [https://sourceforge.net/projects/hd-rec/ HD-Rec Src], [http://www.sonicpulse.de/eng/news.html SoundFX], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/projects/hd-rec/ HD-Rec], AmiSoundED, [http://os4depot.net/?function=showfile&amp;file=audio/record/audioevolution4.lha Audio Evolution 4] 
|[http://www.hd-rec.de/HD-Rec/index.php?site=home HD-Rec], 
|-
|&lt;!--Sub Menu--&gt;Editing Tracker Music
|&lt;!--AROS--&gt;[https://github.com/hitchhikr/protrekkr Protrekkr], [ Schism Tracker], [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/tracker MilkyTracker], [http://www.hivelytracker.com/ HivelyTracker], [ Radium in AROS already],  [http://www.a500.org/downloads/development/index.xhtml libMikMod], 
|&lt;!--Amiga OS--&gt;MilkyTracker, HivelyTracker, DigiBooster, Octamed SoundStudio, 
|&lt;!--AmigaOS4--&gt;MilkyTracker, HivelyTracker, GoatTracker
|MilkyTracker, GoatTracker, DigiBooster, 
|-
|&lt;!--Sub Menu--&gt;Editing Music [], [https://github.com/kmatheussen/camd CAMD] and/or staves and notes manuscript 
|&lt;!--AROS--&gt;[http://bnp.hansfaust.de/ Bars and Pipes for AROS], [ Audio Evolution], [], 
|&lt;!--Amiga OS--&gt;[http://bnp.hansfaust.de/ Bars'n'Pipes], MusicX* David &quot;Talin&quot; Joiner &amp; Craig Weeks (for Notator-X), Deluxe Music Construction 2*, [https://github.com/timoinutilis/midi-sequencer-amigaos Horny c Src], HD-Rec, [https://aminet.net/package/mus/midi/dominatorV1_51 Dominator], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Rockbeat, [http://bnp.hansfaust.de/download.html Bars'n'Pipes], [http://os4depot.net/index.php?function=browse&amp;cat=audio/edit Horny], Audio Evolution 4, 
|&lt;!--MorphOS--&gt;Bars'n'Pipes, 
|-
|&lt;!--Sub Menu--&gt;Sound Sampling 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/record Audio Evolution 4], [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;did=162 Quick Record], [https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc SOX to get AIFF 16bit files], [https://github.com/aros-development-team/AROS/tree/master/workbench/tools/AHIRecord AHIRecord], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/package/mus/edit/AudioEvolution3_src Audio Evolution 3 c src], [ Samplitude-MS Opus Key], Audiomaster IV*, 
|&lt;!--AmigaOS4--&gt;[https://github.com/timoinutilis/phonolith-amigaos phonolith c src], HD-Rec, Audio Evolution 4,
|&lt;!--MorphOS--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Audio Evolution 4,
|-
|&lt;!--Sub Menu--&gt;Live Looping or Audio Misc - Groovebox like
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;CD/DVD burn
|[https://code.google.com/p/amiga-fryingpan/ FryingPan], 
|&lt;!--Amiga OS--&gt;FryingPan, [http://www.estamos.de/makecd/#CurrentVersion MakeCD], 
|&lt;!--AmigaOS4--&gt;FryingPan, AmiDVD, 
|[http://www.amiga.org/forums/printthread.php?t=58736 FryingPan], Jalopeano, 
|-
|&lt;!--Sub Menu--&gt;CD/DVD audio rip
|Lame, [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;cfid=0&amp;did=167 Quick CDrip],
|&lt;!--Amiga OS--&gt;Lame,  
|&lt;!--AmigaOS4--&gt;Lame, 
|Lame,  
|-
|&lt;!--Sub Menu--&gt;MP3 v1 and v2 Tagger
|&lt;!--AROS--&gt;id3ren (v1), [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/edit mp3info], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|
|-
|&lt;!--Sub Menu--&gt;Audio Convert
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc Sox], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/mus/misc/SoundBox SoundBox], [http://aminet.net/package/mus/misc/SoundBoxKey SoundBox Key], [http://aminet.net/package/mus/edit/SampleE SampleE], sox 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DJ mixing jamming 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Radio Automation Software [http://www.rivendellaudio.org/ Rivendell], [http://code.campware.org/projects/livesupport/report/3 Campware LiveSupport], [http://www.sourcefabric.org/en/airtime/ SourceFabric AirTime], [http://www.ohloh.net/p/mediabox404 MediaBox404], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speakers Audio Sonos Mains AC networked wired controlled 
*2005 ZP100 with ZP80 
*2008 Zoneplayer ZP120 (multi-room wireless amp)  ZP90 receiver only with CR100 controller, 
*2009 ZonePlayer S5, 
*2010 BR100 wireless Bridge (no support),   
*2011 Play:3
*2013 Bridge (no support), Play:1,  
*2016 Arc,   Play:1,   
*Beam (Gen 2),   Playbar,  Ray,   Era 100,   Era 300,   Roam,   Move 2,   
*Sub (Gen 3),   Sub Mini,  Five,  Amp  S2 
|&lt;!--AROS--&gt;SonosController 
|&lt;!--Amiga OS--&gt;SonosController
|&lt;!--AmigaOS4--&gt;SonosController
|&lt;!--MorphOS--&gt;SonosController
|-
|&lt;!--Sub Menu--&gt;Smart Speakers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Video Creativity and Production==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Video
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing Video 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer VAMP], [http://www.a500.org/downloads/video/index.xhtml CDXL player], [http://www.a500.org/downloads/video/index.xhtml IffAnimPlay], [], 
|&lt;!--Amiga OS--&gt;Frogger*, AMP2, MPlayer, RiVA*, MooViD*, 
|&lt;!--AmigaOS4--&gt;DvPlayer, MPlayer 
|&lt;!--MorphOS--&gt;MPlayer, Frogger, AMP2, VLC 
|-
|&lt;!--Sub Menu--&gt;Streaming Video and game streaming like OBS studio, Parsec, [https://github.com/lizardbyte/sunshine sunshine], [https://github.com/moonlight-stream/moonlight-qt moonlight], etc 
|&lt;!--AROS--&gt;Mplayer, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Mplayer, Gnash, Tubexx 
|&lt;!--MorphOS--&gt;Mplayer, OWB, Tubexx
|-
|&lt;!--Sub Menu--&gt;Playing DVD 
|&lt;!--AROS--&gt;[http://a-mc.biz/ AMC]*, Mplayer 
|&lt;!--Amiga OS--&gt;AMP2, Frogger 
|&lt;!--AmigaOS4--&gt;[http://a-mc.biz/ AMC]*, DvPlayer*, AMP2,  
|&lt;!--MorphOS--&gt;Mplayer 
|-
|&lt;!--Sub Menu--&gt;Screen Recording
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record Screenrecorder], [ ], [ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Screenrecorder, 
|-
|&lt;!--Sub Menu--&gt;Create and Edit Individual Video NLE 
|&lt;!--AROS--&gt;[ Mencoder], [ Quick Videos], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit AVIbuild], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc FrameBuild], FFMPEG, 
|&lt;!--Amiga OS--&gt;[ MainConcept Mainactor Broadcast*], [http://en.wikipedia.org/wiki/Video_Toaster Video Toaster*], MacroSystem MovieShop 4.3*, proDAD Adorage*, [ IOSpirit VHI studio]*, [Gold Disk ShowMaker], [], 
|&lt;!--AmigaOS4--&gt;FFMpeg/GUI 
|&lt;!--MorphOS--&gt;Blender, Mencoder, FFmpeg
|-
|&lt;!--Sub Menu--&gt;Subtitle editor 
|&lt;!--AROS--&gt;[https://aminet.net/package/text/edit/Slarti_Arosx86ABIv0 Slarti_Arosx86ABIv0], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;IP-based video production workflows with High Dynamic Range (HDR), 10-bit color collaborative NDI, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Blogging like Lemmy or kbin
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR face recognition for Vtubers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting Live 2D models with Cubism type editor 
&lt;pre&gt;
Model data (cmo3)
Basic motions (can3)
Background image (png)
Set of files for embedding (runtime folder)
• Model data (moc3)
• Motion data (motion3.json)
• Model settings file (model3.json)
• Physics settings file (physics3.json)
• Display auxiliary file (cdi3.json)
&lt;/pre&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting chatters .VRML models - standardized 3D file format for VR avatars 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;V-tubers V-tubing like Vseeface with Openseeface tracker or Vpuppr (virtual puppet project) for 2d / 3d art models rigging rigged LIV 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]


==Misc Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;File Management 
|&lt;!--AROS--&gt;DOpus4, [https://github.com/BlitterStudio/dopus5 DOpus Magellan aka DOpus 5], [ Scalos], [ ], 
|&lt;!--Amiga OS--&gt;DOpus2, DOpus 4, [http://sourceforge.net/projects/dopus5allamigas/files/?source=navbar DOpus Magellan DOpus5], ClassAction, FileMaster, [http://www.amiga.org/forums/showthread.php?t=4897 DirWork 2]*, [https://github.com/RudolphRiedel/DiskMaster2 DiskMaster2 src], 
|&lt;!--AmigaOS4--&gt;DOpus4, DOpus5, Filer, AmiDisk 
|&lt;!--MorphOS--&gt;DOpus4, DOpus5 
|-
|&lt;!--Sub Menu--&gt;File Verification / Repair 
|&lt;!--AROS--&gt;md5 (works in linux compiling shell), [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/filetool workpar2] (PAR2),  [http://zakalwe.fi/~shd/foss/cksfv/files/ compile cksfv from website], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Par2, 
|-
|Application Installer 
|&lt;!--AROS--&gt;[], [ InstallerNG], 
|&lt;!--Amiga OS--&gt;InstallerNG, Grunch, 
|&lt;!--AmigaOS4--&gt;Jack
|&lt;!--MorphOS--&gt;Jack 
|-
|&lt;!--Sub Menu--&gt;Compression archiver [https://github.com/FS-make-simple/paq9a paq9a], [], 
|&lt;!--AROS--&gt;XAD system is a toolkit designed for handling various file and disk archiver
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[https://aminet.net/package/util/pack/decrunchmania_os4 Crunchmania CrM2 depacker], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Binary Hexadecimal Editor 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Zaphod], [],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Repository
|&lt;!--AROS--&gt;[ Git]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Git
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Partition Editor formatter 
|&lt;!--AROS--&gt;[https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1440&amp;highlight=partition&amp;pid=8821#post_8821 QuickPart], [HDToolBox]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Repair
|&lt;!--AROS--&gt;ArSFSDoctor, 
|&lt;!--Amiga OS--&gt; Quarterback Tools, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Multiple File renaming
|&lt;!--AROS--&gt;DOpus 4 or 5, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Anti Virus
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;VChecker, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Random Wallpaper Desktop changer [ DOpus5], [ Scalos],  
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Alarm Clock, Timer, Stopwatch, Countdown 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench DClock], [http://aminet.net/util/time/AlarmClockAROS.lha AlarmClock], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Fortune Cookie Quotes Sayings 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc AFortune], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;C/C++ IDE 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd], [https://github.com/vidarh/FrexxEd FrexxEd src], Annotate, Murks, 
|&lt;!--Amiga OS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Annotate, 
|&lt;!--AmigaOS4--&gt;CodeBench , [https://gitlab.com/boemann/codecraft CodeCraft], 
|&lt;!--MorphOS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Anontate, 
|-
|&lt;!--Sub Menu--&gt;Computer Languages Translation [https://tetracorp.github.io/guide/reverse-engineering-amiga.html ], [https://amigasourcecodepreservation.gitlab.io/amiga-assembler-insider-guide/ ], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://bitbucket.org/rhinoid/convert68000toc/src/main/ convert m68k seka asm-one to c], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Gui Creators
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/guitool MuiBuilder], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[ MuiBuilder],  
|-
|&lt;!--Sub Menu--&gt;Catalog .cd .ct Editors 
|&lt;!--AROS--&gt;FlexCat
|&lt;!--Amiga OS--&gt;[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|&lt;!--AmigaOS4--&gt;[http://aminet.net/package/dev/misc/simplecat SimpleCat], FlexCat
|[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Misc Application 2==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;System 
|&lt;!--AROS--&gt;[ SysExplorer], [ SysMon], [ Scout], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;OSK On Screen Keyboard
|&lt;!--AROS--&gt;[], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/util/wb/OSK.lha OSK]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Magnifier Magnifying Glass Magnification 
|&lt;!--AROS--&gt;[http://www.onyxsoft.se/files/zoomit.lha ZoomIT], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Comic Book CBR CBZ format reader viewer 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comics], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comicon], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Reader 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#legadon Legadon EPUB],[]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Converter 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Text to Speech tts [https://github.com/JonathanFly/bark-installer Bark], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc flite], 
|&lt;!--Amiga OS--&gt;[http://www.text2speech.com translator], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=search&amp;tool=simple FLite]
|&lt;!--MorphOS--&gt;[http://se.aminet.net/pub/aminet/mus/misc/ FLite]
|-
|&lt;!--Sub Menu--&gt;Speech Voice Recognition Dictation - [http://sourceforge.net/projects/cmusphinx/files/ CMU Sphinx], [http://julius.sourceforge.jp/en_index.php?q=en/index.html Julius], [http://www.isip.piconepress.com/projects/speech/index.html ISIP], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speech Voice Changer [], [], [], [], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Display Blanker screensaver 
|&lt;!--AROS--&gt;Blanker Commodity (built in), [https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/screenblanker GarshneBlanker], [http://sourceforge.net/projects/gblanker/ GBlanker Src], [], 
|&lt;!--Amiga OS--&gt;MultiCX, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;ModernArt Blanker, 
|-
|}


==Misc Application 3==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Fractals
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc ], 
|&lt;!--Amiga OS--&gt;ZoneXplorer, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Landscape Rendering 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/raytrace WCS World Construction Set], 
|&lt;!--Amiga OS--&gt;[ Vista Pro], [http://en.wikipedia.org/wiki/World_Construction_Set World Construction Set]
|&lt;!--AmigaOS4--&gt;[ WCS World Construction Set],
|&lt;!--MorphOS--&gt;[ WCS World Construction Set],
|-
|&lt;!--Sub Menu--&gt;Astronomy [https://sourceforge.net/projects/skychart/ skychart freepascal], [], [], 
|&lt;!--AROS--&gt;[ Digital Almanac (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/search?query=planetarium Aminet search], [http://aminet.net/misc/sci/DA3V56ISO.zip Digital Almanac], [https://aminet.net/package/misc/sci/da3sourceV58 Src c V58], [ Galileo renamed to Distant Suns]*, [], 
|&lt;!--AmigaOS4--&gt;[http://sourceforge.net/projects/digital-almanac/ Digital Almanac], Distant Suns*, [http://www.digitaluniverse.org.uk/ Digital Universe]*,
|&lt;!--MorphOS--&gt;[http://www.aminet.net/misc/sci/da3.lha Digital Almanac], [http://www.aminet.net/package/misc/sci/da3-mos-src Src c V56], 
|-
|&lt;!--Sub Menu--&gt;Astrology [https://sourceforge.net/projects/skylendar/ skylendar], [https://github.com/CruiserOne/Astrolog Astrolog], [https://www.astrolog.org/astrolog/astfile.htm Astrology alt site], [https://saravali.github.io/download.html Maitreya], [https://github.com/alamahant/Asteria Asteria], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PCB design
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Digital Signage
|&lt;!--AROS--&gt;Hollywood, Hollywood Designer 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Genealogy History Family Tree Ancestry Records (FreeBMD, FreeREG, and FreeCEN file formats or GEDCOM GenTree)
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; [ Origins], [ Your Family Tree], [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Languages 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Fun School, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Mathematics ([http://www-fourier.ujf-grenoble.fr/~parisse/install_en.html Xcas], etc.), 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/scientific mathX] 
|&lt;!--Amiga OS--&gt;Maple V, mathX, Fun School, GCSE Maths, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;Yacas 
|&lt;!--MorphOS--&gt;Yacas 
|-
|&lt;!--Sub Menu--&gt;Maths Graph Function Plotting
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#MUIPlot MUIPlot], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;App Utility Launcher Dock toolbar  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/docky BoingBar], [], 
|&lt;!--Amiga OS--&gt;[https://github.com/adkennan/DockBot Dockbot],
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Printer [https://github.com/OrcaSlicer/OrcaSlicer OrcaSlicer]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;BASIC Computer Language 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/language Basic4SDL], [ Ace Basic], [ X-AMOS], [SDLBasic], [ Alvyn], 
|&lt;!--Amiga OS--&gt;[http://www.amiforce.de/main.php Amiblitz 3], [http://amos.condor.serverpro3.com/AmosProManual/contents/c1.html Amos Pro], [http://aminet.net/package/dev/basic/ace24dist ACE Basic], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;sdlBasic
|-
|&lt;!--Sub Menu--&gt;HAM amateur radio  [], [], [], [https://cemaxecuter.com/ Dragon OS], [https://github.com/km4ack/73Linux with 73 link update], [https://www.youtube.com/watch?v=YAL5KNePRSg video for], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://www.amigarealm.com/amiga/amicomms/comm4.htm Comm4], [https://www.amigarealm.com/archives/comms/aarug/ TNC Terminal Node Controller with packets over serial connections on Yaesu or Woxum handheld], [https://aminet.net/comm/misc AmiCom], [ with 7Plus file encoder/decoder], [ mksstv], [ RTTYam], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Games &amp; Emulation==

Some emulators/games require OpenGL to function and to adjust ahi prefs channels, frequency and unit0 and unit1 and 
[http://aros.sourceforge.net/documentation/users/shell/changetaskpri.php changetaskpri -1]

Rom patching  https://www.marcrobledo.com/RomPatcher.js/ https://www.romhacking.net/patch/ (ips, ups, bps, etc) and this other site supports the latter formats https://hack64.net/tools/patcher.php 

Free public domain roms for use with emulators can be found [http://www.pdroms.de/ here] as most of the rest are covered by copyright rules. If you like to read about old games see [http://retrogamingtimes.com/ here] and [http://www.armchairarcade.com/neo/ here] and a [http://www.vintagecomputing.com/ blog] about old computers. Possibly some of the [http://www.answers.com/topic/list-of-best-selling-computer-and-video-games best selling] of all time. [http://en.wikipedia.org/wiki/List_of_computer_system_emulators Wiki] with emulated systems list.

[https://archive.gamehistory.org/ Archive of VGHF], [https://library.gamehistory.org/ Video Game History Foundation Library search]


{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Emulation]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Games Emulation Amstrad CPC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [ Caprice32 (OpenGL &amp; pure SDL)], [ Arnold], [https://retroshowcase.gr/cpcbox-master/], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Apple2 and 2GS
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Arcade
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Mame], [ SI Emu (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;Mame, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem xmame], amiarcadia, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 Mame], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 2600 [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Stella], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 5200 [https://github.com/wavemotion-dave/A5200DS A5200DS], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 7800
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 400 800 130XL [https://github.com/wavemotion-dave/A8DS A8DS], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Atari800], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Lynx
|&lt;!--AROS--&gt;[http://myfreefilehosting.com/f/6366e11bdf_1.93MB Handy (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Jaguar
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Bandai Wonderswan 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation BBC Micro and Acorn Electron [http://beehttps://bem-unix.bbcmicro.com/download.html BeebEm], [http://b-em.bbcmicro.com/ B-Em], [http://elkulator.acornelectron.co.uk/ Elkulator], [http://electrem.emuunlim.com/ ElectrEm], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Dragon 32 and Tandy CoCo [http://www.6809.org.uk/xroar/ xroar], [], 
|&lt;!--AROS--&gt;[], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C16 Plus4
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C64
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Vice (ABIv0 only)], [], 
|&lt;!--Amiga OS--&gt;Frodo, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem viceplus], 
|&lt;!--MorphOS--&gt;Vice, 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore Amiga
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Janus UAE], Emumiga, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer UAE], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 UAE], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Japanese MSX MSX2 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Intelivision
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Colecovision and Adam
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Milton Bradley (MB) Vectrex [ Vectrex OpenGL], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation PICO8 Pico-8 fantasy video game console [https://github.com/egordorichev/pemsa-sdl/ pemsa-sdl], [https://github.com/jtothebell/fake-08 fake-08], [https://github.com/Epicpkmn11/fake-08/tree/wip fake-08 fork], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo Gameboy
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem vba no sound], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem vba]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo NES
|&lt;!--AROS--&gt;[ EmiNES], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Fceu], [https://github.com/takahirox/nes-js?tab=readme-ov-file nes-js], [https://github.com/bfirsh/jsnes jsnes], [https://github.com/angelo-wf/NesJs NesJs], 
|&lt;!--Amiga OS--&gt;AmiNES, [http://www.dridus.com/~nyef/darcnes/ darcNES], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem amines]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo SNES
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Zsnes], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem warpsnes]
|&lt;!--MorphOS--&gt;[http://fabportnawak.free.fr/snes/ Snes9x], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo N64 
*HLE and plugins [ mupen64], [https://github.com/ares-emulator/ares ares], [https://github.com/N64Recomp/N64Recomp N64Recomp], [https://github.com/rt64/rt64 rt64], [https://github.com/simple64/simple64 Simple64], 
*LLE [], 
|&lt;!--AROS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+],
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+], [http://aminet.net/package/misc/emu/tr-981125_src TR64], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Gamecube Wii]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Wii U]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/yuzu-emu Nintendo Switch]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation NEC PC Engine 
|&lt;!--AROS--&gt;[], [], [https://github.com/yhzmr442/jspce js-pce], 
|[http://www.hugo.fr.fm/ Hugo], [http://mednafen.sourceforge.net/ Mednafen], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem tgemu]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Master System (SMS)
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Dega], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem sms], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem osmose]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Genesis/Megadrive
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem gp no sound], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem DGen], 
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/genplus-gx/ Genplus], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem genesisplus]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Saturn 
*HLE [https://mednafen.github.io/ mednafen], [http://yabause.org/ yabause], [], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;[http://yabause.org/ Yabause], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Dreamcast 
*HLE [https://github.com/flyinghead/flycast  flycast], [https://code.google.com/archive/p/nulldc/downloads NullDC], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair ZX80 and ZX81 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair Spectrum 
|[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Fuse (crackly sound)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer SimCoupe], [ FBZX slow], [https://jsspeccy.zxdemo.org/ jsspeccy], [http://torinak.com/qaop/games qaop], 
|&lt;!--Amiga OS--&gt;[http://www.lasernet.plus.com/ Asp], [http://www.zophar.net/sinclair.html Speculator], [http://www.worldofspectrum.org/x128/index.html X128], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair QL
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/misc/emu/QDOS4amiga1 QDOS4amiga]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation SNK NeoGeo Pocket
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem gngeo], NeoPop, 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sony PlayStation
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem FPSE], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem FPSE]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS2]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS3]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://vita3k.org/ Sony Vita]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/shadps4-emu/shadPS4 PS4]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation [http://en.wikipedia.org/wiki/Tangerine_Computer_Systems Tangerine] Oric and Atmos 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Oricutron]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem Oricutron]
|&lt;!--MorphOS--&gt;[http://aminet.net/package/misc/emu/oricutron Oricutron]
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 99/4 99/4A [https://github.com/wavemotion-dave/DS994a DS994a], [], [https://js99er.net/#/ js99er], [], [http://aminet.net/package/misc/emu/TI4Amiga TI4Amiga], [http://aminet.net/package/misc/emu/TI4Amiga_src TI4Amiga src in c], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation HP 38G 40GS 48 49G/50G Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 58 83 84 85 86 - 89 92 Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [https://www.rockpapershotgun.com/ General]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|- style=&quot;background:lightgrey; text-align:center; font-weight:bold;&quot;
| Games [https://www.trackawesomelist.com/michelpereira/awesome-open-source-games/ Open Source and others] || AROS || Amiga OS || Amiga OS4 || Morphos 
|-
|&lt;!--Sub Menu--&gt;Games Action like [https://github.com/BSzili/OpenLara/tree/amiga/src source of openlara SDL2], [https://github.com/opentomb/OpenTomb opentomb], [https://github.com/LostArtefacts/TRX TRX formerly Tomb1Main], [https://github.com/TombEngine TombEngine], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Thrust], [https://github.com/fragglet/sdl-sopwith sdl sopwith], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action BOH], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Adventure like [http://dotg.sourceforge.net/ DMJ], [https://github.com/kromenak/gengine Gabriel Knight 3], [http://www.sarien.net/ Sierra Sarien], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/adventure dmagnetic], [https://archives.arosworld.org/?function=browse&amp;cat=emulation/misc ScummVM], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying frotz infocom], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Board like [https://github.com/aperture-software/colditz-escape escape from colditz], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/board], [http://amigan.1emu.net/releases Africa]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Cards 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/card ], [], 
|&lt;!--AmigaOS--&gt;[http://home.arcor.de/amigasolitaire/e/welcome.html Reko], [https://github.com/samskivert/beschei-en beschei Src], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Misc [https://github.com/michelpereira/awesome-open-source-games Awesome open], [https://github.com/bobeff/open-source-games General Open Source], [https://github.com/SAT-R/sa2 Sonic Advance 2], [https://github.com/velorek1/cwordle Wordle type], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games FPS like [https://aminet.net/package/game/shoot/D1X_Rebirth_AGA Descent D1X src], [https://github.com/DescentDevelopers/Descent3 Descent 3], [https://github.com/Fewnity/Counter-Strike-Nintendo-DS Counter-Strike-Nintendo-DS], [https://github.com/Aleph-One-Marathon/alephone Bungie Marathon 1994], [https://github.com/ZDoom/gzdoom gzdoom], [], 
|&lt;!--AROS--&gt;Doom, Quake, [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Quake 3 Arena (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Assault Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube 2 Sauerbraten (OpenGL)], [http://fodquake.net/test/ FodQuake QuakeWorld], [ Duke Nukem 3D], [ Darkplaces Nexuiz Xonotic], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Doom 3 SDL (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Hexenworld and Hexen 2], [ Aliens vs Predator Gold 2000 (openGL)], [ Odamex (openGL doom)], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ zgloom], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ devilutionx diablo 1 hellfire], 
], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ ab3dhd], [], 
|&lt;!--Amiga OS--&gt;Doom, Quake, AB3D, Fears, Breathless, Gloom, 
|&lt;!--AmigaOS4--&gt;Doom, Quake, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12 Doom], Quake, Quake 3 Arena, [https://github.com/OpenXRay/xray-16 S.T.A.L.K.E.R Xray]
|-
|&lt;!--Sub Menu--&gt;Games MMORG like 
|&lt;!--AROS--&gt;[ Eternal Lands (OpenGL)],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Platform like 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform], [ Maze of Galious], [ Gish]*(openGL), [ Mega Mario], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ thextech SMBX], [http://www.gianas-return.de/ Giana's Return], [http://www.sqrxz.de/ Sqrxz], [www.sqrxz2.de/ Sqrxz 2], [http://www.sqrxz.de/sqrxz-3/ Sqrxz 3], [http://www.sqrxz.de/sqrxz-4/ Sqrxz 4], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform Cave Story], [https://bszili.morphos.me/ Frogatto], [https://bszili.morphos.me/ OpenJazz], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ pekkakana2], [ Aquaria], [], 
|&lt;!--Amiga OS--&gt;[ Giana Sisters], [], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Puzzle [https://github.com/mariopartyrd/marioparty4/tree/port Party], [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle], [ Cubosphere (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle Candy Crisis], [http://bszili.morphos.me/ TailTale], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Racing [ Trigger Rally], [ VDrift], [http://www.ultimatestunts.nl/index.php?page=2&amp;lang=en Ultimate Stunts], [http://maniadrive.raydium.org/ Mania Drive], [https://github.com/plowteam/donut Simpsons Hit and Run], [], 
|&lt;!--AROS--&gt;[ Super Tux Kart (OpenGL)], [http://www.dusabledanslherbe.eu/AROSPage/F1Spirit.30.html F1 Spirit (OpenGL)], [http://bszili.morphos.me/index.html MultiRacer], [https://bszili.morphos.me/ Speed Dreams], [], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://bszili.morphos.me/index.html Speed Dreams], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12], [http://bszili.morphos.me/index.html TORCS], 
|-
|&lt;!--Sub Menu--&gt;Games 1st first person DRPG [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/OpenEnroth/OpenEnroth OpenEnroth MM], []
|&lt;!--AROS--&gt;[https://github.com/BSzili/aros-stuff Arx Libertatis], [http://www.playfuljs.com/a-first-person-engine-in-265-lines/ js raycaster], [https://github.com/Dorthu/es6-crpg webgl], [https://github.com/sonountaleban/AmiShockolate System Shock], [], [], 
|&lt;!--AmigaOS--&gt;Phantasie, Faery Tale, Dungeon Master, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 3rd third person action CRPG  [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/alexbatalov/fallout1-ce fallout ce], [], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ fheroes2 homm2], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ breakhack], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games isometric RPG [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/topics/dungeon?l=javascript Dungeon], [], [https://github.com/clintbellanger/heroine-dusk JS Dusk], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying nethack], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying GemRB], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games card based RPG [https://github.com/open-duelyst/duelyst Duelyst], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Rhythm, Beat, Step [], [], [https://clonehero.net/ clonehero], [https://github.com/MatteoGodzilla/Dj-Engine Dj-Engine], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc Frets on Fire], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Shoot Em Ups [http://www.mhgames.org/oldies/formido/ Formido], [http://code.google.com/p/violetland/ Violetland], 
||&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Open Tyrian], [http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], [ Alien Blaster], [https://github.com/OpenFodder/openfodder OpenFodder], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Simulations [http://scp.indiegames.us/ Freespace 2], [http://www.heptargon.de/gl-117/gl-117.html GL117], [http://code.google.com/p/corsix-th/ Theme Hospital], [http://code.google.com/p/freerct/ Rollercoaster Tycoon], [http://hedgewars.org/ Hedgewars], [https://github.com/raceintospace/raceintospace raceintospace], [https://github.com/Return-To-The-Roots RTTR Settlers 2], [https://github.com/OoliteProject/oolite oolite elite], [https://github.com/fesh0r/newkind newkind elite], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;SimCity, SimAnt, Sim Hospital, Theme Park, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Life Sim [https://github.com/ACreTeam/forest Animal Crossing], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Strategy [http://rtsgus.org/ RTSgus], [http://wargus.sourceforge.net/ Wargus], [http://stargus.sourceforge.net/ Stargus], [https://github.com/KD-lab-Open-Source/Perimeter Perimeter], [https://matty77.itch.io/conflict-3049 conflict-3049], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy MegaGlest (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy UFO:AI (OpenGL)], [http://play.freeciv.org/ FreeCiv], [https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ signus], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Horror [https://github.com/Mikompilation/MikuPan Fatal Frame], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Sandbox Voxel Open World Exploration [https://github.com/UnknownShadow200/ClassiCube Classicube],[http://www.michaelfogleman.com/craft/ Craft], [https://github.com/tothpaul/DelphiCraft DelphiCraft],[https://www.minetest.net/ Luanti formerly Minetest], [ infiniminer], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Battle Royale [https://bruh.io/ Play.Bruh.io], [https://www.coolmathgames.com/0-copter Copter Royale], [https://surviv.io/ Surviv.io], [https://nuggetroyale.io/#Ketchup Nugget Royale], [https://miniroyale2.io/ Miniroyale2.io], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Tower Defense [https://chriscourses.github.io/tower-defense/ HTML5], [https://github.com/SBardak/Tower-Defense-Game TD C++], [https://github.com/bdoms/love_defense LUA and LOVE], [https://github.com/HyOsori/Osori-WebGame HTML5], [https://github.com/PascalCorpsman/ConfigTD ConfigTD Pascal], [https://github.com/GloriousEggroll/wine-ge-custom Wine], []
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Visual Novel Engines [https://github.com/Kirilllive/tuesday-js Tuesday JS], [ Lua + LOVE], [https://github.com/weetabix-su/renpsp-dev RenPSP], [https://github.com/Galladite27/ONScripter-EN ONScripter-EN], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Reality VR [https://gitlab.com/madsbuvi/openmw openmw vr], [https://github.com/Team-Beef-Studios/BeefRaiderXR BeefRaiderXR], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Table Top VTT [ Roll20], [https://www.owlbear.rodeo/ owlbear rodeo], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Computer assisted TableTop TTRPG OSR [https://www.rpgsolo.com/play.php RPGSolo], [https://github.com/fpsvogel/solo-ttrpgs Solo TTRPG], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 2D 3D Engines [https://github.com/fegennari/3DWorld 3DWorld], [https://github.com/GarageGames/Torque3D Torque3D], [https://github.com/gameplay3d/GamePlay GamePlay 3D],  [https://www.babylonjs.com/ BabylonJS ], [ Godot], [ Ogre], [ Crystal Space], [https://github.com/JacobHess03/ Dragon-Quest like], [], [], 
|&lt;!--AROS--&gt;[https://www.arkhamdev.net/wiki.htm?id=agx Arkham Development antiryadgx 8.9 lts with register], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games C based game frameworks [https://github.com/orangeduck/Corange Corange], [https://github.com/scottcgi/Mojoc Mojoc], [https://orx-project.org/ Orx], [https://github.com/ioquake/ioq3 Quake 3], [https://www.mapeditor.org/ Tiled], [https://www.raylib.com/ 2d Raylib], [https://github.com/Rabios/awesome-raylib other raylib], [https://github.com/MrFrenik/gunslinger Gunslinger], [https://o3de.org/ o3d], [http://archives.aros-exec.org/index.php?function=browse&amp;cat=development/library GLFW], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/library Raylib 5], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Pinball [https://github.com/vpinball/vpinball vpinball], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|}


==Application Guides==

[[#top|...to the top]]

===Web Browser===

OWB is now at version 2.0 (which got an engine refresh, from July 2015 to February 2019) and 3.0.

This latest version has a good support for many/most web sites, even YouTube web page now works. 

This improved compatibility comes at the expense of higher RAM usage (now 1GB RAM is the absolute minimum). 

Also, keep in mind that the lack of a JIT (Just-In-Time) JS compiler on the 32 bit version, makes the web surfing a bit slow. 

Only the 64 bit version of OWB 2.0 will have JIT enabled, thus benefitting of more speed. There are tooltypes that can be added to the icon to provide further features JIT, MSE etc 


Certificates from [https://curl.se/docs/caextract.html ca certs], 


DNS tracking blocking with [https://easylist.to/easylist/easylist.txt easylist.txt] in PROGDIR:Conf before starting browser with enabled AdBlock [https://github.com/easylist/easylist/tree/master easylist], [https://gitlab.com/eyeo anti abp], [https://firebog.net/ big blocklist], [https://github.com/StevenBlack/hosts Steves], [], [], 

This can be enabled with OWB Odyssey with Windows -&gt; Content Blocking and Windows -&gt; Messages and enter 

 https://www.youtube.com/api/stats/ads*
 https://www.youtube.com/pagead/adview*
 https://www.youtube.com#@##player-ads*

into your custom filters 


Element blocker browser extension might be needed for [https://github.com/easylist/easylist/wiki/Youtube-Issues youtube], [ mid roll], [ pre roll], [ ],  


OWB speed is much better when running from RAM Disk, the best way is to add the below into your S:User-Startup which copies OWB drawer from Extras:Internet/OWB to RAM Disk: 

So add this :
&lt;pre&gt;
copy Extras:Internet/OWB Ram:OWB/ ALL CLONE &gt;NIL:
copy Extras:Internet/OWB.info Ram: &gt;NIL:
&lt;/pre&gt;
Open RAM Disk and open OWB drawer and double click on OWB icon so that the above icon tooltypes are activated 

Problems are that the copy time is long (around 20 seconds added in the background), but we can make it faster if we delete useless files from the OWB drawer (docs, …)
If you don’t copy the drawer back onto the HD, you won’t save your cache, cookies, passwords… So you need a script for it.


Error messages 

SSL error &quot;cant verify with ca-certificates&quot;, check bios clock time date is correct 

Error 6, try checking networking prefs settings and Save / Use preferences again or a '''few times''' otherwise the network chipset may not be compatible with Aros 


[https://www.google.com/search?q=%s&amp;udm=14 Google search without AI overview] 


===E-mail===

 YAM does not support SSL and most mail providers now switched to encrypted SMTP/POP3 connections


====SimpleMail====

SimpleMail supports IMAP and appears to work with GMail, but it's never been reliable enough, it can crash with large mailboxes.

Please read more on this [http://www.freelists.org/list/simplemail-usr User list]


 GMail

Be sure to activate the pop3 usage in your gmail account setup / configuration first.

pop3: 
pop.gmail.com
Use SSL: Yes
Port: 995

smtp:
smtp.gmail.com (with authentication)
Use Authentication: Yes
Use SSL: Yes
Port: 465 or 587


 Hotmail/MSN/outlook/Microsoft Mail mid-2017, all outlook.com accounts will be migrated to Office 365 / Exchange

Most users are currently on POP which does not allow showing folders and many other features (technical limitations of POP3). With Microsoft IMAP you will get folders, sync read/unread, and show flags. You still won't get push though, as Microsoft has not turned on the IMAP Idle command as at Sept 2013.

If you want to try it, you need to first remove (you can't edit) your pop account (long-press the account on the accounts screen, delete account). Then set it up this way:

1. Email/Password
2. Manual
3. IMAP
4.

* Incoming: imap-mail.outlook.com, port 993, SSL/TLS should be checked
* Outgoing: smtp-mail.outlook.com, port 587, SSL/TLS should be checked
* POP server name pop-mail.outlook.com, port 995, POP encryption method SSL

 Yahoo  Mail

On April 24, 2002 Yahoo ceased to offer POP access to its free mail service. Introducing instead a yearly payment feature, allowing users POP3 and IMAP server support, along with such benefits as larger file attachment sizes and no adverts.

Sorry to see Yahoo leaving its users to cough up for the privilege of accessing their mail. Understandable, when competing against rivals such as Gmail and Hotmail who hold a large majority of users and were hacked in 2014 as well.


Incoming Mail (IMAP) Server

* Server - imap.mail.yahoo.com
* Port - 993
* Requires SSL - Yes

Outgoing Mail (SMTP) Server

* Server - smtp.mail.yahoo.com
* Port - 465 or 587
* Requires SSL - Yes
* Requires authentication - Yes

Your login info

* Email address - Your full email address (name@domain.com)
* Password - Your account's password
* Requires authentication - Yes


Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a subscription subs fee to have access to SMTP and POP3

* Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
* “Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
* “Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
* “Password” – Your Yahoo Mail password.

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

* Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.


====YAM Yet Another Mailer====

 YAM does not support SSL and most mail providers have now switched to encrypted SMTP/POP3 connections

This email client is POP3 only if the SSL library is available [http://www.freelists.org/list/yam YAM Freelists]

One of the downsides of using a POP3 mailer unfortunately - you have to set an option not to delete the mail if you want it left on the server. IMAP keeps all the emails on the server.

Possible issues

Sending mail issues is probably a matter of using your ISP's SMTP server, though it could also be an SSL issue.


getting a &quot;Couldn't initialise TLSv1 / SSL error

Use of on-line e-mail accounts with this email client is not possible as it lacks the OpenSSL AmiSSl v3 compatible library

 GMail 
Incoming Mail (POP3) Server - requires SSL: pop.gmail.com
Use SSL: Yes
Port: 995

Outgoing Mail (SMTP) Server - requires TLS: smtp.gmail.com (use authentication)
Use Authentication: Yes
Use STARTTLS: Yes (some clients call this SSL)
Port: 465 or 587

Account Name: your Gmail username (including '@gmail.com')
Email Address: your full Gmail email address (username@gmail.com)
Password: your Gmail password

Anyway, the SMTP is pop.gmail.com port 465 and it uses SSLLv3 Authentication. The POP3 settings are for the same server (pop.gmail.com), only on port 995 instead.


 Outlook.com access

&lt;pre &gt;
Outlook.com SMTP server address: smtp.live.com
Outlook.com SMTP user name: Your full Outlook.com email address (not an alias)
Outlook.com SMTP password: Your Outlook.com password
Outlook.com SMTP port: 587
Outlook.com SMTP TLS/SSL encryption required: yes 
&lt;/pre &gt;


 Yahoo  Mail

&lt;pre &gt;
“POP3 Server” – Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
“SMTP Server” – Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.
“Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
“Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
“Password” – Your Yahoo Mail password.
&lt;/pre &gt;

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a monthly fee to have access to SMTP and POP3


 Microsoft Outlook Express Mail 

1. Get the files to your PC.
By whatever method get the files off your Amiga onto your PC. In the YAM folder you have a number of different folders, one for each of your folders in YAM. Inside that is a file usually some numbers such as 332423.283. YAM created a new file for every single email you received.

2. Open up a brand new Outlook Express. Just configure the account to use 127.0.0.1 as mail servers. It doesn't really matter. You will need to manually create any subfolders you used in YAM.

3. You will need to do a mass rename on all your email files from YAM. Just add a .eml to the end of it. Amazing how PCs still rely mostly on the file name so it knows what sort of file it is rather than just looking at it! There are a number of multiple renamers online to download and free too.

4. Go into each of your folders, inbox, sent items etc. And do a select all then drag the files into Outlook Express (to the relevant folder obviously) Amazingly the file format that YAM used is very compatible with .eml standard and viola your emails appear. With correct dates and working attachments.

5. If you want your email into Microsoft Outlook. Open that up and create a new profile and a new blank PST file. Then go into File Import and choose to import from Outlook Express. And the mail will go into there. And viola.. you have your old email from your Amiga in a more modern day format.


===FTP===

Magellan has a great FTP module. It allows transferring files from/to a FTP server over the Internet or the local network and, even if FTP is perceived as a &quot;thing of the past&quot;, its usability is all inside the client. The FTP thing has a nice side effect too, since every Icaros machine can be a FTP server as well, and our files can be easily transferred from an Icaros machine to another with a little configuration effort.

First of all, we need to know the 'server' IP address. Server is the Icaros machine with the file we are about to download on another Icaros machine, that we're going to call 'client'. To do that, move on the server machine and 1) run Prefs/Services to be sure &quot;FTP file transfer&quot; is enabled (if not, enable it and restart Icaros); 2) run a shell and enter this command:

ifconfig -a

Make a note of the IP address for the network interface used by the local area network. For cabled devices, it usually is net0:. Now go on the client machine and run Magellan:

Perform these actions: 1) click on FTP; 2) click on ADDRESS BOOK; 3) click on &quot;New&quot;. 
You can now add a new entry for your Icaros server machine:

1) Choose a name for your server, in order to spot it immediately in the address book. Enter the IP address you got before.

2) click on Custom Options:


1) go to Miscellaneous in the left menu;

2) Ensure &quot;Passive Transfers&quot; is NOT selected;

3) click on Use. We need to deactivate Passive Transfers because YAFS, the FTP server included in Icaros, only allows active transfers at the current stage. Now, we can finally connect to our new file source:


1) Look into the address book for the newly introduced server, be sure that name and IP address are right, and

2) click on Connect. A new lister with server's &quot;MyWorkspace&quot; contents will appear. You can now transfer files over the network choosing a destination among your local (client's) volumes.

Can be adapted to any FTP client on any platform of your choice, just be sure your client allows Active Transfers as well.


===IRC Internet Relay Chat===

Jabberwocky is ideal for one-to-one social media communication, use IRC if you require one to many. 

Just type a message in ''lowercase''' letters and it will be posted to all in the [ AROS irc channel]. Please do not use UPPER CASE as it is a sign of SHOUTING which is annoying.

Other things to type in - replace &lt;message&gt; with a line of text and &lt;nick&gt; with a person's name

&lt;pre&gt;
/help

/list

/who
/whois &lt;nick&gt;

/msg &lt;nick&gt; &lt;message&gt;

/query &lt;nick&gt; 
&lt;message&gt;s
/query

/away &lt;message&gt;
/away

/quit &lt;going away message&gt; 
&lt;/pre&gt;


[http://irchelp.org/irchelp/new2irc.html#smiley Intro guide here]. IRC Primer can be found here in [http://www.irchelp.org/irchelp/ircprimer.html html], [http://www.irchelp.org/irchelp/text/ircprimer.txt TXT], [http://www.kei.com/irc/IRCprimer1.1.ps PostScript].


Issue the command /me &lt;text&gt; where &lt;text&gt; is the text that should follow your nickname.
Example: /me slaps ajk around a bit with a large trout

/nick &lt;newNick&gt;

/nickserv register &lt;password&gt; &lt;email address&gt;

/ns instead of /nickserv, while others might need /msg nickserv

/nickserv identify &lt;password&gt;

Alternatives:
/ns identify &lt;password&gt;
/msg nickserv identify &lt;password&gt;


==== IRC WookieChat ====

WookieChat is the most complete internet client for communication across the IRC Network. WookieChat allows you to swap ideas and communicate in real-time, you can also exchange Files, Documents, Images and everything else using the application's DCC capabilities.


add smilies drawer/directory

 run wookiechat from the shell and set stack to 1000000 e.g. wookiechat stack 1000000

select a server / server window

* nickname 
* user name 
* real name - optional

Once you configure the client with your preferred screen name, you'll want to find a channel to talk in.


servers

* New Server - click on this to add / add extra - change details in section below this click box 
* New Group
* Delete Entry
* Connect to server
* connect in new tab
* perform on connect

Change details

* Servername - change text in this box to one of the below Server: 
* Port number - no need to change
* Server password
* Channel - add #channel from below 
* auto join - can click this 
* nick registration password,

Click Connect to server button above


&lt;pre&gt;
Server: irc.freenode.net
Channel: #aros
&lt;/pre&gt;

irc://irc.freenode.net/aros

&lt;pre&gt;
Server: chat.amigaworld.net 
Channel: #amigaworld or #amigans 
&lt;/pre&gt;

&lt;pre&gt;
On Sunday evenings USA time usually starting around 3PM EDT (1900 UTC)
Server:irc.superhosts.net
Channel #team*amiga  
&lt;/pre&gt;

&lt;pre&gt;
BitlBee and Minbif are IRCd-like gateways to multiple IM networks
Server: im.bitlbee.org 
Port 6667 
Seems to be most useful on WookieChat as you can be connected to several servers at once. One for Bitlbee and any messages that might come through that. One for your normal IRC chat server. 
&lt;/pre&gt;

[http://www.bitlbee.org/main.php/servers.html Other servers],

&lt;pre&gt;
#Amiga.org - irc.synirc.net eu.synirc.net dissonance.nl.eu.synirc.net (IPv6: 2002:5511:1356:0:216:17ff:fe84:68a) 
twilight.de.eu.synirc.net zero.dk.eu.synirc.net us.synirc.net avarice.az.us.synirc.net envy.il.us.synirc.net harpy.mi.us.synirc.net 
liberty.nj.us.synirc.net snowball.mo.us.synirc.net - Ports 6660-6669 7001 (SSL)
&lt;/pre&gt;

&lt;pre&gt;
Multiple server support
&quot;Perform on connect&quot; scripts and channel auto-joins
Automatic Nickserv login
Tabs for channels and private conversations
CTCP PING, TIME, VERSION, SOUND
Incoming and Outgoing DCC SEND file transfers
Colours for different events
Logging and automatic reloading of logs
mIRC colour code filters
Configurable timestamps
GUI for changing channel modes easily
Configurable highlight keywords
URL Grabber window
Optional outgoing swear word filter
Event sounds for tabs opening, highlighted words, and private messages
DCC CHAT support
Doubleclickable URL's
Support for multiple languages using LOCALE
Clone detection
Auto reconnection to Servers upon disconnection
Command aliases
Chat display can be toggled between AmIRC and mIRC style
Counter for Unread messages
Graphical nicklist and graphical smileys with a popup chooser
&lt;/pre&gt;


====IRC Aircos ====

Double click on Aircos icon in Extras:Networking/Apps/Aircos. It has been set up with a guest account for trial purposes. Though ideally, choose a nickname and password for frequent use of irc. 


====IRC and XMPP Jabberwocky====
 Servers are setup and close down at random 
You sign up to a server that someone else has setup and access chat services through them. 

The two ways to access chat from jabberwocky
&lt;pre &gt;
Jabberwocky -&gt; Server -&gt; XMPP -&gt; open and ad-free 
Jabberwocky -&gt; Server -&gt; Transports (Gateways) -&gt; Proprietary closed systems 
&lt;/pre &gt;

The Jabber.org service connects with all IM services that use XMPP, the open standard for instant messaging and presence over the Internet. The services we connect with include Google Talk (closed), Live Journal Talk, Nimbuzz, Ovi, and thousands more. However, you can not connect from Jabber.org to proprietary services like AIM, ICQ, MSN, Skype, or Yahoo because they don’t yet use XMPP components (XEP-0114) '''but''' you can use Jabber.com's servers and IM gateways (MSN, ICQ, Yahoo etc.) instead.

The best way to use jabberwocky is in conjunction with a public jabber server with '''transports''' to your favorite services, like gtalk, Facebook, yahoo, ICQ, AIM, etc.


You have to register with one of the servers, [https://list.jabber.at/ this list] or [http://www.jabberes.org/servers/ another list], [http://xmpp.net/ this security XMPP list],

Unfortunately jabberwocky can only connect to one server at a time so it is best to check what services each server offers. If you set it up with separate Facebook and google talk accounts, for example, sometimes you'll only get one or the other.

Jabberwocky open a window where the Jabber server part is typed in as well as your Nickname and Password.

Jabber ID (JID) identifies you to the server and other users.

Once registered the next step is to goto Jabberwocky's &quot;Windows&quot; menu and select the &quot;Agents&quot; option. The &quot;Agents List&quot; window will open.

Roster (contacts list)

[http://search.wensley.org.uk/ Chatrooms] (MUC) are available

File Transfer - can send and receive files through the Jabber service but not with other services like IRC, ICQ, AIM or Yahoo. All you need is an installed webbrowser and OpenURL.

Clickable URLs - The message window uses Mailtext.mcc and you can set a URL action in the MUI mailtext prefs like SYS:Utils/OpenURL %s NEWWIN.

There is no consistent Skype like (H.323 VoIP) video conferencing available over Jabber. The move from xmpp to Jingle should help but no support on any amiga-like systems at the moment. [http://aminet.net/package/dev/src/AmiPhoneSrc192 AmiPhone] and [http://www.lysator.liu.se/%28frame,faq,nobg,useframes%29/ahi/v4-site/ Speak Freely] was an early attempt voice only contact. SIP and Asterisk are other PBX options.


 Facebook

If you're using the XMPP transport provided by Facebook themselves, chat.facebook.com, it looks like they're now requiring SSL transport. This means jabberwocky method below will no longer work. The best thing to do is to create an ID on a public jabber server which has a Facebook gateway.

&lt;pre &gt;
1. launch jabberwocky
2. if the login window doesn't appear on launch, select 'account' from the jabberwocky menu
3. your jabber ID will be user@chat.facebook.com where user is your user ID
4. your password is your normal facebook password
5. to save this for next time, click the popup gadget next to the ID field

6. click the 'add' button
7. click the 'close' button
8. click the 'connect' button
&lt;/pre &gt;

you're done. you can also click the 'save as default account' button if you want. jabberwocky configured to auto-connect when launching the program, but you can configure as you like. there is amigaguide documentation included with jabberwocky.

[http://amigaworld.net/modules/newbb/viewtopic.php?topic_id=37085&amp;forum=32 Read more here]

for Facebook users, you can log-in directly to Facebook with jabberwocky. just sign in as @chat.facebook.com with your Facebook password as the password


 Twitter

For a few years, there has been added a twitter transport. Servers include [http://jabber.hot-chilli.net/ jabber.hot-chili.net],  and .

An [http://jabber.hot-chilli.net/tag/how-tos/ How-to]

:Read [http://jabber.hot-chilli.net/2010/05/09/twitter-transport-working/ more]

 Instagram 

no support at the moment best to use a web browser based client

 ICQ

The new version (beta) of StriCQ uses a newer ICQ protocol. Most of the ICQ Jabber Transports still use an older ICQ protocol. You can only talk one-way to StriCQ using the older Transports. Only the newer ICQv7 Transport lets you talk both ways to StriCQ. Look at the server lists in the first section to check.

Register on a Jabber server, e.g. this one works: http://www.jabber.de/
Then login into Jabberwocky with the following login data e.g. xxx@jabber.de / Password: xxx Now add your ICQ account under the window-&gt;Agents-&gt;&quot;Register&quot;. Now Jabberwocky connects via the Jabber.de server with your ICQ account.

 Yahoo Messenger

although yahoo! does not use xmpp protocol, you should be able to use the transport methods to gain access and post your replies

 MSN

early months of 2013 Microsoft will ditch MSN Messenger client and force everyone to use Skype...but MSN protocol and servers will keep working as usual for quite a long time....

Occasionally the Messenger servers have been experiencing problems signing in.  You may need to sign in at www.outlook.com and then try again.  It may also take multiple tries to sign in.  (This also affects you if you’re using Skype.)

You have to check each servers' Agents List to see what transports (MSN protocol, ICQ protocol, etc.) are supported or use the list address' provided in the section above. Then register with each transport (IRC, MSN, ICQ, etc.) to which you need access. After registering you can Connect to start chatting.

msn.jabber.com/registered should appear in the window.

From this [http://tech.dir.groups.yahoo.com/group/amiga-jabberwocky/message/1378 JW group] guide which  helps with this process in a clear, step by step procedure.

1. Sign up on MSN's site for a passport account. This typically involves getting a Hotmail address.

2. Log on to the Jabber server of your choice and do the following:

* Select the &quot;Windows/Agents&quot; menu option in Jabberwocky.
* Select the MSN Agent from the list presented by the server.
* Click the Register button to open a new window asking for:
**Username = passort account email address, typically your hotmail address.
**Nick = Screen name to be shown to anyone you add to your buddy list.
**Password = Password for your passport account/hotmail address.
* Click the Register button at the bottom of the new window.

3. If all goes well, you will see the MSN Gateway added to your buddy list. If not, repeat part 2 on another server. Some servers may show MSN in their list of available agents, but have not updated their software for the latest protocols used by MSN.

4. Once you are registered, you can now add people to your buddy list. Note that you need to include the '''msn.''' ahead of the servername so that it knows what gateway agent to use. Some servers may use a slight variation and require '''msg.gate.''' before the server name, so try both to see what works.

If my friend's msn was amiga@hotmail.co.uk and my jabber server was @jabber.meta.net.nz..
then amiga'''%'''hotmail.com@'''msn.'''jabber.meta.net.nz

or another the trick to import MSN contacts is that you don't type the hotmail URL but the passport URL... e.g. Instead of: goodvibe%hotmail.com@msn.jabber.com  You type: goodvibe%passport.com@msn.jabber.com 
And the thing about importing contacts I'm afraid you'll have to do it by hand, one at the time...

 Google Talk

any XMPP server will work, but you have to add your contacts manually. a google talk user is typically either @gmail.com or @talk.google.com. a true gtalk transport is nice because it brings your contacts to you and (can) also support file transfers to/from google talk users.

implement Jingle a set of extensions to the IETF's Extensible Messaging and Presence Protocol (XMPP)

support ended early 2014 as Google moved to Google+ Hangouts which uses it own proprietary format


===Video Player MPlayer===

Many of the menu features (such as doubling) do not work with the current version of mplayer but using

4:3
 mplayer -vf scale=800:600 file.avi

16:9
 mplayer -vf scale=854:480 file.avi

if you want gui use;
 mplayer -gui 1 &lt;other params&gt; file.avi

&lt;pre &gt;
stack 1000000

; using AspireOS 1.xx 
; copy FROM SYS:Extras/Multimedia/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 1.x 
; copy FROM SYS:Tools/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 2.x 
; copy FROM SYS:Utilities/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

cd RAM:MPlayer
run MPlayer -gui &gt; Nil:
;run MPlayer -gui -ao ahi_dev -playlist http://www.radio-paralax.de/listen.pls &gt; Nil: 
&lt;/pre &gt;

$ mplayer rtsp://127.0.0.1:554/sample_300kbit.mp4


MPlayer supports multicast streaming, and rtp/rtsp protocols (it might require [http://www.live555.com/openRTSP/ live555 library] to work with some streams). But you might have to build it where it's disabled. Also, multicast won't work with some AmiTCP-likes. MIAMI supported it, though.

AROS supports IPv4 (old but works) and this includes the needed address space for RTP.

If you mean multicast via RTP - mplayer handles it. You can even force UDP over TCP

-rtsp-stream-over-tcp

If the rtsp Real Time Streaming Protocol  server needs authentification:

-user -passwd


MPlayer - Menu - Open Playlist and load already downloaded .pls or .m3u file - auto starts around 4 percent cache

MPlayer - Menu - Open Stream and copy one of the .pls lines below into space allowed, press OK and press play button on main gui interface


Old 8bit 16bit remixes chip tune game music 
 
http://www.radio-paralax.de/listen.pls 

http://scenesat.com/

http://www.shoutcast.com/radio/Amiga

http://www.theoldcomputer.com/retro_radio/RetroRadio_Main.htm

http://www.kohina.com/

http://www.remix64.com/

http://retrogamer.net/forum/

http://retroasylum.podomatic.com/rss2.xml

http://retrogamesquad.com/

http://www.retronauts.com/

http://monsterfeet.com/noquarter/

http://www.retrogamingradio.com/

http://www.radiofeeds.co.uk/mp3.asp


[[#top|...to the top]]

====ZunePaint==== 

simplified typical workflow

* importing and organizing and photo management
* making global and regional local correction(s) - recalculation is necessary after each adjustment as it is not in real-time 
* exporting your images in the best format available with the preservation of metadata


Whilst achieving 80% of a great photo with just a filter, the remaining 20% comes from a manual fine-tuning of specific image attributes.


For photojournalism, documentary, and event coverage, minimal touching is recommended. Stick to Camera Raw for such shots, and limit changes to level adjustment, sharpness, noise reduction, and white balance correction.

For fashion or portrait shoots, a large amount of adjustment is allowed and usually ends up far from the original. Skin smoothing, blemish removal, eye touch-ups, etc. are common.  Might alter the background a bit to emphasize the subject.

Product photography usually requires a lot of sharpening, spot removal, and focus stacking.

For landscape shots, best results are achieved by doing the maximum amount of preparation before/while taking the shot. No amount of processing can match timing, proper lighting, correct gear, optimal settings, etc. Excessive post-processing might give you a dramatic shot but best avoided in the long term.


* White Balance - Left Amiga or F12 and K and under &quot;Misc color effects&quot; tab with a pull down for White Balance - color temperature also known as AKA tint (movies) or tones (painting) - warm temp raise red reduce green blue - cool raise blue lower red green 
* Exposure - exposure compensation, highlight/shadow recovery
* Noise Reduction - during RAW development or using external software
* Lens Corrections - distortion, vignetting, chromatic aberrations
* Detail - capture sharpening and local contrast enhancement
* Contrast - black point, levels (sliders) and curves tools (F12 and K) 
* Framing - straighten () and crop (F12 and F) 
* Refinements - color adjustments and selective enhancements - Left Amiga or F12 and K for RGB and YUV histogram tabs - 
* Resizing - enlarge for a print or downsize for the web or email (F12 and D) 
* Output Sharpening - customized for your subject matter and print/screen size


White Balance - F12 and K

scan your image for a shade which was meant to be white (neutral with each RGB value being equal) like paper or plastic which is in the same light as the subject of the picture. Use the dropper tool to select this color, similar colours will shift and you will have selected the perfect white balance for your part of the image - for the whole picture make sure RAZ or CLR button at the bottom is pressed before applying to the image above.


Exposure correction

F12 and K - YUV Y luminosity - RGB extra red tint - move red curve slightly down and move blue green curves slightly up

Workflows in practice

* Undo - Right AROS key or F12 and Z 
* Redo - Right AROS key or F12 and R

First flatten your image (if necessary) and then do a rotation until the picture looks level. 
* Crop the picture. Click the selection button and drag a box over the area of the picture you want to keep. Press the crop button and the rest of the photo will be gone. 
* Adjust your saturation, exposure, hue levels, etc., (right AROS Key and K for color correction) until you are happy with the photo. Make sure you zoom in all of the way to 100% and look the photo over, zoom back out and move around. Look for obvious problems with the picture. 
* After coloring and exposure do a sharpen (Right AROS key and E for Convolution and select drop down option needed), e.g. set the matrix to 5x5 (roughly equivalent Amount to 60%) and set the Radius to 1.0. Click OK.


And save your picture


Implemented or would like to see for simplification and ease of use

basic filters (presets) like black and white, monochrome, edge detection (sobel), motion/gaussian blur, 
* negative, sepiatone, retro vintage, night vision, colour tint, color gradient, color temperature, glows, fire, lightning, lens flare, emboss, filmic, pixelate mezzotint, antialias, etc.

adjust / cosmetic tools such as crop, 
* reshaping tools, straighten, smear, smooth, perspective, liquify, bloat, pucker, push pixels in any direction, dispersion, transform like warp, blending with soft light, page-curl, whirl, ripple, fisheye, neon,  etc. 
* red eye fixing, blemish remover, skin smoothing, teeth whitener, make eyes look brighter, desaturate,

effects like oil paint, cartoon, pencil sketch, charcoal, noise/matrix like sharpen/unsharpen, (right AROS key with A for Artistic effects) 
* blend two image, gradient blend, masking blend, explode, implode, custom collage, surreal painting, comic book style, needlepoint, stained glass, watercolor, mosaic, stencil/outline, crayon, chalk, etc.

borders such as 
* dropshadow, rounded, blurred, color tint, picture frame, film strip polaroid, bevelled edge, etc.

brushes e.g.
* frost, smoke, etc.

and manual control of

fix lens issues including vignetting (darkening), color fringing and barrel distortion, and chromatic and geometric aberration -  lens and body profiles

perspective correction

levels - directly modify the levels of the tone-values of an image, by using sliders for highlights, midtones and shadows

curves -  Color Adjustment and Brightness/Contrast

color balance

one single color transparent (alpha channel (color information/selections) for masking and/or blending ) for backgrounds, etc.

Threshold indicates how much other colors will be considered mixture of the removed color and non-removed colors

decompose layer into a set of layers with each holding a different type of pattern that is visible within the image

any selection using any selecting tools like lasso tool, marquee tool etc. the selection will temporarily be save to alpha 
If you create your image without transparency then the Alpha channel is not present, but you can add later.

File formats like .psd (Photoshop file has layers, masks etc.  contains edited sensor data. The original sensor data is no longer available) .xcf .raw .hdr

Image Picture Formats
* low dynamic range (JPEG, PNG, TIFF 8-bit), 16-bit (PPM, TIFF), typically as a 16-bit TIFF in either ProPhoto or AdobeRGB colorspace -  TIFF files are also fairly universal – although, if they contain proprietary data, such as Photoshop Adjustment Layers or Smart Filters, then they can only be opened by Photoshop making them proprietary.
* linear high dynamic range (HDR) images (PFM, [http://www.openexr.com/ ILM .EXR], jpg, [http://aminet.net/util/dtype cr2] (canon tiff based), hdr, NEF, CRW, ARW, MRW, ORF, RAF (Fuji), PEF, DCR, SRF, ERF, DNG files are RAW converted to an Adobe proprietary format - a container that can embed the raw file as well as the information needed to open it) 
An old version of [http://archives.aros-exec.org/index.php?function=browse&amp;cat=graphics/convert dcraw]

There is no single RAW file format. Each camera manufacturer has one or more unique RAW formats. RAW files contain the brightness levels data captured by the camera sensor. This data cannot be modified. A second smaller file, separate XML file, or within a database with instructions for the RAW processor to change exposure, saturation etc. The extra data can be changed but the original sensor data is still there. RAW is technically least compatible.

A raw file is high-bit (usually 12 or 14 bits of information) but a camera-generated TIFF file will be usually converted by the camera (compressed, downsampled) to 8 bits. The raw file has no embedded color balance or color space, but the TIFF has both. These three things (smaller bit depth, embedded color balance, and embedded color space) make it so that the TIFF will lose quality more quickly with image adjustments than the raw file. The camera-generated TIFF image is much more like a camera processed JPEG than a raw file. A strong advantage goes to the raw file. The power of RAW files, such as the ability to set any color temperature non-destructively and will contain more tonal values.

The principle of preserving the maximum amount of information to as late as possible in the process. The final conversion - which will always effectively represent a &quot;downsampling&quot; - should prevent as much loss as possible.

Once you save it as TIFF, you throw away some of that data irretrievably. When saving in the lossy JPEG format, you get tremendous file size savings, but you've irreversibly thrown away a lot of image data. As long as you have the RAW file, original or otherwise, you have access to all of the image data as captured.

Keyboard equivalence with Photoshop(tm) would help 

File
PHOTOSHOP	SHORTCUT	GIMP
New	Ctrl+n	New
Open	Ctrl+o	Open
Close	Ctrl+w	Close
Save	Ctrl+s	Save
Save as	Shift+Ctrl+s	Save as
Revert	F12	Revert
Print	Ctrl+p	Print
Exit	Ctrl+q	Quit
 
Edit
PHOTOSHOP	SHORTCUT	GIMP
Undo/Redo (1 level)	Ctrl+z	Undo (Redo is Shift+Ctrl+z)
Cut	Ctrl+x	Cut
Copy	Ctrl+c	Copy
Paste	Ctrl+v	Paste
Paste Into	Shift+Ctrl+v	Paste Into
Fill with FG color	Alt+Backspace	Fill with FG color
Fill with BG color	Control+Backspace	Fill with BG color
 
Image/Colors
PHOTOSHOP	SHORTCUT	GIMP
Levels	Ctrl+l	Levels
Auto Contrast	Shift+Ctrl+Alt+l	Stretch Contrast (same?)
Curves	Ctrl+m	Curves
Color Balance	Ctrl+b	Color Balance
Hue/Saturation	Ctrl+u	Hue-Saturation
Desaturate	Shift+Ctrl+u	Desaturate
Invert	Ctrl+i	Invert
Default Colors	d	Default Colors
Switch Colors	x	Switch Colors
 
Layer
PHOTOSHOP	SHORTCUT	GIMP
New Layer	Shift+Ctrl+n	New Layer
Layer via Copy	Ctrl+j	Duplicate Layer
Bring (layer) to Front	Shift+Ctrl+]	Layer to Top
Send (layer) to Back	Shift+Ctrl+[	Layer to Bottom
Bring (layer) Forward	Ctrl+]	Raise Layer
Send (layer) Backward	Ctrl+[	Lower Layer
Select Top Layer	Shift+Alt+]	Select Top Layer
Select Bottom Layer	Shift+Alt+[	Select Bottom Layer
Select One Layer Forward	Alt+]	Select Previous Layer
Select One Layer Backward	Alt+[	Select Next Layer
Merge Down	Ctrl+e	Merge Down
Merge Visible	Shift+Ctrl+e	Merge Visible
Preserve Transparency	/	Keep Transparency
Cycle Modes Forwards	Shift+=	Next Layer Mode
Cycle Modes Backwards	Shift+-	Previous Layer Mode
 
Select
PHOTOSHOP	SHORTCUT	GIMP
Select All	Ctrl+a	Select All
Deselect	Ctrl+d	Select None
Inverse	Shift+Ctrl+i	Invert
Feather	Ctrl+Alt+d	Feather
 
View
PHOTOSHOP	SHORTCUT	GIMP
Zoom In	Ctrl+=	Zoom In
Zoom Out	Ctrl+-	Zoom Out
Fit on Screen	Ctrl+0	Zoom to Fit Window
Actual Pixels	Ctrl+Alt+0	Zoom 1:1
Show/Hide Extras	Ctrl+h	Toggle Show Selection (close enough?)
Show/Hide Guides	Ctrl+'	Toggle Show Guides
Show/Hide Grid	Ctrl+Alt+'	Toggle Show Grid
Show/Hide Rulers	Ctrl+r	Toggle Show Rulers
Snap	Ctrl+;	Snap to Guides
Scroll View Up	Page Up	Scroll Page Up
Scroll View Down	Page Down	Scroll Page Down
Scroll View Left	Ctrl+Page Up	Scroll Page Left
Scroll View Right	Ctrl+Page Down	Scroll Page Right
 
Window/Dialogs
PHOTOSHOP	SHORTCUT	GIMP
?	F5	Tools Dialog
Color Tab	F6	Colors Dialog
Layers Tab	F7	Layers Dialog
Info Tab	F8	Image Information
 
Tools
PHOTOSHOP	SHORTCUT	GIMP
Rectangular Marquee Tool	m	Rect Select Tool
Elliptical Marquee Tool	Shift+m	Ellipse Select Tool
 	*This is a toggle between 'Elliptical Marquee Tool' and 'Rectangular Marquee Tool' in Photoshop	 
Move Tool	v	Move Tool
Lasso Tool	l	Free Select Tool
Magic Wand Tool	w	Fuzzy Select Tool
Crop Tool	c	Crop &amp; Resize Tool
Airbrush Tool	j	Airbrush Tool
Paintbrush Tool	b	Paintbrush Tool
Clone Stamp Tool	s	Clone Stamp Tool
Eraser Tool	e	Eraser Tool
Gradient Tool	g	Blend Tool
Paint Bucket Tool	Shift+g	Bucket Fill Tool
 	*This is a toggle between 'Paint Bucket Tool' and 'Gradient Tool' in Photoshop	 
Blur Tool	r	Convolve Tool
Dodge Tool	o	DodgeBurn Tool
Type Tool	t	Text Tool
Pen Tool	p	Bezier Select Tool
Eye Dropper Tool	i	Color Picker Tool
Zoom Tool	z	Magnify Tool
Previous Brush	,	Previous Brush
Next Brush	.	Next Brush
First Brush	Shift+&lt;	First Brush
Last Brush	Shift+&gt;	Last Brush
Decrease Brush Size	[	Decrease Brush Size
Increase Brush Size	]	Increase Brush Size
Decrease Brush Hardness	{	Decrease Brush Hardness
Increase Brush Hardness	}	Increase Brush Hardness
 
Help
PHOTOSHOP	SHORTCUT	GIMP
Help	F1	Help
Context Help	Shift+F1	Context Help
 
Misc.
PHOTOSHOP	SHORTCUT	GIMP
Last Filter	Ctrl+f	Repeat Last Filter
?	Shift+Ctrl+f	Reshow Last Filter
Preferences	Ctrl+k	Preferences
Liquify	Shift+Ctrl+x	IWarp (close enough?)
Toggle Quick Mask	q	Toggle Quick Mask


Spotlights - triangle of white opaque shape

Cutting out and/or replacing unwanted background or features - select large areas with the selection option like the Magic Wand tool (aka Color Range) or the Lasso (quick and fast) with feather 2 to soften edge or the pen tool which adds points/lines/Bézier curves (better control but slower), hold down the shift button as you click to add extra points/areas of the subject matter to remove. Increase the tolerance to cover more areas. To subtract from your selection hold down alt as you're clicking. 
* Layer masks are a better way of working than Erase they clip (black hides/hidden white visible/reveal). Clone Stamp can be simulated by   and brushes for other areas. 
* Leave the fine details like hair, fur, etc. to later with lasso and the shift key to draw a line all the way around your subject. Gradient Mapping - Inverse - Mask. i.e. Refine your selected image with edge detection and using the radius and edge options / adjuster (increase/decrease contrast) so that you will capture more fine detail from the background allowing easier removal. 
Remove fringe/halo

saving image as png rather than jpg/jpeg to keep transparency background intact.


Implemented [http://colorizer.org/ colour model representations] [http://paulbourke.net/texture_colour/colourspace/ Mathematical approach] - Photo stills are spatially 2d (h and w), but are colorimetrically 3d (r g and b, or H L S, or Y U V etc.) as well. 
* RGB - split cubed mapped color model for photos and computer graphics hardware using the light spectrum (adding and subtracting) 
* YUV - Y-Lightness U-blue/yellow V-red/cyan (similar to YPbPr and YCbCr) used in the PAL, NTSC, and SECAM composite digital TV color [http://crewofone.com/2012/chroma-subsampling-and-transcoding/#comment-7299 video]


Histograms

White balanced (neutral) if the spike happens in the same place in each channel of the RGB graphs. If not, you're not balanced. 
If you have sky you'll see the blue channel further off to the right.

RGB is best one to change colours. These elements RGB is a 3-channel format containing data for Red, Green, and Blue in your photo scale between 0 and 255. The area in a picture that appears to be brighter/whiter contains more red color as compared to the area which is relatively darker. Similarly in the green channel the area that appears to be darker contains less amount of green color as compared to the area that appears to be brighter.  Similarly in the blue channel the area appears to be darker contains less amount of blue color as compared to the area that appears to be brighter. Brightness luminance histogram also matches the green histogram more than any other color - human eye interprets green better e.g. RGB rough ratio 15/55/30%

RGBA (RGB+A, A means alpha channel) .  The alpha channel is used for &quot;alpha compositing&quot;, which can mostly be associated as &quot;opacity&quot;.  AROS deals in RGB with two digits for every color (red, green, blue), in ARGB you have two additional hex digits for the alpha channel.

The shadows are represented by the left third of the graph.  The highlights are represented by the right third.  And the midtones are, of course, in the middle.  The higher the black peaks in the graph, the more pixels are concentrated in that tonal range (total black area). 
By moving the black endpoint, which identifies the shadows (darkness) and a white light endpoint (brightness) up and down either sides of the graph, colors are adjusted based on these points. 
By dragging the central one, can increased the midtones and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .


RGB Curves

* Move left endpoint (black point) up or right endpoint (white point) up brightens 
* Move left endpoint down or right endpoint down darkens

Color Curves

* Dragging up on the Red Curve increases the intensity of the reds in the image but 
* Dragging down on the Red Curve decreases the intensity of the reds and thus increases the apparent intensity of its complimentary color, cyan. Green’s complimentary color is magenta, and blue’s is yellow.
&lt;pre&gt;
 Red &lt;-&gt; Cyan
 Green &lt;-&gt;Magenta
 Blue &lt;-&gt;Yellow 
&lt;/pre&gt;

YUV Best option to analyse and pull out statistical elements of any picture (i.e.  separate luminance data from color data). The line in Y luma tone box represents the brightness of the image with the point in the bottom left been black, and the point in the top right as white.  A low-contrast image has a concentrated clump of values nearer to the center of the graph. By comparison, a high-contrast image has a wider distribution of values across the entire width of the Histogram.   A histogram that is skewed to the right would indicate a picture that is a bit overexposed because most of the color data is on the lighter side (increase exposure with higher value F), while a histogram with the curve on the left shows a picture that is underexposed. This is good information to have when using post-processing software because it shows you not only where the color data exists for a given picture, but also where any data has been clipped (extremes on edges of either side): that is, it does not exist and, therefore, cannot be edited.  By dragging the endpoints of the line and as well as the central one, can increased the dark/shadows, midtones and light/bright parts and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .

The U and V chroma parts show color difference components of the image. It’s useful for checking whether or not the overall chroma is too high, and also whether it’s being limited too much
Can be used to create a negative image but also 
With U (Cb), the higher value you are, the more you're on the blue primary color. If you go to the low values then you're on blue complementary color, i.e. yellow.
With V (Cr), this is the same principle but with Red and Cyan.
e.g. If you push U full blue and V full red, you get magenta. If you push U full yellow and V full Cyan then you get green.

YUV simultaneously adds to one side of the color equation while subtracting from the other.  
using YUV to do color correction can be very problematic because each curve alters the result of each other: the mutual influence between U and V often makes things tricky. You may also be careful in what you do to avoid the raise of noise (which happens very easily). Best results are obtained with little adjustments

sunset that looks uninspiring and needs some color pop especially for the rays over the hill, a subtle contrast raise while setting luma values back to the legal range without hard clipping.


Free royalty pictures, [www.freeimages.com ], [http://imageshack.us/ ], [http://photobucket.com/ ], [http://rawpixels.net/], [], [], [], 


====Lunapaint====

Pixel based drawing app with onion-skin animation function

 Blocking, Shading, Coloring, adding detail 

&lt;pre&gt;
b BRUSH
e ERASER

alt eyedropper 
v layer tool 

z ZOOM / MAGNIFY &lt; &gt; n 
spc panning 
m  marque 
q lasso 
w same color selection / region 
&lt;/pre&gt;

&lt;pre&gt;
, LM RM
v 
V
f  filter 
F 
.  size 

p 
,  pick color 
[] last / next color 
&lt;/pre&gt;


There is not much missing in Lunapaint to be as good as FlipBook and then you have to take into account that Flipbook is considered to be amongst the best and easiest to use animation software out there. Ok to be honest Flipbook has some nice features that require more heavy work but those aren't so much needed right away, things like camera effects, sound, smart fill, export to different movie file formats etc.

Tried Flipbook with my tablet and compared it to Luna. The feeling is the same when sketching. LunaPaint is very responsive/fluent to draw with. Just as Flipbook is, and that responsiveness is something its users have mentioned as one of the positive sides of said software.

 author was learning MUI. Some parts just have to be rewritten with proper MUI classes before new features can be added.

* add [Frame Add] / [Frame Del]
* whole animation feature is impossible to use. If you draw 2 color maybe but if you start coloring your cells then you get in trouble
* pickup the entire image as a brush, not just a selection ? And consequently remove the brush from memory when one doesn't need it anymore. can pick up a brush and put it onto a new image but cropping isn't possible, nor to load/save brushes.
* Undo is something I longed for ages in Lunapaint.
* to import into the current layer, other types of images (e.g. JPEG) besides RAW64.
* implement graphic tablet features support


**GENERAL DRAWING**

Miss it very much:
UNDO
ERASER
COLORPICKER - has to show on palette too which color got picked.
BACKGROUND COLOR -Possibility to select from &quot;New project screen&quot;

Miss it somewhat:
ICON for UNDO
ICON for ERASER
ICON for CLEAR SCREEN ( What can I say? I start over from scratch very often )
BRUSH - possibility to cut out as brush not just copy off image to brush

**ANIMATING**

Miss it very much:
NUMBER OF CELLS - Possibity to change total no. of cells during project
ANIM BRUSH - Possibility to pick up a selected part of cells into an animbrush

Miss it somewhat:
ADD/REMOVE FRAMES: Add/remove single frame

In general LunaPaint is really well done and it feels like a new DeluxePaint version. It works with my tablet. Sure there's much missing of course but things can always be added over time. So there is great potential in LunaPaint that's for sure. Animations could be made in it and maybe put together in QuickVideo, saving in .gif or .mng etc some day.


LAYERS
-Layers names don't get saved globally in animation frames
-Layers order don't change globally in an animation (perhaps as default?).

EXPORTING IMAGES
-Exporting frames to JPG/PNG gives problems with colors. (wrong colors. See my animatiopn --&gt; My robot was blue now it's &quot;gold&quot; ) I think this only happens if you have layers.
-Trying to flatten the layers before export doesn't work if you have animation frames only the one you have visible will flatten properly all other frames are destroyed. (Only one of the layers are visible on them)
-Exporting images filenames should be for example e.g. file0001, file0002...file0010 instead as of now file1, file2...file10

LOAD/SAVE (Preferences)
-Make a setting for the default &quot;Work&quot; folder.

* Destroyed colors if exported image/frame has layers 
* mystic color cycling of the selected color while stepping frames back/forth (annoying)

&lt;pre&gt;
Deluxe Paint II enhanced key shortcuts 
    NOTE: @ denotes the ALT key

    [Technique]

    F1  - Paint
    F2  - Single Colour
    F3  - Replace
    F4  - Smear
    F5  - Shade
    F6  - Cycle
    F7  - Smooth
     M  - Colour Cycle

    [Brush]

     B  - Restore
     O  - Outline
     h  - Halve brush size
     H  - Double brush size
     x  - Flip brush on X axis
     X  - Double brush size on X axis only
     y  - Flip on Y 
     Y  - Double on Y
     z  - Rotate brush 90 degrees
     Z  - Stretch

    [Stencil]

     `  - Stencil On

    [Miscellaneous]

    F9  - Info Bar
    F10 - Selection Bar
    @o  - Co-Ordinates
    @a  - Anti-alias
    @r  - Colourise
    @t  - Translucent
    TAB - Colour Cycle

    [Picture]

     L  - Load
     S  - Save
     j  - Page to Spare(Flip)
     J  - Page to Spare(Copy)
     V  - View Page
     Q  - Quit

    [General Keys]

     m  - Magnify
     &lt;  - Zoom In
     &gt;  - Zoom Out
     [  - Palette Colour Up
     ]  - Palette Colour Down
     (  - Palette Colour Left
     )  - Palette Colour Right
     ,  - Eye Dropper
     .  - Pixel / Brush Toggle
     /  - Symmetry
     |  - Co-Ordinates
    INS - Perspective Control
    +/- - Brush Size (Fine Control)
     w  - Unfilled Polygon
     W  - Filled Polygon
     e  - Unfilled Ellipse
     E  - Filled Ellipse
     r  - Unfilled Rectangle
     R  - Filled Rectangle
     t  - Type/text tool
     a  - Select Font
    u/U - Undo
     d  - Brush
     D  - Filled Non-Uniform Polygon
    f/F - Fill Options
    g/G - Grid
    h/H - Brush Size (Coarse Control)
     K  - Clear
     c  - Unfilled Circle
     C  - Filled Circle
     v  - Line
     b  - Scissor Select and Toggle
     B  - Brush
    {,} - Toggle between two background colours
&lt;/pre&gt;

====Lodepaint====

Pixel based painting artwork app

====Grafx2====

Pixel based painting artwork app aesprite like 

[https://www.youtube.com/watch?v=59Y6OTzNrhk aesprite workflow keys and tablet use], [], 


====Vector Graphics ZuneFIG====

Vector Image Editing of files .svg .ps .eps


*Objects - raise lower rotate flip aligning snapping 
*Path - unify subtract intersect exclude divide 
*Colour - fill stroke 
*Stroke - size 
*Brushes - 
*Layers - 
*Effects - gaussian bevels glows shadows 
*Text    - 
*Transform - 


 AmiFIG ([http://epb.lbl.gov/xfig/frm_introduction.html xfig manual]) 

[[File:MyScreen.png|thumb|left|alt=Showing all Windows open in AmiFIG.|All windows available to AmiFIG.]]

for drawing simple to intermediate vector graphic images for scientific and technical uses and for illustration purposes for those with talent

;Menu options
* Load - fig format but import(s) SVG
* Save - fig format but export(s) eps, ps, pdf, svg and png
* PAN = Ctrl + Arrow keys 
* Deselect all points

There is no selected object until you apply the tool, and the selected object is not highlighted.

;Metrics - to set up page and styles - first window to open on new drawings

;Tools - Drawing Primitives - set Attributes window first before clicking any Tools button(s) 
* Shapes - circles, ellipses, arcs, splines, boxes,  polygon 
* Lines - polylines
* Text &quot;T&quot; button 
* Photos - bitmaps
* Compound - Glue, Break, Scale 
* POINTs - Move, Add, Remove 
* Objects - Move, Copy, Delete, Mirror, Rotate, Paste 
use right mouse button to stop extra lines, shapes being formed and the left mouse to select/deselect tools button(s)
* Rotate - moves in 90 degree turns centered on clicked POINT of a polygon or square

;Attributes which provide change(s) to the above primitives 
* Color
* Line Width
* Line Style
* arrowheads

;Modes 
Choose from freehand, charts, figures, magnet, etc.

;Library - allows .fig clip-art to be stored 
* compound tools to add .fig(s) together

;FIG 3.2 [http://epb.lbl.gov/xfig/fig-format.html Format] as produced by xfig version 3.2.5 
&lt;pre&gt;
Landscape
Center
Inches
Letter 
100.00
Single
-2
1200 2
4 0 0 50 -1 0 12 0.0000 4 135 1050 1050 2475 This is a test.01
&lt;/pre&gt;

# change the text alignment within the textbox. I can choose left, center, or right aligned by either changing the integer in the second column from 0 (left) to 1 or 2 (center, or right). 
# The third integer in the row specifies fontcolor. For instance, 0 is black, but blue is 1 and Green3 is 13.
# The sixth integer in the bottom row specifies fontface. 0 is Times-Roman, but 16 is Helvetica (a MATLAB default).
# The seventh number is fontsize. 12 represents a 12pt fontsize. Changing the fontsize of an item really is as easy as changing that number to 20.
# The next number is the counter-clockwise angle of the text. Notice that I have changed the angle to .7854 (pi/4 rounded to four digits=45 degrees).
# twelfth number is the position according to the standard “x-axis” in Xfig units from the left. Note that 1200 Xfig units is equivalent to once inch.
# thirteenth number is the “y-position” from the top using the same unit convention as before.

* The nested text string is what you entered into the textbox.
* The “01″ present at the end of that line in the .fig file is the closing tag. For instance, a change to \100 appends a @ symbol at the end of the period of that sentence.

; Just to note there are no layers, no 3d functions, no shading, no transparency, no animation


[[#top|...to the top]]

===Audio===


# AHI uses linear panning/balance, which means that in the center, you will get -6dB. If an app uses panning, this is what you will get. Note that apps like Audio Evolution need panning, so they will have this problem.

# When using AHI Hifi modes, mixing is done in 32-bit and sent as 32-bit data to the driver. The Envy24HT driver uses that to output at 24-bit (always).

# For the Envy24/Envy24HT, I've made 16-bit and 24-bit inputs (called Line-in 16-bit, Line-in 24-bit etc.). There is unfortunately no app that can handle 24-bit recording.


====Music Mods====

Digital module (mods) trackers are music creation software using samples and sometimes soundfonts, audio plugins (VST, AU or RTAS), MIDI.

Generally, MODs are similar to MIDI in that they contain note on/off and other sequence messages that control the mod player. Unlike (most) midi files, however, they also contain sound samples that the sequence information actually plays. MOD files can have many channels (classic amiga mods have 4, corresponding to the inbuilt sound channels), but unlike MIDI, each channel can typically play only one note at once. However, since that note might be a sample of a chord, a drumloop or other complex sound, this is not as limiting as it sounds.

Like MIDI, notes will play indefinitely if they're not instructed to end. Most trackers record this information automatically if you play your music in live. If you're using manual note entry, you can enter a note-off command with a keyboard shortcut - usually Caps Lock.

In fact when considering file size MOD is not always the best option. Even a dummy song wastes few kilobytes for nothing when a simple SID tune could be few hundreds bytes and not bigger than 64kB. AHX is another small format, AHX tunes are never larger than 64kB excluding comments.

[https://www.youtube.com/watch?v=rXXsZfwgil Protrekkr] (previously aka [w:Juan_Antonio_Arguelles_Rius|NoiseTrekkr])

If Protrekkr does not start, please check if the Unit 0 has been setup in the AHI prefs and still not, go to the directory utilities/protrekkr and double click on the Protrekkr icon

*Sample
*Note - Effect 
*Track (column) - Pattern - Order

It all starts with the Sample which is used to create Note(s) in a Track (column of a tracker) 
The Note can be changed with an Effect.  A Track of Note(s) can be collected into a Pattern (section of a song) and these can be given Order to create the whole song.

Patience (notes have to be entered one at a time) or playing the bassline on a midi controller (faster - see midi section above).  Best approach is to wait until a melody popped into your head.

*Up-tempo means the track should be reasonably fast, but not super-fast. 
*Groovy and funky imply the track should have some sort of &quot;swing&quot; feel, with plenty of syncopation or off beat emphasis and a recognizable, melodic bass line. 
*Sweet and happy mean upbeat melodies, a major key and avoiding harsh sounds.
*Moody - minor key

First, create a quick bass sound, which is basically a sine wave, but can be hand drawn for a little more variance. It could also work for the melody part, too.

This is usually a bass guitar or some kind of synthesizer bass. The bass line is often forgotten by inexperienced composers, but it plays an important role in a musical piece. Together with the rhythm section the bass line forms the groove of a song. It's the glue between the rhythm section and the melodic layer of a song.

The drums are just pink noise samples, played at different frequencies to get a slightly different sound for the kick, snare, and hihats.

Instruments that fall into the rhythm category are bass drums, snares, hi-hats, toms, cymbals, congas, tambourines, shakers, etc. Any percussive instrument can be used to form part of the rhythm section.

The lead is the instrument that plays the main melody, on top of the chords. There are many instruments that can play a lead section, like a guitar, a piano, a saxophone or a flute. The list is almost endless. There is a lot of overlap with instruments that play chords. Often in one piece an instrument serves both roles. The lead melody is often played at a higher pitch than the chords.

Listened back to what was produced so far, and a counter-melody can be imagined, which can be added with a triangle wave.

To give the ends of phrases some life, you can add a solo part with a crunchy synth. By hitting random notes in the key of G, then edited a few of them.

For the climax of the song, filled out the texture with a gentle high-pitch pad… …and a grungy bass synth.


The arrow at A points at the pattern order list. As you see, the patterns don't have to be in numerical order. This song starts with pattern &quot;00&quot;, then pattern &quot;02&quot;, then &quot;03&quot;, then &quot;01&quot;, etcetera. Patterns may be repeated throughout a song.

The B arrow points at the song title. Below it are the global BPM and speed parameters. These determine the tempo of the song, unless the tempo is altered through effect commands during the song.

The C arrow points at the list of instruments. An instrument may consist of multiple samples. Which sample will be played depends on the note. This can be set in the Instrument Editing screen. Most instruments will consist of just one sample, though. The sample list for the selected instrument can be found under arrow D.

Here's a part of the main editing screen. This is where you put in actual notes. Up to 32 channels can be used, meaning 32 sounds can play simultaneously. The first six channels of pattern &quot;03&quot; at order &quot;02&quot; are shown here. The arrow at A points at the row number. The B arrow points at the note to play, in this case a C4. The column pointed at by the C arrow tells us which instrument is associated with that note, in this case instrument #1 &quot;Kick&quot;.

The column at D is used (mainly) for volume commands. In this case it is left empty which means the instrument should play at its default volume. You can see the volume column being used in channel #6.

The E column tells us which effect to use and any parameters for that effect. In this case it holds the &quot;F&quot; effect, which is a tempo command. The &quot;04&quot; means it should play at tempo 4 (a smaller number means faster).

Base pattern

When I create a new track I start with what I call the base pattern. It is worthwhile to spend some time polishing it as a lot of the ideas in the base pattern will be copied and used in other patterns. At least, that's how I work. Every musician will have his own way of working. In &quot;Wild Bunnies&quot; the base pattern is pattern &quot;03&quot; at order &quot;02&quot;.

In the section about selecting samples I talked about the four different categories of instruments: drums, bass, chords and leads. That's also how I usually go about making the base pattern. I start by making a drum pattern, then add a bass line, place some chords and top it off with a lead. This forms the base pattern from which the rest of the song will grow.


Drums

Here's a screenshot of the first four rows of the base pattern. I usually reserve the first four channels or so for the drum instruments. Right away there are a couple of tricks shown here. In the first channel the kick, or bass drum, plays some notes. Note the alternating F04 and F02 commands. The &quot;F&quot; command alters the tempo of the song and by quickly alternating the tempo; the song will get some kind of &quot;swing&quot; feel.

In the second channel the closed hi-hat plays a fairly simple pattern. Further down in the channel, not shown here, some open hi-hat notes are added for a bit of variation.

In the third and fourth channel the snare sample plays. The &quot;8&quot; command is for panning. One note is panned hard to the left and the other hard to the right. One sample is played a semitone lower than the other. This results in a cool flanging effect. It makes the snare stand out a little more in the mix.


Bass line

There are two different instruments used for the bass line. Instrument #6 is a pretty standard synthesized bass sound. Instrument #A sounds a bit like a slap bass when used with a quick fade out. By using two different instruments the bass line sounds a bit more ”human”. The volume command is used to cut off the notes. However, it is never set to zero. Setting the volume to a very small value will result in a reverb-like effect. This makes the song sound more &quot;live&quot;.

The bass line hints at the chords that will be played and the key the song will be in. In this case the key of the song is D-major, a positive and happy key.


Chords

The D major chords that are being played here are chords stabs; short sounds with a quick decay (fade out). Two different instruments (#8 and #9) are used to form the chords. These instruments are quite similar, but have a slightly different sound, panning and volume decay. Again, the reason for this is to make the sound more human. The volume command is used on some chords to simulate a delay, to achieve more of a live feel. The chords are placed off-beat making for a funky rhythm.


Lead

Finally the lead melody is added. The other instruments are invaluable in holding the track together, but the lead melody is usually what catches people's attention.

A lot of notes and commands are used here, but it looks more complex than it is. A stepwise ascending melody plays in channel 13. Channel 14 and 15 copy this melody, but play it a few rows later at a lower volume. This creates an echo effect. A bit of panning is used on the notes to create some stereo depth. Like with the bass line, instead of cutting off notes the volume is set to low values for a reverb effect. The &quot;461&quot; effect adds a little vibrato to the note, which sounds nice on sustained notes.

Those paying close attention may notice the instrument used here for the lead melody is the same as the one used for the bass line (#6 &quot;Square&quot;), except played two or three octaves higher. This instrument is a looped square wave sample. Each type of wave has its own quirks, but the square wave (shown below) is a really versatile wave form.

Song structure

Good, catchy songs are often carefully structured into sections, some of which are repeated throughout the song with small variations.

A typical pop-song structure is: Intro - Verse - Chorus - Verse - Chorus - Bridge - Chorus.

Other single sectional song structures are

&lt;pre&gt;
Strophic or AAA Song Form - oldest story telling with refrain (often title of the song) repeated in every verse section melody 
AABA Song Form - early popular, jazz and gospel fading during the 1960s 
AB or Verse/Chorus Song Form - songwriting format of choice for modern popular music since the 1960s 
Verse/Chorus/Bridge Song Form
ABAB Song Form
ABAC Song Form
ABCD Song Form
AAB 12-Bar Song Form - three four-bar lines or sub-sections 
8-Bar Song Form
16-Bar Song Form
Hybrid / Compound Song Forms
&lt;/pre&gt;

The most common building blocks are:

#INTRODUCTION(INTRO)
#VERSE
#REFRAIN
#PRE-CHORUS / RISE / CLIMB
#CHORUS
#BRIDGE
#MIDDLE EIGHT
#SOLO / INSTRUMENTAL BREAK
#COLLISION
#CODA / OUTRO
#AD LIB (OFTEN IN CODA / OUTRO)

The chorus usually has more energy than the verse and often has a memorable melody line. As the chorus is repeated the most often during the song, it will be the part that people will remember.

The bridge often marks a change of direction in the song. It is not uncommon to change keys in the bridge, or at least to use a different chord sequence. The bridge is used to build up tension towards the big finale, the last repetition of chorus.


 Playing

RCTRL:                           Play song from row 0.

LSHIFT + RCTRL:                  Play song from current row.

RALT:                            Play pattern from row 0.

LSHIFT + RALT:                   Play pattern from current row.

Left mouse on '&gt;':               Play song from row 0.

Right mouse on '&gt;':              Play song from current row.

Left mouse on '|&gt;':              Play pattern from row 0.

Right mouse on '|&gt;':             Play pattern from current row.

Left mouse on 'Edit/Record':     Edit mode on/off.

Right mouse on 'Edit/Record':    Record mode on/off.


 Editing 


LSHIFT + ESCAPE:                 Switch large patterns view on/off

TAB:                    Go to next track

LSHIFT + TAB:                    Go to prev. track

LCTRL + TAB:                    Go to next note in track

LCTRL + LSHIFT + TAB:           Go to prev. note in track

SPACE:                           Toggle Edit mode On &amp; Off

(Also stop if the song is being played)

SHIFT SPACE:                     Toggle Record mode On &amp; Off

(Wait for a key note to be pressed

or a midi in message to be received)

DOWN ARROW:                      1 Line down

UP ARROW:                        1 Line up

LEFT ARROW:                      1 Row left

RIGHT ARROW:                     1 Row right

PREV. PAGE:                      16 Arrows Up

NEXT PAGE:                       16 Arrows Down

HOME / END:                      Top left / Bottom right of pattern

LCTRL + HOME / END:              First / last track

F5, F6, F7, F8, F9:              Jump to 0, 1/4, 2/4, 3/4, 4/4 lines of the patterns

+ - (Numeric keypad):           Next / Previous pattern

LCTRL + LEFT / RIGHT:           Next / Previous pattern

LCTRL + LALT + LEFT / RIGHT:    Next / Previous position

LALT + LEFT / RIGHT:           Next / Previous instrument

LSHIFT + M:                      Toggle mute state of the current channel

LCTRL + LSHIFT + M:             Solo the current track / Unmute all

LSHIFT + F1 to F11:              Select a tab/panel

LCTRL + 1 to 4:                 Select a copy buffer


 Tracking 

1st and 2nd keys rows:           Upper octave row

3rd and 4th keys rows:           Lower octave row

RSHIFT:                          Insert a note off

/ and * (Numeric keypad)

or F1 F2:                        -1 or +1 octave

INSERT / BACKSPACE:              Insert or Delete a line in current track

or current selected block.

LSHIFT + INSERT / BACKSPACE:     Insert or Delete a line in current pattern

DELETE (NOT BACKSPACE):          Empty a column or a selected block.


 Blocks

(Blocks can also be selected with the mouse by holding the right button and scrolling the pattern with the mouse wheel).


LCTRL + A:          Select entire current track

LCTRL + LSHIFT + A: Select entire current pattern

LALT + A:          Select entire column note in a track

LALT + LSHIFT + A: Select all notes of a track

LCTRL + X:          Cut the selected block and copy it into the block-buffer

LCTRL + C:          Copy the selected block into the block-buffer

LCTRL + V:          Paste the data from the block buffer into the pattern

LCTRL + I:          Interpolate selected data from the first to the last row of a selection

LSHIFT + ARROWS

PREV. PAGE

NEXT PAGE: Select a block

LCTRL + R:          Randomize the select columns of a selection, works similar to CTRL + I (interpolating them)

LCTRL + U:          Transpose the note of a selection to 1 seminote higher

LCTRL + D:          Transpose the note of a selection to 1 seminote lower

LCTRL + LSHIFT + U: Transpose the note of a selection to 1 seminote higher (only for the current instrument)

LCTRL + LSHIFT + D: Transpose the note of a selection to 1 seminote lower  (only for the current instrument)

LCTRL + H:          Transpose the note of a selection to 1 octave higher

LCTRL + L:          Transpose the note of a selection to 1 octave lower

LCTRL + LSHIFT + H: Transpose the note of a selection to 1 octave higher (only for the current instrument)

LCTRL + LSHIFT + L: Transpose the note of a selection to 1 octave lower (only for the current instrument)

LCTRL + W:          Save the current selection into a file


 Misc 


LALT + ENTER:     Switch between full screen / windowed mode

LALT + F4:        Exit program (Windows only)

LCTRL + S:         Save current module

LSHIFT + S:         Switch top right panel to synths list

LSHIFT + I:         Switch top right panel to instruments list


&lt;pre&gt;
C-x   xh xx xx hhhh             Volume 
B-x   xh xx xx hhhh             Jump to 
A#x  xh xx xx hhhh hhhh   Slide 
F-x    xh xx xx hhhh            Tempo 
D-x   xh xx xx hhhh             Pattern Break 
G#x  xh xx xx hhhh
&lt;/pre&gt;

h Hex 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13

d Dec 01 02 03 04 05 06 07 08 09 10  11 12 13 14 15 16 17 18 19

The Set Volume command: C. Input a note, then move the cursor to the effects command column and type a C. Play the pattern, and you shouldn't be able to hear the note you placed the C by. This is because the effect parameters are 00. Change the two zeros to a 40(Hex)/64(Dec), depending on what your tracker uses. Play back the pattern again, and the note should come in at full volume.

The Position Jump command next. This is just a B followed by the position in the playing list that you want to jump to. One thing to remember is that the playing list always starts at 0, not 1. This command is usually in Hex.

Onto the volume slide command: A. This is slightly more complex (much more if you're using a newer tracker, if you want to achieve the results here, then set slides to Amiga, not linear), due to the fact it depends on the secondary tempo. For now set a secondary tempo of 06 (you can play around later), load a long or looped sample and input a note or two. A few rows after a note type in the effect command A. For the parameters use 0F. Play back the pattern, and you should notice that when the effect kicks in, the sample drops to a very low volume very quickly. Change the effect parameters to F0, and use a low volume command on the note. Play back the pattern, and when the slide kicks in the volume of the note should increase very quickly.
This because each part of the effect parameters for command A does a different thing. The first number slides the volume up, and the second slides it down. It's not recommended that you use both a volume up and volume down at the same time, due to the fact the tracker only looks for the first number that isn't set to 0. If you specify parameters of 8F, the tracker will see the 8, ignore the F, and slide the volume up. Using a slide up and down at same time just makes you look stupid. Don't do it...

The Set Tempo command: F, is pretty easy to understand. You simply specify the BPM (in Hex) that you want to change to. One important thing to note is that values of lower than 20 (Hex) sets the secondary tempo rather than the primary.

Another useful command is the Pattern Break: D. This will stop the playing of the current pattern and skip to the next one in the playing list. By using parameters of more than 00 you can also specify which line to begin playing from.

Command 3 is Portamento to Note. This slides the currently playing note to another note, at a specified speed. The slide then stops when it reaches the desired note. 
&lt;pre&gt;
   C-2 1 000 - Starts the note playing
   ---      000
   C-3    330 - Starts the slide to C-3 at a speed of 30.
   ---     300 - Continues the slide
   ---     300 - Continues the slide
&lt;/pre&gt;
Once the parameters have been set, the command can be input again without any parameters, and it'll still perform the same function unless you change the parameters. This memory function allows certain commands to function correctly, such as command 5, which is the Portamento to Note and Volume Slide command. Once command 3 has been set up command 5 will simply take the parameters from that and perform a Portamento to Note. Any parameters set up for command 5 itself simply perform a Volume Slide identical to command A at the same time as the Portamento to Note.

This memory function will only operate in the same channel where the original parameters were set up.
There are various other commands which perform two functions at once. They will be described as we come across them.

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  00

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  02

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  05

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  08

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0A

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0D

C-3  04  ..  ..  09  10 ---&gt; C-3  04  ..  ..  09  10

(You can also switch on the Slider Rec to On, and perform parameter-live-recording, such as cutoff transitions, resonance or panning tweaking, etc..)  Note: this command only works for volume/panning and fx datas columns.


The next command we'll look at is the Portamento up/down: 1 and 2. Command 1 slides the pitch up at a specified speed, and 2 slides it down. This command works in a similar way to the volume slide, in that it is dependent on the secondary tempo. Both these commands have a memory dependent on each other, if you set the slide to a speed of 3 with the 1 command, a 2 command with no parameters will use the speed of 3 from the 1 command, and vice versa.

Command 4 is Vibrato. Vibrato is basically rapid changes in pitch, just try it, and you'll see what I mean. Parameters are in the format of xy, where x is the speed of the slide, and y is the depth of the slide. One important point to remember is to keep your vibratos subtle and natural so a depth of 3 or less and a reasonably fast speed, around 8, is usually used. Setting the depth too high can make the part sound out of tune from the rest.
Following on from command 4 is command 6. This is the Vibrato and Volume Slide command, and it has a memory like command 5, which you already know how to use.

Command 7 is Tremolo. This is similar to vibrato. Rather than changing the pitch it slides the volume. The effect parameters are in exactly the same format.   vibrato effect (0x1dxy) x = speed y = depth (can't be used if arpeggio (0x1b) is turned on) 

&lt;pre&gt;
 C-7 00 .. .. 1B37 &lt;-  Turn Arpeggio effect on
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B38 &lt;- Change datas
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B00 &lt;- Turn it off
&lt;/pre&gt;

Command 9 is Sample Offset. This starts the playback of the sample from a different place than the start. The effect parameters specify the sample offset, but only very roughly. Say you have a sample which is 8765(Hex) bytes long, and you wanted it to play from position 4321(Hex). The effect parameter could only be as accurate as the 43 part, and it would ignore the 21.

Command B is the Playing List/Order Jump command. The parameters specify the position in the Playing List/Order to jump to. When used in conjunction with command D you can specify the position and the line to play from.

Command E is pretty complex, as it is used for a lot of different things, depending on what the first parameter is. Let's take a trip through each effect in order.
Command E0 controls the hardware filter on an Amiga, which, as a low pass filter, cuts off the highest frequencies being played back. There are very few players and trackers on other system that simulate this function, not that you should need to use it. The second parameter, if set to 1, turns on the filter. If set to 0, the filter gets turned off.

Commands E1/E2 are Fine Portamento Up/Down. Exactly the same functions as commands 1/2, except that they only slide the pitch by a very small amount. These commands have a memory the same as 1/2 as well.

Command E3 sets the Glissando control. If parameters are set to 1 then when using command 3, any sliding will only use the notes in between the original note and the note being slid to. This produces a somewhat jumpier slide than usual. The best way to understand is to try it out for yourself. Produce a slow slide with command 3, listen to it, and then try using E31.

Command E4 is the Set Vibrato Waveform control. This command controls how the vibrato command slides the pitch. Parameters are 0 - Sine, 1 - Ramp Down (Saw), 2 - Square. By adding 4 to the parameters, the waveform will not be restarted when a new note is played e.g. 5 - Sine without restart.

Command E5 sets the Fine Tune of the instrument being played, but only for the particular note being played. It will override the default Fine Tune for the instrument. The parameters range from 0 to F, with 0 being -8 and F being +8 Fine Tune. A parameter of 8 gives no Fine Tune. If you're using a newer tracker that supports more than -8 to +8 e.g. -128 to +128, these parameters will give a rough Fine Tune, accurate to the nearest 16.

Command E6 is the Jump Loop command. You mark the beginning of the part of a pattern that you want to loop with E60, and then specify with E6x the end of the loop, where x is the number of times you want it to loop.

Command E7 is the Set Tremolo Waveform control. This has exactly the same parameters as command E4, except that it works for Tremolo rather than Vibrato.

Command E9 is for Retriggering the note quickly. The parameter specifies the interval between the retrigs. Use a value of less than the current secondary tempo, or else the note will not get retrigged.

Command EA/B are for Fine Volume Slide Up/Down. Much the same as the normal Volume Slides, except that these are easier to control since they don't depend on the secondary tempo. The parameters specify the amount to slide by e.g. if you have a sample playing at a volume of 08 (Hex) then the effect EA1 will slide this volume to 09 (Hex). A subsequent effect of EB4 would slide this volume down to 05 (Hex).

Command EC is the Note Cut. This sets the volume of the currently playing note to 0 at a specified tick. The parameters should be lower than the secondary tempo or else the effect won't work.

Command ED is the Note Delay. This should be used at the same time as a note is to be played, and the parameters will specify the number of ticks to delay playing the note. Again, keep the parameters lower than the secondary tempo, or the note won't get played!

Command EE is the Pattern Delay. This delays the pattern for the amount of time it would take to play a certain number of rows. The parameters specify how many rows to delay for.

Command EF is the Funk Repeat command. Set the sample loop to 0-1000. When EFx is used, the loop will be moved to 1000- 2000, then to 2000-3000 etc. After 9000-10000 the loop is set back to 0- 1000. The speed of the loop &quot;movement&quot; is defined by x. E is two times as slow as F, D is three times as slow as F etc. EF0 will turn the Funk Repeat off and reset the loop (to 0-1000).

effects 0x41 and 0x42 to control the volumes of the 2 303 units

There is a dedicated panel for synth parameter editing with coherent sections (osc, filter modulation, routing, so on) the interface is much nicer, much better to navigate with customizable colors, the reverb is now customizable (10 delay lines), It accepts newer types of Waves (higher bit rates, at least 24). Has a replay routine.

It's pretty much your basic VA synth. The problem isn't with the sampler being to high it's the synth is tuned two octaves too low, but if you want your samples tuned down just set the base note down 2 octaves (in the instrument panel).

so the synth is basically divided into 3 sections from left to right: oscillators/envelopes, then filter and LFO's, and in the right column you have mod routings and global settings.

for the oscillator section you have two normal oscillators (sine, saw, square, noise), the second of which is tunable, the first one tunes with the key pressed. Attached to OSC 1 is a sub-oscillator, which is a sawtooth wave tuned one octave down. The phase modulation controls the point in the duty cycle at which the oscillator starts. The ADSR envelope sliders (grouped with oscs) are for modulation envelope 1 and 2 respectively. you can use the synth as a sampler by choosing the instrument at the top.

In the filter column, the filter settings are: 1 = lowpass, 2 = highpass, 3 = off. cutoff and resonance. For the LFOs they are LFO 1 and LFO 2, the ADSR sliders in those are for the LFO itself.

For the modulation routings you have ENV 1, LFO 1 for the first slider and ENV 2, LFO 2 for the second, you can cycle through the individual routings there, and you can route each modulation source to multiple destinations of course, which is another big plus for this synth. Finally the glide time is for portamento and master volume, well, the master volume... it can go quite loud.

The sequencer is changed too, It's more like the one in AXS if you've used that, where you can mute tracks to re-use patterns with variation.


&lt;pre&gt;
Support for the following modules formats:
669 (Composer 669, Unis 669), 
AMF (DSMI Advanced Module Format), 
AMF (ASYLUM Music Format V1.0), 
APUN (APlayer), DSM (DSIK internal format), 
FAR (Farandole Composer), 
GDM (General DigiMusic), 
IT (Impulse Tracker), 
IMF (Imago Orpheus), 
MOD (15 and 31 instruments), 
MED (OctaMED), 
MTM (MultiTracker Module editor), 
OKT (Amiga Oktalyzer), 
S3M (Scream Tracker 3), 
STM (Scream Tracker), 
STX (Scream Tracker Music Interface Kit), 
ULT (UltraTracker), 
UNI (MikMod), 
XM (FastTracker 2),
Mid (midi format via timidity)
&lt;/pre&gt;


Possible plugin options include [http://lv2plug.in/ LV2],


====Midi - Musical Instrument Digital Interface====

A midi file typically contains music that plays on up to 16 channels (as per the midi standard), but many notes can simultaneously play on each channel (depending on the limit of the midi hardware playing it).

'''Timidity'''

Although usually already installed, you can uncompress the [http://www.libsdl.org/projects/SDL_mixer/ timidity.tar.gz (14MB)] into a suitable drawer like below's SYS:Extras/Audio/ 
 assign timidity: SYS:Extras/Audio/timidity
added to SYSːs/User-Startup

'''WildMidi playback'''


'''Audio Evolution 4 (2003) 4.0.23 (from 2012)'''


*Sync Menu    - CAMD Receive, Send checked 
*Options Menu - MIDI Machine Control - Midi Bar Display - Select CAMD MIDI in / out - Midi Remote Setup 


MCB Master Control Bus 
*Sending a MIDI start-command and a Song Position Pointer, you can synchronize audio with an external MIDI sequencer (like B&amp;P). 
*B&amp;P Receive, start AE, add AudioEvolution.ptool in Bars&amp;Pipes track, press play / record in AE then press play in Pipes 
*CAMD Receive, receive MIDI start or continue commands via camd.library sync to AE 


*MIDI Machine Control
*Midi Bar Display 
*Select CAMD MIDI in / out
*Midi Remote Setup - open requester for external MIDI controllers to control app mixer and transport controls cc remotely 
 Channel   - mixer(vol, pan, mute, solo), eq, aux, fx, 
 Subgroup  - Volume, Mute, Solo 
 Transport - Start, End, Play, Stop, Record, Rewind, Forward 
 Misc      - Master vol., Bank Down, Bank up 


&lt;pre&gt;
q        - quit 

First 3 already opened when AE started 
F1       - timeline window
F2       - mixer 
F3       - control 
F4       - subgroups 
F5       - aux returns 
F6       - sample list 

i        - Load sample to use 

space    - start/stop play 
b        - reset time 0:00


s        - split mode 
r        - open recording window 
a        - automation edit mode with p panning, m mute and v volume 


[ / ]    - zoom in / out 
:        - previous track
*        - next track 

x c v f  - cut copy paste cross-fade 
g        - snap grid 


&lt;/pre&gt;


 '''[http://bnp.hansfaust.de/ Bars n Pipes sequencer]'''

 BarsnPipes debug ... in shell 

Menu (right mouse)  
*Song        - Songs load and save in .song format but option here to load/save Midi_Files .mid in FORMAT0 or FORMAT1 
*Track       - 
*Edit        -
*Tool        - 
*Timing      - SMTPE Synchronizing 
*Windows     - 
*Preferences - Multiple MIDI-in option 

Windows (some of these are usually already opened when Bars n Pipes starts up for the first time) 
*Workflow -&gt; Tracks, .... Song Construction, Time-line Scoring, Media Madness, Mix Maestro, 
*Control  -&gt; Transport (or mini one), Windows (which collects all the Windows icons together-shortcut), .... Toolbox, Accessories, Metronome, 

Once you have your windows placed on the screen that suits your workflow, Song -&gt; Save as Default will save the positions, colors, icons, etc as you'd like them 

If you need a particular setup of Tracks, Tools, Tempos etc, you save them all as a new song you can load each time 

Right mouse menu -&gt; Preferences -&gt; Environment... -&gt; ScreenMode  - Linkages for Synch (to Slave) usbmidi.out.0 and Send (Master) usbmidi.in.0 - Clock MTC 


'''Tracks'''

#Double-click on B&amp;P's icon. B&amp;P will then open with an empty Song. You can also double-click on a song icon to open a song in B&amp;P.
#Choose a track. The B&amp;P screen will contain a Tracks Window with a number of tracks shown as pipelines (Track 1, Track 2, etc...). To choose a track, simply click on the gray box to show an arrow-icon to highlight it. This icon show whether a track is chosen or not. To the right of the arrow-icon, you can see the icon for the midi-input. If you double-click on this icon you can change the MIDI-in setup.
#Choose Record for the track. To the right of the MIDI-input channel icon you can see a pipe. This leads to another clickable icon with that shows either P, R or M. This stands for Play, Record or Merge. To change the icon, simply click on it. If you choose P, this track can only play the track (you can't record anything). If you choose R, you can record what you play and it overwrites old stuff in the track. If you choose M, you merge new records with old stuff in the track. Choose R now to be able to make a record.
#Chose MIDI-channel. On the most right part of the track you can see an icon with a number in it. This is the MIDI-channel selector. Here you must choose a MIDI-channel that is available on your synthesizer/keyboard. If you choose General MIDI channel 10, most synthesizer will play drum sounds. To the left of this icon is the MIDI-output icon. Double-click on this icon to change the MIDI-output configuration.
#Start recording. The next step is to start recording. You must then find the control buttons (they look like buttons on a CD-player). To be able to make a record. you must click on the R icon. You can simply now press the play button (after you have pressed the R button) and play something on you keyboard. To playback your composition, press the Play button on the control panel.
#Edit track. To edit a track, you simply double click in the middle part of a track. You will then get a new window containing the track, where you can change what you have recorded using tools provided. Take also a look in the drop-down menus for more features.


Videos to help understand [https://www.youtube.com/watch?v=A6gVTX-9900 small intro], [https://www.youtube.com/watch?v=abq_rUTiSA4&amp;t=3s Overview], [https://www.youtube.com/watch?v=ixOVutKsYQo Workplace Setup CC PC Sysex], [https://www.youtube.com/watch?v=dDnJLYPaZTs Import Song], [https://www.youtube.com/watch?v=BC3kkzPLkv4 Tempo Mapping], [https://www.youtube.com/watch?v=sd23kqMYPDs ptool Arpeggi-8], [https://www.youtube.com/watch?v=LDJq-YxgwQg  PlayMidi Song], [https://www.youtube.com/watch?v=DY9Pu5P9TaU Amiga Midi], [https://www.youtube.com/watch?v=abq_rUTiSA4 Learning Amiga bars and Pipes], 

Groups like [https://groups.io/g/barsnpipes/topics this] could help 


'''Tracks window'''

* blue &quot;1 2 3 4 5 6 7 8 Group&quot; and transport tape deck VCR-type controls
* Flags 
* [http://theproblem.alco-rhythm.com/org/bp.html Track 1, Track2, to Track 16, on each Track there are many options that can be activated] 

Each Track has a 

*Left LHS  - Click in grey box to select what Track to work on, Midi-In ptool icon should be here (5pin plug icon), and many more from the Toolbox on the Input Pipeline 
*Middle    - (P, R, M) Play, Record, Merge/Multi before the sequencer line and a blue/red/yellow (Thru Mute Play) Tap 
*Right RHS - Output pipeline, can have icons placed uopn it with the final ptool icon(s) being the 5pin icon symbol for Midi-OUT 

Clogged pipelines may need Esc pressed several times 


'''Toolbox (tools affect the chosen pipeline)'''

After opening the Toolbox window you can add extra Tools (.ptool) for the pipelines like keyboard(virtual), midimonitor, quick patch, transpose, triad, (un)quantize, feedback in/out, velocity etc
 right mouse -&gt; Toolbox menu option -&gt; Install Tool... and navigate to Tool drawer (folder) and select requried .ptool 

Accompany B tool to get some sort of rythmic accompaniment, Rythm Section and Groove Quantize are examples of other tools that make use of rythms
[https://aminet.net/search?query=bars Bars &amp; Pipes pattern format .ptrn] for drawer (folder). Load from the Menu as Track or Group 


'''Accessories (affect the whole app)''' 

Accessories -&gt; Install... and goto the Accessories drawer for .paccess like adding ARexx scripting support 


'''Song Construction'''
&lt;pre&gt;
F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Duplicator 
F5  Eraser 
F6  Toolpad 
F7  Bounding box 
F8  Lock to A-B-A 

A-B-A strip, section, edit flags, white boxes, 

&lt;/pre&gt;


Bars&amp;Pipes Professional offers three track formats; basic song tracks, linear tracks — which don't loop — and finally real‑time tracks. The difference between them is that both song and linear tracks respond to tempo changes, while real‑time tracks use absolute timing, always trigger at the same instant regardless of tempo alterations 

'''Tempo Map'''

F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Eraser 
F5  Curve 
F6  Toolpad 


Compositions

Lyrics, Key, Rhythm, Time Signature 

'''Master Parameters'''

Key, Scale/Mode

'''Track Parameters'''

Dynamics 


'''Time-line Scoring'''


'''Media Madness'''


'''Mix Maestro'''


*ACCESSORIES         Allows the importation of other packages and additional modules 
*CLIPBOARD           Full cut, copy and paste operations, enabling user‑definable clips to be shared between tracks.
*INFORMATION         A complete rundown on the state of the current production and your machine.
*MASTER PARAMETERS   Enables global definition of time signatures, lyrics, scales, chords, dynamics and rhythm changes.
*MEDIA MADNESS       A complete multimedia sequencer which allows samples, stills, animation, etc 
*METRONOME           Tempo feedback via MIDI, internal Amiga audio and colour cycling — all three can be mixed and matched as required.
*MIX MAESTRO         Completely automated mixdown with control for both volume and pan. All fader alterations are memorised by the software 
*RECORD ACTIVATION   Complete specification of the data to be recorded/merged. Allows overdubbing of pitch‑bend, program changes, modulation etc
*SET FLAGS           Numeric positioning of location and edit flags in either SMPTE or musical time 
*SONG CONSTRUCTION   Large‑scale cut and paste of individual measures, verses or chorus, by means of bounding box and drag‑n‑drop mouse selections
*TEMPO MAP           Tempo change using a variety of linear and non‑linear transition curves 
*TEMPO PALETTE       Instant tempo changes courtesy of four user‑definable settings.
*TIMELINE SCORING    Sequencing of a selection of songs over a defined period — ideal for planning an entire set for a live performance.
*TOOLBOX             Selection screen for the hundreds of signal‑processing tools available 
*TRACKS              Opens the main track window to enable recording, editing and the use of tools.
*TRANSPORT           Main playback control window, which also provides access to user‑ defined flags, loop and punch‑in record modes.


Bars and Pipes Pro 2.5 is using internal 4-Byte IDs, to check which kind of data are currently processed.
Especially in all its files the IDs play an important role. The IDs are stored into the file in the same order they are laid out in the memory.

In a Bars 'N' Pipes file (no matter which kind) the ID &quot;NAME&quot; (saved as its ANSI-values) is stored on a big endian system (68k-computer) as &quot;NAME&quot;. On a little endian system (x86 PC computer) as &quot;EMAN&quot;.  The target is to make the AROS-BnP compatible to songs, which were stored on a 68k computer (AMIGA).

If possible, setting MIDI channels for Local Control for your keyboard 

http://www.fromwithin.com/liquidmidi/archive.shtml


MIDI files are essentially a stream of event data. An event can be many things, but typically &quot;note on&quot;, &quot;note off&quot;, &quot;program change&quot;, &quot;controller change&quot;, or messages that instruct a MIDI compatible synth how to play a given bit of music.

* Channel     - 1 to 16 -
* Messages    - PC presets, CC effects like delays, reverbs,  etc 
* Sequencing  - MIDI instruments, Drums, Sound design, 
* Recording   - 
* GUI         - Piano roll or Tracker, Staves and Notes 

MIDI events/messages like step entry e.g. Note On, Note Off 

MIDI events/messages like PB, PC, CC, Mono and Poly After-Touch, Sysex, etc 

MIDI sync - Midi Clocks (SPS Measures), Midi Time Code (h, m, s and frames) SMPTE 

Individual track editing with audition edits so easier to test any changes. Possible to stop track playback, mix clips from the right edit flag and scroll the display using arrow keys. 

Step entry, to extend a selected note hit the space bar and the note grows accordingly. Ability to cancel mouse‑driven edits by simply clicking the right mouse button — at which point everything snaps back into its original form. Lyrics can now be put in with syllable dividers, even across an entire measure or section. Autoranging when you open a edit window, the notes are automatically displayed — working from the lowest upwards. 

Flag editing, shift‑click on a flag immediately open the bounds window, ready for numeric input. Ability to cancel edits using the right‑hand mouse button, plus much improved Bounding Box operations.

Icons other than the BarsnPipes icon -&gt; PUBSCREEN=BarsnPipes (cannot choose modes higher than 8bit 256 colors)

Preferences -&gt; Menu in Tracks window - Send MIDI defaults OFF 

Prefs -&gt; Environment -&gt; screenmode (saved to BarsnPipes.prefs binary file) 

Customization -&gt; pics in gui drawer (folder) - 


Can save as .song files and .mid General Midi 

SMF is a “Standard Midi File”  ([http://www.music.mcgill.ca/~ich/classes/mumt306/StandardMIDIfileformat.html SMF0, SMF1 and SMF2]), [https://github.com/stump/libsmf libsmf], [https://github.com/markc/midicomp MIDIcomp], [https://github.com/MajicDesigns/MD_MIDIFile C++ src], [], [https://github.com/newdigate/midi-smf-reader Midi player], 

* SMF0        All MIDI data is stored in one track only, separated exclusively by the MIDI channel.
* SMF1        The MIDI data is stored in separate tracks/channels.
* SMF2 (rarely used) The MIDI data is stored in separate tracks, which are additionally wrapped in containers, so it's possible to have e.g. several tracks using the same MIDI channels.


Would it be possible to enrich Bars N’Pipes with software synth and sample support along with audio recording and mastering tools like in the named MAC or PC music sequencers?
On the classic AMIGA-OS this is not possible because of missing CPU-power. The hardware of the classic AMIGA is not further developed. So we must say (unfortunately) that those dreams can’t become reality

BarsnPipes is best used with external MIDI-equipment. This can be a keyboard or synthesizer with MIDI-connectors. 

&lt;pre&gt;
MIDI can control 16 channels 
There are USB-MIDI-Interfaces on the market with 16 independent MIDI-lines (multi-port), which can handle 16 MIDI devices independently – 16×16 = 256 independent MIDI-channels or instruments 
handle up to 16 different USB-MIDI-Interfaces (multi-device). That is: 16X16X16 = 4096 independent MIDI-channels – theoretically 
&lt;/pre&gt;

&lt;pre&gt;
Librarian MIDI SYStem EXplorer (sysex) - PatchEditor and used to be supplied as a separate program like PatchMeister but currently not at present 
It should support MIDI.library (PD), BlueRibbon.library (B&amp;P), TriplePlayPlus, and CAMD.library (DeluxeMusic) and 
MIDI information from a device's user manual and configure a custom interface to access parameters for all MIDI products connected to the system 
Supports ALL MIDI events and the Patch/Librarian data is stored in MIDI standard format 
Annette M.Crowling, Missing Link Software, Inc.
&lt;/pre&gt;


Composers
&lt;pre&gt;
[https://x.com/hirasawa/status/1403686519899054086 Susumu Hirasawa] 

&lt;/pre&gt;


&lt;pre&gt;
1988 Todor Fay and his wife Melissa Jordan Gray, who founded the Blue Ribbon Inc
1992 Bars&amp;Pipes Pro published 
November 2000, Todor Fay announcement to release the sourcecode of Bars&amp;Pipes Pro 2.5c beta
end of May 2001, the source of the main program and the sources of some tools and accessories were in a complete and compileable state 
end of October 2009 stop further development of BarsnPipes New for now on all supported systems and made freeware 
2013 Alfred Faust diagnosed with incureable illness, called „Myastenia gravis“ (weak muscles) 
&lt;/pre&gt;


 Protrekkr

How to use Midi In/Out in Protrekkr ?

First of all, midi in &amp; out capabilities of this program are rather limited.

# Go to Misc. Setup section and select a midi in or out device to use (ptk only supports one device at a time).
# Go to instrument section, and select a MIDI PRG (the default is N/A, which means no midi program selected).
# Go to track section and here you can assign a midi channel to each track of ptk.
# Play notes :]. Note off works. F'x' note cut command also works too, and note-volume command (speed) is supported.

Also, you can change midicontrollers in the tracker, using '90' in the panning row:

&lt;pre&gt;
    C-3 02 .. .. 0000....


    --- .. .. 90 xxyy.... &lt;&lt; This will set the value 
    --- .. .. .. 0000....    of the controller n.'xx' to 'yy' (both in hex)
    --- .. .. .. 0000....
&lt;/pre&gt;

So &quot;--- .. .. 90 2040....&quot; will set the controller number $20(32) to $40(64).

You will need the midi implementation table of your gear to know what you can change with midi controller messages.

 N.B. Not all MIDI devices are created equal!

Although the MIDI specification defines a large range of MIDI messages of various kinds, not every MIDI device is required to work in exactly the same way and respond to all the available messages and ways of working. For example, we don't expect a wind synthesiser to work in the same way as a home keyboard.

Some devices, the older ones perhaps, are only able to respond to a single channel. With some of those devices that channel can be altered from the default of 1 (probably) to another channel of the 16 possible.

Other devices, for instance monophonic synthesisers, are capable of producing just one note at a time, on one MIDI channel. Others can produce many notes spread across many channels.

Further devices can respond to, and transmit, &quot;breath controller&quot; data (MIDI controller number 2 (CC#2)) others may respond to the reception of CC#2 but not be able to create and to send it.

A controller keyboard may be capable of sending &quot;expression pedal&quot; data, but another device may not be capable of responding to that message.

Some devices just have the basic GM sound set. The &quot;voice&quot; or &quot;instrument&quot; is selected using a &quot;Program Change&quot; message on its own.

Other devices have a greater selection of voices, usually arranged in &quot;banks&quot;, and the choice of instrument is made by responding to &quot;Bank Select MSB&quot; (MIDI controller 0 (CC#0)), others use &quot;Bank Select LSB&quot; (MIDI controller number 32 (CC#32)), yet others use both MSB and LSB sent one after the other, all followed by the Program Change message. The detailed information about all the different voices will usually be available in a published MIDI Data List.


 MIDI Implementation Chart

But in the User Manual there is sometimes a summary of how the device works, in terms of MIDI, in the chart at the back of the manual, the MIDI Implementation Chart.

If you require two devices to work together you can compare the two implementation charts to see if they are &quot;compatible&quot;. In order to do this we will need to interpret that chart.

The chart is divided into four columns headed &quot;Function&quot;, &quot;Transmitted&quot; (or &quot;Tx&quot;), &quot;Received&quot; (or &quot;Rx&quot;), or more correctly &quot;Recognised&quot;, and finally, &quot;Remarks&quot;.

&lt;pre&gt;
The left hand column defines which MIDI functions are being described.
The 2nd column defines what the device in question is capable of transmitting to another device.
The 3rd column defines what the device is capable of responding to.
The 4th column is for explanations of the values contained within these previous two columns.
&lt;/pre&gt;

There should then be twelve sections, with possibly a thirteenth containing extra &quot;Notes&quot;. Finally there should be an explanation of the four MIDI &quot;modes&quot; and what the &quot;X&quot; and the &quot;O&quot; mean.
&lt;pre&gt;
Mode 1: Omni On, Poly; 
Mode 2: Omni On, Mono; 
Mode 3: Omni Off, Poly; 
Mode 4: Omni Off, Mono.
&lt;/pre&gt;
O means &quot;yes&quot; (implemented), X means &quot;no&quot; (not implemented).

Sometimes you will find a row of asterisks &quot;**************&quot;, these seem to indicate that the data is not applicable in this case. Seen in the transmitted field only (unless you've seen otherwise).

Lastly you may find against some entries an asterisk followed by a number e.g. *1, these will refer you to further information, often on a following page, giving more detail.

Basic Channel
But the very first set of boxes will tell us the &quot;Basic Channel(s)&quot; that the device sends or receives on. 
&quot;Default&quot; is what happens when the device is first turned on, &quot;changed&quot; is what a switch of some kind may allow the device to be set to. 
For many devices e.g. a GM sound module or a home keyboard, this would be 1-16 for both. That is it can handle sending and receiving on all MIDI channels.

On other devices, for example a synthesiser, it may by default only work on channel 1. But the keyboard could be &quot;split&quot; with the lower notes e.g. on channel 2. If the synth has an arppegiator, this may be able to be set to transmit and or receive on yet another channel.
So we might see the default as &quot;1&quot; but the changed as &quot;1-16&quot;.

Modes.
We need to understand Omni On and Off, and Mono and Poly, then we can decipher the four modes.

But first we need to understand that any of these four Mode messages can be sent to any MIDI channel. They don't necessarily apply to the whole device.

If we send an &quot;Omni On&quot; message (CC#125) to a MIDI channel of a device, we are, in effect, asking it to respond to e.g. a Note On / Off message pair, received on any of the sixteen channels. Sound strange? Read it again. Still strange? It certainly is. We normally want a MIDI channel to respond only to Note On / Off messages sent on that channel, not any other. In other words, &quot;Omni Off&quot;.

So &quot;Omni Off&quot; (CC#124) tells a channel of our MIDI device to respond only to messages sent on that MIDI channel.

&quot;Poly&quot; (CC#127) is for e.g. a channel of a polyphonic sound module, or a home keyboard, to be able to respond to many simultaneous Note On / Off message pairs at once and produce musical chords.

&quot;Mono&quot; (CC#126) allows us to set a channel to respond as if it were e.g. a flute or a trumpet, playing just one note at a time. If the device is capable of it, then the overlapping of notes will produce legato playing, that is the attack portion of the second note of two overlapping notes will be removed resulting in a &quot;smoother&quot; transition.

So a channel with a piano voice assigned to it will have Omni Off, Poly On (Mode 3), a channel with a saxophone voice assigned could be Omni Off, Mono On (Mode 4).

We call these combinations the four modes, 1 to 4, as defined above. 
Most modern devices will have their channels set to Mode 3 (Omni Off, Poly) but be switchable, on a per channel basis, to Mode 4 (Omni Off, Mono).

This second section of data will include first its default value i.e. upon device switch on. Then what Mode messages are acceptable, or X if none.

Finally, in the &quot;Altered&quot; field, how a Mode message that can't be implemented will be interpreted. Usually there will just be a row of asterisks effectively meaning nothing will be done if you try to switch to an unimplemented mode.

Note Number
&lt;pre&gt;
The next row will tell us which MIDI notes the device can send or receive, normally 0-127.
The second line, &quot;True Voice&quot; has the following in the MIDI specification: 
&quot;Range of received note numbers falling within the range of true notes produced by the instrument.&quot;
My interpretation is that, for instance, a MIDI piano may be capable of sending all MIDI notes (0 to 127) by transposition, but only responding to the 88 notes (21 to 108) of a real piano. 
&lt;/pre&gt;

Velocity
This will tell us whether the device we're looking at will handle note velocity, and what range from 1-127, or maybe just 64, it transmits or will recognise. So usually &quot;O&quot; plus a range or &quot;X&quot; for not implemented.

After touch
This may have one or two lines two it.
If a one liner the either &quot;O&quot; or &quot;X&quot;, yes or no.
If a two liner then it may include &quot;Keys&quot; or &quot;Poly&quot; and &quot;Channel&quot;.
This will show whether the device will respond to Polyphonic after touch or channel after touch or neither.

Pitch Bend
Again &quot;O&quot; for implemented, &quot;X&quot; for not implemented.
(Many stage pianos will have no pitch bend capability.)
It may also, in the notes section, state whether it will respond to the full 14 bits, or not, as usually encoded by the pitch bend wheel.

Control Change
This is likely to be the largest section of the chart.
It will list all those controllers, starting from CC#0, Bank Select MSB, which the device is capable of sending, and those that it will respond to using &quot;O&quot; or &quot;X&quot; respectively.
You will, almost certainly, get some further explanation of functionality in the remarks column, or in more detail elsewhere in the documentation.

Of course you will need to know what all the various controller numbers do. Lots of the official technical specifications can be found at the [www.midi.org/techspecs/ MMA], with the table of messages and control change [www.midi.org/techspecs/midimessages.php message numbers]

Program Change
Again &quot;O&quot; or &quot;X&quot; in the Transmitted or Recognised column to indicate whether or not the feature is implemented. In addition a range of numbers is shown, typically 0-127, to show what is available.
True # (number): &quot;The range of the program change numbers which correspond to the actual number of patches selected.&quot;

System Exclusive
Used to indicate whether or not the device can send or recognise System Exclusive messages. A short description is often given in the Remarks field followed by a detailed explanation elsewhere in the documentation.

System Common - These include the following:
&lt;pre&gt;
MIDI Time Code Quarter Frame messages (device synchronisation).
Song Position Pointer
Song Select
Tune Request
&lt;/pre&gt;
The section will indicate whether or not the device can send or respond to any of these messages.

System Real Time
These include the following:
&lt;pre&gt;
Timing Clock - often just written as &quot;Clock&quot;
Start
Stop
Continue
&lt;/pre&gt;
These three are usually just referred to as &quot;Commands&quot; and listed.
Again the section will indicate which, if any, of these messages the device can send or respond to.
&lt;pre&gt;
Aux. Messages
Again &quot;O&quot; or &quot;X&quot; for implemented or not.
Aux. = Auxiliary.
Active Sense = Active Sensing.
&lt;/pre&gt;
Often with an explanation of the action of the device.

Notes
The &quot;Notes&quot; section can contain any additional comments to clarify the particular implementation.

Some of the explanations have been drawn directly from the MMA MIDI 1.0 Detailed Specification.
And the detailed explanation of some of the functions will be found there, or in the General MIDI System Level 1 or General MIDI System Level 2 documents also published by the MMA.


 OFFICIAL MIDI SPECIFICATIONS

SUMMARY OF MIDI MESSAGES
Table 1 - Summary of MIDI Messages

The following table lists the major MIDI messages in numerical (binary) order (adapted from &quot;MIDI by the Numbers&quot; by D. Valenti, Electronic Musician 2/88, and updated by the MIDI Manufacturers Association.). This table is intended as an overview of MIDI, and is by no means complete.

WARNING! Details about implementing these messages can dramatically impact compatibility with other products. We strongly recommend consulting the official MIDI Specifications for additional information.

MIDI 1.0 Specification

Message Summary Channel Voice Messages [nnnn = 0-15 (MIDI Channel Number 1-16)]

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1000nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note Off event. 
This message is sent when a note is released (ended). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1001nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note On event. 
This message is sent when a note is depressed (start). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1010nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Polyphonic Key Pressure (Aftertouch). 
This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. (kkkkkkk) is the key (note) number. (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Control Change. 
This message is sent when a controller value changes. Controllers include devices such as pedals and levers. Controller numbers 120-127 are reserved as &quot;Channel Mode Messages&quot; (below). (ccccccc) is the controller number (0-119). (vvvvvvv) is the controller value (0-127).
|-
|&lt;!--Status--&gt;1100nnnn || &lt;!--Data--&gt;0ppppppp || &lt;!--Description--&gt;Program Change. This message sent when the patch number changes. (ppppppp) is the new program number.
|-
|&lt;!--Status--&gt;1101nnnn || &lt;!--Data--&gt;0vvvvvvv || &lt;!--Description--&gt;Channel Pressure (After-touch). This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. This message is different from polyphonic after-touch. Use this message to send the single greatest pressure value (of all the current depressed keys). (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1110nnnn || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Pitch Bend Change. This message is sent to indicate a change in the pitch bender (wheel or lever, typically). The pitch bender is measured by a fourteen bit value. Center (no pitch change) is 2000H. Sensitivity is a function of the receiver, but may be set using RPN 0. (lllllll) are the least significant 7 bits. (mmmmmmm) are the most significant 7 bits.
|}

Channel Mode Messages (See also Control Change, above)

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Channel Mode Messages. 
This the same code as the Control Change (above), but implements Mode control and special message by using reserved controller numbers 120-127. The commands are:
*All Sound Off. When All Sound Off is received all oscillators will turn off, and their volume envelopes are set to zero as soon as possible c = 120, v = 0: All Sound Off
*Reset All Controllers. When Reset All Controllers is received, all controller values are reset to their default values. (See specific Recommended Practices for defaults) c = 121, v = x: Value must only be zero unless otherwise allowed in a specific Recommended Practice.
*Local Control. When Local Control is Off, all devices on a given channel will respond only to data received over MIDI. Played data, etc. will be ignored. Local Control On restores the functions of the normal controllers. 
c = 122, v = 0: Local Control Off
c = 122, v = 127: Local Control On
* All Notes Off. When an All Notes Off is received, all oscillators will turn off. 
c = 123, v = 0: All Notes Off (See text for description of actual mode commands.)
c = 124, v = 0: Omni Mode Off 
c = 125, v = 0: Omni Mode On 
c = 126, v = M: Mono Mode On (Poly Off) where M is the number of channels (Omni Off) or 0 (Omni On) 
c = 127, v = 0: Poly Mode On (Mono Off) (Note: These four messages also cause All Notes Off)
|}

System Common Messages

System Messages (0xF0)

The final status nybble is a “catch all” for data that doesn’t fit the other statuses. They all use the most significant nybble (4bits) of 0xF, with the least significant nybble indicating the specific category.

The messages are denoted when the MSB of the second nybble is 1. When that bit is a 0, the messages fall into two other subcategories.

System Common

If the MSB of the second second nybble (4 bits) is not set, this indicates a System Common message. Most of these are messages that include some additional data bytes.

System Common Messages
Type Status Byte   Number of Data Bytes      Usage 
&lt;pre&gt;
Time Code Quarter Frame	0xF1	1	Indicates timing using absolute time code, primarily for synthronization with video playback systems. A single location requires eight messages to send the location in an encoded hours:minutes:seconds:frames format*.
Song Position	0xF2	2	Instructs a sequencer to jump to a new position in the song. The data bytes form a 14-bit value that expresses the location as the number of sixteenth notes from the start of the song.
Song Select	0xF3	1	Instructs a sequencer to select a new song. The data byte indicates the song.
Undefined	0xF4	0	
Undefined	0xF5	0	
Tune Request	0xF6	0	Requests that the receiver retunes itself**.
&lt;/pre&gt;
*MIDI Time Code (MTC) is significantly complex. Please see the MIDI Specification
**While modern digital instruments are good at staying in tune, older analog synthesizers were prone to tuning drift. Some analog synthesizers had an automatic tuning operation that could be initiated with this command.


System Exclusive

If you’ve been keeping track, you’ll notice there are two status bytes not yet defined: 0xf0 and 0xf7. These are used by the System Exclusive message, often abbreviated at SysEx. SysEx provides a path to send arbitrary data over a MIDI connection. There is a group of predefined messages for complex data, like fine grained control of MIDI Time code machinery. SysEx is also used to send manufacturer defined data, such as patches, or even firmware updates.

System Exclusive messages are longer than other MIDI messages, and can be any length. The messages are of the following format:

0xF0, 0xID, 0xdd, ...... 0xF7
The message is bookended with distinct bytes.

It opens with the Start Of Exclusive (SOX) data byte, 0xF0.
The next one to three bytes after the start are an identifier.
Values from 0x01 to 0x7C are one-byte vendor IDs, assigned to manufacturers who were involved with MIDI at the beginning.
If the ID is 0x00, it’s a three-byte vendor ID - the next two bytes of the message are the value.
&lt;pre&gt;
ID 0x7D is a placeholder for non-commercial entities.
ID 0x7E indicates a predefined Non-realtime SysEx message.
ID 0x7F indicates a predefined Realtime SysEx message.
&lt;/pre&gt;
After the ID is the data payload, sent as a stream of bytes.
The transfer concludes with the End of Exclusive (EOX) byte, 0xF7.
The payload data must follow the guidelines for MIDI data bytes – the MSB must not be set, so only 7 bits per byte are actually usable. If the MSB is set, it falls into three possible scenarios.

An End of Exclusive byte marks the ordinary termination of the SysEx transfer.
System Real Time messages may occur within the transfer without interrupting it. The recipient should handle them independently of the SysEx transfer.
Other status bytes implicitly terminate the SysEx transfer and signal the start of new messages.
 Some inexpensive USB-to-MIDI interfaces aren’t capable of handling messages longer than four bytes.

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11110000 || &lt;!--Data--&gt;0iiiiiii [0iiiiiii 0iiiiiii]  0ddddddd  --- --- 0ddddddd 11110111 || &lt;!--Description--&gt;System Exclusive. 
This message type allows manufacturers to create their own messages (such as bulk dumps, patch parameters, and other non-spec data) and provides a mechanism for creating additional MIDI Specification messages. The Manufacturer's ID code (assigned by MMA or AMEI) is either 1 byte (0iiiiiii) or 3 bytes (0iiiiiii 0iiiiiii 0iiiiiii). Two of the 1 Byte IDs are reserved for extensions called Universal Exclusive Messages, which are not manufacturer-specific. If a device recognizes the ID code as its own (or as a supported Universal message) it will listen to the rest of the message (0ddddddd). Otherwise, the message will be ignored. (Note: Only Real-Time messages may be interleaved with a System Exclusive.)
|-
|&lt;!--Status--&gt;11110001 || &lt;!--Data--&gt;0nnndddd || &lt;!--Description--&gt;MIDI Time Code Quarter Frame.
nnn = Message Type
dddd = Values
|-
|&lt;!--Status--&gt;11110010 || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Song Position Pointer. 
This is an internal 14 bit register that holds the number of MIDI beats (1 beat= six MIDI clocks) since the start of the song. l is the LSB, m the MSB.
|-
|&lt;!--Status--&gt;11110011 || &lt;!--Data--&gt;0sssssss || &lt;!--Description--&gt;Song Select. 
The Song Select specifies which sequence or song is to be played.
|-
|&lt;!--Status--&gt;11110100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Tune Request. Upon receiving a Tune Request, all analog synthesizers should tune their oscillators.
|-
|&lt;!--Status--&gt;11110111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;End of Exclusive. Used to terminate a System Exclusive dump. 
|}


System Real-Time Messages

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11111000 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Timing Clock. Sent 24 times per quarter note when synchronization is required.
|-
|&lt;!--Status--&gt;11111001 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111010 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Start. Start the current sequence playing. (This message will be followed with Timing Clocks).
|-
|&lt;!--Status--&gt;11111011 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Continue. Continue at the point the sequence was Stopped.
|-
|&lt;!--Status--&gt;11111100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Stop. Stop the current sequence.
|-
|&lt;!--Status--&gt;11111101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Active Sensing. This message is intended to be sent repeatedly to tell the receiver that a connection is alive. Use of this message is optional. When initially received, the receiver will expect to receive another Active Sensing message each 300ms (max), and if it does not then it will assume that the connection has been terminated. At termination, the receiver will turn off all voices and return to normal (non- active sensing) operation. 
|-
|&lt;!--Status--&gt;11111111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Reset. Reset all receivers in the system to power-up status. This should be used sparingly, preferably under manual control. In particular, it should not be sent on power-up.
|}


Advanced Messages

Polyphonic Pressure (0xA0) and Channel Pressure (0xD0)

Some MIDI controllers include a feature known as Aftertouch. While a key is being held down, the player can press harder on the key. The controller measures this, and converts it into MIDI messages.

Aftertouch comes in two flavors, with two different status messages.

The first flavor is polyphonic aftertouch, where every key on the controller is capable of sending its own independent pressure information. The messages are of the following format:
&lt;pre&gt;
0xnc, 0xkk, 0xpp
n is the status (0xA)
c is the channel nybble
kk is the key number (0 to 127)
pp is the pressure value (0 to 127)
&lt;/pre&gt;
Polyphonic aftertouch is an uncommon feature, usually found on premium quality instruments, because every key requires a separate pressure sensor, plus the circuitry to read them all.

Much more commonly found is channel aftertouch. Instead of needing a discrete sensor per key, it uses a single, larger sensor to measure pressure on all of the keys as a group. The messages omit the key number, leaving a two-byte format
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xD)
c is the channel number
pp is the pressure value (0 to 127)
&lt;/pre&gt;

Pitch Bend (0xE0)

Many keyboards have a wheel or lever towards the left of the keys for pitch bend control. This control is usually spring-loaded, so it snaps back to the center of its range when released. This allows for both upward and downward bends.

Pitch Bend Wheel

The wheel sends pitch bend messages, of the format
&lt;pre&gt;
0xnc, 0xLL, 0xMM
n is the status (0xE)
c is the channel number
LL is the 7 least-significant bits of the value
MM is the 7 most-significant bits of the value
&lt;/pre&gt;
You’ll notice that the bender data is actually 14 bits long, transmitted as two 7-bit data bytes. This means that the recipient needs to reassemble those bytes using binary manipulation. 14 bits results in an overall range of 214, or 0 to 16,383. Because it defaults to the center of the range, the default value for the bender is halfway through that range, at 8192 (0x2000).

Control Change (0xB0)

In addition to pitch bend, MIDI has provisions for a wider range of expressive controls, sometimes known as continuous controllers, often abbreviated CC. These are transmitted by the remaining knobs and sliders on the keyboard controller shown below.


Continuous Controllers

These controls send the following message format:
&lt;pre&gt;
0xnc, 0xcc, 0xvv
n is the status (0xB)
c is the MIDI channel
cc is the controller number (0-127)
vv is the controller value (0-127)
&lt;/pre&gt;

Typically, the wheel next to the bender sends controller number one, assigned to modulation (or vibrato) depth. It is implemented by most instruments.

The remaining controller number assignments are another point of confusion. The MIDI specification was revised in version 2.0 to assign uses for many of the controllers. However, this implementation is not universal, and there are ranges of unassigned controllers.

On many modern MIDI devices, the controllers are assignable. On the controller keyboard shown in the photos, the various controls can be configured to transmit different controller numbers. Controller numbers can be mapped to particular parameters. Virtual synthesizers frequently allow the user to assign CCs to the on-screen controls. This is very flexible, but it might require configuration on both ends of the link and completely bypasses the assignments in the standard.


Program Change (0xC0)

Most synthesizers have patch storage memory, and can be told to change patches using the following command:
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xc)
c is the channel
pp is the patch number (0-127)
&lt;/pre&gt;
This allows for 128 sounds to be selected, but modern instruments contain many more than 128 patches. Controller #0 is used as an additional layer of addressing, interpreted as a “bank select” command. Selecting a sound on such an instrument might involve two messages: a bank select controller message, then a program change.

Audio &amp; Midi are not synchronized, what I can do ?
Buy a commercial software package but there is a nasty trick to synchronize both. It's a bit hardcore but works for me:

 Simply put one line down to all midi notes on your pattern (use Insert key)
 and go to 'Misc. Setup', adjust the latency and just search a value
 that will make sound sync both audio/midi.

The stock Sin/Saw/Pulse and Rnd waveforms are too simple/common, is there a way to use something more complex/rich ?
You have to ability to redirect the waveforms of the instruments through the synth pipe by selecting the &quot;wav&quot; option for the oscillator you're using for this synth instrument, samples can be used as wavetables to replace the stock signals.


Sound banks like soundfont (sf2) or Kontakt2 are not supported at the moment


====DAW Audio Evolution 4====

Audio Evolution 4 gives you unsurpassed power for digital audio recording and editing on the Amiga. The latest release focusses on time-saving non-linear and non-destructive editing, as seen on other platforms. Besides editing, Audio Evolution 4 offers a wide range of realtime effects, including compression, noise gate, delays, reverb, chorus and 3-band EQ.

Whether you put them as inserts on a channel or use them as auxillaries, the effect parameters are realtime adjustable and can be fully automated. Together with all other mixing parameters, they can even be controlled remotely, using more ergonomic MIDI hardware.

Non-linear editing on the time line, including cut, copy, paste, move, split, trim and crossfade actions

The number of tracks per project(s) is unlimited .... AHI limits you to recording only two at a time. i.e. not on 8 track sound cards like the Juli@ or Phase 88.

sample file import is limited to 16bit AIFF (not AIFC, important distinction as some files from other sources can be AIFC with aiff file extention). and 16bit WAV (pcm only)


Most apps use the Music Unit only but a few apps also use Unit (0-3) instead or as well. 
* Set up AHI prefs so that microphone is available. (Input option near the bottom)


stereo++ allows the audio piece to be placed anywhere and the left-right adjusted to sound positionally right

hifi best for music playback if driver supports this option


Load 16bit .aif .aiff only sample(s) to use not AIFC which can have the same ending. AIFF stands for Audio Interchange File Format 

 sox recital.wav recital.aiff

 sox recital.wav −b 16 recital.aiff channels 1 rate 16k fade 3 norm
 sox input.wav        output.aiff bass −b 16 rate 48k

performs the same format translation, but also applies four effects (down-mix to one channel, sample rate change, fade-in, nomalize), and stores the result at a bit-depth of 16.

 rec −c 2 radio.aiff trim 0 30:00

records half an hour of stereo audio 

 play existing-file.wav


24bit PCM WAV or AIFF do not work 

*No stream format handling. So no way to pass on an AC3 encoded stream unmodified to the digital outputs through AHI.
*No master volume handling. Each application has to set its own volume. So each driver implements its own custom driver-mixer interface for handling master volumes, mute and preamps.
*Only one output stream. So all input gets mixed into one output.
*No automatic handling of output direction based on connected cables.
*No monitor input selection. Only monitor volume control. 


select the correct input (Don't mistake enabled sound for the correct input.)
The monitor will feedback audio to the lineout and hp out no matter if you have selected the correct input to the ADC. The monitor will provide sound for any valid input. This will result in free mixing when recording from the monitor input instead of mic/line because the monitor itself will provide the hardware mixing for you. Be aware that MIC inputs will give two channel mono. Only Linein will give real stereo.

Now for the not working part. Attempt to record from linein in the AE4 record window, the right channel is noise and the left channel is distorted. Even with the recommended HIFI 16bit Stereo++ mode at 48kHz.


Channels

Monitor

Gain

Inout

Output

Advanced settings - Debugging via serial port


* Options -&gt; Soundcard In/Out
* Options -&gt; SampleRate
* Options -&gt; Preferences

F6 for Sample File List

Setting a grid is easy as is measuring the BPM by marking a section of the sample. Is your kick drum track &quot;not in time&quot; ? If so, you're stumped in AE4 as it has no fancy variable time signatures and definitely no 'track this dodgy rhythm' function like software of the nature of Logic has. So if your drum beat is freeform you will need to work in freeform mode. (Real music is free form anyway).

If the drum *is* accurate and you are just having trouble measuring the time, I usually measure over a range of bars and set the number of beats in range to say 16 as this is more accurate, Then you will need to shift the drum track to match your grid *before* applying the grid. (probably an iterative process as when the grid is active samples snap to it, and when inactive you cannot see it).

AE4 does have ARexx but the functions are more for adding samples at set offsets and starting playback / recording.


These are the usual features found in DAWs...

* Recording digital audio, midi sequencer and mixer 
* virtual VST instruments and plug-ins 
* automation, group channels, MIDI channels, FX sends and returns, audio and MIDI editors and music notation editor


* different track views 
* mixer and track layout (but not the same as below) 
* traditional two windows (track and mixer)


Mixing - mixdown

Could not figure out how to select what part I wanted to send to the aux, set it to echo and return. Pretty much the whole echo effect. Or any effect.

Take look at page17 of the manual.

When you open the EQ / Aux send popup window you will see 4 sends. Now from the menu choose the windows menu.

Menus-&gt;Windows-&gt; Aux Returns Window

or press F5

You will see a small window with 4 volume controls and an effects button for each. Click a button and add an effects to that aux channel, then set it up as desired (note the reverb effect has a special AUX setting that improves its use with the aux channel, not compulsory but highly useful). You set the amount of 'return' on the main mix in the Aux Return window, and the amount sent from each main mixer channel in the popup for that channel. Again the aux sends are &quot;prefade&quot; so the volume faders on each channel do not affect them.


Tracking


Effects - fade in

To add some echoes to some vocals, tried to add an effect on a track but did not come out. This is made more complicated as I wanted to mute a vocal but then make it echo at the muting point. Want to have one word of a vocal heard and then echoed off. But when the track is mute the echo is cancelled out.

To correctly understand what is happening here you need to study the figure at the bottom of page 15 on the manual. You will see from that that the effects are applied 'prefade' So the automation you applied will naturally mute the entire signal.

There would be a number of ways to achieve the goal,

You have three real time effects slots, one for smoothing like so

Sample -&gt; Amplify -&gt; Delay

Then automate the gain of the amplify block so that it effectively mutes the sample just before the delay at the appropriate moment, the echo effect should then be heard.

Getting the effects in the right order will require experimentation as they can only be added top down and it's not obvious which order they are applied to the signal, but there only two possibilities, so it wont take long to find out.

Using MUTE can cause clicks to the Amplify can be used to mute more smoothly so that's a secondary advantage.

Signal Processing -


Overdub

[[#top|...to the top]]

===Office===

====Spreadsheet Leu====

Support for some xlsx, and ods functions 


====Spreadsheet Ignition====

; Needs ABIv1 to be completed before more can be done

File formats supported 
* ascii #?.txt and #?.csv (single sheets with data only). 
* igs and TurboCalc(WIP) #?.tc for all sheets with data, formats and formulas.

There is '''no''' support for xls, xlsx, ods or uos ([http://en.wikipedia.org/wiki/Uniform_Office_Format Uniform Unified Office Format]) at the moment.

* Always use Esc key after editing Spreadsheet cells.
* copy/paste seems to copy the first instance only so go to Edit -&gt; Clipboard to manage the list of remembered actions. 
* Right mouse click on row (1 or 2 or 3) or column header (a or b or c)  to access optimal height or width of the row or column respectively 
* Edit -&gt; Insert -&gt; Row  seems to clear the spreadsheet or clears the rows after the inserted row until undo restores as it should be...

Change Sheet name by  Object -&gt; Sheet -&gt; Properties

Click in the cell which will contain the result, and click '''down arrow button''' to the right of the formula box at the bottom of the spreadsheet and choose the function required from the list provided. Then click on the start cell and click on the bottom right corner, a '''very''' small blob, which allows stretching a bounding box (thick grey outlines) across many cells This grey bounding box can be used to '''copy a formula''' to other cells.

Object -&gt; Cell -&gt; Properties to change cell format - Currency only covers DM and not $, Euro, Renminbi, Yen or Pound etc. 
Shift key and arrow keys selects a range of cells, so that '''formatting can be done to all highlighted cells'''. 
View -&gt; Overview then select ALL with one click (in empty cell in the top left hand corner of the sheet).

Default mode is relative cell referencing e.g. a1+a2 but absolute e.g. $a$1+$a$2 can be entered.

* #sheet-name to '''absolute''' reference another sheet-name cell unless reference() function used.

;Graphs

use shift key and arrow keys to select a bunch of cells to be graph'ed making sure that x axes represents and y axes represents

* value() - 0 value, 1 percent, 2 date, 3 time, 4 unit ...


;Dates 
* Excel starts a running count from the 1st Jan 1900 and Ignition starts from 1st Jan 1AD '''(maybe this needs to change)'''
Set formatting Object -&gt; Cell -&gt; Properties and put date in days


;Time 
Set formatting Object -&gt; Cell -&gt; Properties and put time in seconds taken


;Database (to be done by someone else)

type - standard, reference (bezug), search criterion (suchkriterium), 
* select a bunch of cells and Object -&gt; Database -&gt; Define to set Datenbank (database) and Felder (fields not sure how?) 
* Neu (new) or loschen (delete) to add/remove database headings e.g. Personal, Start Date, Finish Date (one per row?)
* Object -&gt; Database -&gt; Index to add fields (felder) like Surname, First Name, Employee ID, etc. to ?

Filtering done with dbfilter(), dbproduct() and dbposition().

Activities with dbsum(), dbaverage(), dbmin() and dbmax().

Table sorting -


;Scripts (Arexx)

;Excel(TM) to Ignition - commas ''',''' replaced by semi-colons ''';''' to separate values within functions 
*SUM(), 
*AVERAGE(), MAX(), MIN(), INT(), PRODUCT(), MEDIAN(), VAR() becomes Variance(), Percentile(),
*IF(), AND, OR, NOT 
*LEFT(), RIGHT(), MID() becomes MIDDLE(), LEN() becomes LENGTH(), 
*LOWER() becomes LOWERCASE(), UPPER() becomes UPPERCASE(),
* DATE(yyyy,mm,dd) becomes COMPUTEDATE(dd;mm;yyyy), 
*TODAY(), DAY(),WEEK(), MONTH(),=YEAR(TODAY()), 
*EOMONTH() becomes MONTHLENGTH(), 
*NOW() should be date and time becomes time only, SECOND(), MINUTE(), HOUR(),
*DBSUM() becomes DSUM(),


;Missing and possibly useful features/functions needed for ignition to have better support of Excel files 
There is no Merge and Join Text over many cells, no protect and/or freeze row or columns or books but can LOCK sheets, no define bunch of cells as a name, Macros (Arexx?), conditional formatting, no Solver, no Goal Seek, no Format Painter, no AutoFill, no AutoSum function button, no pivot tables, (30 argument limit applies to Excel)

*HLOOKUP(), VLOOKUP(), [http://production-scheduling.com/excel-index-function-most-useful/ INDEX(), MATCH()], CHOOSE(), TEXT(), 
*TRIM(), FIND(), SUBSTITUTE(), CONCATENATE() or &amp;, PROPER(), REPT(), 
*[https://acingexcel.com/excel-sumproduct-function/ SUMPRODUCT()], ROUND(), ROUNDUP(), *ROUNDDOWN(), COUNT(), COUNTA(), SUMIF(), COUNTIF(), COUNTBLANK(), TRUNC(), 
*PMT(), PV(), FV(), POWER(), SQRT(), MODE(), TRUE, FALSE, 
*MODE(), LARGE(), SMALL(), RANK(), STDEV(), 
*DCOUNT(), DCOUNTA(), WEEKDAY(),


;Excel Keyboard [http://dmcritchie.mvps.org/excel/shortx2k.htm shortcuts needed to aid usability in Ignition] 
&lt;pre&gt;
Ctrl Z - Undo

Ctrl D - Fill Down
Ctrl R - Fill right

Ctrl F - Find
Ctrl H - Replace

Ctrl 1 - Formatting of Cells
CTRL SHIFT ~ Apply General Formatting ie a number 
Ctrl ; - Todays Date 

F2 - Edit cell
F4 - toggle cell absolute / relative cell references

&lt;/pre&gt;


====Document Scanning - Scandal====

Scanner usually needs to be connected via a USB port and not via a hub or extension lead.

Check in Trident Prefs -&gt; Devices that the USB Scanner is not bound to anything (e.g. Bindings None)
If not found then reboot the computer and recheck.

Start Scandal, choose Settings from Menu strip at top of screen and in Scanner Driver choose the ?#.device of the scanner (e.g. epson2.device).

The next two boxes - leave empty as they are for morphos SCSI use only
 or put ata.device (use the selection option in bigger box below) and Unit as 0 this is needed for gt68xx

* gt68xx - no editing needed in s/gt68xx.conf but needs a firmware file that corresponds to the scanner [http://www.meier-geinitz.de/sane/gt68xx-backend/ gt68xx firmwares] in sys:s/gt68xx.
* epson2 - Need to edit the file epson2.conf in sys/s that corresponds to the scanner being used

'''Save''' the settings but do not press the Use button (aros freezes)

Back to the Picture Scan window and the right-hand sections.

Click on the '''Information''' tab and press Connect button and the scanner should now be detected.

Go next to the '''Scanner''' tab next to Information Tab should have Color, Black and White, etc. and dpi settings now. Selecting an option Color, B/W etc. can cause dpi settings corruption (especially if the settings are in one line) so set '''dpi first'''. Make sure if Preview is set or not.

In the '''Scan''' Tab, press Scan and the scanner will do its duty. 
Be aware that nothing is saved to disk yet.

In the Save tab, change format JPEG, PNG or IFF DEEP. Tick incremental and base filename if necessary and then click the Save button. The image will now be saved to permanent storage.


The driver ignores a device if it is already bond to another USB class, rejects it from being usable. However, open Trident prefs, select your device and use the right mouse button to open. Select &quot;NONE&quot; to prevent poseidon from touching the device. Now save settings. It should always work now.

[[#top|...to the top]]

===Emulators===

==== Amiberry ====


==== Amiga Emu - Janus UAE ====

With Amibridge, AROS attempts to make the UAE emulator seem embedded within but it still is acting as an app 

There is no dynarec m68k for each hardware that Aros supports or direct patching of motorola calls to AROS hardware accelerated ones unless the emulator has that included 

Try starting Janus with a priority of -1 like this little script:
&lt;pre&gt;
cd sys:system/AmiBridge/emulator
changetaskpri -1
run janus-uae -f my_uaerc.config &gt;nil:
cd sys:prefs
endcli
&lt;/pre&gt;
This stops Janus hogging all the CPU time.


===Miscellaneous===

====Screensaver Blanker====

Most blankers on the amiga (i.e. aros) run as commodities (they are in the tools/commodities drawer). Double click on blanker.

Control is with an app called Exchange, which you need to run first (double click on app) or  run QUIET sys:tools/commodities/Exchange &gt;NIL: but subsequently can use (Cntrl Alt h).

Icon tool types (may be broken) or command line options 
&lt;pre&gt;
seconds=number 
&lt;/pre&gt;

Once the timing is right then add the following to s:icaros-sequence or s:user-startup

e.g. for 5 minutes

 run QUIET sys:tools/commodities/Blanker seconds=300 &gt;NIL:


*[http://archives.aros-exec.org/index.php?function=showfile&amp;file=graphics/screenblanker/gblanker.i386-aros.zip Garshneblanker] can make Aros unstable or slow. Certain blankers crashes in Icaros 2.0.x like Dragon, Executor.


*[ Acuario AROS version], the aquarium screen saver.

Startup: extras:acuariofv-aros/acuario

Kill: c:break name=extras:acuariofv-aros/acuario

Managed to start Acuario by the Executor blanker.

&lt;pre&gt;
cx_priority=
cx_popkey=    ie CX_POPKEY=&quot;Shift F1&quot; 
cx_popup=Yes or No

&lt;/pre&gt;


&lt;pre&gt;
 Qualifier String    Input Event Class
   ----------------    -----------------
    &quot;lshift&quot;           IEQUALIFIER_LSHIFT
    &quot;rshift&quot;           IEQUALIFIER_RSHIFT
    &quot;capslock&quot;         IEQUALIFIER_CAPSLOCK
    &quot;control&quot;          IEQUALIFIER_CONTROL
    &quot;lalt&quot;             IEQUALIFIER_LALT
    &quot;ralt&quot;             IEQUALIFIER_RALT
    &quot;lcommand&quot;         IEQUALIFIER_LCOMMAND
    &quot;rcommand&quot;         IEQUALIFIER_RCOMMAND
    &quot;numericpad&quot;       IEQUALIFIER_NUMERICPAD
    &quot;repeat&quot;           IEQUALIFIER_REPEAT
    &quot;midbutton&quot;        IEQUALIFIER_MIDBUTTON
    &quot;rbutton&quot;          IEQUALIFIER_RBUTTON
    &quot;leftbutton&quot;       IEQUALIFIER_LEFTBUTTON
    &quot;relativemouse&quot;    IEQUALIFIER_RELATIVEMOUSE
&lt;/pre&gt;


&lt;pre&gt;
    Synonym     Synonym
    String     Identifier
    -------    ----------
    &quot;shift&quot;    IXSYM_SHIFT    /* look for either shift key */
    &quot;caps&quot;     IXSYM_CAPS     /* look for either shift key or capslock */
    &quot;alt&quot;      IXSYM_ALT      /* look for either alt key */

Highmap is one of the following strings:
    &quot;space&quot;, &quot;backspace&quot;, &quot;tab&quot;, &quot;enter&quot;, &quot;return&quot;, &quot;esc&quot;, &quot;del&quot;,
    &quot;up&quot;, &quot;down&quot;, &quot;right&quot;, &quot;left&quot;, &quot;f1&quot;, &quot;f2&quot;, &quot;f3&quot;, &quot;f4&quot;, &quot;f5&quot;,
    &quot;f6&quot;, &quot;f7&quot;, &quot;f8&quot;, &quot;f9&quot;, &quot;f10&quot;, &quot;help&quot;.


&lt;/pre&gt;


[[#top|...to the top]]

==== World Construction Set WCS (Version 2.031) ====

WCS is a fractal landscape software such as Scenery Animator, Vista Pro and Panorama. Open sourced February 2022, World Construction Set [https://3dnature.com/downloads/legacy-software/ legally and for free] and [https://github.com/AlphaPixel/3DNature c source]. 

Announced August 1994 this version dates from April 1996 developed by Gary R. Huber and Chris &quot;Xenon&quot; Hanson&quot; from Questar 

&lt;pre&gt;
Assign &quot;WCSProjects:&quot; &quot;Volume:Dir/Dir/WCSProjects&quot; 
Assign &quot;WCSFrames:&quot;   &quot;Volume:Dir/Dir/WCSFrames&quot; 
&lt;/pre&gt;

&lt;pre&gt;
Load projects .proj by accessing pull down menu Project -&gt; Open then click on CanyonSunset.proj
OK to changing .par file and enlarge Status Log window to show what is happening 
Render by pull down menu Modules -&gt; Render with End equal 1 not 300 then click bottom middle button Render 
&lt;/pre&gt;

[https://www.youtube.com/watch?v=CxQDmf1ZWG0 Youtube walkthrough of above], [], [], 

Also try working with the already built file ColoDemo - Then open with the drop-down menu: Project/Open, then WCSProject:ColoDemo.proj
Which allows you to use altimetric DEM files already included and Loading scene parameters from ColoDemo.par
Once this is done, save everything with a new name to start working exclusively on your project. 
Then drop-down menu and select Save As (&quot;NewName&quot;.proj name), then drop-down menu to open parameter and select Save All ( .par name)


After launching the software, there is a the Module Control Panel composed of five icons. 
It is a dock type shortcut of the first few functions of the drop-down menu 

*Database   - Load (#?.proj), Append, Create, Edit, Save, Dir List (of WCSProject drawer), 
*Data Ops   - Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats  
*Map View   - Database file Loader leading to Map View Control with option to the Database Editor 
*Parameters - Editor for Motion, Color, Ecosystem, Clouds, Waves, management of altimeter files DEM, sclock settings etc 
*Render     - rendering terrain 

These are more in the pull down menu but not in the dock 
*Motion Editor
*Color Editor
*Ecosys Editor 


Simple minimal workflow 
*Load database (1st icon - 1st)
*Set parameters and save .par file (4th icon)
*Render scene (5th icon) 

[https://www.youtube.com/watch?v=ZbTwwR2qcc4 Youtube], [], 

&lt;pre&gt;
.proj new project name which creates a drawer of additional files 

.binary array, ascii array .xyz , z buffer, DTED .dt0, vista 1990s dem, iff  conversion 
.Obj with .elev, .frd with .hdr maps, - digital elevation model (DEM) is a 3D representation of elevation data in various formats 
USGS 7.5MinDEM, 

.par 


&lt;/pre&gt;


Since for the time being no project is loaded, a query window indicates a procedural error when clicking on the rendering icon (right end of the bar). The menu is quite traditional; it varies according to the activity of the windows. To display any altimetric file in the &quot;Mapview&quot; (third icon of the panel), There are three possibilities:

* Loading of a demonstration project.
* The import of a DEM file, followed by texturing and packaging from the &quot;Database-Editor&quot; and the &quot;Color-Editor&quot;.
* The creation of an altimetric file in WCS format, then texturing.


The altimeter file editing (display in the menu) is only made possible if the &quot;Mapview&quot; window is active.

The software is made up of many windows and won't be able to describe them all. Know that &quot;Color-Editor&quot; and the &quot;Data-Editor&quot; comprise sufficient functions for obtaining an almost real rendering quality. You have the possibility of inserting vector objects in the &quot;Data-Editor&quot; (creation of roads, railways, etc.) 


The Map View (MapView) window

*Database - Objects and Topos
*View     - Align, Center, Zoom, Pan, Move 
*Draw     - Maps and distance 
*Object   - Find, highlight, add points, conform topo, duplicate 
*Motion   - Camera, Focus, path, elevation 
*Windows  - DEM designer, Cloud (.cld) and wave (.wve) editor, 


You will notice that by selecting this window and simply moving the pointer to various points on the map you will see latitude and longitude values ​​change, along with the height.
Drop-down menu and Modules, then select MapView and change the width of the window with the map to arrange it in the best way on the screen. With the Auto button the center. Window that then displays the contents of my DEM file, in this case the Grand Canyon. MapView allows you to observe the shape of the landscape from above
 

ZOOM button

Press the Zoom button and then with the pointer position on a point on the map, press the left mouse button and then move to the opposite corner to circumscribe the chosen area and press the left mouse button again, then we will see the enlarged area selected on the map.
Would add that there is a box next to the Zoom button that allows the direct insertion of a value which, the larger it is, the smaller the magnification and the smaller the value, the stronger the magnification. At each numerical change you will need to press the DRAW button to update the view.

PAN button

Under Zoom you will find the PAN button which allows you to move the map at will in all directions by the amount you want. This is done by drawing a line in one direction, then press PAN and point to an area on the map with the pointer and press the left mouse button. At this point, leave it and move the pointer in one direction by drawing a line and press the left mouse button again to trigger the movement of the map on the screen (origin and end points). Do some experiments and then use the Auto button immediately below to recenter everything.
There are parameters such as TOPO, VEC to be left checked and immediately below one that allows different views of the map with the Style command (Single, Multi, Surface, Emboss, Slope, Contour), each with its own particularities to highlight different details.

Now you have the first basics to manage your project visually on the map. Close the MapView window and go further...


Let's start working on ECOSYSTEMS
If we select Emboss from the MapView Style command we will have a clear idea of ​​how the landscape appears, realizing that it is a predominantly desert region of our planet. Therefore we will begin to act on any vegetation present and the appearance of the landscape.
With WCS we will begin to break down the elements of the landscape by assigning defined characteristics. It will be necessary to determine the classes of the ecosystem (Class) with parameters of Elevation Line (maximum altitude), Relative Elevation (arrangement on basins or convexities with respectively positive or negative parameters), Min Slope and Max Slope (slope). WCS offers the possibility of making ecosystems coexist on the same terrain with the UnderEco function, by setting a Density value.


Ecosys Ecosystem Editor

Let's open it from Modules, then Ecosys Editor. In the left pane you will find the list of ecosystems referring to the files present in our project. It will be necessary to clean up that box to leave only the Water and Snow landscapes and a few other predefined ones. We can do this by selecting the items and pressing the Remove button (be careful not for all elements the button is activated, therefore they cannot all be eliminated).
Once this is done we can start adding new ecosystems. Scroll through the various Unused and as soon as the Name item at the top is activated allowing you to write, type the name of your ecosystem, adding the necessary parameters.
&lt;pre&gt;
Ecosystem1: Name: RockBase Class: Rock Density: 80 MinSlope: 15 UnderEco: Terrain
Ecosystem2: Name: RockIncl Clss: Rock Density: 80 MinSlope: 30 UnderEco: Terrain
Ecosystem3: Name: Grass Class Low Veg Density: 50 Height: 1 Elev Line : 1500 Rel El Eff: 5
Max Slope: 10 – Min Slope: 0 UnderEco: Terrain
Ecosistema4: Name: Shrubs Class: Low Veg Density: 40 Height: 8 Elev Line: 3000
Rel El Eff: -2 Max Slope: 20 Min Slope : 5 UnderEco: Terrain
Ecosistema5: Name: Terrain Class: Ground Density: 100 UnderEco: Terrain
&lt;/pre&gt;

Now we need to identify an intermediate ecosystem that guarantees a smooth transition between all, therefore we select as Understory Ecosystem the one called Terrain in all ecosystems, except Snow and Water .
Now we need to 'emerge' the Colorado River in the Canyon and we can do this by raising the sea level to 900 (Sea Level) in the Ecosystem called Water.
Please note that the order of the ecosystem list gives priority to those that come after. So our list must have the following order: Water, Snow, Shrubs, RockIncl, RockBase, Terrain. It is possible to carry out all movements with the Swap button at the bottom. To put order you can also press Short List. Press Keep to confirm all the work done so far with Ecosystem Editor.
Remember every now and then to save both the Project 'Modules/Save' and 'Parameter/Save All'

EcoModels are made up of .etp .fgp .iff8 for each model 


Color Editor

Now it's time to define the colors of our scene and we can do this by going to Modules and then Color Editor. In the list we focus on our ecosystems, created first.
Let's go to the bottom of the list and select the first white space, assigning the name 'empty1', with a color we like and then we will find this element again in other environments... It could serve as an example for other situations!
So we move to 'grass' which already exists and assign the following colors: R 60 G 70 B50
&lt;pre&gt;
'shrubs': R 60 G 80 B 30
'RockIncl' R 110 G 65 B 60
'RockBase' R 110 G 80 B 80
' Terrain' R 150 G 30 B 30
&lt;pre&gt;
Now we can work on pre-existing colors
&lt;pre&gt;
'SunLight' R 150 G 130 B 130
'Haze and Fog' R 190 G 170 B 170
'Horizon' R 209 G 185 B 190
'Zenith' R 140 G 150 B 200
'Water' R 90 G 125 B 170
&lt;/pre&gt;

Ambient R 0 G 0 B 0

So don't forget to close Color Editor by pressing Keep.
Go once again to Ecosystem Editor and assign the corresponding color to each environment by selecting it using the Ecosystem Color button. Press it several times until the correct one appears. Then save the project and parameters again, as done previously.


Motion Editor

Now it's time to take care of the framing, so let's go to Modules and then to Motion Editor. An extremely feature-rich window will open. Following is the list of parameters regarding the Camera, position and other characteristics:
&lt;pre&gt;
-Camera Altitude: 7.0
-Camera Latitude: 36.075
-Camera Longitude: 112.133
-Focus Attitude: -2.0
-Focus Latitude: 36.275
-Focus Longitude: 112.386
-Camera : 512 → rendering window
-Camera Y: 384 → rendering window
-View Arc: 80 → View width in degrees
-Sun Longitude: 172
-Sun Latitude: -0.9
-Haze Start: 3.8
-Haze Range: 78, 5
&lt;/pre&gt;
As soon as the values ​​shown in the relevant sliders have been modified, we will be ready to open the CamView window to observe the wireframe preview. Let's not consider all the controls that will appear.
Well from the Motion Editor if you have selected Camera Altitude and open the CamView panel, you can change the height of the camera by holding down the right mouse button and moving the mouse up and down. To update the view, press the Terrain button in the adjacent window. As soon as you are convinced of the position, confirm again with Keep. You can carry out the same work with the other functions of the camera, such as Focus Altitude...
Let's now see the next positioning step on the Camera map, but let's leave the CamView preview window open while we go to Modules to open the window at the same time MapView. We will thus be able to take advantage of the view from the other together with a subjective one.


From the MapView window, select with the left mouse button and while it is pressed, move the Camera as desired. To update the subjective preview, always click on Terrain.
While with the same procedure you can intervene on the direction of the camera lens, by selecting the cross and with the left button pressed you can choose the desired view. So with the pressure of Terrain I update the Preview. Possibly can enlarge or reduce the Map View using the Zoom button, for greater precision.
Also write that the circle around the cameras indicates the beginning of the haze, there are two types (haze and fog) linked to the altitude. Would also add that the camera height is editable through the Motion Editor panel.


The sun

Let's see that changing the position of the sun from the Motion Editor. Press the SUN button at the bottom right and set the time and the date. Longitude and latitude are automatically obtained by the program. Always open the View Arc command from the Motion Editor panel, an item present in the Parameter List box.

Once again confirm everything with Keep and then save again.


Animation

The animation part is not left-back and also occupies a window. The settings possibilities are enormous. A time line with dragging functions (&quot;slide&quot;, &quot;drag&quot;...) comparable to that of LightWave completes this window. 


A small window is available for positioning the stars as a function of a date, in order to vary the seasons and their various events (and yes...).

At the bottom of the &quot;Motion-Editor&quot;, a &quot;cam-view&quot; function will give you access to a control panel. Different preview modes are possible. The rendering is also accessible through a window. No less than nine pages compose it. At this level, you will be able to determine the backup name of your images (&quot;path&quot;), the type of texture to be calculated, the resolution of the images, activate or deactivate functions such as the depth buffer (&quot;zbuffer&quot;), the blur, the background image, etc.


Once all these parameters have been set, all you have to do is click on the &quot;Render&quot; button.

For rendering go to Modules and then Render. Select the resolution, then under IMA select the name of the image. Move to FRA and indicate the level of fractal detail which of 4 is quite good. Then Keep to confirm and then reopen the window, pressing Render you will see the result. The image will be opened with any viewing program.


Strengths:

* Multi-window.
* Quality of rendering.
* Accuracy.
* Opening, preview and rendering on CyberGraphX screen.
* Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats 
* The &quot;zbuffer&quot; function.

Weaknesses:

* No OpenGL management 
* Calculation time.
* No network computing tool.


====Writing CD / DVD - Frying Pan====

Can be backup DVDs (4GB ISO size limit due to use of FileInfoBlock), create audio cds from mp3's, and put .iso files on discs

If using for the first time - click Drive button and Device set to ata.device and unit to 0 (zero)

Click Tracks Button - Drive 1 - Create New Disc or Import Existing Disc Image (iso bin/cue etc.) - Session File open cue file

If you're making a data cd, with files and drawers from your hard drive, you should be using the ISO Builder.. which is the MUI page on the left. (&quot;Data/Audio Tracks&quot; is on the right).

You should use the &quot;Data/Audio tracks&quot; page if you want to create music cds with AIFF/WAV/MP3 files, or if you download an .iso file, and you want to put it on a cd.

Click WRITE Button - set write speed - click on long Write button

Examples

Easiest way would be to burn a DATA CD, simply go to &quot;Tracks&quot; page &quot;ISO Builder&quot; and &quot;ADD&quot; everything you need to burn.

On the &quot;Write&quot; page i have &quot;Masterize Disc (DAO)&quot;, &quot;Close Disc&quot; and &quot;Eject after Write&quot; set.

One must not &quot;Blank disc before write&quot; if one uses a CDR


AUDIO CD from MP3's are as easy but tricky to deal with. FP only understands one MP3 format, Layer II, everything else will just create empty tracks

Burning bootable CD's works only with .iso files. Go to &quot;Tracks&quot; page and &quot;Data/Audio Tracks&quot; and add the .iso


====odf====

Every ODF file is a collection of several subdocuments within a package (ZIP file), each of which stores part of the complete document.

* content.xml – Document content and automatic styles used in the content.
* styles.xml – Styles used in the document content and automatic styles used in the styles themselves.
* meta.xml – Document meta information, such as the author or the time of the last save action.
* settings.xml – Application-specific settings, such as the window size or printer information.


To read document follow these steps:

* Extracting .ods file.
* Getting content.xml file (which contains sheets data).
* Creating XmlDocument object from content.xml file.
* Creating DataSet (that represent Spreadsheet file).
* With XmlDocument select “table:table” elements, and then create adequate DataTables.
* Parse child’s of “table:table” element and fill DataTables with those data.
* At the end, return DataSet and show it in application’s interface.


To write document follow these steps:

* Extracting template.ods file (.ods file that we use as template).
* Getting content.xml file.
* Creating XmlDocument object from content.xml file.
* Erasing all “table:table” elements from the content.xml file.
* Reading data from our DataSet and composing adequate “table:table” elements.
* Adding “table:table” elements to content.xml file.
* Zipping that file as new .ods file.

XLS file format

The XLS file format contains streams, substreams, and records.

These sheet substreams include worksheets, macro sheets, chart sheets, dialog sheets, and VBA module sheets. 
All the records in an XLS document start with a 2-byte unsigned integer to specify Record Type (rt), and another for Count of Bytes (cb). A record cannot exceed 8224 bytes. If larger than the rest is stored in one or more continue records.

* Workbook stream 
**Globals substream
***BoundSheet8 record - info for Worksheet substream i.e. name, location, type, and visibility. (4bytes the lbPlyPos FilePointer, specifies the position in the Workbook stream where the sheet substream starts) 
**Worksheet substream (sheet) - Cell Table - Row record - Cells (2byte=row 2byte=column 2byte=XF format)
***Blank cell record
***RK cell record 32-bit number. 
***BoolErr cell record (2-byte Bes structure that may be either a Boolean value or an error code)
***Number cell record (64-bit floating-point number)
***LabelSst cell record (4-byte integer that specifies a string in the Shared Strings Table (SST). Specifically, the integer corresponds to the array index in the RGB field of the SST)
***Formula cell record (FormulaValue structure in the 8 bytes that follow the cell structure. The next 6 bytes can be ignored, and the rest of the record is a CellParsedFormula structure that contains the formula itself)
***MulBlank record (first 2 bytes give the row, and the next 2 bytes give the column that the series of blanks starts at. Next, a variable length array of cell structures follows to store formatting information, and the last 2 bytes show what column the series of blanks ends on)
***MulRK record 
***Shared String Table (SST) contains all of the string values in the workbook.

ACCRINT(), ACCRINTM(), AMORDEGRC(), AMORLINC(), 
COUPDAYBS(), COUPDAYS(), COUPDAYSNC(), COUPNCD(), COUPNUM(), COUPPCD(), 
CUMIPMT(), CUMPRINC(), 
DB(), DDB(), DISC(), 
DOLLARDE(), DOLLARFR(), 
DURATION(), EFFECT(), FV(), FVSCHEDULE(), 
INTRATE(), IPMT(), IRR(), ISPMT(), MDURATION(), MIRR(), NOMINAL(), NPER(), NPV(), 
ODDFPRICE(), ODDFYIELD(), ODDLPRICE(), ODDLYIELD(), 
PMT(), PPMT(), PRICE(), PRICEDISC(), PRICEMAT(), PV(), RATE(), 
RECEIVED(), SLN(), SYD(), TBILLEQ(), TBILLPRICE(), TBILLYIELD(), 
VDB(), XIRR(), XNPV(), YIELD(), YIELDDISC(), YIELDMAT(),


&lt;pre&gt;
&lt;/pre&gt;


&lt;pre&gt;
&lt;/pre&gt;

&lt;pre&gt;
&lt;/pre&gt;

{{BookCat}}</text>
      <sha1>3t6p4ph2j3pd1lo9ls2ffjm2h3nyy4e</sha1>
    </revision>
    <revision>
      <id>4639247</id>
      <parentid>4639217</parentid>
      <timestamp>2026-06-07T08:35:54Z</timestamp>
      <contributor>
        <username>Jeff1138</username>
        <id>301139</id>
      </contributor>
      <minor />
      <origin>4639247</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="232514" sha1="j8mek3z96nyxs9h8v57lc2m0zdcspou" xml:space="preserve">
==Introduction==


[[#Graphical Image Editing Art]]
[[#Office Application]]
[[#Audio]]

[[#Misc Application]]
[[#Games &amp; Emulation]]

[[#Application Guides]]

[[#top|...to the top]]


[[#top|...to the top]]

Most apps can be opened on the Workbench (aka publicscreen pubscreen) which is the default display option but can offer a custom one set to your configurations (aka custom screen mode promotion). These custom ones tend to stack so the possible use of A-M/A-N method of switching between full screens and the ability to pull down screens as well 

If you are interested in creating or porting new software, see [http://en.wikibooks.org/wiki/Aros/Developer/Docs here]

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Internet Applications 
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Web Online Browser [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/browser Odyssey 2.0], [https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1175&amp;highlight=odyssey&amp;rowstart=100 Odyssey 3.0], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/comm/www Amelinium], [https://blog.alb42.de/programs/amifox/ amifox] with [https://github.com/alb42/wrp wrp server], IBrowse*, Voyager*, [https://github.com/amigazen/aweb3/ AWeb 3.6 src], [https://github.com/matjam/aweb AWeb Src], [http://aminet.net/package/comm/www/NetSurf-m68k-sources Netsurf], [], 
|&lt;!--AmigaOS4--&gt;[ Odyssey OWB], [ Timberwolf (Firefox port 2011)], [http://amigaworld.net/modules/newbb/viewtopic.php?forum=32&amp;topic_id=32847 OWB-mui], [http://strohmayer.org/owb/ OWB-Reaction], IBrowse*, [http://os4depot.net/index.php?function=showfile&amp;file=network/browser/aweb.lha AWeb], Voyager, [http://www.os4depot.net/index.php?function=browse&amp;cat=network/browser Netsurf], 
|&lt;!--MorphOS--&gt;Wayfarer, [http://fabportnawak.free.fr/owb/ Odyssey OWB], [ Netsurf], IBrowse*, AWeb, [], 
|-
|&lt;!--Sub Menu--&gt;YouTube Viewing and downloading videos 
|&lt;!--AROS--&gt;Odyssey 2.0 can show Youtube webpage, [https://blog.alb42.de/amitube/ Amitube], 
|[https://blog.alb42.de/amitube/ Amitube], [https://github.com/YePpHa/YouTubeCenter/releases or this one], 
|[https://blog.alb42.de/amitube/ Amitube], getVideo, Tubexx, [https://github.com/walkero-gr/aiostreams aiostreams], 
|[ Wayfarer], [https://blog.alb42.de/amitube/ Amitube],Odyssey (OWB), [http://morphos.lukysoft.cz/en/vypis.php?kat=5 getVideo], Tubexx 
|-
|&lt;!--Sub Menu--&gt;E-mailing SMTP POP3 IMAP based 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/email SimpleMail], [http://sourceforge.net/projects/simplemail/files/ src], [https://github.com/jens-maus/yam YAM] 
|&lt;!--Amiga OS--&gt;[http://sourceforge.net/projects/simplemail/files/ SimpleMail], [https://github.com/jens-maus/yam YAM]
|&lt;!--AmigaOS4--&gt;SimpleMail, YAM, 
|&lt;!--MorphOS--&gt; SimpleMail, YAM
|-
|&lt;!--Sub Menu--&gt;IRC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat WookieChat], [https://sourceforge.net/projects/wookiechat/ Wookiechat src], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat AiRcOS], Jabberwocky, 
|&lt;!--Amiga OS--&gt;Wookiechat, AmIRC 
|&lt;!--AmigaOS4--&gt;Wookiechat 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Wookiechat], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 AmIRC], 
|-
|&lt;!--Sub Menu--&gt;Instant Messaging IM like [https://github.com/BlitterStudio/amidon Hollywood lang based Mastodon client], BlueSky AT protocol, Facebook(TM), Twitter X (TM), Bitlbee IRC Gateway and others 
|&lt;!--AROS--&gt;[https://github.com/kaffeine1/telegram-amiga telegram-amiga], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat jabberwocky], 
|&lt;!--Amiga OS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], CLIMM, SabreMSN, jabberwocky, 
|&lt;!--AmigaOS4--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], SabreMSN,
|&lt;!--MorphOS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 PolyglotNG], SabreMSN,
|-
|&lt;!--Sub Menu--&gt;Torrents 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/p2p ArTorr], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;CTorrent, Transmission 
|&lt;!--MorphOS--&gt;MLDonkey, Beehive, [http://morphos.lukysoft.cz/en/vypis.php?kat=5 Transmission], CTorrent, 
|-
|&lt;!--Sub Menu--&gt;FTP 
|&lt;!--AROS--&gt;Plugin included with Dopus Magellan, MarranoFTP, 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/comm/tcp/AmiFTP AmiFTP], AmiTradeCenter, ncFTP, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Pftp], [http://aminet.net/package/comm/tcp/AmiFTP-1.935-OS4 AmiFTP], 
|-
|&lt;!--Sub Menu--&gt;WYSIWYG Web Site Editor
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Internet Radio Streaming Audio [http://www.gnu.org/software/gnump3d/ gnump3d], [http://www.icecast.org/ Icecast2] Server (Broadcast) and Client (Listen), [ mpd], [http://darkice.sourceforge.net/ DarkIce], [http://www.dyne.org/software/muse/ Muse], 
|&lt;!--AROS--&gt;Mplayer (Icecast Client only), 
|&lt;!--Amiga OS--&gt;[https://github.com/sandlbn/TuneFinder TuneFinder C Src], [https://github.com/sandlbn/TuneFinderMUI TuneFinderMUI], [http://amigazeux.net/anr/ AmiNetRadio], [], [], 
|&lt;!--AmigaOS4--&gt;[http://www.tunenet.co.uk/ Tunenet], 
|&lt;!--MorphOS--&gt;Mplayer, AmiNetRadio, 
|-
|&lt;!--Sub Menu--&gt;VoIP (Voice over IP) with SIP Client (Session Initiation Protocol) or Asterisk IAX2 Clients Softphone (skype like) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;AmiPhone with Speak Freely, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Weather Forecast 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ WeatherBar], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench AWeather], []
|&lt;!--Amiga OS--&gt;[http://amigazeux.net/wetter/ Wetter], [https://github.com/emartisoft/AmiWeatherForecasts AmiWeatherForecasts src], 
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/?function=showfile&amp;file=utility/workbench/flipclock.lha FlipClock], 
|&lt;!--MorphOS--&gt;[http://amigazeux.net/wetter/ Wetter], 
|-
|&lt;!--Sub Menu--&gt;Street Road Maps Route Planning GPS Tracking  
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/muimapparium/ MuiMapparium] [https://build.alb42.de/ Build of MuiMapp versions], 
|&lt;!--Amiga OS--&gt;AmiAtlas*, UKRoutePlus*, [http://blog.alb42.de/ AmOSM], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://blog.alb42.de/programs/mapparium/ Mapparium], 
|-
|&lt;!--Sub Menu--&gt;Clock and Date setting from the internet (either ntp or websites) [https://www.timeanddate.com/worldclock/ World Clock], [http://www.time.gov/ NIST], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc ntpsync],  
|&lt;!--Amiga OS--&gt;ntpsync 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Newsgroups
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[http://newscoaster.sourceforge.net/ Newscoaster], [https://github.com/jens-maus/newsrog NewsRog], [ WorldNews], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Graphical Image Editing Art==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Image Editing
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Pixel Raster Artwork [https://github.com/LibreSprite/LibreSprite LibreSprite based on GPL aseprite], [https://github.com/abetusk/hsvhero hsvhero], [], 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/ZunePaint/ ZunePaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit LunaPaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit GrafX2], [ LodePaint needs OpenGL], 
|&lt;!--Amiga OS--&gt;[http://www.amigaforever.com/classic/download.html PPaint], GrafX2, [https://github.com/grovdata/Amiga_Sources/blob/master/software.md DeluxePaint], [http://www.amiforce.de/perfectpaint/perfectpaint.php PerfectPaint], Zoetrope, Brilliance2*, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit LodePaint], GrafX2, 
|&lt;!--MorphOS--&gt;Sketch, Pixel*, GrafX2, [http://morphos.lukysoft.cz/en/vypis.php?kat=3 LunaPaint]
|-
|&lt;!--Sub Menu--&gt;Image viewing 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LookHere], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LoView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer PicShow] , [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--Amiga OS--&gt;PicShow, PicView, Photoalbum,
|&lt;!--AmigaOS4--&gt;WarpView, PicShow, flPhoto, Thumbs, [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album]
|-
|&lt;!--Sub Menu--&gt;Photography retouching / Image Manipulation like Photoshop(tm)  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOEffects], [https://sourceforge.net/projects/zunetools/files/ ZunePaint], [http://sourceforge.net/projects/zunetools/files/ ZuneView], 
|&lt;!--Amiga OS--&gt;[ Tecsoft Video Paint aka TVPaint], Photogenics*, ArtEffect*, ImageFX*, XiPaint, fxPaint, ImageMasterRT, Opalpaint, 
|&lt;!--AmigaOS4--&gt;WarpView, flPhoto, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit Photocrop]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], ImageFX*, 
|-
|&lt;!--Sub Menu--&gt;Manage RAW picture folder galleries like Darktable, RAWtherapy, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Graphic Format Converter - ICC profile support sRGB, Adobe RGB, XYZ and linear RGB 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;GraphicsConverter, ImageStudio, [http://www.coplabs.org/artpro.html ArtPro]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Thumbnail Generator [], 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/shell Thumbnail Generator]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Icon Editor
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/iconedit Archives], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench Icon Toolbox], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/iconedit IconEditor]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Pixel Art Animation 
|&lt;!--AROS--&gt;Lunapaint
|&lt;!--Amiga OS--&gt;PPaint, AnimatED, Scala*, GoldDisk MovieSetter*, Walt Disney's Animation Studio*, ProDAD*, [https://github.com/historicalsource/DeluxePaint DeluxePaint src], Brilliance
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 Titler] 
|-
|&lt;!--Sub Menu--&gt;2D SVG based MovieSetter type 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;MovieSetter*, Fantavision*
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Morphing 
|&lt;!--AROS--&gt;[ GLMorph]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Cad (qcad-&gt;LibreCAD, etc.) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Xcad, MaxonCAD
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Cad like FreeCad, BRL-CAD, OpenSCAD, AvoCADo, etc. using dxf, obj (vertices), blend, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;XCad3d*, DynaCADD*, Cycas, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Model Rendering of glft (json) gbl (png jpg), usdz (USD files with materials, textures, and animations), FBX Filmbox is a proprietary Autodesk format, 
|&lt;!--AROS--&gt;POV-Ray
|&lt;!--Amiga OS--&gt;[http://www.discreetfx.com./amigaproducts.html CINEMA 4D]*, POV-Ray, Lightwave3D*, Real3D*, Caligari24*, Reflections/Monzoom*, [https://github.com/privatosan/RayStorm Raystorm src], Tornado 3D
|&lt;!--AmigaOS4--&gt;Blender, POV-Ray, Yafray
|&lt;!--MorphOS--&gt;Blender, POV-Ray, Yafray
|-
|&lt;!--Sub Menu--&gt;3D Format Converter [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=showfile&amp;file=graphics/convert/ivcon.lha IVCon]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen grabbing display 
|&lt;!--AROS--&gt;[ Screengrabber], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc snapit], [http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record screen recorder], []
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Grab graphics music from apps [https://github.com/Malvineous/ripper6 ripper6], [],
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Office Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Office
!width:10%;|AROS (x86)
!width:10%;|[http://en.wikipedia.org/wiki/Amiga_software Commodore-Amiga OS 3.1] (68k)
!width:10%;|[http://en.wikipedia.org/wiki/AmigaOS_4 Hyperion OS4] (PPC)
!width:10%;|[http://en.wikipedia.org/wiki/MorphOS MorphOS] (PPC)
|-
|&lt;!--Sub Menu--&gt;Word-processing 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=office/wordprocessing Cinnamon Writer], [https://finalwriter.godaddysites.com/ Final Writer 7*], [https://github.com/sodero/MUI-Vim/releases MUI-Vim], [ ], 
|&lt;!--AmigaOS--&gt;[ Softwood FinalCopy II*], Haage AmigaWriter*, Digita WordWorth*, Softwood FinalWriter*, Micro-Systems Excellence 3*, Arnor Protext, Rashumon, [ InterWord], [ KindWords], [WordPerfect], [ New Horizons Flow], [ CygnusEd Pro], [ Micro-systems Scribble], 
|&lt;!--AmigaOS4--&gt;AbiWord, [ CinnamonWriter]
|&lt;!--MorphOS--&gt;[ Cinnamon Writer], [http://www.meta-morphos.org/viewtopic.php?topic=1246&amp;forum=53 scriba], [http://morphos.lukysoft.cz/en/index.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Spreadsheets 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/leu/ Leu], [https://archives.arosworld.org/index.php?function=browse&amp;cat=office/spreadsheet], 
|&lt;!--AmigaOS--&gt;[https://aminet.net/package/biz/spread/ignition-src Ignition Src 1.3], [MaxiPlan 500 Plus], [OXXI Plan/IT v2.0 Speadsheet], [ Superplan], [ Creative Developments TurboCalc], [ ProCalc], [ InterSpread], [Digita DGCalc], [ Gold Disk Advantage], [ Micro-systems Analyze!]
|&lt;!--AmigaOS4--&gt;Gnumeric, [https://ignition-amiga.sourceforge.net/ Ignition], 
|&lt;!--MorphOS--&gt;[ ignition], [http://morphos.lukysoft.cz/en/vypis.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Presentations
|&lt;!--AROS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, 
|&lt;!--Amiga OS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, MediaPoint, PointRider, Scala*, 
|&lt;!--Amiga OS4--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider 
|&lt;!--MorphOS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider
|-
|&lt;!--Sub Menu--&gt;Databases 
|&lt;!--AROS--&gt;[http://sdb.freeforums.org/ SDB], [http://archives.arosworld.org/index.php?function=browse&amp;cat=office/database BeeBase], 
|&lt;!--Amiga OS--&gt;Precision Superbase 4 Pro*, Arnor Prodata*, BeeBase, Datastore, FinalData*, AmigaBase, Fiasco, Twist2*, [Digita DGBase], [], 
|&lt;!--AmigaOS4--&gt;BeeBase, SQLite, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=6 BeeBase], 
|-
|&lt;!--Sub Menu--&gt;PDF Viewing and editing digital signatures 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/arospdf/ ArosPDF via splash], [https://github.com/wattoc/AROS-vpdf vpdf wip], 
|&lt;!--Amiga OS--&gt;APDF 
|&lt;!--AmigaOS4--&gt;AmiPDF 
|&lt;!--MorphOS--&gt;APDF, vPDF, 
|-
|&lt;!--Sub Menu--&gt;Printing 
|&lt;!--AROS--&gt;Postscript 3 laser printers and Ghostscript internal, [ GutenPrint], 
|&lt;!--Amiga OS--&gt;[http://www.irseesoft.de/tp_what.htm TurboPrint]* 
|&lt;!--AmigaOS4--&gt;(some native drivers), 
|&lt;!--MorphOS--&gt;early TurboPrint included, 
|-
|&lt;!--Sub Menu--&gt;Note Taking markdown support like Obsidian like, joplin, OneNote, EverNotes, xournalpp, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Study and analyse, collect, organize, annotate, cite, and share
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PIM Personal Information Manager - Day Diary Planner Calendar App 
|&lt;!--AROS--&gt;[ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;Digita Organiser*, On The Ball, Everyday Organiser, [ Contact Manager], 
|&lt;!--AmigaOS4--&gt;AOrganiser, 
|&lt;!--MorphOS--&gt;[http://polymere.free.fr/orga_en.html PolyOrga], 
|-
|&lt;!--Sub Menu--&gt;Accounting
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=office/misc ETB], LoanCalc, [ ], [ ], [ ], 
|[ Digita Home Accounts2], Accountant, Small Business Accounts, Account Master, [ Amigabok], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Project Management Research 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;SuperGantt, SuperPlan, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System Wide Dictionary - multilingual [http://sourceforge.net/projects/babiloo/ Babiloo], [http://code.google.com/p/stardict-3/ StarDict], 
|&lt;!--AROS--&gt;[ ],  
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System wide Thesaurus - multi lingual
|&lt;!--AROS--&gt;[ ], 
|Kuma K-Roget*, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Sticky Desktop Notes (post it type) 
|&lt;!--AROS--&gt;[http://aminet.net/package/util/wb/amimemos.i386-aros AmiMemos], [https://aminet.net/package/util/wb/amimemos.src-aros AmiMemos Src], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/util/wb/StickIt-2.00 StickIt v2], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DTP Desktop Publishing 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOPublisher], 
|&lt;!--Amiga OS--&gt;[http://pagestream.org/ Pagestream]*, Professional Pro Page*, Saxon Publisher, Pagesetter, PenPal, 
|&lt;!--AmigaOS4--&gt;[http://pagestream.org/ Pagestream]* 
|&lt;!--MorphOS--&gt;[http://pagestream.org/ Pagestream]* 
|-
|&lt;!--Sub Menu--&gt;Scanning 
|&lt;!--AROS--&gt;[ SCANdal], [], 
|&lt;!--Amiga OS--&gt;FxScan*, ScanQuix* 
|&lt;!--AmigaOS4--&gt;SCANdal (Sane)
|&lt;!--MorphOS--&gt;SCANdal
|-
|&lt;!--Sub Menu--&gt;OCR
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/convert gOCR] 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos-files.net/categories/office/text Tesseract] 
|-
|&lt;!--Sub Menu--&gt;Text Editing
|&lt;!--AROS--&gt;Jano Editor (already installed as Editor), [http://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit EdiSyn], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit Annotate], [https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Vim], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd] [https://github.com/vidarh/FrexxEd src], [ NoWinEd], 
|&lt;!--Amiga OS--&gt;Annotate, MicroGoldED/CubicIDE*, CygnusED*, Turbotext, Protext*, NoWinED, 
|&lt;!--AmigaOS4--&gt;Notepad, Annotate, CygnusED*, NoWinED, 
|&lt;!--MorphOS--&gt;MorphOS ED, NoWinED, GoldED/CubicIDE*, CygnusED*, Annotate, 
|-
|&lt;!--Sub Menu--&gt;Office Fonts [http://sourceforge.net/projects/fontforge/files/fontforge-source/ Font Designer] 
|&lt;!--AROS--&gt;[ ], [ ], 
|&lt;!--Amiga OS--&gt;TypeSmith*, SaxonScript (GetFont Adobe Type 1), 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Drawing Vector
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/amifig/ ZuneFIG previously AmiFIG]
|&lt;!--Amiga OS--&gt;Drawstudio*, ProVector*, ArtExpression*, Professional Draw*, AmiFIG, MetaView, [https://gitlab.com/amigasourcecodepreservation/designworks Design Works Src], [], 
|&lt;!--AmigaOS4--&gt;MindSpace, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit amifig], 
|&lt;!--MorphOS--&gt;SteamDraw, [http://aminet.net/package/gfx/edit/amifig amiFIG], 
|-
|&lt;!--Sub Menu--&gt;video conferencing (jitsi) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;source code hosting
|&lt;!--AROS--&gt;Gitlab, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (server)
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/VNC_Server ArosVNCServer], 
|&lt;!--Amiga OS--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC], [http://dspach.free.fr/amiga/avnc/index.html AVNC]
|&lt;!--AmigaOS4--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC] 
|MorphVNC, vncserver
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (client) login and connect to another machine 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/VNC_Client/ ArosVNC], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc rdesktop], 
|&lt;!--Amiga OS--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://dspach.free.fr/amiga/vva/index.html VVA], [http://www.hd-zone.com/ RDesktop]
|&lt;!--AmigaOS4--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|-
|&lt;!--Sub Menu--&gt;notifications 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Ranchero 
|&lt;!--AmigaOS4--&gt;Ringhio 
|&lt;!--MorphOS--&gt;MagicBeacon 
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Audio==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Audio
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing playback Audio like MP3, [https://github.com/chrg127/gmplayer NSF], [https://github.com/kode54/lazyusf miniusf .usflib], [], etc 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer], [ HarmonyPlayer hp], [http://www.a500.org/downloads/audio/index.xhtml playcdda] CDs, [ WildMidi Player], [https://bszili.morphos.me/ UADE mod player], [], [RNOTunes ], [ mp3Player], [], 
|&lt;!--Amiga OS--&gt;AmiNetRadio, AmigaAmp, playOGG, 
|&lt;!--AmigaOS4--&gt;TuneNet, SimplePlay, AmigaAmp, TKPlayer
|AmiNetRadio, Mplayer, Kaya, AmigaAmp
|-
|&lt;!--Sub Menu--&gt;Editing Audio 
|&lt;!--AROS--&gt;[ Audio Evolution 4] 
|&lt;!--Amiga OS--&gt;[ Samplitude Opus Key], [https://sourceforge.net/projects/hd-rec/ HD-Rec Src], [http://www.sonicpulse.de/eng/news.html SoundFX], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/projects/hd-rec/ HD-Rec], AmiSoundED, [http://os4depot.net/?function=showfile&amp;file=audio/record/audioevolution4.lha Audio Evolution 4] 
|[http://www.hd-rec.de/HD-Rec/index.php?site=home HD-Rec], 
|-
|&lt;!--Sub Menu--&gt;Editing Tracker Music
|&lt;!--AROS--&gt;[https://github.com/hitchhikr/protrekkr Protrekkr], [ Schism Tracker], [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/tracker MilkyTracker], [http://www.hivelytracker.com/ HivelyTracker], [ Radium in AROS already],  [http://www.a500.org/downloads/development/index.xhtml libMikMod], 
|&lt;!--Amiga OS--&gt;MilkyTracker, HivelyTracker, DigiBooster, Octamed SoundStudio, 
|&lt;!--AmigaOS4--&gt;MilkyTracker, HivelyTracker, GoatTracker
|MilkyTracker, GoatTracker, DigiBooster, 
|-
|&lt;!--Sub Menu--&gt;Editing Music [], [https://github.com/kmatheussen/camd CAMD] and/or staves and notes manuscript 
|&lt;!--AROS--&gt;[http://bnp.hansfaust.de/ Bars and Pipes for AROS], [ Audio Evolution], [], 
|&lt;!--Amiga OS--&gt;[http://bnp.hansfaust.de/ Bars'n'Pipes], MusicX* David &quot;Talin&quot; Joiner &amp; Craig Weeks (for Notator-X), Deluxe Music Construction 2*, [https://github.com/timoinutilis/midi-sequencer-amigaos Horny c Src], HD-Rec, [https://aminet.net/package/mus/midi/dominatorV1_51 Dominator], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Rockbeat, [http://bnp.hansfaust.de/download.html Bars'n'Pipes], [http://os4depot.net/index.php?function=browse&amp;cat=audio/edit Horny], Audio Evolution 4, 
|&lt;!--MorphOS--&gt;Bars'n'Pipes, 
|-
|&lt;!--Sub Menu--&gt;Sound Sampling 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/record Audio Evolution 4], [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;did=162 Quick Record], [https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc SOX to get AIFF 16bit files], [https://github.com/aros-development-team/AROS/tree/master/workbench/tools/AHIRecord AHIRecord], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/package/mus/edit/AudioEvolution3_src Audio Evolution 3 c src], [ Samplitude-MS Opus Key], Audiomaster IV*, 
|&lt;!--AmigaOS4--&gt;[https://github.com/timoinutilis/phonolith-amigaos phonolith c src], HD-Rec, Audio Evolution 4,
|&lt;!--MorphOS--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Audio Evolution 4,
|-
|&lt;!--Sub Menu--&gt;Live Looping or Audio Misc - Groovebox like
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;CD/DVD burn
|[https://code.google.com/p/amiga-fryingpan/ FryingPan], 
|&lt;!--Amiga OS--&gt;FryingPan, [http://www.estamos.de/makecd/#CurrentVersion MakeCD], 
|&lt;!--AmigaOS4--&gt;FryingPan, AmiDVD, 
|[http://www.amiga.org/forums/printthread.php?t=58736 FryingPan], Jalopeano, 
|-
|&lt;!--Sub Menu--&gt;CD/DVD audio rip
|Lame, [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;cfid=0&amp;did=167 Quick CDrip],
|&lt;!--Amiga OS--&gt;Lame,  
|&lt;!--AmigaOS4--&gt;Lame, 
|Lame,  
|-
|&lt;!--Sub Menu--&gt;MP3 v1 and v2 Tagger
|&lt;!--AROS--&gt;id3ren (v1), [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/edit mp3info], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|
|-
|&lt;!--Sub Menu--&gt;Audio Convert
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc Sox], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/mus/misc/SoundBox SoundBox], [http://aminet.net/package/mus/misc/SoundBoxKey SoundBox Key], [http://aminet.net/package/mus/edit/SampleE SampleE], sox 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DJ mixing jamming 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Radio Automation Software [http://www.rivendellaudio.org/ Rivendell], [http://code.campware.org/projects/livesupport/report/3 Campware LiveSupport], [http://www.sourcefabric.org/en/airtime/ SourceFabric AirTime], [http://www.ohloh.net/p/mediabox404 MediaBox404], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speakers Audio Sonos Mains AC networked wired controlled 
*2005 ZP100 with ZP80 
*2008 Zoneplayer ZP120 (multi-room wireless amp)  ZP90 receiver only with CR100 controller, 
*2009 ZonePlayer S5, 
*2010 BR100 wireless Bridge (no support),   
*2011 Play:3
*2013 Bridge (no support), Play:1,  
*2016 Arc,   Play:1,   
*Beam (Gen 2),   Playbar,  Ray,   Era 100,   Era 300,   Roam,   Move 2,   
*Sub (Gen 3),   Sub Mini,  Five,  Amp  S2 
|&lt;!--AROS--&gt;SonosController 
|&lt;!--Amiga OS--&gt;SonosController
|&lt;!--AmigaOS4--&gt;SonosController
|&lt;!--MorphOS--&gt;SonosController
|-
|&lt;!--Sub Menu--&gt;Smart Speakers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Video Creativity and Production==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Video
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing Video 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer VAMP], [http://www.a500.org/downloads/video/index.xhtml CDXL player], [http://www.a500.org/downloads/video/index.xhtml IffAnimPlay], [], 
|&lt;!--Amiga OS--&gt;Frogger*, AMP2, MPlayer, RiVA*, MooViD*, 
|&lt;!--AmigaOS4--&gt;DvPlayer, MPlayer 
|&lt;!--MorphOS--&gt;MPlayer, Frogger, AMP2, VLC 
|-
|&lt;!--Sub Menu--&gt;Streaming Video and game streaming like OBS studio, Parsec, [https://github.com/lizardbyte/sunshine sunshine], [https://github.com/moonlight-stream/moonlight-qt moonlight], etc 
|&lt;!--AROS--&gt;Mplayer, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Mplayer, Gnash, Tubexx 
|&lt;!--MorphOS--&gt;Mplayer, OWB, Tubexx
|-
|&lt;!--Sub Menu--&gt;Playing DVD 
|&lt;!--AROS--&gt;[http://a-mc.biz/ AMC]*, Mplayer 
|&lt;!--Amiga OS--&gt;AMP2, Frogger 
|&lt;!--AmigaOS4--&gt;[http://a-mc.biz/ AMC]*, DvPlayer*, AMP2,  
|&lt;!--MorphOS--&gt;Mplayer 
|-
|&lt;!--Sub Menu--&gt;Screen Recording
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record Screenrecorder], [ ], [ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Screenrecorder, 
|-
|&lt;!--Sub Menu--&gt;Create and Edit Individual Video NLE 
|&lt;!--AROS--&gt;[ Mencoder], [ Quick Videos], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit AVIbuild], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc FrameBuild], FFMPEG, 
|&lt;!--Amiga OS--&gt;[ MainConcept Mainactor Broadcast*], [http://en.wikipedia.org/wiki/Video_Toaster Video Toaster*], MacroSystem MovieShop 4.3*, proDAD Adorage*, [ IOSpirit VHI studio]*, [Gold Disk ShowMaker], [], 
|&lt;!--AmigaOS4--&gt;FFMpeg/GUI 
|&lt;!--MorphOS--&gt;Blender, Mencoder, FFmpeg
|-
|&lt;!--Sub Menu--&gt;Subtitle editor 
|&lt;!--AROS--&gt;[https://aminet.net/package/text/edit/Slarti_Arosx86ABIv0 Slarti_Arosx86ABIv0], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;IP-based video production workflows with High Dynamic Range (HDR), 10-bit color collaborative NDI, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Blogging like Lemmy or kbin
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR face recognition for Vtubers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting Live 2D models with Cubism type editor 
&lt;pre&gt;
Model data (cmo3)
Basic motions (can3)
Background image (png)
Set of files for embedding (runtime folder)
• Model data (moc3)
• Motion data (motion3.json)
• Model settings file (model3.json)
• Physics settings file (physics3.json)
• Display auxiliary file (cdi3.json)
&lt;/pre&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting chatters .VRML models - standardized 3D file format for VR avatars 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;V-tubers V-tubing like Vseeface with Openseeface tracker or Vpuppr (virtual puppet project) for 2d / 3d art models rigging rigged LIV 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]


==Misc Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;File Management 
|&lt;!--AROS--&gt;DOpus4, [https://github.com/BlitterStudio/dopus5 DOpus Magellan aka DOpus 5], [ Scalos], [ ], 
|&lt;!--Amiga OS--&gt;DOpus2, DOpus 4, [http://sourceforge.net/projects/dopus5allamigas/files/?source=navbar DOpus Magellan DOpus5], ClassAction, FileMaster, [http://www.amiga.org/forums/showthread.php?t=4897 DirWork 2]*, [https://github.com/RudolphRiedel/DiskMaster2 DiskMaster2 src], 
|&lt;!--AmigaOS4--&gt;DOpus4, DOpus5, Filer, AmiDisk 
|&lt;!--MorphOS--&gt;DOpus4, DOpus5 
|-
|&lt;!--Sub Menu--&gt;File Verification / Repair 
|&lt;!--AROS--&gt;md5 (works in linux compiling shell), [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/filetool workpar2] (PAR2),  [http://zakalwe.fi/~shd/foss/cksfv/files/ compile cksfv from website], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Par2, 
|-
|Application Installer 
|&lt;!--AROS--&gt;[], [ InstallerNG], 
|&lt;!--Amiga OS--&gt;InstallerNG, Grunch, 
|&lt;!--AmigaOS4--&gt;Jack
|&lt;!--MorphOS--&gt;Jack 
|-
|&lt;!--Sub Menu--&gt;Compression archiver [https://github.com/FS-make-simple/paq9a paq9a], [], 
|&lt;!--AROS--&gt;XAD system is a toolkit designed for handling various file and disk archiver
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[https://aminet.net/package/util/pack/decrunchmania_os4 Crunchmania CrM2 depacker], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Binary Hexadecimal Editor 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Zaphod], [],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Repository
|&lt;!--AROS--&gt;[ Git]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Git
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Partition Editor formatter 
|&lt;!--AROS--&gt;[https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1440&amp;highlight=partition&amp;pid=8821#post_8821 QuickPart], [HDToolBox]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Repair
|&lt;!--AROS--&gt;ArSFSDoctor, 
|&lt;!--Amiga OS--&gt; Quarterback Tools, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Multiple File renaming
|&lt;!--AROS--&gt;DOpus 4 or 5, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Anti Virus
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;VChecker, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Random Wallpaper Desktop changer [ DOpus5], [ Scalos],  
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Alarm Clock, Timer, Stopwatch, Countdown 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench DClock], [http://aminet.net/util/time/AlarmClockAROS.lha AlarmClock], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Fortune Cookie Quotes Sayings 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc AFortune], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;C/C++ IDE 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd], [https://github.com/vidarh/FrexxEd FrexxEd src], Annotate, Murks, 
|&lt;!--Amiga OS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Annotate, 
|&lt;!--AmigaOS4--&gt;CodeBench , [https://gitlab.com/boemann/codecraft CodeCraft], 
|&lt;!--MorphOS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Anontate, 
|-
|&lt;!--Sub Menu--&gt;Computer Languages Translation [https://tetracorp.github.io/guide/reverse-engineering-amiga.html ], [https://amigasourcecodepreservation.gitlab.io/amiga-assembler-insider-guide/ ], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://bitbucket.org/rhinoid/convert68000toc/src/main/ convert m68k seka asm-one to c], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Gui Creators
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/guitool MuiBuilder], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[ MuiBuilder],  
|-
|&lt;!--Sub Menu--&gt;Catalog .cd .ct Editors 
|&lt;!--AROS--&gt;FlexCat
|&lt;!--Amiga OS--&gt;[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|&lt;!--AmigaOS4--&gt;[http://aminet.net/package/dev/misc/simplecat SimpleCat], FlexCat
|[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Misc Application 2==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;System 
|&lt;!--AROS--&gt;[ SysExplorer], [ SysMon], [ Scout], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;OSK On Screen Keyboard
|&lt;!--AROS--&gt;[], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/util/wb/OSK.lha OSK]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Magnifier Magnifying Glass Magnification 
|&lt;!--AROS--&gt;[http://www.onyxsoft.se/files/zoomit.lha ZoomIT], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Comic Book CBR CBZ format reader viewer 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comics], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comicon], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Reader 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#legadon Legadon EPUB],[]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Converter 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Text to Speech tts [https://github.com/JonathanFly/bark-installer Bark], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc flite], 
|&lt;!--Amiga OS--&gt;[http://www.text2speech.com translator], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=search&amp;tool=simple FLite]
|&lt;!--MorphOS--&gt;[http://se.aminet.net/pub/aminet/mus/misc/ FLite]
|-
|&lt;!--Sub Menu--&gt;Speech Voice Recognition Dictation - [http://sourceforge.net/projects/cmusphinx/files/ CMU Sphinx], [http://julius.sourceforge.jp/en_index.php?q=en/index.html Julius], [http://www.isip.piconepress.com/projects/speech/index.html ISIP], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speech Voice Changer [], [], [], [], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Display Blanker screensaver 
|&lt;!--AROS--&gt;Blanker Commodity (built in), [https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/screenblanker GarshneBlanker], [http://sourceforge.net/projects/gblanker/ GBlanker Src], [], 
|&lt;!--Amiga OS--&gt;MultiCX, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;ModernArt Blanker, 
|-
|}


==Misc Application 3==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Fractals
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc ], 
|&lt;!--Amiga OS--&gt;ZoneXplorer, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Landscape Rendering 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/raytrace WCS World Construction Set], 
|&lt;!--Amiga OS--&gt;[ Vista Pro], [http://en.wikipedia.org/wiki/World_Construction_Set World Construction Set]
|&lt;!--AmigaOS4--&gt;[ WCS World Construction Set],
|&lt;!--MorphOS--&gt;[ WCS World Construction Set],
|-
|&lt;!--Sub Menu--&gt;Astronomy [https://sourceforge.net/projects/skychart/ skychart freepascal], [], [], 
|&lt;!--AROS--&gt;[ Digital Almanac (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/search?query=planetarium Aminet search], [http://aminet.net/misc/sci/DA3V56ISO.zip Digital Almanac], [https://aminet.net/package/misc/sci/da3sourceV58 Src c V58], [ Galileo renamed to Distant Suns]*, [], 
|&lt;!--AmigaOS4--&gt;[http://sourceforge.net/projects/digital-almanac/ Digital Almanac], Distant Suns*, [http://www.digitaluniverse.org.uk/ Digital Universe]*,
|&lt;!--MorphOS--&gt;[http://www.aminet.net/misc/sci/da3.lha Digital Almanac], [http://www.aminet.net/package/misc/sci/da3-mos-src Src c V56], 
|-
|&lt;!--Sub Menu--&gt;Astrology [https://sourceforge.net/projects/skylendar/ skylendar], [https://github.com/CruiserOne/Astrolog Astrolog], [https://www.astrolog.org/astrolog/astfile.htm Astrology alt site], [https://saravali.github.io/download.html Maitreya], [https://github.com/alamahant/Asteria Asteria], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PCB design
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Digital Signage
|&lt;!--AROS--&gt;Hollywood, Hollywood Designer 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Genealogy History Family Tree Ancestry Records (FreeBMD, FreeREG, and FreeCEN file formats or GEDCOM GenTree)
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; [ Origins], [ Your Family Tree], [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Languages 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Fun School, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Mathematics ([http://www-fourier.ujf-grenoble.fr/~parisse/install_en.html Xcas], etc.), 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/scientific mathX] 
|&lt;!--Amiga OS--&gt;Maple V, mathX, Fun School, GCSE Maths, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;Yacas 
|&lt;!--MorphOS--&gt;Yacas 
|-
|&lt;!--Sub Menu--&gt;Maths Graph Function Plotting
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#MUIPlot MUIPlot], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;App Utility Launcher Dock toolbar  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/docky BoingBar], [], 
|&lt;!--Amiga OS--&gt;[https://github.com/adkennan/DockBot Dockbot],
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Printer [https://github.com/OrcaSlicer/OrcaSlicer OrcaSlicer]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;BASIC Computer Language 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/language Basic4SDL], [ Ace Basic], [ X-AMOS], [SDLBasic], [ Alvyn], 
|&lt;!--Amiga OS--&gt;[http://www.amiforce.de/main.php Amiblitz 3], [http://amos.condor.serverpro3.com/AmosProManual/contents/c1.html Amos Pro], [http://aminet.net/package/dev/basic/ace24dist ACE Basic], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;sdlBasic
|-
|&lt;!--Sub Menu--&gt;HAM amateur radio  [], [], [], [https://cemaxecuter.com/ Dragon OS], [https://github.com/km4ack/73Linux with 73 link update], [https://www.youtube.com/watch?v=YAL5KNePRSg video for], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://www.amigarealm.com/amiga/amicomms/comm4.htm Comm4], [https://www.amigarealm.com/archives/comms/aarug/ TNC Terminal Node Controller with packets over serial connections on Yaesu or Woxum handheld], [https://aminet.net/comm/misc AmiCom], [ with 7Plus file encoder/decoder], [ mksstv], [ RTTYam], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Games &amp; Emulation==

Some emulators/games require OpenGL to function and to adjust ahi prefs channels, frequency and unit0 and unit1 and 
[http://aros.sourceforge.net/documentation/users/shell/changetaskpri.php changetaskpri -1]

Rom patching  https://www.marcrobledo.com/RomPatcher.js/ https://www.romhacking.net/patch/ (ips, ups, bps, etc) and this other site supports the latter formats https://hack64.net/tools/patcher.php 

Free public domain roms for use with emulators can be found [http://www.pdroms.de/ here] as most of the rest are covered by copyright rules. If you like to read about old games see [http://retrogamingtimes.com/ here] and [http://www.armchairarcade.com/neo/ here] and a [http://www.vintagecomputing.com/ blog] about old computers. Possibly some of the [http://www.answers.com/topic/list-of-best-selling-computer-and-video-games best selling] of all time. [http://en.wikipedia.org/wiki/List_of_computer_system_emulators Wiki] with emulated systems list.

[https://archive.gamehistory.org/ Archive of VGHF], [https://library.gamehistory.org/ Video Game History Foundation Library search]


{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Emulation]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Games Emulation Amstrad CPC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [ Caprice32 (OpenGL &amp; pure SDL)], [ Arnold], [https://retroshowcase.gr/cpcbox-master/], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Apple2 and 2GS
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Arcade
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Mame], [ SI Emu (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;Mame, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem xmame], amiarcadia, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 Mame], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 2600 [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Stella], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 5200 [https://github.com/wavemotion-dave/A5200DS A5200DS], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 7800
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 400 800 130XL [https://github.com/wavemotion-dave/A8DS A8DS], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Atari800], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Lynx
|&lt;!--AROS--&gt;[http://myfreefilehosting.com/f/6366e11bdf_1.93MB Handy (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Jaguar
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Bandai Wonderswan 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation BBC Micro and Acorn Electron [http://beehttps://bem-unix.bbcmicro.com/download.html BeebEm], [http://b-em.bbcmicro.com/ B-Em], [http://elkulator.acornelectron.co.uk/ Elkulator], [http://electrem.emuunlim.com/ ElectrEm], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Dragon 32 and Tandy CoCo [http://www.6809.org.uk/xroar/ xroar], [], 
|&lt;!--AROS--&gt;[], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C16 Plus4
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C64
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Vice (ABIv0 only)], [], 
|&lt;!--Amiga OS--&gt;Frodo, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem viceplus], 
|&lt;!--MorphOS--&gt;Vice, 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore Amiga
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Janus UAE], Emumiga, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer UAE], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 UAE], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Japanese MSX MSX2 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Intelivision
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Colecovision and Adam
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Milton Bradley (MB) Vectrex [ Vectrex OpenGL], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation PICO8 Pico-8 fantasy video game console [https://github.com/egordorichev/pemsa-sdl/ pemsa-sdl], [https://github.com/jtothebell/fake-08 fake-08], [https://github.com/Epicpkmn11/fake-08/tree/wip fake-08 fork], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo Gameboy
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem vba no sound], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem vba]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo NES
|&lt;!--AROS--&gt;[ EmiNES], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Fceu], [https://github.com/takahirox/nes-js?tab=readme-ov-file nes-js], [https://github.com/bfirsh/jsnes jsnes], [https://github.com/angelo-wf/NesJs NesJs], 
|&lt;!--Amiga OS--&gt;AmiNES, [http://www.dridus.com/~nyef/darcnes/ darcNES], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem amines]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo SNES
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Zsnes], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem warpsnes]
|&lt;!--MorphOS--&gt;[http://fabportnawak.free.fr/snes/ Snes9x], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo N64 
*HLE and plugins [ mupen64], [https://github.com/ares-emulator/ares ares], [https://github.com/N64Recomp/N64Recomp N64Recomp], [https://github.com/rt64/rt64 rt64], [https://github.com/simple64/simple64 Simple64], 
*LLE [], 
|&lt;!--AROS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+],
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+], [http://aminet.net/package/misc/emu/tr-981125_src TR64], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Gamecube Wii]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Wii U]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/yuzu-emu Nintendo Switch]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation NEC PC Engine 
|&lt;!--AROS--&gt;[], [], [https://github.com/yhzmr442/jspce js-pce], 
|[http://www.hugo.fr.fm/ Hugo], [http://mednafen.sourceforge.net/ Mednafen], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem tgemu]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Master System (SMS)
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Dega], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem sms], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem osmose]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Genesis/Megadrive
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem gp no sound], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem DGen], 
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/genplus-gx/ Genplus], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem genesisplus]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Saturn 
*HLE [https://mednafen.github.io/ mednafen], [http://yabause.org/ yabause], [], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;[http://yabause.org/ Yabause], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Dreamcast 
*HLE [https://github.com/flyinghead/flycast  flycast], [https://code.google.com/archive/p/nulldc/downloads NullDC], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair ZX80 and ZX81 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair Spectrum 
|[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Fuse (crackly sound)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer SimCoupe], [ FBZX slow], [https://jsspeccy.zxdemo.org/ jsspeccy], [http://torinak.com/qaop/games qaop], 
|&lt;!--Amiga OS--&gt;[http://www.lasernet.plus.com/ Asp], [http://www.zophar.net/sinclair.html Speculator], [http://www.worldofspectrum.org/x128/index.html X128], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair QL
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/misc/emu/QDOS4amiga1 QDOS4amiga]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation SNK NeoGeo Pocket
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem gngeo], NeoPop, 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sony PlayStation
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem FPSE], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem FPSE]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS2]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS3]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://vita3k.org/ Sony Vita]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/shadps4-emu/shadPS4 PS4]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation [http://en.wikipedia.org/wiki/Tangerine_Computer_Systems Tangerine] Oric and Atmos 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Oricutron]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem Oricutron]
|&lt;!--MorphOS--&gt;[http://aminet.net/package/misc/emu/oricutron Oricutron]
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 99/4 99/4A [https://github.com/wavemotion-dave/DS994a DS994a], [], [https://js99er.net/#/ js99er], [], [http://aminet.net/package/misc/emu/TI4Amiga TI4Amiga], [http://aminet.net/package/misc/emu/TI4Amiga_src TI4Amiga src in c], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation HP 38G 40GS 48 49G/50G Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 58 83 84 85 86 - 89 92 Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [https://www.rockpapershotgun.com/ General]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|- style=&quot;background:lightgrey; text-align:center; font-weight:bold;&quot;
| Games [https://www.trackawesomelist.com/michelpereira/awesome-open-source-games/ Open Source and others] || AROS || Amiga OS || Amiga OS4 || Morphos 
|-
|&lt;!--Sub Menu--&gt;Games Action like [https://github.com/BSzili/OpenLara/tree/amiga/src source of openlara SDL2], [https://github.com/opentomb/OpenTomb opentomb], [https://github.com/LostArtefacts/TRX TRX formerly Tomb1Main], [https://github.com/TombEngine TombEngine], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Thrust], [https://github.com/fragglet/sdl-sopwith sdl sopwith], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action BOH], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Adventure like [http://dotg.sourceforge.net/ DMJ], [https://github.com/kromenak/gengine Gabriel Knight 3], [http://www.sarien.net/ Sierra Sarien], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/adventure dmagnetic], [https://archives.arosworld.org/?function=browse&amp;cat=emulation/misc ScummVM], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying frotz infocom], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Board like [https://github.com/aperture-software/colditz-escape escape from colditz], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/board], [http://amigan.1emu.net/releases Africa]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Cards 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/card ], [], 
|&lt;!--AmigaOS--&gt;[http://home.arcor.de/amigasolitaire/e/welcome.html Reko], [https://github.com/samskivert/beschei-en beschei Src], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Misc [https://github.com/michelpereira/awesome-open-source-games Awesome open], [https://github.com/bobeff/open-source-games General Open Source], [https://github.com/SAT-R/sa2 Sonic Advance 2], [https://github.com/velorek1/cwordle Wordle type], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games FPS like [https://aminet.net/package/game/shoot/D1X_Rebirth_AGA Descent D1X src], [https://github.com/DescentDevelopers/Descent3 Descent 3], [https://github.com/Fewnity/Counter-Strike-Nintendo-DS Counter-Strike-Nintendo-DS], [https://github.com/Aleph-One-Marathon/alephone Bungie Marathon 1994], [https://github.com/ZDoom/gzdoom gzdoom], [], 
|&lt;!--AROS--&gt;Doom, Quake, [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Quake 3 Arena (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Assault Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube 2 Sauerbraten (OpenGL)], [http://fodquake.net/test/ FodQuake QuakeWorld], [ Duke Nukem 3D], [ Darkplaces Nexuiz Xonotic], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Doom 3 SDL (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Hexenworld and Hexen 2], [ Aliens vs Predator Gold 2000 (openGL)], [ Odamex (openGL doom)], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ zgloom],  
], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ ab3dhd], [], 
|&lt;!--Amiga OS--&gt;Doom, Quake, AB3D, Fears, Breathless, Gloom, 
|&lt;!--AmigaOS4--&gt;Doom, Quake, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12 Doom], Quake, Quake 3 Arena, [https://github.com/OpenXRay/xray-16 S.T.A.L.K.E.R Xray]
|-
|&lt;!--Sub Menu--&gt;Games MMORG like 
|&lt;!--AROS--&gt;[ Eternal Lands (OpenGL)],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Platform like 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform], [ Maze of Galious], [ Gish]*(openGL), [ Mega Mario], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ thextech SMBX], [http://www.gianas-return.de/ Giana's Return], [http://www.sqrxz.de/ Sqrxz], [www.sqrxz2.de/ Sqrxz 2], [http://www.sqrxz.de/sqrxz-3/ Sqrxz 3], [http://www.sqrxz.de/sqrxz-4/ Sqrxz 4], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform Cave Story], [https://bszili.morphos.me/ Frogatto], [https://bszili.morphos.me/ OpenJazz], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ pekkakana2], [ Aquaria], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ sonic CD], [], 
|&lt;!--Amiga OS--&gt;[ Giana Sisters], [], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Puzzle [https://github.com/mariopartyrd/marioparty4/tree/port Party], [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle], [ Cubosphere (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle Candy Crisis], [http://bszili.morphos.me/ TailTale], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Racing [ Trigger Rally], [ VDrift], [http://www.ultimatestunts.nl/index.php?page=2&amp;lang=en Ultimate Stunts], [http://maniadrive.raydium.org/ Mania Drive], [https://github.com/plowteam/donut Simpsons Hit and Run], [], 
|&lt;!--AROS--&gt;[ Super Tux Kart (OpenGL)], [http://www.dusabledanslherbe.eu/AROSPage/F1Spirit.30.html F1 Spirit (OpenGL)], [http://bszili.morphos.me/index.html MultiRacer], [https://bszili.morphos.me/ Speed Dreams], [], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://bszili.morphos.me/index.html Speed Dreams], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12], [http://bszili.morphos.me/index.html TORCS], 
|-
|&lt;!--Sub Menu--&gt;Games 1st first person DRPG [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/OpenEnroth/OpenEnroth OpenEnroth MM], []
|&lt;!--AROS--&gt;[https://github.com/BSzili/aros-stuff Arx Libertatis], [http://www.playfuljs.com/a-first-person-engine-in-265-lines/ js raycaster], [https://github.com/Dorthu/es6-crpg webgl], [https://github.com/sonountaleban/AmiShockolate System Shock], [], [], 
|&lt;!--AmigaOS--&gt;Phantasie, Faery Tale, Dungeon Master, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 3rd third person action CRPG  [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/alexbatalov/fallout1-ce fallout ce], [], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ fheroes2 homm2], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ breakhack], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ devilutionx diablo 1 hellfire], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ fallout 1], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games isometric RPG [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/topics/dungeon?l=javascript Dungeon], [], [https://github.com/clintbellanger/heroine-dusk JS Dusk], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying nethack], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying GemRB], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games card based RPG [https://github.com/open-duelyst/duelyst Duelyst], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Rhythm, Beat, Step [], [], [https://clonehero.net/ clonehero], [https://github.com/MatteoGodzilla/Dj-Engine Dj-Engine], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc Frets on Fire], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Shoot Em Ups [http://www.mhgames.org/oldies/formido/ Formido], [http://code.google.com/p/violetland/ Violetland], 
||&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Open Tyrian], [http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], [ Alien Blaster], [https://github.com/OpenFodder/openfodder OpenFodder], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Simulations [http://scp.indiegames.us/ Freespace 2], [http://www.heptargon.de/gl-117/gl-117.html GL117], [http://code.google.com/p/corsix-th/ Theme Hospital], [http://code.google.com/p/freerct/ Rollercoaster Tycoon], [http://hedgewars.org/ Hedgewars], [https://github.com/raceintospace/raceintospace raceintospace], [https://github.com/Return-To-The-Roots RTTR Settlers 2], [https://github.com/OoliteProject/oolite oolite elite], [https://github.com/fesh0r/newkind newkind elite], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;SimCity, SimAnt, Sim Hospital, Theme Park, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Life Sim [https://github.com/ACreTeam/forest Animal Crossing], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Strategy [http://rtsgus.org/ RTSgus], [http://wargus.sourceforge.net/ Wargus], [http://stargus.sourceforge.net/ Stargus], [https://github.com/KD-lab-Open-Source/Perimeter Perimeter], [https://matty77.itch.io/conflict-3049 conflict-3049], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy MegaGlest (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy UFO:AI (OpenGL)], [http://play.freeciv.org/ FreeCiv], [https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ signus], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Horror [https://github.com/Mikompilation/MikuPan Fatal Frame], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Sandbox Voxel Open World Exploration [https://github.com/UnknownShadow200/ClassiCube Classicube],[http://www.michaelfogleman.com/craft/ Craft], [https://github.com/tothpaul/DelphiCraft DelphiCraft],[https://www.minetest.net/ Luanti formerly Minetest], [ infiniminer], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Battle Royale [https://bruh.io/ Play.Bruh.io], [https://www.coolmathgames.com/0-copter Copter Royale], [https://surviv.io/ Surviv.io], [https://nuggetroyale.io/#Ketchup Nugget Royale], [https://miniroyale2.io/ Miniroyale2.io], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Tower Defense [https://chriscourses.github.io/tower-defense/ HTML5], [https://github.com/SBardak/Tower-Defense-Game TD C++], [https://github.com/bdoms/love_defense LUA and LOVE], [https://github.com/HyOsori/Osori-WebGame HTML5], [https://github.com/PascalCorpsman/ConfigTD ConfigTD Pascal], [https://github.com/GloriousEggroll/wine-ge-custom Wine], []
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Visual Novel Engines [https://github.com/Kirilllive/tuesday-js Tuesday JS], [ Lua + LOVE], [https://github.com/weetabix-su/renpsp-dev RenPSP], [https://github.com/Galladite27/ONScripter-EN ONScripter-EN], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Reality VR [https://gitlab.com/madsbuvi/openmw openmw vr], [https://github.com/Team-Beef-Studios/BeefRaiderXR BeefRaiderXR], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Table Top VTT [ Roll20], [https://www.owlbear.rodeo/ owlbear rodeo], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Computer assisted TableTop TTRPG OSR [https://www.rpgsolo.com/play.php RPGSolo], [https://github.com/fpsvogel/solo-ttrpgs Solo TTRPG], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 2D 3D Engines [https://github.com/fegennari/3DWorld 3DWorld], [https://github.com/GarageGames/Torque3D Torque3D], [https://github.com/gameplay3d/GamePlay GamePlay 3D],  [https://www.babylonjs.com/ BabylonJS ], [ Godot], [ Ogre], [ Crystal Space], [https://github.com/JacobHess03/ Dragon-Quest like], [], [], 
|&lt;!--AROS--&gt;[https://www.arkhamdev.net/wiki.htm?id=agx Arkham Development antiryadgx 8.9 lts with register], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games C based game frameworks [https://github.com/orangeduck/Corange Corange], [https://github.com/scottcgi/Mojoc Mojoc], [https://orx-project.org/ Orx], [https://github.com/ioquake/ioq3 Quake 3], [https://www.mapeditor.org/ Tiled], [https://www.raylib.com/ 2d Raylib], [https://github.com/Rabios/awesome-raylib other raylib], [https://github.com/MrFrenik/gunslinger Gunslinger], [https://o3de.org/ o3d], [http://archives.aros-exec.org/index.php?function=browse&amp;cat=development/library GLFW], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/library Raylib 5], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Pinball [https://github.com/vpinball/vpinball vpinball], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|}


==Application Guides==

[[#top|...to the top]]

===Web Browser===

OWB is now at version 2.0 (which got an engine refresh, from July 2015 to February 2019) and 3.0.

This latest version has a good support for many/most web sites, even YouTube web page now works. 

This improved compatibility comes at the expense of higher RAM usage (now 1GB RAM is the absolute minimum). 

Also, keep in mind that the lack of a JIT (Just-In-Time) JS compiler on the 32 bit version, makes the web surfing a bit slow. 

Only the 64 bit version of OWB 2.0 will have JIT enabled, thus benefitting of more speed. There are tooltypes that can be added to the icon to provide further features JIT, MSE etc 


Certificates from [https://curl.se/docs/caextract.html ca certs], 


DNS tracking blocking with [https://easylist.to/easylist/easylist.txt easylist.txt] in PROGDIR:Conf before starting browser with enabled AdBlock [https://github.com/easylist/easylist/tree/master easylist], [https://gitlab.com/eyeo anti abp], [https://firebog.net/ big blocklist], [https://github.com/StevenBlack/hosts Steves], [], [], 

This can be enabled with OWB Odyssey with Windows -&gt; Content Blocking and Windows -&gt; Messages and enter 

 https://www.youtube.com/api/stats/ads*
 https://www.youtube.com/pagead/adview*
 https://www.youtube.com#@##player-ads*

into your custom filters 


Element blocker browser extension might be needed for [https://github.com/easylist/easylist/wiki/Youtube-Issues youtube], [ mid roll], [ pre roll], [ ],  


OWB speed is much better when running from RAM Disk, the best way is to add the below into your S:User-Startup which copies OWB drawer from Extras:Internet/OWB to RAM Disk: 

So add this :
&lt;pre&gt;
copy Extras:Internet/OWB Ram:OWB/ ALL CLONE &gt;NIL:
copy Extras:Internet/OWB.info Ram: &gt;NIL:
&lt;/pre&gt;
Open RAM Disk and open OWB drawer and double click on OWB icon so that the above icon tooltypes are activated 

Problems are that the copy time is long (around 20 seconds added in the background), but we can make it faster if we delete useless files from the OWB drawer (docs, …)
If you don’t copy the drawer back onto the HD, you won’t save your cache, cookies, passwords… So you need a script for it.


Error messages 

SSL error &quot;cant verify with ca-certificates&quot;, check bios clock time date is correct 

Error 6, try checking networking prefs settings and Save / Use preferences again or a '''few times''' otherwise the network chipset may not be compatible with Aros 


[https://www.google.com/search?q=%s&amp;udm=14 Google search without AI overview] 


===E-mail===

 YAM does not support SSL and most mail providers now switched to encrypted SMTP/POP3 connections


====SimpleMail====

SimpleMail supports IMAP and appears to work with GMail, but it's never been reliable enough, it can crash with large mailboxes.

Please read more on this [http://www.freelists.org/list/simplemail-usr User list]


 GMail

Be sure to activate the pop3 usage in your gmail account setup / configuration first.

pop3: 
pop.gmail.com
Use SSL: Yes
Port: 995

smtp:
smtp.gmail.com (with authentication)
Use Authentication: Yes
Use SSL: Yes
Port: 465 or 587


 Hotmail/MSN/outlook/Microsoft Mail mid-2017, all outlook.com accounts will be migrated to Office 365 / Exchange

Most users are currently on POP which does not allow showing folders and many other features (technical limitations of POP3). With Microsoft IMAP you will get folders, sync read/unread, and show flags. You still won't get push though, as Microsoft has not turned on the IMAP Idle command as at Sept 2013.

If you want to try it, you need to first remove (you can't edit) your pop account (long-press the account on the accounts screen, delete account). Then set it up this way:

1. Email/Password
2. Manual
3. IMAP
4.

* Incoming: imap-mail.outlook.com, port 993, SSL/TLS should be checked
* Outgoing: smtp-mail.outlook.com, port 587, SSL/TLS should be checked
* POP server name pop-mail.outlook.com, port 995, POP encryption method SSL

 Yahoo  Mail

On April 24, 2002 Yahoo ceased to offer POP access to its free mail service. Introducing instead a yearly payment feature, allowing users POP3 and IMAP server support, along with such benefits as larger file attachment sizes and no adverts.

Sorry to see Yahoo leaving its users to cough up for the privilege of accessing their mail. Understandable, when competing against rivals such as Gmail and Hotmail who hold a large majority of users and were hacked in 2014 as well.


Incoming Mail (IMAP) Server

* Server - imap.mail.yahoo.com
* Port - 993
* Requires SSL - Yes

Outgoing Mail (SMTP) Server

* Server - smtp.mail.yahoo.com
* Port - 465 or 587
* Requires SSL - Yes
* Requires authentication - Yes

Your login info

* Email address - Your full email address (name@domain.com)
* Password - Your account's password
* Requires authentication - Yes


Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a subscription subs fee to have access to SMTP and POP3

* Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
* “Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
* “Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
* “Password” – Your Yahoo Mail password.

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

* Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.


====YAM Yet Another Mailer====

 YAM does not support SSL and most mail providers have now switched to encrypted SMTP/POP3 connections

This email client is POP3 only if the SSL library is available [http://www.freelists.org/list/yam YAM Freelists]

One of the downsides of using a POP3 mailer unfortunately - you have to set an option not to delete the mail if you want it left on the server. IMAP keeps all the emails on the server.

Possible issues

Sending mail issues is probably a matter of using your ISP's SMTP server, though it could also be an SSL issue.


getting a &quot;Couldn't initialise TLSv1 / SSL error

Use of on-line e-mail accounts with this email client is not possible as it lacks the OpenSSL AmiSSl v3 compatible library

 GMail 
Incoming Mail (POP3) Server - requires SSL: pop.gmail.com
Use SSL: Yes
Port: 995

Outgoing Mail (SMTP) Server - requires TLS: smtp.gmail.com (use authentication)
Use Authentication: Yes
Use STARTTLS: Yes (some clients call this SSL)
Port: 465 or 587

Account Name: your Gmail username (including '@gmail.com')
Email Address: your full Gmail email address (username@gmail.com)
Password: your Gmail password

Anyway, the SMTP is pop.gmail.com port 465 and it uses SSLLv3 Authentication. The POP3 settings are for the same server (pop.gmail.com), only on port 995 instead.


 Outlook.com access

&lt;pre &gt;
Outlook.com SMTP server address: smtp.live.com
Outlook.com SMTP user name: Your full Outlook.com email address (not an alias)
Outlook.com SMTP password: Your Outlook.com password
Outlook.com SMTP port: 587
Outlook.com SMTP TLS/SSL encryption required: yes 
&lt;/pre &gt;


 Yahoo  Mail

&lt;pre &gt;
“POP3 Server” – Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
“SMTP Server” – Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.
“Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
“Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
“Password” – Your Yahoo Mail password.
&lt;/pre &gt;

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a monthly fee to have access to SMTP and POP3


 Microsoft Outlook Express Mail 

1. Get the files to your PC.
By whatever method get the files off your Amiga onto your PC. In the YAM folder you have a number of different folders, one for each of your folders in YAM. Inside that is a file usually some numbers such as 332423.283. YAM created a new file for every single email you received.

2. Open up a brand new Outlook Express. Just configure the account to use 127.0.0.1 as mail servers. It doesn't really matter. You will need to manually create any subfolders you used in YAM.

3. You will need to do a mass rename on all your email files from YAM. Just add a .eml to the end of it. Amazing how PCs still rely mostly on the file name so it knows what sort of file it is rather than just looking at it! There are a number of multiple renamers online to download and free too.

4. Go into each of your folders, inbox, sent items etc. And do a select all then drag the files into Outlook Express (to the relevant folder obviously) Amazingly the file format that YAM used is very compatible with .eml standard and viola your emails appear. With correct dates and working attachments.

5. If you want your email into Microsoft Outlook. Open that up and create a new profile and a new blank PST file. Then go into File Import and choose to import from Outlook Express. And the mail will go into there. And viola.. you have your old email from your Amiga in a more modern day format.


===FTP===

Magellan has a great FTP module. It allows transferring files from/to a FTP server over the Internet or the local network and, even if FTP is perceived as a &quot;thing of the past&quot;, its usability is all inside the client. The FTP thing has a nice side effect too, since every Icaros machine can be a FTP server as well, and our files can be easily transferred from an Icaros machine to another with a little configuration effort.

First of all, we need to know the 'server' IP address. Server is the Icaros machine with the file we are about to download on another Icaros machine, that we're going to call 'client'. To do that, move on the server machine and 1) run Prefs/Services to be sure &quot;FTP file transfer&quot; is enabled (if not, enable it and restart Icaros); 2) run a shell and enter this command:

ifconfig -a

Make a note of the IP address for the network interface used by the local area network. For cabled devices, it usually is net0:. Now go on the client machine and run Magellan:

Perform these actions: 1) click on FTP; 2) click on ADDRESS BOOK; 3) click on &quot;New&quot;. 
You can now add a new entry for your Icaros server machine:

1) Choose a name for your server, in order to spot it immediately in the address book. Enter the IP address you got before.

2) click on Custom Options:


1) go to Miscellaneous in the left menu;

2) Ensure &quot;Passive Transfers&quot; is NOT selected;

3) click on Use. We need to deactivate Passive Transfers because YAFS, the FTP server included in Icaros, only allows active transfers at the current stage. Now, we can finally connect to our new file source:


1) Look into the address book for the newly introduced server, be sure that name and IP address are right, and

2) click on Connect. A new lister with server's &quot;MyWorkspace&quot; contents will appear. You can now transfer files over the network choosing a destination among your local (client's) volumes.

Can be adapted to any FTP client on any platform of your choice, just be sure your client allows Active Transfers as well.


===IRC Internet Relay Chat===

Jabberwocky is ideal for one-to-one social media communication, use IRC if you require one to many. 

Just type a message in ''lowercase''' letters and it will be posted to all in the [ AROS irc channel]. Please do not use UPPER CASE as it is a sign of SHOUTING which is annoying.

Other things to type in - replace &lt;message&gt; with a line of text and &lt;nick&gt; with a person's name

&lt;pre&gt;
/help

/list

/who
/whois &lt;nick&gt;

/msg &lt;nick&gt; &lt;message&gt;

/query &lt;nick&gt; 
&lt;message&gt;s
/query

/away &lt;message&gt;
/away

/quit &lt;going away message&gt; 
&lt;/pre&gt;


[http://irchelp.org/irchelp/new2irc.html#smiley Intro guide here]. IRC Primer can be found here in [http://www.irchelp.org/irchelp/ircprimer.html html], [http://www.irchelp.org/irchelp/text/ircprimer.txt TXT], [http://www.kei.com/irc/IRCprimer1.1.ps PostScript].


Issue the command /me &lt;text&gt; where &lt;text&gt; is the text that should follow your nickname.
Example: /me slaps ajk around a bit with a large trout

/nick &lt;newNick&gt;

/nickserv register &lt;password&gt; &lt;email address&gt;

/ns instead of /nickserv, while others might need /msg nickserv

/nickserv identify &lt;password&gt;

Alternatives:
/ns identify &lt;password&gt;
/msg nickserv identify &lt;password&gt;


==== IRC WookieChat ====

WookieChat is the most complete internet client for communication across the IRC Network. WookieChat allows you to swap ideas and communicate in real-time, you can also exchange Files, Documents, Images and everything else using the application's DCC capabilities.


add smilies drawer/directory

 run wookiechat from the shell and set stack to 1000000 e.g. wookiechat stack 1000000

select a server / server window

* nickname 
* user name 
* real name - optional

Once you configure the client with your preferred screen name, you'll want to find a channel to talk in.


servers

* New Server - click on this to add / add extra - change details in section below this click box 
* New Group
* Delete Entry
* Connect to server
* connect in new tab
* perform on connect

Change details

* Servername - change text in this box to one of the below Server: 
* Port number - no need to change
* Server password
* Channel - add #channel from below 
* auto join - can click this 
* nick registration password,

Click Connect to server button above


&lt;pre&gt;
Server: irc.freenode.net
Channel: #aros
&lt;/pre&gt;

irc://irc.freenode.net/aros

&lt;pre&gt;
Server: chat.amigaworld.net 
Channel: #amigaworld or #amigans 
&lt;/pre&gt;

&lt;pre&gt;
On Sunday evenings USA time usually starting around 3PM EDT (1900 UTC)
Server:irc.superhosts.net
Channel #team*amiga  
&lt;/pre&gt;

&lt;pre&gt;
BitlBee and Minbif are IRCd-like gateways to multiple IM networks
Server: im.bitlbee.org 
Port 6667 
Seems to be most useful on WookieChat as you can be connected to several servers at once. One for Bitlbee and any messages that might come through that. One for your normal IRC chat server. 
&lt;/pre&gt;

[http://www.bitlbee.org/main.php/servers.html Other servers],

&lt;pre&gt;
#Amiga.org - irc.synirc.net eu.synirc.net dissonance.nl.eu.synirc.net (IPv6: 2002:5511:1356:0:216:17ff:fe84:68a) 
twilight.de.eu.synirc.net zero.dk.eu.synirc.net us.synirc.net avarice.az.us.synirc.net envy.il.us.synirc.net harpy.mi.us.synirc.net 
liberty.nj.us.synirc.net snowball.mo.us.synirc.net - Ports 6660-6669 7001 (SSL)
&lt;/pre&gt;

&lt;pre&gt;
Multiple server support
&quot;Perform on connect&quot; scripts and channel auto-joins
Automatic Nickserv login
Tabs for channels and private conversations
CTCP PING, TIME, VERSION, SOUND
Incoming and Outgoing DCC SEND file transfers
Colours for different events
Logging and automatic reloading of logs
mIRC colour code filters
Configurable timestamps
GUI for changing channel modes easily
Configurable highlight keywords
URL Grabber window
Optional outgoing swear word filter
Event sounds for tabs opening, highlighted words, and private messages
DCC CHAT support
Doubleclickable URL's
Support for multiple languages using LOCALE
Clone detection
Auto reconnection to Servers upon disconnection
Command aliases
Chat display can be toggled between AmIRC and mIRC style
Counter for Unread messages
Graphical nicklist and graphical smileys with a popup chooser
&lt;/pre&gt;


====IRC Aircos ====

Double click on Aircos icon in Extras:Networking/Apps/Aircos. It has been set up with a guest account for trial purposes. Though ideally, choose a nickname and password for frequent use of irc. 


====IRC and XMPP Jabberwocky====
 Servers are setup and close down at random 
You sign up to a server that someone else has setup and access chat services through them. 

The two ways to access chat from jabberwocky
&lt;pre &gt;
Jabberwocky -&gt; Server -&gt; XMPP -&gt; open and ad-free 
Jabberwocky -&gt; Server -&gt; Transports (Gateways) -&gt; Proprietary closed systems 
&lt;/pre &gt;

The Jabber.org service connects with all IM services that use XMPP, the open standard for instant messaging and presence over the Internet. The services we connect with include Google Talk (closed), Live Journal Talk, Nimbuzz, Ovi, and thousands more. However, you can not connect from Jabber.org to proprietary services like AIM, ICQ, MSN, Skype, or Yahoo because they don’t yet use XMPP components (XEP-0114) '''but''' you can use Jabber.com's servers and IM gateways (MSN, ICQ, Yahoo etc.) instead.

The best way to use jabberwocky is in conjunction with a public jabber server with '''transports''' to your favorite services, like gtalk, Facebook, yahoo, ICQ, AIM, etc.


You have to register with one of the servers, [https://list.jabber.at/ this list] or [http://www.jabberes.org/servers/ another list], [http://xmpp.net/ this security XMPP list],

Unfortunately jabberwocky can only connect to one server at a time so it is best to check what services each server offers. If you set it up with separate Facebook and google talk accounts, for example, sometimes you'll only get one or the other.

Jabberwocky open a window where the Jabber server part is typed in as well as your Nickname and Password.

Jabber ID (JID) identifies you to the server and other users.

Once registered the next step is to goto Jabberwocky's &quot;Windows&quot; menu and select the &quot;Agents&quot; option. The &quot;Agents List&quot; window will open.

Roster (contacts list)

[http://search.wensley.org.uk/ Chatrooms] (MUC) are available

File Transfer - can send and receive files through the Jabber service but not with other services like IRC, ICQ, AIM or Yahoo. All you need is an installed webbrowser and OpenURL.

Clickable URLs - The message window uses Mailtext.mcc and you can set a URL action in the MUI mailtext prefs like SYS:Utils/OpenURL %s NEWWIN.

There is no consistent Skype like (H.323 VoIP) video conferencing available over Jabber. The move from xmpp to Jingle should help but no support on any amiga-like systems at the moment. [http://aminet.net/package/dev/src/AmiPhoneSrc192 AmiPhone] and [http://www.lysator.liu.se/%28frame,faq,nobg,useframes%29/ahi/v4-site/ Speak Freely] was an early attempt voice only contact. SIP and Asterisk are other PBX options.


 Facebook

If you're using the XMPP transport provided by Facebook themselves, chat.facebook.com, it looks like they're now requiring SSL transport. This means jabberwocky method below will no longer work. The best thing to do is to create an ID on a public jabber server which has a Facebook gateway.

&lt;pre &gt;
1. launch jabberwocky
2. if the login window doesn't appear on launch, select 'account' from the jabberwocky menu
3. your jabber ID will be user@chat.facebook.com where user is your user ID
4. your password is your normal facebook password
5. to save this for next time, click the popup gadget next to the ID field

6. click the 'add' button
7. click the 'close' button
8. click the 'connect' button
&lt;/pre &gt;

you're done. you can also click the 'save as default account' button if you want. jabberwocky configured to auto-connect when launching the program, but you can configure as you like. there is amigaguide documentation included with jabberwocky.

[http://amigaworld.net/modules/newbb/viewtopic.php?topic_id=37085&amp;forum=32 Read more here]

for Facebook users, you can log-in directly to Facebook with jabberwocky. just sign in as @chat.facebook.com with your Facebook password as the password


 Twitter

For a few years, there has been added a twitter transport. Servers include [http://jabber.hot-chilli.net/ jabber.hot-chili.net],  and .

An [http://jabber.hot-chilli.net/tag/how-tos/ How-to]

:Read [http://jabber.hot-chilli.net/2010/05/09/twitter-transport-working/ more]

 Instagram 

no support at the moment best to use a web browser based client

 ICQ

The new version (beta) of StriCQ uses a newer ICQ protocol. Most of the ICQ Jabber Transports still use an older ICQ protocol. You can only talk one-way to StriCQ using the older Transports. Only the newer ICQv7 Transport lets you talk both ways to StriCQ. Look at the server lists in the first section to check.

Register on a Jabber server, e.g. this one works: http://www.jabber.de/
Then login into Jabberwocky with the following login data e.g. xxx@jabber.de / Password: xxx Now add your ICQ account under the window-&gt;Agents-&gt;&quot;Register&quot;. Now Jabberwocky connects via the Jabber.de server with your ICQ account.

 Yahoo Messenger

although yahoo! does not use xmpp protocol, you should be able to use the transport methods to gain access and post your replies

 MSN

early months of 2013 Microsoft will ditch MSN Messenger client and force everyone to use Skype...but MSN protocol and servers will keep working as usual for quite a long time....

Occasionally the Messenger servers have been experiencing problems signing in.  You may need to sign in at www.outlook.com and then try again.  It may also take multiple tries to sign in.  (This also affects you if you’re using Skype.)

You have to check each servers' Agents List to see what transports (MSN protocol, ICQ protocol, etc.) are supported or use the list address' provided in the section above. Then register with each transport (IRC, MSN, ICQ, etc.) to which you need access. After registering you can Connect to start chatting.

msn.jabber.com/registered should appear in the window.

From this [http://tech.dir.groups.yahoo.com/group/amiga-jabberwocky/message/1378 JW group] guide which  helps with this process in a clear, step by step procedure.

1. Sign up on MSN's site for a passport account. This typically involves getting a Hotmail address.

2. Log on to the Jabber server of your choice and do the following:

* Select the &quot;Windows/Agents&quot; menu option in Jabberwocky.
* Select the MSN Agent from the list presented by the server.
* Click the Register button to open a new window asking for:
**Username = passort account email address, typically your hotmail address.
**Nick = Screen name to be shown to anyone you add to your buddy list.
**Password = Password for your passport account/hotmail address.
* Click the Register button at the bottom of the new window.

3. If all goes well, you will see the MSN Gateway added to your buddy list. If not, repeat part 2 on another server. Some servers may show MSN in their list of available agents, but have not updated their software for the latest protocols used by MSN.

4. Once you are registered, you can now add people to your buddy list. Note that you need to include the '''msn.''' ahead of the servername so that it knows what gateway agent to use. Some servers may use a slight variation and require '''msg.gate.''' before the server name, so try both to see what works.

If my friend's msn was amiga@hotmail.co.uk and my jabber server was @jabber.meta.net.nz..
then amiga'''%'''hotmail.com@'''msn.'''jabber.meta.net.nz

or another the trick to import MSN contacts is that you don't type the hotmail URL but the passport URL... e.g. Instead of: goodvibe%hotmail.com@msn.jabber.com  You type: goodvibe%passport.com@msn.jabber.com 
And the thing about importing contacts I'm afraid you'll have to do it by hand, one at the time...

 Google Talk

any XMPP server will work, but you have to add your contacts manually. a google talk user is typically either @gmail.com or @talk.google.com. a true gtalk transport is nice because it brings your contacts to you and (can) also support file transfers to/from google talk users.

implement Jingle a set of extensions to the IETF's Extensible Messaging and Presence Protocol (XMPP)

support ended early 2014 as Google moved to Google+ Hangouts which uses it own proprietary format


===Video Player MPlayer===

Many of the menu features (such as doubling) do not work with the current version of mplayer but using

4:3
 mplayer -vf scale=800:600 file.avi

16:9
 mplayer -vf scale=854:480 file.avi

if you want gui use;
 mplayer -gui 1 &lt;other params&gt; file.avi

&lt;pre &gt;
stack 1000000

; using AspireOS 1.xx 
; copy FROM SYS:Extras/Multimedia/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 1.x 
; copy FROM SYS:Tools/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 2.x 
; copy FROM SYS:Utilities/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

cd RAM:MPlayer
run MPlayer -gui &gt; Nil:
;run MPlayer -gui -ao ahi_dev -playlist http://www.radio-paralax.de/listen.pls &gt; Nil: 
&lt;/pre &gt;

$ mplayer rtsp://127.0.0.1:554/sample_300kbit.mp4


MPlayer supports multicast streaming, and rtp/rtsp protocols (it might require [http://www.live555.com/openRTSP/ live555 library] to work with some streams). But you might have to build it where it's disabled. Also, multicast won't work with some AmiTCP-likes. MIAMI supported it, though.

AROS supports IPv4 (old but works) and this includes the needed address space for RTP.

If you mean multicast via RTP - mplayer handles it. You can even force UDP over TCP

-rtsp-stream-over-tcp

If the rtsp Real Time Streaming Protocol  server needs authentification:

-user -passwd


MPlayer - Menu - Open Playlist and load already downloaded .pls or .m3u file - auto starts around 4 percent cache

MPlayer - Menu - Open Stream and copy one of the .pls lines below into space allowed, press OK and press play button on main gui interface


Old 8bit 16bit remixes chip tune game music 
 
http://www.radio-paralax.de/listen.pls 

http://scenesat.com/

http://www.shoutcast.com/radio/Amiga

http://www.theoldcomputer.com/retro_radio/RetroRadio_Main.htm

http://www.kohina.com/

http://www.remix64.com/

http://retrogamer.net/forum/

http://retroasylum.podomatic.com/rss2.xml

http://retrogamesquad.com/

http://www.retronauts.com/

http://monsterfeet.com/noquarter/

http://www.retrogamingradio.com/

http://www.radiofeeds.co.uk/mp3.asp


[[#top|...to the top]]

====ZunePaint==== 

simplified typical workflow

* importing and organizing and photo management
* making global and regional local correction(s) - recalculation is necessary after each adjustment as it is not in real-time 
* exporting your images in the best format available with the preservation of metadata


Whilst achieving 80% of a great photo with just a filter, the remaining 20% comes from a manual fine-tuning of specific image attributes.


For photojournalism, documentary, and event coverage, minimal touching is recommended. Stick to Camera Raw for such shots, and limit changes to level adjustment, sharpness, noise reduction, and white balance correction.

For fashion or portrait shoots, a large amount of adjustment is allowed and usually ends up far from the original. Skin smoothing, blemish removal, eye touch-ups, etc. are common.  Might alter the background a bit to emphasize the subject.

Product photography usually requires a lot of sharpening, spot removal, and focus stacking.

For landscape shots, best results are achieved by doing the maximum amount of preparation before/while taking the shot. No amount of processing can match timing, proper lighting, correct gear, optimal settings, etc. Excessive post-processing might give you a dramatic shot but best avoided in the long term.


* White Balance - Left Amiga or F12 and K and under &quot;Misc color effects&quot; tab with a pull down for White Balance - color temperature also known as AKA tint (movies) or tones (painting) - warm temp raise red reduce green blue - cool raise blue lower red green 
* Exposure - exposure compensation, highlight/shadow recovery
* Noise Reduction - during RAW development or using external software
* Lens Corrections - distortion, vignetting, chromatic aberrations
* Detail - capture sharpening and local contrast enhancement
* Contrast - black point, levels (sliders) and curves tools (F12 and K) 
* Framing - straighten () and crop (F12 and F) 
* Refinements - color adjustments and selective enhancements - Left Amiga or F12 and K for RGB and YUV histogram tabs - 
* Resizing - enlarge for a print or downsize for the web or email (F12 and D) 
* Output Sharpening - customized for your subject matter and print/screen size


White Balance - F12 and K

scan your image for a shade which was meant to be white (neutral with each RGB value being equal) like paper or plastic which is in the same light as the subject of the picture. Use the dropper tool to select this color, similar colours will shift and you will have selected the perfect white balance for your part of the image - for the whole picture make sure RAZ or CLR button at the bottom is pressed before applying to the image above.


Exposure correction

F12 and K - YUV Y luminosity - RGB extra red tint - move red curve slightly down and move blue green curves slightly up

Workflows in practice

* Undo - Right AROS key or F12 and Z 
* Redo - Right AROS key or F12 and R

First flatten your image (if necessary) and then do a rotation until the picture looks level. 
* Crop the picture. Click the selection button and drag a box over the area of the picture you want to keep. Press the crop button and the rest of the photo will be gone. 
* Adjust your saturation, exposure, hue levels, etc., (right AROS Key and K for color correction) until you are happy with the photo. Make sure you zoom in all of the way to 100% and look the photo over, zoom back out and move around. Look for obvious problems with the picture. 
* After coloring and exposure do a sharpen (Right AROS key and E for Convolution and select drop down option needed), e.g. set the matrix to 5x5 (roughly equivalent Amount to 60%) and set the Radius to 1.0. Click OK.


And save your picture


Implemented or would like to see for simplification and ease of use

basic filters (presets) like black and white, monochrome, edge detection (sobel), motion/gaussian blur, 
* negative, sepiatone, retro vintage, night vision, colour tint, color gradient, color temperature, glows, fire, lightning, lens flare, emboss, filmic, pixelate mezzotint, antialias, etc.

adjust / cosmetic tools such as crop, 
* reshaping tools, straighten, smear, smooth, perspective, liquify, bloat, pucker, push pixels in any direction, dispersion, transform like warp, blending with soft light, page-curl, whirl, ripple, fisheye, neon,  etc. 
* red eye fixing, blemish remover, skin smoothing, teeth whitener, make eyes look brighter, desaturate,

effects like oil paint, cartoon, pencil sketch, charcoal, noise/matrix like sharpen/unsharpen, (right AROS key with A for Artistic effects) 
* blend two image, gradient blend, masking blend, explode, implode, custom collage, surreal painting, comic book style, needlepoint, stained glass, watercolor, mosaic, stencil/outline, crayon, chalk, etc.

borders such as 
* dropshadow, rounded, blurred, color tint, picture frame, film strip polaroid, bevelled edge, etc.

brushes e.g.
* frost, smoke, etc.

and manual control of

fix lens issues including vignetting (darkening), color fringing and barrel distortion, and chromatic and geometric aberration -  lens and body profiles

perspective correction

levels - directly modify the levels of the tone-values of an image, by using sliders for highlights, midtones and shadows

curves -  Color Adjustment and Brightness/Contrast

color balance

one single color transparent (alpha channel (color information/selections) for masking and/or blending ) for backgrounds, etc.

Threshold indicates how much other colors will be considered mixture of the removed color and non-removed colors

decompose layer into a set of layers with each holding a different type of pattern that is visible within the image

any selection using any selecting tools like lasso tool, marquee tool etc. the selection will temporarily be save to alpha 
If you create your image without transparency then the Alpha channel is not present, but you can add later.

File formats like .psd (Photoshop file has layers, masks etc.  contains edited sensor data. The original sensor data is no longer available) .xcf .raw .hdr

Image Picture Formats
* low dynamic range (JPEG, PNG, TIFF 8-bit), 16-bit (PPM, TIFF), typically as a 16-bit TIFF in either ProPhoto or AdobeRGB colorspace -  TIFF files are also fairly universal – although, if they contain proprietary data, such as Photoshop Adjustment Layers or Smart Filters, then they can only be opened by Photoshop making them proprietary.
* linear high dynamic range (HDR) images (PFM, [http://www.openexr.com/ ILM .EXR], jpg, [http://aminet.net/util/dtype cr2] (canon tiff based), hdr, NEF, CRW, ARW, MRW, ORF, RAF (Fuji), PEF, DCR, SRF, ERF, DNG files are RAW converted to an Adobe proprietary format - a container that can embed the raw file as well as the information needed to open it) 
An old version of [http://archives.aros-exec.org/index.php?function=browse&amp;cat=graphics/convert dcraw]

There is no single RAW file format. Each camera manufacturer has one or more unique RAW formats. RAW files contain the brightness levels data captured by the camera sensor. This data cannot be modified. A second smaller file, separate XML file, or within a database with instructions for the RAW processor to change exposure, saturation etc. The extra data can be changed but the original sensor data is still there. RAW is technically least compatible.

A raw file is high-bit (usually 12 or 14 bits of information) but a camera-generated TIFF file will be usually converted by the camera (compressed, downsampled) to 8 bits. The raw file has no embedded color balance or color space, but the TIFF has both. These three things (smaller bit depth, embedded color balance, and embedded color space) make it so that the TIFF will lose quality more quickly with image adjustments than the raw file. The camera-generated TIFF image is much more like a camera processed JPEG than a raw file. A strong advantage goes to the raw file. The power of RAW files, such as the ability to set any color temperature non-destructively and will contain more tonal values.

The principle of preserving the maximum amount of information to as late as possible in the process. The final conversion - which will always effectively represent a &quot;downsampling&quot; - should prevent as much loss as possible.

Once you save it as TIFF, you throw away some of that data irretrievably. When saving in the lossy JPEG format, you get tremendous file size savings, but you've irreversibly thrown away a lot of image data. As long as you have the RAW file, original or otherwise, you have access to all of the image data as captured.

Keyboard equivalence with Photoshop(tm) would help 

File
PHOTOSHOP	SHORTCUT	GIMP
New	Ctrl+n	New
Open	Ctrl+o	Open
Close	Ctrl+w	Close
Save	Ctrl+s	Save
Save as	Shift+Ctrl+s	Save as
Revert	F12	Revert
Print	Ctrl+p	Print
Exit	Ctrl+q	Quit
 
Edit
PHOTOSHOP	SHORTCUT	GIMP
Undo/Redo (1 level)	Ctrl+z	Undo (Redo is Shift+Ctrl+z)
Cut	Ctrl+x	Cut
Copy	Ctrl+c	Copy
Paste	Ctrl+v	Paste
Paste Into	Shift+Ctrl+v	Paste Into
Fill with FG color	Alt+Backspace	Fill with FG color
Fill with BG color	Control+Backspace	Fill with BG color
 
Image/Colors
PHOTOSHOP	SHORTCUT	GIMP
Levels	Ctrl+l	Levels
Auto Contrast	Shift+Ctrl+Alt+l	Stretch Contrast (same?)
Curves	Ctrl+m	Curves
Color Balance	Ctrl+b	Color Balance
Hue/Saturation	Ctrl+u	Hue-Saturation
Desaturate	Shift+Ctrl+u	Desaturate
Invert	Ctrl+i	Invert
Default Colors	d	Default Colors
Switch Colors	x	Switch Colors
 
Layer
PHOTOSHOP	SHORTCUT	GIMP
New Layer	Shift+Ctrl+n	New Layer
Layer via Copy	Ctrl+j	Duplicate Layer
Bring (layer) to Front	Shift+Ctrl+]	Layer to Top
Send (layer) to Back	Shift+Ctrl+[	Layer to Bottom
Bring (layer) Forward	Ctrl+]	Raise Layer
Send (layer) Backward	Ctrl+[	Lower Layer
Select Top Layer	Shift+Alt+]	Select Top Layer
Select Bottom Layer	Shift+Alt+[	Select Bottom Layer
Select One Layer Forward	Alt+]	Select Previous Layer
Select One Layer Backward	Alt+[	Select Next Layer
Merge Down	Ctrl+e	Merge Down
Merge Visible	Shift+Ctrl+e	Merge Visible
Preserve Transparency	/	Keep Transparency
Cycle Modes Forwards	Shift+=	Next Layer Mode
Cycle Modes Backwards	Shift+-	Previous Layer Mode
 
Select
PHOTOSHOP	SHORTCUT	GIMP
Select All	Ctrl+a	Select All
Deselect	Ctrl+d	Select None
Inverse	Shift+Ctrl+i	Invert
Feather	Ctrl+Alt+d	Feather
 
View
PHOTOSHOP	SHORTCUT	GIMP
Zoom In	Ctrl+=	Zoom In
Zoom Out	Ctrl+-	Zoom Out
Fit on Screen	Ctrl+0	Zoom to Fit Window
Actual Pixels	Ctrl+Alt+0	Zoom 1:1
Show/Hide Extras	Ctrl+h	Toggle Show Selection (close enough?)
Show/Hide Guides	Ctrl+'	Toggle Show Guides
Show/Hide Grid	Ctrl+Alt+'	Toggle Show Grid
Show/Hide Rulers	Ctrl+r	Toggle Show Rulers
Snap	Ctrl+;	Snap to Guides
Scroll View Up	Page Up	Scroll Page Up
Scroll View Down	Page Down	Scroll Page Down
Scroll View Left	Ctrl+Page Up	Scroll Page Left
Scroll View Right	Ctrl+Page Down	Scroll Page Right
 
Window/Dialogs
PHOTOSHOP	SHORTCUT	GIMP
?	F5	Tools Dialog
Color Tab	F6	Colors Dialog
Layers Tab	F7	Layers Dialog
Info Tab	F8	Image Information
 
Tools
PHOTOSHOP	SHORTCUT	GIMP
Rectangular Marquee Tool	m	Rect Select Tool
Elliptical Marquee Tool	Shift+m	Ellipse Select Tool
 	*This is a toggle between 'Elliptical Marquee Tool' and 'Rectangular Marquee Tool' in Photoshop	 
Move Tool	v	Move Tool
Lasso Tool	l	Free Select Tool
Magic Wand Tool	w	Fuzzy Select Tool
Crop Tool	c	Crop &amp; Resize Tool
Airbrush Tool	j	Airbrush Tool
Paintbrush Tool	b	Paintbrush Tool
Clone Stamp Tool	s	Clone Stamp Tool
Eraser Tool	e	Eraser Tool
Gradient Tool	g	Blend Tool
Paint Bucket Tool	Shift+g	Bucket Fill Tool
 	*This is a toggle between 'Paint Bucket Tool' and 'Gradient Tool' in Photoshop	 
Blur Tool	r	Convolve Tool
Dodge Tool	o	DodgeBurn Tool
Type Tool	t	Text Tool
Pen Tool	p	Bezier Select Tool
Eye Dropper Tool	i	Color Picker Tool
Zoom Tool	z	Magnify Tool
Previous Brush	,	Previous Brush
Next Brush	.	Next Brush
First Brush	Shift+&lt;	First Brush
Last Brush	Shift+&gt;	Last Brush
Decrease Brush Size	[	Decrease Brush Size
Increase Brush Size	]	Increase Brush Size
Decrease Brush Hardness	{	Decrease Brush Hardness
Increase Brush Hardness	}	Increase Brush Hardness
 
Help
PHOTOSHOP	SHORTCUT	GIMP
Help	F1	Help
Context Help	Shift+F1	Context Help
 
Misc.
PHOTOSHOP	SHORTCUT	GIMP
Last Filter	Ctrl+f	Repeat Last Filter
?	Shift+Ctrl+f	Reshow Last Filter
Preferences	Ctrl+k	Preferences
Liquify	Shift+Ctrl+x	IWarp (close enough?)
Toggle Quick Mask	q	Toggle Quick Mask


Spotlights - triangle of white opaque shape

Cutting out and/or replacing unwanted background or features - select large areas with the selection option like the Magic Wand tool (aka Color Range) or the Lasso (quick and fast) with feather 2 to soften edge or the pen tool which adds points/lines/Bézier curves (better control but slower), hold down the shift button as you click to add extra points/areas of the subject matter to remove. Increase the tolerance to cover more areas. To subtract from your selection hold down alt as you're clicking. 
* Layer masks are a better way of working than Erase they clip (black hides/hidden white visible/reveal). Clone Stamp can be simulated by   and brushes for other areas. 
* Leave the fine details like hair, fur, etc. to later with lasso and the shift key to draw a line all the way around your subject. Gradient Mapping - Inverse - Mask. i.e. Refine your selected image with edge detection and using the radius and edge options / adjuster (increase/decrease contrast) so that you will capture more fine detail from the background allowing easier removal. 
Remove fringe/halo

saving image as png rather than jpg/jpeg to keep transparency background intact.


Implemented [http://colorizer.org/ colour model representations] [http://paulbourke.net/texture_colour/colourspace/ Mathematical approach] - Photo stills are spatially 2d (h and w), but are colorimetrically 3d (r g and b, or H L S, or Y U V etc.) as well. 
* RGB - split cubed mapped color model for photos and computer graphics hardware using the light spectrum (adding and subtracting) 
* YUV - Y-Lightness U-blue/yellow V-red/cyan (similar to YPbPr and YCbCr) used in the PAL, NTSC, and SECAM composite digital TV color [http://crewofone.com/2012/chroma-subsampling-and-transcoding/#comment-7299 video]


Histograms

White balanced (neutral) if the spike happens in the same place in each channel of the RGB graphs. If not, you're not balanced. 
If you have sky you'll see the blue channel further off to the right.

RGB is best one to change colours. These elements RGB is a 3-channel format containing data for Red, Green, and Blue in your photo scale between 0 and 255. The area in a picture that appears to be brighter/whiter contains more red color as compared to the area which is relatively darker. Similarly in the green channel the area that appears to be darker contains less amount of green color as compared to the area that appears to be brighter.  Similarly in the blue channel the area appears to be darker contains less amount of blue color as compared to the area that appears to be brighter. Brightness luminance histogram also matches the green histogram more than any other color - human eye interprets green better e.g. RGB rough ratio 15/55/30%

RGBA (RGB+A, A means alpha channel) .  The alpha channel is used for &quot;alpha compositing&quot;, which can mostly be associated as &quot;opacity&quot;.  AROS deals in RGB with two digits for every color (red, green, blue), in ARGB you have two additional hex digits for the alpha channel.

The shadows are represented by the left third of the graph.  The highlights are represented by the right third.  And the midtones are, of course, in the middle.  The higher the black peaks in the graph, the more pixels are concentrated in that tonal range (total black area). 
By moving the black endpoint, which identifies the shadows (darkness) and a white light endpoint (brightness) up and down either sides of the graph, colors are adjusted based on these points. 
By dragging the central one, can increased the midtones and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .


RGB Curves

* Move left endpoint (black point) up or right endpoint (white point) up brightens 
* Move left endpoint down or right endpoint down darkens

Color Curves

* Dragging up on the Red Curve increases the intensity of the reds in the image but 
* Dragging down on the Red Curve decreases the intensity of the reds and thus increases the apparent intensity of its complimentary color, cyan. Green’s complimentary color is magenta, and blue’s is yellow.
&lt;pre&gt;
 Red &lt;-&gt; Cyan
 Green &lt;-&gt;Magenta
 Blue &lt;-&gt;Yellow 
&lt;/pre&gt;

YUV Best option to analyse and pull out statistical elements of any picture (i.e.  separate luminance data from color data). The line in Y luma tone box represents the brightness of the image with the point in the bottom left been black, and the point in the top right as white.  A low-contrast image has a concentrated clump of values nearer to the center of the graph. By comparison, a high-contrast image has a wider distribution of values across the entire width of the Histogram.   A histogram that is skewed to the right would indicate a picture that is a bit overexposed because most of the color data is on the lighter side (increase exposure with higher value F), while a histogram with the curve on the left shows a picture that is underexposed. This is good information to have when using post-processing software because it shows you not only where the color data exists for a given picture, but also where any data has been clipped (extremes on edges of either side): that is, it does not exist and, therefore, cannot be edited.  By dragging the endpoints of the line and as well as the central one, can increased the dark/shadows, midtones and light/bright parts and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .

The U and V chroma parts show color difference components of the image. It’s useful for checking whether or not the overall chroma is too high, and also whether it’s being limited too much
Can be used to create a negative image but also 
With U (Cb), the higher value you are, the more you're on the blue primary color. If you go to the low values then you're on blue complementary color, i.e. yellow.
With V (Cr), this is the same principle but with Red and Cyan.
e.g. If you push U full blue and V full red, you get magenta. If you push U full yellow and V full Cyan then you get green.

YUV simultaneously adds to one side of the color equation while subtracting from the other.  
using YUV to do color correction can be very problematic because each curve alters the result of each other: the mutual influence between U and V often makes things tricky. You may also be careful in what you do to avoid the raise of noise (which happens very easily). Best results are obtained with little adjustments

sunset that looks uninspiring and needs some color pop especially for the rays over the hill, a subtle contrast raise while setting luma values back to the legal range without hard clipping.


Free royalty pictures, [www.freeimages.com ], [http://imageshack.us/ ], [http://photobucket.com/ ], [http://rawpixels.net/], [], [], [], 


====Lunapaint====

Pixel based drawing app with onion-skin animation function

 Blocking, Shading, Coloring, adding detail 

&lt;pre&gt;
b BRUSH
e ERASER

alt eyedropper 
v layer tool 

z ZOOM / MAGNIFY &lt; &gt; n 
spc panning 
m  marque 
q lasso 
w same color selection / region 
&lt;/pre&gt;

&lt;pre&gt;
, LM RM
v 
V
f  filter 
F 
.  size 

p 
,  pick color 
[] last / next color 
&lt;/pre&gt;


There is not much missing in Lunapaint to be as good as FlipBook and then you have to take into account that Flipbook is considered to be amongst the best and easiest to use animation software out there. Ok to be honest Flipbook has some nice features that require more heavy work but those aren't so much needed right away, things like camera effects, sound, smart fill, export to different movie file formats etc.

Tried Flipbook with my tablet and compared it to Luna. The feeling is the same when sketching. LunaPaint is very responsive/fluent to draw with. Just as Flipbook is, and that responsiveness is something its users have mentioned as one of the positive sides of said software.

 author was learning MUI. Some parts just have to be rewritten with proper MUI classes before new features can be added.

* add [Frame Add] / [Frame Del]
* whole animation feature is impossible to use. If you draw 2 color maybe but if you start coloring your cells then you get in trouble
* pickup the entire image as a brush, not just a selection ? And consequently remove the brush from memory when one doesn't need it anymore. can pick up a brush and put it onto a new image but cropping isn't possible, nor to load/save brushes.
* Undo is something I longed for ages in Lunapaint.
* to import into the current layer, other types of images (e.g. JPEG) besides RAW64.
* implement graphic tablet features support


**GENERAL DRAWING**

Miss it very much:
UNDO
ERASER
COLORPICKER - has to show on palette too which color got picked.
BACKGROUND COLOR -Possibility to select from &quot;New project screen&quot;

Miss it somewhat:
ICON for UNDO
ICON for ERASER
ICON for CLEAR SCREEN ( What can I say? I start over from scratch very often )
BRUSH - possibility to cut out as brush not just copy off image to brush

**ANIMATING**

Miss it very much:
NUMBER OF CELLS - Possibity to change total no. of cells during project
ANIM BRUSH - Possibility to pick up a selected part of cells into an animbrush

Miss it somewhat:
ADD/REMOVE FRAMES: Add/remove single frame

In general LunaPaint is really well done and it feels like a new DeluxePaint version. It works with my tablet. Sure there's much missing of course but things can always be added over time. So there is great potential in LunaPaint that's for sure. Animations could be made in it and maybe put together in QuickVideo, saving in .gif or .mng etc some day.


LAYERS
-Layers names don't get saved globally in animation frames
-Layers order don't change globally in an animation (perhaps as default?).

EXPORTING IMAGES
-Exporting frames to JPG/PNG gives problems with colors. (wrong colors. See my animatiopn --&gt; My robot was blue now it's &quot;gold&quot; ) I think this only happens if you have layers.
-Trying to flatten the layers before export doesn't work if you have animation frames only the one you have visible will flatten properly all other frames are destroyed. (Only one of the layers are visible on them)
-Exporting images filenames should be for example e.g. file0001, file0002...file0010 instead as of now file1, file2...file10

LOAD/SAVE (Preferences)
-Make a setting for the default &quot;Work&quot; folder.

* Destroyed colors if exported image/frame has layers 
* mystic color cycling of the selected color while stepping frames back/forth (annoying)

&lt;pre&gt;
Deluxe Paint II enhanced key shortcuts 
    NOTE: @ denotes the ALT key

    [Technique]

    F1  - Paint
    F2  - Single Colour
    F3  - Replace
    F4  - Smear
    F5  - Shade
    F6  - Cycle
    F7  - Smooth
     M  - Colour Cycle

    [Brush]

     B  - Restore
     O  - Outline
     h  - Halve brush size
     H  - Double brush size
     x  - Flip brush on X axis
     X  - Double brush size on X axis only
     y  - Flip on Y 
     Y  - Double on Y
     z  - Rotate brush 90 degrees
     Z  - Stretch

    [Stencil]

     `  - Stencil On

    [Miscellaneous]

    F9  - Info Bar
    F10 - Selection Bar
    @o  - Co-Ordinates
    @a  - Anti-alias
    @r  - Colourise
    @t  - Translucent
    TAB - Colour Cycle

    [Picture]

     L  - Load
     S  - Save
     j  - Page to Spare(Flip)
     J  - Page to Spare(Copy)
     V  - View Page
     Q  - Quit

    [General Keys]

     m  - Magnify
     &lt;  - Zoom In
     &gt;  - Zoom Out
     [  - Palette Colour Up
     ]  - Palette Colour Down
     (  - Palette Colour Left
     )  - Palette Colour Right
     ,  - Eye Dropper
     .  - Pixel / Brush Toggle
     /  - Symmetry
     |  - Co-Ordinates
    INS - Perspective Control
    +/- - Brush Size (Fine Control)
     w  - Unfilled Polygon
     W  - Filled Polygon
     e  - Unfilled Ellipse
     E  - Filled Ellipse
     r  - Unfilled Rectangle
     R  - Filled Rectangle
     t  - Type/text tool
     a  - Select Font
    u/U - Undo
     d  - Brush
     D  - Filled Non-Uniform Polygon
    f/F - Fill Options
    g/G - Grid
    h/H - Brush Size (Coarse Control)
     K  - Clear
     c  - Unfilled Circle
     C  - Filled Circle
     v  - Line
     b  - Scissor Select and Toggle
     B  - Brush
    {,} - Toggle between two background colours
&lt;/pre&gt;

====Lodepaint====

Pixel based painting artwork app

====Grafx2====

Pixel based painting artwork app aesprite like 

[https://www.youtube.com/watch?v=59Y6OTzNrhk aesprite workflow keys and tablet use], [], 


====Vector Graphics ZuneFIG====

Vector Image Editing of files .svg .ps .eps


*Objects - raise lower rotate flip aligning snapping 
*Path - unify subtract intersect exclude divide 
*Colour - fill stroke 
*Stroke - size 
*Brushes - 
*Layers - 
*Effects - gaussian bevels glows shadows 
*Text    - 
*Transform - 


 AmiFIG ([http://epb.lbl.gov/xfig/frm_introduction.html xfig manual]) 

[[File:MyScreen.png|thumb|left|alt=Showing all Windows open in AmiFIG.|All windows available to AmiFIG.]]

for drawing simple to intermediate vector graphic images for scientific and technical uses and for illustration purposes for those with talent

;Menu options
* Load - fig format but import(s) SVG
* Save - fig format but export(s) eps, ps, pdf, svg and png
* PAN = Ctrl + Arrow keys 
* Deselect all points

There is no selected object until you apply the tool, and the selected object is not highlighted.

;Metrics - to set up page and styles - first window to open on new drawings

;Tools - Drawing Primitives - set Attributes window first before clicking any Tools button(s) 
* Shapes - circles, ellipses, arcs, splines, boxes,  polygon 
* Lines - polylines
* Text &quot;T&quot; button 
* Photos - bitmaps
* Compound - Glue, Break, Scale 
* POINTs - Move, Add, Remove 
* Objects - Move, Copy, Delete, Mirror, Rotate, Paste 
use right mouse button to stop extra lines, shapes being formed and the left mouse to select/deselect tools button(s)
* Rotate - moves in 90 degree turns centered on clicked POINT of a polygon or square

;Attributes which provide change(s) to the above primitives 
* Color
* Line Width
* Line Style
* arrowheads

;Modes 
Choose from freehand, charts, figures, magnet, etc.

;Library - allows .fig clip-art to be stored 
* compound tools to add .fig(s) together

;FIG 3.2 [http://epb.lbl.gov/xfig/fig-format.html Format] as produced by xfig version 3.2.5 
&lt;pre&gt;
Landscape
Center
Inches
Letter 
100.00
Single
-2
1200 2
4 0 0 50 -1 0 12 0.0000 4 135 1050 1050 2475 This is a test.01
&lt;/pre&gt;

# change the text alignment within the textbox. I can choose left, center, or right aligned by either changing the integer in the second column from 0 (left) to 1 or 2 (center, or right). 
# The third integer in the row specifies fontcolor. For instance, 0 is black, but blue is 1 and Green3 is 13.
# The sixth integer in the bottom row specifies fontface. 0 is Times-Roman, but 16 is Helvetica (a MATLAB default).
# The seventh number is fontsize. 12 represents a 12pt fontsize. Changing the fontsize of an item really is as easy as changing that number to 20.
# The next number is the counter-clockwise angle of the text. Notice that I have changed the angle to .7854 (pi/4 rounded to four digits=45 degrees).
# twelfth number is the position according to the standard “x-axis” in Xfig units from the left. Note that 1200 Xfig units is equivalent to once inch.
# thirteenth number is the “y-position” from the top using the same unit convention as before.

* The nested text string is what you entered into the textbox.
* The “01″ present at the end of that line in the .fig file is the closing tag. For instance, a change to \100 appends a @ symbol at the end of the period of that sentence.

; Just to note there are no layers, no 3d functions, no shading, no transparency, no animation


[[#top|...to the top]]

===Audio===


# AHI uses linear panning/balance, which means that in the center, you will get -6dB. If an app uses panning, this is what you will get. Note that apps like Audio Evolution need panning, so they will have this problem.

# When using AHI Hifi modes, mixing is done in 32-bit and sent as 32-bit data to the driver. The Envy24HT driver uses that to output at 24-bit (always).

# For the Envy24/Envy24HT, I've made 16-bit and 24-bit inputs (called Line-in 16-bit, Line-in 24-bit etc.). There is unfortunately no app that can handle 24-bit recording.


====Music Mods====

Digital module (mods) trackers are music creation software using samples and sometimes soundfonts, audio plugins (VST, AU or RTAS), MIDI.

Generally, MODs are similar to MIDI in that they contain note on/off and other sequence messages that control the mod player. Unlike (most) midi files, however, they also contain sound samples that the sequence information actually plays. MOD files can have many channels (classic amiga mods have 4, corresponding to the inbuilt sound channels), but unlike MIDI, each channel can typically play only one note at once. However, since that note might be a sample of a chord, a drumloop or other complex sound, this is not as limiting as it sounds.

Like MIDI, notes will play indefinitely if they're not instructed to end. Most trackers record this information automatically if you play your music in live. If you're using manual note entry, you can enter a note-off command with a keyboard shortcut - usually Caps Lock.

In fact when considering file size MOD is not always the best option. Even a dummy song wastes few kilobytes for nothing when a simple SID tune could be few hundreds bytes and not bigger than 64kB. AHX is another small format, AHX tunes are never larger than 64kB excluding comments.

[https://www.youtube.com/watch?v=rXXsZfwgil Protrekkr] (previously aka [w:Juan_Antonio_Arguelles_Rius|NoiseTrekkr])

If Protrekkr does not start, please check if the Unit 0 has been setup in the AHI prefs and still not, go to the directory utilities/protrekkr and double click on the Protrekkr icon

*Sample
*Note - Effect 
*Track (column) - Pattern - Order

It all starts with the Sample which is used to create Note(s) in a Track (column of a tracker) 
The Note can be changed with an Effect.  A Track of Note(s) can be collected into a Pattern (section of a song) and these can be given Order to create the whole song.

Patience (notes have to be entered one at a time) or playing the bassline on a midi controller (faster - see midi section above).  Best approach is to wait until a melody popped into your head.

*Up-tempo means the track should be reasonably fast, but not super-fast. 
*Groovy and funky imply the track should have some sort of &quot;swing&quot; feel, with plenty of syncopation or off beat emphasis and a recognizable, melodic bass line. 
*Sweet and happy mean upbeat melodies, a major key and avoiding harsh sounds.
*Moody - minor key

First, create a quick bass sound, which is basically a sine wave, but can be hand drawn for a little more variance. It could also work for the melody part, too.

This is usually a bass guitar or some kind of synthesizer bass. The bass line is often forgotten by inexperienced composers, but it plays an important role in a musical piece. Together with the rhythm section the bass line forms the groove of a song. It's the glue between the rhythm section and the melodic layer of a song.

The drums are just pink noise samples, played at different frequencies to get a slightly different sound for the kick, snare, and hihats.

Instruments that fall into the rhythm category are bass drums, snares, hi-hats, toms, cymbals, congas, tambourines, shakers, etc. Any percussive instrument can be used to form part of the rhythm section.

The lead is the instrument that plays the main melody, on top of the chords. There are many instruments that can play a lead section, like a guitar, a piano, a saxophone or a flute. The list is almost endless. There is a lot of overlap with instruments that play chords. Often in one piece an instrument serves both roles. The lead melody is often played at a higher pitch than the chords.

Listened back to what was produced so far, and a counter-melody can be imagined, which can be added with a triangle wave.

To give the ends of phrases some life, you can add a solo part with a crunchy synth. By hitting random notes in the key of G, then edited a few of them.

For the climax of the song, filled out the texture with a gentle high-pitch pad… …and a grungy bass synth.


The arrow at A points at the pattern order list. As you see, the patterns don't have to be in numerical order. This song starts with pattern &quot;00&quot;, then pattern &quot;02&quot;, then &quot;03&quot;, then &quot;01&quot;, etcetera. Patterns may be repeated throughout a song.

The B arrow points at the song title. Below it are the global BPM and speed parameters. These determine the tempo of the song, unless the tempo is altered through effect commands during the song.

The C arrow points at the list of instruments. An instrument may consist of multiple samples. Which sample will be played depends on the note. This can be set in the Instrument Editing screen. Most instruments will consist of just one sample, though. The sample list for the selected instrument can be found under arrow D.

Here's a part of the main editing screen. This is where you put in actual notes. Up to 32 channels can be used, meaning 32 sounds can play simultaneously. The first six channels of pattern &quot;03&quot; at order &quot;02&quot; are shown here. The arrow at A points at the row number. The B arrow points at the note to play, in this case a C4. The column pointed at by the C arrow tells us which instrument is associated with that note, in this case instrument #1 &quot;Kick&quot;.

The column at D is used (mainly) for volume commands. In this case it is left empty which means the instrument should play at its default volume. You can see the volume column being used in channel #6.

The E column tells us which effect to use and any parameters for that effect. In this case it holds the &quot;F&quot; effect, which is a tempo command. The &quot;04&quot; means it should play at tempo 4 (a smaller number means faster).

Base pattern

When I create a new track I start with what I call the base pattern. It is worthwhile to spend some time polishing it as a lot of the ideas in the base pattern will be copied and used in other patterns. At least, that's how I work. Every musician will have his own way of working. In &quot;Wild Bunnies&quot; the base pattern is pattern &quot;03&quot; at order &quot;02&quot;.

In the section about selecting samples I talked about the four different categories of instruments: drums, bass, chords and leads. That's also how I usually go about making the base pattern. I start by making a drum pattern, then add a bass line, place some chords and top it off with a lead. This forms the base pattern from which the rest of the song will grow.


Drums

Here's a screenshot of the first four rows of the base pattern. I usually reserve the first four channels or so for the drum instruments. Right away there are a couple of tricks shown here. In the first channel the kick, or bass drum, plays some notes. Note the alternating F04 and F02 commands. The &quot;F&quot; command alters the tempo of the song and by quickly alternating the tempo; the song will get some kind of &quot;swing&quot; feel.

In the second channel the closed hi-hat plays a fairly simple pattern. Further down in the channel, not shown here, some open hi-hat notes are added for a bit of variation.

In the third and fourth channel the snare sample plays. The &quot;8&quot; command is for panning. One note is panned hard to the left and the other hard to the right. One sample is played a semitone lower than the other. This results in a cool flanging effect. It makes the snare stand out a little more in the mix.


Bass line

There are two different instruments used for the bass line. Instrument #6 is a pretty standard synthesized bass sound. Instrument #A sounds a bit like a slap bass when used with a quick fade out. By using two different instruments the bass line sounds a bit more ”human”. The volume command is used to cut off the notes. However, it is never set to zero. Setting the volume to a very small value will result in a reverb-like effect. This makes the song sound more &quot;live&quot;.

The bass line hints at the chords that will be played and the key the song will be in. In this case the key of the song is D-major, a positive and happy key.


Chords

The D major chords that are being played here are chords stabs; short sounds with a quick decay (fade out). Two different instruments (#8 and #9) are used to form the chords. These instruments are quite similar, but have a slightly different sound, panning and volume decay. Again, the reason for this is to make the sound more human. The volume command is used on some chords to simulate a delay, to achieve more of a live feel. The chords are placed off-beat making for a funky rhythm.


Lead

Finally the lead melody is added. The other instruments are invaluable in holding the track together, but the lead melody is usually what catches people's attention.

A lot of notes and commands are used here, but it looks more complex than it is. A stepwise ascending melody plays in channel 13. Channel 14 and 15 copy this melody, but play it a few rows later at a lower volume. This creates an echo effect. A bit of panning is used on the notes to create some stereo depth. Like with the bass line, instead of cutting off notes the volume is set to low values for a reverb effect. The &quot;461&quot; effect adds a little vibrato to the note, which sounds nice on sustained notes.

Those paying close attention may notice the instrument used here for the lead melody is the same as the one used for the bass line (#6 &quot;Square&quot;), except played two or three octaves higher. This instrument is a looped square wave sample. Each type of wave has its own quirks, but the square wave (shown below) is a really versatile wave form.

Song structure

Good, catchy songs are often carefully structured into sections, some of which are repeated throughout the song with small variations.

A typical pop-song structure is: Intro - Verse - Chorus - Verse - Chorus - Bridge - Chorus.

Other single sectional song structures are

&lt;pre&gt;
Strophic or AAA Song Form - oldest story telling with refrain (often title of the song) repeated in every verse section melody 
AABA Song Form - early popular, jazz and gospel fading during the 1960s 
AB or Verse/Chorus Song Form - songwriting format of choice for modern popular music since the 1960s 
Verse/Chorus/Bridge Song Form
ABAB Song Form
ABAC Song Form
ABCD Song Form
AAB 12-Bar Song Form - three four-bar lines or sub-sections 
8-Bar Song Form
16-Bar Song Form
Hybrid / Compound Song Forms
&lt;/pre&gt;

The most common building blocks are:

#INTRODUCTION(INTRO)
#VERSE
#REFRAIN
#PRE-CHORUS / RISE / CLIMB
#CHORUS
#BRIDGE
#MIDDLE EIGHT
#SOLO / INSTRUMENTAL BREAK
#COLLISION
#CODA / OUTRO
#AD LIB (OFTEN IN CODA / OUTRO)

The chorus usually has more energy than the verse and often has a memorable melody line. As the chorus is repeated the most often during the song, it will be the part that people will remember.

The bridge often marks a change of direction in the song. It is not uncommon to change keys in the bridge, or at least to use a different chord sequence. The bridge is used to build up tension towards the big finale, the last repetition of chorus.


 Playing

RCTRL:                           Play song from row 0.

LSHIFT + RCTRL:                  Play song from current row.

RALT:                            Play pattern from row 0.

LSHIFT + RALT:                   Play pattern from current row.

Left mouse on '&gt;':               Play song from row 0.

Right mouse on '&gt;':              Play song from current row.

Left mouse on '|&gt;':              Play pattern from row 0.

Right mouse on '|&gt;':             Play pattern from current row.

Left mouse on 'Edit/Record':     Edit mode on/off.

Right mouse on 'Edit/Record':    Record mode on/off.


 Editing 


LSHIFT + ESCAPE:                 Switch large patterns view on/off

TAB:                    Go to next track

LSHIFT + TAB:                    Go to prev. track

LCTRL + TAB:                    Go to next note in track

LCTRL + LSHIFT + TAB:           Go to prev. note in track

SPACE:                           Toggle Edit mode On &amp; Off

(Also stop if the song is being played)

SHIFT SPACE:                     Toggle Record mode On &amp; Off

(Wait for a key note to be pressed

or a midi in message to be received)

DOWN ARROW:                      1 Line down

UP ARROW:                        1 Line up

LEFT ARROW:                      1 Row left

RIGHT ARROW:                     1 Row right

PREV. PAGE:                      16 Arrows Up

NEXT PAGE:                       16 Arrows Down

HOME / END:                      Top left / Bottom right of pattern

LCTRL + HOME / END:              First / last track

F5, F6, F7, F8, F9:              Jump to 0, 1/4, 2/4, 3/4, 4/4 lines of the patterns

+ - (Numeric keypad):           Next / Previous pattern

LCTRL + LEFT / RIGHT:           Next / Previous pattern

LCTRL + LALT + LEFT / RIGHT:    Next / Previous position

LALT + LEFT / RIGHT:           Next / Previous instrument

LSHIFT + M:                      Toggle mute state of the current channel

LCTRL + LSHIFT + M:             Solo the current track / Unmute all

LSHIFT + F1 to F11:              Select a tab/panel

LCTRL + 1 to 4:                 Select a copy buffer


 Tracking 

1st and 2nd keys rows:           Upper octave row

3rd and 4th keys rows:           Lower octave row

RSHIFT:                          Insert a note off

/ and * (Numeric keypad)

or F1 F2:                        -1 or +1 octave

INSERT / BACKSPACE:              Insert or Delete a line in current track

or current selected block.

LSHIFT + INSERT / BACKSPACE:     Insert or Delete a line in current pattern

DELETE (NOT BACKSPACE):          Empty a column or a selected block.


 Blocks

(Blocks can also be selected with the mouse by holding the right button and scrolling the pattern with the mouse wheel).


LCTRL + A:          Select entire current track

LCTRL + LSHIFT + A: Select entire current pattern

LALT + A:          Select entire column note in a track

LALT + LSHIFT + A: Select all notes of a track

LCTRL + X:          Cut the selected block and copy it into the block-buffer

LCTRL + C:          Copy the selected block into the block-buffer

LCTRL + V:          Paste the data from the block buffer into the pattern

LCTRL + I:          Interpolate selected data from the first to the last row of a selection

LSHIFT + ARROWS

PREV. PAGE

NEXT PAGE: Select a block

LCTRL + R:          Randomize the select columns of a selection, works similar to CTRL + I (interpolating them)

LCTRL + U:          Transpose the note of a selection to 1 seminote higher

LCTRL + D:          Transpose the note of a selection to 1 seminote lower

LCTRL + LSHIFT + U: Transpose the note of a selection to 1 seminote higher (only for the current instrument)

LCTRL + LSHIFT + D: Transpose the note of a selection to 1 seminote lower  (only for the current instrument)

LCTRL + H:          Transpose the note of a selection to 1 octave higher

LCTRL + L:          Transpose the note of a selection to 1 octave lower

LCTRL + LSHIFT + H: Transpose the note of a selection to 1 octave higher (only for the current instrument)

LCTRL + LSHIFT + L: Transpose the note of a selection to 1 octave lower (only for the current instrument)

LCTRL + W:          Save the current selection into a file


 Misc 


LALT + ENTER:     Switch between full screen / windowed mode

LALT + F4:        Exit program (Windows only)

LCTRL + S:         Save current module

LSHIFT + S:         Switch top right panel to synths list

LSHIFT + I:         Switch top right panel to instruments list


&lt;pre&gt;
C-x   xh xx xx hhhh             Volume 
B-x   xh xx xx hhhh             Jump to 
A#x  xh xx xx hhhh hhhh   Slide 
F-x    xh xx xx hhhh            Tempo 
D-x   xh xx xx hhhh             Pattern Break 
G#x  xh xx xx hhhh
&lt;/pre&gt;

h Hex 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13

d Dec 01 02 03 04 05 06 07 08 09 10  11 12 13 14 15 16 17 18 19

The Set Volume command: C. Input a note, then move the cursor to the effects command column and type a C. Play the pattern, and you shouldn't be able to hear the note you placed the C by. This is because the effect parameters are 00. Change the two zeros to a 40(Hex)/64(Dec), depending on what your tracker uses. Play back the pattern again, and the note should come in at full volume.

The Position Jump command next. This is just a B followed by the position in the playing list that you want to jump to. One thing to remember is that the playing list always starts at 0, not 1. This command is usually in Hex.

Onto the volume slide command: A. This is slightly more complex (much more if you're using a newer tracker, if you want to achieve the results here, then set slides to Amiga, not linear), due to the fact it depends on the secondary tempo. For now set a secondary tempo of 06 (you can play around later), load a long or looped sample and input a note or two. A few rows after a note type in the effect command A. For the parameters use 0F. Play back the pattern, and you should notice that when the effect kicks in, the sample drops to a very low volume very quickly. Change the effect parameters to F0, and use a low volume command on the note. Play back the pattern, and when the slide kicks in the volume of the note should increase very quickly.
This because each part of the effect parameters for command A does a different thing. The first number slides the volume up, and the second slides it down. It's not recommended that you use both a volume up and volume down at the same time, due to the fact the tracker only looks for the first number that isn't set to 0. If you specify parameters of 8F, the tracker will see the 8, ignore the F, and slide the volume up. Using a slide up and down at same time just makes you look stupid. Don't do it...

The Set Tempo command: F, is pretty easy to understand. You simply specify the BPM (in Hex) that you want to change to. One important thing to note is that values of lower than 20 (Hex) sets the secondary tempo rather than the primary.

Another useful command is the Pattern Break: D. This will stop the playing of the current pattern and skip to the next one in the playing list. By using parameters of more than 00 you can also specify which line to begin playing from.

Command 3 is Portamento to Note. This slides the currently playing note to another note, at a specified speed. The slide then stops when it reaches the desired note. 
&lt;pre&gt;
   C-2 1 000 - Starts the note playing
   ---      000
   C-3    330 - Starts the slide to C-3 at a speed of 30.
   ---     300 - Continues the slide
   ---     300 - Continues the slide
&lt;/pre&gt;
Once the parameters have been set, the command can be input again without any parameters, and it'll still perform the same function unless you change the parameters. This memory function allows certain commands to function correctly, such as command 5, which is the Portamento to Note and Volume Slide command. Once command 3 has been set up command 5 will simply take the parameters from that and perform a Portamento to Note. Any parameters set up for command 5 itself simply perform a Volume Slide identical to command A at the same time as the Portamento to Note.

This memory function will only operate in the same channel where the original parameters were set up.
There are various other commands which perform two functions at once. They will be described as we come across them.

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  00

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  02

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  05

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  08

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0A

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0D

C-3  04  ..  ..  09  10 ---&gt; C-3  04  ..  ..  09  10

(You can also switch on the Slider Rec to On, and perform parameter-live-recording, such as cutoff transitions, resonance or panning tweaking, etc..)  Note: this command only works for volume/panning and fx datas columns.


The next command we'll look at is the Portamento up/down: 1 and 2. Command 1 slides the pitch up at a specified speed, and 2 slides it down. This command works in a similar way to the volume slide, in that it is dependent on the secondary tempo. Both these commands have a memory dependent on each other, if you set the slide to a speed of 3 with the 1 command, a 2 command with no parameters will use the speed of 3 from the 1 command, and vice versa.

Command 4 is Vibrato. Vibrato is basically rapid changes in pitch, just try it, and you'll see what I mean. Parameters are in the format of xy, where x is the speed of the slide, and y is the depth of the slide. One important point to remember is to keep your vibratos subtle and natural so a depth of 3 or less and a reasonably fast speed, around 8, is usually used. Setting the depth too high can make the part sound out of tune from the rest.
Following on from command 4 is command 6. This is the Vibrato and Volume Slide command, and it has a memory like command 5, which you already know how to use.

Command 7 is Tremolo. This is similar to vibrato. Rather than changing the pitch it slides the volume. The effect parameters are in exactly the same format.   vibrato effect (0x1dxy) x = speed y = depth (can't be used if arpeggio (0x1b) is turned on) 

&lt;pre&gt;
 C-7 00 .. .. 1B37 &lt;-  Turn Arpeggio effect on
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B38 &lt;- Change datas
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B00 &lt;- Turn it off
&lt;/pre&gt;

Command 9 is Sample Offset. This starts the playback of the sample from a different place than the start. The effect parameters specify the sample offset, but only very roughly. Say you have a sample which is 8765(Hex) bytes long, and you wanted it to play from position 4321(Hex). The effect parameter could only be as accurate as the 43 part, and it would ignore the 21.

Command B is the Playing List/Order Jump command. The parameters specify the position in the Playing List/Order to jump to. When used in conjunction with command D you can specify the position and the line to play from.

Command E is pretty complex, as it is used for a lot of different things, depending on what the first parameter is. Let's take a trip through each effect in order.
Command E0 controls the hardware filter on an Amiga, which, as a low pass filter, cuts off the highest frequencies being played back. There are very few players and trackers on other system that simulate this function, not that you should need to use it. The second parameter, if set to 1, turns on the filter. If set to 0, the filter gets turned off.

Commands E1/E2 are Fine Portamento Up/Down. Exactly the same functions as commands 1/2, except that they only slide the pitch by a very small amount. These commands have a memory the same as 1/2 as well.

Command E3 sets the Glissando control. If parameters are set to 1 then when using command 3, any sliding will only use the notes in between the original note and the note being slid to. This produces a somewhat jumpier slide than usual. The best way to understand is to try it out for yourself. Produce a slow slide with command 3, listen to it, and then try using E31.

Command E4 is the Set Vibrato Waveform control. This command controls how the vibrato command slides the pitch. Parameters are 0 - Sine, 1 - Ramp Down (Saw), 2 - Square. By adding 4 to the parameters, the waveform will not be restarted when a new note is played e.g. 5 - Sine without restart.

Command E5 sets the Fine Tune of the instrument being played, but only for the particular note being played. It will override the default Fine Tune for the instrument. The parameters range from 0 to F, with 0 being -8 and F being +8 Fine Tune. A parameter of 8 gives no Fine Tune. If you're using a newer tracker that supports more than -8 to +8 e.g. -128 to +128, these parameters will give a rough Fine Tune, accurate to the nearest 16.

Command E6 is the Jump Loop command. You mark the beginning of the part of a pattern that you want to loop with E60, and then specify with E6x the end of the loop, where x is the number of times you want it to loop.

Command E7 is the Set Tremolo Waveform control. This has exactly the same parameters as command E4, except that it works for Tremolo rather than Vibrato.

Command E9 is for Retriggering the note quickly. The parameter specifies the interval between the retrigs. Use a value of less than the current secondary tempo, or else the note will not get retrigged.

Command EA/B are for Fine Volume Slide Up/Down. Much the same as the normal Volume Slides, except that these are easier to control since they don't depend on the secondary tempo. The parameters specify the amount to slide by e.g. if you have a sample playing at a volume of 08 (Hex) then the effect EA1 will slide this volume to 09 (Hex). A subsequent effect of EB4 would slide this volume down to 05 (Hex).

Command EC is the Note Cut. This sets the volume of the currently playing note to 0 at a specified tick. The parameters should be lower than the secondary tempo or else the effect won't work.

Command ED is the Note Delay. This should be used at the same time as a note is to be played, and the parameters will specify the number of ticks to delay playing the note. Again, keep the parameters lower than the secondary tempo, or the note won't get played!

Command EE is the Pattern Delay. This delays the pattern for the amount of time it would take to play a certain number of rows. The parameters specify how many rows to delay for.

Command EF is the Funk Repeat command. Set the sample loop to 0-1000. When EFx is used, the loop will be moved to 1000- 2000, then to 2000-3000 etc. After 9000-10000 the loop is set back to 0- 1000. The speed of the loop &quot;movement&quot; is defined by x. E is two times as slow as F, D is three times as slow as F etc. EF0 will turn the Funk Repeat off and reset the loop (to 0-1000).

effects 0x41 and 0x42 to control the volumes of the 2 303 units

There is a dedicated panel for synth parameter editing with coherent sections (osc, filter modulation, routing, so on) the interface is much nicer, much better to navigate with customizable colors, the reverb is now customizable (10 delay lines), It accepts newer types of Waves (higher bit rates, at least 24). Has a replay routine.

It's pretty much your basic VA synth. The problem isn't with the sampler being to high it's the synth is tuned two octaves too low, but if you want your samples tuned down just set the base note down 2 octaves (in the instrument panel).

so the synth is basically divided into 3 sections from left to right: oscillators/envelopes, then filter and LFO's, and in the right column you have mod routings and global settings.

for the oscillator section you have two normal oscillators (sine, saw, square, noise), the second of which is tunable, the first one tunes with the key pressed. Attached to OSC 1 is a sub-oscillator, which is a sawtooth wave tuned one octave down. The phase modulation controls the point in the duty cycle at which the oscillator starts. The ADSR envelope sliders (grouped with oscs) are for modulation envelope 1 and 2 respectively. you can use the synth as a sampler by choosing the instrument at the top.

In the filter column, the filter settings are: 1 = lowpass, 2 = highpass, 3 = off. cutoff and resonance. For the LFOs they are LFO 1 and LFO 2, the ADSR sliders in those are for the LFO itself.

For the modulation routings you have ENV 1, LFO 1 for the first slider and ENV 2, LFO 2 for the second, you can cycle through the individual routings there, and you can route each modulation source to multiple destinations of course, which is another big plus for this synth. Finally the glide time is for portamento and master volume, well, the master volume... it can go quite loud.

The sequencer is changed too, It's more like the one in AXS if you've used that, where you can mute tracks to re-use patterns with variation.


&lt;pre&gt;
Support for the following modules formats:
669 (Composer 669, Unis 669), 
AMF (DSMI Advanced Module Format), 
AMF (ASYLUM Music Format V1.0), 
APUN (APlayer), DSM (DSIK internal format), 
FAR (Farandole Composer), 
GDM (General DigiMusic), 
IT (Impulse Tracker), 
IMF (Imago Orpheus), 
MOD (15 and 31 instruments), 
MED (OctaMED), 
MTM (MultiTracker Module editor), 
OKT (Amiga Oktalyzer), 
S3M (Scream Tracker 3), 
STM (Scream Tracker), 
STX (Scream Tracker Music Interface Kit), 
ULT (UltraTracker), 
UNI (MikMod), 
XM (FastTracker 2),
Mid (midi format via timidity)
&lt;/pre&gt;


Possible plugin options include [http://lv2plug.in/ LV2],


====Midi - Musical Instrument Digital Interface====

A midi file typically contains music that plays on up to 16 channels (as per the midi standard), but many notes can simultaneously play on each channel (depending on the limit of the midi hardware playing it).

'''Timidity'''

Although usually already installed, you can uncompress the [http://www.libsdl.org/projects/SDL_mixer/ timidity.tar.gz (14MB)] into a suitable drawer like below's SYS:Extras/Audio/ 
 assign timidity: SYS:Extras/Audio/timidity
added to SYSːs/User-Startup

'''WildMidi playback'''


'''Audio Evolution 4 (2003) 4.0.23 (from 2012)'''


*Sync Menu    - CAMD Receive, Send checked 
*Options Menu - MIDI Machine Control - Midi Bar Display - Select CAMD MIDI in / out - Midi Remote Setup 


MCB Master Control Bus 
*Sending a MIDI start-command and a Song Position Pointer, you can synchronize audio with an external MIDI sequencer (like B&amp;P). 
*B&amp;P Receive, start AE, add AudioEvolution.ptool in Bars&amp;Pipes track, press play / record in AE then press play in Pipes 
*CAMD Receive, receive MIDI start or continue commands via camd.library sync to AE 


*MIDI Machine Control
*Midi Bar Display 
*Select CAMD MIDI in / out
*Midi Remote Setup - open requester for external MIDI controllers to control app mixer and transport controls cc remotely 
 Channel   - mixer(vol, pan, mute, solo), eq, aux, fx, 
 Subgroup  - Volume, Mute, Solo 
 Transport - Start, End, Play, Stop, Record, Rewind, Forward 
 Misc      - Master vol., Bank Down, Bank up 


&lt;pre&gt;
q        - quit 

First 3 already opened when AE started 
F1       - timeline window
F2       - mixer 
F3       - control 
F4       - subgroups 
F5       - aux returns 
F6       - sample list 

i        - Load sample to use 

space    - start/stop play 
b        - reset time 0:00


s        - split mode 
r        - open recording window 
a        - automation edit mode with p panning, m mute and v volume 


[ / ]    - zoom in / out 
:        - previous track
*        - next track 

x c v f  - cut copy paste cross-fade 
g        - snap grid 


&lt;/pre&gt;


 '''[http://bnp.hansfaust.de/ Bars n Pipes sequencer]'''

 BarsnPipes debug ... in shell 

Menu (right mouse)  
*Song        - Songs load and save in .song format but option here to load/save Midi_Files .mid in FORMAT0 or FORMAT1 
*Track       - 
*Edit        -
*Tool        - 
*Timing      - SMTPE Synchronizing 
*Windows     - 
*Preferences - Multiple MIDI-in option 

Windows (some of these are usually already opened when Bars n Pipes starts up for the first time) 
*Workflow -&gt; Tracks, .... Song Construction, Time-line Scoring, Media Madness, Mix Maestro, 
*Control  -&gt; Transport (or mini one), Windows (which collects all the Windows icons together-shortcut), .... Toolbox, Accessories, Metronome, 

Once you have your windows placed on the screen that suits your workflow, Song -&gt; Save as Default will save the positions, colors, icons, etc as you'd like them 

If you need a particular setup of Tracks, Tools, Tempos etc, you save them all as a new song you can load each time 

Right mouse menu -&gt; Preferences -&gt; Environment... -&gt; ScreenMode  - Linkages for Synch (to Slave) usbmidi.out.0 and Send (Master) usbmidi.in.0 - Clock MTC 


'''Tracks'''

#Double-click on B&amp;P's icon. B&amp;P will then open with an empty Song. You can also double-click on a song icon to open a song in B&amp;P.
#Choose a track. The B&amp;P screen will contain a Tracks Window with a number of tracks shown as pipelines (Track 1, Track 2, etc...). To choose a track, simply click on the gray box to show an arrow-icon to highlight it. This icon show whether a track is chosen or not. To the right of the arrow-icon, you can see the icon for the midi-input. If you double-click on this icon you can change the MIDI-in setup.
#Choose Record for the track. To the right of the MIDI-input channel icon you can see a pipe. This leads to another clickable icon with that shows either P, R or M. This stands for Play, Record or Merge. To change the icon, simply click on it. If you choose P, this track can only play the track (you can't record anything). If you choose R, you can record what you play and it overwrites old stuff in the track. If you choose M, you merge new records with old stuff in the track. Choose R now to be able to make a record.
#Chose MIDI-channel. On the most right part of the track you can see an icon with a number in it. This is the MIDI-channel selector. Here you must choose a MIDI-channel that is available on your synthesizer/keyboard. If you choose General MIDI channel 10, most synthesizer will play drum sounds. To the left of this icon is the MIDI-output icon. Double-click on this icon to change the MIDI-output configuration.
#Start recording. The next step is to start recording. You must then find the control buttons (they look like buttons on a CD-player). To be able to make a record. you must click on the R icon. You can simply now press the play button (after you have pressed the R button) and play something on you keyboard. To playback your composition, press the Play button on the control panel.
#Edit track. To edit a track, you simply double click in the middle part of a track. You will then get a new window containing the track, where you can change what you have recorded using tools provided. Take also a look in the drop-down menus for more features.


Videos to help understand [https://www.youtube.com/watch?v=A6gVTX-9900 small intro], [https://www.youtube.com/watch?v=abq_rUTiSA4&amp;t=3s Overview], [https://www.youtube.com/watch?v=ixOVutKsYQo Workplace Setup CC PC Sysex], [https://www.youtube.com/watch?v=dDnJLYPaZTs Import Song], [https://www.youtube.com/watch?v=BC3kkzPLkv4 Tempo Mapping], [https://www.youtube.com/watch?v=sd23kqMYPDs ptool Arpeggi-8], [https://www.youtube.com/watch?v=LDJq-YxgwQg  PlayMidi Song], [https://www.youtube.com/watch?v=DY9Pu5P9TaU Amiga Midi], [https://www.youtube.com/watch?v=abq_rUTiSA4 Learning Amiga bars and Pipes], 

Groups like [https://groups.io/g/barsnpipes/topics this] could help 


'''Tracks window'''

* blue &quot;1 2 3 4 5 6 7 8 Group&quot; and transport tape deck VCR-type controls
* Flags 
* [http://theproblem.alco-rhythm.com/org/bp.html Track 1, Track2, to Track 16, on each Track there are many options that can be activated] 

Each Track has a 

*Left LHS  - Click in grey box to select what Track to work on, Midi-In ptool icon should be here (5pin plug icon), and many more from the Toolbox on the Input Pipeline 
*Middle    - (P, R, M) Play, Record, Merge/Multi before the sequencer line and a blue/red/yellow (Thru Mute Play) Tap 
*Right RHS - Output pipeline, can have icons placed uopn it with the final ptool icon(s) being the 5pin icon symbol for Midi-OUT 

Clogged pipelines may need Esc pressed several times 


'''Toolbox (tools affect the chosen pipeline)'''

After opening the Toolbox window you can add extra Tools (.ptool) for the pipelines like keyboard(virtual), midimonitor, quick patch, transpose, triad, (un)quantize, feedback in/out, velocity etc
 right mouse -&gt; Toolbox menu option -&gt; Install Tool... and navigate to Tool drawer (folder) and select requried .ptool 

Accompany B tool to get some sort of rythmic accompaniment, Rythm Section and Groove Quantize are examples of other tools that make use of rythms
[https://aminet.net/search?query=bars Bars &amp; Pipes pattern format .ptrn] for drawer (folder). Load from the Menu as Track or Group 


'''Accessories (affect the whole app)''' 

Accessories -&gt; Install... and goto the Accessories drawer for .paccess like adding ARexx scripting support 


'''Song Construction'''
&lt;pre&gt;
F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Duplicator 
F5  Eraser 
F6  Toolpad 
F7  Bounding box 
F8  Lock to A-B-A 

A-B-A strip, section, edit flags, white boxes, 

&lt;/pre&gt;


Bars&amp;Pipes Professional offers three track formats; basic song tracks, linear tracks — which don't loop — and finally real‑time tracks. The difference between them is that both song and linear tracks respond to tempo changes, while real‑time tracks use absolute timing, always trigger at the same instant regardless of tempo alterations 

'''Tempo Map'''

F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Eraser 
F5  Curve 
F6  Toolpad 


Compositions

Lyrics, Key, Rhythm, Time Signature 

'''Master Parameters'''

Key, Scale/Mode

'''Track Parameters'''

Dynamics 


'''Time-line Scoring'''


'''Media Madness'''


'''Mix Maestro'''


*ACCESSORIES         Allows the importation of other packages and additional modules 
*CLIPBOARD           Full cut, copy and paste operations, enabling user‑definable clips to be shared between tracks.
*INFORMATION         A complete rundown on the state of the current production and your machine.
*MASTER PARAMETERS   Enables global definition of time signatures, lyrics, scales, chords, dynamics and rhythm changes.
*MEDIA MADNESS       A complete multimedia sequencer which allows samples, stills, animation, etc 
*METRONOME           Tempo feedback via MIDI, internal Amiga audio and colour cycling — all three can be mixed and matched as required.
*MIX MAESTRO         Completely automated mixdown with control for both volume and pan. All fader alterations are memorised by the software 
*RECORD ACTIVATION   Complete specification of the data to be recorded/merged. Allows overdubbing of pitch‑bend, program changes, modulation etc
*SET FLAGS           Numeric positioning of location and edit flags in either SMPTE or musical time 
*SONG CONSTRUCTION   Large‑scale cut and paste of individual measures, verses or chorus, by means of bounding box and drag‑n‑drop mouse selections
*TEMPO MAP           Tempo change using a variety of linear and non‑linear transition curves 
*TEMPO PALETTE       Instant tempo changes courtesy of four user‑definable settings.
*TIMELINE SCORING    Sequencing of a selection of songs over a defined period — ideal for planning an entire set for a live performance.
*TOOLBOX             Selection screen for the hundreds of signal‑processing tools available 
*TRACKS              Opens the main track window to enable recording, editing and the use of tools.
*TRANSPORT           Main playback control window, which also provides access to user‑ defined flags, loop and punch‑in record modes.


Bars and Pipes Pro 2.5 is using internal 4-Byte IDs, to check which kind of data are currently processed.
Especially in all its files the IDs play an important role. The IDs are stored into the file in the same order they are laid out in the memory.

In a Bars 'N' Pipes file (no matter which kind) the ID &quot;NAME&quot; (saved as its ANSI-values) is stored on a big endian system (68k-computer) as &quot;NAME&quot;. On a little endian system (x86 PC computer) as &quot;EMAN&quot;.  The target is to make the AROS-BnP compatible to songs, which were stored on a 68k computer (AMIGA).

If possible, setting MIDI channels for Local Control for your keyboard 

http://www.fromwithin.com/liquidmidi/archive.shtml


MIDI files are essentially a stream of event data. An event can be many things, but typically &quot;note on&quot;, &quot;note off&quot;, &quot;program change&quot;, &quot;controller change&quot;, or messages that instruct a MIDI compatible synth how to play a given bit of music.

* Channel     - 1 to 16 -
* Messages    - PC presets, CC effects like delays, reverbs,  etc 
* Sequencing  - MIDI instruments, Drums, Sound design, 
* Recording   - 
* GUI         - Piano roll or Tracker, Staves and Notes 

MIDI events/messages like step entry e.g. Note On, Note Off 

MIDI events/messages like PB, PC, CC, Mono and Poly After-Touch, Sysex, etc 

MIDI sync - Midi Clocks (SPS Measures), Midi Time Code (h, m, s and frames) SMPTE 

Individual track editing with audition edits so easier to test any changes. Possible to stop track playback, mix clips from the right edit flag and scroll the display using arrow keys. 

Step entry, to extend a selected note hit the space bar and the note grows accordingly. Ability to cancel mouse‑driven edits by simply clicking the right mouse button — at which point everything snaps back into its original form. Lyrics can now be put in with syllable dividers, even across an entire measure or section. Autoranging when you open a edit window, the notes are automatically displayed — working from the lowest upwards. 

Flag editing, shift‑click on a flag immediately open the bounds window, ready for numeric input. Ability to cancel edits using the right‑hand mouse button, plus much improved Bounding Box operations.

Icons other than the BarsnPipes icon -&gt; PUBSCREEN=BarsnPipes (cannot choose modes higher than 8bit 256 colors)

Preferences -&gt; Menu in Tracks window - Send MIDI defaults OFF 

Prefs -&gt; Environment -&gt; screenmode (saved to BarsnPipes.prefs binary file) 

Customization -&gt; pics in gui drawer (folder) - 


Can save as .song files and .mid General Midi 

SMF is a “Standard Midi File”  ([http://www.music.mcgill.ca/~ich/classes/mumt306/StandardMIDIfileformat.html SMF0, SMF1 and SMF2]), [https://github.com/stump/libsmf libsmf], [https://github.com/markc/midicomp MIDIcomp], [https://github.com/MajicDesigns/MD_MIDIFile C++ src], [], [https://github.com/newdigate/midi-smf-reader Midi player], 

* SMF0        All MIDI data is stored in one track only, separated exclusively by the MIDI channel.
* SMF1        The MIDI data is stored in separate tracks/channels.
* SMF2 (rarely used) The MIDI data is stored in separate tracks, which are additionally wrapped in containers, so it's possible to have e.g. several tracks using the same MIDI channels.


Would it be possible to enrich Bars N’Pipes with software synth and sample support along with audio recording and mastering tools like in the named MAC or PC music sequencers?
On the classic AMIGA-OS this is not possible because of missing CPU-power. The hardware of the classic AMIGA is not further developed. So we must say (unfortunately) that those dreams can’t become reality

BarsnPipes is best used with external MIDI-equipment. This can be a keyboard or synthesizer with MIDI-connectors. 

&lt;pre&gt;
MIDI can control 16 channels 
There are USB-MIDI-Interfaces on the market with 16 independent MIDI-lines (multi-port), which can handle 16 MIDI devices independently – 16×16 = 256 independent MIDI-channels or instruments 
handle up to 16 different USB-MIDI-Interfaces (multi-device). That is: 16X16X16 = 4096 independent MIDI-channels – theoretically 
&lt;/pre&gt;

&lt;pre&gt;
Librarian MIDI SYStem EXplorer (sysex) - PatchEditor and used to be supplied as a separate program like PatchMeister but currently not at present 
It should support MIDI.library (PD), BlueRibbon.library (B&amp;P), TriplePlayPlus, and CAMD.library (DeluxeMusic) and 
MIDI information from a device's user manual and configure a custom interface to access parameters for all MIDI products connected to the system 
Supports ALL MIDI events and the Patch/Librarian data is stored in MIDI standard format 
Annette M.Crowling, Missing Link Software, Inc.
&lt;/pre&gt;


Composers
&lt;pre&gt;
[https://x.com/hirasawa/status/1403686519899054086 Susumu Hirasawa] 

&lt;/pre&gt;


&lt;pre&gt;
1988 Todor Fay and his wife Melissa Jordan Gray, who founded the Blue Ribbon Inc
1992 Bars&amp;Pipes Pro published 
November 2000, Todor Fay announcement to release the sourcecode of Bars&amp;Pipes Pro 2.5c beta
end of May 2001, the source of the main program and the sources of some tools and accessories were in a complete and compileable state 
end of October 2009 stop further development of BarsnPipes New for now on all supported systems and made freeware 
2013 Alfred Faust diagnosed with incureable illness, called „Myastenia gravis“ (weak muscles) 
&lt;/pre&gt;


 Protrekkr

How to use Midi In/Out in Protrekkr ?

First of all, midi in &amp; out capabilities of this program are rather limited.

# Go to Misc. Setup section and select a midi in or out device to use (ptk only supports one device at a time).
# Go to instrument section, and select a MIDI PRG (the default is N/A, which means no midi program selected).
# Go to track section and here you can assign a midi channel to each track of ptk.
# Play notes :]. Note off works. F'x' note cut command also works too, and note-volume command (speed) is supported.

Also, you can change midicontrollers in the tracker, using '90' in the panning row:

&lt;pre&gt;
    C-3 02 .. .. 0000....


    --- .. .. 90 xxyy.... &lt;&lt; This will set the value 
    --- .. .. .. 0000....    of the controller n.'xx' to 'yy' (both in hex)
    --- .. .. .. 0000....
&lt;/pre&gt;

So &quot;--- .. .. 90 2040....&quot; will set the controller number $20(32) to $40(64).

You will need the midi implementation table of your gear to know what you can change with midi controller messages.

 N.B. Not all MIDI devices are created equal!

Although the MIDI specification defines a large range of MIDI messages of various kinds, not every MIDI device is required to work in exactly the same way and respond to all the available messages and ways of working. For example, we don't expect a wind synthesiser to work in the same way as a home keyboard.

Some devices, the older ones perhaps, are only able to respond to a single channel. With some of those devices that channel can be altered from the default of 1 (probably) to another channel of the 16 possible.

Other devices, for instance monophonic synthesisers, are capable of producing just one note at a time, on one MIDI channel. Others can produce many notes spread across many channels.

Further devices can respond to, and transmit, &quot;breath controller&quot; data (MIDI controller number 2 (CC#2)) others may respond to the reception of CC#2 but not be able to create and to send it.

A controller keyboard may be capable of sending &quot;expression pedal&quot; data, but another device may not be capable of responding to that message.

Some devices just have the basic GM sound set. The &quot;voice&quot; or &quot;instrument&quot; is selected using a &quot;Program Change&quot; message on its own.

Other devices have a greater selection of voices, usually arranged in &quot;banks&quot;, and the choice of instrument is made by responding to &quot;Bank Select MSB&quot; (MIDI controller 0 (CC#0)), others use &quot;Bank Select LSB&quot; (MIDI controller number 32 (CC#32)), yet others use both MSB and LSB sent one after the other, all followed by the Program Change message. The detailed information about all the different voices will usually be available in a published MIDI Data List.


 MIDI Implementation Chart

But in the User Manual there is sometimes a summary of how the device works, in terms of MIDI, in the chart at the back of the manual, the MIDI Implementation Chart.

If you require two devices to work together you can compare the two implementation charts to see if they are &quot;compatible&quot;. In order to do this we will need to interpret that chart.

The chart is divided into four columns headed &quot;Function&quot;, &quot;Transmitted&quot; (or &quot;Tx&quot;), &quot;Received&quot; (or &quot;Rx&quot;), or more correctly &quot;Recognised&quot;, and finally, &quot;Remarks&quot;.

&lt;pre&gt;
The left hand column defines which MIDI functions are being described.
The 2nd column defines what the device in question is capable of transmitting to another device.
The 3rd column defines what the device is capable of responding to.
The 4th column is for explanations of the values contained within these previous two columns.
&lt;/pre&gt;

There should then be twelve sections, with possibly a thirteenth containing extra &quot;Notes&quot;. Finally there should be an explanation of the four MIDI &quot;modes&quot; and what the &quot;X&quot; and the &quot;O&quot; mean.
&lt;pre&gt;
Mode 1: Omni On, Poly; 
Mode 2: Omni On, Mono; 
Mode 3: Omni Off, Poly; 
Mode 4: Omni Off, Mono.
&lt;/pre&gt;
O means &quot;yes&quot; (implemented), X means &quot;no&quot; (not implemented).

Sometimes you will find a row of asterisks &quot;**************&quot;, these seem to indicate that the data is not applicable in this case. Seen in the transmitted field only (unless you've seen otherwise).

Lastly you may find against some entries an asterisk followed by a number e.g. *1, these will refer you to further information, often on a following page, giving more detail.

Basic Channel
But the very first set of boxes will tell us the &quot;Basic Channel(s)&quot; that the device sends or receives on. 
&quot;Default&quot; is what happens when the device is first turned on, &quot;changed&quot; is what a switch of some kind may allow the device to be set to. 
For many devices e.g. a GM sound module or a home keyboard, this would be 1-16 for both. That is it can handle sending and receiving on all MIDI channels.

On other devices, for example a synthesiser, it may by default only work on channel 1. But the keyboard could be &quot;split&quot; with the lower notes e.g. on channel 2. If the synth has an arppegiator, this may be able to be set to transmit and or receive on yet another channel.
So we might see the default as &quot;1&quot; but the changed as &quot;1-16&quot;.

Modes.
We need to understand Omni On and Off, and Mono and Poly, then we can decipher the four modes.

But first we need to understand that any of these four Mode messages can be sent to any MIDI channel. They don't necessarily apply to the whole device.

If we send an &quot;Omni On&quot; message (CC#125) to a MIDI channel of a device, we are, in effect, asking it to respond to e.g. a Note On / Off message pair, received on any of the sixteen channels. Sound strange? Read it again. Still strange? It certainly is. We normally want a MIDI channel to respond only to Note On / Off messages sent on that channel, not any other. In other words, &quot;Omni Off&quot;.

So &quot;Omni Off&quot; (CC#124) tells a channel of our MIDI device to respond only to messages sent on that MIDI channel.

&quot;Poly&quot; (CC#127) is for e.g. a channel of a polyphonic sound module, or a home keyboard, to be able to respond to many simultaneous Note On / Off message pairs at once and produce musical chords.

&quot;Mono&quot; (CC#126) allows us to set a channel to respond as if it were e.g. a flute or a trumpet, playing just one note at a time. If the device is capable of it, then the overlapping of notes will produce legato playing, that is the attack portion of the second note of two overlapping notes will be removed resulting in a &quot;smoother&quot; transition.

So a channel with a piano voice assigned to it will have Omni Off, Poly On (Mode 3), a channel with a saxophone voice assigned could be Omni Off, Mono On (Mode 4).

We call these combinations the four modes, 1 to 4, as defined above. 
Most modern devices will have their channels set to Mode 3 (Omni Off, Poly) but be switchable, on a per channel basis, to Mode 4 (Omni Off, Mono).

This second section of data will include first its default value i.e. upon device switch on. Then what Mode messages are acceptable, or X if none.

Finally, in the &quot;Altered&quot; field, how a Mode message that can't be implemented will be interpreted. Usually there will just be a row of asterisks effectively meaning nothing will be done if you try to switch to an unimplemented mode.

Note Number
&lt;pre&gt;
The next row will tell us which MIDI notes the device can send or receive, normally 0-127.
The second line, &quot;True Voice&quot; has the following in the MIDI specification: 
&quot;Range of received note numbers falling within the range of true notes produced by the instrument.&quot;
My interpretation is that, for instance, a MIDI piano may be capable of sending all MIDI notes (0 to 127) by transposition, but only responding to the 88 notes (21 to 108) of a real piano. 
&lt;/pre&gt;

Velocity
This will tell us whether the device we're looking at will handle note velocity, and what range from 1-127, or maybe just 64, it transmits or will recognise. So usually &quot;O&quot; plus a range or &quot;X&quot; for not implemented.

After touch
This may have one or two lines two it.
If a one liner the either &quot;O&quot; or &quot;X&quot;, yes or no.
If a two liner then it may include &quot;Keys&quot; or &quot;Poly&quot; and &quot;Channel&quot;.
This will show whether the device will respond to Polyphonic after touch or channel after touch or neither.

Pitch Bend
Again &quot;O&quot; for implemented, &quot;X&quot; for not implemented.
(Many stage pianos will have no pitch bend capability.)
It may also, in the notes section, state whether it will respond to the full 14 bits, or not, as usually encoded by the pitch bend wheel.

Control Change
This is likely to be the largest section of the chart.
It will list all those controllers, starting from CC#0, Bank Select MSB, which the device is capable of sending, and those that it will respond to using &quot;O&quot; or &quot;X&quot; respectively.
You will, almost certainly, get some further explanation of functionality in the remarks column, or in more detail elsewhere in the documentation.

Of course you will need to know what all the various controller numbers do. Lots of the official technical specifications can be found at the [www.midi.org/techspecs/ MMA], with the table of messages and control change [www.midi.org/techspecs/midimessages.php message numbers]

Program Change
Again &quot;O&quot; or &quot;X&quot; in the Transmitted or Recognised column to indicate whether or not the feature is implemented. In addition a range of numbers is shown, typically 0-127, to show what is available.
True # (number): &quot;The range of the program change numbers which correspond to the actual number of patches selected.&quot;

System Exclusive
Used to indicate whether or not the device can send or recognise System Exclusive messages. A short description is often given in the Remarks field followed by a detailed explanation elsewhere in the documentation.

System Common - These include the following:
&lt;pre&gt;
MIDI Time Code Quarter Frame messages (device synchronisation).
Song Position Pointer
Song Select
Tune Request
&lt;/pre&gt;
The section will indicate whether or not the device can send or respond to any of these messages.

System Real Time
These include the following:
&lt;pre&gt;
Timing Clock - often just written as &quot;Clock&quot;
Start
Stop
Continue
&lt;/pre&gt;
These three are usually just referred to as &quot;Commands&quot; and listed.
Again the section will indicate which, if any, of these messages the device can send or respond to.
&lt;pre&gt;
Aux. Messages
Again &quot;O&quot; or &quot;X&quot; for implemented or not.
Aux. = Auxiliary.
Active Sense = Active Sensing.
&lt;/pre&gt;
Often with an explanation of the action of the device.

Notes
The &quot;Notes&quot; section can contain any additional comments to clarify the particular implementation.

Some of the explanations have been drawn directly from the MMA MIDI 1.0 Detailed Specification.
And the detailed explanation of some of the functions will be found there, or in the General MIDI System Level 1 or General MIDI System Level 2 documents also published by the MMA.


 OFFICIAL MIDI SPECIFICATIONS

SUMMARY OF MIDI MESSAGES
Table 1 - Summary of MIDI Messages

The following table lists the major MIDI messages in numerical (binary) order (adapted from &quot;MIDI by the Numbers&quot; by D. Valenti, Electronic Musician 2/88, and updated by the MIDI Manufacturers Association.). This table is intended as an overview of MIDI, and is by no means complete.

WARNING! Details about implementing these messages can dramatically impact compatibility with other products. We strongly recommend consulting the official MIDI Specifications for additional information.

MIDI 1.0 Specification

Message Summary Channel Voice Messages [nnnn = 0-15 (MIDI Channel Number 1-16)]

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1000nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note Off event. 
This message is sent when a note is released (ended). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1001nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note On event. 
This message is sent when a note is depressed (start). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1010nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Polyphonic Key Pressure (Aftertouch). 
This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. (kkkkkkk) is the key (note) number. (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Control Change. 
This message is sent when a controller value changes. Controllers include devices such as pedals and levers. Controller numbers 120-127 are reserved as &quot;Channel Mode Messages&quot; (below). (ccccccc) is the controller number (0-119). (vvvvvvv) is the controller value (0-127).
|-
|&lt;!--Status--&gt;1100nnnn || &lt;!--Data--&gt;0ppppppp || &lt;!--Description--&gt;Program Change. This message sent when the patch number changes. (ppppppp) is the new program number.
|-
|&lt;!--Status--&gt;1101nnnn || &lt;!--Data--&gt;0vvvvvvv || &lt;!--Description--&gt;Channel Pressure (After-touch). This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. This message is different from polyphonic after-touch. Use this message to send the single greatest pressure value (of all the current depressed keys). (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1110nnnn || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Pitch Bend Change. This message is sent to indicate a change in the pitch bender (wheel or lever, typically). The pitch bender is measured by a fourteen bit value. Center (no pitch change) is 2000H. Sensitivity is a function of the receiver, but may be set using RPN 0. (lllllll) are the least significant 7 bits. (mmmmmmm) are the most significant 7 bits.
|}

Channel Mode Messages (See also Control Change, above)

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Channel Mode Messages. 
This the same code as the Control Change (above), but implements Mode control and special message by using reserved controller numbers 120-127. The commands are:
*All Sound Off. When All Sound Off is received all oscillators will turn off, and their volume envelopes are set to zero as soon as possible c = 120, v = 0: All Sound Off
*Reset All Controllers. When Reset All Controllers is received, all controller values are reset to their default values. (See specific Recommended Practices for defaults) c = 121, v = x: Value must only be zero unless otherwise allowed in a specific Recommended Practice.
*Local Control. When Local Control is Off, all devices on a given channel will respond only to data received over MIDI. Played data, etc. will be ignored. Local Control On restores the functions of the normal controllers. 
c = 122, v = 0: Local Control Off
c = 122, v = 127: Local Control On
* All Notes Off. When an All Notes Off is received, all oscillators will turn off. 
c = 123, v = 0: All Notes Off (See text for description of actual mode commands.)
c = 124, v = 0: Omni Mode Off 
c = 125, v = 0: Omni Mode On 
c = 126, v = M: Mono Mode On (Poly Off) where M is the number of channels (Omni Off) or 0 (Omni On) 
c = 127, v = 0: Poly Mode On (Mono Off) (Note: These four messages also cause All Notes Off)
|}

System Common Messages

System Messages (0xF0)

The final status nybble is a “catch all” for data that doesn’t fit the other statuses. They all use the most significant nybble (4bits) of 0xF, with the least significant nybble indicating the specific category.

The messages are denoted when the MSB of the second nybble is 1. When that bit is a 0, the messages fall into two other subcategories.

System Common

If the MSB of the second second nybble (4 bits) is not set, this indicates a System Common message. Most of these are messages that include some additional data bytes.

System Common Messages
Type Status Byte   Number of Data Bytes      Usage 
&lt;pre&gt;
Time Code Quarter Frame	0xF1	1	Indicates timing using absolute time code, primarily for synthronization with video playback systems. A single location requires eight messages to send the location in an encoded hours:minutes:seconds:frames format*.
Song Position	0xF2	2	Instructs a sequencer to jump to a new position in the song. The data bytes form a 14-bit value that expresses the location as the number of sixteenth notes from the start of the song.
Song Select	0xF3	1	Instructs a sequencer to select a new song. The data byte indicates the song.
Undefined	0xF4	0	
Undefined	0xF5	0	
Tune Request	0xF6	0	Requests that the receiver retunes itself**.
&lt;/pre&gt;
*MIDI Time Code (MTC) is significantly complex. Please see the MIDI Specification
**While modern digital instruments are good at staying in tune, older analog synthesizers were prone to tuning drift. Some analog synthesizers had an automatic tuning operation that could be initiated with this command.


System Exclusive

If you’ve been keeping track, you’ll notice there are two status bytes not yet defined: 0xf0 and 0xf7. These are used by the System Exclusive message, often abbreviated at SysEx. SysEx provides a path to send arbitrary data over a MIDI connection. There is a group of predefined messages for complex data, like fine grained control of MIDI Time code machinery. SysEx is also used to send manufacturer defined data, such as patches, or even firmware updates.

System Exclusive messages are longer than other MIDI messages, and can be any length. The messages are of the following format:

0xF0, 0xID, 0xdd, ...... 0xF7
The message is bookended with distinct bytes.

It opens with the Start Of Exclusive (SOX) data byte, 0xF0.
The next one to three bytes after the start are an identifier.
Values from 0x01 to 0x7C are one-byte vendor IDs, assigned to manufacturers who were involved with MIDI at the beginning.
If the ID is 0x00, it’s a three-byte vendor ID - the next two bytes of the message are the value.
&lt;pre&gt;
ID 0x7D is a placeholder for non-commercial entities.
ID 0x7E indicates a predefined Non-realtime SysEx message.
ID 0x7F indicates a predefined Realtime SysEx message.
&lt;/pre&gt;
After the ID is the data payload, sent as a stream of bytes.
The transfer concludes with the End of Exclusive (EOX) byte, 0xF7.
The payload data must follow the guidelines for MIDI data bytes – the MSB must not be set, so only 7 bits per byte are actually usable. If the MSB is set, it falls into three possible scenarios.

An End of Exclusive byte marks the ordinary termination of the SysEx transfer.
System Real Time messages may occur within the transfer without interrupting it. The recipient should handle them independently of the SysEx transfer.
Other status bytes implicitly terminate the SysEx transfer and signal the start of new messages.
 Some inexpensive USB-to-MIDI interfaces aren’t capable of handling messages longer than four bytes.

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11110000 || &lt;!--Data--&gt;0iiiiiii [0iiiiiii 0iiiiiii]  0ddddddd  --- --- 0ddddddd 11110111 || &lt;!--Description--&gt;System Exclusive. 
This message type allows manufacturers to create their own messages (such as bulk dumps, patch parameters, and other non-spec data) and provides a mechanism for creating additional MIDI Specification messages. The Manufacturer's ID code (assigned by MMA or AMEI) is either 1 byte (0iiiiiii) or 3 bytes (0iiiiiii 0iiiiiii 0iiiiiii). Two of the 1 Byte IDs are reserved for extensions called Universal Exclusive Messages, which are not manufacturer-specific. If a device recognizes the ID code as its own (or as a supported Universal message) it will listen to the rest of the message (0ddddddd). Otherwise, the message will be ignored. (Note: Only Real-Time messages may be interleaved with a System Exclusive.)
|-
|&lt;!--Status--&gt;11110001 || &lt;!--Data--&gt;0nnndddd || &lt;!--Description--&gt;MIDI Time Code Quarter Frame.
nnn = Message Type
dddd = Values
|-
|&lt;!--Status--&gt;11110010 || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Song Position Pointer. 
This is an internal 14 bit register that holds the number of MIDI beats (1 beat= six MIDI clocks) since the start of the song. l is the LSB, m the MSB.
|-
|&lt;!--Status--&gt;11110011 || &lt;!--Data--&gt;0sssssss || &lt;!--Description--&gt;Song Select. 
The Song Select specifies which sequence or song is to be played.
|-
|&lt;!--Status--&gt;11110100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Tune Request. Upon receiving a Tune Request, all analog synthesizers should tune their oscillators.
|-
|&lt;!--Status--&gt;11110111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;End of Exclusive. Used to terminate a System Exclusive dump. 
|}


System Real-Time Messages

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11111000 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Timing Clock. Sent 24 times per quarter note when synchronization is required.
|-
|&lt;!--Status--&gt;11111001 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111010 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Start. Start the current sequence playing. (This message will be followed with Timing Clocks).
|-
|&lt;!--Status--&gt;11111011 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Continue. Continue at the point the sequence was Stopped.
|-
|&lt;!--Status--&gt;11111100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Stop. Stop the current sequence.
|-
|&lt;!--Status--&gt;11111101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Active Sensing. This message is intended to be sent repeatedly to tell the receiver that a connection is alive. Use of this message is optional. When initially received, the receiver will expect to receive another Active Sensing message each 300ms (max), and if it does not then it will assume that the connection has been terminated. At termination, the receiver will turn off all voices and return to normal (non- active sensing) operation. 
|-
|&lt;!--Status--&gt;11111111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Reset. Reset all receivers in the system to power-up status. This should be used sparingly, preferably under manual control. In particular, it should not be sent on power-up.
|}


Advanced Messages

Polyphonic Pressure (0xA0) and Channel Pressure (0xD0)

Some MIDI controllers include a feature known as Aftertouch. While a key is being held down, the player can press harder on the key. The controller measures this, and converts it into MIDI messages.

Aftertouch comes in two flavors, with two different status messages.

The first flavor is polyphonic aftertouch, where every key on the controller is capable of sending its own independent pressure information. The messages are of the following format:
&lt;pre&gt;
0xnc, 0xkk, 0xpp
n is the status (0xA)
c is the channel nybble
kk is the key number (0 to 127)
pp is the pressure value (0 to 127)
&lt;/pre&gt;
Polyphonic aftertouch is an uncommon feature, usually found on premium quality instruments, because every key requires a separate pressure sensor, plus the circuitry to read them all.

Much more commonly found is channel aftertouch. Instead of needing a discrete sensor per key, it uses a single, larger sensor to measure pressure on all of the keys as a group. The messages omit the key number, leaving a two-byte format
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xD)
c is the channel number
pp is the pressure value (0 to 127)
&lt;/pre&gt;

Pitch Bend (0xE0)

Many keyboards have a wheel or lever towards the left of the keys for pitch bend control. This control is usually spring-loaded, so it snaps back to the center of its range when released. This allows for both upward and downward bends.

Pitch Bend Wheel

The wheel sends pitch bend messages, of the format
&lt;pre&gt;
0xnc, 0xLL, 0xMM
n is the status (0xE)
c is the channel number
LL is the 7 least-significant bits of the value
MM is the 7 most-significant bits of the value
&lt;/pre&gt;
You’ll notice that the bender data is actually 14 bits long, transmitted as two 7-bit data bytes. This means that the recipient needs to reassemble those bytes using binary manipulation. 14 bits results in an overall range of 214, or 0 to 16,383. Because it defaults to the center of the range, the default value for the bender is halfway through that range, at 8192 (0x2000).

Control Change (0xB0)

In addition to pitch bend, MIDI has provisions for a wider range of expressive controls, sometimes known as continuous controllers, often abbreviated CC. These are transmitted by the remaining knobs and sliders on the keyboard controller shown below.


Continuous Controllers

These controls send the following message format:
&lt;pre&gt;
0xnc, 0xcc, 0xvv
n is the status (0xB)
c is the MIDI channel
cc is the controller number (0-127)
vv is the controller value (0-127)
&lt;/pre&gt;

Typically, the wheel next to the bender sends controller number one, assigned to modulation (or vibrato) depth. It is implemented by most instruments.

The remaining controller number assignments are another point of confusion. The MIDI specification was revised in version 2.0 to assign uses for many of the controllers. However, this implementation is not universal, and there are ranges of unassigned controllers.

On many modern MIDI devices, the controllers are assignable. On the controller keyboard shown in the photos, the various controls can be configured to transmit different controller numbers. Controller numbers can be mapped to particular parameters. Virtual synthesizers frequently allow the user to assign CCs to the on-screen controls. This is very flexible, but it might require configuration on both ends of the link and completely bypasses the assignments in the standard.


Program Change (0xC0)

Most synthesizers have patch storage memory, and can be told to change patches using the following command:
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xc)
c is the channel
pp is the patch number (0-127)
&lt;/pre&gt;
This allows for 128 sounds to be selected, but modern instruments contain many more than 128 patches. Controller #0 is used as an additional layer of addressing, interpreted as a “bank select” command. Selecting a sound on such an instrument might involve two messages: a bank select controller message, then a program change.

Audio &amp; Midi are not synchronized, what I can do ?
Buy a commercial software package but there is a nasty trick to synchronize both. It's a bit hardcore but works for me:

 Simply put one line down to all midi notes on your pattern (use Insert key)
 and go to 'Misc. Setup', adjust the latency and just search a value
 that will make sound sync both audio/midi.

The stock Sin/Saw/Pulse and Rnd waveforms are too simple/common, is there a way to use something more complex/rich ?
You have to ability to redirect the waveforms of the instruments through the synth pipe by selecting the &quot;wav&quot; option for the oscillator you're using for this synth instrument, samples can be used as wavetables to replace the stock signals.


Sound banks like soundfont (sf2) or Kontakt2 are not supported at the moment


====DAW Audio Evolution 4====

Audio Evolution 4 gives you unsurpassed power for digital audio recording and editing on the Amiga. The latest release focusses on time-saving non-linear and non-destructive editing, as seen on other platforms. Besides editing, Audio Evolution 4 offers a wide range of realtime effects, including compression, noise gate, delays, reverb, chorus and 3-band EQ.

Whether you put them as inserts on a channel or use them as auxillaries, the effect parameters are realtime adjustable and can be fully automated. Together with all other mixing parameters, they can even be controlled remotely, using more ergonomic MIDI hardware.

Non-linear editing on the time line, including cut, copy, paste, move, split, trim and crossfade actions

The number of tracks per project(s) is unlimited .... AHI limits you to recording only two at a time. i.e. not on 8 track sound cards like the Juli@ or Phase 88.

sample file import is limited to 16bit AIFF (not AIFC, important distinction as some files from other sources can be AIFC with aiff file extention). and 16bit WAV (pcm only)


Most apps use the Music Unit only but a few apps also use Unit (0-3) instead or as well. 
* Set up AHI prefs so that microphone is available. (Input option near the bottom)


stereo++ allows the audio piece to be placed anywhere and the left-right adjusted to sound positionally right

hifi best for music playback if driver supports this option


Load 16bit .aif .aiff only sample(s) to use not AIFC which can have the same ending. AIFF stands for Audio Interchange File Format 

 sox recital.wav recital.aiff

 sox recital.wav −b 16 recital.aiff channels 1 rate 16k fade 3 norm
 sox input.wav        output.aiff bass −b 16 rate 48k

performs the same format translation, but also applies four effects (down-mix to one channel, sample rate change, fade-in, nomalize), and stores the result at a bit-depth of 16.

 rec −c 2 radio.aiff trim 0 30:00

records half an hour of stereo audio 

 play existing-file.wav


24bit PCM WAV or AIFF do not work 

*No stream format handling. So no way to pass on an AC3 encoded stream unmodified to the digital outputs through AHI.
*No master volume handling. Each application has to set its own volume. So each driver implements its own custom driver-mixer interface for handling master volumes, mute and preamps.
*Only one output stream. So all input gets mixed into one output.
*No automatic handling of output direction based on connected cables.
*No monitor input selection. Only monitor volume control. 


select the correct input (Don't mistake enabled sound for the correct input.)
The monitor will feedback audio to the lineout and hp out no matter if you have selected the correct input to the ADC. The monitor will provide sound for any valid input. This will result in free mixing when recording from the monitor input instead of mic/line because the monitor itself will provide the hardware mixing for you. Be aware that MIC inputs will give two channel mono. Only Linein will give real stereo.

Now for the not working part. Attempt to record from linein in the AE4 record window, the right channel is noise and the left channel is distorted. Even with the recommended HIFI 16bit Stereo++ mode at 48kHz.


Channels

Monitor

Gain

Inout

Output

Advanced settings - Debugging via serial port


* Options -&gt; Soundcard In/Out
* Options -&gt; SampleRate
* Options -&gt; Preferences

F6 for Sample File List

Setting a grid is easy as is measuring the BPM by marking a section of the sample. Is your kick drum track &quot;not in time&quot; ? If so, you're stumped in AE4 as it has no fancy variable time signatures and definitely no 'track this dodgy rhythm' function like software of the nature of Logic has. So if your drum beat is freeform you will need to work in freeform mode. (Real music is free form anyway).

If the drum *is* accurate and you are just having trouble measuring the time, I usually measure over a range of bars and set the number of beats in range to say 16 as this is more accurate, Then you will need to shift the drum track to match your grid *before* applying the grid. (probably an iterative process as when the grid is active samples snap to it, and when inactive you cannot see it).

AE4 does have ARexx but the functions are more for adding samples at set offsets and starting playback / recording.


These are the usual features found in DAWs...

* Recording digital audio, midi sequencer and mixer 
* virtual VST instruments and plug-ins 
* automation, group channels, MIDI channels, FX sends and returns, audio and MIDI editors and music notation editor


* different track views 
* mixer and track layout (but not the same as below) 
* traditional two windows (track and mixer)


Mixing - mixdown

Could not figure out how to select what part I wanted to send to the aux, set it to echo and return. Pretty much the whole echo effect. Or any effect.

Take look at page17 of the manual.

When you open the EQ / Aux send popup window you will see 4 sends. Now from the menu choose the windows menu.

Menus-&gt;Windows-&gt; Aux Returns Window

or press F5

You will see a small window with 4 volume controls and an effects button for each. Click a button and add an effects to that aux channel, then set it up as desired (note the reverb effect has a special AUX setting that improves its use with the aux channel, not compulsory but highly useful). You set the amount of 'return' on the main mix in the Aux Return window, and the amount sent from each main mixer channel in the popup for that channel. Again the aux sends are &quot;prefade&quot; so the volume faders on each channel do not affect them.


Tracking


Effects - fade in

To add some echoes to some vocals, tried to add an effect on a track but did not come out. This is made more complicated as I wanted to mute a vocal but then make it echo at the muting point. Want to have one word of a vocal heard and then echoed off. But when the track is mute the echo is cancelled out.

To correctly understand what is happening here you need to study the figure at the bottom of page 15 on the manual. You will see from that that the effects are applied 'prefade' So the automation you applied will naturally mute the entire signal.

There would be a number of ways to achieve the goal,

You have three real time effects slots, one for smoothing like so

Sample -&gt; Amplify -&gt; Delay

Then automate the gain of the amplify block so that it effectively mutes the sample just before the delay at the appropriate moment, the echo effect should then be heard.

Getting the effects in the right order will require experimentation as they can only be added top down and it's not obvious which order they are applied to the signal, but there only two possibilities, so it wont take long to find out.

Using MUTE can cause clicks to the Amplify can be used to mute more smoothly so that's a secondary advantage.

Signal Processing -


Overdub

[[#top|...to the top]]

===Office===

====Spreadsheet Leu====

Support for some xlsx, and ods functions 


====Spreadsheet Ignition====

; Needs ABIv1 to be completed before more can be done

File formats supported 
* ascii #?.txt and #?.csv (single sheets with data only). 
* igs and TurboCalc(WIP) #?.tc for all sheets with data, formats and formulas.

There is '''no''' support for xls, xlsx, ods or uos ([http://en.wikipedia.org/wiki/Uniform_Office_Format Uniform Unified Office Format]) at the moment.

* Always use Esc key after editing Spreadsheet cells.
* copy/paste seems to copy the first instance only so go to Edit -&gt; Clipboard to manage the list of remembered actions. 
* Right mouse click on row (1 or 2 or 3) or column header (a or b or c)  to access optimal height or width of the row or column respectively 
* Edit -&gt; Insert -&gt; Row  seems to clear the spreadsheet or clears the rows after the inserted row until undo restores as it should be...

Change Sheet name by  Object -&gt; Sheet -&gt; Properties

Click in the cell which will contain the result, and click '''down arrow button''' to the right of the formula box at the bottom of the spreadsheet and choose the function required from the list provided. Then click on the start cell and click on the bottom right corner, a '''very''' small blob, which allows stretching a bounding box (thick grey outlines) across many cells This grey bounding box can be used to '''copy a formula''' to other cells.

Object -&gt; Cell -&gt; Properties to change cell format - Currency only covers DM and not $, Euro, Renminbi, Yen or Pound etc. 
Shift key and arrow keys selects a range of cells, so that '''formatting can be done to all highlighted cells'''. 
View -&gt; Overview then select ALL with one click (in empty cell in the top left hand corner of the sheet).

Default mode is relative cell referencing e.g. a1+a2 but absolute e.g. $a$1+$a$2 can be entered.

* #sheet-name to '''absolute''' reference another sheet-name cell unless reference() function used.

;Graphs

use shift key and arrow keys to select a bunch of cells to be graph'ed making sure that x axes represents and y axes represents

* value() - 0 value, 1 percent, 2 date, 3 time, 4 unit ...


;Dates 
* Excel starts a running count from the 1st Jan 1900 and Ignition starts from 1st Jan 1AD '''(maybe this needs to change)'''
Set formatting Object -&gt; Cell -&gt; Properties and put date in days


;Time 
Set formatting Object -&gt; Cell -&gt; Properties and put time in seconds taken


;Database (to be done by someone else)

type - standard, reference (bezug), search criterion (suchkriterium), 
* select a bunch of cells and Object -&gt; Database -&gt; Define to set Datenbank (database) and Felder (fields not sure how?) 
* Neu (new) or loschen (delete) to add/remove database headings e.g. Personal, Start Date, Finish Date (one per row?)
* Object -&gt; Database -&gt; Index to add fields (felder) like Surname, First Name, Employee ID, etc. to ?

Filtering done with dbfilter(), dbproduct() and dbposition().

Activities with dbsum(), dbaverage(), dbmin() and dbmax().

Table sorting -


;Scripts (Arexx)

;Excel(TM) to Ignition - commas ''',''' replaced by semi-colons ''';''' to separate values within functions 
*SUM(), 
*AVERAGE(), MAX(), MIN(), INT(), PRODUCT(), MEDIAN(), VAR() becomes Variance(), Percentile(),
*IF(), AND, OR, NOT 
*LEFT(), RIGHT(), MID() becomes MIDDLE(), LEN() becomes LENGTH(), 
*LOWER() becomes LOWERCASE(), UPPER() becomes UPPERCASE(),
* DATE(yyyy,mm,dd) becomes COMPUTEDATE(dd;mm;yyyy), 
*TODAY(), DAY(),WEEK(), MONTH(),=YEAR(TODAY()), 
*EOMONTH() becomes MONTHLENGTH(), 
*NOW() should be date and time becomes time only, SECOND(), MINUTE(), HOUR(),
*DBSUM() becomes DSUM(),


;Missing and possibly useful features/functions needed for ignition to have better support of Excel files 
There is no Merge and Join Text over many cells, no protect and/or freeze row or columns or books but can LOCK sheets, no define bunch of cells as a name, Macros (Arexx?), conditional formatting, no Solver, no Goal Seek, no Format Painter, no AutoFill, no AutoSum function button, no pivot tables, (30 argument limit applies to Excel)

*HLOOKUP(), VLOOKUP(), [http://production-scheduling.com/excel-index-function-most-useful/ INDEX(), MATCH()], CHOOSE(), TEXT(), 
*TRIM(), FIND(), SUBSTITUTE(), CONCATENATE() or &amp;, PROPER(), REPT(), 
*[https://acingexcel.com/excel-sumproduct-function/ SUMPRODUCT()], ROUND(), ROUNDUP(), *ROUNDDOWN(), COUNT(), COUNTA(), SUMIF(), COUNTIF(), COUNTBLANK(), TRUNC(), 
*PMT(), PV(), FV(), POWER(), SQRT(), MODE(), TRUE, FALSE, 
*MODE(), LARGE(), SMALL(), RANK(), STDEV(), 
*DCOUNT(), DCOUNTA(), WEEKDAY(),


;Excel Keyboard [http://dmcritchie.mvps.org/excel/shortx2k.htm shortcuts needed to aid usability in Ignition] 
&lt;pre&gt;
Ctrl Z - Undo

Ctrl D - Fill Down
Ctrl R - Fill right

Ctrl F - Find
Ctrl H - Replace

Ctrl 1 - Formatting of Cells
CTRL SHIFT ~ Apply General Formatting ie a number 
Ctrl ; - Todays Date 

F2 - Edit cell
F4 - toggle cell absolute / relative cell references

&lt;/pre&gt;


====Document Scanning - Scandal====

Scanner usually needs to be connected via a USB port and not via a hub or extension lead.

Check in Trident Prefs -&gt; Devices that the USB Scanner is not bound to anything (e.g. Bindings None)
If not found then reboot the computer and recheck.

Start Scandal, choose Settings from Menu strip at top of screen and in Scanner Driver choose the ?#.device of the scanner (e.g. epson2.device).

The next two boxes - leave empty as they are for morphos SCSI use only
 or put ata.device (use the selection option in bigger box below) and Unit as 0 this is needed for gt68xx

* gt68xx - no editing needed in s/gt68xx.conf but needs a firmware file that corresponds to the scanner [http://www.meier-geinitz.de/sane/gt68xx-backend/ gt68xx firmwares] in sys:s/gt68xx.
* epson2 - Need to edit the file epson2.conf in sys/s that corresponds to the scanner being used

'''Save''' the settings but do not press the Use button (aros freezes)

Back to the Picture Scan window and the right-hand sections.

Click on the '''Information''' tab and press Connect button and the scanner should now be detected.

Go next to the '''Scanner''' tab next to Information Tab should have Color, Black and White, etc. and dpi settings now. Selecting an option Color, B/W etc. can cause dpi settings corruption (especially if the settings are in one line) so set '''dpi first'''. Make sure if Preview is set or not.

In the '''Scan''' Tab, press Scan and the scanner will do its duty. 
Be aware that nothing is saved to disk yet.

In the Save tab, change format JPEG, PNG or IFF DEEP. Tick incremental and base filename if necessary and then click the Save button. The image will now be saved to permanent storage.


The driver ignores a device if it is already bond to another USB class, rejects it from being usable. However, open Trident prefs, select your device and use the right mouse button to open. Select &quot;NONE&quot; to prevent poseidon from touching the device. Now save settings. It should always work now.

[[#top|...to the top]]

===Emulators===

==== Amiberry ====


==== Amiga Emu - Janus UAE ====

With Amibridge, AROS attempts to make the UAE emulator seem embedded within but it still is acting as an app 

There is no dynarec m68k for each hardware that Aros supports or direct patching of motorola calls to AROS hardware accelerated ones unless the emulator has that included 

Try starting Janus with a priority of -1 like this little script:
&lt;pre&gt;
cd sys:system/AmiBridge/emulator
changetaskpri -1
run janus-uae -f my_uaerc.config &gt;nil:
cd sys:prefs
endcli
&lt;/pre&gt;
This stops Janus hogging all the CPU time.


===Miscellaneous===

====Screensaver Blanker====

Most blankers on the amiga (i.e. aros) run as commodities (they are in the tools/commodities drawer). Double click on blanker.

Control is with an app called Exchange, which you need to run first (double click on app) or  run QUIET sys:tools/commodities/Exchange &gt;NIL: but subsequently can use (Cntrl Alt h).

Icon tool types (may be broken) or command line options 
&lt;pre&gt;
seconds=number 
&lt;/pre&gt;

Once the timing is right then add the following to s:icaros-sequence or s:user-startup

e.g. for 5 minutes

 run QUIET sys:tools/commodities/Blanker seconds=300 &gt;NIL:


*[http://archives.aros-exec.org/index.php?function=showfile&amp;file=graphics/screenblanker/gblanker.i386-aros.zip Garshneblanker] can make Aros unstable or slow. Certain blankers crashes in Icaros 2.0.x like Dragon, Executor.


*[ Acuario AROS version], the aquarium screen saver.

Startup: extras:acuariofv-aros/acuario

Kill: c:break name=extras:acuariofv-aros/acuario

Managed to start Acuario by the Executor blanker.

&lt;pre&gt;
cx_priority=
cx_popkey=    ie CX_POPKEY=&quot;Shift F1&quot; 
cx_popup=Yes or No

&lt;/pre&gt;


&lt;pre&gt;
 Qualifier String    Input Event Class
   ----------------    -----------------
    &quot;lshift&quot;           IEQUALIFIER_LSHIFT
    &quot;rshift&quot;           IEQUALIFIER_RSHIFT
    &quot;capslock&quot;         IEQUALIFIER_CAPSLOCK
    &quot;control&quot;          IEQUALIFIER_CONTROL
    &quot;lalt&quot;             IEQUALIFIER_LALT
    &quot;ralt&quot;             IEQUALIFIER_RALT
    &quot;lcommand&quot;         IEQUALIFIER_LCOMMAND
    &quot;rcommand&quot;         IEQUALIFIER_RCOMMAND
    &quot;numericpad&quot;       IEQUALIFIER_NUMERICPAD
    &quot;repeat&quot;           IEQUALIFIER_REPEAT
    &quot;midbutton&quot;        IEQUALIFIER_MIDBUTTON
    &quot;rbutton&quot;          IEQUALIFIER_RBUTTON
    &quot;leftbutton&quot;       IEQUALIFIER_LEFTBUTTON
    &quot;relativemouse&quot;    IEQUALIFIER_RELATIVEMOUSE
&lt;/pre&gt;


&lt;pre&gt;
    Synonym     Synonym
    String     Identifier
    -------    ----------
    &quot;shift&quot;    IXSYM_SHIFT    /* look for either shift key */
    &quot;caps&quot;     IXSYM_CAPS     /* look for either shift key or capslock */
    &quot;alt&quot;      IXSYM_ALT      /* look for either alt key */

Highmap is one of the following strings:
    &quot;space&quot;, &quot;backspace&quot;, &quot;tab&quot;, &quot;enter&quot;, &quot;return&quot;, &quot;esc&quot;, &quot;del&quot;,
    &quot;up&quot;, &quot;down&quot;, &quot;right&quot;, &quot;left&quot;, &quot;f1&quot;, &quot;f2&quot;, &quot;f3&quot;, &quot;f4&quot;, &quot;f5&quot;,
    &quot;f6&quot;, &quot;f7&quot;, &quot;f8&quot;, &quot;f9&quot;, &quot;f10&quot;, &quot;help&quot;.


&lt;/pre&gt;


[[#top|...to the top]]

==== World Construction Set WCS (Version 2.031) ====

WCS is a fractal landscape software such as Scenery Animator, Vista Pro and Panorama. Open sourced February 2022, World Construction Set [https://3dnature.com/downloads/legacy-software/ legally and for free] and [https://github.com/AlphaPixel/3DNature c source]. 

Announced August 1994 this version dates from April 1996 developed by Gary R. Huber and Chris &quot;Xenon&quot; Hanson&quot; from Questar 

&lt;pre&gt;
Assign &quot;WCSProjects:&quot; &quot;Volume:Dir/Dir/WCSProjects&quot; 
Assign &quot;WCSFrames:&quot;   &quot;Volume:Dir/Dir/WCSFrames&quot; 
&lt;/pre&gt;

&lt;pre&gt;
Load projects .proj by accessing pull down menu Project -&gt; Open then click on CanyonSunset.proj
OK to changing .par file and enlarge Status Log window to show what is happening 
Render by pull down menu Modules -&gt; Render with End equal 1 not 300 then click bottom middle button Render 
&lt;/pre&gt;

[https://www.youtube.com/watch?v=CxQDmf1ZWG0 Youtube walkthrough of above], [], [], 

Also try working with the already built file ColoDemo - Then open with the drop-down menu: Project/Open, then WCSProject:ColoDemo.proj
Which allows you to use altimetric DEM files already included and Loading scene parameters from ColoDemo.par
Once this is done, save everything with a new name to start working exclusively on your project. 
Then drop-down menu and select Save As (&quot;NewName&quot;.proj name), then drop-down menu to open parameter and select Save All ( .par name)


After launching the software, there is a the Module Control Panel composed of five icons. 
It is a dock type shortcut of the first few functions of the drop-down menu 

*Database   - Load (#?.proj), Append, Create, Edit, Save, Dir List (of WCSProject drawer), 
*Data Ops   - Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats  
*Map View   - Database file Loader leading to Map View Control with option to the Database Editor 
*Parameters - Editor for Motion, Color, Ecosystem, Clouds, Waves, management of altimeter files DEM, sclock settings etc 
*Render     - rendering terrain 

These are more in the pull down menu but not in the dock 
*Motion Editor
*Color Editor
*Ecosys Editor 


Simple minimal workflow 
*Load database (1st icon - 1st)
*Set parameters and save .par file (4th icon)
*Render scene (5th icon) 

[https://www.youtube.com/watch?v=ZbTwwR2qcc4 Youtube], [], 

&lt;pre&gt;
.proj new project name which creates a drawer of additional files 

.binary array, ascii array .xyz , z buffer, DTED .dt0, vista 1990s dem, iff  conversion 
.Obj with .elev, .frd with .hdr maps, - digital elevation model (DEM) is a 3D representation of elevation data in various formats 
USGS 7.5MinDEM, 

.par 


&lt;/pre&gt;


Since for the time being no project is loaded, a query window indicates a procedural error when clicking on the rendering icon (right end of the bar). The menu is quite traditional; it varies according to the activity of the windows. To display any altimetric file in the &quot;Mapview&quot; (third icon of the panel), There are three possibilities:

* Loading of a demonstration project.
* The import of a DEM file, followed by texturing and packaging from the &quot;Database-Editor&quot; and the &quot;Color-Editor&quot;.
* The creation of an altimetric file in WCS format, then texturing.


The altimeter file editing (display in the menu) is only made possible if the &quot;Mapview&quot; window is active.

The software is made up of many windows and won't be able to describe them all. Know that &quot;Color-Editor&quot; and the &quot;Data-Editor&quot; comprise sufficient functions for obtaining an almost real rendering quality. You have the possibility of inserting vector objects in the &quot;Data-Editor&quot; (creation of roads, railways, etc.) 


The Map View (MapView) window

*Database - Objects and Topos
*View     - Align, Center, Zoom, Pan, Move 
*Draw     - Maps and distance 
*Object   - Find, highlight, add points, conform topo, duplicate 
*Motion   - Camera, Focus, path, elevation 
*Windows  - DEM designer, Cloud (.cld) and wave (.wve) editor, 


You will notice that by selecting this window and simply moving the pointer to various points on the map you will see latitude and longitude values ​​change, along with the height.
Drop-down menu and Modules, then select MapView and change the width of the window with the map to arrange it in the best way on the screen. With the Auto button the center. Window that then displays the contents of my DEM file, in this case the Grand Canyon. MapView allows you to observe the shape of the landscape from above
 

ZOOM button

Press the Zoom button and then with the pointer position on a point on the map, press the left mouse button and then move to the opposite corner to circumscribe the chosen area and press the left mouse button again, then we will see the enlarged area selected on the map.
Would add that there is a box next to the Zoom button that allows the direct insertion of a value which, the larger it is, the smaller the magnification and the smaller the value, the stronger the magnification. At each numerical change you will need to press the DRAW button to update the view.

PAN button

Under Zoom you will find the PAN button which allows you to move the map at will in all directions by the amount you want. This is done by drawing a line in one direction, then press PAN and point to an area on the map with the pointer and press the left mouse button. At this point, leave it and move the pointer in one direction by drawing a line and press the left mouse button again to trigger the movement of the map on the screen (origin and end points). Do some experiments and then use the Auto button immediately below to recenter everything.
There are parameters such as TOPO, VEC to be left checked and immediately below one that allows different views of the map with the Style command (Single, Multi, Surface, Emboss, Slope, Contour), each with its own particularities to highlight different details.

Now you have the first basics to manage your project visually on the map. Close the MapView window and go further...


Let's start working on ECOSYSTEMS
If we select Emboss from the MapView Style command we will have a clear idea of ​​how the landscape appears, realizing that it is a predominantly desert region of our planet. Therefore we will begin to act on any vegetation present and the appearance of the landscape.
With WCS we will begin to break down the elements of the landscape by assigning defined characteristics. It will be necessary to determine the classes of the ecosystem (Class) with parameters of Elevation Line (maximum altitude), Relative Elevation (arrangement on basins or convexities with respectively positive or negative parameters), Min Slope and Max Slope (slope). WCS offers the possibility of making ecosystems coexist on the same terrain with the UnderEco function, by setting a Density value.


Ecosys Ecosystem Editor

Let's open it from Modules, then Ecosys Editor. In the left pane you will find the list of ecosystems referring to the files present in our project. It will be necessary to clean up that box to leave only the Water and Snow landscapes and a few other predefined ones. We can do this by selecting the items and pressing the Remove button (be careful not for all elements the button is activated, therefore they cannot all be eliminated).
Once this is done we can start adding new ecosystems. Scroll through the various Unused and as soon as the Name item at the top is activated allowing you to write, type the name of your ecosystem, adding the necessary parameters.
&lt;pre&gt;
Ecosystem1: Name: RockBase Class: Rock Density: 80 MinSlope: 15 UnderEco: Terrain
Ecosystem2: Name: RockIncl Clss: Rock Density: 80 MinSlope: 30 UnderEco: Terrain
Ecosystem3: Name: Grass Class Low Veg Density: 50 Height: 1 Elev Line : 1500 Rel El Eff: 5
Max Slope: 10 – Min Slope: 0 UnderEco: Terrain
Ecosistema4: Name: Shrubs Class: Low Veg Density: 40 Height: 8 Elev Line: 3000
Rel El Eff: -2 Max Slope: 20 Min Slope : 5 UnderEco: Terrain
Ecosistema5: Name: Terrain Class: Ground Density: 100 UnderEco: Terrain
&lt;/pre&gt;

Now we need to identify an intermediate ecosystem that guarantees a smooth transition between all, therefore we select as Understory Ecosystem the one called Terrain in all ecosystems, except Snow and Water .
Now we need to 'emerge' the Colorado River in the Canyon and we can do this by raising the sea level to 900 (Sea Level) in the Ecosystem called Water.
Please note that the order of the ecosystem list gives priority to those that come after. So our list must have the following order: Water, Snow, Shrubs, RockIncl, RockBase, Terrain. It is possible to carry out all movements with the Swap button at the bottom. To put order you can also press Short List. Press Keep to confirm all the work done so far with Ecosystem Editor.
Remember every now and then to save both the Project 'Modules/Save' and 'Parameter/Save All'

EcoModels are made up of .etp .fgp .iff8 for each model 


Color Editor

Now it's time to define the colors of our scene and we can do this by going to Modules and then Color Editor. In the list we focus on our ecosystems, created first.
Let's go to the bottom of the list and select the first white space, assigning the name 'empty1', with a color we like and then we will find this element again in other environments... It could serve as an example for other situations!
So we move to 'grass' which already exists and assign the following colors: R 60 G 70 B50
&lt;pre&gt;
'shrubs': R 60 G 80 B 30
'RockIncl' R 110 G 65 B 60
'RockBase' R 110 G 80 B 80
' Terrain' R 150 G 30 B 30
&lt;pre&gt;
Now we can work on pre-existing colors
&lt;pre&gt;
'SunLight' R 150 G 130 B 130
'Haze and Fog' R 190 G 170 B 170
'Horizon' R 209 G 185 B 190
'Zenith' R 140 G 150 B 200
'Water' R 90 G 125 B 170
&lt;/pre&gt;

Ambient R 0 G 0 B 0

So don't forget to close Color Editor by pressing Keep.
Go once again to Ecosystem Editor and assign the corresponding color to each environment by selecting it using the Ecosystem Color button. Press it several times until the correct one appears. Then save the project and parameters again, as done previously.


Motion Editor

Now it's time to take care of the framing, so let's go to Modules and then to Motion Editor. An extremely feature-rich window will open. Following is the list of parameters regarding the Camera, position and other characteristics:
&lt;pre&gt;
-Camera Altitude: 7.0
-Camera Latitude: 36.075
-Camera Longitude: 112.133
-Focus Attitude: -2.0
-Focus Latitude: 36.275
-Focus Longitude: 112.386
-Camera : 512 → rendering window
-Camera Y: 384 → rendering window
-View Arc: 80 → View width in degrees
-Sun Longitude: 172
-Sun Latitude: -0.9
-Haze Start: 3.8
-Haze Range: 78, 5
&lt;/pre&gt;
As soon as the values ​​shown in the relevant sliders have been modified, we will be ready to open the CamView window to observe the wireframe preview. Let's not consider all the controls that will appear.
Well from the Motion Editor if you have selected Camera Altitude and open the CamView panel, you can change the height of the camera by holding down the right mouse button and moving the mouse up and down. To update the view, press the Terrain button in the adjacent window. As soon as you are convinced of the position, confirm again with Keep. You can carry out the same work with the other functions of the camera, such as Focus Altitude...
Let's now see the next positioning step on the Camera map, but let's leave the CamView preview window open while we go to Modules to open the window at the same time MapView. We will thus be able to take advantage of the view from the other together with a subjective one.


From the MapView window, select with the left mouse button and while it is pressed, move the Camera as desired. To update the subjective preview, always click on Terrain.
While with the same procedure you can intervene on the direction of the camera lens, by selecting the cross and with the left button pressed you can choose the desired view. So with the pressure of Terrain I update the Preview. Possibly can enlarge or reduce the Map View using the Zoom button, for greater precision.
Also write that the circle around the cameras indicates the beginning of the haze, there are two types (haze and fog) linked to the altitude. Would also add that the camera height is editable through the Motion Editor panel.


The sun

Let's see that changing the position of the sun from the Motion Editor. Press the SUN button at the bottom right and set the time and the date. Longitude and latitude are automatically obtained by the program. Always open the View Arc command from the Motion Editor panel, an item present in the Parameter List box.

Once again confirm everything with Keep and then save again.


Animation

The animation part is not left-back and also occupies a window. The settings possibilities are enormous. A time line with dragging functions (&quot;slide&quot;, &quot;drag&quot;...) comparable to that of LightWave completes this window. 


A small window is available for positioning the stars as a function of a date, in order to vary the seasons and their various events (and yes...).

At the bottom of the &quot;Motion-Editor&quot;, a &quot;cam-view&quot; function will give you access to a control panel. Different preview modes are possible. The rendering is also accessible through a window. No less than nine pages compose it. At this level, you will be able to determine the backup name of your images (&quot;path&quot;), the type of texture to be calculated, the resolution of the images, activate or deactivate functions such as the depth buffer (&quot;zbuffer&quot;), the blur, the background image, etc.


Once all these parameters have been set, all you have to do is click on the &quot;Render&quot; button.

For rendering go to Modules and then Render. Select the resolution, then under IMA select the name of the image. Move to FRA and indicate the level of fractal detail which of 4 is quite good. Then Keep to confirm and then reopen the window, pressing Render you will see the result. The image will be opened with any viewing program.


Strengths:

* Multi-window.
* Quality of rendering.
* Accuracy.
* Opening, preview and rendering on CyberGraphX screen.
* Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats 
* The &quot;zbuffer&quot; function.

Weaknesses:

* No OpenGL management 
* Calculation time.
* No network computing tool.


====Writing CD / DVD - Frying Pan====

Can be backup DVDs (4GB ISO size limit due to use of FileInfoBlock), create audio cds from mp3's, and put .iso files on discs

If using for the first time - click Drive button and Device set to ata.device and unit to 0 (zero)

Click Tracks Button - Drive 1 - Create New Disc or Import Existing Disc Image (iso bin/cue etc.) - Session File open cue file

If you're making a data cd, with files and drawers from your hard drive, you should be using the ISO Builder.. which is the MUI page on the left. (&quot;Data/Audio Tracks&quot; is on the right).

You should use the &quot;Data/Audio tracks&quot; page if you want to create music cds with AIFF/WAV/MP3 files, or if you download an .iso file, and you want to put it on a cd.

Click WRITE Button - set write speed - click on long Write button

Examples

Easiest way would be to burn a DATA CD, simply go to &quot;Tracks&quot; page &quot;ISO Builder&quot; and &quot;ADD&quot; everything you need to burn.

On the &quot;Write&quot; page i have &quot;Masterize Disc (DAO)&quot;, &quot;Close Disc&quot; and &quot;Eject after Write&quot; set.

One must not &quot;Blank disc before write&quot; if one uses a CDR


AUDIO CD from MP3's are as easy but tricky to deal with. FP only understands one MP3 format, Layer II, everything else will just create empty tracks

Burning bootable CD's works only with .iso files. Go to &quot;Tracks&quot; page and &quot;Data/Audio Tracks&quot; and add the .iso


====odf====

Every ODF file is a collection of several subdocuments within a package (ZIP file), each of which stores part of the complete document.

* content.xml – Document content and automatic styles used in the content.
* styles.xml – Styles used in the document content and automatic styles used in the styles themselves.
* meta.xml – Document meta information, such as the author or the time of the last save action.
* settings.xml – Application-specific settings, such as the window size or printer information.


To read document follow these steps:

* Extracting .ods file.
* Getting content.xml file (which contains sheets data).
* Creating XmlDocument object from content.xml file.
* Creating DataSet (that represent Spreadsheet file).
* With XmlDocument select “table:table” elements, and then create adequate DataTables.
* Parse child’s of “table:table” element and fill DataTables with those data.
* At the end, return DataSet and show it in application’s interface.


To write document follow these steps:

* Extracting template.ods file (.ods file that we use as template).
* Getting content.xml file.
* Creating XmlDocument object from content.xml file.
* Erasing all “table:table” elements from the content.xml file.
* Reading data from our DataSet and composing adequate “table:table” elements.
* Adding “table:table” elements to content.xml file.
* Zipping that file as new .ods file.

XLS file format

The XLS file format contains streams, substreams, and records.

These sheet substreams include worksheets, macro sheets, chart sheets, dialog sheets, and VBA module sheets. 
All the records in an XLS document start with a 2-byte unsigned integer to specify Record Type (rt), and another for Count of Bytes (cb). A record cannot exceed 8224 bytes. If larger than the rest is stored in one or more continue records.

* Workbook stream 
**Globals substream
***BoundSheet8 record - info for Worksheet substream i.e. name, location, type, and visibility. (4bytes the lbPlyPos FilePointer, specifies the position in the Workbook stream where the sheet substream starts) 
**Worksheet substream (sheet) - Cell Table - Row record - Cells (2byte=row 2byte=column 2byte=XF format)
***Blank cell record
***RK cell record 32-bit number. 
***BoolErr cell record (2-byte Bes structure that may be either a Boolean value or an error code)
***Number cell record (64-bit floating-point number)
***LabelSst cell record (4-byte integer that specifies a string in the Shared Strings Table (SST). Specifically, the integer corresponds to the array index in the RGB field of the SST)
***Formula cell record (FormulaValue structure in the 8 bytes that follow the cell structure. The next 6 bytes can be ignored, and the rest of the record is a CellParsedFormula structure that contains the formula itself)
***MulBlank record (first 2 bytes give the row, and the next 2 bytes give the column that the series of blanks starts at. Next, a variable length array of cell structures follows to store formatting information, and the last 2 bytes show what column the series of blanks ends on)
***MulRK record 
***Shared String Table (SST) contains all of the string values in the workbook.

ACCRINT(), ACCRINTM(), AMORDEGRC(), AMORLINC(), 
COUPDAYBS(), COUPDAYS(), COUPDAYSNC(), COUPNCD(), COUPNUM(), COUPPCD(), 
CUMIPMT(), CUMPRINC(), 
DB(), DDB(), DISC(), 
DOLLARDE(), DOLLARFR(), 
DURATION(), EFFECT(), FV(), FVSCHEDULE(), 
INTRATE(), IPMT(), IRR(), ISPMT(), MDURATION(), MIRR(), NOMINAL(), NPER(), NPV(), 
ODDFPRICE(), ODDFYIELD(), ODDLPRICE(), ODDLYIELD(), 
PMT(), PPMT(), PRICE(), PRICEDISC(), PRICEMAT(), PV(), RATE(), 
RECEIVED(), SLN(), SYD(), TBILLEQ(), TBILLPRICE(), TBILLYIELD(), 
VDB(), XIRR(), XNPV(), YIELD(), YIELDDISC(), YIELDMAT(),


&lt;pre&gt;
&lt;/pre&gt;


&lt;pre&gt;
&lt;/pre&gt;

&lt;pre&gt;
&lt;/pre&gt;

{{BookCat}}</text>
      <sha1>j8mek3z96nyxs9h8v57lc2m0zdcspou</sha1>
    </revision>
    <revision>
      <id>4639250</id>
      <parentid>4639247</parentid>
      <timestamp>2026-06-07T10:12:29Z</timestamp>
      <contributor>
        <username>Jeff1138</username>
        <id>301139</id>
      </contributor>
      <minor />
      <origin>4639250</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="232498" sha1="0ul0mbgvnjm4e9z5qyz46syz17d7ve6" xml:space="preserve">
==Introduction==


[[#Graphical Image Editing Art]]
[[#Office Application]]
[[#Audio]]

[[#Misc Application]]
[[#Games &amp; Emulation]]

[[#Application Guides]]

[[#top|...to the top]]


[[#top|...to the top]]

Most apps can be opened on the Workbench (aka publicscreen pubscreen) which is the default display option but can offer a custom one set to your configurations (aka custom screen mode promotion). These custom ones tend to stack so the possible use of A-M/A-N method of switching between full screens and the ability to pull down screens as well 

If you are interested in creating or porting new software, see [http://en.wikibooks.org/wiki/Aros/Developer/Docs here]

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Internet Applications 
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Web Online Browser [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/browser Odyssey 2.0], [https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1175&amp;highlight=odyssey&amp;rowstart=100 Odyssey 3.0], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/comm/www Amelinium], [https://blog.alb42.de/programs/amifox/ amifox] with [https://github.com/alb42/wrp wrp server], IBrowse*, Voyager*, [https://github.com/amigazen/aweb3/ AWeb 3.6 src], [https://github.com/matjam/aweb AWeb Src], [http://aminet.net/package/comm/www/NetSurf-m68k-sources Netsurf], [], 
|&lt;!--AmigaOS4--&gt;[ Odyssey OWB], [ Timberwolf (Firefox port 2011)], [http://amigaworld.net/modules/newbb/viewtopic.php?forum=32&amp;topic_id=32847 OWB-mui], [http://strohmayer.org/owb/ OWB-Reaction], IBrowse*, [http://os4depot.net/index.php?function=showfile&amp;file=network/browser/aweb.lha AWeb], Voyager, [http://www.os4depot.net/index.php?function=browse&amp;cat=network/browser Netsurf], 
|&lt;!--MorphOS--&gt;Wayfarer, [http://fabportnawak.free.fr/owb/ Odyssey OWB], [ Netsurf], IBrowse*, AWeb, [], 
|-
|&lt;!--Sub Menu--&gt;YouTube Viewing and downloading videos 
|&lt;!--AROS--&gt;Odyssey 2.0 can show Youtube webpage, [https://blog.alb42.de/amitube/ Amitube], 
|[https://blog.alb42.de/amitube/ Amitube], [https://github.com/YePpHa/YouTubeCenter/releases or this one], 
|[https://blog.alb42.de/amitube/ Amitube], getVideo, Tubexx, [https://github.com/walkero-gr/aiostreams aiostreams], 
|[ Wayfarer], [https://blog.alb42.de/amitube/ Amitube],Odyssey (OWB), [http://morphos.lukysoft.cz/en/vypis.php?kat=5 getVideo], Tubexx 
|-
|&lt;!--Sub Menu--&gt;E-mailing SMTP POP3 IMAP based 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/email SimpleMail], [http://sourceforge.net/projects/simplemail/files/ src], [https://github.com/jens-maus/yam YAM] 
|&lt;!--Amiga OS--&gt;[http://sourceforge.net/projects/simplemail/files/ SimpleMail], [https://github.com/jens-maus/yam YAM]
|&lt;!--AmigaOS4--&gt;SimpleMail, YAM, 
|&lt;!--MorphOS--&gt; SimpleMail, YAM
|-
|&lt;!--Sub Menu--&gt;IRC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat WookieChat], [https://sourceforge.net/projects/wookiechat/ Wookiechat src], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat AiRcOS], Jabberwocky, 
|&lt;!--Amiga OS--&gt;Wookiechat, AmIRC 
|&lt;!--AmigaOS4--&gt;Wookiechat 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Wookiechat], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 AmIRC], 
|-
|&lt;!--Sub Menu--&gt;Instant Messaging IM like [https://github.com/BlitterStudio/amidon Hollywood lang based Mastodon client], BlueSky AT protocol, Facebook(TM), Twitter X (TM), Bitlbee IRC Gateway and others 
|&lt;!--AROS--&gt;[https://github.com/kaffeine1/telegram-amiga telegram-amiga], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/chat jabberwocky], 
|&lt;!--Amiga OS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], CLIMM, SabreMSN, jabberwocky, 
|&lt;!--AmigaOS4--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], SabreMSN,
|&lt;!--MorphOS--&gt;[http://amitwitter.sourceforge.net/ AmiTwitter], [http://morphos.lukysoft.cz/en/vypis.php?kat=5 PolyglotNG], SabreMSN,
|-
|&lt;!--Sub Menu--&gt;Torrents 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/p2p ArTorr], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;CTorrent, Transmission 
|&lt;!--MorphOS--&gt;MLDonkey, Beehive, [http://morphos.lukysoft.cz/en/vypis.php?kat=5 Transmission], CTorrent, 
|-
|&lt;!--Sub Menu--&gt;FTP 
|&lt;!--AROS--&gt;Plugin included with Dopus Magellan, MarranoFTP, 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/comm/tcp/AmiFTP AmiFTP], AmiTradeCenter, ncFTP, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=5 Pftp], [http://aminet.net/package/comm/tcp/AmiFTP-1.935-OS4 AmiFTP], 
|-
|&lt;!--Sub Menu--&gt;WYSIWYG Web Site Editor
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Internet Radio Streaming Audio [http://www.gnu.org/software/gnump3d/ gnump3d], [http://www.icecast.org/ Icecast2] Server (Broadcast) and Client (Listen), [ mpd], [http://darkice.sourceforge.net/ DarkIce], [http://www.dyne.org/software/muse/ Muse], 
|&lt;!--AROS--&gt;Mplayer (Icecast Client only), 
|&lt;!--Amiga OS--&gt;[https://github.com/sandlbn/TuneFinder TuneFinder C Src], [https://github.com/sandlbn/TuneFinderMUI TuneFinderMUI], [http://amigazeux.net/anr/ AmiNetRadio], [], [], 
|&lt;!--AmigaOS4--&gt;[http://www.tunenet.co.uk/ Tunenet], 
|&lt;!--MorphOS--&gt;Mplayer, AmiNetRadio, 
|-
|&lt;!--Sub Menu--&gt;VoIP (Voice over IP) with SIP Client (Session Initiation Protocol) or Asterisk IAX2 Clients Softphone (skype like) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;AmiPhone with Speak Freely, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Weather Forecast 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ WeatherBar], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench AWeather], []
|&lt;!--Amiga OS--&gt;[http://amigazeux.net/wetter/ Wetter], [https://github.com/emartisoft/AmiWeatherForecasts AmiWeatherForecasts src], 
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/?function=showfile&amp;file=utility/workbench/flipclock.lha FlipClock], 
|&lt;!--MorphOS--&gt;[http://amigazeux.net/wetter/ Wetter], 
|-
|&lt;!--Sub Menu--&gt;Street Road Maps Route Planning GPS Tracking  
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/muimapparium/ MuiMapparium] [https://build.alb42.de/ Build of MuiMapp versions], 
|&lt;!--Amiga OS--&gt;AmiAtlas*, UKRoutePlus*, [http://blog.alb42.de/ AmOSM], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://blog.alb42.de/programs/mapparium/ Mapparium], 
|-
|&lt;!--Sub Menu--&gt;Clock and Date setting from the internet (either ntp or websites) [https://www.timeanddate.com/worldclock/ World Clock], [http://www.time.gov/ NIST], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc ntpsync],  
|&lt;!--Amiga OS--&gt;ntpsync 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Newsgroups
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[http://newscoaster.sourceforge.net/ Newscoaster], [https://github.com/jens-maus/newsrog NewsRog], [ WorldNews], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Graphical Image Editing Art==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Image Editing
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Pixel Raster Artwork [https://github.com/LibreSprite/LibreSprite LibreSprite based on GPL aseprite], [https://github.com/abetusk/hsvhero hsvhero], [], 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/ZunePaint/ ZunePaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit LunaPaint], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit GrafX2], [ LodePaint needs OpenGL], 
|&lt;!--Amiga OS--&gt;[http://www.amigaforever.com/classic/download.html PPaint], GrafX2, [https://github.com/grovdata/Amiga_Sources/blob/master/software.md DeluxePaint], [http://www.amiforce.de/perfectpaint/perfectpaint.php PerfectPaint], Zoetrope, Brilliance2*, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit LodePaint], GrafX2, 
|&lt;!--MorphOS--&gt;Sketch, Pixel*, GrafX2, [http://morphos.lukysoft.cz/en/vypis.php?kat=3 LunaPaint]
|-
|&lt;!--Sub Menu--&gt;Image viewing 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LookHere], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer LoView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer PicShow] , [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--Amiga OS--&gt;PicShow, PicView, Photoalbum,
|&lt;!--AmigaOS4--&gt;WarpView, PicShow, flPhoto, Thumbs, [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], [http://amigaworld.net/modules/newbb/viewtopic.php?mode=viewtopic&amp;topic_id=31400&amp;forum=32&amp;start=80&amp;viewmode=flat&amp;order=0#583458 Picture Album]
|-
|&lt;!--Sub Menu--&gt;Photography retouching / Image Manipulation like Photoshop(tm)  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOEffects], [https://sourceforge.net/projects/zunetools/files/ ZunePaint], [http://sourceforge.net/projects/zunetools/files/ ZuneView], 
|&lt;!--Amiga OS--&gt;[ Tecsoft Video Paint aka TVPaint], Photogenics*, ArtEffect*, ImageFX*, XiPaint, fxPaint, ImageMasterRT, Opalpaint, 
|&lt;!--AmigaOS4--&gt;WarpView, flPhoto, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit Photocrop]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 ShowGirls], ImageFX*, 
|-
|&lt;!--Sub Menu--&gt;Manage RAW picture folder galleries like Darktable, RAWtherapy, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Graphic Format Converter - ICC profile support sRGB, Adobe RGB, XYZ and linear RGB 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;GraphicsConverter, ImageStudio, [http://www.coplabs.org/artpro.html ArtPro]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Thumbnail Generator [], 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/ ZuneView], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/shell Thumbnail Generator]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Icon Editor
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/iconedit Archives], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench Icon Toolbox], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/iconedit IconEditor]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Pixel Art Animation 
|&lt;!--AROS--&gt;Lunapaint
|&lt;!--Amiga OS--&gt;PPaint, AnimatED, Scala*, GoldDisk MovieSetter*, Walt Disney's Animation Studio*, ProDAD*, [https://github.com/historicalsource/DeluxePaint DeluxePaint src], Brilliance
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=3 Titler] 
|-
|&lt;!--Sub Menu--&gt;2D SVG based MovieSetter type 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;MovieSetter*, Fantavision*
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Morphing 
|&lt;!--AROS--&gt;[ GLMorph]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;2D Cad (qcad-&gt;LibreCAD, etc.) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Xcad, MaxonCAD
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Cad like FreeCad, BRL-CAD, OpenSCAD, AvoCADo, etc. using dxf, obj (vertices), blend, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;XCad3d*, DynaCADD*, Cycas, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Model Rendering of glft (json) gbl (png jpg), usdz (USD files with materials, textures, and animations), FBX Filmbox is a proprietary Autodesk format, 
|&lt;!--AROS--&gt;POV-Ray
|&lt;!--Amiga OS--&gt;[http://www.discreetfx.com./amigaproducts.html CINEMA 4D]*, POV-Ray, Lightwave3D*, Real3D*, Caligari24*, Reflections/Monzoom*, [https://github.com/privatosan/RayStorm Raystorm src], Tornado 3D
|&lt;!--AmigaOS4--&gt;Blender, POV-Ray, Yafray
|&lt;!--MorphOS--&gt;Blender, POV-Ray, Yafray
|-
|&lt;!--Sub Menu--&gt;3D Format Converter [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=showfile&amp;file=graphics/convert/ivcon.lha IVCon]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen grabbing display 
|&lt;!--AROS--&gt;[ Screengrabber], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc snapit], [http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record screen recorder], []
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Grab graphics music from apps [https://github.com/Malvineous/ripper6 ripper6], [],
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Office Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Office
!width:10%;|AROS (x86)
!width:10%;|[http://en.wikipedia.org/wiki/Amiga_software Commodore-Amiga OS 3.1] (68k)
!width:10%;|[http://en.wikipedia.org/wiki/AmigaOS_4 Hyperion OS4] (PPC)
!width:10%;|[http://en.wikipedia.org/wiki/MorphOS MorphOS] (PPC)
|-
|&lt;!--Sub Menu--&gt;Word-processing 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=office/wordprocessing Cinnamon Writer], [https://finalwriter.godaddysites.com/ Final Writer 7*], [https://github.com/sodero/MUI-Vim/releases MUI-Vim], [ ], 
|&lt;!--AmigaOS--&gt;[ Softwood FinalCopy II*], Haage AmigaWriter*, Digita WordWorth*, Softwood FinalWriter*, Micro-Systems Excellence 3*, Arnor Protext, Rashumon, [ InterWord], [ KindWords], [WordPerfect], [ New Horizons Flow], [ CygnusEd Pro], [ Micro-systems Scribble], 
|&lt;!--AmigaOS4--&gt;AbiWord, [ CinnamonWriter]
|&lt;!--MorphOS--&gt;[ Cinnamon Writer], [http://www.meta-morphos.org/viewtopic.php?topic=1246&amp;forum=53 scriba], [http://morphos.lukysoft.cz/en/index.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Spreadsheets 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/leu/ Leu], [https://archives.arosworld.org/index.php?function=browse&amp;cat=office/spreadsheet], 
|&lt;!--AmigaOS--&gt;[https://aminet.net/package/biz/spread/ignition-src Ignition Src 1.3], [MaxiPlan 500 Plus], [OXXI Plan/IT v2.0 Speadsheet], [ Superplan], [ Creative Developments TurboCalc], [ ProCalc], [ InterSpread], [Digita DGCalc], [ Gold Disk Advantage], [ Micro-systems Analyze!]
|&lt;!--AmigaOS4--&gt;Gnumeric, [https://ignition-amiga.sourceforge.net/ Ignition], 
|&lt;!--MorphOS--&gt;[ ignition], [http://morphos.lukysoft.cz/en/vypis.php Papyrus Office], 
|-
|&lt;!--Sub Menu--&gt;Presentations
|&lt;!--AROS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, 
|&lt;!--Amiga OS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, MediaPoint, PointRider, Scala*, 
|&lt;!--Amiga OS4--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider 
|&lt;!--MorphOS--&gt;[http://www.hollywoood-mal.com/ Hollywood]*, PointRider
|-
|&lt;!--Sub Menu--&gt;Databases 
|&lt;!--AROS--&gt;[http://sdb.freeforums.org/ SDB], [http://archives.arosworld.org/index.php?function=browse&amp;cat=office/database BeeBase], 
|&lt;!--Amiga OS--&gt;Precision Superbase 4 Pro*, Arnor Prodata*, BeeBase, Datastore, FinalData*, AmigaBase, Fiasco, Twist2*, [Digita DGBase], [], 
|&lt;!--AmigaOS4--&gt;BeeBase, SQLite, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=6 BeeBase], 
|-
|&lt;!--Sub Menu--&gt;PDF Viewing and editing digital signatures 
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/arospdf/ ArosPDF via splash], [https://github.com/wattoc/AROS-vpdf vpdf wip], 
|&lt;!--Amiga OS--&gt;APDF 
|&lt;!--AmigaOS4--&gt;AmiPDF 
|&lt;!--MorphOS--&gt;APDF, vPDF, 
|-
|&lt;!--Sub Menu--&gt;Printing 
|&lt;!--AROS--&gt;Postscript 3 laser printers and Ghostscript internal, [ GutenPrint], 
|&lt;!--Amiga OS--&gt;[http://www.irseesoft.de/tp_what.htm TurboPrint]* 
|&lt;!--AmigaOS4--&gt;(some native drivers), 
|&lt;!--MorphOS--&gt;early TurboPrint included, 
|-
|&lt;!--Sub Menu--&gt;Note Taking markdown support like Obsidian like, joplin, OneNote, EverNotes, xournalpp, etc 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Study and analyse, collect, organize, annotate, cite, and share
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PIM Personal Information Manager - Day Diary Planner Calendar App 
|&lt;!--AROS--&gt;[ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;Digita Organiser*, On The Ball, Everyday Organiser, [ Contact Manager], 
|&lt;!--AmigaOS4--&gt;AOrganiser, 
|&lt;!--MorphOS--&gt;[http://polymere.free.fr/orga_en.html PolyOrga], 
|-
|&lt;!--Sub Menu--&gt;Accounting
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=office/misc ETB], LoanCalc, [ ], [ ], [ ], 
|[ Digita Home Accounts2], Accountant, Small Business Accounts, Account Master, [ Amigabok], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Project Management Research 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;SuperGantt, SuperPlan, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System Wide Dictionary - multilingual [http://sourceforge.net/projects/babiloo/ Babiloo], [http://code.google.com/p/stardict-3/ StarDict], 
|&lt;!--AROS--&gt;[ ],  
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;System wide Thesaurus - multi lingual
|&lt;!--AROS--&gt;[ ], 
|Kuma K-Roget*, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Sticky Desktop Notes (post it type) 
|&lt;!--AROS--&gt;[http://aminet.net/package/util/wb/amimemos.i386-aros AmiMemos], [https://aminet.net/package/util/wb/amimemos.src-aros AmiMemos Src], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/util/wb/StickIt-2.00 StickIt v2], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DTP Desktop Publishing 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit RNOPublisher], 
|&lt;!--Amiga OS--&gt;[http://pagestream.org/ Pagestream]*, Professional Pro Page*, Saxon Publisher, Pagesetter, PenPal, 
|&lt;!--AmigaOS4--&gt;[http://pagestream.org/ Pagestream]* 
|&lt;!--MorphOS--&gt;[http://pagestream.org/ Pagestream]* 
|-
|&lt;!--Sub Menu--&gt;Scanning 
|&lt;!--AROS--&gt;[ SCANdal], [], 
|&lt;!--Amiga OS--&gt;FxScan*, ScanQuix* 
|&lt;!--AmigaOS4--&gt;SCANdal (Sane)
|&lt;!--MorphOS--&gt;SCANdal
|-
|&lt;!--Sub Menu--&gt;OCR
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/convert gOCR] 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos-files.net/categories/office/text Tesseract] 
|-
|&lt;!--Sub Menu--&gt;Text Editing
|&lt;!--AROS--&gt;Jano Editor (already installed as Editor), [http://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit EdiSyn], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit Annotate], [https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Vim], [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd] [https://github.com/vidarh/FrexxEd src], [ NoWinEd], 
|&lt;!--Amiga OS--&gt;Annotate, MicroGoldED/CubicIDE*, CygnusED*, Turbotext, Protext*, NoWinED, 
|&lt;!--AmigaOS4--&gt;Notepad, Annotate, CygnusED*, NoWinED, 
|&lt;!--MorphOS--&gt;MorphOS ED, NoWinED, GoldED/CubicIDE*, CygnusED*, Annotate, 
|-
|&lt;!--Sub Menu--&gt;Office Fonts [http://sourceforge.net/projects/fontforge/files/fontforge-source/ Font Designer] 
|&lt;!--AROS--&gt;[ ], [ ], 
|&lt;!--Amiga OS--&gt;TypeSmith*, SaxonScript (GetFont Adobe Type 1), 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Drawing Vector
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/amifig/ ZuneFIG previously AmiFIG]
|&lt;!--Amiga OS--&gt;Drawstudio*, ProVector*, ArtExpression*, Professional Draw*, AmiFIG, MetaView, [https://gitlab.com/amigasourcecodepreservation/designworks Design Works Src], [], 
|&lt;!--AmigaOS4--&gt;MindSpace, [http://www.os4depot.net/index.php?function=browse&amp;cat=graphics/edit amifig], 
|&lt;!--MorphOS--&gt;SteamDraw, [http://aminet.net/package/gfx/edit/amifig amiFIG], 
|-
|&lt;!--Sub Menu--&gt;video conferencing (jitsi) 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;source code hosting
|&lt;!--AROS--&gt;Gitlab, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (server)
|&lt;!--AROS--&gt;[http://sourceforge.net/projects/zunetools/files/VNC_Server ArosVNCServer], 
|&lt;!--Amiga OS--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC], [http://dspach.free.fr/amiga/avnc/index.html AVNC]
|&lt;!--AmigaOS4--&gt;[http://s.guillard.free.fr/AmiVNC/AmiVNC.htm AmiVNC] 
|MorphVNC, vncserver
|-
|&lt;!--Sub Menu--&gt;Remote Desktop (client) login and connect to another machine 
|&lt;!--AROS--&gt;[https://sourceforge.net/projects/zunetools/files/VNC_Client/ ArosVNC], [http://archives.arosworld.org/index.php?function=browse&amp;cat=network/misc rdesktop], 
|&lt;!--Amiga OS--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://dspach.free.fr/amiga/vva/index.html VVA], [http://www.hd-zone.com/ RDesktop]
|&lt;!--AmigaOS4--&gt;[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|[http://twinvnc.free.fr/index.php?menu=01&amp;lang=eng TwinVNC], [http://www.hd-zone.com/ RDesktop]
|-
|&lt;!--Sub Menu--&gt;notifications 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Ranchero 
|&lt;!--AmigaOS4--&gt;Ringhio 
|&lt;!--MorphOS--&gt;MagicBeacon 
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Audio==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Audio
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing playback Audio like MP3, [https://github.com/chrg127/gmplayer NSF], [https://github.com/kode54/lazyusf miniusf .usflib], [], etc 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer], [ HarmonyPlayer hp], [http://www.a500.org/downloads/audio/index.xhtml playcdda] CDs, [ WildMidi Player], [https://bszili.morphos.me/ UADE mod player], [], [RNOTunes ], [ mp3Player], [], 
|&lt;!--Amiga OS--&gt;AmiNetRadio, AmigaAmp, playOGG, 
|&lt;!--AmigaOS4--&gt;TuneNet, SimplePlay, AmigaAmp, TKPlayer
|AmiNetRadio, Mplayer, Kaya, AmigaAmp
|-
|&lt;!--Sub Menu--&gt;Editing Audio 
|&lt;!--AROS--&gt;[ Audio Evolution 4] 
|&lt;!--Amiga OS--&gt;[ Samplitude Opus Key], [https://sourceforge.net/projects/hd-rec/ HD-Rec Src], [http://www.sonicpulse.de/eng/news.html SoundFX], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/projects/hd-rec/ HD-Rec], AmiSoundED, [http://os4depot.net/?function=showfile&amp;file=audio/record/audioevolution4.lha Audio Evolution 4] 
|[http://www.hd-rec.de/HD-Rec/index.php?site=home HD-Rec], 
|-
|&lt;!--Sub Menu--&gt;Editing Tracker Music
|&lt;!--AROS--&gt;[https://github.com/hitchhikr/protrekkr Protrekkr], [ Schism Tracker], [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/tracker MilkyTracker], [http://www.hivelytracker.com/ HivelyTracker], [ Radium in AROS already],  [http://www.a500.org/downloads/development/index.xhtml libMikMod], 
|&lt;!--Amiga OS--&gt;MilkyTracker, HivelyTracker, DigiBooster, Octamed SoundStudio, 
|&lt;!--AmigaOS4--&gt;MilkyTracker, HivelyTracker, GoatTracker
|MilkyTracker, GoatTracker, DigiBooster, 
|-
|&lt;!--Sub Menu--&gt;Editing Music [], [https://github.com/kmatheussen/camd CAMD] and/or staves and notes manuscript 
|&lt;!--AROS--&gt;[http://bnp.hansfaust.de/ Bars and Pipes for AROS], [ Audio Evolution], [], 
|&lt;!--Amiga OS--&gt;[http://bnp.hansfaust.de/ Bars'n'Pipes], MusicX* David &quot;Talin&quot; Joiner &amp; Craig Weeks (for Notator-X), Deluxe Music Construction 2*, [https://github.com/timoinutilis/midi-sequencer-amigaos Horny c Src], HD-Rec, [https://aminet.net/package/mus/midi/dominatorV1_51 Dominator], 
|&lt;!--AmigaOS4--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Rockbeat, [http://bnp.hansfaust.de/download.html Bars'n'Pipes], [http://os4depot.net/index.php?function=browse&amp;cat=audio/edit Horny], Audio Evolution 4, 
|&lt;!--MorphOS--&gt;Bars'n'Pipes, 
|-
|&lt;!--Sub Menu--&gt;Sound Sampling 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/record Audio Evolution 4], [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;did=162 Quick Record], [https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc SOX to get AIFF 16bit files], [https://github.com/aros-development-team/AROS/tree/master/workbench/tools/AHIRecord AHIRecord], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/package/mus/edit/AudioEvolution3_src Audio Evolution 3 c src], [ Samplitude-MS Opus Key], Audiomaster IV*, 
|&lt;!--AmigaOS4--&gt;[https://github.com/timoinutilis/phonolith-amigaos phonolith c src], HD-Rec, Audio Evolution 4,
|&lt;!--MorphOS--&gt;[https://sourceforge.net/p/hd-rec/code/HEAD/tree/ HD-Rec Src], Audio Evolution 4,
|-
|&lt;!--Sub Menu--&gt;Live Looping or Audio Misc - Groovebox like
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;CD/DVD burn
|[https://code.google.com/p/amiga-fryingpan/ FryingPan], 
|&lt;!--Amiga OS--&gt;FryingPan, [http://www.estamos.de/makecd/#CurrentVersion MakeCD], 
|&lt;!--AmigaOS4--&gt;FryingPan, AmiDVD, 
|[http://www.amiga.org/forums/printthread.php?t=58736 FryingPan], Jalopeano, 
|-
|&lt;!--Sub Menu--&gt;CD/DVD audio rip
|Lame, [http://www.imica.net/SitePortalPage.aspx?siteid=1&amp;cfid=0&amp;did=167 Quick CDrip],
|&lt;!--Amiga OS--&gt;Lame,  
|&lt;!--AmigaOS4--&gt;Lame, 
|Lame,  
|-
|&lt;!--Sub Menu--&gt;MP3 v1 and v2 Tagger
|&lt;!--AROS--&gt;id3ren (v1), [http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/edit mp3info], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|
|-
|&lt;!--Sub Menu--&gt;Audio Convert
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc Sox], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/mus/misc/SoundBox SoundBox], [http://aminet.net/package/mus/misc/SoundBoxKey SoundBox Key], [http://aminet.net/package/mus/edit/SampleE SampleE], sox 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;DJ mixing jamming 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Radio Automation Software [http://www.rivendellaudio.org/ Rivendell], [http://code.campware.org/projects/livesupport/report/3 Campware LiveSupport], [http://www.sourcefabric.org/en/airtime/ SourceFabric AirTime], [http://www.ohloh.net/p/mediabox404 MediaBox404], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speakers Audio Sonos Mains AC networked wired controlled 
*2005 ZP100 with ZP80 
*2008 Zoneplayer ZP120 (multi-room wireless amp)  ZP90 receiver only with CR100 controller, 
*2009 ZonePlayer S5, 
*2010 BR100 wireless Bridge (no support),   
*2011 Play:3
*2013 Bridge (no support), Play:1,  
*2016 Arc,   Play:1,   
*Beam (Gen 2),   Playbar,  Ray,   Era 100,   Era 300,   Roam,   Move 2,   
*Sub (Gen 3),   Sub Mini,  Five,  Amp  S2 
|&lt;!--AROS--&gt;SonosController 
|&lt;!--Amiga OS--&gt;SonosController
|&lt;!--AmigaOS4--&gt;SonosController
|&lt;!--MorphOS--&gt;SonosController
|-
|&lt;!--Sub Menu--&gt;Smart Speakers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]

==Video Creativity and Production==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Video
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Playing Video 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/play Mplayer VAMP], [http://www.a500.org/downloads/video/index.xhtml CDXL player], [http://www.a500.org/downloads/video/index.xhtml IffAnimPlay], [], 
|&lt;!--Amiga OS--&gt;Frogger*, AMP2, MPlayer, RiVA*, MooViD*, 
|&lt;!--AmigaOS4--&gt;DvPlayer, MPlayer 
|&lt;!--MorphOS--&gt;MPlayer, Frogger, AMP2, VLC 
|-
|&lt;!--Sub Menu--&gt;Streaming Video and game streaming like OBS studio, Parsec, [https://github.com/lizardbyte/sunshine sunshine], [https://github.com/moonlight-stream/moonlight-qt moonlight], etc 
|&lt;!--AROS--&gt;Mplayer, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Mplayer, Gnash, Tubexx 
|&lt;!--MorphOS--&gt;Mplayer, OWB, Tubexx
|-
|&lt;!--Sub Menu--&gt;Playing DVD 
|&lt;!--AROS--&gt;[http://a-mc.biz/ AMC]*, Mplayer 
|&lt;!--Amiga OS--&gt;AMP2, Frogger 
|&lt;!--AmigaOS4--&gt;[http://a-mc.biz/ AMC]*, DvPlayer*, AMP2,  
|&lt;!--MorphOS--&gt;Mplayer 
|-
|&lt;!--Sub Menu--&gt;Screen Recording
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=video/record Screenrecorder], [ ], [ ], [ ], [ ], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Screenrecorder, 
|-
|&lt;!--Sub Menu--&gt;Create and Edit Individual Video NLE 
|&lt;!--AROS--&gt;[ Mencoder], [ Quick Videos], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/edit AVIbuild], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc FrameBuild], FFMPEG, 
|&lt;!--Amiga OS--&gt;[ MainConcept Mainactor Broadcast*], [http://en.wikipedia.org/wiki/Video_Toaster Video Toaster*], MacroSystem MovieShop 4.3*, proDAD Adorage*, [ IOSpirit VHI studio]*, [Gold Disk ShowMaker], [], 
|&lt;!--AmigaOS4--&gt;FFMpeg/GUI 
|&lt;!--MorphOS--&gt;Blender, Mencoder, FFmpeg
|-
|&lt;!--Sub Menu--&gt;Subtitle editor 
|&lt;!--AROS--&gt;[https://aminet.net/package/text/edit/Slarti_Arosx86ABIv0 Slarti_Arosx86ABIv0], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;IP-based video production workflows with High Dynamic Range (HDR), 10-bit color collaborative NDI, 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Blogging like Lemmy or kbin
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR face recognition for Vtubers 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting Live 2D models with Cubism type editor 
&lt;pre&gt;
Model data (cmo3)
Basic motions (can3)
Background image (png)
Set of files for embedding (runtime folder)
• Model data (moc3)
• Motion data (motion3.json)
• Model settings file (model3.json)
• Physics settings file (physics3.json)
• Display auxiliary file (cdi3.json)
&lt;/pre&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;VR chatting chatters .VRML models - standardized 3D file format for VR avatars 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;V-tubers V-tubing like Vseeface with Openseeface tracker or Vpuppr (virtual puppet project) for 2d / 3d art models rigging rigged LIV 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.

[[#top|...to the top]]


==Misc Application==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1 (68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;File Management 
|&lt;!--AROS--&gt;DOpus4, [https://github.com/BlitterStudio/dopus5 DOpus Magellan aka DOpus 5], [ Scalos], [ ], 
|&lt;!--Amiga OS--&gt;DOpus2, DOpus 4, [http://sourceforge.net/projects/dopus5allamigas/files/?source=navbar DOpus Magellan DOpus5], ClassAction, FileMaster, [http://www.amiga.org/forums/showthread.php?t=4897 DirWork 2]*, [https://github.com/RudolphRiedel/DiskMaster2 DiskMaster2 src], 
|&lt;!--AmigaOS4--&gt;DOpus4, DOpus5, Filer, AmiDisk 
|&lt;!--MorphOS--&gt;DOpus4, DOpus5 
|-
|&lt;!--Sub Menu--&gt;File Verification / Repair 
|&lt;!--AROS--&gt;md5 (works in linux compiling shell), [http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/filetool workpar2] (PAR2),  [http://zakalwe.fi/~shd/foss/cksfv/files/ compile cksfv from website], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;Par2, 
|-
|Application Installer 
|&lt;!--AROS--&gt;[], [ InstallerNG], 
|&lt;!--Amiga OS--&gt;InstallerNG, Grunch, 
|&lt;!--AmigaOS4--&gt;Jack
|&lt;!--MorphOS--&gt;Jack 
|-
|&lt;!--Sub Menu--&gt;Compression archiver [https://github.com/FS-make-simple/paq9a paq9a], [], 
|&lt;!--AROS--&gt;XAD system is a toolkit designed for handling various file and disk archiver
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[https://aminet.net/package/util/pack/decrunchmania_os4 Crunchmania CrM2 depacker], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Binary Hexadecimal Editor 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/edit Zaphod], [],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Repository
|&lt;!--AROS--&gt;[ Git]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;Git
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Partition Editor formatter 
|&lt;!--AROS--&gt;[https://www.arosworld.org/infusions/forum/viewthread.php?thread_id=1440&amp;highlight=partition&amp;pid=8821#post_8821 QuickPart], [HDToolBox]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Filesystem Repair
|&lt;!--AROS--&gt;ArSFSDoctor, 
|&lt;!--Amiga OS--&gt; Quarterback Tools, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Multiple File renaming
|&lt;!--AROS--&gt;DOpus 4 or 5, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Anti Virus
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;VChecker, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Random Wallpaper Desktop changer [ DOpus5], [ Scalos],  
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Alarm Clock, Timer, Stopwatch, Countdown 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/workbench DClock], [http://aminet.net/util/time/AlarmClockAROS.lha AlarmClock], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Fortune Cookie Quotes Sayings 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/misc AFortune], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;C/C++ IDE 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/text/edit FrexxEd], [https://github.com/vidarh/FrexxEd FrexxEd src], Annotate, Murks, 
|&lt;!--Amiga OS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Annotate, 
|&lt;!--AmigaOS4--&gt;CodeBench , [https://gitlab.com/boemann/codecraft CodeCraft], 
|&lt;!--MorphOS--&gt;[http://devplex.awardspace.biz/cubic/index.html Cubic IDE]*, Anontate, 
|-
|&lt;!--Sub Menu--&gt;Computer Languages Translation [https://tetracorp.github.io/guide/reverse-engineering-amiga.html ], [https://amigasourcecodepreservation.gitlab.io/amiga-assembler-insider-guide/ ], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://bitbucket.org/rhinoid/convert68000toc/src/main/ convert m68k seka asm-one to c], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Gui Creators
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=development/guitool MuiBuilder], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[ MuiBuilder],  
|-
|&lt;!--Sub Menu--&gt;Catalog .cd .ct Editors 
|&lt;!--AROS--&gt;FlexCat
|&lt;!--Amiga OS--&gt;[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|&lt;!--AmigaOS4--&gt;[http://aminet.net/package/dev/misc/simplecat SimpleCat], FlexCat
|[http://www.geit.de/deu_simplecat.html SimpleCat], FlexCat
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Misc Application 2==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;System 
|&lt;!--AROS--&gt;[ SysExplorer], [ SysMon], [ Scout], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;OSK On Screen Keyboard
|&lt;!--AROS--&gt;[], 
|&lt;!--Amiga OS--&gt;[https://aminet.net/util/wb/OSK.lha OSK]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Magnifier Magnifying Glass Magnification 
|&lt;!--AROS--&gt;[http://www.onyxsoft.se/files/zoomit.lha ZoomIT], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Comic Book CBR CBZ format reader viewer 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comics], [http://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/viewer comicon], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Reader 
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#legadon Legadon EPUB],[]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Ebook Converter 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Text to Speech tts [https://github.com/JonathanFly/bark-installer Bark], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=audio/misc flite], 
|&lt;!--Amiga OS--&gt;[http://www.text2speech.com translator], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=search&amp;tool=simple FLite]
|&lt;!--MorphOS--&gt;[http://se.aminet.net/pub/aminet/mus/misc/ FLite]
|-
|&lt;!--Sub Menu--&gt;Speech Voice Recognition Dictation - [http://sourceforge.net/projects/cmusphinx/files/ CMU Sphinx], [http://julius.sourceforge.jp/en_index.php?q=en/index.html Julius], [http://www.isip.piconepress.com/projects/speech/index.html ISIP], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Speech Voice Changer [], [], [], [], 
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Screen Display Blanker screensaver 
|&lt;!--AROS--&gt;Blanker Commodity (built in), [https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/screenblanker GarshneBlanker], [http://sourceforge.net/projects/gblanker/ GBlanker Src], [], 
|&lt;!--Amiga OS--&gt;MultiCX, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;ModernArt Blanker, 
|-
|}


==Misc Application 3==
{|  class=&quot;wikitable sortable&quot; 
|- 
!width:30%;|Misc Application
!width:10%;|AROS(x86)
!width:10%;|Commodore-Amiga OS 3.1(68k)
!width:10%;|Hyperion OS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Fractals
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/misc ], 
|&lt;!--Amiga OS--&gt;ZoneXplorer, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Landscape Rendering 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=graphics/raytrace WCS World Construction Set], 
|&lt;!--Amiga OS--&gt;[ Vista Pro], [http://en.wikipedia.org/wiki/World_Construction_Set World Construction Set]
|&lt;!--AmigaOS4--&gt;[ WCS World Construction Set],
|&lt;!--MorphOS--&gt;[ WCS World Construction Set],
|-
|&lt;!--Sub Menu--&gt;Astronomy [https://sourceforge.net/projects/skychart/ skychart freepascal], [], [], 
|&lt;!--AROS--&gt;[ Digital Almanac (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/search?query=planetarium Aminet search], [http://aminet.net/misc/sci/DA3V56ISO.zip Digital Almanac], [https://aminet.net/package/misc/sci/da3sourceV58 Src c V58], [ Galileo renamed to Distant Suns]*, [], 
|&lt;!--AmigaOS4--&gt;[http://sourceforge.net/projects/digital-almanac/ Digital Almanac], Distant Suns*, [http://www.digitaluniverse.org.uk/ Digital Universe]*,
|&lt;!--MorphOS--&gt;[http://www.aminet.net/misc/sci/da3.lha Digital Almanac], [http://www.aminet.net/package/misc/sci/da3-mos-src Src c V56], 
|-
|&lt;!--Sub Menu--&gt;Astrology [https://sourceforge.net/projects/skylendar/ skylendar], [https://github.com/CruiserOne/Astrolog Astrolog], [https://www.astrolog.org/astrolog/astfile.htm Astrology alt site], [https://saravali.github.io/download.html Maitreya], [https://github.com/alamahant/Asteria Asteria], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;PCB design
|&lt;!--AROS--&gt; 
|&lt;!--Amiga OS--&gt;[ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Digital Signage
|&lt;!--AROS--&gt;Hollywood, Hollywood Designer 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Genealogy History Family Tree Ancestry Records (FreeBMD, FreeREG, and FreeCEN file formats or GEDCOM GenTree)
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt; [ Origins], [ Your Family Tree], [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Languages 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;Fun School, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Mathematics ([http://www-fourier.ujf-grenoble.fr/~parisse/install_en.html Xcas], etc.), 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/scientific mathX] 
|&lt;!--Amiga OS--&gt;Maple V, mathX, Fun School, GCSE Maths, [ ], [ ], [ ], 
|&lt;!--AmigaOS4--&gt;Yacas 
|&lt;!--MorphOS--&gt;Yacas 
|-
|&lt;!--Sub Menu--&gt;Maths Graph Function Plotting
|&lt;!--AROS--&gt;[https://blog.alb42.de/programs/#MUIPlot MUIPlot], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;App Utility Launcher Dock toolbar  
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=utility/docky BoingBar], [], 
|&lt;!--Amiga OS--&gt;[https://github.com/adkennan/DockBot Dockbot],
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;3D Printer [https://github.com/OrcaSlicer/OrcaSlicer OrcaSlicer]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;BASIC Computer Language 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/language Basic4SDL], [ Ace Basic], [ X-AMOS], [SDLBasic], [ Alvyn], 
|&lt;!--Amiga OS--&gt;[http://www.amiforce.de/main.php Amiblitz 3], [http://amos.condor.serverpro3.com/AmosProManual/contents/c1.html Amos Pro], [http://aminet.net/package/dev/basic/ace24dist ACE Basic], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;sdlBasic
|-
|&lt;!--Sub Menu--&gt;HAM amateur radio  [], [], [], [https://cemaxecuter.com/ Dragon OS], [https://github.com/km4ack/73Linux with 73 link update], [https://www.youtube.com/watch?v=YAL5KNePRSg video for], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;[https://www.amigarealm.com/amiga/amicomms/comm4.htm Comm4], [https://www.amigarealm.com/archives/comms/aarug/ TNC Terminal Node Controller with packets over serial connections on Yaesu or Woxum handheld], [https://aminet.net/comm/misc AmiCom], [ with 7Plus file encoder/decoder], [ mksstv], [ RTTYam], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

&lt;nowiki&gt;*&lt;/nowiki&gt; Commercial product.


==Games &amp; Emulation==

Some emulators/games require OpenGL to function and to adjust ahi prefs channels, frequency and unit0 and unit1 and 
[http://aros.sourceforge.net/documentation/users/shell/changetaskpri.php changetaskpri -1]

Rom patching  https://www.marcrobledo.com/RomPatcher.js/ https://www.romhacking.net/patch/ (ips, ups, bps, etc) and this other site supports the latter formats https://hack64.net/tools/patcher.php 

Free public domain roms for use with emulators can be found [http://www.pdroms.de/ here] as most of the rest are covered by copyright rules. If you like to read about old games see [http://retrogamingtimes.com/ here] and [http://www.armchairarcade.com/neo/ here] and a [http://www.vintagecomputing.com/ blog] about old computers. Possibly some of the [http://www.answers.com/topic/list-of-best-selling-computer-and-video-games best selling] of all time. [http://en.wikipedia.org/wiki/List_of_computer_system_emulators Wiki] with emulated systems list.

[https://archive.gamehistory.org/ Archive of VGHF], [https://library.gamehistory.org/ Video Game History Foundation Library search]


{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Emulation]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|-
|&lt;!--Sub Menu--&gt;Games Emulation Amstrad CPC 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [ Caprice32 (OpenGL &amp; pure SDL)], [ Arnold], [https://retroshowcase.gr/cpcbox-master/], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Apple2 and 2GS
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Arcade
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Mame], [ SI Emu (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;Mame, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem xmame], amiarcadia, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 Mame], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 2600 [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Stella], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 5200 [https://github.com/wavemotion-dave/A5200DS A5200DS], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 7800
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari 400 800 130XL [https://github.com/wavemotion-dave/A8DS A8DS], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Atari800], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Lynx
|&lt;!--AROS--&gt;[http://myfreefilehosting.com/f/6366e11bdf_1.93MB Handy (ABIv0 only)], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Atari Jaguar
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Bandai Wonderswan 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation BBC Micro and Acorn Electron [http://beehttps://bem-unix.bbcmicro.com/download.html BeebEm], [http://b-em.bbcmicro.com/ B-Em], [http://elkulator.acornelectron.co.uk/ Elkulator], [http://electrem.emuunlim.com/ ElectrEm], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Dragon 32 and Tandy CoCo [http://www.6809.org.uk/xroar/ xroar], [], 
|&lt;!--AROS--&gt;[], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C16 Plus4
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore C64
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Vice (ABIv0 only)], [], 
|&lt;!--Amiga OS--&gt;Frodo, 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem viceplus], 
|&lt;!--MorphOS--&gt;Vice, 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Commodore Amiga
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Janus UAE], Emumiga, 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://os4depot.net/index.php?function=browse&amp;cat=emulation/computer UAE], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=2 UAE], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Japanese MSX MSX2 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Intelivision
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Mattel Colecovision and Adam
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Milton Bradley (MB) Vectrex [ Vectrex OpenGL], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation PICO8 Pico-8 fantasy video game console [https://github.com/egordorichev/pemsa-sdl/ pemsa-sdl], [https://github.com/jtothebell/fake-08 fake-08], [https://github.com/Epicpkmn11/fake-08/tree/wip fake-08 fork], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo Gameboy
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem vba no sound], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem vba]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo NES
|&lt;!--AROS--&gt;[ EmiNES], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Fceu], [https://github.com/takahirox/nes-js?tab=readme-ov-file nes-js], [https://github.com/bfirsh/jsnes jsnes], [https://github.com/angelo-wf/NesJs NesJs], 
|&lt;!--Amiga OS--&gt;AmiNES, [http://www.dridus.com/~nyef/darcnes/ darcNES], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem amines]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo SNES
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Zsnes], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem warpsnes]
|&lt;!--MorphOS--&gt;[http://fabportnawak.free.fr/snes/ Snes9x], 
|-
|&lt;!--Sub Menu--&gt;Games Emulation Nintendo N64 
*HLE and plugins [ mupen64], [https://github.com/ares-emulator/ares ares], [https://github.com/N64Recomp/N64Recomp N64Recomp], [https://github.com/rt64/rt64 rt64], [https://github.com/simple64/simple64 Simple64], 
*LLE [], 
|&lt;!--AROS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+],
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/mupen64plus/ Mupen64+], [http://aminet.net/package/misc/emu/tr-981125_src TR64], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Gamecube Wii]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Nintendo Wii U]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/yuzu-emu Nintendo Switch]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation NEC PC Engine 
|&lt;!--AROS--&gt;[], [], [https://github.com/yhzmr442/jspce js-pce], 
|[http://www.hugo.fr.fm/ Hugo], [http://mednafen.sourceforge.net/ Mednafen], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem tgemu]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Master System (SMS)
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem Dega], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem sms], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem osmose]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Genesis/Megadrive
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem gp no sound], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem DGen], 
|&lt;!--Amiga OS--&gt;[http://code.google.com/p/genplus-gx/ Genplus], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem genesisplus]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Saturn 
*HLE [https://mednafen.github.io/ mednafen], [http://yabause.org/ yabause], [], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;[http://yabause.org/ Yabause], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sega Dreamcast 
*HLE [https://github.com/flyinghead/flycast  flycast], [https://code.google.com/archive/p/nulldc/downloads NullDC], 
*LLE [], [], 
|&lt;!--AROS--&gt;?
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair ZX80 and ZX81 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair Spectrum 
|[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Fuse (crackly sound)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer SimCoupe], [ FBZX slow], [https://jsspeccy.zxdemo.org/ jsspeccy], [http://torinak.com/qaop/games qaop], 
|&lt;!--Amiga OS--&gt;[http://www.lasernet.plus.com/ Asp], [http://www.zophar.net/sinclair.html Speculator], [http://www.worldofspectrum.org/x128/index.html X128], 
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/computer]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sinclair QL
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], [], 
|&lt;!--Amiga OS--&gt;[http://aminet.net/package/misc/emu/QDOS4amiga1 QDOS4amiga]
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation SNK NeoGeo Pocket
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem gngeo], NeoPop, 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation Sony PlayStation
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/gamesystem FPSE], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem FPSE]
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS2]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[ Sony PS3]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://vita3k.org/ Sony Vita]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;[https://github.com/shadps4-emu/shadPS4 PS4]
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation [http://en.wikipedia.org/wiki/Tangerine_Computer_Systems Tangerine] Oric and Atmos 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer Oricutron]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.os4depot.net/index.php?function=browse&amp;cat=emulation/gamesystem Oricutron]
|&lt;!--MorphOS--&gt;[http://aminet.net/package/misc/emu/oricutron Oricutron]
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 99/4 99/4A [https://github.com/wavemotion-dave/DS994a DS994a], [], [https://js99er.net/#/ js99er], [], [http://aminet.net/package/misc/emu/TI4Amiga TI4Amiga], [http://aminet.net/package/misc/emu/TI4Amiga_src TI4Amiga src in c], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=emulation/computer], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation HP 38G 40GS 48 49G/50G Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Emulation TI 58 83 84 85 86 - 89 92 Graphing Calculators
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|}

{|  class=&quot;wikitable sortable&quot; 
|- 
!width:10%;|Games [https://www.rockpapershotgun.com/ General]
!width:10%;|AROS(x86)
!width:10%;|AmigaOS3(68k)
!width:10%;|AmigaOS4(PPC)
!width:10%;|MorphOS(PPC)
|- style=&quot;background:lightgrey; text-align:center; font-weight:bold;&quot;
| Games [https://www.trackawesomelist.com/michelpereira/awesome-open-source-games/ Open Source and others] || AROS || Amiga OS || Amiga OS4 || Morphos 
|-
|&lt;!--Sub Menu--&gt;Games Action like [https://github.com/BSzili/OpenLara/tree/amiga/src source of openlara SDL2], [https://github.com/opentomb/OpenTomb opentomb], [https://github.com/LostArtefacts/TRX TRX formerly Tomb1Main], [https://github.com/TombEngine TombEngine], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Thrust], [https://github.com/fragglet/sdl-sopwith sdl sopwith], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/action], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action BOH], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Adventure like [http://dotg.sourceforge.net/ DMJ], [https://github.com/kromenak/gengine Gabriel Knight 3], [http://www.sarien.net/ Sierra Sarien], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/adventure dmagnetic], [https://archives.arosworld.org/?function=browse&amp;cat=emulation/misc ScummVM], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying frotz infocom], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Board like [https://github.com/aperture-software/colditz-escape escape from colditz], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/board], [http://amigan.1emu.net/releases Africa]
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Cards 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/card ], [], 
|&lt;!--AmigaOS--&gt;[http://home.arcor.de/amigasolitaire/e/welcome.html Reko], [https://github.com/samskivert/beschei-en beschei Src], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Misc [https://github.com/michelpereira/awesome-open-source-games Awesome open], [https://github.com/bobeff/open-source-games General Open Source], [https://github.com/SAT-R/sa2 Sonic Advance 2], [https://github.com/velorek1/cwordle Wordle type], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games FPS like [https://aminet.net/package/game/shoot/D1X_Rebirth_AGA Descent D1X src], [https://github.com/DescentDevelopers/Descent3 Descent 3], [https://github.com/Fewnity/Counter-Strike-Nintendo-DS Counter-Strike-Nintendo-DS], [https://github.com/Aleph-One-Marathon/alephone Bungie Marathon 1994], [https://github.com/ZDoom/gzdoom gzdoom], [], 
|&lt;!--AROS--&gt;Doom, Quake, [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Quake 3 Arena (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Assault Cube (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Cube 2 Sauerbraten (OpenGL)], [http://fodquake.net/test/ FodQuake QuakeWorld], [ Duke Nukem 3D], [ Darkplaces Nexuiz Xonotic], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Doom 3 SDL (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/fps Hexenworld and Hexen 2], [ Aliens vs Predator Gold 2000 (openGL)], [ Odamex (openGL doom)], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ zgloom],  
], [https://archives.arosworld.org/?function=showfile&amp;file=game/fps/ ab3dhd], [], 
|&lt;!--Amiga OS--&gt;Doom, Quake, AB3D, Fears, Breathless, Gloom, 
|&lt;!--AmigaOS4--&gt;Doom, Quake, 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12 Doom], Quake, Quake 3 Arena, [https://github.com/OpenXRay/xray-16 S.T.A.L.K.E.R Xray]
|-
|&lt;!--Sub Menu--&gt;Games MMORG like 
|&lt;!--AROS--&gt;[ Eternal Lands (OpenGL)],
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Platform like 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform], [ Maze of Galious], [ Gish]*(openGL), [ Mega Mario], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ thextech SMBX], [http://www.gianas-return.de/ Giana's Return], [http://www.sqrxz.de/ Sqrxz], [www.sqrxz2.de/ Sqrxz 2], [http://www.sqrxz.de/sqrxz-3/ Sqrxz 3], [http://www.sqrxz.de/sqrxz-4/ Sqrxz 4], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/platform Cave Story], [https://bszili.morphos.me/ Frogatto], [https://bszili.morphos.me/ OpenJazz], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ pekkakana2], [ Aquaria], [https://archives.arosworld.org/?function=showfile&amp;file=game/platform/ sonic CD], [], 
|&lt;!--Amiga OS--&gt;[ Giana Sisters], [], 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Puzzle [https://github.com/mariopartyrd/marioparty4/tree/port Party], [], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle], [ Cubosphere (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/puzzle Candy Crisis], [http://bszili.morphos.me/ TailTale], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Racing [ Trigger Rally], [ VDrift], [http://www.ultimatestunts.nl/index.php?page=2&amp;lang=en Ultimate Stunts], [http://maniadrive.raydium.org/ Mania Drive], [https://github.com/plowteam/donut Simpsons Hit and Run], [], 
|&lt;!--AROS--&gt;[ Super Tux Kart (OpenGL)], [http://www.dusabledanslherbe.eu/AROSPage/F1Spirit.30.html F1 Spirit (OpenGL)], [http://bszili.morphos.me/index.html MultiRacer], [https://bszili.morphos.me/ Speed Dreams], [], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://bszili.morphos.me/index.html Speed Dreams], 
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12], [http://bszili.morphos.me/index.html TORCS], 
|-
|&lt;!--Sub Menu--&gt;Games 1st first person DRPG [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/OpenEnroth/OpenEnroth OpenEnroth MM], []
|&lt;!--AROS--&gt;[https://github.com/BSzili/aros-stuff Arx Libertatis], [http://www.playfuljs.com/a-first-person-engine-in-265-lines/ js raycaster], [https://github.com/Dorthu/es6-crpg webgl], [https://github.com/sonountaleban/AmiShockolate System Shock], [], [], 
|&lt;!--AmigaOS--&gt;Phantasie, Faery Tale, Dungeon Master, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 3rd third person action CRPG  [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/alexbatalov/fallout1-ce fallout ce], [], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ fheroes2 homm2], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ breakhack], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ devilutionx diablo 1 hellfire], [https://archives.arosworld.org/?function=showfile&amp;file=game/roleplaying/ fallout 1], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games isometric RPG [https://sourceforge.net/projects/sumwars/ Summoning Wars], [https://www.solarus-games.org/ Solarus], [https://wiki.rpg.net/index.php/Open_Game_Systems Misc], [https://github.com/topics/dungeon?l=javascript Dungeon], [], [https://github.com/clintbellanger/heroine-dusk JS Dusk], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying nethack], [https://archives.arosworld.org/index.php?function=browse&amp;cat=game/roleplaying GemRB], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games card based RPG [https://github.com/open-duelyst/duelyst Duelyst], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Rhythm, Beat, Step [], [], [https://clonehero.net/ clonehero], [https://github.com/MatteoGodzilla/Dj-Engine Dj-Engine], 
|&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/misc Frets on Fire], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Shoot Em Ups [http://www.mhgames.org/oldies/formido/ Formido], [http://code.google.com/p/violetland/ Violetland], 
||&lt;!--AROS--&gt;[https://archives.arosworld.org/index.php?function=browse&amp;cat=game/action Open Tyrian], [http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], [ Alien Blaster], [https://github.com/OpenFodder/openfodder OpenFodder], 
|&lt;!--AmigaOS--&gt;
|&lt;!--AmigaOS4--&gt;[http://www.parallelrealities.co.uk/projects/starfighter.php Starfighter], 
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Simulations [http://scp.indiegames.us/ Freespace 2], [http://www.heptargon.de/gl-117/gl-117.html GL117], [http://code.google.com/p/corsix-th/ Theme Hospital], [http://code.google.com/p/freerct/ Rollercoaster Tycoon], [http://hedgewars.org/ Hedgewars], [https://github.com/raceintospace/raceintospace raceintospace], [https://github.com/Return-To-The-Roots RTTR Settlers 2], [https://github.com/OoliteProject/oolite oolite elite], [https://github.com/fesh0r/newkind newkind elite], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;SimCity, SimAnt, Sim Hospital, Theme Park, 
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Life Sim [https://github.com/ACreTeam/forest Animal Crossing], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Strategy [http://rtsgus.org/ RTSgus], [http://wargus.sourceforge.net/ Wargus], [http://stargus.sourceforge.net/ Stargus], [https://github.com/KD-lab-Open-Source/Perimeter Perimeter], [https://matty77.itch.io/conflict-3049 conflict-3049], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy MegaGlest (OpenGL)], [http://archives.arosworld.org/index.php?function=browse&amp;cat=game/strategy UFO:AI (OpenGL)], [http://play.freeciv.org/ FreeCiv], [https://archives.arosworld.org/?function=showfile&amp;file=game/strategy/ signus], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;[http://morphos.lukysoft.cz/en/vypis.php?kat=12]
|-
|&lt;!--Sub Menu--&gt;Games Horror [https://github.com/Mikompilation/MikuPan Fatal Frame], [ ], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Sandbox Voxel Open World Exploration [https://github.com/ClassiCube/ Classicube],[http://www.michaelfogleman.com/craft/ Craft], [https://github.com/tothpaul/DelphiCraft DelphiCraft],[https://www.minetest.net/ Luanti formerly Minetest], [ infiniminer], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Battle Royale [https://bruh.io/ Play.Bruh.io], [https://www.coolmathgames.com/0-copter Copter Royale], [https://surviv.io/ Surviv.io], [https://nuggetroyale.io/#Ketchup Nugget Royale], [https://miniroyale2.io/ Miniroyale2.io], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Tower Defense [https://chriscourses.github.io/tower-defense/ HTML5], [https://github.com/SBardak/Tower-Defense-Game TD C++], [https://github.com/bdoms/love_defense LUA and LOVE], [https://github.com/HyOsori/Osori-WebGame HTML5], [https://github.com/PascalCorpsman/ConfigTD ConfigTD Pascal], [https://github.com/GloriousEggroll/wine-ge-custom Wine], []
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Visual Novel Engines [https://github.com/Kirilllive/tuesday-js Tuesday JS], [ Lua + LOVE], [https://github.com/weetabix-su/renpsp-dev RenPSP], [https://github.com/Galladite27/ONScripter-EN ONScripter-EN], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Reality VR [https://gitlab.com/madsbuvi/openmw openmw vr], [https://github.com/Team-Beef-Studios/BeefRaiderXR BeefRaiderXR], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Table Top VTT [ Roll20], [https://www.owlbear.rodeo/ owlbear rodeo], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Computer assisted TableTop TTRPG OSR [https://www.rpgsolo.com/play.php RPGSolo], [https://github.com/fpsvogel/solo-ttrpgs Solo TTRPG], [], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 2D 3D Engines [https://github.com/fegennari/3DWorld 3DWorld], [https://github.com/GarageGames/Torque3D Torque3D], [https://github.com/gameplay3d/GamePlay GamePlay 3D],  [https://www.babylonjs.com/ BabylonJS ], [ Godot], [ Ogre], [ Crystal Space], [https://github.com/JacobHess03/ Dragon-Quest like], [], [], 
|&lt;!--AROS--&gt;[https://www.arkhamdev.net/wiki.htm?id=agx Arkham Development antiryadgx 8.9 lts with register], [], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games C based game frameworks [https://github.com/orangeduck/Corange Corange], [https://github.com/scottcgi/Mojoc Mojoc], [https://orx-project.org/ Orx], [https://github.com/ioquake/ioq3 Quake 3], [https://www.mapeditor.org/ Tiled], [https://www.raylib.com/ 2d Raylib], [https://github.com/Rabios/awesome-raylib other raylib], [https://github.com/MrFrenik/gunslinger Gunslinger], [https://o3de.org/ o3d], [http://archives.aros-exec.org/index.php?function=browse&amp;cat=development/library GLFW], [], 
|&lt;!--AROS--&gt;[http://archives.arosworld.org/index.php?function=browse&amp;cat=development/library Raylib 5], 
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games Virtual Pinball [https://github.com/vpinball/vpinball vpinball], [], 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|-
|&lt;!--Sub Menu--&gt;Games 
|&lt;!--AROS--&gt;
|&lt;!--Amiga OS--&gt;
|&lt;!--AmigaOS4--&gt;
|&lt;!--MorphOS--&gt;
|}


==Application Guides==

[[#top|...to the top]]

===Web Browser===

OWB is now at version 2.0 (which got an engine refresh, from July 2015 to February 2019) and 3.0.

This latest version has a good support for many/most web sites, even YouTube web page now works. 

This improved compatibility comes at the expense of higher RAM usage (now 1GB RAM is the absolute minimum). 

Also, keep in mind that the lack of a JIT (Just-In-Time) JS compiler on the 32 bit version, makes the web surfing a bit slow. 

Only the 64 bit version of OWB 2.0 will have JIT enabled, thus benefitting of more speed. There are tooltypes that can be added to the icon to provide further features JIT, MSE etc 


Certificates from [https://curl.se/docs/caextract.html ca certs], 


DNS tracking blocking with [https://easylist.to/easylist/easylist.txt easylist.txt] in PROGDIR:Conf before starting browser with enabled AdBlock [https://github.com/easylist/easylist/tree/master easylist], [https://gitlab.com/eyeo anti abp], [https://firebog.net/ big blocklist], [https://github.com/StevenBlack/hosts Steves], [], [], 

This can be enabled with OWB Odyssey with Windows -&gt; Content Blocking and Windows -&gt; Messages and enter 

 https://www.youtube.com/api/stats/ads*
 https://www.youtube.com/pagead/adview*
 https://www.youtube.com#@##player-ads*

into your custom filters 


Element blocker browser extension might be needed for [https://github.com/easylist/easylist/wiki/Youtube-Issues youtube], [ mid roll], [ pre roll], [ ],  


OWB speed is much better when running from RAM Disk, the best way is to add the below into your S:User-Startup which copies OWB drawer from Extras:Internet/OWB to RAM Disk: 

So add this :
&lt;pre&gt;
copy Extras:Internet/OWB Ram:OWB/ ALL CLONE &gt;NIL:
copy Extras:Internet/OWB.info Ram: &gt;NIL:
&lt;/pre&gt;
Open RAM Disk and open OWB drawer and double click on OWB icon so that the above icon tooltypes are activated 

Problems are that the copy time is long (around 20 seconds added in the background), but we can make it faster if we delete useless files from the OWB drawer (docs, …)
If you don’t copy the drawer back onto the HD, you won’t save your cache, cookies, passwords… So you need a script for it.


Error messages 

SSL error &quot;cant verify with ca-certificates&quot;, check bios clock time date is correct 

Error 6, try checking networking prefs settings and Save / Use preferences again or a '''few times''' otherwise the network chipset may not be compatible with Aros 


[https://www.google.com/search?q=%s&amp;udm=14 Google search without AI overview] 


===E-mail===

 YAM does not support SSL and most mail providers now switched to encrypted SMTP/POP3 connections


====SimpleMail====

SimpleMail supports IMAP and appears to work with GMail, but it's never been reliable enough, it can crash with large mailboxes.

Please read more on this [http://www.freelists.org/list/simplemail-usr User list]


 GMail

Be sure to activate the pop3 usage in your gmail account setup / configuration first.

pop3: 
pop.gmail.com
Use SSL: Yes
Port: 995

smtp:
smtp.gmail.com (with authentication)
Use Authentication: Yes
Use SSL: Yes
Port: 465 or 587


 Hotmail/MSN/outlook/Microsoft Mail mid-2017, all outlook.com accounts will be migrated to Office 365 / Exchange

Most users are currently on POP which does not allow showing folders and many other features (technical limitations of POP3). With Microsoft IMAP you will get folders, sync read/unread, and show flags. You still won't get push though, as Microsoft has not turned on the IMAP Idle command as at Sept 2013.

If you want to try it, you need to first remove (you can't edit) your pop account (long-press the account on the accounts screen, delete account). Then set it up this way:

1. Email/Password
2. Manual
3. IMAP
4.

* Incoming: imap-mail.outlook.com, port 993, SSL/TLS should be checked
* Outgoing: smtp-mail.outlook.com, port 587, SSL/TLS should be checked
* POP server name pop-mail.outlook.com, port 995, POP encryption method SSL

 Yahoo  Mail

On April 24, 2002 Yahoo ceased to offer POP access to its free mail service. Introducing instead a yearly payment feature, allowing users POP3 and IMAP server support, along with such benefits as larger file attachment sizes and no adverts.

Sorry to see Yahoo leaving its users to cough up for the privilege of accessing their mail. Understandable, when competing against rivals such as Gmail and Hotmail who hold a large majority of users and were hacked in 2014 as well.


Incoming Mail (IMAP) Server

* Server - imap.mail.yahoo.com
* Port - 993
* Requires SSL - Yes

Outgoing Mail (SMTP) Server

* Server - smtp.mail.yahoo.com
* Port - 465 or 587
* Requires SSL - Yes
* Requires authentication - Yes

Your login info

* Email address - Your full email address (name@domain.com)
* Password - Your account's password
* Requires authentication - Yes


Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a subscription subs fee to have access to SMTP and POP3

* Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
* “Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
* “Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
* “Password” – Your Yahoo Mail password.

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

* Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.


====YAM Yet Another Mailer====

 YAM does not support SSL and most mail providers have now switched to encrypted SMTP/POP3 connections

This email client is POP3 only if the SSL library is available [http://www.freelists.org/list/yam YAM Freelists]

One of the downsides of using a POP3 mailer unfortunately - you have to set an option not to delete the mail if you want it left on the server. IMAP keeps all the emails on the server.

Possible issues

Sending mail issues is probably a matter of using your ISP's SMTP server, though it could also be an SSL issue.


getting a &quot;Couldn't initialise TLSv1 / SSL error

Use of on-line e-mail accounts with this email client is not possible as it lacks the OpenSSL AmiSSl v3 compatible library

 GMail 
Incoming Mail (POP3) Server - requires SSL: pop.gmail.com
Use SSL: Yes
Port: 995

Outgoing Mail (SMTP) Server - requires TLS: smtp.gmail.com (use authentication)
Use Authentication: Yes
Use STARTTLS: Yes (some clients call this SSL)
Port: 465 or 587

Account Name: your Gmail username (including '@gmail.com')
Email Address: your full Gmail email address (username@gmail.com)
Password: your Gmail password

Anyway, the SMTP is pop.gmail.com port 465 and it uses SSLLv3 Authentication. The POP3 settings are for the same server (pop.gmail.com), only on port 995 instead.


 Outlook.com access

&lt;pre &gt;
Outlook.com SMTP server address: smtp.live.com
Outlook.com SMTP user name: Your full Outlook.com email address (not an alias)
Outlook.com SMTP password: Your Outlook.com password
Outlook.com SMTP port: 587
Outlook.com SMTP TLS/SSL encryption required: yes 
&lt;/pre &gt;


 Yahoo  Mail

&lt;pre &gt;
“POP3 Server” – Set the POP server for incoming mails as pop.mail.yahoo.com. You will have to enable “SSL” and use 995 for Port.
“SMTP Server” – Set the SMTP server for outgoing mails as smtp.mail.yahoo.com. You will also have to make sure that “SSL” is enabled and use 465 for port. you must also enable “authentication” for this to work.
“Account Name or Login Name” – Your Yahoo Mail ID i.e. your email address without the domain “@yahoo.com”.
“Email Address” – Your Yahoo Mail address i.e. your email address including the domain “@yahoo.com”. E.g. myname@yahoo.com
“Password” – Your Yahoo Mail password.
&lt;/pre &gt;

Yahoo! Mail Plus users may have to set POP server as plus.pop.mail.yahoo.com and SMTP server as plus.smtp.mail.yahoo.com.

Note that you need to enable “Web &amp; POP Access” in your Yahoo Mail account to send and receive Yahoo Mail messages through any other email program.

You will have to enable “Allow your Yahoo Mail to be POPed” under “POP and Forwarding”, to send and receive Yahoo mails through any other email client.

Cannot be done since 2002 unless the customer pays Yahoo a monthly fee to have access to SMTP and POP3


 Microsoft Outlook Express Mail 

1. Get the files to your PC.
By whatever method get the files off your Amiga onto your PC. In the YAM folder you have a number of different folders, one for each of your folders in YAM. Inside that is a file usually some numbers such as 332423.283. YAM created a new file for every single email you received.

2. Open up a brand new Outlook Express. Just configure the account to use 127.0.0.1 as mail servers. It doesn't really matter. You will need to manually create any subfolders you used in YAM.

3. You will need to do a mass rename on all your email files from YAM. Just add a .eml to the end of it. Amazing how PCs still rely mostly on the file name so it knows what sort of file it is rather than just looking at it! There are a number of multiple renamers online to download and free too.

4. Go into each of your folders, inbox, sent items etc. And do a select all then drag the files into Outlook Express (to the relevant folder obviously) Amazingly the file format that YAM used is very compatible with .eml standard and viola your emails appear. With correct dates and working attachments.

5. If you want your email into Microsoft Outlook. Open that up and create a new profile and a new blank PST file. Then go into File Import and choose to import from Outlook Express. And the mail will go into there. And viola.. you have your old email from your Amiga in a more modern day format.


===FTP===

Magellan has a great FTP module. It allows transferring files from/to a FTP server over the Internet or the local network and, even if FTP is perceived as a &quot;thing of the past&quot;, its usability is all inside the client. The FTP thing has a nice side effect too, since every Icaros machine can be a FTP server as well, and our files can be easily transferred from an Icaros machine to another with a little configuration effort.

First of all, we need to know the 'server' IP address. Server is the Icaros machine with the file we are about to download on another Icaros machine, that we're going to call 'client'. To do that, move on the server machine and 1) run Prefs/Services to be sure &quot;FTP file transfer&quot; is enabled (if not, enable it and restart Icaros); 2) run a shell and enter this command:

ifconfig -a

Make a note of the IP address for the network interface used by the local area network. For cabled devices, it usually is net0:. Now go on the client machine and run Magellan:

Perform these actions: 1) click on FTP; 2) click on ADDRESS BOOK; 3) click on &quot;New&quot;. 
You can now add a new entry for your Icaros server machine:

1) Choose a name for your server, in order to spot it immediately in the address book. Enter the IP address you got before.

2) click on Custom Options:


1) go to Miscellaneous in the left menu;

2) Ensure &quot;Passive Transfers&quot; is NOT selected;

3) click on Use. We need to deactivate Passive Transfers because YAFS, the FTP server included in Icaros, only allows active transfers at the current stage. Now, we can finally connect to our new file source:


1) Look into the address book for the newly introduced server, be sure that name and IP address are right, and

2) click on Connect. A new lister with server's &quot;MyWorkspace&quot; contents will appear. You can now transfer files over the network choosing a destination among your local (client's) volumes.

Can be adapted to any FTP client on any platform of your choice, just be sure your client allows Active Transfers as well.


===IRC Internet Relay Chat===

Jabberwocky is ideal for one-to-one social media communication, use IRC if you require one to many. 

Just type a message in ''lowercase''' letters and it will be posted to all in the [ AROS irc channel]. Please do not use UPPER CASE as it is a sign of SHOUTING which is annoying.

Other things to type in - replace &lt;message&gt; with a line of text and &lt;nick&gt; with a person's name

&lt;pre&gt;
/help

/list

/who
/whois &lt;nick&gt;

/msg &lt;nick&gt; &lt;message&gt;

/query &lt;nick&gt; 
&lt;message&gt;s
/query

/away &lt;message&gt;
/away

/quit &lt;going away message&gt; 
&lt;/pre&gt;


[http://irchelp.org/irchelp/new2irc.html#smiley Intro guide here]. IRC Primer can be found here in [http://www.irchelp.org/irchelp/ircprimer.html html], [http://www.irchelp.org/irchelp/text/ircprimer.txt TXT], [http://www.kei.com/irc/IRCprimer1.1.ps PostScript].


Issue the command /me &lt;text&gt; where &lt;text&gt; is the text that should follow your nickname.
Example: /me slaps ajk around a bit with a large trout

/nick &lt;newNick&gt;

/nickserv register &lt;password&gt; &lt;email address&gt;

/ns instead of /nickserv, while others might need /msg nickserv

/nickserv identify &lt;password&gt;

Alternatives:
/ns identify &lt;password&gt;
/msg nickserv identify &lt;password&gt;


==== IRC WookieChat ====

WookieChat is the most complete internet client for communication across the IRC Network. WookieChat allows you to swap ideas and communicate in real-time, you can also exchange Files, Documents, Images and everything else using the application's DCC capabilities.


add smilies drawer/directory

 run wookiechat from the shell and set stack to 1000000 e.g. wookiechat stack 1000000

select a server / server window

* nickname 
* user name 
* real name - optional

Once you configure the client with your preferred screen name, you'll want to find a channel to talk in.


servers

* New Server - click on this to add / add extra - change details in section below this click box 
* New Group
* Delete Entry
* Connect to server
* connect in new tab
* perform on connect

Change details

* Servername - change text in this box to one of the below Server: 
* Port number - no need to change
* Server password
* Channel - add #channel from below 
* auto join - can click this 
* nick registration password,

Click Connect to server button above


&lt;pre&gt;
Server: irc.freenode.net
Channel: #aros
&lt;/pre&gt;

irc://irc.freenode.net/aros

&lt;pre&gt;
Server: chat.amigaworld.net 
Channel: #amigaworld or #amigans 
&lt;/pre&gt;

&lt;pre&gt;
On Sunday evenings USA time usually starting around 3PM EDT (1900 UTC)
Server:irc.superhosts.net
Channel #team*amiga  
&lt;/pre&gt;

&lt;pre&gt;
BitlBee and Minbif are IRCd-like gateways to multiple IM networks
Server: im.bitlbee.org 
Port 6667 
Seems to be most useful on WookieChat as you can be connected to several servers at once. One for Bitlbee and any messages that might come through that. One for your normal IRC chat server. 
&lt;/pre&gt;

[http://www.bitlbee.org/main.php/servers.html Other servers],

&lt;pre&gt;
#Amiga.org - irc.synirc.net eu.synirc.net dissonance.nl.eu.synirc.net (IPv6: 2002:5511:1356:0:216:17ff:fe84:68a) 
twilight.de.eu.synirc.net zero.dk.eu.synirc.net us.synirc.net avarice.az.us.synirc.net envy.il.us.synirc.net harpy.mi.us.synirc.net 
liberty.nj.us.synirc.net snowball.mo.us.synirc.net - Ports 6660-6669 7001 (SSL)
&lt;/pre&gt;

&lt;pre&gt;
Multiple server support
&quot;Perform on connect&quot; scripts and channel auto-joins
Automatic Nickserv login
Tabs for channels and private conversations
CTCP PING, TIME, VERSION, SOUND
Incoming and Outgoing DCC SEND file transfers
Colours for different events
Logging and automatic reloading of logs
mIRC colour code filters
Configurable timestamps
GUI for changing channel modes easily
Configurable highlight keywords
URL Grabber window
Optional outgoing swear word filter
Event sounds for tabs opening, highlighted words, and private messages
DCC CHAT support
Doubleclickable URL's
Support for multiple languages using LOCALE
Clone detection
Auto reconnection to Servers upon disconnection
Command aliases
Chat display can be toggled between AmIRC and mIRC style
Counter for Unread messages
Graphical nicklist and graphical smileys with a popup chooser
&lt;/pre&gt;


====IRC Aircos ====

Double click on Aircos icon in Extras:Networking/Apps/Aircos. It has been set up with a guest account for trial purposes. Though ideally, choose a nickname and password for frequent use of irc. 


====IRC and XMPP Jabberwocky====
 Servers are setup and close down at random 
You sign up to a server that someone else has setup and access chat services through them. 

The two ways to access chat from jabberwocky
&lt;pre &gt;
Jabberwocky -&gt; Server -&gt; XMPP -&gt; open and ad-free 
Jabberwocky -&gt; Server -&gt; Transports (Gateways) -&gt; Proprietary closed systems 
&lt;/pre &gt;

The Jabber.org service connects with all IM services that use XMPP, the open standard for instant messaging and presence over the Internet. The services we connect with include Google Talk (closed), Live Journal Talk, Nimbuzz, Ovi, and thousands more. However, you can not connect from Jabber.org to proprietary services like AIM, ICQ, MSN, Skype, or Yahoo because they don’t yet use XMPP components (XEP-0114) '''but''' you can use Jabber.com's servers and IM gateways (MSN, ICQ, Yahoo etc.) instead.

The best way to use jabberwocky is in conjunction with a public jabber server with '''transports''' to your favorite services, like gtalk, Facebook, yahoo, ICQ, AIM, etc.


You have to register with one of the servers, [https://list.jabber.at/ this list] or [http://www.jabberes.org/servers/ another list], [http://xmpp.net/ this security XMPP list],

Unfortunately jabberwocky can only connect to one server at a time so it is best to check what services each server offers. If you set it up with separate Facebook and google talk accounts, for example, sometimes you'll only get one or the other.

Jabberwocky open a window where the Jabber server part is typed in as well as your Nickname and Password.

Jabber ID (JID) identifies you to the server and other users.

Once registered the next step is to goto Jabberwocky's &quot;Windows&quot; menu and select the &quot;Agents&quot; option. The &quot;Agents List&quot; window will open.

Roster (contacts list)

[http://search.wensley.org.uk/ Chatrooms] (MUC) are available

File Transfer - can send and receive files through the Jabber service but not with other services like IRC, ICQ, AIM or Yahoo. All you need is an installed webbrowser and OpenURL.

Clickable URLs - The message window uses Mailtext.mcc and you can set a URL action in the MUI mailtext prefs like SYS:Utils/OpenURL %s NEWWIN.

There is no consistent Skype like (H.323 VoIP) video conferencing available over Jabber. The move from xmpp to Jingle should help but no support on any amiga-like systems at the moment. [http://aminet.net/package/dev/src/AmiPhoneSrc192 AmiPhone] and [http://www.lysator.liu.se/%28frame,faq,nobg,useframes%29/ahi/v4-site/ Speak Freely] was an early attempt voice only contact. SIP and Asterisk are other PBX options.


 Facebook

If you're using the XMPP transport provided by Facebook themselves, chat.facebook.com, it looks like they're now requiring SSL transport. This means jabberwocky method below will no longer work. The best thing to do is to create an ID on a public jabber server which has a Facebook gateway.

&lt;pre &gt;
1. launch jabberwocky
2. if the login window doesn't appear on launch, select 'account' from the jabberwocky menu
3. your jabber ID will be user@chat.facebook.com where user is your user ID
4. your password is your normal facebook password
5. to save this for next time, click the popup gadget next to the ID field

6. click the 'add' button
7. click the 'close' button
8. click the 'connect' button
&lt;/pre &gt;

you're done. you can also click the 'save as default account' button if you want. jabberwocky configured to auto-connect when launching the program, but you can configure as you like. there is amigaguide documentation included with jabberwocky.

[http://amigaworld.net/modules/newbb/viewtopic.php?topic_id=37085&amp;forum=32 Read more here]

for Facebook users, you can log-in directly to Facebook with jabberwocky. just sign in as @chat.facebook.com with your Facebook password as the password


 Twitter

For a few years, there has been added a twitter transport. Servers include [http://jabber.hot-chilli.net/ jabber.hot-chili.net],  and .

An [http://jabber.hot-chilli.net/tag/how-tos/ How-to]

:Read [http://jabber.hot-chilli.net/2010/05/09/twitter-transport-working/ more]

 Instagram 

no support at the moment best to use a web browser based client

 ICQ

The new version (beta) of StriCQ uses a newer ICQ protocol. Most of the ICQ Jabber Transports still use an older ICQ protocol. You can only talk one-way to StriCQ using the older Transports. Only the newer ICQv7 Transport lets you talk both ways to StriCQ. Look at the server lists in the first section to check.

Register on a Jabber server, e.g. this one works: http://www.jabber.de/
Then login into Jabberwocky with the following login data e.g. xxx@jabber.de / Password: xxx Now add your ICQ account under the window-&gt;Agents-&gt;&quot;Register&quot;. Now Jabberwocky connects via the Jabber.de server with your ICQ account.

 Yahoo Messenger

although yahoo! does not use xmpp protocol, you should be able to use the transport methods to gain access and post your replies

 MSN

early months of 2013 Microsoft will ditch MSN Messenger client and force everyone to use Skype...but MSN protocol and servers will keep working as usual for quite a long time....

Occasionally the Messenger servers have been experiencing problems signing in.  You may need to sign in at www.outlook.com and then try again.  It may also take multiple tries to sign in.  (This also affects you if you’re using Skype.)

You have to check each servers' Agents List to see what transports (MSN protocol, ICQ protocol, etc.) are supported or use the list address' provided in the section above. Then register with each transport (IRC, MSN, ICQ, etc.) to which you need access. After registering you can Connect to start chatting.

msn.jabber.com/registered should appear in the window.

From this [http://tech.dir.groups.yahoo.com/group/amiga-jabberwocky/message/1378 JW group] guide which  helps with this process in a clear, step by step procedure.

1. Sign up on MSN's site for a passport account. This typically involves getting a Hotmail address.

2. Log on to the Jabber server of your choice and do the following:

* Select the &quot;Windows/Agents&quot; menu option in Jabberwocky.
* Select the MSN Agent from the list presented by the server.
* Click the Register button to open a new window asking for:
**Username = passort account email address, typically your hotmail address.
**Nick = Screen name to be shown to anyone you add to your buddy list.
**Password = Password for your passport account/hotmail address.
* Click the Register button at the bottom of the new window.

3. If all goes well, you will see the MSN Gateway added to your buddy list. If not, repeat part 2 on another server. Some servers may show MSN in their list of available agents, but have not updated their software for the latest protocols used by MSN.

4. Once you are registered, you can now add people to your buddy list. Note that you need to include the '''msn.''' ahead of the servername so that it knows what gateway agent to use. Some servers may use a slight variation and require '''msg.gate.''' before the server name, so try both to see what works.

If my friend's msn was amiga@hotmail.co.uk and my jabber server was @jabber.meta.net.nz..
then amiga'''%'''hotmail.com@'''msn.'''jabber.meta.net.nz

or another the trick to import MSN contacts is that you don't type the hotmail URL but the passport URL... e.g. Instead of: goodvibe%hotmail.com@msn.jabber.com  You type: goodvibe%passport.com@msn.jabber.com 
And the thing about importing contacts I'm afraid you'll have to do it by hand, one at the time...

 Google Talk

any XMPP server will work, but you have to add your contacts manually. a google talk user is typically either @gmail.com or @talk.google.com. a true gtalk transport is nice because it brings your contacts to you and (can) also support file transfers to/from google talk users.

implement Jingle a set of extensions to the IETF's Extensible Messaging and Presence Protocol (XMPP)

support ended early 2014 as Google moved to Google+ Hangouts which uses it own proprietary format


===Video Player MPlayer===

Many of the menu features (such as doubling) do not work with the current version of mplayer but using

4:3
 mplayer -vf scale=800:600 file.avi

16:9
 mplayer -vf scale=854:480 file.avi

if you want gui use;
 mplayer -gui 1 &lt;other params&gt; file.avi

&lt;pre &gt;
stack 1000000

; using AspireOS 1.xx 
; copy FROM SYS:Extras/Multimedia/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 1.x 
; copy FROM SYS:Tools/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

; using Icaros Desktop 2.x 
; copy FROM SYS:Utilities/MPlayer/ TO RAM:MPlayer ALL CLONE &gt; Nil:

cd RAM:MPlayer
run MPlayer -gui &gt; Nil:
;run MPlayer -gui -ao ahi_dev -playlist http://www.radio-paralax.de/listen.pls &gt; Nil: 
&lt;/pre &gt;

$ mplayer rtsp://127.0.0.1:554/sample_300kbit.mp4


MPlayer supports multicast streaming, and rtp/rtsp protocols (it might require [http://www.live555.com/openRTSP/ live555 library] to work with some streams). But you might have to build it where it's disabled. Also, multicast won't work with some AmiTCP-likes. MIAMI supported it, though.

AROS supports IPv4 (old but works) and this includes the needed address space for RTP.

If you mean multicast via RTP - mplayer handles it. You can even force UDP over TCP

-rtsp-stream-over-tcp

If the rtsp Real Time Streaming Protocol  server needs authentification:

-user -passwd


MPlayer - Menu - Open Playlist and load already downloaded .pls or .m3u file - auto starts around 4 percent cache

MPlayer - Menu - Open Stream and copy one of the .pls lines below into space allowed, press OK and press play button on main gui interface


Old 8bit 16bit remixes chip tune game music 
 
http://www.radio-paralax.de/listen.pls 

http://scenesat.com/

http://www.shoutcast.com/radio/Amiga

http://www.theoldcomputer.com/retro_radio/RetroRadio_Main.htm

http://www.kohina.com/

http://www.remix64.com/

http://retrogamer.net/forum/

http://retroasylum.podomatic.com/rss2.xml

http://retrogamesquad.com/

http://www.retronauts.com/

http://monsterfeet.com/noquarter/

http://www.retrogamingradio.com/

http://www.radiofeeds.co.uk/mp3.asp


[[#top|...to the top]]

====ZunePaint==== 

simplified typical workflow

* importing and organizing and photo management
* making global and regional local correction(s) - recalculation is necessary after each adjustment as it is not in real-time 
* exporting your images in the best format available with the preservation of metadata


Whilst achieving 80% of a great photo with just a filter, the remaining 20% comes from a manual fine-tuning of specific image attributes.


For photojournalism, documentary, and event coverage, minimal touching is recommended. Stick to Camera Raw for such shots, and limit changes to level adjustment, sharpness, noise reduction, and white balance correction.

For fashion or portrait shoots, a large amount of adjustment is allowed and usually ends up far from the original. Skin smoothing, blemish removal, eye touch-ups, etc. are common.  Might alter the background a bit to emphasize the subject.

Product photography usually requires a lot of sharpening, spot removal, and focus stacking.

For landscape shots, best results are achieved by doing the maximum amount of preparation before/while taking the shot. No amount of processing can match timing, proper lighting, correct gear, optimal settings, etc. Excessive post-processing might give you a dramatic shot but best avoided in the long term.


* White Balance - Left Amiga or F12 and K and under &quot;Misc color effects&quot; tab with a pull down for White Balance - color temperature also known as AKA tint (movies) or tones (painting) - warm temp raise red reduce green blue - cool raise blue lower red green 
* Exposure - exposure compensation, highlight/shadow recovery
* Noise Reduction - during RAW development or using external software
* Lens Corrections - distortion, vignetting, chromatic aberrations
* Detail - capture sharpening and local contrast enhancement
* Contrast - black point, levels (sliders) and curves tools (F12 and K) 
* Framing - straighten () and crop (F12 and F) 
* Refinements - color adjustments and selective enhancements - Left Amiga or F12 and K for RGB and YUV histogram tabs - 
* Resizing - enlarge for a print or downsize for the web or email (F12 and D) 
* Output Sharpening - customized for your subject matter and print/screen size


White Balance - F12 and K

scan your image for a shade which was meant to be white (neutral with each RGB value being equal) like paper or plastic which is in the same light as the subject of the picture. Use the dropper tool to select this color, similar colours will shift and you will have selected the perfect white balance for your part of the image - for the whole picture make sure RAZ or CLR button at the bottom is pressed before applying to the image above.


Exposure correction

F12 and K - YUV Y luminosity - RGB extra red tint - move red curve slightly down and move blue green curves slightly up

Workflows in practice

* Undo - Right AROS key or F12 and Z 
* Redo - Right AROS key or F12 and R

First flatten your image (if necessary) and then do a rotation until the picture looks level. 
* Crop the picture. Click the selection button and drag a box over the area of the picture you want to keep. Press the crop button and the rest of the photo will be gone. 
* Adjust your saturation, exposure, hue levels, etc., (right AROS Key and K for color correction) until you are happy with the photo. Make sure you zoom in all of the way to 100% and look the photo over, zoom back out and move around. Look for obvious problems with the picture. 
* After coloring and exposure do a sharpen (Right AROS key and E for Convolution and select drop down option needed), e.g. set the matrix to 5x5 (roughly equivalent Amount to 60%) and set the Radius to 1.0. Click OK.


And save your picture


Implemented or would like to see for simplification and ease of use

basic filters (presets) like black and white, monochrome, edge detection (sobel), motion/gaussian blur, 
* negative, sepiatone, retro vintage, night vision, colour tint, color gradient, color temperature, glows, fire, lightning, lens flare, emboss, filmic, pixelate mezzotint, antialias, etc.

adjust / cosmetic tools such as crop, 
* reshaping tools, straighten, smear, smooth, perspective, liquify, bloat, pucker, push pixels in any direction, dispersion, transform like warp, blending with soft light, page-curl, whirl, ripple, fisheye, neon,  etc. 
* red eye fixing, blemish remover, skin smoothing, teeth whitener, make eyes look brighter, desaturate,

effects like oil paint, cartoon, pencil sketch, charcoal, noise/matrix like sharpen/unsharpen, (right AROS key with A for Artistic effects) 
* blend two image, gradient blend, masking blend, explode, implode, custom collage, surreal painting, comic book style, needlepoint, stained glass, watercolor, mosaic, stencil/outline, crayon, chalk, etc.

borders such as 
* dropshadow, rounded, blurred, color tint, picture frame, film strip polaroid, bevelled edge, etc.

brushes e.g.
* frost, smoke, etc.

and manual control of

fix lens issues including vignetting (darkening), color fringing and barrel distortion, and chromatic and geometric aberration -  lens and body profiles

perspective correction

levels - directly modify the levels of the tone-values of an image, by using sliders for highlights, midtones and shadows

curves -  Color Adjustment and Brightness/Contrast

color balance

one single color transparent (alpha channel (color information/selections) for masking and/or blending ) for backgrounds, etc.

Threshold indicates how much other colors will be considered mixture of the removed color and non-removed colors

decompose layer into a set of layers with each holding a different type of pattern that is visible within the image

any selection using any selecting tools like lasso tool, marquee tool etc. the selection will temporarily be save to alpha 
If you create your image without transparency then the Alpha channel is not present, but you can add later.

File formats like .psd (Photoshop file has layers, masks etc.  contains edited sensor data. The original sensor data is no longer available) .xcf .raw .hdr

Image Picture Formats
* low dynamic range (JPEG, PNG, TIFF 8-bit), 16-bit (PPM, TIFF), typically as a 16-bit TIFF in either ProPhoto or AdobeRGB colorspace -  TIFF files are also fairly universal – although, if they contain proprietary data, such as Photoshop Adjustment Layers or Smart Filters, then they can only be opened by Photoshop making them proprietary.
* linear high dynamic range (HDR) images (PFM, [http://www.openexr.com/ ILM .EXR], jpg, [http://aminet.net/util/dtype cr2] (canon tiff based), hdr, NEF, CRW, ARW, MRW, ORF, RAF (Fuji), PEF, DCR, SRF, ERF, DNG files are RAW converted to an Adobe proprietary format - a container that can embed the raw file as well as the information needed to open it) 
An old version of [http://archives.aros-exec.org/index.php?function=browse&amp;cat=graphics/convert dcraw]

There is no single RAW file format. Each camera manufacturer has one or more unique RAW formats. RAW files contain the brightness levels data captured by the camera sensor. This data cannot be modified. A second smaller file, separate XML file, or within a database with instructions for the RAW processor to change exposure, saturation etc. The extra data can be changed but the original sensor data is still there. RAW is technically least compatible.

A raw file is high-bit (usually 12 or 14 bits of information) but a camera-generated TIFF file will be usually converted by the camera (compressed, downsampled) to 8 bits. The raw file has no embedded color balance or color space, but the TIFF has both. These three things (smaller bit depth, embedded color balance, and embedded color space) make it so that the TIFF will lose quality more quickly with image adjustments than the raw file. The camera-generated TIFF image is much more like a camera processed JPEG than a raw file. A strong advantage goes to the raw file. The power of RAW files, such as the ability to set any color temperature non-destructively and will contain more tonal values.

The principle of preserving the maximum amount of information to as late as possible in the process. The final conversion - which will always effectively represent a &quot;downsampling&quot; - should prevent as much loss as possible.

Once you save it as TIFF, you throw away some of that data irretrievably. When saving in the lossy JPEG format, you get tremendous file size savings, but you've irreversibly thrown away a lot of image data. As long as you have the RAW file, original or otherwise, you have access to all of the image data as captured.

Keyboard equivalence with Photoshop(tm) would help 

File
PHOTOSHOP	SHORTCUT	GIMP
New	Ctrl+n	New
Open	Ctrl+o	Open
Close	Ctrl+w	Close
Save	Ctrl+s	Save
Save as	Shift+Ctrl+s	Save as
Revert	F12	Revert
Print	Ctrl+p	Print
Exit	Ctrl+q	Quit
 
Edit
PHOTOSHOP	SHORTCUT	GIMP
Undo/Redo (1 level)	Ctrl+z	Undo (Redo is Shift+Ctrl+z)
Cut	Ctrl+x	Cut
Copy	Ctrl+c	Copy
Paste	Ctrl+v	Paste
Paste Into	Shift+Ctrl+v	Paste Into
Fill with FG color	Alt+Backspace	Fill with FG color
Fill with BG color	Control+Backspace	Fill with BG color
 
Image/Colors
PHOTOSHOP	SHORTCUT	GIMP
Levels	Ctrl+l	Levels
Auto Contrast	Shift+Ctrl+Alt+l	Stretch Contrast (same?)
Curves	Ctrl+m	Curves
Color Balance	Ctrl+b	Color Balance
Hue/Saturation	Ctrl+u	Hue-Saturation
Desaturate	Shift+Ctrl+u	Desaturate
Invert	Ctrl+i	Invert
Default Colors	d	Default Colors
Switch Colors	x	Switch Colors
 
Layer
PHOTOSHOP	SHORTCUT	GIMP
New Layer	Shift+Ctrl+n	New Layer
Layer via Copy	Ctrl+j	Duplicate Layer
Bring (layer) to Front	Shift+Ctrl+]	Layer to Top
Send (layer) to Back	Shift+Ctrl+[	Layer to Bottom
Bring (layer) Forward	Ctrl+]	Raise Layer
Send (layer) Backward	Ctrl+[	Lower Layer
Select Top Layer	Shift+Alt+]	Select Top Layer
Select Bottom Layer	Shift+Alt+[	Select Bottom Layer
Select One Layer Forward	Alt+]	Select Previous Layer
Select One Layer Backward	Alt+[	Select Next Layer
Merge Down	Ctrl+e	Merge Down
Merge Visible	Shift+Ctrl+e	Merge Visible
Preserve Transparency	/	Keep Transparency
Cycle Modes Forwards	Shift+=	Next Layer Mode
Cycle Modes Backwards	Shift+-	Previous Layer Mode
 
Select
PHOTOSHOP	SHORTCUT	GIMP
Select All	Ctrl+a	Select All
Deselect	Ctrl+d	Select None
Inverse	Shift+Ctrl+i	Invert
Feather	Ctrl+Alt+d	Feather
 
View
PHOTOSHOP	SHORTCUT	GIMP
Zoom In	Ctrl+=	Zoom In
Zoom Out	Ctrl+-	Zoom Out
Fit on Screen	Ctrl+0	Zoom to Fit Window
Actual Pixels	Ctrl+Alt+0	Zoom 1:1
Show/Hide Extras	Ctrl+h	Toggle Show Selection (close enough?)
Show/Hide Guides	Ctrl+'	Toggle Show Guides
Show/Hide Grid	Ctrl+Alt+'	Toggle Show Grid
Show/Hide Rulers	Ctrl+r	Toggle Show Rulers
Snap	Ctrl+;	Snap to Guides
Scroll View Up	Page Up	Scroll Page Up
Scroll View Down	Page Down	Scroll Page Down
Scroll View Left	Ctrl+Page Up	Scroll Page Left
Scroll View Right	Ctrl+Page Down	Scroll Page Right
 
Window/Dialogs
PHOTOSHOP	SHORTCUT	GIMP
?	F5	Tools Dialog
Color Tab	F6	Colors Dialog
Layers Tab	F7	Layers Dialog
Info Tab	F8	Image Information
 
Tools
PHOTOSHOP	SHORTCUT	GIMP
Rectangular Marquee Tool	m	Rect Select Tool
Elliptical Marquee Tool	Shift+m	Ellipse Select Tool
 	*This is a toggle between 'Elliptical Marquee Tool' and 'Rectangular Marquee Tool' in Photoshop	 
Move Tool	v	Move Tool
Lasso Tool	l	Free Select Tool
Magic Wand Tool	w	Fuzzy Select Tool
Crop Tool	c	Crop &amp; Resize Tool
Airbrush Tool	j	Airbrush Tool
Paintbrush Tool	b	Paintbrush Tool
Clone Stamp Tool	s	Clone Stamp Tool
Eraser Tool	e	Eraser Tool
Gradient Tool	g	Blend Tool
Paint Bucket Tool	Shift+g	Bucket Fill Tool
 	*This is a toggle between 'Paint Bucket Tool' and 'Gradient Tool' in Photoshop	 
Blur Tool	r	Convolve Tool
Dodge Tool	o	DodgeBurn Tool
Type Tool	t	Text Tool
Pen Tool	p	Bezier Select Tool
Eye Dropper Tool	i	Color Picker Tool
Zoom Tool	z	Magnify Tool
Previous Brush	,	Previous Brush
Next Brush	.	Next Brush
First Brush	Shift+&lt;	First Brush
Last Brush	Shift+&gt;	Last Brush
Decrease Brush Size	[	Decrease Brush Size
Increase Brush Size	]	Increase Brush Size
Decrease Brush Hardness	{	Decrease Brush Hardness
Increase Brush Hardness	}	Increase Brush Hardness
 
Help
PHOTOSHOP	SHORTCUT	GIMP
Help	F1	Help
Context Help	Shift+F1	Context Help
 
Misc.
PHOTOSHOP	SHORTCUT	GIMP
Last Filter	Ctrl+f	Repeat Last Filter
?	Shift+Ctrl+f	Reshow Last Filter
Preferences	Ctrl+k	Preferences
Liquify	Shift+Ctrl+x	IWarp (close enough?)
Toggle Quick Mask	q	Toggle Quick Mask


Spotlights - triangle of white opaque shape

Cutting out and/or replacing unwanted background or features - select large areas with the selection option like the Magic Wand tool (aka Color Range) or the Lasso (quick and fast) with feather 2 to soften edge or the pen tool which adds points/lines/Bézier curves (better control but slower), hold down the shift button as you click to add extra points/areas of the subject matter to remove. Increase the tolerance to cover more areas. To subtract from your selection hold down alt as you're clicking. 
* Layer masks are a better way of working than Erase they clip (black hides/hidden white visible/reveal). Clone Stamp can be simulated by   and brushes for other areas. 
* Leave the fine details like hair, fur, etc. to later with lasso and the shift key to draw a line all the way around your subject. Gradient Mapping - Inverse - Mask. i.e. Refine your selected image with edge detection and using the radius and edge options / adjuster (increase/decrease contrast) so that you will capture more fine detail from the background allowing easier removal. 
Remove fringe/halo

saving image as png rather than jpg/jpeg to keep transparency background intact.


Implemented [http://colorizer.org/ colour model representations] [http://paulbourke.net/texture_colour/colourspace/ Mathematical approach] - Photo stills are spatially 2d (h and w), but are colorimetrically 3d (r g and b, or H L S, or Y U V etc.) as well. 
* RGB - split cubed mapped color model for photos and computer graphics hardware using the light spectrum (adding and subtracting) 
* YUV - Y-Lightness U-blue/yellow V-red/cyan (similar to YPbPr and YCbCr) used in the PAL, NTSC, and SECAM composite digital TV color [http://crewofone.com/2012/chroma-subsampling-and-transcoding/#comment-7299 video]


Histograms

White balanced (neutral) if the spike happens in the same place in each channel of the RGB graphs. If not, you're not balanced. 
If you have sky you'll see the blue channel further off to the right.

RGB is best one to change colours. These elements RGB is a 3-channel format containing data for Red, Green, and Blue in your photo scale between 0 and 255. The area in a picture that appears to be brighter/whiter contains more red color as compared to the area which is relatively darker. Similarly in the green channel the area that appears to be darker contains less amount of green color as compared to the area that appears to be brighter.  Similarly in the blue channel the area appears to be darker contains less amount of blue color as compared to the area that appears to be brighter. Brightness luminance histogram also matches the green histogram more than any other color - human eye interprets green better e.g. RGB rough ratio 15/55/30%

RGBA (RGB+A, A means alpha channel) .  The alpha channel is used for &quot;alpha compositing&quot;, which can mostly be associated as &quot;opacity&quot;.  AROS deals in RGB with two digits for every color (red, green, blue), in ARGB you have two additional hex digits for the alpha channel.

The shadows are represented by the left third of the graph.  The highlights are represented by the right third.  And the midtones are, of course, in the middle.  The higher the black peaks in the graph, the more pixels are concentrated in that tonal range (total black area). 
By moving the black endpoint, which identifies the shadows (darkness) and a white light endpoint (brightness) up and down either sides of the graph, colors are adjusted based on these points. 
By dragging the central one, can increased the midtones and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .


RGB Curves

* Move left endpoint (black point) up or right endpoint (white point) up brightens 
* Move left endpoint down or right endpoint down darkens

Color Curves

* Dragging up on the Red Curve increases the intensity of the reds in the image but 
* Dragging down on the Red Curve decreases the intensity of the reds and thus increases the apparent intensity of its complimentary color, cyan. Green’s complimentary color is magenta, and blue’s is yellow.
&lt;pre&gt;
 Red &lt;-&gt; Cyan
 Green &lt;-&gt;Magenta
 Blue &lt;-&gt;Yellow 
&lt;/pre&gt;

YUV Best option to analyse and pull out statistical elements of any picture (i.e.  separate luminance data from color data). The line in Y luma tone box represents the brightness of the image with the point in the bottom left been black, and the point in the top right as white.  A low-contrast image has a concentrated clump of values nearer to the center of the graph. By comparison, a high-contrast image has a wider distribution of values across the entire width of the Histogram.   A histogram that is skewed to the right would indicate a picture that is a bit overexposed because most of the color data is on the lighter side (increase exposure with higher value F), while a histogram with the curve on the left shows a picture that is underexposed. This is good information to have when using post-processing software because it shows you not only where the color data exists for a given picture, but also where any data has been clipped (extremes on edges of either side): that is, it does not exist and, therefore, cannot be edited.  By dragging the endpoints of the line and as well as the central one, can increased the dark/shadows, midtones and light/bright parts and control the contrast, raise shadows levels, clip or softly eliminate unsafe levels, alter gamma, etc... in a way that is much more precise and creative .

The U and V chroma parts show color difference components of the image. It’s useful for checking whether or not the overall chroma is too high, and also whether it’s being limited too much
Can be used to create a negative image but also 
With U (Cb), the higher value you are, the more you're on the blue primary color. If you go to the low values then you're on blue complementary color, i.e. yellow.
With V (Cr), this is the same principle but with Red and Cyan.
e.g. If you push U full blue and V full red, you get magenta. If you push U full yellow and V full Cyan then you get green.

YUV simultaneously adds to one side of the color equation while subtracting from the other.  
using YUV to do color correction can be very problematic because each curve alters the result of each other: the mutual influence between U and V often makes things tricky. You may also be careful in what you do to avoid the raise of noise (which happens very easily). Best results are obtained with little adjustments

sunset that looks uninspiring and needs some color pop especially for the rays over the hill, a subtle contrast raise while setting luma values back to the legal range without hard clipping.


Free royalty pictures, [www.freeimages.com ], [http://imageshack.us/ ], [http://photobucket.com/ ], [http://rawpixels.net/], [], [], [], 


====Lunapaint====

Pixel based drawing app with onion-skin animation function

 Blocking, Shading, Coloring, adding detail 

&lt;pre&gt;
b BRUSH
e ERASER

alt eyedropper 
v layer tool 

z ZOOM / MAGNIFY &lt; &gt; n 
spc panning 
m  marque 
q lasso 
w same color selection / region 
&lt;/pre&gt;

&lt;pre&gt;
, LM RM
v 
V
f  filter 
F 
.  size 

p 
,  pick color 
[] last / next color 
&lt;/pre&gt;


There is not much missing in Lunapaint to be as good as FlipBook and then you have to take into account that Flipbook is considered to be amongst the best and easiest to use animation software out there. Ok to be honest Flipbook has some nice features that require more heavy work but those aren't so much needed right away, things like camera effects, sound, smart fill, export to different movie file formats etc.

Tried Flipbook with my tablet and compared it to Luna. The feeling is the same when sketching. LunaPaint is very responsive/fluent to draw with. Just as Flipbook is, and that responsiveness is something its users have mentioned as one of the positive sides of said software.

 author was learning MUI. Some parts just have to be rewritten with proper MUI classes before new features can be added.

* add [Frame Add] / [Frame Del]
* whole animation feature is impossible to use. If you draw 2 color maybe but if you start coloring your cells then you get in trouble
* pickup the entire image as a brush, not just a selection ? And consequently remove the brush from memory when one doesn't need it anymore. can pick up a brush and put it onto a new image but cropping isn't possible, nor to load/save brushes.
* Undo is something I longed for ages in Lunapaint.
* to import into the current layer, other types of images (e.g. JPEG) besides RAW64.
* implement graphic tablet features support


**GENERAL DRAWING**

Miss it very much:
UNDO
ERASER
COLORPICKER - has to show on palette too which color got picked.
BACKGROUND COLOR -Possibility to select from &quot;New project screen&quot;

Miss it somewhat:
ICON for UNDO
ICON for ERASER
ICON for CLEAR SCREEN ( What can I say? I start over from scratch very often )
BRUSH - possibility to cut out as brush not just copy off image to brush

**ANIMATING**

Miss it very much:
NUMBER OF CELLS - Possibity to change total no. of cells during project
ANIM BRUSH - Possibility to pick up a selected part of cells into an animbrush

Miss it somewhat:
ADD/REMOVE FRAMES: Add/remove single frame

In general LunaPaint is really well done and it feels like a new DeluxePaint version. It works with my tablet. Sure there's much missing of course but things can always be added over time. So there is great potential in LunaPaint that's for sure. Animations could be made in it and maybe put together in QuickVideo, saving in .gif or .mng etc some day.


LAYERS
-Layers names don't get saved globally in animation frames
-Layers order don't change globally in an animation (perhaps as default?).

EXPORTING IMAGES
-Exporting frames to JPG/PNG gives problems with colors. (wrong colors. See my animatiopn --&gt; My robot was blue now it's &quot;gold&quot; ) I think this only happens if you have layers.
-Trying to flatten the layers before export doesn't work if you have animation frames only the one you have visible will flatten properly all other frames are destroyed. (Only one of the layers are visible on them)
-Exporting images filenames should be for example e.g. file0001, file0002...file0010 instead as of now file1, file2...file10

LOAD/SAVE (Preferences)
-Make a setting for the default &quot;Work&quot; folder.

* Destroyed colors if exported image/frame has layers 
* mystic color cycling of the selected color while stepping frames back/forth (annoying)

&lt;pre&gt;
Deluxe Paint II enhanced key shortcuts 
    NOTE: @ denotes the ALT key

    [Technique]

    F1  - Paint
    F2  - Single Colour
    F3  - Replace
    F4  - Smear
    F5  - Shade
    F6  - Cycle
    F7  - Smooth
     M  - Colour Cycle

    [Brush]

     B  - Restore
     O  - Outline
     h  - Halve brush size
     H  - Double brush size
     x  - Flip brush on X axis
     X  - Double brush size on X axis only
     y  - Flip on Y 
     Y  - Double on Y
     z  - Rotate brush 90 degrees
     Z  - Stretch

    [Stencil]

     `  - Stencil On

    [Miscellaneous]

    F9  - Info Bar
    F10 - Selection Bar
    @o  - Co-Ordinates
    @a  - Anti-alias
    @r  - Colourise
    @t  - Translucent
    TAB - Colour Cycle

    [Picture]

     L  - Load
     S  - Save
     j  - Page to Spare(Flip)
     J  - Page to Spare(Copy)
     V  - View Page
     Q  - Quit

    [General Keys]

     m  - Magnify
     &lt;  - Zoom In
     &gt;  - Zoom Out
     [  - Palette Colour Up
     ]  - Palette Colour Down
     (  - Palette Colour Left
     )  - Palette Colour Right
     ,  - Eye Dropper
     .  - Pixel / Brush Toggle
     /  - Symmetry
     |  - Co-Ordinates
    INS - Perspective Control
    +/- - Brush Size (Fine Control)
     w  - Unfilled Polygon
     W  - Filled Polygon
     e  - Unfilled Ellipse
     E  - Filled Ellipse
     r  - Unfilled Rectangle
     R  - Filled Rectangle
     t  - Type/text tool
     a  - Select Font
    u/U - Undo
     d  - Brush
     D  - Filled Non-Uniform Polygon
    f/F - Fill Options
    g/G - Grid
    h/H - Brush Size (Coarse Control)
     K  - Clear
     c  - Unfilled Circle
     C  - Filled Circle
     v  - Line
     b  - Scissor Select and Toggle
     B  - Brush
    {,} - Toggle between two background colours
&lt;/pre&gt;

====Lodepaint====

Pixel based painting artwork app

====Grafx2====

Pixel based painting artwork app aesprite like 

[https://www.youtube.com/watch?v=59Y6OTzNrhk aesprite workflow keys and tablet use], [], 


====Vector Graphics ZuneFIG====

Vector Image Editing of files .svg .ps .eps


*Objects - raise lower rotate flip aligning snapping 
*Path - unify subtract intersect exclude divide 
*Colour - fill stroke 
*Stroke - size 
*Brushes - 
*Layers - 
*Effects - gaussian bevels glows shadows 
*Text    - 
*Transform - 


 AmiFIG ([http://epb.lbl.gov/xfig/frm_introduction.html xfig manual]) 

[[File:MyScreen.png|thumb|left|alt=Showing all Windows open in AmiFIG.|All windows available to AmiFIG.]]

for drawing simple to intermediate vector graphic images for scientific and technical uses and for illustration purposes for those with talent

;Menu options
* Load - fig format but import(s) SVG
* Save - fig format but export(s) eps, ps, pdf, svg and png
* PAN = Ctrl + Arrow keys 
* Deselect all points

There is no selected object until you apply the tool, and the selected object is not highlighted.

;Metrics - to set up page and styles - first window to open on new drawings

;Tools - Drawing Primitives - set Attributes window first before clicking any Tools button(s) 
* Shapes - circles, ellipses, arcs, splines, boxes,  polygon 
* Lines - polylines
* Text &quot;T&quot; button 
* Photos - bitmaps
* Compound - Glue, Break, Scale 
* POINTs - Move, Add, Remove 
* Objects - Move, Copy, Delete, Mirror, Rotate, Paste 
use right mouse button to stop extra lines, shapes being formed and the left mouse to select/deselect tools button(s)
* Rotate - moves in 90 degree turns centered on clicked POINT of a polygon or square

;Attributes which provide change(s) to the above primitives 
* Color
* Line Width
* Line Style
* arrowheads

;Modes 
Choose from freehand, charts, figures, magnet, etc.

;Library - allows .fig clip-art to be stored 
* compound tools to add .fig(s) together

;FIG 3.2 [http://epb.lbl.gov/xfig/fig-format.html Format] as produced by xfig version 3.2.5 
&lt;pre&gt;
Landscape
Center
Inches
Letter 
100.00
Single
-2
1200 2
4 0 0 50 -1 0 12 0.0000 4 135 1050 1050 2475 This is a test.01
&lt;/pre&gt;

# change the text alignment within the textbox. I can choose left, center, or right aligned by either changing the integer in the second column from 0 (left) to 1 or 2 (center, or right). 
# The third integer in the row specifies fontcolor. For instance, 0 is black, but blue is 1 and Green3 is 13.
# The sixth integer in the bottom row specifies fontface. 0 is Times-Roman, but 16 is Helvetica (a MATLAB default).
# The seventh number is fontsize. 12 represents a 12pt fontsize. Changing the fontsize of an item really is as easy as changing that number to 20.
# The next number is the counter-clockwise angle of the text. Notice that I have changed the angle to .7854 (pi/4 rounded to four digits=45 degrees).
# twelfth number is the position according to the standard “x-axis” in Xfig units from the left. Note that 1200 Xfig units is equivalent to once inch.
# thirteenth number is the “y-position” from the top using the same unit convention as before.

* The nested text string is what you entered into the textbox.
* The “01″ present at the end of that line in the .fig file is the closing tag. For instance, a change to \100 appends a @ symbol at the end of the period of that sentence.

; Just to note there are no layers, no 3d functions, no shading, no transparency, no animation


[[#top|...to the top]]

===Audio===


# AHI uses linear panning/balance, which means that in the center, you will get -6dB. If an app uses panning, this is what you will get. Note that apps like Audio Evolution need panning, so they will have this problem.

# When using AHI Hifi modes, mixing is done in 32-bit and sent as 32-bit data to the driver. The Envy24HT driver uses that to output at 24-bit (always).

# For the Envy24/Envy24HT, I've made 16-bit and 24-bit inputs (called Line-in 16-bit, Line-in 24-bit etc.). There is unfortunately no app that can handle 24-bit recording.


====Music Mods====

Digital module (mods) trackers are music creation software using samples and sometimes soundfonts, audio plugins (VST, AU or RTAS), MIDI.

Generally, MODs are similar to MIDI in that they contain note on/off and other sequence messages that control the mod player. Unlike (most) midi files, however, they also contain sound samples that the sequence information actually plays. MOD files can have many channels (classic amiga mods have 4, corresponding to the inbuilt sound channels), but unlike MIDI, each channel can typically play only one note at once. However, since that note might be a sample of a chord, a drumloop or other complex sound, this is not as limiting as it sounds.

Like MIDI, notes will play indefinitely if they're not instructed to end. Most trackers record this information automatically if you play your music in live. If you're using manual note entry, you can enter a note-off command with a keyboard shortcut - usually Caps Lock.

In fact when considering file size MOD is not always the best option. Even a dummy song wastes few kilobytes for nothing when a simple SID tune could be few hundreds bytes and not bigger than 64kB. AHX is another small format, AHX tunes are never larger than 64kB excluding comments.

[https://www.youtube.com/watch?v=rXXsZfwgil Protrekkr] (previously aka [w:Juan_Antonio_Arguelles_Rius|NoiseTrekkr])

If Protrekkr does not start, please check if the Unit 0 has been setup in the AHI prefs and still not, go to the directory utilities/protrekkr and double click on the Protrekkr icon

*Sample
*Note - Effect 
*Track (column) - Pattern - Order

It all starts with the Sample which is used to create Note(s) in a Track (column of a tracker) 
The Note can be changed with an Effect.  A Track of Note(s) can be collected into a Pattern (section of a song) and these can be given Order to create the whole song.

Patience (notes have to be entered one at a time) or playing the bassline on a midi controller (faster - see midi section above).  Best approach is to wait until a melody popped into your head.

*Up-tempo means the track should be reasonably fast, but not super-fast. 
*Groovy and funky imply the track should have some sort of &quot;swing&quot; feel, with plenty of syncopation or off beat emphasis and a recognizable, melodic bass line. 
*Sweet and happy mean upbeat melodies, a major key and avoiding harsh sounds.
*Moody - minor key

First, create a quick bass sound, which is basically a sine wave, but can be hand drawn for a little more variance. It could also work for the melody part, too.

This is usually a bass guitar or some kind of synthesizer bass. The bass line is often forgotten by inexperienced composers, but it plays an important role in a musical piece. Together with the rhythm section the bass line forms the groove of a song. It's the glue between the rhythm section and the melodic layer of a song.

The drums are just pink noise samples, played at different frequencies to get a slightly different sound for the kick, snare, and hihats.

Instruments that fall into the rhythm category are bass drums, snares, hi-hats, toms, cymbals, congas, tambourines, shakers, etc. Any percussive instrument can be used to form part of the rhythm section.

The lead is the instrument that plays the main melody, on top of the chords. There are many instruments that can play a lead section, like a guitar, a piano, a saxophone or a flute. The list is almost endless. There is a lot of overlap with instruments that play chords. Often in one piece an instrument serves both roles. The lead melody is often played at a higher pitch than the chords.

Listened back to what was produced so far, and a counter-melody can be imagined, which can be added with a triangle wave.

To give the ends of phrases some life, you can add a solo part with a crunchy synth. By hitting random notes in the key of G, then edited a few of them.

For the climax of the song, filled out the texture with a gentle high-pitch pad… …and a grungy bass synth.


The arrow at A points at the pattern order list. As you see, the patterns don't have to be in numerical order. This song starts with pattern &quot;00&quot;, then pattern &quot;02&quot;, then &quot;03&quot;, then &quot;01&quot;, etcetera. Patterns may be repeated throughout a song.

The B arrow points at the song title. Below it are the global BPM and speed parameters. These determine the tempo of the song, unless the tempo is altered through effect commands during the song.

The C arrow points at the list of instruments. An instrument may consist of multiple samples. Which sample will be played depends on the note. This can be set in the Instrument Editing screen. Most instruments will consist of just one sample, though. The sample list for the selected instrument can be found under arrow D.

Here's a part of the main editing screen. This is where you put in actual notes. Up to 32 channels can be used, meaning 32 sounds can play simultaneously. The first six channels of pattern &quot;03&quot; at order &quot;02&quot; are shown here. The arrow at A points at the row number. The B arrow points at the note to play, in this case a C4. The column pointed at by the C arrow tells us which instrument is associated with that note, in this case instrument #1 &quot;Kick&quot;.

The column at D is used (mainly) for volume commands. In this case it is left empty which means the instrument should play at its default volume. You can see the volume column being used in channel #6.

The E column tells us which effect to use and any parameters for that effect. In this case it holds the &quot;F&quot; effect, which is a tempo command. The &quot;04&quot; means it should play at tempo 4 (a smaller number means faster).

Base pattern

When I create a new track I start with what I call the base pattern. It is worthwhile to spend some time polishing it as a lot of the ideas in the base pattern will be copied and used in other patterns. At least, that's how I work. Every musician will have his own way of working. In &quot;Wild Bunnies&quot; the base pattern is pattern &quot;03&quot; at order &quot;02&quot;.

In the section about selecting samples I talked about the four different categories of instruments: drums, bass, chords and leads. That's also how I usually go about making the base pattern. I start by making a drum pattern, then add a bass line, place some chords and top it off with a lead. This forms the base pattern from which the rest of the song will grow.


Drums

Here's a screenshot of the first four rows of the base pattern. I usually reserve the first four channels or so for the drum instruments. Right away there are a couple of tricks shown here. In the first channel the kick, or bass drum, plays some notes. Note the alternating F04 and F02 commands. The &quot;F&quot; command alters the tempo of the song and by quickly alternating the tempo; the song will get some kind of &quot;swing&quot; feel.

In the second channel the closed hi-hat plays a fairly simple pattern. Further down in the channel, not shown here, some open hi-hat notes are added for a bit of variation.

In the third and fourth channel the snare sample plays. The &quot;8&quot; command is for panning. One note is panned hard to the left and the other hard to the right. One sample is played a semitone lower than the other. This results in a cool flanging effect. It makes the snare stand out a little more in the mix.


Bass line

There are two different instruments used for the bass line. Instrument #6 is a pretty standard synthesized bass sound. Instrument #A sounds a bit like a slap bass when used with a quick fade out. By using two different instruments the bass line sounds a bit more ”human”. The volume command is used to cut off the notes. However, it is never set to zero. Setting the volume to a very small value will result in a reverb-like effect. This makes the song sound more &quot;live&quot;.

The bass line hints at the chords that will be played and the key the song will be in. In this case the key of the song is D-major, a positive and happy key.


Chords

The D major chords that are being played here are chords stabs; short sounds with a quick decay (fade out). Two different instruments (#8 and #9) are used to form the chords. These instruments are quite similar, but have a slightly different sound, panning and volume decay. Again, the reason for this is to make the sound more human. The volume command is used on some chords to simulate a delay, to achieve more of a live feel. The chords are placed off-beat making for a funky rhythm.


Lead

Finally the lead melody is added. The other instruments are invaluable in holding the track together, but the lead melody is usually what catches people's attention.

A lot of notes and commands are used here, but it looks more complex than it is. A stepwise ascending melody plays in channel 13. Channel 14 and 15 copy this melody, but play it a few rows later at a lower volume. This creates an echo effect. A bit of panning is used on the notes to create some stereo depth. Like with the bass line, instead of cutting off notes the volume is set to low values for a reverb effect. The &quot;461&quot; effect adds a little vibrato to the note, which sounds nice on sustained notes.

Those paying close attention may notice the instrument used here for the lead melody is the same as the one used for the bass line (#6 &quot;Square&quot;), except played two or three octaves higher. This instrument is a looped square wave sample. Each type of wave has its own quirks, but the square wave (shown below) is a really versatile wave form.

Song structure

Good, catchy songs are often carefully structured into sections, some of which are repeated throughout the song with small variations.

A typical pop-song structure is: Intro - Verse - Chorus - Verse - Chorus - Bridge - Chorus.

Other single sectional song structures are

&lt;pre&gt;
Strophic or AAA Song Form - oldest story telling with refrain (often title of the song) repeated in every verse section melody 
AABA Song Form - early popular, jazz and gospel fading during the 1960s 
AB or Verse/Chorus Song Form - songwriting format of choice for modern popular music since the 1960s 
Verse/Chorus/Bridge Song Form
ABAB Song Form
ABAC Song Form
ABCD Song Form
AAB 12-Bar Song Form - three four-bar lines or sub-sections 
8-Bar Song Form
16-Bar Song Form
Hybrid / Compound Song Forms
&lt;/pre&gt;

The most common building blocks are:

#INTRODUCTION(INTRO)
#VERSE
#REFRAIN
#PRE-CHORUS / RISE / CLIMB
#CHORUS
#BRIDGE
#MIDDLE EIGHT
#SOLO / INSTRUMENTAL BREAK
#COLLISION
#CODA / OUTRO
#AD LIB (OFTEN IN CODA / OUTRO)

The chorus usually has more energy than the verse and often has a memorable melody line. As the chorus is repeated the most often during the song, it will be the part that people will remember.

The bridge often marks a change of direction in the song. It is not uncommon to change keys in the bridge, or at least to use a different chord sequence. The bridge is used to build up tension towards the big finale, the last repetition of chorus.


 Playing

RCTRL:                           Play song from row 0.

LSHIFT + RCTRL:                  Play song from current row.

RALT:                            Play pattern from row 0.

LSHIFT + RALT:                   Play pattern from current row.

Left mouse on '&gt;':               Play song from row 0.

Right mouse on '&gt;':              Play song from current row.

Left mouse on '|&gt;':              Play pattern from row 0.

Right mouse on '|&gt;':             Play pattern from current row.

Left mouse on 'Edit/Record':     Edit mode on/off.

Right mouse on 'Edit/Record':    Record mode on/off.


 Editing 


LSHIFT + ESCAPE:                 Switch large patterns view on/off

TAB:                    Go to next track

LSHIFT + TAB:                    Go to prev. track

LCTRL + TAB:                    Go to next note in track

LCTRL + LSHIFT + TAB:           Go to prev. note in track

SPACE:                           Toggle Edit mode On &amp; Off

(Also stop if the song is being played)

SHIFT SPACE:                     Toggle Record mode On &amp; Off

(Wait for a key note to be pressed

or a midi in message to be received)

DOWN ARROW:                      1 Line down

UP ARROW:                        1 Line up

LEFT ARROW:                      1 Row left

RIGHT ARROW:                     1 Row right

PREV. PAGE:                      16 Arrows Up

NEXT PAGE:                       16 Arrows Down

HOME / END:                      Top left / Bottom right of pattern

LCTRL + HOME / END:              First / last track

F5, F6, F7, F8, F9:              Jump to 0, 1/4, 2/4, 3/4, 4/4 lines of the patterns

+ - (Numeric keypad):           Next / Previous pattern

LCTRL + LEFT / RIGHT:           Next / Previous pattern

LCTRL + LALT + LEFT / RIGHT:    Next / Previous position

LALT + LEFT / RIGHT:           Next / Previous instrument

LSHIFT + M:                      Toggle mute state of the current channel

LCTRL + LSHIFT + M:             Solo the current track / Unmute all

LSHIFT + F1 to F11:              Select a tab/panel

LCTRL + 1 to 4:                 Select a copy buffer


 Tracking 

1st and 2nd keys rows:           Upper octave row

3rd and 4th keys rows:           Lower octave row

RSHIFT:                          Insert a note off

/ and * (Numeric keypad)

or F1 F2:                        -1 or +1 octave

INSERT / BACKSPACE:              Insert or Delete a line in current track

or current selected block.

LSHIFT + INSERT / BACKSPACE:     Insert or Delete a line in current pattern

DELETE (NOT BACKSPACE):          Empty a column or a selected block.


 Blocks

(Blocks can also be selected with the mouse by holding the right button and scrolling the pattern with the mouse wheel).


LCTRL + A:          Select entire current track

LCTRL + LSHIFT + A: Select entire current pattern

LALT + A:          Select entire column note in a track

LALT + LSHIFT + A: Select all notes of a track

LCTRL + X:          Cut the selected block and copy it into the block-buffer

LCTRL + C:          Copy the selected block into the block-buffer

LCTRL + V:          Paste the data from the block buffer into the pattern

LCTRL + I:          Interpolate selected data from the first to the last row of a selection

LSHIFT + ARROWS

PREV. PAGE

NEXT PAGE: Select a block

LCTRL + R:          Randomize the select columns of a selection, works similar to CTRL + I (interpolating them)

LCTRL + U:          Transpose the note of a selection to 1 seminote higher

LCTRL + D:          Transpose the note of a selection to 1 seminote lower

LCTRL + LSHIFT + U: Transpose the note of a selection to 1 seminote higher (only for the current instrument)

LCTRL + LSHIFT + D: Transpose the note of a selection to 1 seminote lower  (only for the current instrument)

LCTRL + H:          Transpose the note of a selection to 1 octave higher

LCTRL + L:          Transpose the note of a selection to 1 octave lower

LCTRL + LSHIFT + H: Transpose the note of a selection to 1 octave higher (only for the current instrument)

LCTRL + LSHIFT + L: Transpose the note of a selection to 1 octave lower (only for the current instrument)

LCTRL + W:          Save the current selection into a file


 Misc 


LALT + ENTER:     Switch between full screen / windowed mode

LALT + F4:        Exit program (Windows only)

LCTRL + S:         Save current module

LSHIFT + S:         Switch top right panel to synths list

LSHIFT + I:         Switch top right panel to instruments list


&lt;pre&gt;
C-x   xh xx xx hhhh             Volume 
B-x   xh xx xx hhhh             Jump to 
A#x  xh xx xx hhhh hhhh   Slide 
F-x    xh xx xx hhhh            Tempo 
D-x   xh xx xx hhhh             Pattern Break 
G#x  xh xx xx hhhh
&lt;/pre&gt;

h Hex 01 02 03 04 05 06 07 08 09 0A 0B 0C 0D 0E 0F 10 11 12 13

d Dec 01 02 03 04 05 06 07 08 09 10  11 12 13 14 15 16 17 18 19

The Set Volume command: C. Input a note, then move the cursor to the effects command column and type a C. Play the pattern, and you shouldn't be able to hear the note you placed the C by. This is because the effect parameters are 00. Change the two zeros to a 40(Hex)/64(Dec), depending on what your tracker uses. Play back the pattern again, and the note should come in at full volume.

The Position Jump command next. This is just a B followed by the position in the playing list that you want to jump to. One thing to remember is that the playing list always starts at 0, not 1. This command is usually in Hex.

Onto the volume slide command: A. This is slightly more complex (much more if you're using a newer tracker, if you want to achieve the results here, then set slides to Amiga, not linear), due to the fact it depends on the secondary tempo. For now set a secondary tempo of 06 (you can play around later), load a long or looped sample and input a note or two. A few rows after a note type in the effect command A. For the parameters use 0F. Play back the pattern, and you should notice that when the effect kicks in, the sample drops to a very low volume very quickly. Change the effect parameters to F0, and use a low volume command on the note. Play back the pattern, and when the slide kicks in the volume of the note should increase very quickly.
This because each part of the effect parameters for command A does a different thing. The first number slides the volume up, and the second slides it down. It's not recommended that you use both a volume up and volume down at the same time, due to the fact the tracker only looks for the first number that isn't set to 0. If you specify parameters of 8F, the tracker will see the 8, ignore the F, and slide the volume up. Using a slide up and down at same time just makes you look stupid. Don't do it...

The Set Tempo command: F, is pretty easy to understand. You simply specify the BPM (in Hex) that you want to change to. One important thing to note is that values of lower than 20 (Hex) sets the secondary tempo rather than the primary.

Another useful command is the Pattern Break: D. This will stop the playing of the current pattern and skip to the next one in the playing list. By using parameters of more than 00 you can also specify which line to begin playing from.

Command 3 is Portamento to Note. This slides the currently playing note to another note, at a specified speed. The slide then stops when it reaches the desired note. 
&lt;pre&gt;
   C-2 1 000 - Starts the note playing
   ---      000
   C-3    330 - Starts the slide to C-3 at a speed of 30.
   ---     300 - Continues the slide
   ---     300 - Continues the slide
&lt;/pre&gt;
Once the parameters have been set, the command can be input again without any parameters, and it'll still perform the same function unless you change the parameters. This memory function allows certain commands to function correctly, such as command 5, which is the Portamento to Note and Volume Slide command. Once command 3 has been set up command 5 will simply take the parameters from that and perform a Portamento to Note. Any parameters set up for command 5 itself simply perform a Volume Slide identical to command A at the same time as the Portamento to Note.

This memory function will only operate in the same channel where the original parameters were set up.
There are various other commands which perform two functions at once. They will be described as we come across them.

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  00

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  02

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  05

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  08

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0A

C-3  04  ..  ..  09  00 ---&gt; C-3  04  ..  ..  09  0D

C-3  04  ..  ..  09  10 ---&gt; C-3  04  ..  ..  09  10

(You can also switch on the Slider Rec to On, and perform parameter-live-recording, such as cutoff transitions, resonance or panning tweaking, etc..)  Note: this command only works for volume/panning and fx datas columns.


The next command we'll look at is the Portamento up/down: 1 and 2. Command 1 slides the pitch up at a specified speed, and 2 slides it down. This command works in a similar way to the volume slide, in that it is dependent on the secondary tempo. Both these commands have a memory dependent on each other, if you set the slide to a speed of 3 with the 1 command, a 2 command with no parameters will use the speed of 3 from the 1 command, and vice versa.

Command 4 is Vibrato. Vibrato is basically rapid changes in pitch, just try it, and you'll see what I mean. Parameters are in the format of xy, where x is the speed of the slide, and y is the depth of the slide. One important point to remember is to keep your vibratos subtle and natural so a depth of 3 or less and a reasonably fast speed, around 8, is usually used. Setting the depth too high can make the part sound out of tune from the rest.
Following on from command 4 is command 6. This is the Vibrato and Volume Slide command, and it has a memory like command 5, which you already know how to use.

Command 7 is Tremolo. This is similar to vibrato. Rather than changing the pitch it slides the volume. The effect parameters are in exactly the same format.   vibrato effect (0x1dxy) x = speed y = depth (can't be used if arpeggio (0x1b) is turned on) 

&lt;pre&gt;
 C-7 00 .. .. 1B37 &lt;-  Turn Arpeggio effect on
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B38 &lt;- Change datas
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 0000
  --- .. .. .. 1B00 &lt;- Turn it off
&lt;/pre&gt;

Command 9 is Sample Offset. This starts the playback of the sample from a different place than the start. The effect parameters specify the sample offset, but only very roughly. Say you have a sample which is 8765(Hex) bytes long, and you wanted it to play from position 4321(Hex). The effect parameter could only be as accurate as the 43 part, and it would ignore the 21.

Command B is the Playing List/Order Jump command. The parameters specify the position in the Playing List/Order to jump to. When used in conjunction with command D you can specify the position and the line to play from.

Command E is pretty complex, as it is used for a lot of different things, depending on what the first parameter is. Let's take a trip through each effect in order.
Command E0 controls the hardware filter on an Amiga, which, as a low pass filter, cuts off the highest frequencies being played back. There are very few players and trackers on other system that simulate this function, not that you should need to use it. The second parameter, if set to 1, turns on the filter. If set to 0, the filter gets turned off.

Commands E1/E2 are Fine Portamento Up/Down. Exactly the same functions as commands 1/2, except that they only slide the pitch by a very small amount. These commands have a memory the same as 1/2 as well.

Command E3 sets the Glissando control. If parameters are set to 1 then when using command 3, any sliding will only use the notes in between the original note and the note being slid to. This produces a somewhat jumpier slide than usual. The best way to understand is to try it out for yourself. Produce a slow slide with command 3, listen to it, and then try using E31.

Command E4 is the Set Vibrato Waveform control. This command controls how the vibrato command slides the pitch. Parameters are 0 - Sine, 1 - Ramp Down (Saw), 2 - Square. By adding 4 to the parameters, the waveform will not be restarted when a new note is played e.g. 5 - Sine without restart.

Command E5 sets the Fine Tune of the instrument being played, but only for the particular note being played. It will override the default Fine Tune for the instrument. The parameters range from 0 to F, with 0 being -8 and F being +8 Fine Tune. A parameter of 8 gives no Fine Tune. If you're using a newer tracker that supports more than -8 to +8 e.g. -128 to +128, these parameters will give a rough Fine Tune, accurate to the nearest 16.

Command E6 is the Jump Loop command. You mark the beginning of the part of a pattern that you want to loop with E60, and then specify with E6x the end of the loop, where x is the number of times you want it to loop.

Command E7 is the Set Tremolo Waveform control. This has exactly the same parameters as command E4, except that it works for Tremolo rather than Vibrato.

Command E9 is for Retriggering the note quickly. The parameter specifies the interval between the retrigs. Use a value of less than the current secondary tempo, or else the note will not get retrigged.

Command EA/B are for Fine Volume Slide Up/Down. Much the same as the normal Volume Slides, except that these are easier to control since they don't depend on the secondary tempo. The parameters specify the amount to slide by e.g. if you have a sample playing at a volume of 08 (Hex) then the effect EA1 will slide this volume to 09 (Hex). A subsequent effect of EB4 would slide this volume down to 05 (Hex).

Command EC is the Note Cut. This sets the volume of the currently playing note to 0 at a specified tick. The parameters should be lower than the secondary tempo or else the effect won't work.

Command ED is the Note Delay. This should be used at the same time as a note is to be played, and the parameters will specify the number of ticks to delay playing the note. Again, keep the parameters lower than the secondary tempo, or the note won't get played!

Command EE is the Pattern Delay. This delays the pattern for the amount of time it would take to play a certain number of rows. The parameters specify how many rows to delay for.

Command EF is the Funk Repeat command. Set the sample loop to 0-1000. When EFx is used, the loop will be moved to 1000- 2000, then to 2000-3000 etc. After 9000-10000 the loop is set back to 0- 1000. The speed of the loop &quot;movement&quot; is defined by x. E is two times as slow as F, D is three times as slow as F etc. EF0 will turn the Funk Repeat off and reset the loop (to 0-1000).

effects 0x41 and 0x42 to control the volumes of the 2 303 units

There is a dedicated panel for synth parameter editing with coherent sections (osc, filter modulation, routing, so on) the interface is much nicer, much better to navigate with customizable colors, the reverb is now customizable (10 delay lines), It accepts newer types of Waves (higher bit rates, at least 24). Has a replay routine.

It's pretty much your basic VA synth. The problem isn't with the sampler being to high it's the synth is tuned two octaves too low, but if you want your samples tuned down just set the base note down 2 octaves (in the instrument panel).

so the synth is basically divided into 3 sections from left to right: oscillators/envelopes, then filter and LFO's, and in the right column you have mod routings and global settings.

for the oscillator section you have two normal oscillators (sine, saw, square, noise), the second of which is tunable, the first one tunes with the key pressed. Attached to OSC 1 is a sub-oscillator, which is a sawtooth wave tuned one octave down. The phase modulation controls the point in the duty cycle at which the oscillator starts. The ADSR envelope sliders (grouped with oscs) are for modulation envelope 1 and 2 respectively. you can use the synth as a sampler by choosing the instrument at the top.

In the filter column, the filter settings are: 1 = lowpass, 2 = highpass, 3 = off. cutoff and resonance. For the LFOs they are LFO 1 and LFO 2, the ADSR sliders in those are for the LFO itself.

For the modulation routings you have ENV 1, LFO 1 for the first slider and ENV 2, LFO 2 for the second, you can cycle through the individual routings there, and you can route each modulation source to multiple destinations of course, which is another big plus for this synth. Finally the glide time is for portamento and master volume, well, the master volume... it can go quite loud.

The sequencer is changed too, It's more like the one in AXS if you've used that, where you can mute tracks to re-use patterns with variation.


&lt;pre&gt;
Support for the following modules formats:
669 (Composer 669, Unis 669), 
AMF (DSMI Advanced Module Format), 
AMF (ASYLUM Music Format V1.0), 
APUN (APlayer), DSM (DSIK internal format), 
FAR (Farandole Composer), 
GDM (General DigiMusic), 
IT (Impulse Tracker), 
IMF (Imago Orpheus), 
MOD (15 and 31 instruments), 
MED (OctaMED), 
MTM (MultiTracker Module editor), 
OKT (Amiga Oktalyzer), 
S3M (Scream Tracker 3), 
STM (Scream Tracker), 
STX (Scream Tracker Music Interface Kit), 
ULT (UltraTracker), 
UNI (MikMod), 
XM (FastTracker 2),
Mid (midi format via timidity)
&lt;/pre&gt;


Possible plugin options include [http://lv2plug.in/ LV2],


====Midi - Musical Instrument Digital Interface====

A midi file typically contains music that plays on up to 16 channels (as per the midi standard), but many notes can simultaneously play on each channel (depending on the limit of the midi hardware playing it).

'''Timidity'''

Although usually already installed, you can uncompress the [http://www.libsdl.org/projects/SDL_mixer/ timidity.tar.gz (14MB)] into a suitable drawer like below's SYS:Extras/Audio/ 
 assign timidity: SYS:Extras/Audio/timidity
added to SYSːs/User-Startup

'''WildMidi playback'''


'''Audio Evolution 4 (2003) 4.0.23 (from 2012)'''


*Sync Menu    - CAMD Receive, Send checked 
*Options Menu - MIDI Machine Control - Midi Bar Display - Select CAMD MIDI in / out - Midi Remote Setup 


MCB Master Control Bus 
*Sending a MIDI start-command and a Song Position Pointer, you can synchronize audio with an external MIDI sequencer (like B&amp;P). 
*B&amp;P Receive, start AE, add AudioEvolution.ptool in Bars&amp;Pipes track, press play / record in AE then press play in Pipes 
*CAMD Receive, receive MIDI start or continue commands via camd.library sync to AE 


*MIDI Machine Control
*Midi Bar Display 
*Select CAMD MIDI in / out
*Midi Remote Setup - open requester for external MIDI controllers to control app mixer and transport controls cc remotely 
 Channel   - mixer(vol, pan, mute, solo), eq, aux, fx, 
 Subgroup  - Volume, Mute, Solo 
 Transport - Start, End, Play, Stop, Record, Rewind, Forward 
 Misc      - Master vol., Bank Down, Bank up 


&lt;pre&gt;
q        - quit 

First 3 already opened when AE started 
F1       - timeline window
F2       - mixer 
F3       - control 
F4       - subgroups 
F5       - aux returns 
F6       - sample list 

i        - Load sample to use 

space    - start/stop play 
b        - reset time 0:00


s        - split mode 
r        - open recording window 
a        - automation edit mode with p panning, m mute and v volume 


[ / ]    - zoom in / out 
:        - previous track
*        - next track 

x c v f  - cut copy paste cross-fade 
g        - snap grid 


&lt;/pre&gt;


 '''[http://bnp.hansfaust.de/ Bars n Pipes sequencer]'''

 BarsnPipes debug ... in shell 

Menu (right mouse)  
*Song        - Songs load and save in .song format but option here to load/save Midi_Files .mid in FORMAT0 or FORMAT1 
*Track       - 
*Edit        -
*Tool        - 
*Timing      - SMTPE Synchronizing 
*Windows     - 
*Preferences - Multiple MIDI-in option 

Windows (some of these are usually already opened when Bars n Pipes starts up for the first time) 
*Workflow -&gt; Tracks, .... Song Construction, Time-line Scoring, Media Madness, Mix Maestro, 
*Control  -&gt; Transport (or mini one), Windows (which collects all the Windows icons together-shortcut), .... Toolbox, Accessories, Metronome, 

Once you have your windows placed on the screen that suits your workflow, Song -&gt; Save as Default will save the positions, colors, icons, etc as you'd like them 

If you need a particular setup of Tracks, Tools, Tempos etc, you save them all as a new song you can load each time 

Right mouse menu -&gt; Preferences -&gt; Environment... -&gt; ScreenMode  - Linkages for Synch (to Slave) usbmidi.out.0 and Send (Master) usbmidi.in.0 - Clock MTC 


'''Tracks'''

#Double-click on B&amp;P's icon. B&amp;P will then open with an empty Song. You can also double-click on a song icon to open a song in B&amp;P.
#Choose a track. The B&amp;P screen will contain a Tracks Window with a number of tracks shown as pipelines (Track 1, Track 2, etc...). To choose a track, simply click on the gray box to show an arrow-icon to highlight it. This icon show whether a track is chosen or not. To the right of the arrow-icon, you can see the icon for the midi-input. If you double-click on this icon you can change the MIDI-in setup.
#Choose Record for the track. To the right of the MIDI-input channel icon you can see a pipe. This leads to another clickable icon with that shows either P, R or M. This stands for Play, Record or Merge. To change the icon, simply click on it. If you choose P, this track can only play the track (you can't record anything). If you choose R, you can record what you play and it overwrites old stuff in the track. If you choose M, you merge new records with old stuff in the track. Choose R now to be able to make a record.
#Chose MIDI-channel. On the most right part of the track you can see an icon with a number in it. This is the MIDI-channel selector. Here you must choose a MIDI-channel that is available on your synthesizer/keyboard. If you choose General MIDI channel 10, most synthesizer will play drum sounds. To the left of this icon is the MIDI-output icon. Double-click on this icon to change the MIDI-output configuration.
#Start recording. The next step is to start recording. You must then find the control buttons (they look like buttons on a CD-player). To be able to make a record. you must click on the R icon. You can simply now press the play button (after you have pressed the R button) and play something on you keyboard. To playback your composition, press the Play button on the control panel.
#Edit track. To edit a track, you simply double click in the middle part of a track. You will then get a new window containing the track, where you can change what you have recorded using tools provided. Take also a look in the drop-down menus for more features.


Videos to help understand [https://www.youtube.com/watch?v=A6gVTX-9900 small intro], [https://www.youtube.com/watch?v=abq_rUTiSA4&amp;t=3s Overview], [https://www.youtube.com/watch?v=ixOVutKsYQo Workplace Setup CC PC Sysex], [https://www.youtube.com/watch?v=dDnJLYPaZTs Import Song], [https://www.youtube.com/watch?v=BC3kkzPLkv4 Tempo Mapping], [https://www.youtube.com/watch?v=sd23kqMYPDs ptool Arpeggi-8], [https://www.youtube.com/watch?v=LDJq-YxgwQg  PlayMidi Song], [https://www.youtube.com/watch?v=DY9Pu5P9TaU Amiga Midi], [https://www.youtube.com/watch?v=abq_rUTiSA4 Learning Amiga bars and Pipes], 

Groups like [https://groups.io/g/barsnpipes/topics this] could help 


'''Tracks window'''

* blue &quot;1 2 3 4 5 6 7 8 Group&quot; and transport tape deck VCR-type controls
* Flags 
* [http://theproblem.alco-rhythm.com/org/bp.html Track 1, Track2, to Track 16, on each Track there are many options that can be activated] 

Each Track has a 

*Left LHS  - Click in grey box to select what Track to work on, Midi-In ptool icon should be here (5pin plug icon), and many more from the Toolbox on the Input Pipeline 
*Middle    - (P, R, M) Play, Record, Merge/Multi before the sequencer line and a blue/red/yellow (Thru Mute Play) Tap 
*Right RHS - Output pipeline, can have icons placed uopn it with the final ptool icon(s) being the 5pin icon symbol for Midi-OUT 

Clogged pipelines may need Esc pressed several times 


'''Toolbox (tools affect the chosen pipeline)'''

After opening the Toolbox window you can add extra Tools (.ptool) for the pipelines like keyboard(virtual), midimonitor, quick patch, transpose, triad, (un)quantize, feedback in/out, velocity etc
 right mouse -&gt; Toolbox menu option -&gt; Install Tool... and navigate to Tool drawer (folder) and select requried .ptool 

Accompany B tool to get some sort of rythmic accompaniment, Rythm Section and Groove Quantize are examples of other tools that make use of rythms
[https://aminet.net/search?query=bars Bars &amp; Pipes pattern format .ptrn] for drawer (folder). Load from the Menu as Track or Group 


'''Accessories (affect the whole app)''' 

Accessories -&gt; Install... and goto the Accessories drawer for .paccess like adding ARexx scripting support 


'''Song Construction'''
&lt;pre&gt;
F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Duplicator 
F5  Eraser 
F6  Toolpad 
F7  Bounding box 
F8  Lock to A-B-A 

A-B-A strip, section, edit flags, white boxes, 

&lt;/pre&gt;


Bars&amp;Pipes Professional offers three track formats; basic song tracks, linear tracks — which don't loop — and finally real‑time tracks. The difference between them is that both song and linear tracks respond to tempo changes, while real‑time tracks use absolute timing, always trigger at the same instant regardless of tempo alterations 

'''Tempo Map'''

F1  Pencil
F2  Magic Wand
F3  Hand 
F4  Eraser 
F5  Curve 
F6  Toolpad 


Compositions

Lyrics, Key, Rhythm, Time Signature 

'''Master Parameters'''

Key, Scale/Mode

'''Track Parameters'''

Dynamics 


'''Time-line Scoring'''


'''Media Madness'''


'''Mix Maestro'''


*ACCESSORIES         Allows the importation of other packages and additional modules 
*CLIPBOARD           Full cut, copy and paste operations, enabling user‑definable clips to be shared between tracks.
*INFORMATION         A complete rundown on the state of the current production and your machine.
*MASTER PARAMETERS   Enables global definition of time signatures, lyrics, scales, chords, dynamics and rhythm changes.
*MEDIA MADNESS       A complete multimedia sequencer which allows samples, stills, animation, etc 
*METRONOME           Tempo feedback via MIDI, internal Amiga audio and colour cycling — all three can be mixed and matched as required.
*MIX MAESTRO         Completely automated mixdown with control for both volume and pan. All fader alterations are memorised by the software 
*RECORD ACTIVATION   Complete specification of the data to be recorded/merged. Allows overdubbing of pitch‑bend, program changes, modulation etc
*SET FLAGS           Numeric positioning of location and edit flags in either SMPTE or musical time 
*SONG CONSTRUCTION   Large‑scale cut and paste of individual measures, verses or chorus, by means of bounding box and drag‑n‑drop mouse selections
*TEMPO MAP           Tempo change using a variety of linear and non‑linear transition curves 
*TEMPO PALETTE       Instant tempo changes courtesy of four user‑definable settings.
*TIMELINE SCORING    Sequencing of a selection of songs over a defined period — ideal for planning an entire set for a live performance.
*TOOLBOX             Selection screen for the hundreds of signal‑processing tools available 
*TRACKS              Opens the main track window to enable recording, editing and the use of tools.
*TRANSPORT           Main playback control window, which also provides access to user‑ defined flags, loop and punch‑in record modes.


Bars and Pipes Pro 2.5 is using internal 4-Byte IDs, to check which kind of data are currently processed.
Especially in all its files the IDs play an important role. The IDs are stored into the file in the same order they are laid out in the memory.

In a Bars 'N' Pipes file (no matter which kind) the ID &quot;NAME&quot; (saved as its ANSI-values) is stored on a big endian system (68k-computer) as &quot;NAME&quot;. On a little endian system (x86 PC computer) as &quot;EMAN&quot;.  The target is to make the AROS-BnP compatible to songs, which were stored on a 68k computer (AMIGA).

If possible, setting MIDI channels for Local Control for your keyboard 

http://www.fromwithin.com/liquidmidi/archive.shtml


MIDI files are essentially a stream of event data. An event can be many things, but typically &quot;note on&quot;, &quot;note off&quot;, &quot;program change&quot;, &quot;controller change&quot;, or messages that instruct a MIDI compatible synth how to play a given bit of music.

* Channel     - 1 to 16 -
* Messages    - PC presets, CC effects like delays, reverbs,  etc 
* Sequencing  - MIDI instruments, Drums, Sound design, 
* Recording   - 
* GUI         - Piano roll or Tracker, Staves and Notes 

MIDI events/messages like step entry e.g. Note On, Note Off 

MIDI events/messages like PB, PC, CC, Mono and Poly After-Touch, Sysex, etc 

MIDI sync - Midi Clocks (SPS Measures), Midi Time Code (h, m, s and frames) SMPTE 

Individual track editing with audition edits so easier to test any changes. Possible to stop track playback, mix clips from the right edit flag and scroll the display using arrow keys. 

Step entry, to extend a selected note hit the space bar and the note grows accordingly. Ability to cancel mouse‑driven edits by simply clicking the right mouse button — at which point everything snaps back into its original form. Lyrics can now be put in with syllable dividers, even across an entire measure or section. Autoranging when you open a edit window, the notes are automatically displayed — working from the lowest upwards. 

Flag editing, shift‑click on a flag immediately open the bounds window, ready for numeric input. Ability to cancel edits using the right‑hand mouse button, plus much improved Bounding Box operations.

Icons other than the BarsnPipes icon -&gt; PUBSCREEN=BarsnPipes (cannot choose modes higher than 8bit 256 colors)

Preferences -&gt; Menu in Tracks window - Send MIDI defaults OFF 

Prefs -&gt; Environment -&gt; screenmode (saved to BarsnPipes.prefs binary file) 

Customization -&gt; pics in gui drawer (folder) - 


Can save as .song files and .mid General Midi 

SMF is a “Standard Midi File”  ([http://www.music.mcgill.ca/~ich/classes/mumt306/StandardMIDIfileformat.html SMF0, SMF1 and SMF2]), [https://github.com/stump/libsmf libsmf], [https://github.com/markc/midicomp MIDIcomp], [https://github.com/MajicDesigns/MD_MIDIFile C++ src], [], [https://github.com/newdigate/midi-smf-reader Midi player], 

* SMF0        All MIDI data is stored in one track only, separated exclusively by the MIDI channel.
* SMF1        The MIDI data is stored in separate tracks/channels.
* SMF2 (rarely used) The MIDI data is stored in separate tracks, which are additionally wrapped in containers, so it's possible to have e.g. several tracks using the same MIDI channels.


Would it be possible to enrich Bars N’Pipes with software synth and sample support along with audio recording and mastering tools like in the named MAC or PC music sequencers?
On the classic AMIGA-OS this is not possible because of missing CPU-power. The hardware of the classic AMIGA is not further developed. So we must say (unfortunately) that those dreams can’t become reality

BarsnPipes is best used with external MIDI-equipment. This can be a keyboard or synthesizer with MIDI-connectors. 

&lt;pre&gt;
MIDI can control 16 channels 
There are USB-MIDI-Interfaces on the market with 16 independent MIDI-lines (multi-port), which can handle 16 MIDI devices independently – 16×16 = 256 independent MIDI-channels or instruments 
handle up to 16 different USB-MIDI-Interfaces (multi-device). That is: 16X16X16 = 4096 independent MIDI-channels – theoretically 
&lt;/pre&gt;

&lt;pre&gt;
Librarian MIDI SYStem EXplorer (sysex) - PatchEditor and used to be supplied as a separate program like PatchMeister but currently not at present 
It should support MIDI.library (PD), BlueRibbon.library (B&amp;P), TriplePlayPlus, and CAMD.library (DeluxeMusic) and 
MIDI information from a device's user manual and configure a custom interface to access parameters for all MIDI products connected to the system 
Supports ALL MIDI events and the Patch/Librarian data is stored in MIDI standard format 
Annette M.Crowling, Missing Link Software, Inc.
&lt;/pre&gt;


Composers
&lt;pre&gt;
[https://x.com/hirasawa/status/1403686519899054086 Susumu Hirasawa] 

&lt;/pre&gt;


&lt;pre&gt;
1988 Todor Fay and his wife Melissa Jordan Gray, who founded the Blue Ribbon Inc
1992 Bars&amp;Pipes Pro published 
November 2000, Todor Fay announcement to release the sourcecode of Bars&amp;Pipes Pro 2.5c beta
end of May 2001, the source of the main program and the sources of some tools and accessories were in a complete and compileable state 
end of October 2009 stop further development of BarsnPipes New for now on all supported systems and made freeware 
2013 Alfred Faust diagnosed with incureable illness, called „Myastenia gravis“ (weak muscles) 
&lt;/pre&gt;


 Protrekkr

How to use Midi In/Out in Protrekkr ?

First of all, midi in &amp; out capabilities of this program are rather limited.

# Go to Misc. Setup section and select a midi in or out device to use (ptk only supports one device at a time).
# Go to instrument section, and select a MIDI PRG (the default is N/A, which means no midi program selected).
# Go to track section and here you can assign a midi channel to each track of ptk.
# Play notes :]. Note off works. F'x' note cut command also works too, and note-volume command (speed) is supported.

Also, you can change midicontrollers in the tracker, using '90' in the panning row:

&lt;pre&gt;
    C-3 02 .. .. 0000....


    --- .. .. 90 xxyy.... &lt;&lt; This will set the value 
    --- .. .. .. 0000....    of the controller n.'xx' to 'yy' (both in hex)
    --- .. .. .. 0000....
&lt;/pre&gt;

So &quot;--- .. .. 90 2040....&quot; will set the controller number $20(32) to $40(64).

You will need the midi implementation table of your gear to know what you can change with midi controller messages.

 N.B. Not all MIDI devices are created equal!

Although the MIDI specification defines a large range of MIDI messages of various kinds, not every MIDI device is required to work in exactly the same way and respond to all the available messages and ways of working. For example, we don't expect a wind synthesiser to work in the same way as a home keyboard.

Some devices, the older ones perhaps, are only able to respond to a single channel. With some of those devices that channel can be altered from the default of 1 (probably) to another channel of the 16 possible.

Other devices, for instance monophonic synthesisers, are capable of producing just one note at a time, on one MIDI channel. Others can produce many notes spread across many channels.

Further devices can respond to, and transmit, &quot;breath controller&quot; data (MIDI controller number 2 (CC#2)) others may respond to the reception of CC#2 but not be able to create and to send it.

A controller keyboard may be capable of sending &quot;expression pedal&quot; data, but another device may not be capable of responding to that message.

Some devices just have the basic GM sound set. The &quot;voice&quot; or &quot;instrument&quot; is selected using a &quot;Program Change&quot; message on its own.

Other devices have a greater selection of voices, usually arranged in &quot;banks&quot;, and the choice of instrument is made by responding to &quot;Bank Select MSB&quot; (MIDI controller 0 (CC#0)), others use &quot;Bank Select LSB&quot; (MIDI controller number 32 (CC#32)), yet others use both MSB and LSB sent one after the other, all followed by the Program Change message. The detailed information about all the different voices will usually be available in a published MIDI Data List.


 MIDI Implementation Chart

But in the User Manual there is sometimes a summary of how the device works, in terms of MIDI, in the chart at the back of the manual, the MIDI Implementation Chart.

If you require two devices to work together you can compare the two implementation charts to see if they are &quot;compatible&quot;. In order to do this we will need to interpret that chart.

The chart is divided into four columns headed &quot;Function&quot;, &quot;Transmitted&quot; (or &quot;Tx&quot;), &quot;Received&quot; (or &quot;Rx&quot;), or more correctly &quot;Recognised&quot;, and finally, &quot;Remarks&quot;.

&lt;pre&gt;
The left hand column defines which MIDI functions are being described.
The 2nd column defines what the device in question is capable of transmitting to another device.
The 3rd column defines what the device is capable of responding to.
The 4th column is for explanations of the values contained within these previous two columns.
&lt;/pre&gt;

There should then be twelve sections, with possibly a thirteenth containing extra &quot;Notes&quot;. Finally there should be an explanation of the four MIDI &quot;modes&quot; and what the &quot;X&quot; and the &quot;O&quot; mean.
&lt;pre&gt;
Mode 1: Omni On, Poly; 
Mode 2: Omni On, Mono; 
Mode 3: Omni Off, Poly; 
Mode 4: Omni Off, Mono.
&lt;/pre&gt;
O means &quot;yes&quot; (implemented), X means &quot;no&quot; (not implemented).

Sometimes you will find a row of asterisks &quot;**************&quot;, these seem to indicate that the data is not applicable in this case. Seen in the transmitted field only (unless you've seen otherwise).

Lastly you may find against some entries an asterisk followed by a number e.g. *1, these will refer you to further information, often on a following page, giving more detail.

Basic Channel
But the very first set of boxes will tell us the &quot;Basic Channel(s)&quot; that the device sends or receives on. 
&quot;Default&quot; is what happens when the device is first turned on, &quot;changed&quot; is what a switch of some kind may allow the device to be set to. 
For many devices e.g. a GM sound module or a home keyboard, this would be 1-16 for both. That is it can handle sending and receiving on all MIDI channels.

On other devices, for example a synthesiser, it may by default only work on channel 1. But the keyboard could be &quot;split&quot; with the lower notes e.g. on channel 2. If the synth has an arppegiator, this may be able to be set to transmit and or receive on yet another channel.
So we might see the default as &quot;1&quot; but the changed as &quot;1-16&quot;.

Modes.
We need to understand Omni On and Off, and Mono and Poly, then we can decipher the four modes.

But first we need to understand that any of these four Mode messages can be sent to any MIDI channel. They don't necessarily apply to the whole device.

If we send an &quot;Omni On&quot; message (CC#125) to a MIDI channel of a device, we are, in effect, asking it to respond to e.g. a Note On / Off message pair, received on any of the sixteen channels. Sound strange? Read it again. Still strange? It certainly is. We normally want a MIDI channel to respond only to Note On / Off messages sent on that channel, not any other. In other words, &quot;Omni Off&quot;.

So &quot;Omni Off&quot; (CC#124) tells a channel of our MIDI device to respond only to messages sent on that MIDI channel.

&quot;Poly&quot; (CC#127) is for e.g. a channel of a polyphonic sound module, or a home keyboard, to be able to respond to many simultaneous Note On / Off message pairs at once and produce musical chords.

&quot;Mono&quot; (CC#126) allows us to set a channel to respond as if it were e.g. a flute or a trumpet, playing just one note at a time. If the device is capable of it, then the overlapping of notes will produce legato playing, that is the attack portion of the second note of two overlapping notes will be removed resulting in a &quot;smoother&quot; transition.

So a channel with a piano voice assigned to it will have Omni Off, Poly On (Mode 3), a channel with a saxophone voice assigned could be Omni Off, Mono On (Mode 4).

We call these combinations the four modes, 1 to 4, as defined above. 
Most modern devices will have their channels set to Mode 3 (Omni Off, Poly) but be switchable, on a per channel basis, to Mode 4 (Omni Off, Mono).

This second section of data will include first its default value i.e. upon device switch on. Then what Mode messages are acceptable, or X if none.

Finally, in the &quot;Altered&quot; field, how a Mode message that can't be implemented will be interpreted. Usually there will just be a row of asterisks effectively meaning nothing will be done if you try to switch to an unimplemented mode.

Note Number
&lt;pre&gt;
The next row will tell us which MIDI notes the device can send or receive, normally 0-127.
The second line, &quot;True Voice&quot; has the following in the MIDI specification: 
&quot;Range of received note numbers falling within the range of true notes produced by the instrument.&quot;
My interpretation is that, for instance, a MIDI piano may be capable of sending all MIDI notes (0 to 127) by transposition, but only responding to the 88 notes (21 to 108) of a real piano. 
&lt;/pre&gt;

Velocity
This will tell us whether the device we're looking at will handle note velocity, and what range from 1-127, or maybe just 64, it transmits or will recognise. So usually &quot;O&quot; plus a range or &quot;X&quot; for not implemented.

After touch
This may have one or two lines two it.
If a one liner the either &quot;O&quot; or &quot;X&quot;, yes or no.
If a two liner then it may include &quot;Keys&quot; or &quot;Poly&quot; and &quot;Channel&quot;.
This will show whether the device will respond to Polyphonic after touch or channel after touch or neither.

Pitch Bend
Again &quot;O&quot; for implemented, &quot;X&quot; for not implemented.
(Many stage pianos will have no pitch bend capability.)
It may also, in the notes section, state whether it will respond to the full 14 bits, or not, as usually encoded by the pitch bend wheel.

Control Change
This is likely to be the largest section of the chart.
It will list all those controllers, starting from CC#0, Bank Select MSB, which the device is capable of sending, and those that it will respond to using &quot;O&quot; or &quot;X&quot; respectively.
You will, almost certainly, get some further explanation of functionality in the remarks column, or in more detail elsewhere in the documentation.

Of course you will need to know what all the various controller numbers do. Lots of the official technical specifications can be found at the [www.midi.org/techspecs/ MMA], with the table of messages and control change [www.midi.org/techspecs/midimessages.php message numbers]

Program Change
Again &quot;O&quot; or &quot;X&quot; in the Transmitted or Recognised column to indicate whether or not the feature is implemented. In addition a range of numbers is shown, typically 0-127, to show what is available.
True # (number): &quot;The range of the program change numbers which correspond to the actual number of patches selected.&quot;

System Exclusive
Used to indicate whether or not the device can send or recognise System Exclusive messages. A short description is often given in the Remarks field followed by a detailed explanation elsewhere in the documentation.

System Common - These include the following:
&lt;pre&gt;
MIDI Time Code Quarter Frame messages (device synchronisation).
Song Position Pointer
Song Select
Tune Request
&lt;/pre&gt;
The section will indicate whether or not the device can send or respond to any of these messages.

System Real Time
These include the following:
&lt;pre&gt;
Timing Clock - often just written as &quot;Clock&quot;
Start
Stop
Continue
&lt;/pre&gt;
These three are usually just referred to as &quot;Commands&quot; and listed.
Again the section will indicate which, if any, of these messages the device can send or respond to.
&lt;pre&gt;
Aux. Messages
Again &quot;O&quot; or &quot;X&quot; for implemented or not.
Aux. = Auxiliary.
Active Sense = Active Sensing.
&lt;/pre&gt;
Often with an explanation of the action of the device.

Notes
The &quot;Notes&quot; section can contain any additional comments to clarify the particular implementation.

Some of the explanations have been drawn directly from the MMA MIDI 1.0 Detailed Specification.
And the detailed explanation of some of the functions will be found there, or in the General MIDI System Level 1 or General MIDI System Level 2 documents also published by the MMA.


 OFFICIAL MIDI SPECIFICATIONS

SUMMARY OF MIDI MESSAGES
Table 1 - Summary of MIDI Messages

The following table lists the major MIDI messages in numerical (binary) order (adapted from &quot;MIDI by the Numbers&quot; by D. Valenti, Electronic Musician 2/88, and updated by the MIDI Manufacturers Association.). This table is intended as an overview of MIDI, and is by no means complete.

WARNING! Details about implementing these messages can dramatically impact compatibility with other products. We strongly recommend consulting the official MIDI Specifications for additional information.

MIDI 1.0 Specification

Message Summary Channel Voice Messages [nnnn = 0-15 (MIDI Channel Number 1-16)]

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1000nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note Off event. 
This message is sent when a note is released (ended). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1001nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Note On event. 
This message is sent when a note is depressed (start). (kkkkkkk) is the key (note) number. (vvvvvvv) is the velocity.
|-
|&lt;!--Status--&gt;1010nnnn || &lt;!--Data--&gt;0kkkkkkk 0vvvvvvv || &lt;!--Description--&gt;Polyphonic Key Pressure (Aftertouch). 
This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. (kkkkkkk) is the key (note) number. (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Control Change. 
This message is sent when a controller value changes. Controllers include devices such as pedals and levers. Controller numbers 120-127 are reserved as &quot;Channel Mode Messages&quot; (below). (ccccccc) is the controller number (0-119). (vvvvvvv) is the controller value (0-127).
|-
|&lt;!--Status--&gt;1100nnnn || &lt;!--Data--&gt;0ppppppp || &lt;!--Description--&gt;Program Change. This message sent when the patch number changes. (ppppppp) is the new program number.
|-
|&lt;!--Status--&gt;1101nnnn || &lt;!--Data--&gt;0vvvvvvv || &lt;!--Description--&gt;Channel Pressure (After-touch). This message is most often sent by pressing down on the key after it &quot;bottoms out&quot;. This message is different from polyphonic after-touch. Use this message to send the single greatest pressure value (of all the current depressed keys). (vvvvvvv) is the pressure value.
|-
|&lt;!--Status--&gt;1110nnnn || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Pitch Bend Change. This message is sent to indicate a change in the pitch bender (wheel or lever, typically). The pitch bender is measured by a fourteen bit value. Center (no pitch change) is 2000H. Sensitivity is a function of the receiver, but may be set using RPN 0. (lllllll) are the least significant 7 bits. (mmmmmmm) are the most significant 7 bits.
|}

Channel Mode Messages (See also Control Change, above)

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;1011nnnn || &lt;!--Data--&gt;0ccccccc 0vvvvvvv || &lt;!--Description--&gt;Channel Mode Messages. 
This the same code as the Control Change (above), but implements Mode control and special message by using reserved controller numbers 120-127. The commands are:
*All Sound Off. When All Sound Off is received all oscillators will turn off, and their volume envelopes are set to zero as soon as possible c = 120, v = 0: All Sound Off
*Reset All Controllers. When Reset All Controllers is received, all controller values are reset to their default values. (See specific Recommended Practices for defaults) c = 121, v = x: Value must only be zero unless otherwise allowed in a specific Recommended Practice.
*Local Control. When Local Control is Off, all devices on a given channel will respond only to data received over MIDI. Played data, etc. will be ignored. Local Control On restores the functions of the normal controllers. 
c = 122, v = 0: Local Control Off
c = 122, v = 127: Local Control On
* All Notes Off. When an All Notes Off is received, all oscillators will turn off. 
c = 123, v = 0: All Notes Off (See text for description of actual mode commands.)
c = 124, v = 0: Omni Mode Off 
c = 125, v = 0: Omni Mode On 
c = 126, v = M: Mono Mode On (Poly Off) where M is the number of channels (Omni Off) or 0 (Omni On) 
c = 127, v = 0: Poly Mode On (Mono Off) (Note: These four messages also cause All Notes Off)
|}

System Common Messages

System Messages (0xF0)

The final status nybble is a “catch all” for data that doesn’t fit the other statuses. They all use the most significant nybble (4bits) of 0xF, with the least significant nybble indicating the specific category.

The messages are denoted when the MSB of the second nybble is 1. When that bit is a 0, the messages fall into two other subcategories.

System Common

If the MSB of the second second nybble (4 bits) is not set, this indicates a System Common message. Most of these are messages that include some additional data bytes.

System Common Messages
Type Status Byte   Number of Data Bytes      Usage 
&lt;pre&gt;
Time Code Quarter Frame	0xF1	1	Indicates timing using absolute time code, primarily for synthronization with video playback systems. A single location requires eight messages to send the location in an encoded hours:minutes:seconds:frames format*.
Song Position	0xF2	2	Instructs a sequencer to jump to a new position in the song. The data bytes form a 14-bit value that expresses the location as the number of sixteenth notes from the start of the song.
Song Select	0xF3	1	Instructs a sequencer to select a new song. The data byte indicates the song.
Undefined	0xF4	0	
Undefined	0xF5	0	
Tune Request	0xF6	0	Requests that the receiver retunes itself**.
&lt;/pre&gt;
*MIDI Time Code (MTC) is significantly complex. Please see the MIDI Specification
**While modern digital instruments are good at staying in tune, older analog synthesizers were prone to tuning drift. Some analog synthesizers had an automatic tuning operation that could be initiated with this command.


System Exclusive

If you’ve been keeping track, you’ll notice there are two status bytes not yet defined: 0xf0 and 0xf7. These are used by the System Exclusive message, often abbreviated at SysEx. SysEx provides a path to send arbitrary data over a MIDI connection. There is a group of predefined messages for complex data, like fine grained control of MIDI Time code machinery. SysEx is also used to send manufacturer defined data, such as patches, or even firmware updates.

System Exclusive messages are longer than other MIDI messages, and can be any length. The messages are of the following format:

0xF0, 0xID, 0xdd, ...... 0xF7
The message is bookended with distinct bytes.

It opens with the Start Of Exclusive (SOX) data byte, 0xF0.
The next one to three bytes after the start are an identifier.
Values from 0x01 to 0x7C are one-byte vendor IDs, assigned to manufacturers who were involved with MIDI at the beginning.
If the ID is 0x00, it’s a three-byte vendor ID - the next two bytes of the message are the value.
&lt;pre&gt;
ID 0x7D is a placeholder for non-commercial entities.
ID 0x7E indicates a predefined Non-realtime SysEx message.
ID 0x7F indicates a predefined Realtime SysEx message.
&lt;/pre&gt;
After the ID is the data payload, sent as a stream of bytes.
The transfer concludes with the End of Exclusive (EOX) byte, 0xF7.
The payload data must follow the guidelines for MIDI data bytes – the MSB must not be set, so only 7 bits per byte are actually usable. If the MSB is set, it falls into three possible scenarios.

An End of Exclusive byte marks the ordinary termination of the SysEx transfer.
System Real Time messages may occur within the transfer without interrupting it. The recipient should handle them independently of the SysEx transfer.
Other status bytes implicitly terminate the SysEx transfer and signal the start of new messages.
 Some inexpensive USB-to-MIDI interfaces aren’t capable of handling messages longer than four bytes.

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11110000 || &lt;!--Data--&gt;0iiiiiii [0iiiiiii 0iiiiiii]  0ddddddd  --- --- 0ddddddd 11110111 || &lt;!--Description--&gt;System Exclusive. 
This message type allows manufacturers to create their own messages (such as bulk dumps, patch parameters, and other non-spec data) and provides a mechanism for creating additional MIDI Specification messages. The Manufacturer's ID code (assigned by MMA or AMEI) is either 1 byte (0iiiiiii) or 3 bytes (0iiiiiii 0iiiiiii 0iiiiiii). Two of the 1 Byte IDs are reserved for extensions called Universal Exclusive Messages, which are not manufacturer-specific. If a device recognizes the ID code as its own (or as a supported Universal message) it will listen to the rest of the message (0ddddddd). Otherwise, the message will be ignored. (Note: Only Real-Time messages may be interleaved with a System Exclusive.)
|-
|&lt;!--Status--&gt;11110001 || &lt;!--Data--&gt;0nnndddd || &lt;!--Description--&gt;MIDI Time Code Quarter Frame.
nnn = Message Type
dddd = Values
|-
|&lt;!--Status--&gt;11110010 || &lt;!--Data--&gt;0lllllll 0mmmmmmm || &lt;!--Description--&gt;Song Position Pointer. 
This is an internal 14 bit register that holds the number of MIDI beats (1 beat= six MIDI clocks) since the start of the song. l is the LSB, m the MSB.
|-
|&lt;!--Status--&gt;11110011 || &lt;!--Data--&gt;0sssssss || &lt;!--Description--&gt;Song Select. 
The Song Select specifies which sequence or song is to be played.
|-
|&lt;!--Status--&gt;11110100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11110110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Tune Request. Upon receiving a Tune Request, all analog synthesizers should tune their oscillators.
|-
|&lt;!--Status--&gt;11110111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;End of Exclusive. Used to terminate a System Exclusive dump. 
|}


System Real-Time Messages

{| class=&quot;wikitable sortable&quot; width=&quot;90%&quot;
! width=&quot;10%&quot;  |Status D7----D0 
! width=&quot;10%&quot;  |Data Byte(s) D7----D0 
! width=&quot;20%&quot;  |Description
|-
|&lt;!--Status--&gt;11111000 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Timing Clock. Sent 24 times per quarter note when synchronization is required.
|-
|&lt;!--Status--&gt;11111001 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111010 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Start. Start the current sequence playing. (This message will be followed with Timing Clocks).
|-
|&lt;!--Status--&gt;11111011 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Continue. Continue at the point the sequence was Stopped.
|-
|&lt;!--Status--&gt;11111100 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Stop. Stop the current sequence.
|-
|&lt;!--Status--&gt;11111101 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Undefined. (Reserved)
|-
|&lt;!--Status--&gt;11111110 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Active Sensing. This message is intended to be sent repeatedly to tell the receiver that a connection is alive. Use of this message is optional. When initially received, the receiver will expect to receive another Active Sensing message each 300ms (max), and if it does not then it will assume that the connection has been terminated. At termination, the receiver will turn off all voices and return to normal (non- active sensing) operation. 
|-
|&lt;!--Status--&gt;11111111 || &lt;!--Data--&gt; || &lt;!--Description--&gt;Reset. Reset all receivers in the system to power-up status. This should be used sparingly, preferably under manual control. In particular, it should not be sent on power-up.
|}


Advanced Messages

Polyphonic Pressure (0xA0) and Channel Pressure (0xD0)

Some MIDI controllers include a feature known as Aftertouch. While a key is being held down, the player can press harder on the key. The controller measures this, and converts it into MIDI messages.

Aftertouch comes in two flavors, with two different status messages.

The first flavor is polyphonic aftertouch, where every key on the controller is capable of sending its own independent pressure information. The messages are of the following format:
&lt;pre&gt;
0xnc, 0xkk, 0xpp
n is the status (0xA)
c is the channel nybble
kk is the key number (0 to 127)
pp is the pressure value (0 to 127)
&lt;/pre&gt;
Polyphonic aftertouch is an uncommon feature, usually found on premium quality instruments, because every key requires a separate pressure sensor, plus the circuitry to read them all.

Much more commonly found is channel aftertouch. Instead of needing a discrete sensor per key, it uses a single, larger sensor to measure pressure on all of the keys as a group. The messages omit the key number, leaving a two-byte format
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xD)
c is the channel number
pp is the pressure value (0 to 127)
&lt;/pre&gt;

Pitch Bend (0xE0)

Many keyboards have a wheel or lever towards the left of the keys for pitch bend control. This control is usually spring-loaded, so it snaps back to the center of its range when released. This allows for both upward and downward bends.

Pitch Bend Wheel

The wheel sends pitch bend messages, of the format
&lt;pre&gt;
0xnc, 0xLL, 0xMM
n is the status (0xE)
c is the channel number
LL is the 7 least-significant bits of the value
MM is the 7 most-significant bits of the value
&lt;/pre&gt;
You’ll notice that the bender data is actually 14 bits long, transmitted as two 7-bit data bytes. This means that the recipient needs to reassemble those bytes using binary manipulation. 14 bits results in an overall range of 214, or 0 to 16,383. Because it defaults to the center of the range, the default value for the bender is halfway through that range, at 8192 (0x2000).

Control Change (0xB0)

In addition to pitch bend, MIDI has provisions for a wider range of expressive controls, sometimes known as continuous controllers, often abbreviated CC. These are transmitted by the remaining knobs and sliders on the keyboard controller shown below.


Continuous Controllers

These controls send the following message format:
&lt;pre&gt;
0xnc, 0xcc, 0xvv
n is the status (0xB)
c is the MIDI channel
cc is the controller number (0-127)
vv is the controller value (0-127)
&lt;/pre&gt;

Typically, the wheel next to the bender sends controller number one, assigned to modulation (or vibrato) depth. It is implemented by most instruments.

The remaining controller number assignments are another point of confusion. The MIDI specification was revised in version 2.0 to assign uses for many of the controllers. However, this implementation is not universal, and there are ranges of unassigned controllers.

On many modern MIDI devices, the controllers are assignable. On the controller keyboard shown in the photos, the various controls can be configured to transmit different controller numbers. Controller numbers can be mapped to particular parameters. Virtual synthesizers frequently allow the user to assign CCs to the on-screen controls. This is very flexible, but it might require configuration on both ends of the link and completely bypasses the assignments in the standard.


Program Change (0xC0)

Most synthesizers have patch storage memory, and can be told to change patches using the following command:
&lt;pre&gt;
0xnc, 0xpp
n is the status (0xc)
c is the channel
pp is the patch number (0-127)
&lt;/pre&gt;
This allows for 128 sounds to be selected, but modern instruments contain many more than 128 patches. Controller #0 is used as an additional layer of addressing, interpreted as a “bank select” command. Selecting a sound on such an instrument might involve two messages: a bank select controller message, then a program change.

Audio &amp; Midi are not synchronized, what I can do ?
Buy a commercial software package but there is a nasty trick to synchronize both. It's a bit hardcore but works for me:

 Simply put one line down to all midi notes on your pattern (use Insert key)
 and go to 'Misc. Setup', adjust the latency and just search a value
 that will make sound sync both audio/midi.

The stock Sin/Saw/Pulse and Rnd waveforms are too simple/common, is there a way to use something more complex/rich ?
You have to ability to redirect the waveforms of the instruments through the synth pipe by selecting the &quot;wav&quot; option for the oscillator you're using for this synth instrument, samples can be used as wavetables to replace the stock signals.


Sound banks like soundfont (sf2) or Kontakt2 are not supported at the moment


====DAW Audio Evolution 4====

Audio Evolution 4 gives you unsurpassed power for digital audio recording and editing on the Amiga. The latest release focusses on time-saving non-linear and non-destructive editing, as seen on other platforms. Besides editing, Audio Evolution 4 offers a wide range of realtime effects, including compression, noise gate, delays, reverb, chorus and 3-band EQ.

Whether you put them as inserts on a channel or use them as auxillaries, the effect parameters are realtime adjustable and can be fully automated. Together with all other mixing parameters, they can even be controlled remotely, using more ergonomic MIDI hardware.

Non-linear editing on the time line, including cut, copy, paste, move, split, trim and crossfade actions

The number of tracks per project(s) is unlimited .... AHI limits you to recording only two at a time. i.e. not on 8 track sound cards like the Juli@ or Phase 88.

sample file import is limited to 16bit AIFF (not AIFC, important distinction as some files from other sources can be AIFC with aiff file extention). and 16bit WAV (pcm only)


Most apps use the Music Unit only but a few apps also use Unit (0-3) instead or as well. 
* Set up AHI prefs so that microphone is available. (Input option near the bottom)


stereo++ allows the audio piece to be placed anywhere and the left-right adjusted to sound positionally right

hifi best for music playback if driver supports this option


Load 16bit .aif .aiff only sample(s) to use not AIFC which can have the same ending. AIFF stands for Audio Interchange File Format 

 sox recital.wav recital.aiff

 sox recital.wav −b 16 recital.aiff channels 1 rate 16k fade 3 norm
 sox input.wav        output.aiff bass −b 16 rate 48k

performs the same format translation, but also applies four effects (down-mix to one channel, sample rate change, fade-in, nomalize), and stores the result at a bit-depth of 16.

 rec −c 2 radio.aiff trim 0 30:00

records half an hour of stereo audio 

 play existing-file.wav


24bit PCM WAV or AIFF do not work 

*No stream format handling. So no way to pass on an AC3 encoded stream unmodified to the digital outputs through AHI.
*No master volume handling. Each application has to set its own volume. So each driver implements its own custom driver-mixer interface for handling master volumes, mute and preamps.
*Only one output stream. So all input gets mixed into one output.
*No automatic handling of output direction based on connected cables.
*No monitor input selection. Only monitor volume control. 


select the correct input (Don't mistake enabled sound for the correct input.)
The monitor will feedback audio to the lineout and hp out no matter if you have selected the correct input to the ADC. The monitor will provide sound for any valid input. This will result in free mixing when recording from the monitor input instead of mic/line because the monitor itself will provide the hardware mixing for you. Be aware that MIC inputs will give two channel mono. Only Linein will give real stereo.

Now for the not working part. Attempt to record from linein in the AE4 record window, the right channel is noise and the left channel is distorted. Even with the recommended HIFI 16bit Stereo++ mode at 48kHz.


Channels

Monitor

Gain

Inout

Output

Advanced settings - Debugging via serial port


* Options -&gt; Soundcard In/Out
* Options -&gt; SampleRate
* Options -&gt; Preferences

F6 for Sample File List

Setting a grid is easy as is measuring the BPM by marking a section of the sample. Is your kick drum track &quot;not in time&quot; ? If so, you're stumped in AE4 as it has no fancy variable time signatures and definitely no 'track this dodgy rhythm' function like software of the nature of Logic has. So if your drum beat is freeform you will need to work in freeform mode. (Real music is free form anyway).

If the drum *is* accurate and you are just having trouble measuring the time, I usually measure over a range of bars and set the number of beats in range to say 16 as this is more accurate, Then you will need to shift the drum track to match your grid *before* applying the grid. (probably an iterative process as when the grid is active samples snap to it, and when inactive you cannot see it).

AE4 does have ARexx but the functions are more for adding samples at set offsets and starting playback / recording.


These are the usual features found in DAWs...

* Recording digital audio, midi sequencer and mixer 
* virtual VST instruments and plug-ins 
* automation, group channels, MIDI channels, FX sends and returns, audio and MIDI editors and music notation editor


* different track views 
* mixer and track layout (but not the same as below) 
* traditional two windows (track and mixer)


Mixing - mixdown

Could not figure out how to select what part I wanted to send to the aux, set it to echo and return. Pretty much the whole echo effect. Or any effect.

Take look at page17 of the manual.

When you open the EQ / Aux send popup window you will see 4 sends. Now from the menu choose the windows menu.

Menus-&gt;Windows-&gt; Aux Returns Window

or press F5

You will see a small window with 4 volume controls and an effects button for each. Click a button and add an effects to that aux channel, then set it up as desired (note the reverb effect has a special AUX setting that improves its use with the aux channel, not compulsory but highly useful). You set the amount of 'return' on the main mix in the Aux Return window, and the amount sent from each main mixer channel in the popup for that channel. Again the aux sends are &quot;prefade&quot; so the volume faders on each channel do not affect them.


Tracking


Effects - fade in

To add some echoes to some vocals, tried to add an effect on a track but did not come out. This is made more complicated as I wanted to mute a vocal but then make it echo at the muting point. Want to have one word of a vocal heard and then echoed off. But when the track is mute the echo is cancelled out.

To correctly understand what is happening here you need to study the figure at the bottom of page 15 on the manual. You will see from that that the effects are applied 'prefade' So the automation you applied will naturally mute the entire signal.

There would be a number of ways to achieve the goal,

You have three real time effects slots, one for smoothing like so

Sample -&gt; Amplify -&gt; Delay

Then automate the gain of the amplify block so that it effectively mutes the sample just before the delay at the appropriate moment, the echo effect should then be heard.

Getting the effects in the right order will require experimentation as they can only be added top down and it's not obvious which order they are applied to the signal, but there only two possibilities, so it wont take long to find out.

Using MUTE can cause clicks to the Amplify can be used to mute more smoothly so that's a secondary advantage.

Signal Processing -


Overdub

[[#top|...to the top]]

===Office===

====Spreadsheet Leu====

Support for some xlsx, and ods functions 


====Spreadsheet Ignition====

; Needs ABIv1 to be completed before more can be done

File formats supported 
* ascii #?.txt and #?.csv (single sheets with data only). 
* igs and TurboCalc(WIP) #?.tc for all sheets with data, formats and formulas.

There is '''no''' support for xls, xlsx, ods or uos ([http://en.wikipedia.org/wiki/Uniform_Office_Format Uniform Unified Office Format]) at the moment.

* Always use Esc key after editing Spreadsheet cells.
* copy/paste seems to copy the first instance only so go to Edit -&gt; Clipboard to manage the list of remembered actions. 
* Right mouse click on row (1 or 2 or 3) or column header (a or b or c)  to access optimal height or width of the row or column respectively 
* Edit -&gt; Insert -&gt; Row  seems to clear the spreadsheet or clears the rows after the inserted row until undo restores as it should be...

Change Sheet name by  Object -&gt; Sheet -&gt; Properties

Click in the cell which will contain the result, and click '''down arrow button''' to the right of the formula box at the bottom of the spreadsheet and choose the function required from the list provided. Then click on the start cell and click on the bottom right corner, a '''very''' small blob, which allows stretching a bounding box (thick grey outlines) across many cells This grey bounding box can be used to '''copy a formula''' to other cells.

Object -&gt; Cell -&gt; Properties to change cell format - Currency only covers DM and not $, Euro, Renminbi, Yen or Pound etc. 
Shift key and arrow keys selects a range of cells, so that '''formatting can be done to all highlighted cells'''. 
View -&gt; Overview then select ALL with one click (in empty cell in the top left hand corner of the sheet).

Default mode is relative cell referencing e.g. a1+a2 but absolute e.g. $a$1+$a$2 can be entered.

* #sheet-name to '''absolute''' reference another sheet-name cell unless reference() function used.

;Graphs

use shift key and arrow keys to select a bunch of cells to be graph'ed making sure that x axes represents and y axes represents

* value() - 0 value, 1 percent, 2 date, 3 time, 4 unit ...


;Dates 
* Excel starts a running count from the 1st Jan 1900 and Ignition starts from 1st Jan 1AD '''(maybe this needs to change)'''
Set formatting Object -&gt; Cell -&gt; Properties and put date in days


;Time 
Set formatting Object -&gt; Cell -&gt; Properties and put time in seconds taken


;Database (to be done by someone else)

type - standard, reference (bezug), search criterion (suchkriterium), 
* select a bunch of cells and Object -&gt; Database -&gt; Define to set Datenbank (database) and Felder (fields not sure how?) 
* Neu (new) or loschen (delete) to add/remove database headings e.g. Personal, Start Date, Finish Date (one per row?)
* Object -&gt; Database -&gt; Index to add fields (felder) like Surname, First Name, Employee ID, etc. to ?

Filtering done with dbfilter(), dbproduct() and dbposition().

Activities with dbsum(), dbaverage(), dbmin() and dbmax().

Table sorting -


;Scripts (Arexx)

;Excel(TM) to Ignition - commas ''',''' replaced by semi-colons ''';''' to separate values within functions 
*SUM(), 
*AVERAGE(), MAX(), MIN(), INT(), PRODUCT(), MEDIAN(), VAR() becomes Variance(), Percentile(),
*IF(), AND, OR, NOT 
*LEFT(), RIGHT(), MID() becomes MIDDLE(), LEN() becomes LENGTH(), 
*LOWER() becomes LOWERCASE(), UPPER() becomes UPPERCASE(),
* DATE(yyyy,mm,dd) becomes COMPUTEDATE(dd;mm;yyyy), 
*TODAY(), DAY(),WEEK(), MONTH(),=YEAR(TODAY()), 
*EOMONTH() becomes MONTHLENGTH(), 
*NOW() should be date and time becomes time only, SECOND(), MINUTE(), HOUR(),
*DBSUM() becomes DSUM(),


;Missing and possibly useful features/functions needed for ignition to have better support of Excel files 
There is no Merge and Join Text over many cells, no protect and/or freeze row or columns or books but can LOCK sheets, no define bunch of cells as a name, Macros (Arexx?), conditional formatting, no Solver, no Goal Seek, no Format Painter, no AutoFill, no AutoSum function button, no pivot tables, (30 argument limit applies to Excel)

*HLOOKUP(), VLOOKUP(), [http://production-scheduling.com/excel-index-function-most-useful/ INDEX(), MATCH()], CHOOSE(), TEXT(), 
*TRIM(), FIND(), SUBSTITUTE(), CONCATENATE() or &amp;, PROPER(), REPT(), 
*[https://acingexcel.com/excel-sumproduct-function/ SUMPRODUCT()], ROUND(), ROUNDUP(), *ROUNDDOWN(), COUNT(), COUNTA(), SUMIF(), COUNTIF(), COUNTBLANK(), TRUNC(), 
*PMT(), PV(), FV(), POWER(), SQRT(), MODE(), TRUE, FALSE, 
*MODE(), LARGE(), SMALL(), RANK(), STDEV(), 
*DCOUNT(), DCOUNTA(), WEEKDAY(),


;Excel Keyboard [http://dmcritchie.mvps.org/excel/shortx2k.htm shortcuts needed to aid usability in Ignition] 
&lt;pre&gt;
Ctrl Z - Undo

Ctrl D - Fill Down
Ctrl R - Fill right

Ctrl F - Find
Ctrl H - Replace

Ctrl 1 - Formatting of Cells
CTRL SHIFT ~ Apply General Formatting ie a number 
Ctrl ; - Todays Date 

F2 - Edit cell
F4 - toggle cell absolute / relative cell references

&lt;/pre&gt;


====Document Scanning - Scandal====

Scanner usually needs to be connected via a USB port and not via a hub or extension lead.

Check in Trident Prefs -&gt; Devices that the USB Scanner is not bound to anything (e.g. Bindings None)
If not found then reboot the computer and recheck.

Start Scandal, choose Settings from Menu strip at top of screen and in Scanner Driver choose the ?#.device of the scanner (e.g. epson2.device).

The next two boxes - leave empty as they are for morphos SCSI use only
 or put ata.device (use the selection option in bigger box below) and Unit as 0 this is needed for gt68xx

* gt68xx - no editing needed in s/gt68xx.conf but needs a firmware file that corresponds to the scanner [http://www.meier-geinitz.de/sane/gt68xx-backend/ gt68xx firmwares] in sys:s/gt68xx.
* epson2 - Need to edit the file epson2.conf in sys/s that corresponds to the scanner being used

'''Save''' the settings but do not press the Use button (aros freezes)

Back to the Picture Scan window and the right-hand sections.

Click on the '''Information''' tab and press Connect button and the scanner should now be detected.

Go next to the '''Scanner''' tab next to Information Tab should have Color, Black and White, etc. and dpi settings now. Selecting an option Color, B/W etc. can cause dpi settings corruption (especially if the settings are in one line) so set '''dpi first'''. Make sure if Preview is set or not.

In the '''Scan''' Tab, press Scan and the scanner will do its duty. 
Be aware that nothing is saved to disk yet.

In the Save tab, change format JPEG, PNG or IFF DEEP. Tick incremental and base filename if necessary and then click the Save button. The image will now be saved to permanent storage.


The driver ignores a device if it is already bond to another USB class, rejects it from being usable. However, open Trident prefs, select your device and use the right mouse button to open. Select &quot;NONE&quot; to prevent poseidon from touching the device. Now save settings. It should always work now.

[[#top|...to the top]]

===Emulators===

==== Amiberry ====


==== Amiga Emu - Janus UAE ====

With Amibridge, AROS attempts to make the UAE emulator seem embedded within but it still is acting as an app 

There is no dynarec m68k for each hardware that Aros supports or direct patching of motorola calls to AROS hardware accelerated ones unless the emulator has that included 

Try starting Janus with a priority of -1 like this little script:
&lt;pre&gt;
cd sys:system/AmiBridge/emulator
changetaskpri -1
run janus-uae -f my_uaerc.config &gt;nil:
cd sys:prefs
endcli
&lt;/pre&gt;
This stops Janus hogging all the CPU time.


===Miscellaneous===

====Screensaver Blanker====

Most blankers on the amiga (i.e. aros) run as commodities (they are in the tools/commodities drawer). Double click on blanker.

Control is with an app called Exchange, which you need to run first (double click on app) or  run QUIET sys:tools/commodities/Exchange &gt;NIL: but subsequently can use (Cntrl Alt h).

Icon tool types (may be broken) or command line options 
&lt;pre&gt;
seconds=number 
&lt;/pre&gt;

Once the timing is right then add the following to s:icaros-sequence or s:user-startup

e.g. for 5 minutes

 run QUIET sys:tools/commodities/Blanker seconds=300 &gt;NIL:


*[http://archives.aros-exec.org/index.php?function=showfile&amp;file=graphics/screenblanker/gblanker.i386-aros.zip Garshneblanker] can make Aros unstable or slow. Certain blankers crashes in Icaros 2.0.x like Dragon, Executor.


*[ Acuario AROS version], the aquarium screen saver.

Startup: extras:acuariofv-aros/acuario

Kill: c:break name=extras:acuariofv-aros/acuario

Managed to start Acuario by the Executor blanker.

&lt;pre&gt;
cx_priority=
cx_popkey=    ie CX_POPKEY=&quot;Shift F1&quot; 
cx_popup=Yes or No

&lt;/pre&gt;


&lt;pre&gt;
 Qualifier String    Input Event Class
   ----------------    -----------------
    &quot;lshift&quot;           IEQUALIFIER_LSHIFT
    &quot;rshift&quot;           IEQUALIFIER_RSHIFT
    &quot;capslock&quot;         IEQUALIFIER_CAPSLOCK
    &quot;control&quot;          IEQUALIFIER_CONTROL
    &quot;lalt&quot;             IEQUALIFIER_LALT
    &quot;ralt&quot;             IEQUALIFIER_RALT
    &quot;lcommand&quot;         IEQUALIFIER_LCOMMAND
    &quot;rcommand&quot;         IEQUALIFIER_RCOMMAND
    &quot;numericpad&quot;       IEQUALIFIER_NUMERICPAD
    &quot;repeat&quot;           IEQUALIFIER_REPEAT
    &quot;midbutton&quot;        IEQUALIFIER_MIDBUTTON
    &quot;rbutton&quot;          IEQUALIFIER_RBUTTON
    &quot;leftbutton&quot;       IEQUALIFIER_LEFTBUTTON
    &quot;relativemouse&quot;    IEQUALIFIER_RELATIVEMOUSE
&lt;/pre&gt;


&lt;pre&gt;
    Synonym     Synonym
    String     Identifier
    -------    ----------
    &quot;shift&quot;    IXSYM_SHIFT    /* look for either shift key */
    &quot;caps&quot;     IXSYM_CAPS     /* look for either shift key or capslock */
    &quot;alt&quot;      IXSYM_ALT      /* look for either alt key */

Highmap is one of the following strings:
    &quot;space&quot;, &quot;backspace&quot;, &quot;tab&quot;, &quot;enter&quot;, &quot;return&quot;, &quot;esc&quot;, &quot;del&quot;,
    &quot;up&quot;, &quot;down&quot;, &quot;right&quot;, &quot;left&quot;, &quot;f1&quot;, &quot;f2&quot;, &quot;f3&quot;, &quot;f4&quot;, &quot;f5&quot;,
    &quot;f6&quot;, &quot;f7&quot;, &quot;f8&quot;, &quot;f9&quot;, &quot;f10&quot;, &quot;help&quot;.


&lt;/pre&gt;


[[#top|...to the top]]

==== World Construction Set WCS (Version 2.031) ====

WCS is a fractal landscape software such as Scenery Animator, Vista Pro and Panorama. Open sourced February 2022, World Construction Set [https://3dnature.com/downloads/legacy-software/ legally and for free] and [https://github.com/AlphaPixel/3DNature c source]. 

Announced August 1994 this version dates from April 1996 developed by Gary R. Huber and Chris &quot;Xenon&quot; Hanson&quot; from Questar 

&lt;pre&gt;
Assign &quot;WCSProjects:&quot; &quot;Volume:Dir/Dir/WCSProjects&quot; 
Assign &quot;WCSFrames:&quot;   &quot;Volume:Dir/Dir/WCSFrames&quot; 
&lt;/pre&gt;

&lt;pre&gt;
Load projects .proj by accessing pull down menu Project -&gt; Open then click on CanyonSunset.proj
OK to changing .par file and enlarge Status Log window to show what is happening 
Render by pull down menu Modules -&gt; Render with End equal 1 not 300 then click bottom middle button Render 
&lt;/pre&gt;

[https://www.youtube.com/watch?v=CxQDmf1ZWG0 Youtube walkthrough of above], [], [], 

Also try working with the already built file ColoDemo - Then open with the drop-down menu: Project/Open, then WCSProject:ColoDemo.proj
Which allows you to use altimetric DEM files already included and Loading scene parameters from ColoDemo.par
Once this is done, save everything with a new name to start working exclusively on your project. 
Then drop-down menu and select Save As (&quot;NewName&quot;.proj name), then drop-down menu to open parameter and select Save All ( .par name)


After launching the software, there is a the Module Control Panel composed of five icons. 
It is a dock type shortcut of the first few functions of the drop-down menu 

*Database   - Load (#?.proj), Append, Create, Edit, Save, Dir List (of WCSProject drawer), 
*Data Ops   - Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats  
*Map View   - Database file Loader leading to Map View Control with option to the Database Editor 
*Parameters - Editor for Motion, Color, Ecosystem, Clouds, Waves, management of altimeter files DEM, sclock settings etc 
*Render     - rendering terrain 

These are more in the pull down menu but not in the dock 
*Motion Editor
*Color Editor
*Ecosys Editor 


Simple minimal workflow 
*Load database (1st icon - 1st)
*Set parameters and save .par file (4th icon)
*Render scene (5th icon) 

[https://www.youtube.com/watch?v=ZbTwwR2qcc4 Youtube], [], 

&lt;pre&gt;
.proj new project name which creates a drawer of additional files 

.binary array, ascii array .xyz , z buffer, DTED .dt0, vista 1990s dem, iff  conversion 
.Obj with .elev, .frd with .hdr maps, - digital elevation model (DEM) is a 3D representation of elevation data in various formats 
USGS 7.5MinDEM, 

.par 


&lt;/pre&gt;


Since for the time being no project is loaded, a query window indicates a procedural error when clicking on the rendering icon (right end of the bar). The menu is quite traditional; it varies according to the activity of the windows. To display any altimetric file in the &quot;Mapview&quot; (third icon of the panel), There are three possibilities:

* Loading of a demonstration project.
* The import of a DEM file, followed by texturing and packaging from the &quot;Database-Editor&quot; and the &quot;Color-Editor&quot;.
* The creation of an altimetric file in WCS format, then texturing.


The altimeter file editing (display in the menu) is only made possible if the &quot;Mapview&quot; window is active.

The software is made up of many windows and won't be able to describe them all. Know that &quot;Color-Editor&quot; and the &quot;Data-Editor&quot; comprise sufficient functions for obtaining an almost real rendering quality. You have the possibility of inserting vector objects in the &quot;Data-Editor&quot; (creation of roads, railways, etc.) 


The Map View (MapView) window

*Database - Objects and Topos
*View     - Align, Center, Zoom, Pan, Move 
*Draw     - Maps and distance 
*Object   - Find, highlight, add points, conform topo, duplicate 
*Motion   - Camera, Focus, path, elevation 
*Windows  - DEM designer, Cloud (.cld) and wave (.wve) editor, 


You will notice that by selecting this window and simply moving the pointer to various points on the map you will see latitude and longitude values ​​change, along with the height.
Drop-down menu and Modules, then select MapView and change the width of the window with the map to arrange it in the best way on the screen. With the Auto button the center. Window that then displays the contents of my DEM file, in this case the Grand Canyon. MapView allows you to observe the shape of the landscape from above
 

ZOOM button

Press the Zoom button and then with the pointer position on a point on the map, press the left mouse button and then move to the opposite corner to circumscribe the chosen area and press the left mouse button again, then we will see the enlarged area selected on the map.
Would add that there is a box next to the Zoom button that allows the direct insertion of a value which, the larger it is, the smaller the magnification and the smaller the value, the stronger the magnification. At each numerical change you will need to press the DRAW button to update the view.

PAN button

Under Zoom you will find the PAN button which allows you to move the map at will in all directions by the amount you want. This is done by drawing a line in one direction, then press PAN and point to an area on the map with the pointer and press the left mouse button. At this point, leave it and move the pointer in one direction by drawing a line and press the left mouse button again to trigger the movement of the map on the screen (origin and end points). Do some experiments and then use the Auto button immediately below to recenter everything.
There are parameters such as TOPO, VEC to be left checked and immediately below one that allows different views of the map with the Style command (Single, Multi, Surface, Emboss, Slope, Contour), each with its own particularities to highlight different details.

Now you have the first basics to manage your project visually on the map. Close the MapView window and go further...


Let's start working on ECOSYSTEMS
If we select Emboss from the MapView Style command we will have a clear idea of ​​how the landscape appears, realizing that it is a predominantly desert region of our planet. Therefore we will begin to act on any vegetation present and the appearance of the landscape.
With WCS we will begin to break down the elements of the landscape by assigning defined characteristics. It will be necessary to determine the classes of the ecosystem (Class) with parameters of Elevation Line (maximum altitude), Relative Elevation (arrangement on basins or convexities with respectively positive or negative parameters), Min Slope and Max Slope (slope). WCS offers the possibility of making ecosystems coexist on the same terrain with the UnderEco function, by setting a Density value.


Ecosys Ecosystem Editor

Let's open it from Modules, then Ecosys Editor. In the left pane you will find the list of ecosystems referring to the files present in our project. It will be necessary to clean up that box to leave only the Water and Snow landscapes and a few other predefined ones. We can do this by selecting the items and pressing the Remove button (be careful not for all elements the button is activated, therefore they cannot all be eliminated).
Once this is done we can start adding new ecosystems. Scroll through the various Unused and as soon as the Name item at the top is activated allowing you to write, type the name of your ecosystem, adding the necessary parameters.
&lt;pre&gt;
Ecosystem1: Name: RockBase Class: Rock Density: 80 MinSlope: 15 UnderEco: Terrain
Ecosystem2: Name: RockIncl Clss: Rock Density: 80 MinSlope: 30 UnderEco: Terrain
Ecosystem3: Name: Grass Class Low Veg Density: 50 Height: 1 Elev Line : 1500 Rel El Eff: 5
Max Slope: 10 – Min Slope: 0 UnderEco: Terrain
Ecosistema4: Name: Shrubs Class: Low Veg Density: 40 Height: 8 Elev Line: 3000
Rel El Eff: -2 Max Slope: 20 Min Slope : 5 UnderEco: Terrain
Ecosistema5: Name: Terrain Class: Ground Density: 100 UnderEco: Terrain
&lt;/pre&gt;

Now we need to identify an intermediate ecosystem that guarantees a smooth transition between all, therefore we select as Understory Ecosystem the one called Terrain in all ecosystems, except Snow and Water .
Now we need to 'emerge' the Colorado River in the Canyon and we can do this by raising the sea level to 900 (Sea Level) in the Ecosystem called Water.
Please note that the order of the ecosystem list gives priority to those that come after. So our list must have the following order: Water, Snow, Shrubs, RockIncl, RockBase, Terrain. It is possible to carry out all movements with the Swap button at the bottom. To put order you can also press Short List. Press Keep to confirm all the work done so far with Ecosystem Editor.
Remember every now and then to save both the Project 'Modules/Save' and 'Parameter/Save All'

EcoModels are made up of .etp .fgp .iff8 for each model 


Color Editor

Now it's time to define the colors of our scene and we can do this by going to Modules and then Color Editor. In the list we focus on our ecosystems, created first.
Let's go to the bottom of the list and select the first white space, assigning the name 'empty1', with a color we like and then we will find this element again in other environments... It could serve as an example for other situations!
So we move to 'grass' which already exists and assign the following colors: R 60 G 70 B50
&lt;pre&gt;
'shrubs': R 60 G 80 B 30
'RockIncl' R 110 G 65 B 60
'RockBase' R 110 G 80 B 80
' Terrain' R 150 G 30 B 30
&lt;pre&gt;
Now we can work on pre-existing colors
&lt;pre&gt;
'SunLight' R 150 G 130 B 130
'Haze and Fog' R 190 G 170 B 170
'Horizon' R 209 G 185 B 190
'Zenith' R 140 G 150 B 200
'Water' R 90 G 125 B 170
&lt;/pre&gt;

Ambient R 0 G 0 B 0

So don't forget to close Color Editor by pressing Keep.
Go once again to Ecosystem Editor and assign the corresponding color to each environment by selecting it using the Ecosystem Color button. Press it several times until the correct one appears. Then save the project and parameters again, as done previously.


Motion Editor

Now it's time to take care of the framing, so let's go to Modules and then to Motion Editor. An extremely feature-rich window will open. Following is the list of parameters regarding the Camera, position and other characteristics:
&lt;pre&gt;
-Camera Altitude: 7.0
-Camera Latitude: 36.075
-Camera Longitude: 112.133
-Focus Attitude: -2.0
-Focus Latitude: 36.275
-Focus Longitude: 112.386
-Camera : 512 → rendering window
-Camera Y: 384 → rendering window
-View Arc: 80 → View width in degrees
-Sun Longitude: 172
-Sun Latitude: -0.9
-Haze Start: 3.8
-Haze Range: 78, 5
&lt;/pre&gt;
As soon as the values ​​shown in the relevant sliders have been modified, we will be ready to open the CamView window to observe the wireframe preview. Let's not consider all the controls that will appear.
Well from the Motion Editor if you have selected Camera Altitude and open the CamView panel, you can change the height of the camera by holding down the right mouse button and moving the mouse up and down. To update the view, press the Terrain button in the adjacent window. As soon as you are convinced of the position, confirm again with Keep. You can carry out the same work with the other functions of the camera, such as Focus Altitude...
Let's now see the next positioning step on the Camera map, but let's leave the CamView preview window open while we go to Modules to open the window at the same time MapView. We will thus be able to take advantage of the view from the other together with a subjective one.


From the MapView window, select with the left mouse button and while it is pressed, move the Camera as desired. To update the subjective preview, always click on Terrain.
While with the same procedure you can intervene on the direction of the camera lens, by selecting the cross and with the left button pressed you can choose the desired view. So with the pressure of Terrain I update the Preview. Possibly can enlarge or reduce the Map View using the Zoom button, for greater precision.
Also write that the circle around the cameras indicates the beginning of the haze, there are two types (haze and fog) linked to the altitude. Would also add that the camera height is editable through the Motion Editor panel.


The sun

Let's see that changing the position of the sun from the Motion Editor. Press the SUN button at the bottom right and set the time and the date. Longitude and latitude are automatically obtained by the program. Always open the View Arc command from the Motion Editor panel, an item present in the Parameter List box.

Once again confirm everything with Keep and then save again.


Animation

The animation part is not left-back and also occupies a window. The settings possibilities are enormous. A time line with dragging functions (&quot;slide&quot;, &quot;drag&quot;...) comparable to that of LightWave completes this window. 


A small window is available for positioning the stars as a function of a date, in order to vary the seasons and their various events (and yes...).

At the bottom of the &quot;Motion-Editor&quot;, a &quot;cam-view&quot; function will give you access to a control panel. Different preview modes are possible. The rendering is also accessible through a window. No less than nine pages compose it. At this level, you will be able to determine the backup name of your images (&quot;path&quot;), the type of texture to be calculated, the resolution of the images, activate or deactivate functions such as the depth buffer (&quot;zbuffer&quot;), the blur, the background image, etc.


Once all these parameters have been set, all you have to do is click on the &quot;Render&quot; button.

For rendering go to Modules and then Render. Select the resolution, then under IMA select the name of the image. Move to FRA and indicate the level of fractal detail which of 4 is quite good. Then Keep to confirm and then reopen the window, pressing Render you will see the result. The image will be opened with any viewing program.


Strengths:

* Multi-window.
* Quality of rendering.
* Accuracy.
* Opening, preview and rendering on CyberGraphX screen.
* Extract / Convert Interp DEM, Import DLG, DXF, WDB and export LW map 3d formats 
* The &quot;zbuffer&quot; function.

Weaknesses:

* No OpenGL management 
* Calculation time.
* No network computing tool.


====Writing CD / DVD - Frying Pan====

Can be backup DVDs (4GB ISO size limit due to use of FileInfoBlock), create audio cds from mp3's, and put .iso files on discs

If using for the first time - click Drive button and Device set to ata.device and unit to 0 (zero)

Click Tracks Button - Drive 1 - Create New Disc or Import Existing Disc Image (iso bin/cue etc.) - Session File open cue file

If you're making a data cd, with files and drawers from your hard drive, you should be using the ISO Builder.. which is the MUI page on the left. (&quot;Data/Audio Tracks&quot; is on the right).

You should use the &quot;Data/Audio tracks&quot; page if you want to create music cds with AIFF/WAV/MP3 files, or if you download an .iso file, and you want to put it on a cd.

Click WRITE Button - set write speed - click on long Write button

Examples

Easiest way would be to burn a DATA CD, simply go to &quot;Tracks&quot; page &quot;ISO Builder&quot; and &quot;ADD&quot; everything you need to burn.

On the &quot;Write&quot; page i have &quot;Masterize Disc (DAO)&quot;, &quot;Close Disc&quot; and &quot;Eject after Write&quot; set.

One must not &quot;Blank disc before write&quot; if one uses a CDR


AUDIO CD from MP3's are as easy but tricky to deal with. FP only understands one MP3 format, Layer II, everything else will just create empty tracks

Burning bootable CD's works only with .iso files. Go to &quot;Tracks&quot; page and &quot;Data/Audio Tracks&quot; and add the .iso


====odf====

Every ODF file is a collection of several subdocuments within a package (ZIP file), each of which stores part of the complete document.

* content.xml – Document content and automatic styles used in the content.
* styles.xml – Styles used in the document content and automatic styles used in the styles themselves.
* meta.xml – Document meta information, such as the author or the time of the last save action.
* settings.xml – Application-specific settings, such as the window size or printer information.


To read document follow these steps:

* Extracting .ods file.
* Getting content.xml file (which contains sheets data).
* Creating XmlDocument object from content.xml file.
* Creating DataSet (that represent Spreadsheet file).
* With XmlDocument select “table:table” elements, and then create adequate DataTables.
* Parse child’s of “table:table” element and fill DataTables with those data.
* At the end, return DataSet and show it in application’s interface.


To write document follow these steps:

* Extracting template.ods file (.ods file that we use as template).
* Getting content.xml file.
* Creating XmlDocument object from content.xml file.
* Erasing all “table:table” elements from the content.xml file.
* Reading data from our DataSet and composing adequate “table:table” elements.
* Adding “table:table” elements to content.xml file.
* Zipping that file as new .ods file.

XLS file format

The XLS file format contains streams, substreams, and records.

These sheet substreams include worksheets, macro sheets, chart sheets, dialog sheets, and VBA module sheets. 
All the records in an XLS document start with a 2-byte unsigned integer to specify Record Type (rt), and another for Count of Bytes (cb). A record cannot exceed 8224 bytes. If larger than the rest is stored in one or more continue records.

* Workbook stream 
**Globals substream
***BoundSheet8 record - info for Worksheet substream i.e. name, location, type, and visibility. (4bytes the lbPlyPos FilePointer, specifies the position in the Workbook stream where the sheet substream starts) 
**Worksheet substream (sheet) - Cell Table - Row record - Cells (2byte=row 2byte=column 2byte=XF format)
***Blank cell record
***RK cell record 32-bit number. 
***BoolErr cell record (2-byte Bes structure that may be either a Boolean value or an error code)
***Number cell record (64-bit floating-point number)
***LabelSst cell record (4-byte integer that specifies a string in the Shared Strings Table (SST). Specifically, the integer corresponds to the array index in the RGB field of the SST)
***Formula cell record (FormulaValue structure in the 8 bytes that follow the cell structure. The next 6 bytes can be ignored, and the rest of the record is a CellParsedFormula structure that contains the formula itself)
***MulBlank record (first 2 bytes give the row, and the next 2 bytes give the column that the series of blanks starts at. Next, a variable length array of cell structures follows to store formatting information, and the last 2 bytes show what column the series of blanks ends on)
***MulRK record 
***Shared String Table (SST) contains all of the string values in the workbook.

ACCRINT(), ACCRINTM(), AMORDEGRC(), AMORLINC(), 
COUPDAYBS(), COUPDAYS(), COUPDAYSNC(), COUPNCD(), COUPNUM(), COUPPCD(), 
CUMIPMT(), CUMPRINC(), 
DB(), DDB(), DISC(), 
DOLLARDE(), DOLLARFR(), 
DURATION(), EFFECT(), FV(), FVSCHEDULE(), 
INTRATE(), IPMT(), IRR(), ISPMT(), MDURATION(), MIRR(), NOMINAL(), NPER(), NPV(), 
ODDFPRICE(), ODDFYIELD(), ODDLPRICE(), ODDLYIELD(), 
PMT(), PPMT(), PRICE(), PRICEDISC(), PRICEMAT(), PV(), RATE(), 
RECEIVED(), SLN(), SYD(), TBILLEQ(), TBILLPRICE(), TBILLYIELD(), 
VDB(), XIRR(), XNPV(), YIELD(), YIELDDISC(), YIELDMAT(),


&lt;pre&gt;
&lt;/pre&gt;


&lt;pre&gt;
&lt;/pre&gt;

&lt;pre&gt;
&lt;/pre&gt;

{{BookCat}}</text>
      <sha1>0ul0mbgvnjm4e9z5qyz46syz17d7ve6</sha1>
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  </page>
  <page>
    <title>User:Mattski au</title>
    <ns>2</ns>
    <id>256129</id>
    <revision>
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      <parentid>4312709</parentid>
      <timestamp>2026-06-06T14:34:03Z</timestamp>
      <contributor>
        <username>Mattski au</username>
        <id>467491</id>
      </contributor>
      <comment>Update</comment>
      <origin>4639198</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="1562" sha1="22a20qxyp2gd30q82761sfwtiptkmn1" xml:space="preserve">Matthew resides in his hometown Canberra, Australia, where he operates a cafe and writes on subjects of interest. He holds a Bachelor of Science (psychology) from the University of Canberra and has worked in the hospitality sector for over fifteen years, gaining extensive experience in front of house operations including within hotels, theatres, function/event spaces and cafes. In his spare time he enjoys reading, researching, attending orchestral music and hosting dinner parties. Wikiversity is used as a [[wikiversity:Wikiversity:Personal_learning_environment|PLE]] alongside his [http://www.mattski.com.au/ blog]. 

== Current Projects ==

* [[Bookbinding]]

== Presentations and work undertaken at [[wikiversity:University_of_Canberra|University of Canberra]] ==

* [http://en.wikiversity.org/wiki/Motivation_and_emotion/Book/Online_social_networking Online Social Networking - How does it make people feel].
* [[wikiversity:User:Mattski_au/Creativity_and_Mindfulness|Creativity and Mindfulness]]
* [[wikiversity:Mindfulness|Mindfulness]]

:* [[wikiversity:Mindfulness_Introduction_Training_Session| Group Based Introduction to Mindfulness Training Session]]
:* [[wikiversity:Mindfulness_Training/Mindfulness_Training_Program_(six_weeks)| Group Based Mindfulness Training Program (Six Week Course)]]

* [[wikiversity:User:Mattski_au/Presentations/Introduction_to_Social_Media| Introduction to Social Media]]

== Contact Details ==
Blog: [http://www.mattski.com.au/ www.mattski.com.au] 

E-mail: [http://mailto:hello@mattski.com.au/ hello@mattski.com.au]</text>
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  <page>
    <title>Python Programming/Reflection</title>
    <ns>0</ns>
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      <contributor>
        <username>RandomPerson238</username>
        <id>3480042</id>
      </contributor>
      <comment>/* Type */ format</comment>
      <origin>4639218</origin>
      <model>wikitext</model>
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      <text bytes="6918" sha1="qwaui7cdkr817st1mpcp04rhycnj7az" xml:space="preserve">{{Python Programming/Navigation|Context Managers|Metaclasses}}

A Python script can find out about the type, class, attributes and methods of an object. This is referred to as '''reflection''' or '''introspection'''. See also [[../Metaclasses/|Metaclasses]].

Reflection-enabling functions include &lt;code&gt;type()&lt;/code&gt;, &lt;code&gt;isinstance()&lt;/code&gt;, &lt;code&gt;callable()&lt;/code&gt;, &lt;code&gt;dir()&lt;/code&gt;, and &lt;code&gt;getattr()&lt;/code&gt;.

==Type==
The type method enables to find out about the type of an object. The following tests return True:
&lt;syntaxhighlight lang=&quot;py&quot;&gt;
type(3) is int
type(3.0) is float
type(10**10) is long # Python 2
type(1 + 1j) is complex
type('Hello') is str
type([1, 2]) is list
type([1, [2, 'Hello']]) is list
type({'city': 'Paris'}) is dict
type((1,2)) is tuple
type(set()) is set
type(frozenset()) is frozenset
# --------
type(3).__name__ == &quot;int&quot;
type('Hello').__name__ == &quot;str&quot;
# --------
import types, re, Tkinter # For the following examples
type(re) is types.ModuleType
type(re.sub) is types.FunctionType
type(Tkinter.Frame) is types.ClassType
type(Tkinter.Frame).__name__ == &quot;classobj&quot;
type(Tkinter.Frame()).__name__ == &quot;instance&quot;
type(re.compile('myregex')).__name__ == &quot;SRE_Pattern&quot;
type(type(3)) is types.TypeType
&lt;/syntaxhighlight&gt;

The type function disregards class inheritance: &lt;code&gt;type(3) is object&lt;/code&gt; yields False while &lt;code&gt;isinstance(3, object)&lt;/code&gt; yields True.

Links:
* [https://docs.python.org/2/library/functions.html#type 2. Built-in Functions # type], python.org
* [https://docs.python.org/2/library/types.html 8.15. types — Names for built-in types], python.org

==Isinstance==
Determines whether an object is an instance of a type or class.

The following tests return &lt;code&gt;True&lt;/code&gt;:
&lt;syntaxhighlight lang=&quot;py&quot;&gt;
isinstance(3, int)
isinstance([1, 2], list)
isinstance(3, object)
isinstance([1, 2], object)
import Tkinter; isinstance(Tkinter.Frame(), Tkinter.Frame)
import Tkinter; Tkinter.Frame().__class__.__name__ == &quot;Frame&quot;
&lt;/syntaxhighlight&gt;Note that isinstance provides a weaker condition than a comparison using [[#Type|&lt;code&gt;type&lt;/code&gt;]].

Function &lt;code&gt;isinstance&lt;/code&gt; and a user-defined class:
&lt;syntaxhighlight lang=&quot;python&quot;&gt;
class Plant: pass                        # Dummy class
class Tree(Plant): pass                  # Dummy class derived from Plant
tree = Tree()                            # A new instance of Tree class
print(isinstance(tree, Tree))            # True
print(isinstance(tree, Plant))           # True
print(isinstance(tree, object))          # True
print(type(tree) is Tree)                # True
print(type(tree).__name__ == &quot;instance&quot;) # False
print(tree.__class__.__name__ == &quot;Tree&quot;) # True
&lt;/syntaxhighlight&gt;

Links:
* [https://docs.python.org/2/library/functions.html#isinstance Built-in Functions # isinstance], python.org
* [http://canonical.org/~kragen/isinstance/ isinstance() considered harmful], canonical.org

==Issubclass==
Determines whether a class is a subclass of another class. Pertains to classes, not their instances.
&lt;syntaxhighlight lang=python&gt;
class Plant: pass                        # Dummy class
class Tree(Plant): pass                  # Dummy class derived from Plant
tree = Tree()                            # A new instance of Tree class
print(issubclass(Tree, Plant))           # True
print(issubclass(Tree, object))          # False in Python 2
print(issubclass(int, object))           # True
print(issubclass(bool, int))             # True
print(issubclass(int, int))              # True
print(issubclass(tree, Plant))           # Error - tree is not a class
&lt;/syntaxhighlight&gt;

Links:
* [https://docs.python.org/2/library/functions.html#issubclass Built-in Functions # issubclass], python.org

==Duck typing==
Duck typing provides an indirect means of reflection. It is a technique consisting in using an object as if it was of the requested type, while catching exceptions resulting from the object not supporting some of the features of the class or type.

Links:
* [https://docs.python.org/3/glossary.html#term-duck-typing Glossary # duck-typing], python.org

==Callable==
For an object, determines whether it can be called. A class can be made callable by providing a __call__() method.

Examples:
* callable(2)
** Returns False. Ditto for callable(&quot;Hello&quot;) and callable([1, 2]).
* callable([1,2].pop)
** Returns True, as pop without &quot;()&quot; returns a function object.
* callable([1,2].pop())
** Returns False, as [1,2].pop() returns 2 rather than a function object.

Links:
* [https://docs.python.org/2/library/functions.html#callable Built-in Functions # callable], python.org

==Dir==
Returns the list of names of attributes of an object, which includes methods. Is somewhat heuristic and possibly incomplete, as per python.org.

Examples:
* dir(3)
* dir(&quot;Hello&quot;)
* dir([1, 2])
* import re; dir(re)
** Lists names of functions and other objects available in the re module for regular expressions.

Links:
* [https://docs.python.org/2/library/functions.html#dir Built-in Functions # dir], python.org

==Getattr==
Returns the value of an attribute of an object, given the attribute name passed as a string.

An example:
* getattr(3, &quot;imag&quot;)
The list of attributes of an object can be obtained using [[#Dir]].

Links:
* [https://docs.python.org/2/library/functions.html#getattr Built-in Functions # getattr], python.org

==Keywords==
A list of Python keywords can be obtained from Python:
&lt;syntaxhighlight lang=python&gt;
import keyword
pykeywords = keyword.kwlist
print(keyword.iskeyword(&quot;if&quot;))     # True
print(keyword.iskeyword(&quot;True&quot;))   # False
&lt;/syntaxhighlight&gt;
Links:
* [https://docs.python.org/2/library/keyword.html 32.6. keyword — Testing for Python keywords], python.org

==Built-ins==
A list of Python built-in objects and functions can be obtained from Python:
&lt;syntaxhighlight lang=python&gt;
print(dir(__builtins__))          # Output the list
print(type(__builtins__.list))    # = &lt;type 'type'&gt;
print(type(__builtins__.open))    # = &lt;type 'builtin_function_or_method'&gt;
print(list is __builtins__.list)  # True
print(open is __builtins__.open)  # True
&lt;/syntaxhighlight&gt;

Links:
* [https://docs.python.org/2/library/__builtin__.html 28.3. __builtin__ — Built-in objects], python.org
* [https://docs.python.org/2/library/functions.html#dir Built-in Functions # dir], python.org

==External links==
* [http://docs.python.org/2/library/functions.html 2. Built-in Functions], docs.python.org
* [http://stackoverflow.com/questions/402504/how-to-determine-the-variable-type-in-python How to determine the variable type in Python?], stackoverflow.com
* [http://stackoverflow.com/questions/1549801/differences-between-isinstance-and-type-in-python Differences between isinstance() and type() in python], stackoverflow.com
* [[W:Reflection (computer_programming)#Python]], Wikipedia
* [[W:Type introspection#Python]], Wikipedia

{{Python Programming/Navigation|Context Managers|Metaclasses}}</text>
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  <page>
    <title>Cookbook:Breakfast Sludge</title>
    <ns>102</ns>
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      <comment>Fix extraneous newline in citation title</comment>
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      <text bytes="2171" sha1="6mt4u2rkf6oomiyuv03u2cea2vq3l3t" xml:space="preserve">__NOTOC__
{{Recipesummary|
| Category = Breakfast recipes
| Yield = 8 oz
| Servings = 1
| Energy = 
| Time = 10 minutes
| Difficulty = 2
| Note = 
| Image = 
}}

{{recipe}} | [[:Category:Beverage recipes|Beverage]] | [[:Category:Breakfast recipes|Breakfast]]

'''Breakfast sludge''' is a breakfast recipe that originally showed up on Imgur and Reddit in 2011. It combines a number of drinks and foods that are commonly eaten for breakfast. The drink itself doesn't look very good, but it is quite tasty. It's best to drink it without looking at it. This recipe is adapted from the original.

== Ingredients ==
* [[Cookbook:Water|Water]]
* 1 [[Cookbook:Granola Bar|granola bar]] or [[Cookbook:Oatmeal|oatmeal]]/[[Cookbook:Granola|granola]]
* 1 scoop of instant [[Cookbook:Coffee|coffee]] powder
* 1 [[Cookbook:Tea|teabag]] or 1 scoop of [[Cookbook:Chai|chai]] powder
* 1 [[Cookbook:Tablespoon|tablespoon]] of [[Cookbook:sugar|sugar]]
* 1 scoop of [[Cookbook:Hot Chocolate|hot chocolate]] powder
* 1 [[Cookbook:Pinch|pinch]] of [[Cookbook:cinnamon|cinnamon]] powder
* [[Cookbook:Milk|Milk]]

== Procedure ==
# Put water on to [[Cookbook:Boiling|boil]].
# Break up the granola bar into a mug. You will want to ensure that it is very well ground up.&lt;ref&gt;{{Cite web |date=2010-11-25 |title=My guide to making breakfast sludge (that will blow off your dick) |url=http://www.reddit.com/r/funny/comments/ebnuh/my_guide_to_making_breakfast_sludge_that_will/ |access-date=2023-10-14 |website=r/funny}}&lt;/ref&gt; The pieces of the granola bar should be about the size of pieces of oatmeal.
# Add the instant coffee, chai, sugar, and hot chocolate powder to the cup.
# Add cinnamon to taste.
# Pour in enough boiling water to fill the cup.
# Stir vigorously until everything is mixed and the mixture has a dark brown appearance.
# Add milk to taste.

== Notes, tips, and variations ==

* Most of the ingredients in this recipe can have their quantities changed to suit your taste.

&lt;references /&gt;
[[Category:Recipes using sugar]]
[[Category:Recipes using chocolate]]
[[Category:Recipes using ground cinnamon]]
[[Category:Recipes using instant coffee]]
[[Category:Recipes using cow milk]]</text>
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  <page>
    <title>Algodoo Tutorials</title>
    <ns>0</ns>
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      </contributor>
      <comment>/* Marble Race Tutorials */  added another one</comment>
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      <text bytes="529" sha1="rahn3sc61ly2juey17dgs7a7d9ybfqj" xml:space="preserve">==Table of Contents==
===Marble Race Tutorials===
[[Algodoo Tutorials/Marbles|Marble Race Tutorial 1:Marbles]]

[[Algodoo Tutorials/Basic Track Marble|Marble Race Tutorial 2:Basic Track]]

[[Algodoo Tutorials/Spinners|Marble Race Tutorial 3:Spinners]]

[[Algodoo Tutorials/Plinko|Marble Race Tutorial 4:Plinko Obstacle]]

[[Algodoo Tutorials/Zigzag Paths|Marble Race Tutorial 5:Zigzag Paths]]

[[Marble Race Tutorial 6:Teleporters]]

Please wait for contents to be added.

===Mini Kart Race Tutorials===
Nothing yet.

{{BookCat}}</text>
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    <title>OpenSCAD Tutorial/Chapter 1</title>
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      <comment>Changed size of cube in text box to 10, previously 20. This follows the tutorial and matches the image displayed.</comment>
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      <text bytes="27343" sha1="q4hqv8i0n10gta63qh1kw5s671wcnf9" xml:space="preserve">{{Nav}}

== A few words about OpenSCAD ==
OpenSCAD is a solid 3D modeler that enables the creation of parametric models using its scripting language. Models are created by utilizing a technique called constructive solid geometry. According to this technique, simple objects can be transformed and combined in order to create almost any complex model.

== Getting started with the Tutorial ==
This tutorial is a follow-along tutorial. As you are following the examples you will be asked to modify and extend them as well as create your own models. To move on please install OpenSCAD and start from a blank model.

== User Interface ==
After starting OpenSCAD the window should look similar to the image below.

[[File:OpenSCAD environment.png|680px]]

The Window is divided in three columns.

# In the left column, is the built-in text editor, where the true magic unfolds. As you enter keyboard commands you can view the transformation of code into art.
# In the middle column, the displayed 3D View is where your design creations come to life. At the bottom lies the operations sequence console, always ready to lend a helping hand. It unravels the mysteries of mistakes and guides you towards mastery. It is your trusted guidance companion.
# And note the right column, the GUI Customizer. It offers the user a gift of ease toolbar, a graphical interface to tweak and twist your model's parameters.

== Creating your first object ==
Your first object is going to be a perfect cube with side length of 10. In order to create it you need to type the following code in the text editor and hit the preview (first) icon on the action bar below the reference axes.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''a_small_cube.scad''
    &lt;pre&gt;cube(10);&lt;/pre&gt; &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:a_small_cube.jpg|680px]]

There are a few fundamental concepts that you should learn from the start regarding the OpenSCAD scripting language, especially if you don’t have a programming background. The word 'cube' is part of OpenSCAD scripting language and is used to command OpenSCAD to create a cube. The 'cube' command is followed by a pair of parentheses, inside of which the parameter size is defined to be 10. Any definition of parameters that a command may require is always done inside a pair of matching parentheses that follow the command word. The semicolon after the last parenthesis indicates the end of that statement, and helps OpenSCAD parse the script that you typed in the text editor. Because a semicolon is used to indicate the end of each statement you have the freedom to format your code in any way you like by inserting whitespace.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try adding some whitespace between the word 'cube' and the first parenthesis and then hit (select) the &quot;preview&quot; option. Is your cube created? Do you get any error message? Try adding some additional whitespace in different places and hit &quot;preview&quot; again to see what you can get away with before getting an error message in the console. What happens if you add whitespace between the syllables 'cu' and 'be' of the word 'cube' and hit &quot;preview&quot;? What happens if you delete the semicolon?&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

You just read &quot;hit preview&quot; three times in the last paragraph. When you hit &quot;preview&quot; OpenSCAD parses your script and creates the appropriate model. Every time you make a change to your script (e.g. adding whitespace) or later, when adding additional statements, you need to hit &quot;preview&quot; to see the effect of these changes. In case you haven't found the &quot;preview&quot; icon yet, it is the dotted line cube with the two &quot;&gt;&gt;&quot; characters under it. It can also be selected by hitting the F5 key.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try changing the size of the cube to 20 and see what happens. Did you remember to hit preview in order to see your changes take place?&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:A_bigger_cube.jpg|680px]]

== Creating a slightly different cube ==

A cube doesn’t have to be perfect (equal distance). A cube can have different side lengths. Use the following statement to create a cube (cubical) with side lengths of 25, 35 and 55.
&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''a_different_cube.scad''
    &lt;pre&gt;cube([25,35,55]);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;


[[File:a_cube_with_different_side_lengths.jpg|680px]]


This cube is quite large compared to the previous one. In fact, it is so large it doesn’t fit in the viewport. To fix that, hover your mouse over the viewport and scroll out until you can see the entire cube. Zoom in and out by hovering your mouse over the viewport and rotating the scroll wheel. Alternatively, you can use the zoom in (fourth) and out (fifth) icons on the action bar below the viewport. You can let OpenSCAD automatically choose a convenient zoom level by using the view all (third) icon in the same action bar.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try moving your mouse over the viewport and using the scroll wheel to zoom in and out. Try zooming in and out using the corresponding icons. Let OpenSCAD choose a zoom level for you.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:View all viewing option.jpg|680px]]

Apart from zooming in and out, you can also move and rotate the view of your model. To do so, you need to hover your mouse over the viewport while holding down the right button to move or drag the object. Hold down the left button to rotate the object. Reset the view by clicking on the reset view (sixth) icon on the action bar below the viewport.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try dragging your mouse over the viewport while holding down the right or left button to move or rotate your model.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Rotated viewing angle.jpg|680px]]

In order to create a cube with different side lengths, you need to define a pair of brackets with three values inside the parentheses. The pair of brackets is used to denote vector values. The values of the vector need to be comma separated, and correspond to the cube side lengths along the X, Y and Z axes.  Previously, you used the cube command to create a perfect cube by defining the value of the size parameter. Most OpenSCAD commands can be used with different parameters, some with more, less or no parameters to achieve different results.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try using the cube command with no parameters. What happens? Use the cube command to create a cube with side lengths of 50, 5 and 10. Use the cube command to create a perfect cube with side length of 17.25.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

You should notice that every cube is created on the first octant. You can define an additional parameter named center and set it equal to true, in order to draw the cube centered on the origin.

Here's an example of the complete statement: 

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''a_centered_cube_with_different_side_lengths.scad''
    &lt;pre&gt;
cube([20,30,50],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:A centered cube with different side lengths.jpg|680px]]

Notice that when more than one parameter is defined inside the parentheses, they need to be separated with a comma.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try creating a perfect cube or a cube with different side lengths. Use an appropriate additional input parameter to make this cube centered on the origin. If you like, add some whitespace before and after the comma that separates the two parameters.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

== Adding more objects and translating objects ==

The constructive solid modelling approach uses a number of fundamental objects along with a number of ways to transform and combine these objects to create more complex models. The cube that you have been using in the previous examples is one such fundamental object. The fundamental objects are called primitives and are directly available in the OpenSCAD scripting language. A car for example, is not an OpenSCAD primitive, as there is no corresponding keyword in the scripting language. This makes absolute sense because OpenSCAD is a set of modelling tools rather than a library of predefined models. Using the available tools, you can combine the available primitives to create your own car. To do this, you need to know how to add more than one object to your model.

First create a cube with side lengths of 60, 20 and 10 that is centered on the origin.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
    &lt;pre&gt;
cube([60,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:A centered cube.jpg|680px]]

In order to add a second cube to your model, type an identical statement in the next line of the text editor.

Change the side lengths to 30, 20 and 10.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''a_smaller_cube_covered_by_a_bigger_cube.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
cube([30,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:A smaller cube covered by a bigger cube.jpg|680px]]

You should not see any change in your model because the second cube is not larger than the first cube in any dimension, and is currently completely covered by the first cube. By modifying the second statement in the following way, you can translate the second cube to place it on top of the first cube.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([0,0,5])
    cube([30,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes.jpg|680px]]

You achieve this by using the &quot;translate&quot; command - one of the available transformations. The translate command, as well as the rest of the transformations don’t create an object on their own. Rather, they are applied to existing objects to modify them. The translate command can be used to move an object to any point in space. The input parameter for the translate command is a vector of three values. Each value indicates the amount of units that the object will be moved along the X, Y and Z axes. Notice there is no semicolon after the translate command. What follows the translate command is the definition of the object that you wish to translate. The semicolon is added at the end to indicate the completion of the statement.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try changing the input parameter of the translate command, so the cube is translated 5 units along the X axis and 10 units along the Z axis. Try adding some whitespace if you would like to format this statement in a different way. Try adding a semicolon after the translate command.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_barely_touching.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([0,0,10])
    cube([30,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes barely touching.jpg|680px]]

In the example above, the second cube sits exactly on top of the first cube. This is something that should be avoided, as it’s not clear to OpenSCAD whether the two cubes form one object together. This issue can be easily solved by always maintaining a small overlap of about 0.001 - 0.002 between the corresponding objects. One way to do so is by decreasing the amount of translation along the Z axis from 10 unit to 9.999 units.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_with_small_overlap.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([0,0,9.999])
    cube([30,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes with small overlap.jpg|680px]]

Another way to do so more explicitly is by subtracting 0.001 units from the corresponding value on the script.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_with_explicit_small_overlap.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([0,0,10 - 0.001])
    cube([30,20,10],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes with small overlap.jpg|680px]]

There is a third way. To avoid losing 0.001 from the top, we can add a third cube with the X-Y dimensions of the smaller cube, and height of 0.002 ([30, 20, 0.002]). The third cube will close the gap.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''third_cube_close_small_gap.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([0,0,10])
    cube([30,20,10],center=true);
translate([0,0,10 - 0.001])
    cube([30,20,0.002],center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

You will encounter this throughout the tutorial. Instead of two objects just touching each other, always guarantee a small overlap by subtracting or adding a tolerance of 0.001 units. 

== The cylinder primitive and rotating objects ==

The model that you just created looks like the body of a car that has bad aerodynamics. That’s ok. You will be making the car look a lot more interesting and aerodynamic in the following chapters. For now, you are going to use the cylinder primitive and the rotate transformation to add wheels and axles to your car. You can create a wheel by adding a third statement that consists of the cylinder command. You will need to define two input parameters, h and r. 

h is the height of the cylinder. r is its radius.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''a_cylinder_covered_by_cubes.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:A cylinder covered by cubes.jpg|680px]]

Notice the cylinder is hidden by the other objects. Use the translate command to make the cylinder visible by translating it 20 units along the negative direction of the Y axis.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_and_a_cylinder.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([0,-20,0])
    cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes and a cylinder.jpg|680px]]

The wheel is now visible, but your car won’t go anywhere if its not properly placed. You can use the rotate command to make the wheel stand up straight. To do so, you need to rotate it 90 degrees around the X axis.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_and_a_rotated_cylinder.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
rotate([90,0,0])
    translate([0,-20,0])
    cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes and a rotated cylinder.jpg|680px]]

Notice the absence of a semicolon between the rotate and translate command. By now, you should be getting familiar with this concept. The semicolon is only added at the end of a statement. You can keep adding as many transformation commands as you like, but you should not include a semicolon between them.

The second thing to make note of is the rotate command has one input parameter, which is a vector of three values. Analogous to the translate command, each value indicates how many degrees an object will be rotated around the X, Y and Z axes.

The third thing to note is the wheel is standing straight but as a result of its rotation around the x axis it has moved below the car. This happened because the object was moved away from the origin before it was rotated. A good practice for placing objects inside your model is to rotate them first, ''then'' translate them to the desired position. Note that OpenSCAD generates the object, then applies the object transformations starting with the one immediately before the object definition, then working backwards. So in order to rotate your object, then move it with a translation, specify the translation first, followed by the rotation, followed by the object definition.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try first rotating the wheel and then translating it, by changing the order of the rotate and translate commands.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''two_cubes_and_a_rotated_and_translated_cylinder.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([0,-20,0])
    rotate([90,0,0])
    cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Two cubes and a rotated and translated cylinder.jpg|680px]]

It already looks a lot better than the previous position of the wheel.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try modifying the input parameter of the translate command to make this wheel the front left wheel of your car.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''car_body_and_front_left_wheel.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Car body and front left wheel.jpg|680px]]

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try adding the front right wheel of the car by duplicating the last statement and changing only the sign of one value.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''car_body_and_misaligned_front_wheels.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8);
translate([-20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Car body and misaligned front wheels.jpg|680px]]

You should notice that the position of the wheels is not symmetric. This happened because the cylinder was not created centered on the origin.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try adding an additional input parameter to the cylinder commands to tell OpenSCAD both wheels should be centered on the origin when first created. Is the position of your wheels symmetric now?&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''car_body_and_aligned_front_wheels.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([-20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Car body and aligned front wheels.jpg|680px]]

== Completing your first model ==

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try using what you have learned to add the rear missing wheels to the car. Try adding a connecting axle to the front and rear wheels.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''completed_car.scad''
    &lt;pre&gt;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([-20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([-20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);
translate([20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Completed car.jpg|680px]]

Notice on the model above, there is an overlap between the axles and the wheels that is equal to half the thickness of the wheels. If the model was created in a way that the wheels and the axles were just touching each other, then there would be a need to ensure a small overlap between them as was done with the two cubes of the car’s body.

One thing you may have noticed is the resolution of the wheels. Until now you have been using OpenSCAD’s default resolution settings. There are special commands in OpenSCAD language which allow you to have full control over the resolution of your models. Increasing the resolution of your model will also increase the required rendering time every time you update your design. For this reason, it is advised that you keep the default resolution settings when you are building your model, and increase the resolution only after completing your design. Since the car example is completed, you can increase the resolution by adding the following two statements in your script.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
    &lt;pre&gt;
$fa = 1;
$fs = 0.4;&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

Try adding the above two statements at the beginning of the car’s script. Do you notice any changes in the resolution of the wheels?

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid Gold;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: Gold;&quot;&gt;Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''completed_car_higher_resolution.scad''
    &lt;pre&gt;
$fa = 1;
$fs = 0.4;
cube([60,20,10],center=true);
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([-20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
translate([-20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);
translate([20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

[[File:Completed car higher resolution.jpg|680px]]

$fa and $fs are special variables that determine the resolution of the model according to the values that have been assigned to them. Their exact function will be explained later, and is something that you should not worry about yet. The only thing you need to keep in mind, is that you can add these two statements in any script to achieve a resolution that is universally good for 3D printing. These two statements will be used in all examples throughout the tutorial in order to have visually appealing renderings.

Before sharing your script with your friends, it would be nice to include some comments to help them understand your script. You can use a double slash at the start of a line to write anything you like without affecting your model. By using a double slash, OpenSCAD knows that what follows is not part of the scripting language and simply ignores it.

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try adding a comment above each statement to let your friends know what part of your model is created with each statement.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

&lt;table class=&quot;wikitable mw-collapsible mw-collapsed&quot; style=&quot;border: 2px solid MediumSeaGreen;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: MediumSeaGreen;&quot;&gt;Solution Code&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;
''completed_car_commented.scad''
    &lt;pre&gt;
$fa = 1;
$fs = 0.4;
// Car body base
cube([60,20,10],center=true);
// Car body top
translate([5,0,10 - 0.001])
    cube([30,20,10],center=true);
// Front left wheel
translate([-20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
// Front right wheel
translate([-20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
// Rear left wheel
translate([20,-15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
// Rear right wheel
translate([20,15,0])
    rotate([90,0,0])
    cylinder(h=3,r=8,center=true);
// Front axle
translate([-20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);
// Rear axle
translate([20,0,0])
    rotate([90,0,0])
    cylinder(h=30,r=2,center=true);&lt;/pre&gt;
  &lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

It’s time to save your model. Hit the save (third) icon on the action bar above the editor to save your script as a *.scad file. When you are creating a new model remember to save early, then save often, to avoid accidentally losing your work.

If you would like to 3D print your car you can export it as an STL file. First click on the render (second) icon on the action bar below the viewport to generate the STL file, then click on the export as STL icon on the action bar above the editor, to save an STL file of your model.

== Creating a second model ==

&lt;table class=&quot;wikitable&quot; style=&quot;border: 2px solid DodgerBlue;&quot;&gt;
&lt;caption style=&quot;text-align: left; color: DodgerBlue;&quot;&gt;Exercise&lt;/caption&gt;
&lt;tr&gt;
  &lt;td&gt;Try using everything you learned to create a new simple model. It can be a house, an airplane or anything you like. Don’t worry about making your model look perfect, just experiment with your new skills! You will keep learning more techniques to create awesome models in the following chapters.&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;

{{BookCat}}</text>
      <sha1>q4hqv8i0n10gta63qh1kw5s671wcnf9</sha1>
    </revision>
  </page>
  <page>
    <title>Unicode/Character reference/3F000-3FFFF</title>
    <ns>0</ns>
    <id>427007</id>
    <revision>
      <id>4639251</id>
      <parentid>4637854</parentid>
      <timestamp>2026-06-07T10:13:37Z</timestamp>
      <contributor>
        <username>~2026-33468-30</username>
        <id>3602648</id>
      </contributor>
      <origin>4639251</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="64994" sha1="mmoiu1a2st5rla3164vcx6lflckgmbt" xml:space="preserve">{{:Unicode/Character reference}}

{|border=&quot;1&quot; cellpadding=&quot;2&quot; cellspacing=&quot;0&quot; style=&quot;border-collapse:collapse;&quot;
|-
| colspan=&quot;17&quot; style=&quot;background:#f8f8f8;text-align:center&quot; | '''Seal Script (ctd.)'''
|----- style=&quot;background:#ccccff&quot;
!width=&quot;4%&quot;|U+!!width=&quot;6%&quot;|0!!width=&quot;6%&quot;|1!!width=&quot;6%&quot;|2!!width=&quot;6%&quot;|3!!width=&quot;6%&quot;|4!!width=&quot;6%&quot;|5!!width=&quot;6%&quot;|6!!width=&quot;6%&quot;|7!!width=&quot;6%&quot;|8!!width=&quot;6%&quot;|9!!width=&quot;6%&quot;|A!!width=&quot;6%&quot;|B!!width=&quot;6%&quot;|C!!width=&quot;6%&quot;|D!!width=&quot;6%&quot;|E!!width=&quot;6%&quot;|F
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!style=&quot;background:#ffffff&quot;|3F04x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F05x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F06x
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!style=&quot;background:#ffffff&quot;|3F09x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F0Bx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F0Cx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F0Dx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F0Ex
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F0Fx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- style=&quot;background:#ccccff&quot;
!U+||0||1||2||3||4||5||6||7||8||9||A||B||C||D||E||F
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|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F11x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F12x
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!style=&quot;background:#ffffff&quot;|3F13x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F14x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F15x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F16x
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!style=&quot;background:#ffffff&quot;|3F17x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F18x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F19x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F1Ax
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!style=&quot;background:#ffffff&quot;|3F1Bx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F1Cx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
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!style=&quot;background:#ffffff&quot;|3F1Dx
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!style=&quot;background:#ffffff&quot;|3F1Fx
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!U+||0||1||2||3||4||5||6||7||8||9||A||B||C||D||E||F
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!style=&quot;background:#ffffff&quot;|3F21x
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!style=&quot;background:#ffffff&quot;|3F22x
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!style=&quot;background:#ffffff&quot;|3F24x
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!style=&quot;background:#ffffff&quot;|3F25x
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!U+||0||1||2||3||4||5||6||7||8||9||A||B||C||D||E||F
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!style=&quot;background:#ffffff&quot;|3F31x
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!style=&quot;background:#ffffff&quot;|3F32x
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|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FA7x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FA8x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FA9x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FAAx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FABx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FACx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FADx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FAEx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FAFx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- style=&quot;background:#ccccff&quot;
!U+||0||1||2||3||4||5||6||7||8||9||A||B||C||D||E||F
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB0x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB1x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB2x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB3x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB4x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB5x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB6x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB7x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB8x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FB9x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBAx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBBx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBCx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBDx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBEx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FBFx
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- style=&quot;background:#ccccff&quot;
!U+||0||1||2||3||4||5||6||7||8||9||A||B||C||D||E||F
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FC0x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FC1x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FC2x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
!style=&quot;background:#ffffff&quot;|3FC3x
|&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;||&amp;nbsp;
|-
| colspan=&quot;17&quot; style=&quot;background:#f8f8f8;text-align:center&quot; | '''Enclosed Alphanumeric Extended-A'''
|----- style=&quot;background:#ccccff&quot;
!width=&quot;4%&quot;|U+!!width=&quot;6%&quot;|0!!width=&quot;6%&quot;|1!!width=&quot;6%&quot;|2!!width=&quot;6%&quot;|3!!width=&quot;6%&quot;|4!!width=&quot;6%&quot;|5!!width=&quot;6%&quot;|6!!width=&quot;6%&quot;|7!!width=&quot;6%&quot;|8!!width=&quot;6%&quot;|9!!width=&quot;6%&quot;|A!!width=&quot;6%&quot;|B!!width=&quot;6%&quot;|C!!width=&quot;6%&quot;|D!!width=&quot;6%&quot;|E!!width=&quot;6%&quot;|F
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC4x
|{{H:title|dotted=no|CIRCLED NUMBER FIFTY ONE|&amp;#x3fc40;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY TWO|&amp;#x3fc41;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY THREE|&amp;#x3fc42;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY FOUR|&amp;#x3fc43;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY FIVE|&amp;#x3fc44;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY SIX|&amp;#x3fc45;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY SEVEN|&amp;#x3fc46;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY EIGHT|&amp;#x3fc47;}}||{{H:title|dotted=no|CIRCLED NUMBER FIFTY NINE|&amp;#x3fc48;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY|&amp;#x3fc49;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY ONE|&amp;#x3fc4a;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY TWO|&amp;#x3fc4b;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY THREE|&amp;#x3fc4c;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY FOUR|&amp;#x3fc4d;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY FIVE|&amp;#x3fc4e;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER A|&amp;#x3fc4f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC5x
|{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER B|&amp;#x3fc50;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER C|&amp;#x3fc51;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER D|&amp;#x3fc52;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER E|&amp;#x3fc53;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER F|&amp;#x3fc54;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER G|&amp;#x3fc55;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER H|&amp;#x3fc56;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER I|&amp;#x3fc57;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER J|&amp;#x3fc58;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER K|&amp;#x3f559;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER L|&amp;#x3fc5a;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER M|&amp;#x3fc5b;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER N|&amp;#x3fc5c;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER O|&amp;#x3fc5d;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER P|&amp;#x3fc5e;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER Q|&amp;#x3fc5f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC6x
|{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER R|&amp;#x3fc60;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER T|&amp;#x3fc61;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER U|&amp;#x3fc62;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER V|&amp;#x3fc63;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER W|&amp;#x3fc64;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER X|&amp;#x3fc65;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER Y|&amp;#x3fc66;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN CAPITAL LETTER Z|&amp;#x3fc67;}}||{{H:title|dotted=no|CIRCLED NUMBER SIGN|&amp;#x3fc68;}}||{{H:title|dotted=no|CIRCLED DOLLAR SIGN|&amp;#x3f569;}}||{{H:title|dotted=no|CIRCLED PERCENT SIGN|&amp;#x3fc6a;}}||{{H:title|dotted=no|CIRCLED AMPERSAND|&amp;#x3fc6b;}}||{{H:title|dotted=no|CIRCLED PERMILE SIGN|&amp;#x3fc6c;}}||{{H:title|dotted=no|CIRCLED INTERROBANG|&amp;#x3fc6d;}}||{{H:title|dotted=no|CIRCLED EXCLAMATION MARK|&amp;#x3fc6e;}}||{{H:title|dotted=no|CIRCLED QUESTION MARK|&amp;#x3fc6f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC7x
|{{H:title|dotted=no|CIRCLED NUMBER SIXTY SIX|&amp;#x3fc70;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY SEVEN|&amp;#x3fc71;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY EIGHT|&amp;#x3fc72;}}||{{H:title|dotted=no|CIRCLED NUMBER SIXTY NINE|&amp;#x3fc73;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY|&amp;#x3fc74;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY ONE|&amp;#x3fc75;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY TWO|&amp;#x3fc76;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY THREE|&amp;#x3fc77;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY FOUR|&amp;#x3fc78;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY FIVE|&amp;#x3f579;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY SIX|&amp;#x3fc7a;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY SEVEN|&amp;#x3fc7b;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENTY EIGHT|&amp;#x3fc7c;}}||{{H:title|dotted=no|CIRCLED NUMBER SEVENT NINE|&amp;#x3fc7d;}}||{{H:title|dotted=no|CIRCLED NUMBER EIGHTY|&amp;#x3fc7e;}}||{{H:title|dotted=no|CIRCLED TIRONIAN SIGN ET|&amp;#x3fc7f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC8x
|{{H:title|dotted=no|PARENTHESIZED DIGIT ZERO|&amp;#x3fc80;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT ZERO|&amp;#x3fc81;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT ONE|&amp;#x3fc82;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT TWO|&amp;#x3fc83;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT THREE|&amp;#x3fc84;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT FOUR|&amp;#x3fc85;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT FIVE|&amp;#x3fc86;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT SIX|&amp;#x3fc87;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT SEVEN|&amp;#x3fc88;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT EIGHT|&amp;#x3f589;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT NINE|&amp;#x3fc8a;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED DIGIT TEN|&amp;#x3fc8b;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER A|&amp;#x3fc8c;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER B|&amp;#x3fc8d;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER C|&amp;#x3fc8e;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER D|&amp;#x3fc8f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FC9x
|{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER E|&amp;#x3fc90;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER F|&amp;#x3fc91;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER G|&amp;#x3fc92;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER H|&amp;#x3fc93;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER I|&amp;#x3fc94;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER J|&amp;#x3fc95;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER K|&amp;#x3fc96;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER L|&amp;#x3fc97;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER M|&amp;#x3fc98;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER N|&amp;#x3fc99;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER O|&amp;#x3fc9a;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER P|&amp;#x3fc9b;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER Q|&amp;#x3fc9c;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER R|&amp;#x3fc9d;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER S|&amp;#x3fc9e;}}||{{H:title|dotted=no|TORTOISE SHELL BRACKETED LATIN SMALL LETTER T|&amp;#x3fc9f;}}
|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
!style=&quot;background:#ffffff&quot;|3FCAx
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|----- align=&quot;center&quot; style=&quot;background:#bba757&quot;
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|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
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|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
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|----- align=&quot;center&quot; style=&quot;background:#777777&quot;
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      <comment>Updating gadget usage statistics from [[Special:GadgetUsage]] ([[phab:T121049]])</comment>
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      <text bytes="2012" sha1="3uv2547ivyv1e4juqdljlz2rue5kalg" xml:space="preserve">{{#ifexist:Project:GUS2Wiki/top|{{/top}}|This page provides a historical record of [[Special:GadgetUsage]] through its page history. To get the data in CSV format, see wikitext. To customize this message or add categories, create [[/top]].}}
The following data is cached, and was last updated 2026-06-04T08:01:25Z. A maximum of {{PLURAL:5000|one result is|5000 results are}} available in the cache.
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  <page>
    <title>User talk:Bembety</title>
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      <timestamp>2026-06-06T13:56:02Z</timestamp>
      <contributor>
        <username>Bembety</username>
        <id>3456470</id>
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      <comment>/* Cookbook edits */ Reply</comment>
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      <text bytes="6461" sha1="eeskpakel507a01x46gbtcfnv18tzd2" xml:space="preserve">== Cookbook editing ==

Hi @[[User:Bembety|Bembety]], and welcome to the Cookbook! Going forward, please make sure that future edits and additions conform with the [[Cookbook:Policy/Recipe template|recipe template]] as per Cookbook policy. Additionally, please note that [[Cookbook:Adalu (food)]] is currently considered incomplete. Let me know if you have any questions! Cheers —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 22:49, 26 November 2024 (UTC)

:Following up on this. Please note the fixes I made to [[Cookbook:Groundnut Soup]]. Thanks —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 02:47, 2 December 2024 (UTC)
::Additionally, [[Cookbook:Omoebe (leave) soup]] is currently incomplete due to missing quantities with insufficient guidance to compensate. If left incomplete, it may be deleted. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 16:46, 2 December 2024 (UTC)
:::Hi @[[User:Bembety|Bembety]]—could you please complete your existing recipes before adding new recipes? Thanks! —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 01:16, 7 July 2025 (UTC)
::::Thanks. Please what remain? [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 07:13, 7 July 2025 (UTC)
:::::As I wrote above, [[Cookbook:Omoebe (leave) soup]] is still incomplete for the stated reasons. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 12:00, 7 July 2025 (UTC)
::::::I see also that [[Cookbook:Ofe Onugbu (Bitter Leaf Soup)]] is also incomplete and will need to be fixed. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 21:09, 7 July 2025 (UTC)

==[[:Cookbook:Ofe Onugbu (Bitter Leaf Soup)]]==
{{tmbox|type=delete|text='''Bembety, &quot;[[:Cookbook:Ofe Onugbu (Bitter Leaf Soup)|Cookbook:Ofe Onugbu (Bitter Leaf Soup)]]&quot; is currently incomplete.'''&lt;br /&gt;You are being notified because you have contributed this work. The reasons for its incompleteness are listed [[:Cookbook:Ofe Onugbu (Bitter Leaf Soup)|on the recipe page]]. Please complete the recipe as indicated, or it is liable to be speedily deleted as abandoned material. Let me know if you have any questions. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 21:49, 24 July 2025 (UTC)}}

== Cookbook edits ==

@[[User:Bembety|Bembety]] thank you for your latest edits in the cookbook. I notice you are adding some material in a way that does not match the [[Cookbook:Policy/Recipe template|recipe template]]. For example, there should not be a standalone section for preparation time. Additionally, if you are adding optional ingredients, you should include the quantities and the instructions on how to use them. Thanks! —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 23:11, 16 May 2026 (UTC)

:i will improve in my next edit. Thanks  [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 23:20, 16 May 2026 (UTC)
::@[[User:Bembety|Bembety]] I've noticed that your most recent recipes have incorrect categories—could you please fix these? —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 18:58, 3 June 2026 (UTC)
:::@[[User:Bembety|Bembety]] because you are mass adding incomplete recipes without responding to requests for improvement, I have temporarily restricted your ability to create new pages in the Cookbook. You are welcome to continue editing the recipes you have already added to make them complete. Let me know if you have any questions. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 20:30, 4 June 2026 (UTC)
::::Thank you for the feedback. I understand the restriction and will concentrate on improving the recipes I have already created. I appreciate the opportunity to correct and complete them. Please let me know if there are particular pages that should be prioritized. [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 21:23, 4 June 2026 (UTC)
::::You have restricted my editing privileges. How am I supposed to fix and improve the articles if I am unable to work on them? [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 22:05, 4 June 2026 (UTC)
:::::@[[User:Bembety|Bembety]] to confirm—are you unable to edit the Cookbook pages you already created? That was not my intention, and I can make adjustments if needed. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 00:01, 5 June 2026 (UTC)
::::::Yes, I am still able to edit the Cookbook pages I created. I will try and work on improving and completing them as requested [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 00:45, 5 June 2026 (UTC)
::::::I have been trying to work on the articles, but this is what I am seeing: (You are currently unable to perform this action on Wikibooks). [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 13:56, 6 June 2026 (UTC)

== Copied text ==

@[[User:Bembety|Bembety]] I see that you are copying text from Wikipedia word-for word without attribution—please do not do this, as it's against policy. —[[User:Kittycataclysm|Kittycataclysm]] ([[User talk:Kittycataclysm|discuss]] • [[Special:Contributions/Kittycataclysm|contribs]]) 15:24, 3 June 2026 (UTC)

:I copied it because it describes the recipe and helps readers understand what the dish is about. But it won't repeat itself again  [[User:Bembety|Bembety]] ([[User talk:Bembety|discuss]] • [[Special:Contributions/Bembety|contribs]]) 16:26, 3 June 2026 (UTC)</text>
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  <page>
    <title>Template talk:Featured Wikijunior book/Languages</title>
    <ns>11</ns>
    <id>480955</id>
    <revision>
      <id>4639241</id>
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      <timestamp>2026-06-07T04:54:59Z</timestamp>
      <contributor>
        <username>Pppery</username>
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      <comment>Re</comment>
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      <text bytes="937" sha1="nrztd7wi16qbccfp55az88wr1hy7gb8" xml:space="preserve">== Semi-protected edit request on 31 December 2025 ==

{{edit semi-protected|Template:Featured Wikijunior book/Languages|answered=yes}}
Change cover from `Languages Graphic.svg` to `Languages Graphic.png`.  The Languages Graphic SVG file renders differently depending on the installed fonts, and in many cases, this results in suboptimal rendering (especially considering the image uses glyphs from several languages).  For example, the thumbnail generated on the Wikimedia servers causes text to wrap across one of the borders of the colored grid.

See: https://upload.wikimedia.org/wikipedia/commons/thumb/0/04/Languages_Graphic.svg/250px-Languages_Graphic.svg.png [[User:Harlanlb|Harlanlb]] ([[User talk:Harlanlb|discuss]] • [[Special:Contributions/Harlanlb|contribs]]) 17:32, 31 December 2025 (UTC)
: Done. [[User:Pppery|Pppery]] ([[User talk:Pppery|discuss]] • [[Special:Contributions/Pppery|contribs]]) 04:54, 7 June 2026 (UTC)</text>
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  <page>
    <title>FlightGear Flight Simulator/Getting Started</title>
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      <text bytes="12120" sha1="qjxolced1z6og8anlykahsyccmjs4gl" xml:space="preserve">This page will introduce the process of getting started with FlightGear.

== Running FlightGear ==
=== Starting FlightGear ===
The easiest way to start FlightGear is to use the desktop icon. This starts the graphical interface FlightGear Qt launcher where you can choose aircraft, start position etc. Remember the Qt launcher only has basic options to get you started. A lot of options for graphics, scenery, weather, environment, input devices etc. are available from the menu inside the simulator.

Many users choose however to start FlightGear directly from the command line. The executable name is &lt;code&gt;fgfs&lt;/code&gt; and can be run without options. If it is &quot;not found&quot;, it is likely not in your path. The location depends on your particular system and choices you made during compile and installation. There is a list of Command Line Parameters which must be used to change many options, like the aircraft you want. The most important:

 fgfs --launcher             # opens the FlightGear Qt launcher
 fgfs --show-aircraft        # displays a list of installed aircraft
 fgfs --aircraft=c172p       # start FG with the aircraft &quot;c172p&quot; (from the list)

The Qt launcher also lets users add command line parameters for options that are normally changed from the menu inside the simulator, as well as quite advanced options that are only available from the command line (as of August 2020).

=== Configuring rendering and UI ===
[[File:FlightGear Rendering options 2024.1.png|thumb|Rendering options]]
If your render quality or framerate is too low, click &quot;View &gt; Rendering Options&quot; to adjust the graphic settings. For newer hardware, it's recommended to set &quot;graphics quality&quot; to high and check &quot;use disk space for faster loading&quot;, &quot;animated jetways&quot; and &quot;satellite photoscenery&quot;.

If the menu text appears too small on high DPI or large screens, you can manually change the menubar font size by editing the data file, or simply click &quot;Debug &gt; Cycle GUI Style&quot;.

=== Using the keyboard and/or mouse ===
Users with limited access to a joystick or other controllers sometimes use the keyboard or mouse to control their aircraft. Using the keyboard to fly can be difficult and the mouse is recommended over the keyboard for flying, yet even a cheap joystick would improve the experience so much.

To get help with keyboard commands, with FlightGear running, go to the ''Help'' menu, look under ''Basic Keys'' (for simulator related commands) and ''Common Aircraft Keys'' (for commands universal to all aircraft) and ''Aircraft Help'' (for key commands specific to your aircraft). If the main menu is hidden, press F10.

To use the mouse to fly the aircraft, press Tab (the cursor should change to a cross) and move the mouse to direct the aircraft. Press Tab again to look around (cursor should show a two sided arrow), and press Tab again to return to normal mode, used to click stuff in the cockpit. You can click &quot;File &gt; Input Devices &gt; Mouse Config&quot; to adjust the mouse sensitivity.

For most users lacking a rudder axis control, it’s difficult to manually coordinate aileron and rudder movements during a turn. To enable auto-coordination and make flight easier, you may click &quot;Settings&quot;, then click the &quot;Show more&quot; button on the right of &quot;General&quot;, and finally click &quot;Enable auto-coordination&quot; in the launcher.

=== First time in the cockpit ===
Finding your way around the cockpit may be challenging the first time.

You can use Ctrl+V to switch to the cockpit view. If the text on the panel are too small, you can use the ''view'' mode of the mouse (press Tab until you get a cursor shaped like a double arrow) to pan and the mouse wheel to zoom, or pan with the joystick hat and zoom with X and Shift+X.

One of the first steps that many take on entering an unfamiliar cockpit is to press Ctrl+C to highlight all the &quot;hotspots&quot;, that is instrument controls, buttons, knobs, etc. Many aircraft also offer a specific help menu.

Some functions, such as starter or magneto, may be difficult to use or simply lack clickable &quot;hotspots&quot;, especially in aircraft models which are in development. In most cases you can use the keyboard. The keyboard always work according to the assignments listed on the &quot;Help &gt; Aircraft help&quot; or &quot;Help &gt; Common aircraft keys&quot; menu, but sometimes some keys are reassigned by an aircraft or configuration. Again, remember to check all the help dialogs.

=== Starting the engine ===
You are eager to fly, but the engine is off. Well, turning on the engines is not always easy. Most aircraft have an ''autostart'' entry in their custom menu, but here is a general procedure that should work in many cases:

In general to start the engine on a piston-engine type aircraft, you need (after making sure the game is not paused p):
# Fuel: Some aircraft start the simulation with no fuel. You can add it in ''Equipment'' &amp;gt; ''Fuel and Payload''.
# Correct fuel mixture: This is generally ''rich'', so push the red knob all the way in, or use the key m to enrich (Shift+m leans.)
# Magnetos set on ''both'': Turn the key or press &amp;#125; ''three times'' to move through ''R'', ''L'', ''Both''.
# Throttle: Some engines start better with a little gas.
# Run the starter: Click the ''Start'' position of the key on the panel, or press s. Hold the starter for sufficient time, even 10 seconds.

Starting all engines in a multi-engine aircraft is similar to the single engine - except you must follow the same start sequence for each and every engine. FlightGear provides a convenient way to do this for all engines at once: Press ~ and all the procedure above will work for all the engines. Note though that the default 2D panel is connected to ''only one engine'' and the ~ trick might not work. Also, give some gas to be sure that all the engines are on.

These instructions may not work for jet aircraft, helicopters, or other types of aircraft with complex start procedures. Check the instructions in the aircraft help menu (press ?) and/or look at the aircraft's article on this wiki. In general to start the engine on a jet engine type aircraft, you need to:
# Set cutoff ''ON'' 
# Engage the starter
# Once the engines spools up to approximately 5% N1, set cutoff ''OFF''
# Disengage the starter once the engine has reached operational speed

== Learning to fly ==
=== FlightGear's Manual ===
FlightGear has an official manual that covers the basics of flight. As a beginner, you may want to start with &quot;Chapter 8: A Basic Flight Simulator Tutorial.&quot;

=== Tutorials ===
Many aircraft have their own interactive tutorials. With tutorials, you can learn to operate particular aircraft but also learn to fly. You can access tutorials by going to 'Help'' &amp;gt; ''Tutorial''. A great place to start is the tutorial for the Cessna 172P aircraft, commonly used in real life to learn to fly fixed-winged aircraft.

If the tutorial starts without a runway and surrounded by water, your setup of FlightGear is missing the scenery for the airport at which the tutorial was supposed to run. To get scenery see the #Getting scenery section above.

== Making your first flight ==
=== Realism ===
One of the most frequent questions novice pilots ask about any flight simulator, but more so to FlightGear, is &quot;Why is my aircraft turning left all the time?&quot; Although it could be due to wind gusts crossing the runway, it is more likely due to the propeller torque and p-factor.

In certain other flight simulators, despite marketing slogans to the contrary, some settings are turned down to make the aircraft easier to fly. This reduces effects such as the above. The realism is always turned up in FlightGear.

Here are some of the FlightGear realism points, which may be confusing to first time pilots:
* &quot;Left turning syndrome&quot; for the previously mentioned reasons.
* Compass turning error: A compass, when subjected to the forces of flight, tends to turn in the opposite direction for a brief period before settling on the correct heading. This is not a malfunction (see also the Wikipedia article Aircraft compass turns).
* The Vertical Speed Indicator (VSI) is also subject to error.
* The Horizontal Situation Indicator (HSI) is driven by a gyroscope (that is why it is sometimes called a Directional Gyroscope), which is subject to ''gyro drift''. The indicator will drift from its current heading and must be periodically (every ~15 minutes) calibrated to agree with the magnetic compass heading.
* You cannot just cancel a turn or climb by centering the yoke or stick. You must turn or push the stick the other way to get to level and level flight. But even then, the plane will not maintain its altitude or heading by itself. A common mistake is trying to find a hands off yoke position. While with trimming one could leave the plane for a couple of seconds, one must use autopilot or constantly adjust the yoke.

Many forces act on an aircraft in flight as well as on the avionics and instruments used for control and navigation, and may be counter-intuitive. Pilots must learn to recognize these phenomena and compensate for their effects. ''FlightGear models instrument errors that exist in the real world''.

=== Airports and navigation aids ===
When you first start FlightGear, whether from the command line or the graphical interface of the launchers, you may wonder how to determine what airports are available. The launcher displays a list of airports, but you will not see details such as tower or ILS frequencies. You will not find a map showing VORs and their frequencies. What can you do? See Getting aeronautical charts.

In-sim, there is a map you can use in ''Main Menu'' &amp;gt; ''Equipment'' &amp;gt; ''Map'', which will allow you to see navigation data and the position of airports and aids. For more help with navigation see Understanding navigation.

=== Flying using the autopilot ===
A generic autopilot is available from the ''Autopilot &gt; Autopilot Settings'' menu, while many aircraft come with their own ''specific'' autopilot, frequently a model of the real life one.

For aircraft that provide their own autopilot, you should use the autopilot controls available in the virtual cockpit. This means clicking on the instrument panel in the virtual cockpit. The Autopilot menu may be grayed out and unavailable when the aircraft supplies its own autopilot in some aircraft, including the Airbuses and the C172P.

The Cessna 172 comes with a Bendix/King KAP140 Autopilot in its virtual cockpit. You can use both the autopilot device in the cockpit and the autopilot settings from the menu.

== Advanced ==
=== Flying ===
* If you continue to fly light civilian aircraft, Cessna 182S which is more complex than C172P and PA28 are good choices.
* If you are interested in flying airlines, Airbus A320 family, Boeing 777/787, MD-11 and MD-80 are suggested.
* If you are fascinated by fighter aircrafts, choose a highly rated military aircraft (such as F-16/F-15), and enable multiplayer damage or install Bombable.
* If you switch to helicopters, it is recommended to fly Eurocopter EC130 B4.

Besides common aircraft, there are also detailed space shuttles available.

=== Scenery ===
It is fascinating to explore the scenery (or just test the graphics/frame rate) with UFO. First of all, increase your graphics quality. If you don't see buildings initially, keep FG open and wait for a while for TerraSync to finish downloading and for the buildings to appear.
There are plenty of well-developed airports and scenery areas. You can also explore the scenery objects on the model map.

=== Multiplayer ===
FlightGear has some multiplayer servers that will let you fly in more lively skies, see Howto: Multiplayer. There are also OpenRadar and ATC-pie, standalone programs that will let you be an air traffic controller.

There is also a multiplayer map that lets you see who is online right now, and even what navaids are nearby.

=== Addons ===
FlightGear has a lot of third-party addons containing enhancements. For beginners, Logbook and Which Runway may be the most useful addons.&lt;ref&gt;https://wiki.flightgear.org/New_to_FlightGear&lt;/ref&gt;

== References ==
{{Reflist}}

{{BookCat}}</text>
      <sha1>qjxolced1z6og8anlykahsyccmjs4gl</sha1>
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  <page>
    <title>Chess Opening Theory/1. c4/1...e6/2. Nf3/2...d5/3. Nc3</title>
    <ns>0</ns>
    <id>483560</id>
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Opening table

c4 e6 nf3 d4 nc6

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    <title>Chess Opening Theory/1. c4/1...e6/2. Nf3/2...d5/3. Nc3/3...dxc4</title>
    <ns>0</ns>
    <id>483561</id>
    <revision>
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      <text bytes="65" sha1="4g063iwlezxb00hvw1wmdqe626igiqx" xml:space="preserve">Black accepts.

Opening table

c4 e6 nf3 d4 nc6 dxc4

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    <ns>0</ns>
    <id>483562</id>
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      <text bytes="81" sha1="2o2qy5k7quwv4u2dg22jwb5i2k5htob" xml:space="preserve">White gambits another pawn.

Opening table

c4 e6 nf3 d4 nc6 dxc4 d3

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    <title>Chess Opening Theory/1. c4/1...e6/2. Nf3/2...d5/3. Nc3/3...dxc4/4. d3/4...cxd3</title>
    <ns>0</ns>
    <id>483563</id>
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      <text bytes="57" sha1="ioakt3yc99lh7l1k5q2cxmy31l88kfm" xml:space="preserve">Opening table

c4 e6 nf3 d4 nc6 dxc4 d3 cxd3

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    <ns>0</ns>
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      <text bytes="84" sha1="5cgvpm4zdf59b43r7tqvr2cdahvtfqk" xml:space="preserve">White sets up a trap.

Opening table

c4 e6 nf3 d4 nc6 dxc4 d3 cxd3 Bg5

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      <text bytes="93" sha1="541he52pezls8tnnn6m59ywdvp677qw" xml:space="preserve">'''English, Agincourt Defense'''

Black failed to see the trap &amp; loses the game.

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      <text bytes="131" sha1="336b62xdrfr7p8l2u2t3m7yeg2lqb2i" xml:space="preserve">'''English Opening: Operahouse Trap'''

Black has lost in 6 moves, &amp; white successfully won using the Operahouse Trap.

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      <text bytes="162" sha1="scdy9bx96xecx066fhciurl39tk5mco" xml:space="preserve">==Kobo-Steinberg Variation==
A sharp move that initiates a kingside initiative.
first played in the game Nitzan Steinberg vs. Lali Agbabishvili 2017.

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    <title>Vehicle Identification Numbers (VIN codes)/Volkswagen/VIN Codes</title>
    <ns>0</ns>
    <id>483652</id>
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      <text bytes="6869" sha1="i672kp1yj541mfbckbkrnda83iorjz9" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WVW - VW passenger car
* WVG - VW SUV &amp; ID Buzz
* WV1 - VW Comm. Vehicles - cargo van, pickup truck (truck)
* WV2 - VW Comm. Vehicles - passenger van, camper van, or minibus (M.P.V.)
* WV3 - VW Comm. Vehicles - chassis cab or cutaway (incomplete vehicle)
* WV4 - VW Comm. Vehicles made by Ford (T7 Transporter, 2nd gen. Amarok) - cargo van, pickup truck (truck)
* WV5 - VW Comm. Vehicles made by Ford (T7 Caravelle) - passenger van, camper van, or minibus (M.P.V.)
* 1VW - VW passenger car made in USA
* 1V1 - VW truck made in USA
* 1V2 - VW SUV made in USA
* 2V8 - VW M.P.V. (Routan) 2009 with side airbags made by Chrysler Canada
* 2V4 - VW M.P.V. (Routan) 2010-2011 made by Chrysler Canada
* 2C4 - Chrysler Group Canada (all brands produced) M.P.V. - used for 2012-2014 Routan
* 3VW - VW passenger car made in Mexico
* 3VV - VW SUV made in Mexico
* 8AW - VW passenger car made in Argentina
* 9BW - VW passenger car made in Brazil

M.P.V.=Multipurpose Passenger Vehicle

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| F || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4172cc. VW Phaeton ('04-'06)
|-
| H || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. 414 hp. VW Phaeton ('04-'05)
|-
| K || 4.0L || 72° W8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. VW W8 engine. VW Passat W8 ('02-'04)
|-
| K || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. 444 hp. VW Phaeton ('06)
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*1 = VW-RA (VW Restraint Automatic): Door-mounted front shoulder belts and front knee bolsters
*2 = VW-RA (VW Restraint Automatic): Door-mounted front shoulder belts, Manual front lap belts, and front knee bolsters
*4 = VW-ELRA (VW Electromechanical Restraint Automatic): Motorized front shoulder belts, Manual front lap belts
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*6 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags &amp; Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Dual-stage Airbags &amp; Front Side Airbags &amp; Side Curtain Airbags
*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags
*0 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Side Curtain Airbags (Phaeton)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Side Curtain Airbags (Touareg)
*8 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Side Curtain Airbags (Jetta)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Side Curtain Airbags (Except Jetta)

===Position 7-8, Model Line:===
1981-2009:
*30 = Fox ('87-'93)
*15 = Rabbit Convertible ('81-'84), Cabriolet ('85-'93)
*16 = Jetta ('81-'88)
*17 = Rabbit ('81-'84), Rabbit Truck ('81-'83), Golf (US built: '85-'89)
*1G = Golf (Mexican built: '89-'92), Jetta ('89-'92)
*1H = Golf/GTI ('93-'99 - Mark III), Jetta ('93-'99 - Mark III)
*1E = Cabrio ('95-'99)
*1V = Cabrio ('00-'02)
*1J = Golf/GTI ('99-'06 - Mark IV), R32 ('04), City Golf (Canada only: '07-'09), Jetta wagon ('01-'05 &amp; '06 in Canada - Mark IV)
*9M = Jetta sedan ('99-'05 - Mark IV), City Jetta (Canada only: '07-'09)
*1K = Rabbit/GTI ('06-'09 - Mark V), R32 ('08), Jetta sedan ('05-'09 - Mark V), Jetta Sportwagen ('09 - Mark V)
*32 = Dasher hatchback ('81), Quantum hatchback ('82-'83)/sedan ('82-'88)
*33 = Dasher wagon ('81), Quantum wagon ('82-'88)
*31 = Passat ('90-'94)
*3A = Passat ('95-'97)
*3B = Passat ('98-'05)
*3C = Passat ('06-'09), CC ('09)
*3D = Phaeton ('04-'06)
*53 = Scirocco ('81-'88 &amp; '89 in Canada)
*50 = Corrado ('90-'94 &amp; '95 in Canada)
*1C = New Beetle coupe ('98-'09)
*1Y = New Beetle convertible ('03-'09)
*1F = Eos ('07-'09)
*25 - Vanagon ('81-'91)
*70 = Eurovan ('93-'03 &amp; '92 in Canada), Eurovan-based Winnebago Rialta, Winnebago Vista, Itasca Sunstar Class C motorhomes
*5N = Tiguan ('09)
*7L = Touareg ('04-'09)

2010-:
*BE (Type 1J) = City Golf (Canada only: '10)
*AJ (Type 5K) = Golf/GTI ('10-'14 - Mark 6), Golf R ('12-'13)
*AU (Type AU) = Golf/GTI ('15-'21 - Mark 7), Golf R ('15-'19), Golf Sportwagen ('15-'19 - Mark 7), Golf Alltrack ('17-'19), e-Golf ('15-'19 &amp; '20 in Canada)
*CD (Type CD) = Golf GTI/Golf R ('22-24 - Mark 8)
*CD (Type DA) = Golf GTI/Golf R ('25-present - Mark 8.5)
*AJ (Type 1K) = Jetta sedan ('10 - Mark V), Jetta Sportwagen ('10-'14 - Mark V)
*AJ (Type 16) = Jetta sedan ('11-'18 - Mark VI)
*BU = Jetta sedan ('19-present - Mark VII)
*AN (Type 3C) = Passat ('10)
*A3 (NMS) = Passat ('12-'22)
*AN (Type 3C) = CC ('10-'17)
*AN (Type 3H) = Arteon ('19-'23)
*AG (Type 1C) = New Beetle coupe ('10)
*AL (Type 1Y) = New Beetle convertible ('10)
*AT (Type 5C) = Beetle ('12-'19)
*AH (Type 1F) = Eos ('10-'16)
*EB = ID Buzz ('25)
*B2 (Type CL) = Taos ('22-)
*AX (Type 5N) = Tiguan ('10-'17), Tiguan Limited ('17-'18)
*AX (Type BW) = Tiguan ('18-'24)
*RM = Tiguan ('25-)
*A9 (Type 7L) = Touareg ('10)
*BP (Type 7P) = Touareg ('11-'17)
*CA = Atlas ('18-'26), Atlas Cross Sport ('20-'26)
*E2 = ID.4 (German built: '21-'22)
*E8 = ID.4 (US built: '23-'26)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* B:    Brussels, Belgium
* C:    Chattanooga, TN, USA
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* G:    Graz, Austria (Steyr-Daimler-Puch plant: Vanagon Syncro 4wd [US: '86-'87, '89-'91, Canada: '86-'91]) 
* H:    Hanover, Germany
* K:    Osnabrueck, Germany (Karmann plant: Scirocco ['81-'88 &amp; '89 in Canada], Corrado ['90-'94 &amp; '95 in Canada], Rabbit Convertible ['81-'84], Cabriolet ['85-'93], Cabrio ['95-'96])
* K:    Osnabrueck, Germany (ex-Karmann VW Osnabrueck GmbH plant: Tiguan ['17], Tiguan Limited ['17-'18])
* M:    Puebla, Mexico
* P:    Zwickau, Germany [For WMI: WVW or WVG]
* P:    Sao Bernardo do Campo, Sao Paulo state, Brazil (Anchieta plant) [For WMI: 9BW]
* R:    Windsor Assembly - Windsor, ON, Canada (Chrysler plant)
* V:    Westmoreland Assembly - East Huntingdon, Westmoreland County, PA, USA [For WMI: 1VW or 1V1]
* V:    Portugal [For WMI: WVW]
* W:    Wolfsburg, Germany
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 8:    Dresden, Germany

'''Positions 12–17, Serial Number'''

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    <title>General Literary Chinese from Scratch/Lunar Dates with the Spring and Autumn Annals</title>
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      <text bytes="7582" sha1="ol1ucrap76qjr3sm8hnil08qhdksf2w" xml:space="preserve">WIP

Vocabulary not noted yet: 來，前，初

[[File:Confucius, fresco from a Western Han tomb of Dongping County, Shandong province, China.jpg|thumb|200px|Confucius, a purported author of the Annals.]] 
One of the most famous texts in the Literary and Classical Chinese canon is the Spring and Autumn Annals, known natively as ''Chunqiu'' 春秋. It is said to have been by Confucius whilst he was a minister in the State of Lu 魯, and while it is extremely simple, it is extremely audacious, biassed, and tongue-in-cheek, all whilst not necessarily being explicit about it. This makes it an excellent way to discuss dates, synonyms for various important verbs, and find early but important ways to get acquainted with traditional writers thought. By the end of this lesson, you will have an idea of why this text spawned five extremely elaborate commentaries, three of which are extant to this day. 

The State of Lu was founded by Boqi 伯禽, also known posthumously as Duke Tai of Lu 魯太公, after the fall of the Shang dynasty. It was a small but significant state, being a hotbed for ancient philosophy, and lasted for around eight centuries. Famous philosophers from Lu include Mozi 墨子, Confucius 孔子, and Zuo Qiuming 左丘明, whose writings still impact the Sinosphere to this day. Lu was located in what is now Shandong 山東, and its capital, Qufu 曲阜, holds numerous artifacts and manuscripts from that time.

Getting the calendar (曆) right was serious business for the ancient Chinese people. The Miao 苗 people were infamously sacked by Emperor Shun 帝舜 in part for &quot;confusing&quot; the calendar, and this crime would be applied to later regimes as well. As one would expect, recording historical annals properly was, then, of critical importance. I will teach you how they wanted you to do it in this lesson...luckily, without your bloodline on, well, the line!

==The Earthly Branches==
The Earthly Branches 地支 are highly important for timekeeping and denote set 2-hour periods. One can arrange these like an analog clock, and the structure 甲時 is normally used for saying &quot;X happened at Y time.&quot; These branches are associated with Jupiter's 12-year rotations around Earth. 

The following are each of the Earthly Branches: 
{| class=&quot;wikitable&quot;
!Heavenly Branch!!Timespan
|-
|子|| 23:00-01:00
|-
|丑|| 01:00-03:00
|-
|寅|| 03:00-05:00
|-
|卯|| 05:00-07:00
|-
|辰||07:00-09:00
|-
|巳||09:00-11:00
|-
|午|| 11:00-13:00
|-
|未|| 13:00-15:00
|-
|申|| 15:00-17:00
|-
|酉|| 17:00-19:00
|-
|戌|| 19:00-21:00
|-
|亥|| 21:00-23:00
|}

==The Sexagenery cycle==
By combining the Earthly Branches with the Heavenly Stems from the last lesson, one can make 60 combinations, which form a 60-day cycle. This has been used since the Shang era, and continues to be used for the Lunar Calendar. It is also used to denote lunar years. 
Here they are in order, taken from a real oracle bone! 

&lt;blockquote&gt;
甲子
乙丑
丙寅
丁卯
戊辰
己巳
庚午
辛未
壬申
癸酉
甲戌
乙亥
丙子
丁丑
戊寅
己卯
庚辰
辛巳
壬午
癸未
甲申
乙酉
丙戌
丁亥
戊子
己丑
庚寅
辛卯
壬辰
癸巳
甲午
乙未
丙申
丁酉
戊戌
己亥
庚子
辛丑
壬寅
癸卯
甲辰
乙巳
丙午
丁未
戊申
己酉
庚戌
辛亥
壬子
癸丑
甲寅
乙卯
丙辰
丁巳
戊午
己未
庚申
辛酉
壬戌
癸亥
&lt;/blockquote&gt;

==Use in dates==
&lt;blockquote&gt;
冬，十月，壬午，齊人、鄭人入郕。
&lt;/blockquote&gt;

As-is, you should be able to roughly figure out what this sentence means, with your knowledge of the Heavenly Branches, Earthly Stems, and what 人 means. This is but one line from the Spring and Autumn Annals.

The first character is the season. Like in English, there are four: Spring 春, Summer 夏, Autumn 秋, and Winter 冬. This will usually come after the date, and then subsequent events will be categorised by season, with the month number and sexagenery day within. This is somewhat difficult to directly translate into modern years for many manuscripts, but most from the Spring and Autumn Annals and onwards are generally understood. In the case of this text, it covers events from around circa 790 BC to circa 500 BC, a 242ish year period. 

The reason years are somewhat difficult to ascertain is because East Asian years were traditionally tied to the ruler. Therefore, there will be a 元年 - that's the first - followed by Ruler二年, and so on, until death. The Republic of China, for example, uses dates based on the day of its founding after the fall of the Qing dynasty in 1912 (e.g. 中華民國一百十六年), as does North Korea (e.g. 主體七十四年). Once one ruler's rough date of existence is known, though, reconstructing the whole timeline in other calendars, at least based on the word of the writer, is usually quite straightforward. You can probably figure out both of those example years I wrote through general knowledge! 

&lt;blockquote&gt;
秋七月壬辰朔，日有食之，既。

五年春正月，甲戌、己丑，陳侯鮑卒。
&lt;/blockquote&gt;

==A full year of Duke Min of Lu==

魯閔公

&lt;blockquote&gt;
元年春，王正月。

齊人救邢。

夏六月，辛酉，葬我君莊公。

秋八月，公及齊侯盟于落姑。季子來歸。

冬，齊仲孫來。

二年春，王正月，齊人遷陽。

夏，五月，乙酉，吉禘于莊公。

秋，八月，辛丑，公薨。

九月，夫人姜氏孫于邾。公子慶父出奔莒。

冬，齊高子來盟。

十有二月，狄入衛。

鄭棄其師。
&lt;/blockquote&gt;

==Additional vocabulary==
There are a few more pieces of vocabulary that are worth remembering.

WIP

{|class=&quot;wikitable&quot; 
!Character!!Meaning!!Notes
|-
|春||Spring, the first three months of the year.||The four seasons are referred to as 四時, lit. the &quot;Four Times.&quot; 
|-
|夏||Summer, the second three months of the year.||Also the name of a semi-legendary dynasty, the Xia dynasty. 
|-
|秋||Autumn, the third three months of a year.||
|-
|冬||Winter, the last three months of a year.||
|-
|正月||First month of a year.||一月 can exist, but 正月 is much, much more common. 
|-
|元月/年||Inaugral month/year for a ruler.||
|-
|載||Legal synonym for a year 年||For example, 雍正三載 could refer to the third year of the Yongzheng Emperor's reign. 
|-
|歲||A year, syn. 年||Typically seen in older texts, especially Oracle bones. The character technically means Jupiter! 
|-
|春秋||Usually annals, but can also be used to refer to one's age.||
|-
|朔(日 or 月)||The first day of the month.||
|-
|晦日||The last day of the lunar month.||The last moon of a month is known as 盡月. 
|-
|臘月||The twelfth lunar month.||Consists of a traditional festival on the 7th day called 儺 which exorcises inauspicious spirits, ensuring they do not hurt people in the new year. The next day is 臘, which is a sacrifice to ancestors, 祖. 
|-
|除日||Last day of the 12th lunar month.||
|-
|朞 or 旬||Complete||朞月 as a complete month, 朞年 as a full year.
|}

==Exercise: Defining the Months==
The ''Erya'' 爾雅, an ancient dictionary, defines the months as follows. With the vocabulary you know so far, you should be able to read the entries yourself. However, it should be noted that these are not used too often, and simply using number+month is fine! 

&lt;blockquote&gt;
正月為陬&lt;br&gt;
二月為如&lt;br&gt;
三月為寎&lt;br&gt;
四月為余&lt;br&gt;
五月為皋&lt;br&gt;
六月為且&lt;br&gt;
七月為相&lt;br&gt;
八月為壯&lt;br&gt;
九月為玄&lt;br&gt;
十月為陽&lt;br&gt;
十一月為辜&lt;br&gt;
十二月為涂
&lt;/blockquote&gt;

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  <page>
    <title>User:Phina001/Banga stew</title>
    <ns>2</ns>
    <id>483710</id>
    <revision>
      <id>4639187</id>
      <parentid>4638985</parentid>
      <timestamp>2026-06-06T12:55:56Z</timestamp>
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        <username>UniqueMonik</username>
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      <text bytes="2040" sha1="n9y6gma3dz7qr89b4gflwmhps0ab9ps" xml:space="preserve">{{DISPLAYTITLE:Cookbook:Banga stew}}
{{recipe summary
| name = Ekpang Nkukwo
| Category = Nigerian recipes 
| Servings = 4–6 people
| Cooking time: 1–2 hours
}}{{Incomplete recipe|reason=missing quantities, headers don't match recipe template, missing/incorrect categories, missing appropriate linking, incorrect procedure formatting, procedure doesn't match ingredients (e.g. fresh palm fruits in recipe vs extract in ingredients), onion missing instructions and not in procedure}}
{{recipe}}

'''Banga Stew''' is a traditional Nigerian dish widely eaten in the Niger Deta region, especially among the Urhobo, Isoko, Itsekiri, and Edo peoples. It is prepared using fresh palm fruit extract,which gives it a rich, thick texture and deep flavour

The dish is commonly served with rice  and is known for itsstrong aroma and spicy taste.

== Ingredients ==
*Fresh plam fruits
* Fresh palm fruit extract (Banga base)  
* Assorted meat (beef, goat meat
* Fresh or dried fish  
* Stockfish  
* Banga spice mix (local spice blend)  
* Oburunbebe stick (traditional flavouring stick)  
* Ground crayfish  
* Fresh pepper  
* Onion (optional)  
* Salt (to taste)  

== Preparation ==
* Boil fresh palm fruits until soft.  
* Pound to separate pulp from seeds.  
* Wash and sieve with warm water to extract thick palm juice.  
* Season meat with salt, pepper, and seasoning cubes, [[Cookbook:onions|onions]].  
* Boil until it softs.  
* Add [[Cookbook:stockfish|stockfish]] and dried fish and cook until soft.  
* Pour palm fruit extract into the pot of meat stock.  
* Allow it to boil and thicken.  
* Add ground crayfish and pepper.  
* Add Banga spice mix and Oburunbebe stick.  
* Stir gently and allow flavours to infuse.  
* Simmer until the stew becomes thick and aromatic.  
* Adjust salt and seasoning if needed.  

== Serving ==
Banga Stew is traditionally served with:
* White [[Cookbook:rice|rice]](most common)    
* Starch (popular in Delta State)  

[[Category:Nigerian recipes]]
[[Category:African recipes]]
[[Category:recipes]]</text>
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  </page>
  <page>
    <title>Vehicle Identification Numbers (VIN codes)/Audi/VIN Codes</title>
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    <id>483747</id>
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        <id>3434282</id>
      </contributor>
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      <text bytes="9840" sha1="53st3iy18lwz4sa5dxm5gx1rj641d09" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi passenger car
* WA1 - Audi SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 ('06-'09), TT ('08-'09)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd ('08-')
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi A3 ('06-'11), A3 Quattro ('12-), A4 ('09-'), A5 ('10-'), A6 ('12-), TT ('08-'), TTS ('09), Q5 ('11-)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15), S5 coupe ('13-'15), A6 ('09-'), A7 ('12-), Q5 ('13-), Q7 ('11-'15)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan (-'08), A4 Cabriolet (-'09), A6 (-'09)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-')
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan ('09), A5 ('08-'10), A6 ('10-'11), Q5 ('09-'12)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 Cabriolet ('04-'09)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q7 ('09-'15)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 (-'09)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 ('09-'11), A8 ('09-'), Q7 ('07-'10)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi TTS ('10-') 
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 ('12-')
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags (-'09 A4 Cabriolet/S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 ('81-'87)
*85 = Coupe ('81-'87), Quattro ('83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

{{BookCat}}</text>
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      <timestamp>2026-06-07T03:07:25Z</timestamp>
      <contributor>
        <username>JustTheFacts33</username>
        <id>3434282</id>
      </contributor>
      <comment>/* Position 5, Engine Type: */</comment>
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      <text bytes="9866" sha1="ortpkpms6oo311lwzo2d0i4ic0qo7yu" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi passenger car
* WA1 - Audi SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 ('06-'09), TT ('08-'09)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd ('08-')
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi A3 ('06-'11), A3 Quattro ('12-), A4 ('09-'), A5 ('10-'), A6 ('12-), TT ('08-'), TTS ('09), Q5 ('11-)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15), S5 coupe ('13-'15), A6 ('09-'), A7 ('12-), Q5 ('13-), Q7 ('11-'15)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan (-'08), A4 Cabriolet (-'09), A6 (-'09)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-')
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan ('09), A5 ('08-'10), A6 ('10-'11), Q5 ('09-'12)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q7 ('09-'15)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 (-'09)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 ('09-'11), A8 ('09-'), Q7 ('07-'10)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi TTS ('10-') 
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 ('12-')
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags (-'09 A4 Cabriolet/S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 ('81-'87)
*85 = Coupe ('81-'87), Quattro ('83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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      <text bytes="9893" sha1="qn7jyiflmc3x5alowc06r1svrjtjf1g" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi passenger car
* WA1 - Audi SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 ('06-'09), TT ('08-'09)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd ('08-')
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi A3 ('06-'11), A3 Quattro ('12-), A4 ('09-'), A5 ('10-'), A6 ('12-), TT ('08-'), TTS ('09), Q5 ('11-)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15), S5 coupe ('13-'15), A6 ('09-'), A7 ('12-), Q5 ('13-), Q7 ('11-'15)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan (-'08), A4 Cabriolet (-'09), A6 (-'09)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-')
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan ('09), A5 ('08-'10), A6 ('10-'11), Q5 ('09-'12)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09), Allroad Quattro ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q7 ('09-'15)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 (-'09)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 ('09-'11), A8 ('09-'), Q7 ('07-'10)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi TTS ('10-') 
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 ('12-')
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags (-'09 A4 Cabriolet/S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 ('81-'87)
*85 = Coupe ('81-'87), Quattro ('83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi passenger car
* WA1 - Audi SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA837 engine.&lt;br&gt; Audi S4 ('00-'02), A6 ('00-'04), Allroad Quattro ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 ('06-'09), TT ('08-'09)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd ('08-')
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV.&lt;br&gt; Audi A3 Fwd (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi A3 ('06-'11), A3 Quattro ('12-), A4 ('09-'), A5 ('10-'), A6 ('12-), TT ('08-'), TTS ('09), Q5 ('11-)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15), S5 coupe ('13-'15), A6 ('09-'), A7 ('12-), Q5 ('13-), Q7 ('11-'15)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan (-'08), A4 Cabriolet (-'09), A6 (-'09)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-')
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan ('09), A5 ('08-'10), A6 ('10-'11), Q5 ('09-'12)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09), Allroad Quattro ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q7 ('09-'15)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 (-'09)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 ('09-'11), A8 ('09-'), Q7 ('07-'10)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV.&lt;br&gt; Audi TTS ('10-') 
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 ('12-')
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags (-'09 A4 Cabriolet/S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 ('81-'87)
*85 = Coupe ('81-'87), Quattro ('83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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  <page>
    <title>The Geoguide</title>
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    <id>483756</id>
    <revision>
      <id>4639222</id>
      <parentid>4638781</parentid>
      <timestamp>2026-06-06T20:50:57Z</timestamp>
      <contributor>
        <username>Kayden Swanson</username>
        <id>3600285</id>
      </contributor>
      <comment>/* Igneous */</comment>
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      <text bytes="29106" sha1="64wb6xac3uuxr1dsbklyic15i0unkx9" xml:space="preserve">= ''The Geoguide'' =
On ''The Geoguide,'' you will learn about the different types of geology, types of rocks, gemstones, and lots of other stuff-- a true geologists dream!

= Physical Geology =
Physical geology is a branch of geology that studies the physical things of Earth, such as rocks, minerals, ''the very soil your house is sitting on right now'', and internal and external events, such as tectonic plate movements, weathering, and volcanism. It also focuses on how Earth works, like how mountains are formed and erosion.

* The study of igneous, metamorphic, sedimentary rocks, and their formation.
* Understand the Earth’s interior structure, such as moving lithospheric plates, volcanoes, and earthquakes.
* Examine erosion, weathering, glaciation, and water action that change the very landscape as you read this.
* Be able to identify the stone and minerals you walk on every single day.

== Igneous ==
[[File:Granite_(pgpf_dike_facies,_Pikes_Peak_Batholith,_Mesoproterozoic,_1.08_GA;_Pikes_Peak,_Colorado,_USA)_2_(31566463242).jpg|alt=An image of granite.|thumb|A piece of the intrusive igneous rocks, granite.]]
Igneous rocks are rocks formed when molten rock, magma or lava, cools and solidifies. Intrusive igneous rocks are slow-cooled inside Earth and coarse-grained. Ten examples of intrusive igneous rocks include:  

# Granite&lt;ref&gt;A common heavy, dense, and highly durable white-to-pink feldspar and dark flakes of biotite or amphibole coarse-grained rock &lt;/ref&gt;
# Gabbro&lt;ref&gt;A underground equivelent of basalt, dense, coarse-grained identifiable by its dark color, heavy feel, and crystalline texture&lt;/ref&gt;
# Diorite
# Peridotite
# Pegmatite
# Syenite
# Granodiorite
# Diabase
# Aplite
# Anorthosite
[[File:Olivine basalt (Cedar Canyon, Iron County, Utah, USA) 6 (48679986543).jpg|alt=An image of basalt.|thumb|A piece of the extrusive igneous rocks, basalt.]]
Extrusive igneous rocks are rapidly-cooled outside the Earth and are generally smooth and shiny, but they can be porous or &quot;bubbly&quot;. Ten examples of extrusive igneous rocks include:

# Basalt
# Andesite
# Rhyolite
# Obsidian
# Pumice
# Scoria
# Tuff
# Dacite
# Pitchstone
# Phonolite

== Metamorphic ==
[[File:Slate Macro 1.JPG|alt=An image of slate.|thumb|A piece of the metamorphic rocks, slate.]]
Metamorphic rocks are pre-existing rocks (igneous, sedimentary, or other metamorphic rocks) transformed by intense heat, pressure, and chemically active fluids deep within the Earth's crust. These rocks are characterized by recrystallization without melting, leading to changes in mineralogy and texture, often producing foliated (layered) or non-foliated structures. Ten examples of metamorphic rocks are:

# Slate
# Phyllite
# Schist
# Gneiss
# Marble
# Quartzite
# Amphibolite
# Hornfels
# Migmatite
# Eclogite

[[File:Quartzose sandstone (Berea Sandstone, Upper Devonian to Lower Mississippian; Rocky Fork, Gahanna, Ohio, USA) 2 (34247836980).jpg|alt=An image of sandstone.|thumb|A piece of the sedimentary rocks, sandstone.]]

== Sedimentary ==
Sedimentary rocks are formed at the Earth's surface by the accumulation, compaction, and cementation of sediments, like mineral particles or organic matter. They often form in layers and are identified by their banded appearance, presence of fossils, and softer, porous nature. Ten examples of sedimentary rocks include:

# Sandstone
# Limestone
# Shale
# Conglomerate
# Breccia
# Siltstone
# Dolostone
# Chert
# Coal
# Gypsum

= Understanding Earth's Insides =
Now that you have learned the three different categories of rock identification, let's learn about the stuff right under you!

== Lithospheric Plates ==
Lithospheric plates, or tectonic plates, are large, rigid, moving segments of Earth's outermost layer, comprising the crust and upper mantle. Ranging from 40–280 km thick, they essentially &quot;float&quot; on the pliable asthenosphere, fitting together like a giant puzzle. The main three events that happen with lithospheric plates include:

* '''Convergent (Colliding):''' Plates collide, causing subduction or mountain building.
* '''Divergent (Spreading):''' Plates move apart, creating new crust.
* '''Transform (Sliding):''' Plates slide past one another, often causing earthquakes.

== Volcanoes ==
Volcanoes begin as magma deep within the Earth, created by heat and pressure at tectonic plate boundaries or hotspots. This buoyant magma rises through cracks in the crust, collecting in chambers before erupting as lava, ash, and gases. Solidifying layers build mountains over time. Some types include:

* '''Magma vs. Lava:''' Magma is molten rock below the surface; once it erupts, it is called lava.
* '''Composite Volcanoes (Stratovolcanoes):''' Tall, steep cones built by layers of ash and thick lava.
* '''Shield Volcanoes:''' Broad, gentle slopes formed by fluid, runny lava.
* '''Cinder Cones:''' Small, simple, cone-shaped volcanoes built from blobs of congealed lava

And the three states include:

* '''Active:''' Currently erupting or showing signs of, or expected to, erupt soon.
* '''Dormant:''' Not currently active, but has erupted recently and may erupt again.
* '''Extinct:''' Not expected to erupt again.

=== How They Happen ===
Volcanic eruptions are driven by pressure from dissolved gases in the magma, which expand as the magma rises. Eruptions can be explosive (releasing ash and rock) or effusive (releasing lava flows).

== Earthquakes ==
An earthquake is the intense shaking of Earth's surface caused by the sudden release of energy in the crust, typically when tectonic plates shift and slip along faults. These events occur due to built-up stress, creating seismic waves that shake the ground.

=== How Earthquakes Occur ===

* '''Tectonic Plate Movement:''' The Earth's crust is divided into massive plates that constantly move and slide past one another.
* '''Fault Lines:''' When these plates get stuck but continue pushing, stress builds up until the rock fractures and breaks along faults.
* '''Energy Release:''' This sudden release of stress produces seismic waves, which travel through the ground, causing shaking at the surface.

=== Key Terminology and Locations ===

* '''Hypocenter (Focus):''' The location ''below'' the Earth's surface where the earthquake starts.
* '''Epicenter:''' The point on the Earth's surface ''directly above'' the hypocenter, often experiencing the most intense shaking.
* '''Mainshock &amp; Aftershocks:''' The main earthquake is the mainshock, while smaller, subsequent shakes in the same area are aftershocks.
* '''Fault Types:''' Includes strike-slip (sliding past), normal (pulling apart), and thrust (pushing over) faults.

While most earthquakes are tectonic, they can also be triggered by volcanic activity, landslides, or human activities like mining and hydraulic fracturing.

= Events That Change The Land =
Since you have now learned about Earth's internal components, let's focus on the things that change the very land!

== Erosion ==
Erosion is the natural process of wearing away and transporting soil, rock, and sediment by agents like water, wind, and ice, often leading to landscape changes like mountains shrinking or riverbanks eroding. It decreases agricultural productivity, causes ecological damage, and is distinct from weathering because it includes transportation of material, whereas weathering only breaks it down. The three main types include:

* '''Water Erosion:''' Includes splash, sheet, rill, and gully erosion.
* '''Wind Erosion:''' Occurs through deflation, removing loose soil and sand.
* '''Ice Erosion:''' Glacial movement that carves valleys and moves debris.

'''Examples:''' Rain washing soil from hills, ocean waves reshaping coastlines, and rivers carving canyons.

'''Effects:''' Land degradation, loss of nutrient-rich topsoil, destruction of habitats, and potential desertification.

'''Erosion vs. Weathering:''' Weathering is the immediate breakdown of rocks (disintegration), while erosion is the removal and transport of that material to a new location.

Erosion can act as a natural &quot;cleaning&quot; process but, when accelerated by human activity (e.g., deforestation, construction), it causes massive on-site and off-site damage.

== Weathering ==
Weathering is the breakdown of rocks, soils, and minerals at/or near the Earth's surface through physical, chemical, and biological processes. Driven by water, ice, temperature changes, and organisms, it transforms bedrock into sediment, creating landscapes like the Grand Canyon. It differs from erosion, which transports these materials. The three main types of weathering are:

* '''Physical/Mechanical Weathering:''' Breaks rocks into smaller pieces without changing their composition, often through ice wedging, thermal expansion, or salt crystallization.
* '''Chemical Weathering:''' Alters the molecular structure of minerals, causing them to dissolve or break down, often via water, oxygen, or acids.
* '''Biological Weathering:''' Occurs when living organisms (roots, burrowing animals, bacteria) break down rocks.

=== Primary Causes and Processes ===

==== Physical Processes: ====
* '''Frost Wedging (Cryofracturing):''' Water seeps into cracks, freezes, and expands, splitting the rock.
* '''Thermal Expansion:''' Constant heating and cooling in desert environments cause rocks to weaken and peel (exfoliation).
* '''Pressure Release:''' As overlying rock is removed, underlying rock expands and cracks.

==== Chemical Processes: ====
* '''Oxidation:''' Oxygen reacts with iron-containing minerals, creating iron oxide (rust).
* '''Carbonation/Dissolution:''' Rainwater mixed with CO2 creates weak carbonic acid that dissolves rocks like limestone.
* '''Hydrolysis:''' Water reacts with minerals to break them down, often forming clay.

==== Biological Processes: ====
* Tree roots grow into crevices and pry rocks apart, while burrowing animals expose new surfaces to air and water.

Weathering constantly changes the landscape, wearing away surfaces to form landforms such as arches, pedestals, and sea caves. It is essential for soil formation and prepares rock material to be moved by erosion. Human activity, such as burning fossil fuels, accelerates chemical weathering through acid rain.

== Deposition ==
Deposition is the process where transported sediments, such as rock fragments, soil, debris, or organic matter, settle and are laid down in new locations as transporting agents (water, wind, ice) lose energy. It builds up landforms like deltas, beaches, and sand dunes, acting as the final step in the erosion-transport-deposition cycle.

* '''Process:''' As water or wind velocity decreases, the transporting medium can no longer carry sediment load, causing particles to sink and settle. Larger particles typically settle first.

=== Forms of Deposition: ===

* '''Fluvial (Rivers):''' Creates floodplains, deltas, and alluvial fans.
* '''Aeolian (Wind):''' Forms sand dunes and loess deposits.
* '''Glacial (Ice):''' Deposits moraines, drumlins, and erratic boulders.
* '''Marine (Ocean):''' Creates beaches, spits, and deep-sea sediment layers.

A function of deposition is that it forms new land, creates sedimentary rock layers (through compaction/cementation over time), and contributes to, or degrades, habitats.

A method of managing deposition is by controlling water velocity and reducing erosion sources, such as by managing agricultural runoff or stabilizing shorelines to reduce coastal erosion.

= Historical Geology =
While physical geology studies the ''current'' things about earth, historical geology studies the things that happened to earth in the ''past'', like how Theia crashed into Earth and made the moon or how the first ever cyanobacteria developed oxygen out of methane and carbon dioxide during the Proterozoic Eon. In Historical Geology, you will learn about:

* the Paleozoic Era (The Age of Ancient Life): 252-541M years ago.
* the Mesozoic Era (The Age of Reptiles): 66-252M years ago.
* the Cenozoic Era (The Age of Mammals): current era.
* and the Precambrian Eons; explained later on

and how creatures of their times affected our modern world. 

== The Precambrian Eons ==
There isn't a Precambrian Era, but it consists of 3 eons, the Precambrian Eons. It also includes a period. These include:

* the Hadean Eon: 4.6-4.0B years ago (Earth was molten and bombarded by asteroids).
* the Archean Eon: 4.0-2.5B years ago (Earth's crust cooled, forming oceans and single-celled life): Neoarchean: 2.8-2.5B years ago (stabilized Earth's crust into the first continents, oxygen-producing cyanobacteria rose, initiating photosynthesis).
* the Proterozoic Eon: 2.5B-541M years ago (cyanobacteria filled Earth with oxygen, setting up complex life); Cryogenian: 720-635M (Earth dramatically cools, glaciers stretch to the equator, Earth is almost completely encased in ice)

* the Ediacaran Period: 635-538M years ago (massive global ice ages melt, soft multicellular organisms evolve, tube and disc-shaped dominate the sea floor).

== Periods Of The Paleozoic Era ==

* Cambrian: 541-485M years ago (major animals are aquatic, trilobites and brachiopods rule, jawless fish emerge, super-continent Gondwana forms near the South Pole, the rest is bare rock)

* Ordovician: 485-443M years ago (coral reefs begin to form, moss-like plants and fungi emerge on land, ice age starts, freezing oceans with glaciers, causing a mass extinction).
* Silurian: 443-419M years ago (Earth's climate stabilizes, glaciers melt, sea levels rise, vascular plants with stems evolve, early spiders, centipedes, and insects move onto land).
* Devonian: 419-359M years ago (fish develop armored scales and sharp jaws, trees and deep-rooted forests appear, tetrapods evolve from lobe-finned fish and crawl onto mudflats, rapid cooling and oxygen drops in the ocean causes another mass extinction).
* Carboniferous: 359-299M years ago (tropical swamp forests cover the continents and die, forming coal beds, oxygen levels rise to 35% letting massive insects to evolve, animals lay amniotic eggs, allowing them to breed away from water).
* Permian: 299-252M years ago (every continent collided, forming Pangea, Pangea's size creates vast, dry deserts in the interior, synapsids and reptiles spread across the dry land, massive volcanic eruptions in modern-day Siberia wipe out 95% of marine life).

== Periods Of The Mesozoic Era ==

* Triassic: 252-201M (Pangea starts to crack apart, Earth is hot and dry, dinosaurs and mammals first evolve).
* Jurassic: 201-145M (oceans flood continental rifts, giant plant-eating dinosaurs dominate, first birds take flight).
* Cretaceous: 145-66M (flowering plants appear, Tyrannosaurus rex rules the land, asteroid impact wipes out dinosaurs).

== Periods Of The Cenozoic Era ==

* Paleogene: 66-23M (climate is warm and tropical, mammals grow much larger, birds diversify rapidly).
* Neogene: 23-2.6M (global temperatures cool down, vast grasslands spread, early human ancestors evolve).
* Quaternary: 2.6M-present (giant ice ages over continents, modern humans spread globally, large mammals go extinct).

== How The Mountains Were Made ==

* Taconic Orogeny: 450M years ago (an island arc collides with eastern North America, creating volcanic roots of the early Appalachian mountains).
* Alleghenian Orogeny: 325-260M (Africa collides with North America during the assembly of Pangea, lifting the Appalachian Mountains to the height of the modern Himalayas).

== Theia, The Moon, And Earth ==
[[File:FullMoon2010.jpg|alt=An image of the Moon.|thumb|The Moon]]
About 4.5 billion years ago, the early Earth was molten and hot. Theia: a rogue planet roughly the size of Mars, flying through space at 25,000 miles per hour (40,000 km/h). Then, Theia delivered an off-center, blow to Earth. If it had been a head-on collision, both planets would have been pulverized into space dust. 

=== The Ultimate Splatter Zone ===
The impact was so violent that it completely vaporized Theia and blasted a massive chunk of Earth’s outer crust into orbit. For a brief period, Earth looked a bit like Saturn, surrounded by a glowing, ring of molten rock and debris. You might think it took billions of years for that debris to form our Moon, but gravity does not like to wait around. Scientists estimate that the ring clumped together to form the Moon incredibly fast—potentially in less than a century, or even just a few months.  

=== The Proof Is In The Moon Rocks ===
When Apollo astronauts brought rocks back from the Moon, scientists checked their &quot;chemical DNA&quot; (oxygen isotopes). Usually, planets from different parts of the solar system have completely unique chemical signatures. But the Moon's rocks perfectly matched the Earth's crust.  

=== How Theia Changed Earth Forever ===
Without this catastrophic cosmic car crash, life as we know it wouldn't exist. Theia left behind three permanent parting gifts:  

* Our Seasons: The impact hit Earth so hard it knocked our planet onto a permanent 23.5-degree tilt. Without Theia, we wouldn't have Summer, Fall, Winter, or Spring.

* A Supercharged Core: Theia’s heavy iron core sank straight into the molten Earth and merged with our own. This gave Earth a massive magnetic field, acting like a giant shield that blocks deadly solar radiation.

* Longer Days: Right after the crash, an Earth day lasted only 5 hours because the planet was spinning at breakneck speed. The Moon's gravity has spent the last 4.5 billion years acting like a brake pad, slowing our spin down to a comfortable 24 hours.

== Largest Creatures Of Each Period ==
There are thousands of millions of different creatures that spawn from each period, but these are the largest of each:
* Cambrian: Anomalocaris (a small three-foot-long marine predator with giant armored eyes and grasping claws that ruled the shallow seas).
* Ordovician: Cameroceras (a massive twenty-foot-long straight-shelled squid that dominated the deep ocean).
*Silurian: Pterygotus (a huge seven-foot-long sea scorpion with large flattening swimming paddles and sharp crushing claws that prowled the shallow coastal waters).
*Devonian: Dunkleosteus (a terrifying thirty-foot-long armored predator fish with bone-shearing jaw plates instead of teeth that terrorized the deep seas).
*Carboniferous: Arthropleura (a monstrous eight-foot-long land-dwelling millipede with a heavily armored, multi-segmented body that patrolled the lush forests).
*Permian: Moschops (a heavy-set fifteen-foot-long mammal-like reptile with a barrel shaped body and a thick barrel-vaulted skull that roamed the ground).
*Triassic: Shastasaurus (a gigantic seventy-foot-long marine reptile with a highly elongated toothless snout and slender flippers that commanded the open oceans).
*Jurassic: Maraapunisaurus (a colossal 115-foot-long long-necked sauropod dinosaur with whip-like tails and massive column-like legs that stomped across the land).

* Cretaceous: Patagotitan (a titanic ninety-foot-long sauropod dinosaur with a small head, immensely long neck, and heavy pillar legs that reigned over the continents).
* Paleogene: Basilosaurus (a predatory sixty-foot-long early whale with an extremely elongated eel-like body and small vestigial hind legs that haunted the ancient seas).
* Neogene: Megalodon (a ferocious fifty-foot-long apex predator shark with robust, triangular serrated teeth the size of a human hand that controlled the global oceans).
* Quaternary: Blue whale (an immense one hundred-foot-long marine mammal with a streamlined, mottled blue-gray body and expansive baleen plates that inhabits the modern oceans).

== Fossils ==
Fossils are the preserved remains, impressions, or traces of ancient life trapped inside Earth's crust. They act as nature's time capsules, allowing historical geologists to reconstruct vanished ecosystems, track evolution over millions of years, and pinpoint the exact ages of rock layers.

=== Types Of Fossilization ===
Animals and plants turn into fossils in several distinct ways, depending on how they were buried and what minerals were nearby:

* Petrification: Mineral-rich water seeps into organic cavities and turns the original bone or wood entirely into solid rock (like petrified wood).
* Molds and Casts: An organism dissolves inside a rock layer, leaving an empty hollow space (a mold) that later fills with sediment to create a perfect replica copy (a cast).
* Carbonization: Intense underground heat and pressure squeeze out all liquids and gases, leaving a flat, thin, black film of carbon on the rock (common for leaves and fish).
* Preservation: The rarest form where an entire organism is kept perfectly intact by being frozen in ice, dried out in caves, or trapped inside sticky tree sap (amber).
* Trace Fossils: Rather than saving the body itself, these capture the active behavior of ancient life, including fossilized footprints, feeding burrows, and coprolites (fossilized poop).

=== How Geologists Use Fossils ===
Fossils are not just museum display pieces; they are essential field tools used by geologists to solve mysteries about Earth's past:

* Index Fossils: Certain creatures (like Trilobites) lived everywhere on Earth but only for a very short geological timeframe. Finding one instantly reveals the exact age of that rock layer.
* Ancient Climates (Paleoclimate): Finding a fossilized tropical palm tree or crocodile in modern-day Antarctica proves the freezing continent was once a warm, swampy jungle.
* Continental Drift Evidence: Discovering the exact same freshwater reptile fossils in both South America and Africa helped prove the continents were once physically joined together.

== Mass Extinctions ==
Earth's history has been completely rewritten five different times by catastrophic events known as the &quot;Big Five&quot; mass extinctions. These events wiped out the dominant species of their time, clearing the way for entirely new creatures to evolve.

* Ordovician-Silurian Extinction: Intense global cooling and freezing ice ages locked up Earth's water, causing sea levels to drop drastically and destroying the shallow ocean habitats.
* Late Devonian Extinction: A massive drop in ocean oxygen levels suffocated marine life, hitting reef-building creatures and armored predator fish the hardest.
* Permian-Triassic Extinction (&quot;The Great Dying&quot;): The most devastating extinction in Earth's history, caused by massive volcanic eruptions in Siberia. It released toxic gases, triggered severe global warming, and wiped out 96% of all marine species.
* Triassic-Jurassic Extinction: Huge underwater volcanic rifts opened up as Pangea began to split apart, raising carbon dioxide levels and triggering rapid climate changes that eliminated early reptiles.
* Cretaceous-Paleogene Extinction: A massive six-mile-wide asteroid smashed into modern-day Mexico, triggering global wildfires, a nuclear winter, and blocking out the sun, which famously wiped out all non-avian dinosaurs.

== Supercontinents ==
A supercontinent is a single, massive landmass made up of most or all of Earth's continental crust smashed together. Driven by tectonic plate movements, Earth goes through a &quot;supercontinent cycle&quot; roughly every 300 to 500 million years, where landmasses continually crash together, break apart, and scatter.

=== The Timeline Of Earth's Major Supercontinents ===

* Vaalbara (3.6 to 2.8 Billion Years Ago): Earth's earliest known hypothetical supercontinent, forming when the planet was mostly ocean and small volcanic island chains collided.
* Kenorland (2.7 to 2.1 Billion Years Ago): Formed near the equator during the Neoarchean era, its breakup eventually triggered a massive global ice age due to rapid climate shifts.
* Columbia / Nuna (1.8 to 1.3 Billion Years Ago): A giant landmass stretching across the globe that marked the first time large, modern continental blocks fully assembled.
* Rodinia (1.1 Billion to 750 Million Years Ago): A massive supercontinent surrounded entirely by the Mirovia ocean, centered around modern-day North America before fracturing apart into a freezing, ice-covered Earth.
* Pannotia (633 to 550 Million Years Ago): A short-lived landmass clustered near the South Pole that formed just before the Cambrian explosion of complex marine life.
* Gondwana (550 to 175 Million Years Ago): An ancient southern supercontinent composed of modern-day South America, Africa, Antarctica, India, and Australia. It existed as its own massive entity for millions of years before merging into Pangea, and then splitting back apart later.
* Pangea (335 to 175 Million Years Ago): The most famous C-shaped supercontinent that united almost all of Earth's dry land, including the northern landmass of Laurasia and the southern landmass of Gondwana, creating a single home for early dinosaurs.

=== How Supercontinents Altered Earth's Climate And Crust ===
The formation of a supercontinent completely breaks the planet's normal systems, creating extreme environments found nowhere on modern Earth:

* Hyperarid Interior Deserts: Because the landmass is so incredibly wide, rain clouds from the surrounding oceans dry up completely before they can ever reach the center. This creates massive, lifeless &quot;super-deserts&quot; in the heart of the continent.
* Mega-Monsoons: The vast temperature difference between the roasting-hot interior landmass and the cold surrounding super-ocean creates violent, seasonal shifting winds, resulting in catastrophic monsoon downpours along the coastlines.
* The &quot;Snowball Earth&quot; Effect: When supercontinents split apart, they create brand new coastlines that rapidly absorb carbon dioxide from the atmosphere. This can drop global temperatures so fiercely that ice sheets completely cover the planet from poles to equator.
* Mantle Superplumes and Volcanic Traps: When a supercontinent sits over one spot on Earth's crust for millions of years, it acts like an insulating blanket. Heat builds up directly underneath it, eventually triggering colossal volcanic eruptions (large igneous provinces) that rip the continent apart and spew toxic gases into the atmosphere.

=== How Geologists Prove They Existed ===

* Matching Coastlines: The continental shelves of separate continents (like South America and Africa) fit together perfectly like giant jigsaw puzzle pieces.
* Fossil Belts: Identical ancient plant and animal fossils are found in narrow strips across oceans where the continents used to touch.
* Matching Mountain Ranges: Rock layers and mountain chains (like the Appalachians in North America and the Scottish Highlands) share the exact same age, type, and composition.
* Paleomagnetism (Magnetic Alignment): When volcanic rocks cool, iron minerals inside them align perfectly with Earth's magnetic north pole like tiny compass needles. Geologists measure this locked-in magnetic angle to calculate exactly where a continent was located on the globe millions of years ago.
* Orogenic (Mountain Building) Belts: When tectonic plates crash together to form a supercontinent, the immense pressure crumples the crust upwards, leaving behind massive global scars of matching metamorphic rock layers across modern state and country borders.
* Global Mineral Belts: Highly specific copper, gold, and uranium deposits match up perfectly in straight lines when you stitch the continents back together, showing they were formed by the exact same underground magma chambers.

=== How Supercontinents Drive Evolution ===
The locking together and breaking apart of landmasses acts as the ultimate evolutionary accelerator for life on Earth:

* The Isolation Engine: When a supercontinent fractures into smaller islands and separate continents, animal populations become completely isolated from one another. This forces rapid, localized evolution to fill unique environmental niches (similar to how Madagascar or Australia evolved highly unique wildlife).
* The Competition Arena: Conversely, when continents crash together into a single landmass, previously isolated species are forced to compete for the same food sources and habitats. This triggers massive evolutionary &quot;arms races&quot; where only the fittest, most adaptable creatures survive.

=== Future Supercontinents (The Next 250 Million Years) ===
Because tectonic plates never stop moving at a rate of a few centimeters per year, scientists have calculated four potential layouts for Earth's next ultimate supercontinent:

* Pangea Ultima: A configuration where the Atlantic Ocean slows down, reverses direction, and closes completely—bringing the Americas crashing back into Africa and Europe.
* Novopangea: A layout where the Pacific Ocean closes entirely instead of the Atlantic, causing the Americas to slam straight into Asia and Australia.
* Aurica: A scenario where both the Atlantic and Pacific oceans close down completely, forcing a brand new ocean basin to rip open right through the center of modern Asia.
* Amasia: A unique collision where all continents drift northward, clustering together directly over the North Pole, leaving Antarctica isolated at the bottom of the world.
&lt;references /&gt;
[[Category:Geology]]
[[Category:Rocks]]</text>
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    <title>University Physics Volume 1/Attribution</title>
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    <title>Cookbook:Mmong ikong (water leaf soup)</title>
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'''Mmong Ikong''' is a traditional Water leaf soup of the Efik and Ibibio people of southern Nigeria. The soup is prepared with  fresh water leafs , seafood, palm oil, and seasonings. It is known for its rich flavour and high nutritional value and is commonly eaten with fufu, pounded yam, eba, or semolina.

== Ingredients ==

* chopped [[Cookbookwaterleaf|waterleaf]]
* [[Cookbook:periwinkle|periwinkle]] (optional)
* smoked [[Cookbook:fish|fish]]
* [[Cookbook:stockfish|stockfish]], soaked and cleaned
*  grounded [[Cookbook:crayfish|crayfish]]
* 1 medium onion, chopped
* 3 tablespoons palm oil
* 2 fresh peppers, blended
* 2 seasoning cubes
* Salt to taste
* 2 cups water or stock

== Equipment ==
* Cooking pot 
* Knife 
* Bowl for washing the leaf and ingredients 
* Moter and pistel
* Stove or cooking gas
* Spatula 

== Procedure ==

1. Wash and chop all the water leaf thoroughly.

2. Clean and prepare the fish, stockfish, and periwinkle

3. Cook your fish and stockfish in a separate pot.

4. Place the cooking pot on fire on medium heat.

5. Allow the pot to dry, pour in your plam oil and leave it to hot for about a minute.

6. Add chopped onions into the hot oil and strir.

7. Add in your chopped water leaf and stir, cover the pot and allow it to fry for at least 40 second.

8. Pour in your brout,add fish, stock,paper, and seasoning cubes or powder, stir and allow it to cook for a minute

9. Pour in the periwinkle and add a little water sine the water leaf already has water of it's own.

10. Cover the pot and let it cook for about 3-5 minutes 

11. Taste and adjust seasoning if necessary.

12. Remove from heat and serve hot.

== Serving ==
Mmong Ikong is traditionally served with
* [[Cookbook:fufu|fufu]]
* pounded yam
* [[Cookbook:eba|eba]]
* semolina or other swallow foods.


[[Category:Nigerian recipes]]
[[Category:Efik recipes]]
[[Category:African recipes]]
[[Category:Vegetable recipes]]
[[Category:recipes]]
[[Category:Easy recipes]]</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Ibibio and Efik origin
| Yield = 3-4 plates
| Servings = 3-4
| Time = 1 hour
| Difficulty = 2
}}

'''Mmong Ikong''' is a traditional Water leaf [[Cookbook:Soup|soup]] of the Efik and Ibibio people of southern Nigeria. The soup is prepared with  fresh water leafs , [[Cookbook:Seafood|seafood]], [[Cookbook:Palm Oil|palm oil]], and seasonings. It is known for its rich flavour and high nutritional value and is commonly eaten with fufu, [[Cookbook:Pounded Yam|pounded yam]], [[Cookbook:Eba (Cassava Flake Swallow)|eba]], or [[Cookbook:Semolina|semolina]].

== Ingredients ==

* chopped water leaf 
* Periwinkles (optional)
* smoked [[Cookbook:fish|fish]]
* [[Cookbook:stockfish|stockfish]], soaked and cleaned
*  grounded [[Cookbook:crayfish|crayfish]]
* 1 medium [[Cookbook:Onion|onion]], chopped
* 3 tablespoons [[Cookbook:Palm Oil|palm oil]]
* 2 fresh peppers, blended
* 2 seasoning cubes
* [[Cookbook:Salt|Salt]] to taste
* 2 cups [[Cookbook:Water|water]] or [[Cookbook:Broth and Stock|stock]]

== Equipment ==
* Cooking pot 
* [[Cookbook:Knife|Knife]]
* Bowl for washing the leaf and ingredients 
* [[Cookbook:Mortar and Pestle|Mortar and pestel]]
* Stove or cooking gas
* [[Cookbook:Spatula|Spatula]]

== Procedure ==

1. Wash and chop all the water leaf thoroughly.

2. Clean and prepare the fish, stockfish, and periwinkle

3. Cook your fish and stockfish in a separate pot.

4. Place the cooking pot on fire on medium heat.

5. Allow the pot to dry, pour in your plam oil and leave it to hot for about a minute.

6. Add chopped onions into the hot oil and strir.

7. Add in your chopped water leaf and stir, cover the pot and allow it to fry for at least 40 second.

8. Pour in your brout,add fish, stock,paper, and seasoning cubes or powder, stir and allow it to cook for a minute

9. Pour in the periwinkle and add a little water sine the water leaf already has water of it's own.

10. Cover the pot and let it cook for about 3-5 minutes 

11. Taste and adjust seasoning if necessary.

12. Remove from heat and serve hot.

== Serving ==
Mmong Ikong is traditionally served with
* [[Cookbook:fufu|fufu]]
* [[Cookbook:Pounded Yam|pounded yam]]
* [[Cookbook:eba|eba]]
* [[Cookbook:Semolina|semolina]] or other [[Cookbook:Swallow|swallow]] foods.


[[Category:Nigerian recipes]]
[[Category:Efik recipes]]
[[Category:African recipes]]
[[Category:Vegetable recipes]]
[[Category:recipes]]
[[Category:Easy recipes]]</text>
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    <title>Cookbook:Egusi soup</title>
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      <text bytes="2870" sha1="3xf3pdbz10ldp4ou5u3ey56x6yo6cqw" xml:space="preserve">{{Recipe summary
| Name = Egusi soup
| Category = Nigerian recipes
| Cuisine = African cuisine
| Origin = Nigeria origin
| Servings = 4-5 servings
| Time = 1 hour
| Difficulty = 3
| Image = [[File:Egusi soup with ponmo and beef.jpg|300px]]
}}


{{recipe}}

'''Egusi Soup''' is a Nigerian soup made from ground melon seeds (egusi), vegetables, meat, and fish. Some versions include tomatoes, which add a richer flavour and deeper colour to the soup. It is commonly served with pounded yam, eba, fufu, or semolina.&lt;ref&gt;{{Cite web |title=Egusi Soup Recipe {{!}} How To Make Nigerian Soups. |url=https://allnigerianfoods.com/nigerian-egusi-soup/ |access-date=2026-06-06 |website=All Nigerian Foods |language=en-US}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adamu |first=Imma |date=2022-03-22 |title=Egusi Soup |url=https://www.africanbites.com/egusi-soup/ |access-date=2026-06-06 |website=Immaculate Bites |language=en-US}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Lola |date=2018-06-28 |title=Best Egusi Soup {{!}} Chef Lola's Kitchen (VIDEO) |url=https://cheflolaskitchen.com/egusi-soup-recipe/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;

== Ingredients ==
* 2 cups ground [[Cookbook:Egusi Seed|egusi]] (melon seeds)
* ½ cup red [[Cookbook:Palm Oil|palm oil]]
* 500g assorted [[Cookbook:Meat|meats]](goat, beef, tripe)
* 200g soaked [[Cookbook:Stockfish|stockfish]]
* 2 cups fresh [[Cookbook:Spinach|spinach]] or [[Cookbook:Bitterleaf|bitter leaf]]
* 3 tbsp ground [[Cookbook:Crawfish|crayfish]]
* 2 scotch bonnet peppers, blended
* 1 large [[Cookbook:Onion|onion]]
* 3 seasoning cubes
* [[Cookbook:Salt|Salt]] to taste

== Equipment ==

* Large cooking pot
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* Mixing bowls
* Measuring cups and spoons
* Wooden spoon or [[Cookbook:Ladle|ladle]]
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* [[Cookbook:Mortar and Pestle|Mortar and pestle]] or [[Cookbook:Blender|blender]]
* Stove or other heat source

== Procedures ==

1. Cook seasoned assorted meats and stockfish. Reserve the stock.

2. Heat palm oil. Fry sliced onion for 1 mins . Add blended pepper and fry for 10 mins.

3. Mix egusi with a little water to form a thick paste. Drop in spoonfuls — do not stir yet. Cover and cook 10 mins.

4. Gently stir egusi into the sauce, breaking up any lumps. Cook another 10 mins.

5.  Add meats, stockfish, crayfish, and meat stock. Simmer 15 mins.

6.  Add cleaned bitter leaf or spinach. Stir in and cook 5 more minutes. 

7. Taste and adjust seasoning if needed.

8. Allow to Cook until flavors combine well 

== Serving ==
* Egusi soup is usually served with 
* [[ Cookbook:Fufu|Fufu]]
* [[ Cookbook:Eba|Eba]]
* [[Cookbook:Pounded Yam|Pounded yam]]

== References ==
{{reflist}}

[[Category:African recipes]]
[[Category:Nigerian recipes]]
[[Category:recipes]]</text>
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    <title>Cookbook:Asa iwa</title>
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      <contributor>
        <username>UniqueMonik</username>
        <id>3598940</id>
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      <comment>I edited a page</comment>
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      <text bytes="2558" sha1="p12shm859vlr1ak8vxqfzera3mz65zi" xml:space="preserve">{{Recipe summary
| Name = Asa Iwa
| Category = Efik recipes 
| Cuisine = Nigerian cuisine
| Origin = Efik / Ibibio origin
| Servings = 4-6 servings 
| Time = 2 hours 
| Difficulty = 5
| Note =Traditionally, Asa Iwa is prepared during family gatherings and cultural celebrations among the Efik people.
}}{{Incomplete recipe|reason=procedure needs corrected formatting, missing/incorrect categories, missing appropriate linking, needs more detail on how to ferment the cassava}}
{{recipe}}

'''Asa Iwa''' is a traditional Efik cassava dish made from fermented cassava paste that is wrapped in leaves and steamed until firm. It is commonly eaten as a staple food and is often served with soups such as afang soup, edikang ikong, or other vegetable soups.

==Equipment==

* Knife
* Grater
* Mixing bowl
* Colander
* Cooking pot with lid
* Steaming rack or stand
* String or strips of leaf for tying

==Ingredients==

* 2 kg cassava
* Water, as needed
* Salt, to taste
* Fresh wrapping leaves (such as agidi leaves or banana leaves)

==Procedure==
===Fermenting the Cassava ===

1. Peel the cassava and wash thoroughly.
2. Cut the cassava into medium-sized pieces.
3. Place the pieces in a clean container or bowl.
4. Add enough water to completely cover the cassava.
5. Cover the container loosely and leave it at room temperature for 1-2 days.
5. Check daily. The cassava is properly fermented when it becomes soft and develops a slightly sour aroma.
6. Remove the cassava from the water and wash lightly.
7. Grind or pound it into a smooth paste.
8. Sieve the paste if desired to remove fibrous particles.
9. The fermented cassava paste is now ready to be mixed and prepared for Asa Iwa before wrapping in leaves and steaming.

=== Cooking==

1. Press the fermented cassava to remove excess water.

2. Add a little salt and mix thoroughly.

3. Wash and soften the leaves by passing them briefly over heat or hot water.

4. Spoon portions of the cassava mixture onto the leaves and wrap securely.

5. Arrange the wrapped portions in a pot fitted for steaming.

6. Add water below the steaming rack and steam for about 45–60 minutes, or until firm.

7.Remove from the pot and allow to cool slightly before serving.

==Serving==
Asa Iwa is typically served hot with 
* [[Cookbook:Vegetable Soup|vegetable soups,]]
* palm oil sauces,  
* fish stews.
* [[Cookbook:Editan Soup|Editan]]
* Okro soup 

[[Category:Cassava recipe]]
[[Category:Nigerian recipes]]
[[Category:African recipes]]
[[Category:Recipes]]
[[Category:Difficult recipes]]
[[Category:Efik recipes]]</text>
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      <contributor>
        <username>UniqueMonik</username>
        <id>3598940</id>
      </contributor>
      <comment>I expanded an article</comment>
      <origin>4639183</origin>
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      <text bytes="2388" sha1="p0h27vgt0zholmshsk5anugfyxowcbt" xml:space="preserve">{{Recipe summary
| Name = Asa Iwa
| Category = Efik recipes 
| Cuisine = Nigerian cuisine
| Origin = Efik / Ibibio origin
| Servings = 4-6 servings 
| Time = 2 hours 
| Difficulty = 5
| Note =Traditionally, Asa Iwa is prepared during family gatherings and cultural celebrations among the Efik people.
}}

{{recipe}}

'''Asa Iwa''' is a traditional Efik cassava dish made from fermented cassava paste that is wrapped in leaves and steamed until firm. It is commonly eaten as a staple food and is often served with soups such as afang soup, edikang ikong, or other vegetable soups.

==Equipment==

* Knife
* Grater
* Mixing bowl
* Colander
* Cooking pot with lid
* Steaming rack or stand
* String or strips of leaf for tying

==Ingredients==

* 2 kg cassava
* Water, as needed
* Salt, to taste
* Fresh wrapping leaves (such as agidi leaves or banana leaves)

==Procedure==
===Fermenting the Cassava ===

1. Peel the cassava and wash thoroughly.
2. Cut the cassava into medium-sized pieces.
3. Place the pieces in a clean container or bowl.
4. Add enough water to completely cover the cassava.
5. Cover the container loosely and leave it at room temperature for 1-2 days.
5. Check daily. The cassava is properly fermented when it becomes soft and develops a slightly sour aroma.
6. Remove the cassava from the water and wash lightly.
7. Grind or pound it into a smooth paste.
8. Sieve the paste if desired to remove fibrous particles.
9. The fermented cassava paste is now ready to be mixed and prepared for Asa Iwa before wrapping in leaves and steaming.

=== Cooking ===

1. Press the fermented cassava to remove excess water.

2. Add a little salt and mix thoroughly.

3. Wash and soften the leaves by passing them briefly over heat or hot water.

4. Spoon portions of the cassava mixture onto the leaves and wrap securely.

5. Arrange the wrapped portions in a pot fitted for steaming.

6. Add water below the steaming rack and steam for about 45–60 minutes, or until firm.

7.Remove from the pot and allow to cool slightly before serving.

==Serving==
Asa Iwa is typically served hot with 
* [[Cookbook:Vegetable Soup|vegetable soups,]]
* palm oil sauces,  
* fish stews.
* [[Cookbook:Editan Soup|Editan]]
* Okro soup 

[[Category:Cassava recipe]]
[[Category:Nigerian recipes]]
[[Category:African recipes]]
[[Category:Recipes]]
[[Category:Difficult recipes]]
[[Category:Efik recipes]]</text>
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        <id>3598940</id>
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      <comment>I added wiki links</comment>
      <origin>4639184</origin>
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      <text bytes="2565" sha1="0xbeppbjcvjpp8ft2ss952fyqkft0wr" xml:space="preserve">{{Recipe summary
| Name = Asa Iwa
| Category = Efik recipes 
| Cuisine = Nigerian cuisine
| Origin = Efik / Ibibio origin
| Servings = 4-6 servings 
| Time = 2 hours 
| Difficulty = 5
| Note =Traditionally, Asa Iwa is prepared during family gatherings and cultural celebrations among the Efik people.
}}

{{recipe}}

'''Asa Iwa''' is a traditional Efik cassava dish made from fermented cassava paste that is wrapped in leaves and steamed until firm. It is commonly eaten as a staple food and is often served with soups such as afang soup, edikang ikong, or other vegetable soups.

==Equipment==

* [[Cookbook:Knife|Knife]]
* [[Cookbook:Grater|Grater]]
* Mixing bowl
* [[Cookbook:Colander|Colander]]
* Cooking pot with lid
* Steaming rack or stand
* String or strips of leaf for tying

==Ingredients==

* 2 kg [[Cookbook:Cassava|cassava]]
* [[Cookbook:Water|Water]], as needed
* [[Cookbook:Salt|Salt]], to taste
* Fresh wrapping leaves (such as agidi leaves or banana leaves)

==Procedure==
===Fermenting the Cassava ===

1. Peel the [[Cookbook:Cassava|cassava]] and wash thoroughly.

2. Cut the cassava into medium-sized pieces.

3. Place the pieces in a clean container or bowl.

4. Add enough water to completely cover the cassava.

5. Cover the container loosely and leave it at room temperature for 1-2 days.
5. Check daily. The cassava is properly fermented when it becomes soft and develops a slightly sour aroma.

6. Remove the cassava from the water and wash lightly.

7. Grind or pound it into a smooth paste.

8. Sieve the paste if desired to remove fibrous particles.

9. The fermented cassava paste is now ready to be mixed and prepared for Asa Iwa before wrapping in leaves and steaming.

=== Cooking ===

1. Press the fermented cassava to remove excess water.

2. Add a little salt and mix thoroughly.

3. Wash and soften the leaves by passing them briefly over heat or hot water.

4. Spoon portions of the cassava mixture onto the leaves and wrap securely.

5. Arrange the wrapped portions in a pot fitted for steaming.

6. Add water below the steaming rack and steam for about 45–60 minutes, or until firm.

7.Remove from the pot and allow to cool slightly before serving.

==Serving==
Asa Iwa is typically served hot with 
* [[Cookbook:Vegetable Soup|vegetable soups,]]
* [[Cookbook:Palm Oil|palm oil]] sauces,  
* [[Cookbook:Fish|fish]] [[Cookbook:Stews|stews]].
* [[Cookbook:Editan Soup|Editan]]
* Okro soup
[[Category:Nigerian recipes]]
[[Category:African recipes]]
[[Category:Recipes]]
[[Category:Difficult recipes]]
[[Category:Efik recipes]]</text>
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  <page>
    <title>Chess Opening Theory/1. d4/1...Nf6/2. c4/2...e6/3. Nc3/3...Bb4/4. Qc2/4...d5/5. a3/5...Bxc3/6. bxc3</title>
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        <id>3601809</id>
      </contributor>
      <comment>/* Theory table */</comment>
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      <text bytes="3575" sha1="58ie156l0wv8l70yeoryg5eeyxdu8q6" xml:space="preserve">== 6. bxc3 ==
{{Chess Opening Theory/Position|=
|Nimzo-Indian Defense: Classical, Noa Variation, Pretzel Gambit|
   |rd|nd|bd|qd|kd|  |  |rd|=
   |pd|pd|pd|  |  |pd|pd|pd|=
   |  |  |  |  |pd|nd|  |  |=
   |  |  |  |pd|  |  |  |  |=
   |  |  |pl|pl|  |  |  |  |=
   |  |  |pl|  |  |  |  |  |=
   |pl|  |ql|  |pl|pl|pl|pl|=
   |rl|  |bl|  |kl|bl|nl|rl|=
||
}}The Pretzel Gambit (unofficial title, unrecognized in the Encyclopedia of Chess Openings) is a slightly dubious and semi-obscure gambit that allows white to play 2 different types of positional games that otherwise wouldn't occur in the main line after ''6. Qxc3''. while the better move after bishop takes is Qxc3, Stockfish 18 on medium depth evaluates it as completely equal (0.0 – -0.1).

=== 6… dxc4?! ===
While ''6…dxc4?!'', taking the free pawn, looks like the best move in this position, the engine evaluates it as the 4th best move in the position, giving up whatever little advantage black had. This is because the following move for white in this position is ''e4!'' gaining central space black will not gain back, and planning to go e5 attacking the knight.

This position slightly resembles a Queen's Gambit accepted, but with a few key differences.

# The gambited pawn will not be won back, as it can be defended with b5.
# The c-pawn (previously the b pawn before takes) defends the d pawn and prevents the black c-pawn from advancing.
# the queen supports the e4 push instead of the knight

Funnily enough, contrary to fundamental theory in the Queens Gambit accepted, the main line is to defend the weak pawn with ''7... b5'', because after 8. a4 (the best move for white) the only move to keep the game equal for black is ''8… Bb7!'' applying pressure on the e-pawn, but better yet applying permanent pressure on the long diagonal. If/when white castles, they (99 times out of 100) have to castle kingside due to the weakness of the queenside, and in the future if the e-pawn ever moves, the light squared bishop will always have its sights on the king.

=== 6… O-O ===
O-O is the engine favorite move (on cloud depth) of many good replies to the gambit. 7. ''cxd5?'' while not immediately losing is a very dubious and dangerous move for white. This is because: After ''7... exd5,'' e4 is no longer a move for white and, no matter what move you play, ''c5!'' is the immediate response; the queenside is very weak and white is undeveloped.

After ''6... O-O'' there are two simple moves the engine prefers: ''7. e3,'' supporting the weak pawn or ''7. Nf3 !?'' reinviting the gambit and developing a piece. If black takes the &quot;free&quot; pawn, they are much worse due to the fact that 8. ''e4!'' comes with a venom it didn't have earlier in the position. now white can attack with initiative.

The best move following both ''e3'' and ''Nf3'' is ''c5,'' a very uncanny Tarrasch type of position where white somehow has a queen on c2 and doubled pawns on c3 and c4.

after ''e3'' and N''f3'' are played (something like ''6... O-O 7. e3 7... c5 8. Nf3)'' the computer recommends ''b6'', and the ensuing lines are unfathomable and kafkaesque in nature, with: ''8... b6 9. dxc5!? 9... Ba6!? 10. cxd5!? 10... Bxf1 11. Kxf1!? 11... Qxd5 12. cxb6! 12... axb6.''

=== 6... c5 ===

==Theory table==
{{ChessTable}}

{{Chess/theory table
&lt;includeonly&gt;|eval1={{Chess/not|=}}&lt;/includeonly&gt;
|line1=6. dxc4 7. e4 7. b5 8. a4 8. Bb7 9. f3 9. a6 10. Qb2 10. Nbd7
|name1=Exchange variation
eval1={{Chess/not|=}}
|line2=6. O-O 7.e3 7. c5 8. Nf3 8. b6 9. dxc5!?
|eval2={{Chess/not|unclear}}
|name2=Wind variation

}}</text>
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      <text bytes="3576" sha1="qq6pxb7d2uzw2e98p5ndi5zign56evd" xml:space="preserve">== 6. bxc3 ==
{{Chess Opening Theory/Position|=
|Nimzo-Indian Defense: Classical, Noa Variation, Pretzel Gambit|
   |rd|nd|bd|qd|kd|  |  |rd|=
   |pd|pd|pd|  |  |pd|pd|pd|=
   |  |  |  |  |pd|nd|  |  |=
   |  |  |  |pd|  |  |  |  |=
   |  |  |pl|pl|  |  |  |  |=
   |  |  |pl|  |  |  |  |  |=
   |pl|  |ql|  |pl|pl|pl|pl|=
   |rl|  |bl|  |kl|bl|nl|rl|=
||
}}The Pretzel Gambit (unofficial title, unrecognized in the Encyclopedia of Chess Openings) is a slightly dubious and semi-obscure gambit that allows white to play 2 different types of positional games that otherwise wouldn't occur in the main line after ''6. Qxc3''. while the better move after bishop takes is Qxc3, Stockfish 18 on medium depth evaluates it as completely equal (0.0 – -0.1).

=== 6… dxc4?! ===
While ''6…dxc4?!'', taking the free pawn, looks like the best move in this position, the engine evaluates it as the 4th best move in the position, giving up whatever little advantage black had. This is because the following move for white in this position is ''e4!'' gaining central space black will not gain back, and planning to go e5 attacking the knight.

This position slightly resembles a Queen's Gambit accepted, but with a few key differences.

# The gambited pawn will not be won back, as it can be defended with b5.
# The c-pawn (previously the b pawn before takes) defends the d pawn and prevents the black c-pawn from advancing.
# the queen supports the e4 push instead of the knight

Funnily enough, contrary to fundamental theory in the Queens Gambit accepted, the main line is to defend the weak pawn with ''7... b5'', because after 8. a4 (the best move for white) the only move to keep the game equal for black is ''8… Bb7!'' applying pressure on the e-pawn, but better yet applying permanent pressure on the long diagonal. If/when white castles, they (99 times out of 100) have to castle kingside due to the weakness of the queenside, and in the future if the e-pawn ever moves, the light squared bishop will always have its sights on the king.

=== 6… O-O ===
O-O is the engine favorite move (on cloud depth) of many good replies to the gambit. 7. ''cxd5?'' while not immediately losing is a very dubious and dangerous move for white. This is because: After ''7... exd5,'' e4 is no longer a move for white and, no matter what move you play, ''c5!'' is the immediate response; the queenside is very weak and white is undeveloped.

After ''6... O-O'' there are two simple moves the engine prefers: ''7. e3,'' supporting the weak pawn or ''7. Nf3 !?'' reinviting the gambit and developing a piece. If black takes the &quot;free&quot; pawn, they are much worse due to the fact that 8. ''e4!'' comes with a venom it didn't have earlier in the position. now white can attack with initiative.

The best move following both ''e3'' and ''Nf3'' is ''c5,'' a very uncanny Tarrasch type of position where white somehow has a queen on c2 and doubled pawns on c3 and c4.

after ''e3'' and N''f3'' are played (something like ''6... O-O 7. e3 7... c5 8. Nf3)'' the computer recommends ''b6'', and the ensuing lines are unfathomable and kafkaesque in nature, with: ''8... b6 9. dxc5!? 9... Ba6!? 10. cxd5!? 10... Bxf1 11. Kxf1!? 11... Qxd5 12. cxb6! 12... axb6.''

=== 6... c5 ===

==Theory table==
{{ChessTable}}

{{Chess/theory table
&lt;includeonly&gt;|eval1={{Chess/not|=}}&lt;/includeonly&gt;
|line1=6. dxc4 7. e4 7. b5 8. a4 8. Bb7 9. f3 9. a6 10. Qb2 10. Nbd7
|name1=Exchange variation
|eval1={{Chess/not|=}}
|line2=6. O-O 7.e3 7. c5 8. Nf3 8. b6 9. dxc5!?
|eval2={{Chess/not|unclear}}
|name2=Wind variation

}}</text>
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  <page>
    <title>Cookbook:Ikokore</title>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = southwestern Nigeria origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 2 hours
| Difficulty = 3
| Note = * Freshly grated water yam produces the best texture.
* Stir carefully to avoid breaking the fish.
* The consistency should be thick but moist.
}}

'''Ikokore''' is a traditional Nigerian dish native to the Ijebu and Ilaje communities of southwestern Nigeria, particularly in Ondo State. It is prepared from grated water yam cooked in a richly seasoned broth containing [[Cookbook:Fish|fish]], [[Cookbook:Seafood|seafood]], [[Cookbook:Palm Oil|palm oil]], and [[Cookbook:Herbs and Spices|spices]].

The dish has a soft, pudding-like texture and is valued for its distinctive flavour and nutritional content. Ikokore is commonly served as a main meal during family gatherings, festivals, and special occasions.&lt;ref&gt;{{Cite journal |last=Adebayo |first=Ganiyu Babatunde |last2=Otunola |first2=Gloria Aderonke |last3=Bamisaye |first3=Fisayo Abraham |last4=Oyegoke |first4=Titilayo Olubunmi |date=2022-11-15 |title=Nutrient and mineral contents of traditional porridge 'Ikokore' prepared with different yam species |url=https://www.ajol.info/index.php/njns/article/view/236218 |journal=Nigerian Journal of Nutritional Sciences |language=en |volume=43 |issue=2 |pages=203–209 |issn=2805-4008}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Chef Lola |date=2024-07-11 |title=Ikokore - Water Yam Pottage |url=https://cheflolaskitchen.com/ikokore/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adesanya |first=Aderonke |date=2022-11-19 |title=Prepare Ikokore/Ifokore the Ijebu way |url=https://tribuneonlineng.com/prepare-ikokore-ifokore-the-ijebu-way/ |access-date=2026-06-06 |website=Tribune Online |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Jemimah |first=Sisi |date=2016-01-05 |title=Ikokore -Water Yam Pottage |url=https://sisijemimah.com/2016/01/05/ikokore-water-yam-pottage/ |access-date=2026-06-06 |website=Sisi Jemimah |language=en-GB}}&lt;/ref&gt;

== Ingredients ==

* 1 large water yam

* 500 g assorted fish (fresh or smoked)

* 1 cup ground [[Cookbook:Crawfish|crayfish]]

* 1/2 cup [[Cookbook:Palm Oil|palm oil]]

* 2–3 tablespoons ground [[Cookbook:Pepper|pepper]]

* 1 medium [[Cookbook:Onion|onion]], chopped

* 2–3 seasoning cubes

* [[Cookbook:Salt|Salt]] to taste

* 4 cups water or fish [[Cookbook:Broth and Stock|stock]]

* Periwinkles or [[Cookbook:Shrimp|shrimp]] (optional)

== Equipment ==

* [[Cookbook:Grater|Grater]]
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* Mixing bowl
* Large cooking pot
* Wooden spoon
* Measuring cups and spoons
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* Stove or other heat source

== Preparation ==
=== Preparing the ingredient ===
1. Peel and wash the water yam. 

2. Grate the water yam into a bowl and set aside.

3. Clean and prepare the fish and any seafood being used.

4. Chop the onion and measure out the remaining ingredients.

=== Cooking ===
5. Pour water or fish stock into a large pot and bring to a boil.

6. Add palm oil, onions, pepper, crayfish, seasoning cubes, and salt.

7. Add the fish and cook for several minutes.

8. Gradually add the grated water yam in small portions, stirring gently.

9. Allow the mixture to cook on medium heat until the yam thickens and absorbs the broth.

10.Add periwinkles or shrimp if using.

11.Continue cooking for 10–15 minutes, stirring occasionally to prevent sticking.

12.Adjust seasoning and remove from heat when the dish reaches a soft, thick consistency.

== Serving == 
* Ikokore is usually served hot as a complete meal. It may be accompanied by:
* Fresh fish
* Smoked fish
* Assorted seafood
* [[Cookbook:Vegetable|Vegetables]]

== Variations ==

* Some versions include crab, prawns, or other seafood.
* Smoked fish may be used in place of fresh fish.
* Additional peppers can be added for a spicier dish.

== References ==
{{reflist}}</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = southwestern Nigeria origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 2 hours
| Difficulty = 3
| Note = * Freshly grated water yam produces the best texture.
* Stir carefully to avoid breaking the fish.
* The consistency should be thick but moist.
}}

'''Ikokore''' is a traditional Nigerian dish native to the Ijebu and Ilaje communities of southwestern Nigeria, particularly in Ondo State. It is prepared from grated water yam cooked in a richly seasoned broth containing [[Cookbook:Fish|fish]], [[Cookbook:Seafood|seafood]], [[Cookbook:Palm Oil|palm oil]], and [[Cookbook:Herbs and Spices|spices]].

The dish has a soft, pudding-like texture and is valued for its distinctive flavour and nutritional content. Ikokore is commonly served as a main meal during family gatherings, festivals, and special occasions.&lt;ref&gt;{{Cite journal |last=Adebayo |first=Ganiyu Babatunde |last2=Otunola |first2=Gloria Aderonke |last3=Bamisaye |first3=Fisayo Abraham |last4=Oyegoke |first4=Titilayo Olubunmi |date=2022-11-15 |title=Nutrient and mineral contents of traditional porridge 'Ikokore' prepared with different yam species |url=https://www.ajol.info/index.php/njns/article/view/236218 |journal=Nigerian Journal of Nutritional Sciences |language=en |volume=43 |issue=2 |pages=203–209 |issn=2805-4008}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Chef Lola |date=2024-07-11 |title=Ikokore - Water Yam Pottage |url=https://cheflolaskitchen.com/ikokore/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adesanya |first=Aderonke |date=2022-11-19 |title=Prepare Ikokore/Ifokore the Ijebu way |url=https://tribuneonlineng.com/prepare-ikokore-ifokore-the-ijebu-way/ |access-date=2026-06-06 |website=Tribune Online |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Jemimah |first=Sisi |date=2016-01-05 |title=Ikokore -Water Yam Pottage |url=https://sisijemimah.com/2016/01/05/ikokore-water-yam-pottage/ |access-date=2026-06-06 |website=Sisi Jemimah |language=en-GB}}&lt;/ref&gt;

== Ingredients ==

* 1 large water yam

* 500 g assorted fish (fresh or smoked)

* 1 cup ground [[Cookbook:Crawfish|crayfish]]

* 1/2 cup [[Cookbook:Palm Oil|palm oil]]

* 2–3 tablespoons ground [[Cookbook:Pepper|pepper]]

* 1 medium [[Cookbook:Onion|onion]], chopped

* 2–3 seasoning cubes

* [[Cookbook:Salt|Salt]] to taste

* 4 cups water or fish [[Cookbook:Broth and Stock|stock]]

* Periwinkles or [[Cookbook:Shrimp|shrimp]] (optional)

== Equipment ==

* [[Cookbook:Grater|Grater]]
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* Mixing bowl
* Large cooking pot
* Wooden spoon
* Measuring cups and spoons
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* Stove or other heat source

== Preparation ==
=== Preparing the ingredient ===
1. Peel and wash the water yam. 

2. Grate the water yam into a bowl and set aside.

3. Clean and prepare the fish and any seafood being used.

4. Chop the onion and measure out the remaining ingredients.

=== Cooking ===
5. Pour water or fish stock into a large pot and bring to a boil.

6. Add palm oil, onions, pepper, crayfish, seasoning cubes, and salt.

7. Add the fish and cook for several minutes.

8. Gradually add the grated water yam in small portions, stirring gently.

9. Allow the mixture to cook on medium heat until the yam thickens and absorbs the broth.

10.Add periwinkles or shrimp if using.

11.Continue cooking for 10–15 minutes, stirring occasionally to prevent sticking.

12.Adjust seasoning and remove from heat when the dish reaches a soft, thick consistency.

== Serving == 
* Ikokore is usually served hot as a complete meal. It may be accompanied by:
* Fresh fish
* Smoked fish
* Assorted seafood
* [[Cookbook:Vegetable|Vegetables]]

== Variations ==

* Some versions include crab, prawns, or other seafood.
* Smoked fish may be used in place of fresh fish.
* Additional peppers can be added for a spicier dish.

== References ==
{{reflist}}

[[Category:Nigerian recipes]]
[[Category:Yoruba recipes]]
[[Category: Medium difficulty recipes]]
[[Category:African recipes]]
[[Category:recipes]]</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = southwestern Nigeria origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 2 hours
| Difficulty = 3
| Note = * Freshly grated water yam produces the best texture.
* Stir carefully to avoid breaking the fish.
* The consistency should be thick but moist.
}}

'''Ikokore''' is a traditional Nigerian dish native to the Ijebu and Ilaje communities of southwestern Nigeria, particularly in Ondo State. It is prepared from grated water yam cooked in a richly seasoned broth containing [[Cookbook:Fish|fish]], [[Cookbook:Seafood|seafood]], [[Cookbook:Palm Oil|palm oil]], and [[Cookbook:Herbs and Spices|spices]].

The dish has a soft, pudding-like texture and is valued for its distinctive flavour and nutritional content. Ikokore is commonly served as a main meal during family gatherings, festivals, and special occasions.&lt;ref&gt;{{Cite journal |last=Adebayo |first=Ganiyu Babatunde |last2=Otunola |first2=Gloria Aderonke |last3=Bamisaye |first3=Fisayo Abraham |last4=Oyegoke |first4=Titilayo Olubunmi |date=2022-11-15 |title=Nutrient and mineral contents of traditional porridge 'Ikokore' prepared with different yam species |url=https://www.ajol.info/index.php/njns/article/view/236218 |journal=Nigerian Journal of Nutritional Sciences |language=en |volume=43 |issue=2 |pages=203–209 |issn=2805-4008}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Chef Lola |date=2024-07-11 |title=Ikokore - Water Yam Pottage |url=https://cheflolaskitchen.com/ikokore/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adesanya |first=Aderonke |date=2022-11-19 |title=Prepare Ikokore/Ifokore the Ijebu way |url=https://tribuneonlineng.com/prepare-ikokore-ifokore-the-ijebu-way/ |access-date=2026-06-06 |website=Tribune Online |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Jemimah |first=Sisi |date=2016-01-05 |title=Ikokore -Water Yam Pottage |url=https://sisijemimah.com/2016/01/05/ikokore-water-yam-pottage/ |access-date=2026-06-06 |website=Sisi Jemimah |language=en-GB}}&lt;/ref&gt;

== Ingredients ==

* 1 large water yam

* 500 g assorted fish (fresh or smoked)

* 1 cup ground [[Cookbook:Crawfish|crayfish]]

* 1/2 cup [[Cookbook:Palm Oil|palm oil]]

* 2–3 tablespoons ground [[Cookbook:Pepper|pepper]]

* 1 medium [[Cookbook:Onion|onion]], chopped

* 2–3 seasoning cubes

* [[Cookbook:Salt|Salt]] to taste

* 4 cups water or fish [[Cookbook:Broth and Stock|stock]]

* Periwinkles or [[Cookbook:Shrimp|shrimp]] (optional)

== Equipment ==

* [[Cookbook:Grater|Grater]]
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* Mixing bowl
* Large cooking pot
* Wooden spoon
* Measuring cups and spoons
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* Stove or other heat source

== Preparation ==
=== Preparing the ingredient ===
1. Peel and wash the water yam. 

2. Grate the water yam into a bowl and set aside.

3. Clean and prepare the fish and any seafood being used.

4. Chop the onion and measure out the remaining ingredients.

=== Cooking ===
5. Pour water or fish stock into a large pot and bring to a boil.

6. Add palm oil, onions, pepper, crayfish, seasoning cubes, and salt.

7. Add the fish and cook for several minutes.

8. Gradually add the grated water yam in small portions, stirring gently.

9. Allow the mixture to cook on medium heat until the yam thickens and absorbs the broth.

10.Add periwinkles or shrimp if using.

11.Continue cooking for 10–15 minutes, stirring occasionally to prevent sticking.

12.Adjust seasoning and remove from heat when the dish reaches a soft, thick consistency.

== Serving == 
* Ikokore is usually served hot as a complete meal. It may be accompanied by:
* Fresh fish
* Smoked fish
* Assorted seafood
* [[Cookbook:Vegetable|Vegetables]]

== Variations ==

* Some versions include crab, prawns, or other seafood.
* Smoked fish may be used in place of fresh fish.
* Additional peppers can be added for a spicier dish.

== References ==
{{reflist}}

[[Category:Nigerian recipes]]
[[Category:Yoruba recipes]]
[[Category:African recipes]]
[[Category:recipes]]</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 3
| Image = [[File:Asaro ( Yam Porridge).jpg|300px]]
| Note = * Do not over-stir during cooking, as this may cause all the yam pieces to break apart.
* The dish should be thick and creamy but still contain visible yam chunks.
* Fresh stock can be used to enhance flavor.
}}

== Introduction ==
'''Asaro''', also known as Yam Porridge is a traditional Nigerian dish made by cooking yam in a richly seasoned sauce of tomatoes, peppers, onions, and oil. It is particularly popular among the Yoruba people of southwestern Nigeria but is enjoyed throughout the country.&lt;ref&gt;{{Cite web |date=2022-01-25 |title=Asaro: How to prepare the Yoruba thick and spicy yam porridge |url=https://www.pulse.ng/story/asaro-how-to-prepare-the-yoruba-thick-and-spicy-yam-porridge-2024073123565836660 |access-date=2026-06-06 |website=Pulse Nigeria |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Ajoke |date=2020-03-26 |title=Yam porridge (Asaro) |url=https://www.myactivekitchen.com/asaro-elepo-rederede-yam-porridge/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Lola |date=2022-06-17 |title=Yam pottage/Yam Porridge (Asaro recipe) |url=https://cheflolaskitchen.com/yam-porridge-pottage/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;

The dish is known for its soft texture and rich flavor. During cooking, part of the yam breaks down into the sauce, creating a thick and hearty porridge. Asaro may be prepared with fish, meat, vegetables, or seafood.&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2017-09-15 |title=How To Make Asaro (Yam Porridge) |url=https://guardian.ng/life/food/how-to-make-asaro-yam-porridge/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2022-12-19 |title=Easy Homemade Asaro Recipe |url=https://guardian.ng/life/easy-homemade-asaro-recipe/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |title=How to Make Delicious Nigerian Yam Porridge (Asaro) |url=https://kashgain.net/blog/how-to-make-yam-porridge-in-nigeria/ |access-date=2026-06-06 |website=kashgain.net |language=en}}&lt;/ref&gt;

== Ingredients ==

* 1 medium yam (about 1 kg), peeled and cubed
* 3 medium tomatoes
* 2 red bell peppers
* 2 scotch bonnet peppers
* 1 medium onion
* 1/2 cup palm oil or vegetable oil
* 200 g fish, meat, or smoked fish (optional)
* 2–3 seasoning cubes
* Salt to taste
* 4 cups water or stock
* Leafy vegetables such as spinach or ugu (optional)

== Equipment ==

* Cooking pot
* Knife
* Chopping board
* Blender or food processor
* Mixing bowls
* Measuring cups and spoons
* Wooden spoon
* Colander or sieve
* Stove or other heat source

== Preparation ==

1. Peel the yam and cut it into medium-sized cubes.

2. Wash the tomatoes, peppers, and onion.

3. Blend the tomatoes, peppers, and onion into a smooth mixture.

4. Prepare the fish, meat, or other protein if using.

5. Heat the oil in a pot and add the blended pepper mixture.

6. Cook for about 10 minutes, stirring occasionally.

7. Add seasoning cubes, salt, and any protein being used.

8. Pour in the water or stock and bring to a boil.

9. Add the yam cubes and stir gently.

10. Cover and cook until the yam becomes soft.

11. Stir occasionally; some of the yam will break down and thicken the porridge.

12. Add vegetables if desired and cook for an additional 3–5 minutes.

13. Adjust seasoning and remove from heat.

== Serving ==
Asaro is served hot and may be enjoyed on its own or with:

* Smoked fish
* Fresh fish
* Beef
* Chicken
* Vegetables

== Variations ==

* Palm oil may be substituted with vegetable oil.
* Seafood such as shrimp or prawns can be added.
* Some versions include leafy vegetables for additional nutrition.
* Extra pepper may be added for a spicier dish.

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:Yoruba cuisine]]
[[Category:Yam dishes]]
[[Category:Main dishes]]
[[Category:African dishes]]
[[Category:Vegetarian dishes]]</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 3
| Image = [[File:Asaro ( Yam Porridge).jpg|300px]]
| Note = * Do not over-stir during cooking, as this may cause all the yam pieces to break apart.
* The dish should be thick and creamy but still contain visible yam chunks.
* Fresh stock can be used to enhance flavor.
}}

== Introduction ==
'''Asaro''', also known as Yam Porridge is a traditional Nigerian dish made by cooking yam in a richly seasoned sauce of tomatoes, peppers, onions, and oil. It is particularly popular among the Yoruba people of southwestern Nigeria but is enjoyed throughout the country.&lt;ref&gt;{{Cite web |date=2022-01-25 |title=Asaro: How to prepare the Yoruba thick and spicy yam porridge |url=https://www.pulse.ng/story/asaro-how-to-prepare-the-yoruba-thick-and-spicy-yam-porridge-2024073123565836660 |access-date=2026-06-06 |website=Pulse Nigeria |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Ajoke |date=2020-03-26 |title=Yam porridge (Asaro) |url=https://www.myactivekitchen.com/asaro-elepo-rederede-yam-porridge/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Lola |date=2022-06-17 |title=Yam pottage/Yam Porridge (Asaro recipe) |url=https://cheflolaskitchen.com/yam-porridge-pottage/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;

The dish is known for its soft texture and rich flavor. During cooking, part of the yam breaks down into the sauce, creating a thick and hearty porridge. Asaro may be prepared with fish, meat, vegetables, or seafood.&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2017-09-15 |title=How To Make Asaro (Yam Porridge) |url=https://guardian.ng/life/food/how-to-make-asaro-yam-porridge/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2022-12-19 |title=Easy Homemade Asaro Recipe |url=https://guardian.ng/life/easy-homemade-asaro-recipe/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |title=How to Make Delicious Nigerian Yam Porridge (Asaro) |url=https://kashgain.net/blog/how-to-make-yam-porridge-in-nigeria/ |access-date=2026-06-06 |website=kashgain.net |language=en}}&lt;/ref&gt;

== Ingredients ==

* 1 medium [[Cookbook:Yam|yam]] (about 1 kg), peeled and cubed
* 3 medium tomatoes
* 2 red bell [[Cookbook:Pepper|pepper]]&lt;nowiki/&gt;s
* 2 scotch bonnet peppers
* 1 medium onion
* 1/2 cup palm oil or vegetable oil
* 200 g fish, meat, or smoked fish (optional)
* 2–3 seasoning cubes
* Salt to taste
* 4 cups water or stock
* Leafy vegetables such as spinach or ugu (optional)

== Equipment ==

* Cooking pot
* Knife
* Chopping board
* Blender or food processor
* Mixing bowls
* Measuring cups and spoons
* Wooden spoon
* Colander or sieve
* Stove or other heat source

== Preparation ==

1. Peel the yam and cut it into medium-sized cubes.

2. Wash the tomatoes, peppers, and onion.

3. Blend the tomatoes, peppers, and onion into a smooth mixture.

4. Prepare the fish, meat, or other protein if using.

5. Heat the oil in a pot and add the blended pepper mixture.

6. Cook for about 10 minutes, stirring occasionally.

7. Add seasoning cubes, salt, and any protein being used.

8. Pour in the water or stock and bring to a boil.

9. Add the yam cubes and stir gently.

10. Cover and cook until the yam becomes soft.

11. Stir occasionally; some of the yam will break down and thicken the porridge.

12. Add vegetables if desired and cook for an additional 3–5 minutes.

13. Adjust seasoning and remove from heat.

== Serving ==
Asaro is served hot and may be enjoyed on its own or with:

* Smoked fish
* Fresh fish
* Beef
* Chicken
* Vegetables

== Variations ==

* Palm oil may be substituted with vegetable oil.
* Seafood such as shrimp or prawns can be added.
* Some versions include leafy vegetables for additional nutrition.
* Extra pepper may be added for a spicier dish.

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:Yoruba cuisine]]
[[Category:Yam dishes]]
[[Category:Main dishes]]
[[Category:African dishes]]
[[Category:Vegetarian dishes]]</text>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 3
| Image = [[File:Asaro ( Yam Porridge).jpg|300px]]
| Note = * Do not over-stir during cooking, as this may cause all the yam pieces to break apart.
* The dish should be thick and creamy but still contain visible yam chunks.
* Fresh stock can be used to enhance flavor.
}}

== Introduction ==
'''Asaro''', also known as Yam Porridge is a traditional Nigerian dish made by cooking yam in a richly seasoned sauce of tomatoes, peppers, onions, and oil. It is particularly popular among the Yoruba people of southwestern Nigeria but is enjoyed throughout the country.&lt;ref&gt;{{Cite web |date=2022-01-25 |title=Asaro: How to prepare the Yoruba thick and spicy yam porridge |url=https://www.pulse.ng/story/asaro-how-to-prepare-the-yoruba-thick-and-spicy-yam-porridge-2024073123565836660 |access-date=2026-06-06 |website=Pulse Nigeria |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Ajoke |date=2020-03-26 |title=Yam porridge (Asaro) |url=https://www.myactivekitchen.com/asaro-elepo-rederede-yam-porridge/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Lola |date=2022-06-17 |title=Yam pottage/Yam Porridge (Asaro recipe) |url=https://cheflolaskitchen.com/yam-porridge-pottage/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;

The dish is known for its soft texture and rich flavor. During cooking, part of the yam breaks down into the sauce, creating a thick and hearty porridge. Asaro may be prepared with fish, meat, vegetables, or seafood.&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2017-09-15 |title=How To Make Asaro (Yam Porridge) |url=https://guardian.ng/life/food/how-to-make-asaro-yam-porridge/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2022-12-19 |title=Easy Homemade Asaro Recipe |url=https://guardian.ng/life/easy-homemade-asaro-recipe/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |title=How to Make Delicious Nigerian Yam Porridge (Asaro) |url=https://kashgain.net/blog/how-to-make-yam-porridge-in-nigeria/ |access-date=2026-06-06 |website=kashgain.net |language=en}}&lt;/ref&gt;

== Ingredients ==

* 1 medium [[Cookbook:Yam|yam]] (about 1 kg), peeled and cubed
* 3 medium tomatoes
* 2 red bell [[Cookbook:Pepper|pepper]]&lt;nowiki/&gt;s
* 2 scotch bonnet peppers
* 1 medium onion
* 1/2 cup [[Cookbook:Palm Oil|palm oil]] or [[Cookbook:Vegetable Oil|vegetable oil]]
* 200 g [[Cookbook:Fish|fish]], [[Cookbook:Meat|meat]], or smoked fish (optional)
* 2–3 seasoning cubes
* Salt to taste
* 4 cups water or stock
* Leafy vegetables such as [[Cookbook:Spinach|spinach]] or [[Using Ubuntu Linux/Ubuntu Variations|ugu]] (optional)

== Equipment ==

* Cooking pot
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Chopping board|Chopping board]]
* [[Cookbook:Blender|Blender]] or [[Cookbook:Food Processor|food processor]]
* Mixing bowls
* Measuring cups and spoons
* Wooden spoon
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* Stove or other heat source

== Preparation ==

1. Peel the yam and cut it into medium-sized cubes.

2. Wash the tomatoes, peppers, and onion.

3. Blend the tomatoes, peppers, and onion into a smooth mixture.

4. Prepare the fish, meat, or other protein if using.

5. Heat the oil in a pot and add the blended pepper mixture.

6. Cook for about 10 minutes, stirring occasionally.

7. Add seasoning cubes, salt, and any protein being used.

8. Pour in the water or stock and bring to a boil.

9. Add the yam cubes and stir gently.

10. Cover and cook until the yam becomes soft.

11. Stir occasionally; some of the yam will break down and thicken the porridge.

12. Add vegetables if desired and cook for an additional 3–5 minutes.

13. Adjust seasoning and remove from heat.

== Serving ==
Asaro is served hot and may be enjoyed on its own or with:

* Smoked fish
* Fresh fish
* Beef
* Chicken
* Vegetables

== Variations ==

* Palm oil may be substituted with vegetable oil.
* Seafood such as shrimp or prawns can be added.
* Some versions include leafy vegetables for additional nutrition.
* Extra pepper may be added for a spicier dish.

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:Yoruba cuisine]]
[[Category:Yam dishes]]
[[Category:Main dishes]]
[[Category:African dishes]]
[[Category:Vegetarian dishes]]</text>
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        <id>3598940</id>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 3
| Image = [[File:Asaro ( Yam Porridge).jpg|300px]]
| Note = * Do not over-stir during cooking, as this may cause all the yam pieces to break apart.
* The dish should be thick and creamy but still contain visible yam chunks.
* Fresh stock can be used to enhance flavor.
}}

== Introduction ==
'''Asaro''', also known as Yam Porridge is a traditional Nigerian dish made by cooking yam in a richly seasoned sauce of tomatoes, peppers, onions, and oil. It is particularly popular among the Yoruba people of southwestern Nigeria but is enjoyed throughout the country.&lt;ref&gt;{{Cite web |date=2022-01-25 |title=Asaro: How to prepare the Yoruba thick and spicy yam porridge |url=https://www.pulse.ng/story/asaro-how-to-prepare-the-yoruba-thick-and-spicy-yam-porridge-2024073123565836660 |access-date=2026-06-06 |website=Pulse Nigeria |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Ajoke |date=2020-03-26 |title=Yam porridge (Asaro) |url=https://www.myactivekitchen.com/asaro-elepo-rederede-yam-porridge/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Osinkolu |first=Lola |date=2022-06-17 |title=Yam pottage/Yam Porridge (Asaro recipe) |url=https://cheflolaskitchen.com/yam-porridge-pottage/ |access-date=2026-06-06 |website=Chef Lola's Kitchen |language=en-US}}&lt;/ref&gt;

The dish is known for its soft texture and rich flavor. During cooking, part of the yam breaks down into the sauce, creating a thick and hearty porridge. Asaro may be prepared with fish, meat, vegetables, or seafood.&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2017-09-15 |title=How To Make Asaro (Yam Porridge) |url=https://guardian.ng/life/food/how-to-make-asaro-yam-porridge/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Nigeria |first=Guardian |date=2022-12-19 |title=Easy Homemade Asaro Recipe |url=https://guardian.ng/life/easy-homemade-asaro-recipe/ |access-date=2026-06-06 |website=The Guardian Nigeria News - Nigeria and World News |language=en-GB}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |title=How to Make Delicious Nigerian Yam Porridge (Asaro) |url=https://kashgain.net/blog/how-to-make-yam-porridge-in-nigeria/ |access-date=2026-06-06 |website=kashgain.net |language=en}}&lt;/ref&gt;

== Ingredients ==

* 1 medium [[Cookbook:Yam|yam]] (about 1 kg), peeled and cubed
* 3 medium tomatoes
* 2 red bell [[Cookbook:Pepper|pepper]]&lt;nowiki/&gt;s
* 2 scotch bonnet peppers
* 1 medium onion
* 1/2 cup [[Cookbook:Palm Oil|palm oil]] or [[Cookbook:Vegetable Oil|vegetable oil]]
* 200 g [[Cookbook:Fish|fish]], [[Cookbook:Meat|meat]], or smoked fish (optional)
* 2–3 seasoning cubes
* Salt to taste
* 4 cups water or stock
* Leafy vegetables such as [[Cookbook:Spinach|spinach]] or [[Using Ubuntu Linux/Ubuntu Variations|ugu]] (optional)

== Equipment ==

* Cooking pot
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Chopping board|Chopping board]]
* [[Cookbook:Blender|Blender]] or [[Cookbook:Food Processor|food processor]]
* Mixing bowls
* Measuring cups and spoons
* Wooden spoon
* [[Cookbook:Colander|Colander]] or [[Cookbook:Sieve|sieve]]
* Stove or other heat source

== Preparation ==

1. Peel the yam and cut it into medium-sized cubes.

2. Wash the tomatoes, peppers, and onion.

3. Blend the tomatoes, peppers, and onion into a smooth mixture.

4. Prepare the fish, meat, or other protein if using.

5. Heat the oil in a pot and add the blended pepper mixture.

6. Cook for about 10 minutes, stirring occasionally.

7. Add seasoning cubes, salt, and any protein being used.

8. Pour in the water or stock and bring to a boil.

9. Add the yam cubes and stir gently.

10. Cover and cook until the yam becomes soft.

11. Stir occasionally; some of the yam will break down and thicken the porridge.

12. Add vegetables if desired and cook for an additional 3–5 minutes.

13. Adjust seasoning and remove from heat.

== Serving ==
Asaro is served hot and may be enjoyed on its own or with:

* Smoked fish
* Fresh fish
* Beef
* Chicken
* Vegetables

== Variations ==

* Palm oil may be substituted with vegetable oil.
* Seafood such as shrimp or prawns can be added.
* Some versions include leafy vegetables for additional nutrition.
* Extra pepper may be added for a spicier dish.

== References ==
{{reflist}}
[[Category:Nigerian recipes]]
[[Category:African recipes]]
[[Category:Recipes]]
[[Category:Yoruba recipes]]
[[Category:Recipes by difficulty]]
[[Category:Medium Difficulty recipes]]
[[Category:Recipes with images]]</text>
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    <title>Cookbook:Nigerian Okra and Stew soup</title>
    <ns>102</ns>
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        <id>3598940</id>
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      <comment>I created an article</comment>
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== Introduction ==
'''Okra and Stew''' is a simple Nigerian meal in which okra is cooked separately while a tomato-based stew is prepared on its own. Both are then served together, allowing each component to retain its distinct flavour and texture.

It is commonly eaten in many Nigerian homes and served with staple foods such as amala, eba, pounded yam, or fufu.

== Ingredients ==

=== For the okra ===

* Fresh okra (chopped or sliced)
* 1 cup water or stock
* Salt to taste
* 1 seasoning cube (optional)
* Cray fish (optional)

=== For the stew ===

* 4–6 tomatoes
* 2 red bell peppers
* 2 scotch bonnet peppers
* 1 large onion
* 1/2 cup palm oil or vegetable oil
* Beef, fish, or chicken
* 2–3 seasoning cubes
* Salt to taste

== Equipment ==

* Two cooking pots
* Knife
* Chopping board
* Blender or food processor
* Wooden spoon or spatula
* Mixing bowls
* Stove or heat source

== Preparation ==

=== Step 1: Prepare the okra ===

1. Wash and finely slice the okra.

2. Place in a pot with a small amount of water or stock.

3. Add salt, seasoning cube, and crayfish if using.

4. Cook for 5–10 minutes until slightly thick but still fresh in texture.

=== Step 2: Prepare the stew ===

5. Blend tomatoes, peppers, and onion.

6. Heat oil in a separate pot.

7. Add the blended mixture and cook until it thickens and oil begins to separate.

8. Add meat or fish and season with salt and seasoning cubes.

9. Simmer until fully cooked and well flavored.

=== Step 3: Serve ===

10. Serve the cooked okra in a bowl.

11. Serve the stew separately alongside it.

12. Combine while eating as desired.

== Serving ==
Okra and Stew is served with:

* Amala
* Eba
* Pounded yam
* Fufu


== See also ==

* Okra soup
* Nigerian stew
* Amala dishes
* Eba dishes

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:African dishes]]
[[Category:Okra dishes]]
[[Category:Stews]]
[[Category:Main dishes]]</text>
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      <contributor>
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        <id>3598940</id>
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      <comment>I added an image, wiki links</comment>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 2
| Image = [[File:Eba and Okra Soup.jpg|300px]]
| Note = * Keeping okra and stew separate preserves their natural textures.
* The stew can be made spicy or mild depending on preference.
* Fresh okra gives the best slimy texture.
}}

== Introduction ==
'''Okra and Stew''' is a simple Nigerian meal in which okra is cooked separately while a tomato-based stew is prepared on its own. Both are then served together, allowing each component to retain its distinct flavour and texture.

It is commonly eaten in many Nigerian homes and served with staple foods such as amala, eba, pounded yam, or fufu.

== Ingredients ==

=== For the okra ===

* Fresh okra (chopped or sliced)
* 1 cup water or stock
* Salt to taste
* 1 seasoning cube (optional)
* Cray fish (optional)

=== For the stew ===

* 4–6 tomatoes
* 2 red bell peppers
* 2 scotch bonnet peppers
* 1 large onion
* 1/2 cup palm oil or vegetable oil
* Beef, fish, or chicken
* 2–3 seasoning cubes
* Salt to taste

== Equipment ==

* Two cooking pots
* Knife
* Chopping board
* Blender or food processor
* Wooden spoon or spatula
* Mixing bowls
* Stove or heat source

== Preparation ==

=== Step 1: Prepare the okra ===

1. Wash and finely slice the okra.

2. Place in a pot with a small amount of water or stock.

3. Add salt, seasoning cube, and crayfish if using.

4. Cook for 5–10 minutes until slightly thick but still fresh in texture.

=== Step 2: Prepare the stew ===

5. Blend tomatoes, peppers, and onion.

6. Heat oil in a separate pot.

7. Add the blended mixture and cook until it thickens and oil begins to separate.

8. Add meat or fish and season with salt and seasoning cubes.

9. Simmer until fully cooked and well flavored.

=== Step 3: Serve ===

10. Serve the cooked okra in a bowl.

11. Serve the stew separately alongside it.

12. Combine while eating as desired.

== Serving ==
Okra and Stew is served with:

* Amala
* Eba
* Pounded yam
* Fufu


== See also ==

* Okra soup
* Nigerian stew
* Amala dishes
* Eba dishes

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:African dishes]]
[[Category:Okra dishes]]
[[Category:Stews]]
[[Category:Main dishes]]</text>
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        <id>3598940</id>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 2
| Image = [[File:Eba and Okra Soup.jpg|300px]]
| Note = * Keeping okra and stew separate preserves their natural textures.
* The stew can be made spicy or mild depending on preference.
* Fresh okra gives the best slimy texture.
}}

== Introduction ==
'''Okra and Stew''' is a simple Nigerian meal in which [[Cookbook:Okra|okra]] is cooked separately while a tomato-based stew is prepared on its own. Both are then served together, allowing each component to retain its distinct flavour and texture.

It is commonly eaten in many Nigerian homes and served with staple foods such as amala, eba, pounded yam, or fufu.

== Ingredients ==

=== For the okra ===

* Fresh okra (chopped or sliced)
* 1 cup [[Cookbook:Water|water]] or [[Cookbook:Broth and Stock|stock]]
* [[Cookbook:Salt|Salt]] to taste
* 1 seasoning cube (optional)
* [[Cookbook:Crawfish|Crayfish]] (optional)

=== For the stew ===

* 4–6 [[Cookbook:Tomatoes with Cheese Stuffing|tomatoes]]
* 2 red bell [[Cookbook:Pepper|peppers]]
* 2 scotch bonnet peppers
* 1 large [[Cookbook:Onion|onion]]
* 1/2 cup [[Cookbook:Palm Oil|palm oil]] or [[Cookbook:Vegetable Oil|vegetable oil]]
* [[Cookbook:Beef|Beef]], [[Cookbook:Fish|fish]], or [[Cookbook:Chicken|chicken]]
* 2–3 seasoning cubes
* Salt to taste

== Equipment ==

* Two cooking pots
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* [[Cookbook:Blender|Blender]] or [[Cookbook:Food Processor|food processor]]
* Wooden spoon or spatula
* Mixing bowls
* Stove or heat source

== Preparation ==

=== Step 1: Prepare the okra ===

1. Wash and finely slice the okra.

2. Place in a pot with a small amount of water or stock.

3. Add salt, seasoning cube, and crayfish if using.

4. Cook for 5–10 minutes until slightly thick but still fresh in texture.

=== Step 2: Prepare the stew ===

5. Blend tomatoes, peppers, and onion.

6. Heat oil in a separate pot.

7. Add the blended mixture and cook until it thickens and oil begins to separate.

8. Add meat or fish and season with salt and seasoning cubes.

9. Simmer until fully cooked and well flavored.

=== Step 3: Serve ===

10. Serve the cooked okra in a bowl.

11. Serve the stew separately alongside it.

12. Combine while eating as desired.

== Serving ==
Okra and Stew is served with:

* Amala
* Eba
* Pounded yam
* Fufu


== See also ==

* Okra soup
* Nigerian stew
* Amala dishes
* Eba dishes

== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:African dishes]]
[[Category:Okra dishes]]
[[Category:Stews]]
[[Category:Main dishes]]</text>
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      <contributor>
        <username>UniqueMonik</username>
        <id>3598940</id>
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      <comment>I added categories and references</comment>
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      <model>wikitext</model>
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{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 2
| Image = [[File:Eba and Okra Soup.jpg|300px]]
| Note = * Keeping okra and stew separate preserves their natural textures.
* The stew can be made spicy or mild depending on preference.
* Fresh okra gives the best slimy texture.
}}

== Introduction ==
'''Okra and Stew''' is a simple Nigerian meal in which [[Cookbook:Okra|okra]] is cooked separately while a tomato-based stew is prepared on its own. Both are then served together, allowing each component to retain its distinct flavour and texture.&lt;ref&gt;{{Cite web |last=Ajoke |date=2017-03-21 |title=Plain Okra Soup |url=https://www.myactivekitchen.com/plain-okra-soup/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;

It is commonly eaten in many Nigerian homes and served with staple foods such as amala, eba, pounded yam, or fufu.&lt;ref&gt;{{Cite web |date=2020-10-16 |title=Eba, Okro Soup &amp; Stew Recipe by Bakers spice |url=https://cookpad.com/eng/recipes/13860209 |access-date=2026-06-06 |website=Cookpad |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adamu |first=Imma |date=2022-03-07 |title=Okra Stew (Plus Video) |url=https://www.africanbites.com/okra-stew/ |access-date=2026-06-06 |website=Immaculate Bites |language=en-US}}&lt;/ref&gt;

== Ingredients ==

=== For the okra ===

* Fresh okra (chopped or sliced)
* 1 cup [[Cookbook:Water|water]] or [[Cookbook:Broth and Stock|stock]]
* [[Cookbook:Salt|Salt]] to taste
* 1 seasoning cube (optional)
* [[Cookbook:Crawfish|Crayfish]] (optional)

=== For the stew ===

* 4–6 [[Cookbook:Tomatoes with Cheese Stuffing|tomatoes]]
* 2 red bell [[Cookbook:Pepper|peppers]]
* 2 scotch bonnet peppers
* 1 large [[Cookbook:Onion|onion]]
* 1/2 cup [[Cookbook:Palm Oil|palm oil]] or [[Cookbook:Vegetable Oil|vegetable oil]]
* [[Cookbook:Beef|Beef]], [[Cookbook:Fish|fish]], or [[Cookbook:Chicken|chicken]]
* 2–3 seasoning cubes
* Salt to taste

== Equipment ==

* Two cooking pots
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* [[Cookbook:Blender|Blender]] or [[Cookbook:Food Processor|food processor]]
* Wooden spoon or spatula
* Mixing bowls
* Stove or heat source

== Preparation ==

=== Step 1: Prepare the okra ===

1. Wash and finely slice the okra.

2. Place in a pot with a small amount of water or stock.

3. Add salt, seasoning cube, and crayfish if using.

4. Cook for 5–10 minutes until slightly thick but still fresh in texture.

=== Step 2: Prepare the stew ===

5. Blend tomatoes, peppers, and onion.

6. Heat oil in a separate pot.

7. Add the blended mixture and cook until it thickens and oil begins to separate.

8. Add meat or fish and season with salt and seasoning cubes.

9. Simmer until fully cooked and well flavored.

=== Step 3: Serve ===

10. Serve the cooked okra in a bowl.

11. Serve the stew separately alongside it.

12. Combine while eating as desired.

== Serving ==
Okra and Stew is served with:

* Amala
* Eba
* Pounded yam 
* Semolina 
* Fufu
== References ==
{{reflist}}

[[Category:Nigerian cuisine]]
[[Category:African dishes]]
[[Category:Okra dishes]]
[[Category:Stews]]
[[Category:Main dishes]]</text>
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        <id>3598940</id>
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      <comment>I added category</comment>
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      <text bytes="3247" sha1="isjlkctdtdppk713crrag2b1qckvuk3" xml:space="preserve">{{recipe}}

{{Recipe summary
| Cuisine = Nigerian cuisine
| Origin = Nigerian origin
| Yield = 4 plates
| Servings = 3-4 servings
| Time = 1 hour
| Difficulty = 2
| Image = [[File:Eba and Okra Soup.jpg|300px]]
| Note = * Keeping okra and stew separate preserves their natural textures.
* The stew can be made spicy or mild depending on preference.
* Fresh okra gives the best slimy texture.
}}

== Introduction ==
'''Okra and Stew''' is a simple Nigerian meal in which [[Cookbook:Okra|okra]] is cooked separately while a tomato-based stew is prepared on its own. Both are then served together, allowing each component to retain its distinct flavour and texture.&lt;ref&gt;{{Cite web |last=Ajoke |date=2017-03-21 |title=Plain Okra Soup |url=https://www.myactivekitchen.com/plain-okra-soup/ |access-date=2026-06-06 |website=My Active Kitchen |language=en-GB}}&lt;/ref&gt;

It is commonly eaten in many Nigerian homes and served with staple foods such as amala, eba, pounded yam, or fufu.&lt;ref&gt;{{Cite web |date=2020-10-16 |title=Eba, Okro Soup &amp; Stew Recipe by Bakers spice |url=https://cookpad.com/eng/recipes/13860209 |access-date=2026-06-06 |website=Cookpad |language=en}}&lt;/ref&gt;&lt;ref&gt;{{Cite web |last=Adamu |first=Imma |date=2022-03-07 |title=Okra Stew (Plus Video) |url=https://www.africanbites.com/okra-stew/ |access-date=2026-06-06 |website=Immaculate Bites |language=en-US}}&lt;/ref&gt;

== Ingredients ==

=== For the okra ===

* Fresh okra (chopped or sliced)
* 1 cup [[Cookbook:Water|water]] or [[Cookbook:Broth and Stock|stock]]
* [[Cookbook:Salt|Salt]] to taste
* 1 seasoning cube (optional)
* [[Cookbook:Crawfish|Crayfish]] (optional)

=== For the stew ===

* 4–6 [[Cookbook:Tomatoes with Cheese Stuffing|tomatoes]]
* 2 red bell [[Cookbook:Pepper|peppers]]
* 2 scotch bonnet peppers
* 1 large [[Cookbook:Onion|onion]]
* 1/2 cup [[Cookbook:Palm Oil|palm oil]] or [[Cookbook:Vegetable Oil|vegetable oil]]
* [[Cookbook:Beef|Beef]], [[Cookbook:Fish|fish]], or [[Cookbook:Chicken|chicken]]
* 2–3 seasoning cubes
* Salt to taste

== Equipment ==

* Two cooking pots
* [[Cookbook:Knife|Knife]]
* [[Cookbook:Cutting Board|Chopping board]]
* [[Cookbook:Blender|Blender]] or [[Cookbook:Food Processor|food processor]]
* Wooden spoon or spatula
* Mixing bowls
* Stove or heat source

== Preparation ==

=== Step 1: Prepare the okra ===

1. Wash and finely slice the okra.

2. Place in a pot with a small amount of water or stock.

3. Add salt, seasoning cube, and crayfish if using.

4. Cook for 5–10 minutes until slightly thick but still fresh in texture.

=== Step 2: Prepare the stew ===

5. Blend tomatoes, peppers, and onion.

6. Heat oil in a separate pot.

7. Add the blended mixture and cook until it thickens and oil begins to separate.

8. Add meat or fish and season with salt and seasoning cubes.

9. Simmer until fully cooked and well flavored.

=== Step 3: Serve ===

10. Serve the cooked okra in a bowl.

11. Serve the stew separately alongside it.

12. Combine while eating as desired.

== Serving ==
Okra and Stew is served with:

* Amala
* Eba
* Pounded yam 
* Semolina 
* Fufu
== References ==
{{reflist}}
[[Category:Recipes]]
[[Category:Recipes by origin]]
[[Category:Easy recipes]]
[[Category:African recipes]]
[[Category:Nigerian recipes]]</text>
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  <page>
    <title>Chess Opening Theory/1. e4/1...e5/2. Nf3/2...Nc6/3. Bb5/3...a6/4. Ba4/4...Nd4</title>
    <ns>0</ns>
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        <username>Y7at7Y</username>
        <id>3582263</id>
      </contributor>
      <comment>Created page with &quot;{{Chess Opening Theory/Position|Deferred Bird |eco=[[Chess/ECOC|C70]] |parent=[[../|Morphy defence]] }} == 4...Nd4!? · Deferred Bird == {{Chess/sideline}}An unusual sideline. This resembles the normal Bird defence with Nd4 on the 3rd move (3...Nd4), but now the knight doesn't attack White's bishop because it isn't on b5 anymore.   '''5. Nxe5?!''' is not a free pawn. Black can regain it with 5...Qe7 skewering the knight and pawn, 6. f4 b5 7. Bb3 d6!, and after the knight...&quot;</comment>
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|eco=[[Chess/ECOC|C70]]
|parent=[[../|Morphy defence]]
}}
== 4...Nd4!? · Deferred Bird ==
{{Chess/sideline}}An unusual sideline. This resembles the normal Bird defence with Nd4 on the 3rd move (3...Nd4), but now the knight doesn't attack White's bishop because it isn't on b5 anymore. 

'''5. Nxe5?!''' is not a free pawn. Black can regain it with 5...Qe7 skewering the knight and pawn, 6. f4 b5 7. Bb3 d6!, and after the knight moves, Black will capture the undefended e4 pawn. However, the most popular move is the tricky '''5...Qg5!?'''. Here are the replies to Qg5:

* '''6. Nf3??''' is losing as after 6...Qxg2!, White's knight on f3 and rook on h1 are forked. White has no better choice than to sacrifice the rook with 7. Nxd4 Qxh1+-+, as 7. Rf1? Nxf3+ would be abysmal.

* '''6. Nd3??''' is even worse. After 6...Qxg2!, 7. Rf1?? leads to a checkmate after 7...Qxe4+ 8. Qe2 Qxe2#. White has to sacrifice the queen to avoid mate, 7. Qe2 Nxe2-+. 
* '''6. Nc4??''' is slightly better than Nf3 and Nd3 but is still losing. After 6...Qxg2!, 7. Rf1 Qxe4+ 8. Ne3 blocking the check avoids checkmate, but after 8...Nf3+ 9. Ke2 Qxa4 10. Kxf3-+, despite Black only being up a pawn, White is in an awful position due to the exposed king on f3.
* '''6. Ng4!''' is testing. After 6...b5 7. d3! (the Bc1 makes a discovered attack on Black's queen) Qg6 8. c3! White is better as they are up a pawn with better development.

'''5. Nxd4''' is White's best move instead. White trades knights, and after 5...exd4 6. O-O! White is better as they have a lead in development and are castled, while Black will have to settle for a worse Bird defence.

== References ==

=== See also ===
{{ChessMid}}{{Chess Opening Theory/Footer}}
{{BookCat}}</text>
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      <comment>Created page with &quot;{{Blockquote|content=&quot;A good book needs pages&quot;}}  As per the proverb above, this Encyclopaedia is truly a good book. The metaphor is understandable: a &quot;page&quot; needs new knowledge, sometimes. In this book, it is everytime.  == Sections (WIP) == [[The Encyclopaedia for Everything/A]]&quot;</comment>
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      <text bytes="281" sha1="hc6veyg8heaoqb4uhn4f4nemcbdzne9" xml:space="preserve">{{Blockquote|content=&quot;A good book needs pages&quot;}}

As per the proverb above, this Encyclopaedia is truly a good book. The metaphor is understandable: a &quot;page&quot; needs new knowledge, sometimes. In this book, it is everytime.

== Sections (WIP) ==
[[The Encyclopaedia for Everything/A]]</text>
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      <comment>Created page with &quot;Welcome to the Encyclopaedia for Everything!  == A ==  === A === The letter &quot;A&quot; is the second most commonly used letter in words. It is important to know that &quot;S&quot; is the first most commonly used letter in words.  === Aaron's rod === In the Bible, Aaron's rod is a rod owned by Aaron. In the Good News Translation, it is called &quot;Aaron's stick.&quot; His rod grows.  === ABC Meditation === An attempt by Argentina, Brazil, and Chile, the namesake, to &quot;mediate&quot; the differences betwe...&quot;</comment>
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      <text bytes="578" sha1="67dcv3xsc6n76dref05ftk54ehltz67" xml:space="preserve">Welcome to the Encyclopaedia for Everything!

== A ==

=== A ===
The letter &quot;A&quot; is the second most commonly used letter in words. It is important to know that &quot;S&quot; is the first most commonly used letter in words.

=== Aaron's rod ===
In the Bible, Aaron's rod is a rod owned by Aaron. In the Good News Translation, it is called &quot;Aaron's stick.&quot; His rod grows.

=== ABC Meditation ===
An attempt by Argentina, Brazil, and Chile, the namesake, to &quot;mediate&quot; the differences between the United States of America and Mexico, after the US had send military troops to Vera Cruz, Mexico.</text>
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      <text bytes="598" sha1="k9quyowijbukniyfqv98rnezd2ynway" xml:space="preserve">Welcome to the Encyclopaedia for Everything!

== A ==

=== A ===
The letter &quot;A&quot; is the second most commonly used letter in words. It is important to know that &quot;S&quot; is the first most commonly used letter in words.

=== Aaron's rod ===
In the Bible, Aaron's rod is a rod owned by Aaron. In the Good News Translation, it is called &quot;Aaron's stick.&quot; His rod made blossoms and almonds.

=== ABC Meditation ===
An attempt by Argentina, Brazil, and Chile, the namesake, to &quot;mediate&quot; the differences between the United States of America and Mexico, after the US had send military troops to Vera Cruz, Mexico.</text>
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      <text bytes="702" sha1="fw2sl2jzx2wnzlsfp9rda1j9a5nkpoo" xml:space="preserve">Welcome to the Encyclopaedia for Everything!

== A ==

=== A ===
The letter &quot;A&quot; is the second most commonly used letter in words. It is important to know that &quot;S&quot; is the first most commonly used letter in words. Its name in English is ''a'' (spoken as the ''a'' in the word &quot;''play&quot;''), which its plural is ''aes''.

=== Aaron's rod ===
In the Bible, Aaron's rod is a rod owned by Aaron. In the Good News Translation, it is called &quot;Aaron's stick.&quot; His rod made blossoms and almonds.

=== ABC Meditation ===
An attempt by Argentina, Brazil, and Chile, the namesake, to &quot;mediate&quot; the differences between the United States of America and Mexico, after the US had send military troops to Vera Cruz, Mexico.</text>
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      <comment>/* Protected edit request on 7 June 2026 */ new section</comment>
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      <text bytes="278" sha1="1dz20kvg66xgjcge48u70sz4jb7tl8c" xml:space="preserve">== Protected edit request on 7 June 2026 ==

{{edit fully-protected|Investiture of the Gods|answered=no}}
Please repoint to [[v:Investiture of the Gods]] [[User:Pppery|Pppery]] ([[User talk:Pppery|discuss]] • [[Special:Contributions/Pppery|contribs]]) 04:53, 7 June 2026 (UTC)</text>
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