Esperanto/Appendix/Alphabet and pronunciation

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    <title>Esperanto/Appendix/Alphabet and pronunciation</title>
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      <text bytes="6836" sha1="clcichi5jl1yuq7a2h9ii8nneuxr2po" xml:space="preserve">== Alphabet ==

The Esperanto alphabet has 28 letters.

;Uppercase
:A, B, C, Ĉ, D, E, F, G, Ĝ, H, Ĥ, I, J, Ĵ, K, L, M, N, O, P, R, S, Ŝ, T, U, Ŭ, V, Z
;Lowercase
:a, b, c, ĉ, d, e, f, g, ĝ, h, ĥ, i, j, ĵ, k, l, m, n, o, p, r, s, ŝ, t, u, ŭ, v, z
;Names
:a, bo, co, ĉo, do, e, fo, go, ĝo, ho, ĥo, i, jo, ĵo, ko, lo, mo, no, o, po, ro, so, ŝo, to, u, ŭo, vo, zo

Four letters from the English alphabet have been dropped &amp;ndash; '''Q''', '''W''', '''X''' and '''Y''' &amp;ndash; and there are six new accented letters: '''Ĉ''', '''Ĝ''', '''Ĥ''', '''Ĵ''', '''Ŝ''' and '''Ŭ'''.
The first five have an angle-shape accent called a ''circumflex'' ('''^''') over them, whilst the last has an accent rather like the bottom part of a circle, which is called a ''breve'' ('''˘''').

All of the accented letters are unique to Esperanto except for ''ŭo'' ('''Ŭ'''), which also exists in Belarusian, and ''ĝo'' ('''Ĝ'''), which also exists in Aleut.
Some of the accented letters may be used in transcription systems for languages that use non-Latin alphabets.
(For example, ''ŝo'' ('''Ŝ''') is used as the ISO 9:1995 transliteration of the Russian Cyrillic letter ''shcha'' ('''Щ''').)

=== Vowels ===

As in English, five letters are vowels ('''A''', '''E''', '''I''', '''O''', '''U'''), and the rest are consonants.
The letter ''ŭo'' ('''Ŭ''') is a consonant, not a vowel.&lt;!-- Note: maybe add sidebar about semivowels? --&gt;

=== Collation ===

Collation in Esperanto is the same as for English, except that the accented characters are counted as separate characters and collated after their non-accented versions.
Collation is as shown in the table above.

== Pronunciation ==

Each letter in Esperanto has only one pronunciation (allowing for cultural variation), and no letters are silent.
There are six dipthongs (see [[#Dipthongs|the next section]]), but their pronunciation follows logically from their constituent letters, except for being shortened into a single syllable.
This means that Esperanto is pronounced just as it is spelled.

Also, each sound has only one way of being written, so it is very easy to spell Esperanto words you hear.

The technical description for these traits is that Esperanto is ''phonetic'' and ''orthographic''.

{| class=&quot;wikitable&quot;
!rowspan=&quot;2&quot; |Letter
!rowspan=&quot;2&quot; |[[w:International Phonetic Alphabet|IPA]]
!rowspan=&quot;2&quot; |Sound
!colspan=&quot;3&quot; |Example
!rowspan=&quot;2&quot; |Notes
|-
!Esperanto
!Phonetic
!English
|-
!colspan=&quot;7&quot; |Vowels
|-
|A
|[[w:Open front unrounded vowel|{{IPA|a}}]], [[w:Open back unrounded vowel|{{IPA|ɑ}}]]
|ah, as in f'''a'''ther
|{{lang eo|'''a'''miko}}
|ah-MI-koh
|friend
| rowspan=&quot;5&quot; |Prounounced like in Spanish 
|-
|E
|[[w:Open-mid front unrounded vowel|{{IPA|ɛ}}]], [[w:Close-mid front unrounded vowel|{{IPA|e}}]]
|eh, as in b'''e'''t
|{{lang eo|'''e'''gala}}
|eh-GAH-lah
|equal
|-
|I
|[[w:Close front unrounded vowel|{{IPA|i}}]]
|ee, as in m'''e'''
|{{lang eo|'''i'''deo}}
|ee-DEH-oh
|idea
|-
|O
|[[w:Close-mid back rounded vowel|{{IPA|o}}]], [[w:Open-mid back rounded vowel|{{IPA|ɔ}}]]
|oh, as in r'''o'''bot
|{{lang eo|'''o'''fta}}
|OH'F-tah
|common
|-
|U
|[[w:Close back rounded vowel|{{IPA|u}}]]
|oo, as in b'''oo'''t
|{{lang eo|'''u'''tila}}
|oo-TEE-lah
|useful
|-
!colspan=&quot;7&quot; |Consonants
|-
|B
|[[w:Voiced bilabial plosive|{{IPA|b}}]]
|b
|{{lang eo|'''b'''ela}}
|BEH-lah
|beautiful
|
|-
|C
|[[w:Voiceless alveolar affricate|{{IPA|t͡s}}]]
|ts
|{{lang eo|'''c'''elo}}
|TSEH-loh
|goal
|
|-
|Ĉ
|[[w:Voiceless postalveolar affricate|{{IPA|t͡ʃ}}]]
|ch
|{{lang eo|'''ĉ'''ielo}}
|chee-EH-loh
|sky
|
|-
|D
|[[w:Voiced alveolar plosive|{{IPA|d}}]]
|d
|{{lang eo|'''d'''iri}}
|DEE-ree
|to say
|
|-
|F
|[[w:Voiceless labiodental fricative|{{IPA|f}}]]
|f
|{{lang eo|'''f'''acila}}
|fah-TSEE-lah
|easy
|
|-
|G
|[[w:Voiced velar plosive|{{IPA|g}}]]
|g
|{{lang eo|'''g'''aja}}
|GAH-yah
|cheerful
|
|-
|Ĝ
|[[w:Voiced velar plosive|{{IPA|d͡ʒ}}]]
|j
|{{lang eo|'''ĝ'''usta}}
|JOOS-tah
|correct
|
|-
|H
|[[w:Voiceless glottal fricative|{{IPA|h}}]]
|h
|{{lang eo|'''h'''ela}}
|HEH-lah
|bright
|
|-
|Ĥ
|[[w:Voiceless velar fricative|{{IPA|x}}]]
|ch as in Scottish lo'''ch'''
|{{lang eo|e'''ĥ'''o}}
|E(HKX)-oh
|echo
|Depending on the context, it is sometimes replaced with '''h''' or '''k'''. This letter is not frequent in Esperanto.
|-
|J
|[[w:Palatal approximant|{{IPA|j}}]]
|y
|{{lang eo|'''j'''una}}
|YOO-nah
|young
|''j'' may be pronounced as a semivowel {{IPA|i̯}} after ''a, e, o,'' or ''u'' and before another vowel.
|-
|Ĵ
|[[w:Voiced postalveolar fricative|{{IPA|ʒ}}]]
|zh
|{{lang eo|'''ĵ'''us}}
|ZHOOS
|just, just now
|
|-
|K
|[[w:Voiced velar plosive|{{IPA|k}}]]
|k
|{{lang eo|'''k'''ara}}
|KAH-rah
|dear
|
|-
|L
|[[w:Alveolar lateral approximant|{{IPA|l}}]]
|l
|{{lang eo|'''l'''onga}}
|LOHN-gah
|long
|
|-
|M
|[[w:Bilabial nasal|{{IPA|m}}]]
|m
|{{lang eo|'''m'''ano}}
|MAH-noh
|hand
|
|-
|N
|[[w:Alveolar nasal|{{IPA|n}}]]
|n
|{{lang eo|'''n'''ova}}
|NOH-vah
|new
|
|-
|P
|[[w:Voiceless bilabial plosive|{{IPA|p}}]]
|p
|{{lang eo|'''p'''eni}}
|PEH-nee
|to try
|
|-
|R
|[[w:Alveolar tap|{{IPA|r}}]]
|r
|{{lang eo|'''r'''uĝa}}
|ROO-jah
|red
|Roll your tongue, as in Spanish.
|-
|S
|[[w:Voiceless alveolar fricative|{{IPA|s}}]]
|s
|{{lang eo|'''s'''uno}}
|SOO-noh
|sun
|
|-
|Ŝ
|[[w:Voiceless postalveolar fricative|{{IPA|ʃ}}]]
|sh
|{{lang eo|'''ŝ'''ipo}}
|SHEE-poh
|ship
|
|-
|T
|[[w:Voiceless alveolar plosive|{{IPA|t}}]]
|t
|{{lang eo|'''t'''empo}}
|TEHM-poh
|time
|
|-
|Ŭ
|[[w:Labio-velar approximant|{{IPA|w}}]]
|w
|{{lang eo|'''ŭ'''ai}}
|WAH-ee
|to cry “wah!”
|This letter only occurs right before a vowel in mimetic words, onomatopoeia, and the name of the letter &quot;{{lang eo|ŭo}}&quot;; other than that, it only appears in diphthongs as the semivowel {{IPA|u̯}}. In the past, it has been used to pronounce &quot;w&quot; in foreign words (e.g. ''ŭato'' for “watt”), but this has fallen out of favour (in this case, replaced with ''vato'').
|-
|V
|[[w:Voiced labiodental fricative|{{IPA|v}}]]
|v
|{{lang eo|'''v'''eni}}
|VEH-nee
|to come
|
|-
|Z
|[[w:Voiced alveolar fricative|{{IPA|z}}]]
|z
|{{lang eo|'''z'''orgi}}
|ZOHR-gee
|to care
|
|-
!colspan=&quot;7&quot; |Diphthongs
|-
|AJ
|{{IPA|ai̯}}
|&quot;aye&quot;
|{{lang eo|k'''aj'''}}
|KYE
|and
|
|-
|AŬ
|{{IPA|au̯}}
|&quot;ow&quot;
|{{lang eo|ĉirk'''aŭ'''}}
|CHEER-cow
|around, approximately
|
|-
|EJ
|{{IPA|ei̯}}
|&quot;ey&quot;
|{{lang eo|pl'''ej'''}}
|PLAY
|most
|
|-
|EŬ
|{{IPA|eu̯}}
|&quot;euw&quot;
|{{lang eo|'''Eŭ'''ropo}}
|euw-ROH-poh
|Europe
|This is pronounced much like how Elmer Fudd pronounces the &quot;ew&quot; in &quot;vewwy (very)&quot;.
|-
|OJ
|{{IPA|oi̯}}
|&quot;oy&quot;
|{{lang eo|lingv'''oj'''}}
|LING-voy
|languages
|
|-
|UJ
|{{IPA|ui̯}}
|&quot;oo-ee&quot; as one syllable
|{{lang eo|ĉi'''uj'''}}
|CHEE-(oo'ee)
|all
|
|}

=== Stress ===

The stress on every word is put on the penultimate (second-to-last) syllable.

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      <text bytes="4669" sha1="1whckn5kpggethguzaznzmr11t8df3d" xml:space="preserve">:Note: This creative work by Wikibooks editors is based on the Toki Pona language, currently published in the official '''[https://www.createspace.com/4802024 Toki Pona book]''' and website: https://tokipona.org

[[File:Toki pona.svg|thumb|A symbol of Toki Pona.]]

'''[[w:Toki Pona|Toki Pona]]''' is a [[constructed languages|constructed language]] designed by Canadian translator and linguist Sonja Lang. Toki Pona is a minimalistic language. Like a [[w:pidgin|pidgin]], it focuses on simple concepts and elements that are relatively universal among cultures. It was designed to express maximal meaning with minimal complexity. The language is spoken with only 14 phonemes and 120 to 137 generally accepted words, depending on the speaker. It was not designed as an {{Conlang/ref|IAL|international auxiliary language}}, but instead inspired by [[w:Taoism|Taoist]] philosophy, among other things.

The language as of 2022 has been in continuous use for almost 20 years, and the online communities in which it operates boast thousands or tens of thousands of members. The speaker community (corpus) is large enough for a formal linguistic survey. Please feel free to contribute to the writing of any section.  Keep in mind that this is an objective document describing the usage of Toki Pona and not a creative document of language construction. Please briefly quote the Toki Pona and give due credit to all sources to support your analysis.

In sections where toki pona &quot;lacks&quot; a construction, explain what periphrasic techniques have been observed to express the same thing. Very frequently when one reads that a language lacks tense or grammar, what is being expressed is that the tense or grammar is isolating, periphrasic or lexical and not inflecting. toki pona is almost entirely isolating, so it will be tempting but incorrect to fill in all the sections with &quot;toki pona does not have comparatives, datives, etc&quot;

It is hoped that readers and contributors will both learn about field linguistics and better understand how toki pona has been used.

==The Morphosyntax of Toki Pona==
{{Print version}}
{{Book search}}
*[[/Demographic information/]] - Name of Language, Ethnology, Demography, Genetic Affiliation, Previous Research.,The sociolinguistic situation, Dialects
*[[/Morphological typology/]] - Traditional morphological typology, Morphological processes, Head/dependent marking
*[[/Grammatical categories/]] - Nouns, Verbs, Numerals, Modifiers, Adverbs
*[[/Constituent order typology/]] - Constituent order in main clauses, Verb phrase, Noun phrase, Adpositional phrases, Comparatives, Question particles and question words, Summary
*[[/Noun and noun-phrase operations/]] - Articles, determiners, and demonstratives
*[[/Predicate nominals and related constructions/]] - Predicate nominals, Predicate adjectives (attributive clauses), Predicate locatives, Existentials, Possessive clauses
*[[/Grammatical relations/]] - What constructions are used to express subject, agent and patient?
*[[/Voice and valence adjusting operations/]] - Valence increasing operations: Applicatives, Dative shift, Dative of interest, Possessor raising or external possession, Valence decreasing operations, reflexives and reciprocals, Passives, Inverses, Middle constructions, Antipassives, Object demotion or omission, Object [noun] incorporation
*[[/Other verb and verb-phrase operations/]] - Nominalization,Compounding (including incorporation), Tense/Aspect/Mode, Location/direction, Participant reference, Evidentiality, validationality, and mirativity, Miscellaneous
*[[/Pragmatically marked structures/]] - Pragmatic statuses, Negation, Non-declarative speech acts
*[[/Clause combinations/]] -Serial verbs,Complement clauses, Adverbial clauses, Clause chaining, medial clauses, and switch reference, Relative clauses, Coordination
*[[/The language in use/]]

==The Original Specifications of Toki Pona==

*[[/Areas where usage conflicts with the specifications/]] -Observed toki pona usage may be wrong relative to the specification.  The originally published lessons and word lists are analogous to style guides. They do influence how people use the language, but from a field linguistics standpoint, they are not authoritative.
*[[/The evolution of toki pona/]] -This refers to the real world evolution of usage.

==Legacy Pages==
*[[/ModOne|First Lesson]] - Phonology
*[[/WordTpEn|Toki Pona to English word list]]

==Learning Toki Pona==
*[[Updated jan Pije's lessons]]

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    <title>Chess Opening Theory/1. d4</title>
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      <text bytes="10118" sha1="mvp5j77fb7ni1uuhbvdaxjmb8ql7tds" xml:space="preserve">{{Chess Opening Theory/Position
|Queen's Pawn opening
|moves=1. d4
|eco=[[Chess/ECOA|A40-A99]], [[Chess/ECOD|D00-D99]] and [[Chess/ECOE|E00-E99]]
|parent=[[../|Starting position]]
|responses=&lt;br&gt;
* [[/1...d5|1...d5 · Closed game]]
* [[/1...Nf6|1...Nf6 · Indian defence]]
}}
== 1. d4 · Queen's Pawn opening ==

'''1. d4''' is the '''Queen's pawn opening'''. With 1. d4 White looks to take over control of the centre. The pawn directly controls the c5 and e5 squares, and White's queen now 'sees' the d4 square. 1. d4 is also a developing move in that it opens a diagonal for the queen's bishop to venture into the game later. 

1. d4 is the second most common first move, after 1. e4. As the d4 pawn is already supported by the queen, the opening moves of Queen's Pawn games tend to be less forcing than King's Pawn games. This leads, in general, to games that are more closed and positional than open and tactical. 1. d4 is aimed at slowing down Black's development rather than accelerating White's.

If allowed, White could play 2. e4 next and achieve a big, two-pawn centre, and develop comfortably in all the space that affords them. Therefore a priority for Black is to prevent this. 

=== Control e4 ===

The chief approach to preventing 2. e4 is to control the e4 square. 

[[/1...d5|'''1...d5''']], the '''Closed game''', is the classical approach. It controls the c4 and e4 squares, and so if White does play 2. e4, they at least cannot keep the pawn there. 1...d5 also prevents White from pushing their d4 pawn to d5, and so secures some space for Black to develop. Additionally, like 1. d4 for White, 1...d5 helps Black to develop by releasing their queenside bishop. The most common continuation is 2. c4, the Queen's gambit, the champagne and caviar of White openings. 1...d5 is the most common at the club level and the second most common reply in tournament games.&lt;ref&gt;26% of games in the Lichess Masters database continue 1...d5, and 45% of games in the Lichess database.&lt;/ref&gt; 

[[/1...Nf6|'''1...Nf6''']], the '''Indian defence''', controls e4 while developing a knight. This is a more flexible response: Black may yet commit a pawn to the centre, like ...d5 to transpose into classical lines, or they may play in a hypermodern style where they control the centre from afar with their pieces. 1...Nf6 is the mainline today.&lt;ref&gt;61% of games in the Lichess Masters database continue 1...Nf6, and 21% of games in the Lichess database.&lt;/ref&gt; 

[[/1...f5|'''1...f5''']], the '''Dutch defence''', controls e4 with a flank pawn. Black acts on the principle that trading an important central pawn for one of their more peripheral pawns would be good for them. Black can develop their g8 knight behind f pawn, and can create a robust pawn structure with e6 and d5 (the Stonewall set-up) or d6 and g6 (fianchettoing the bishop, the Leningrad). The Dutch is a minor sideline. Advancing one's f-pawn while one's king is still in the centre isn't for the faint of heart: an example trap that exploits the weak e8-to-h5 diagonal is: 2. e4 fxe4 3. Nc3 Nf6 (to hold onto the pawn) 4. Bg5 d5?? 5. Bxf6 exf6 6. Qh5+ g6 7. Qxd5 Qxd5 8. Nxd5 (forking the f6 and c7 pawns).

=== Attack d4 ===

Another approach to preventing White from attaining the two-pawn centre is to attack d4. 

[[/1...e5|'''1...e5?!''']] is the '''Englund gambit'''. It offers White a pawn to deflect their pawn away from d4. This gambit is considered unsound, but it conceals many traps and has some success as a club-level line. If White prioritises their development over holding onto the pawn, they will enjoy a comfortable edge. 

[[/1...c5|'''1...c5''']] is the '''Old Benoni'''. It offers White a less valuable flank pawn for their central d4 pawn. If they accept it, Black can easily recover it and enjoy having two central pawns to White's one. However, White is not compelled to accept the pawn: the mainline is 2. d5. It results in closed positions where White has more space.

=== Allow 2. e4 ===

Alternatively, Black can allow White to play 2. e4 for now and look to undermine it later. Essentially Black gives White the option of transposing into an e4 opening (that Black hopes to be more familiar with than White). It's a curious fact that in practice White usually ''declines'' to play e4 right away even if allowed to do so, instead choosing to keep things in conventional Queen's pawn opening territory. 

[[/1...e6|'''1...e6''']], the '''Horwitz defence''', is the chief alternative to 1...d5 or 1...Nf6. This is essentially a transpositional trick: it invites White to play 2. e4 and [[Chess Opening Theory/1. e4/1...e6/2. d4/2...d5|transposes into the French defence]] after 2...d5, which happens about one in ten games. If Black plays the French against 1. e4, then this is a way to move to more familiar territory. If White chooses to stay in 1. d4 territory with 2. c4 instead, Black can transpose into a Queen's gambit declined (with 2...d5), a Dutch (2...f5), or a Nimzo-Indian/Bogo-Indian with 2...Nf6. 

Similar approaches offering transposition into an e4 opening include: 
* [[/1...c6|'''1...c6''']]: after 2. e4 d5, the game transposes to a Caro-Kann. Otherwise, White can play 2. c4 and the game becomes a Slav after 2...d5. 
* [[/1...Na6|'''1...Na6?!''']] is a vanishingly rare move that nonetheless has a name, the '''Australian defence''', which can transpose into the De Bruycker variation of the Caro-Kann after 2. e4 c6. 
* [[/1...Nc6|'''1...Nc6''']], the eccentric '''Mikenas defence''', invites 2. e4 and transposition into a Nimzowitsch defence, but 2. Nf3, 2. c4, or 2. d5 chasing the knight away are all more popular.
* [[/1...b6|'''1...b6''']], the '''English defence''', prepares a queenside fianchetto. After 2. e4 it transposes to an Owen's defence, otherwise after 2. c4 Bb7 controls e4 and the game can have its own character where Black plays e6 and f5: 3. Nc3 e6 4. a3 f5 5. Nf3 Nf6. 
* [[/1...d6|'''1...d6''']] offering transposition into a '''Pirc defence''' after 2. e4, or if 2. c4 Black has prepared 2...e5, known as the '''Rat defence'''.
* [[/1...g6|'''1...g6''']], preparing a kingside fianchetto and offers to transpose into a '''Modern defence'''. 

An outlier is [[/1...b5|'''1...b5!?''']], the '''Polish defence'''. Black both allows White to play 2. e4 ''and'' discourages 2. c4, therefore White is doubly encouraged to follow with 2. e4 and it is the main move. After 2. e4 Bb7, the trade of pawns 3. Bxb5 Bxe4 is the Spassky gambit. More common is 3. Bd3 to defend the pawn.

=== Wild gambits ===

It is not so easy to lose a pawn on the first move of the game, but it is possible. The Benoni, 1...c5, (see above) offers a pawn but if taken it can easily be recovered. The Englund gambit 1...e5?! (above) is also unsound, but affords Black practical chances at club level.&lt;ref&gt;Per the Lichess database, Black's success rate with 1...e5 is 47%, compared with 44% for the conventional 1...d5.&lt;/ref&gt; If Black is determined to lose a pawn then the third option is 1...g5??. 

[[/1...g5|'''1...g5??''']] is the '''Borg gambit'''. Black gives up a pawn immediately (2. Bxg5). If Black is careless this can lead to a very quick checkmate (2...f6? 3. e4 fxg5?? 4. Qh5#). Otherwise, play continues 2...Bg7 3. e6 and Black's &quot;plan&quot; is to break on c5 quickly and hope to exploit White's queenside, which can no longer be defended by White's bishop. As an example: 3...c5 4. c3 (if 4. dxc5? Bxb2!) cxd4 5. cxd4?? Qa5+! 6. Nc3 Qxg5.

== Theory table ==
{{ChessTable}}

{{Chess/theory table
|line1=1...Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 
|name1=Indian defence&lt;br&gt;&lt;small&gt;(leading to e.g. King's Indian)&lt;/small&gt;
|line2=1...d5 2. c4 e6 3. Nf3 Nf6 4. Nc3 Be7 5. Bg5 
|name2=Closed game&lt;br&gt;&lt;small&gt;(leading to e.g. Queen's gambit declined)&lt;/small&gt;
|line3=1...c5 2. d5 e5 3. e4 d6 4. Nc3 Be7 5. Nf3 Bg4 
|name3=Old Benoni
|line4=1...f5 2. g3 Nf6 3. Bg2 g6 4. Nf3 Bg7 5. O-O O-O 
|name4=Dutch defence
|line5=1...e6 2. c4 Nf6 3. Nf3 b6 4. g3 Ba6 5. b3 
|name5=Horwitz defence
|line6=1... ... 2. e4 d5
|name6=&lt;small&gt;(French transposition)&lt;/small&gt;
|line7=1...b5 2. e4 Bb7 3. Bd3 e6 4. Nf3 c5 5. c3
|name7=Polish defence
|line8=1...b6 2. e4 Bb7 3. Bd3 e6 4. Nf3 c5 
|name8=English defence
|line9=1...e5 2. dxe5 Nc6 3. Nf3 Qe7 4. Nc3 Nxe5 
|name9=Englund gambit
|eval9={{Chess/not|++}}
|line10=1...g5?? 2. Bxg5 Bg7 3. e3 c5 4. c3
|name10=Borg gambit
|eval10={{Chess/not|++}}
}}

{{ChessMid}}

=== All possible replies ===
{| cellspacing=&quot;0&quot; cellpadding=&quot;10&quot;
| style=&quot;text-align:left; vertical-align:top;&quot;|'''Quick'''&lt;br/&gt;'''Navigation'''
|[[/1...Na6|Na6]]&lt;br/&gt;[[/1...a6|a6]]&lt;br/&gt;[[/1...a5|a5]]
|style=&quot;vertical-align:top;&quot;|&lt;br/&gt;[[/1...b6|b6]]&lt;br/&gt;[[/1...b5|b5]]
|[[/1...Nc6|Nc6]]&lt;br/&gt;[[/1...c6|c6]]&lt;br/&gt;[[/1...c5|c5]]
|style=&quot;vertical-align:top;&quot;|&lt;br/&gt;[[/1...d6|d6]]&lt;br/&gt;[[/1...d5|d5]]
|style=&quot;vertical-align:top;&quot;|&lt;br/&gt;[[/1...e6|e6]]&lt;br/&gt;[[/1...e5|e5]]
|[[/1...Nf6|Nf6]]&lt;br /&gt;[[/1...f6|f6]]&lt;br/&gt;[[/1...f5|f5]]
|style=&quot;vertical-align:top;&quot;|&lt;br/&gt;[[/1...g6|g6]]&lt;br/&gt;[[/1...g5|g5]]
|[[/1...Nh6|Nh6]]&lt;br/&gt;[[/1...h6|h6]]&lt;br/&gt;[[/1...h5|h5]]
|}

== Statistics ==
{| class=&quot;wikitable&quot;
|-
! move !! average !! 365Chess.com (big) !! Chess Tempo (all) !! chessgames.com !! Lichess (masters) !! Lichess (database)
|-
! ...Nf6
| 52.0% || 56.2 || 57.3 || 60.5 || 60.6 || 25.3
|-
! ...d5
| 28.4 || 27.8 || 27.3 || 26.2 || 25.3 || 35.5
|-
! ...e6
| 5.5 || 4.6 || 4.5 || 4.3 || 4.2 || 9.8
|-
! ...g6
| 3.1 || 2.9 || 2.8 || 2.2 || 2.5 || 5.3
|-
! ...d6
| 3.0 || 2.7 || 2.8 || 2.5 || 2.9 || 4.0
|-
! ...f5
| 2.8 || 3.4 || 3.1 || 2.7 || 2.9 || 2.0
|-
! ...c5
| 2.1 || 1.4 || 1.4 || 0.9 || 0.9 || 5.9
|-
! ...c6
| 1.0 || 0.3 || 0.3 || 0.1 || 0.2 || 4.1
|-
! ...e5
| 1.0 || 0.1 || 0.1 || 0.0 || 0.0 || 4.6
|-
! ...b6
| 0.5 || 0.2 || 0.2 || 0.1 || 0.1 || 1.9
|-
! ...Nc6
| 0.3 || 0.2 || 0.2 || 0.2 || 0.2 || 0.7
|-
! ...b5
| 0.1 || 0.1 || 0.1 || 0.1 || 0.1 || 0.2
|-
! everything else
| 0.2 || 0.0 || 0.1 || 0.0 || 0.0 || 0.7
|}

==References==
{{reflist}}

===See also===
{{Wikipedia|Queen's Pawn Game}}
{{BCO2}}
{{NCO}}
{{MCO14}}
{{ChessFooter}}
[[it:Teoria delle aperture negli scacchi/1. d4]]
[[fi:Shakkiaapinen/Peli/1. d4]]</text>
      <sha1>mvp5j77fb7ni1uuhbvdaxjmb8ql7tds</sha1>
    </revision>
  </page>
  <page>
    <title>Chess Opening Theory/1. e4/1...e6</title>
    <ns>0</ns>
    <id>37080</id>
    <revision>
      <id>4641070</id>
      <parentid>4628909</parentid>
      <timestamp>2026-06-24T13:57:00Z</timestamp>
      <contributor>
        <username>~2026-36604-57</username>
        <id>3609577</id>
      </contributor>
      <comment>wrong move order for Two Knights</comment>
      <origin>4641070</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="4032" sha1="7p7mvrg1zgv0o6cceyr0oj1g281w21r" xml:space="preserve">{{Chess Position
|French defence
|eco=[[Chess/ECOC|C00-C19]]
|parent=[[../|King's Pawn Opening]]
|responses=&lt;br&gt;
* [[/2. d4|2. d4 · main line]]
* [[/2. d3|2. d3 · King's Indian attack]]
}}

== 1...e6 · French defence ==

'''1...e6''' is the French defence. Black plans to gain space in the centre with their d pawn. If they were to play [[../1...d5|...d5 immediately]], White could take it, so first Black supports ...d5 with another pawn move. This way, they can recapture and keep a pawn on the d5 square. 

The trade-off in supporting ...d5 with ...e6 is that it obstructs Black's queen-side bishop and makes it harder to develop. In the Caro-Kann on the other hand, [[../1...c6|1...c6]] is played to prepare the way for ...d5, where Black avoids the &quot;French bishop&quot; but with the trade off that ...c6 prevents developing ...Nc6, and Black has lost a tempo if they ever want to play ...c5. 

White can now play [[/2. d4|'''2. d4''']] and build a two pawn centre―which they almost invariably do&lt;ref&gt;89% of games in Lichess's masters database continue 2. d4.&lt;/ref&gt;―and Black can continue 2...d5.  

[[/2. d3|'''2. d3''']] is a sideline, the King's Indian Attack. 

[[/2. Nf3|'''2. Nf3''']] or [[/2. Nc3|'''2. Nc3''']] are sometimes seen. These usually transpose into a main line French with d4 (e.g. 2. Nf3 d5 3. exd5 exd5 4. d4, the exchange French, or 2. Nc3 d5 3. d4 the Paulsen). Developing ''both'' knights (2. Nf3 d5 3. Nc3) is the Two Knights variation. 

Uncommon sidelines include: 

* [[/2. c4|'''2. c4''']], the Steiner variation, adding control to d5. This can lead to the Orthoschnapp gambit if after 2...d5 3. cxd5 exd5 White plays 4. Qb3 instead of recapturing the pawn. 
* [[/2. Qe2|'''2. Qe2''']], the Chigorin variation. 
* [[/2. b3|'''2. b3''']], the Horwitz attack, preparing to fianchetto. 
* [[/2. e5|'''2. e5?!''']], the Steinitz attack.
* [[/2. Bc4|'''2. Bc4?!''']] invites 2...d5 with tempo. 
* [[/2. f4|'''2. f4''']], the La Bourdonnais variation. 
* '''[[Chess Opening Theory/1. e4/1...e6/2. Bb5|2. Bb5?!]]''', the Bird Invitation, pinning the d-pawn to prevent d5. 

=== History ===

The French defence is so named for its appearance in a 19th century correspondence game between the London and Paris chess clubs.

== Theory Table ==
{{Chess Opening Theory/Table}}

&lt;table border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;4&quot;&gt;
	&lt;tr&gt;
		&lt;th align &quot;center&quot;&gt;1. e4 e6&lt;/th&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th&gt;&lt;/th&gt;
		&lt;th align=&quot;left&quot;&gt;2&lt;/th&gt;
		&lt;th align=&quot;left&quot;&gt;3&lt;/th&gt;
		&lt;th align=&quot;left&quot;&gt;4&lt;/th&gt;
		&lt;th align=&quot;left&quot;&gt;5&lt;/th&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;Main line&lt;/th&gt;
		&lt;td&gt;[[/2. d4|d4]]&lt;br&gt;[[/2. d4/2...d5|d5]]&lt;/td&gt;
		&lt;td&gt;[[/2. d4/2...d5/3. Nc3|Nc3]]&lt;br&gt;[[/2. d4/2...d5/3. Nc3/3...Nf6|Nf6]]&lt;/td&gt;
		&lt;td&gt;Bg5&lt;br&gt;Be7&lt;/td&gt;
		&lt;td&gt;e5&lt;br&gt;Nfd7&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;Main line / Transposition&lt;/th&gt;
		&lt;td&gt;[[/2. Nc3|Nc3]]&lt;br&gt;[[/2. Nc3/2...d5|d5]]&lt;/td&gt;
		&lt;td&gt;[[/2. d4/2...d5/3. Nc3|d4]]&lt;br&gt;[[/2. d4/2...d5/3. Nc3/3...Nf6|Nf6]]&lt;/td&gt;
		&lt;td&gt;Bg5&lt;br&gt;Be7&lt;/td&gt;
		&lt;td&gt;e5&lt;br&gt;Nfd7&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;King's Indian Attack&lt;/th&gt;
		&lt;td&gt;[[/2. d3|d3]]&lt;br&gt;d5&lt;/td&gt;
		&lt;td&gt;Nd2&lt;br&gt;Nf6&lt;/td&gt;
		&lt;td&gt;Ngf3&lt;br&gt;b6&lt;/td&gt;
		&lt;td&gt;g3&lt;br&gt;dxe4&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;Two Knights Variation&lt;/th&gt;
		&lt;td&gt;[[/2. Nf3|Nf3]]&lt;br&gt;[[/2. Nf3/2...d5|d5]]&lt;/td&gt;
		&lt;td&gt;[[/2. Nf3/2...d5/3. Nc3|Nc3]]&lt;br&gt;[[/2. Nf3/2...d5/3. Nc3/3...d4|d4]]&lt;/td&gt;
		&lt;td&gt;Ne2&lt;br&gt;c5&lt;/td&gt;
		&lt;td&gt;b4&lt;br&gt;e5&lt;/td&gt;
		&lt;td&gt;∞&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;Chigorin Variation&lt;/th&gt;
		&lt;td&gt;[[/2. Qe2|Qe2]]&lt;br&gt;[[/2. Qe2/2...c5|c5]]&lt;/td&gt;
		&lt;td&gt;[[/2. Qe2/2...c5/3. Nf3|Nf3]]&lt;br&gt;[[/2. Qe2/2...c5/3. Nf3/3...Nc6|Nc6]]&lt;/td&gt;
		&lt;td&gt;[[/2. Qe2/2...c5/3. Nf3/3...Nc6/4. g3|g3]]&lt;br&gt;g6&lt;/td&gt;
		&lt;td&gt;Bg2&lt;br&gt;Bg7&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;Rubinstein Variation&lt;/th&gt;
		&lt;td&gt;[[/2. d4|d4]]&lt;br&gt;d5&lt;/td&gt;
		&lt;td&gt;Nc3&lt;br&gt;dxe4&lt;/td&gt;
		&lt;td&gt;Nxe4&lt;br&gt;Nd7&lt;/td&gt;
		&lt;td&gt;Nf3&lt;br&gt;Ngf6&lt;/td&gt;
		&lt;td&gt;-=&lt;/td&gt;
	&lt;/tr&gt;
&lt;/table&gt;

{{ChessMid}}
{{Wikipedia|French Defence}}

== References ==

{{reflist}}
{{NCO}}
{{MCO14}}
{{BCO2}}
{{Chess Opening Theory/Footer}}</text>
      <sha1>7p7mvrg1zgv0o6cceyr0oj1g281w21r</sha1>
    </revision>
  </page>
  <page>
    <title>Portuguese/Contents/BPL1/Segunda lição</title>
    <ns>0</ns>
    <id>74387</id>
    <revision>
      <id>4641087</id>
      <parentid>4093883</parentid>
      <timestamp>2026-06-24T20:39:21Z</timestamp>
      <contributor>
        <username>Cathodography</username>
        <id>3447042</id>
      </contributor>
      <origin>4641087</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="13985" sha1="k00vknallhmujhok4tj29dnvpqx9d3f" xml:space="preserve">{{Simple Page Navigation|BookName=[[Portuguese/Contents|Portuguese]]&lt;br/&gt;&lt;small&gt;[[Portuguese/Contents/BPL1|BP - Level 1]]&lt;/small&gt;|CurrentPage=Segunda lição|PrevPage=[[Portuguese/Contents/BPL1/Primeira lição|Primeira lição]]|NextPage=[[Portuguese/Contents/BPL1/Terceira lição|Terceira lição]]}}

==Common greetings, thanks and goodbyes/Cumprimentos, agradecimentos e despedidas comuns==

{|border=&quot;1&quot; cellpadding=&quot;4&quot; style=&quot;background:#FFF0F0;&quot;
|
'''Alice''': Bom dia! O meu nome é Alice. Qual é o seu nome?&lt;br&gt;
'''Maria''': Bom dia, meu nome é Maria. Como você está?&lt;br&gt;
'''Alice''': Estou bem, obrigada. E você?&lt;br&gt;
'''Maria''': Estou bem também. Prazer em conhecer você.&lt;br&gt;
'''Alice''': Até logo!&lt;br&gt;
'''Maria''': Tchau!
|}

===Vocabulary and Grammar===

* {{Word|pt|bom dia|'''Bom dia'''|g=good morning|p=/bõ ˈdʒi.ɐ/}} is the standard greeting used in the morning, generally until around noon.
Other greetings include:
* {{Word|pt|boa tarde|'''Boa tarde'''|g=good afternoon|p=/ˈbo.ɐ ˈtaʁ.dʒi/}} is used from around noon until the evening.
* {{Word|pt|boa noite|'''Boa noite'''|g=good evening; good night|p=/ˈbo.ɐ ˈnoj.tʃi/}} is used after dark, both as a greeting and when saying goodbye before going to sleep.
* {{Word|pt|olá|'''Olá'''|g=hello|p=/oˈla/}} is a general greeting suitable in most situations.
* {{Word|pt|oi|'''Oi'''|g=hi|p=/oj/}} is informal and very common in Brazil.

'''O meu nome é Alice.''' — ''My name is Alice.''
* {{Word|pt|o|'''O'''|g=the|p=/u/}} — masculine singular definite article;
* {{Word|pt|meu|'''meu'''|g=my|p=/mew/}} — masculine singular first-person singular possessive pronoun;
* {{Word|pt|nome|'''nome'''|g=name|p=/ˈno.mi/}} — masculine noun;
* {{Word|pt|é|'''é'''|g=is|p=/ɛ/}} — third-person singular present indicative of verb {{Word|pt|ser|g=to be}};
* {{Word|pt|Alice|'''Alice'''|g=Alice|p=/aˈli.si/}} — the name.

In Portuguese, possessive adjectives may optionally be preceded by the definite article.

* ''O meu nome é Alice.''
* ''Meu nome é Alice.''

Both are grammatically correct. In Brazil, omitting the article is common in speech.

'''Qual é o seu nome?''' — ''What is your name?''

* {{Word|pt|qual|'''qual'''|g=what; which|p=/kwaw}}
* {{Word|pt|é|'''é'''|g=is}}
* {{Word|pt|seu|'''seu'''|g=your|p=/sew/}}
* {{Word|pt|nome|'''nome'''|g=name}}

'''Como você está?''' — ''How are you?''

* {{Word|pt|como|'''como'''|g=how}}
* {{Word|pt|você|'''você'''|g=you}}
* {{Word|pt|estar|'''estar'''|g=to be}}
* {{Word|pt|está|'''está'''|g=are}}

Portuguese has two verbs meaning ''to be'': {{Word|pt|ser|g=to be (permanent)}} and {{Word|pt|estar|g=to be (temporary)}}.

{{Word|pt|ser}} is generally used for identity, permanent characteristics, origin, professions, and time.

{{Word|pt|estar}} is generally used for temporary states, emotions, health, and location.

Because someone's name is permanent, ''Qual é o seu nome?'' uses {{Word|pt|ser}}.
 
Likewise, because someone's condition is temporary, ''Como você está?'' uses {{Word|pt|estar}}.

'''Estou bem.''' — ''I'm well.''

* {{Word|pt|estou|'''estou'''|g=I am}} — first-person singular of {{Word|pt|estar}}.
* {{Word|pt|bem|'''bem'''|g=well}}

Other common replies include:

* ''Muito bem.'' — ''Very well.''
* ''Tudo bem.'' — ''Everything's fine.''
* ''Mais ou menos.'' — ''So-so.''
* ''Não muito bem.'' — ''Not very well.''

'''Obrigado''' / '''Obrigada''' — ''Thank you.''

The form depends on the speaker's gender.

* Men generally say '''obrigado'''.
* Women generally say '''obrigada'''.

This is because the expression originally meant “obliged”.

Some actually say ''muito obrigado'' insted of ''obrigado'' (muito means ''very'').

: '''''Obrigado''' por sua ajuda!'' (&quot;''Thank you'' for your help!&quot;)
: '''''Muito obrigado''' por sua ajuda!'' (&quot;''Thank you very much'' for your help!&quot;)

Orally, there is also a reduced form of ''&quot;obrigado&quot;'':

: '''''&lt;nowiki&gt;'&lt;/nowiki&gt;Brigado''' por sua ajuda!'' (&quot;''Thanks'' for your help!&quot;)

'''Prazer em conhecer você.''' — ''Nice to meet you.''

This expression literally means &quot;A pleasure to meet you.&quot;

Common alternatives include:

* ''Prazer.'' — ''Nice to meet you.'' (lit. ''pleasure'')
* ''Muito prazer.'' — ''Very pleased to meet you.''

'''Tchau!''' — ''Bye!''

Other common farewells are:
* {{Word|pt|até logo|'''Até logo'''|g=see you later}}
* {{Word|pt|até amanhã|'''Até amanhã'''|g=see you tomorrow}}
* {{Word|pt|até mais|'''Até mais'''|g=see you later}}

== Verb 'ser'/Verbo &quot;ser&quot; ==
You learned, at the last lesson, that there were two copula verbs in Portuguese. You've already learned the first one, ''&quot;estar&quot;''. Now it is time to learn the other one, '''ser''', which denotes a permanent situation or condition. It is not a regular verb. The verb ser is conjugated in the '''present indicative''' as follows:

{| class=&quot;wikitable&quot;
|-
! Person
! Portuguese
! English
|-
! 1. s.
| &lt;small&gt;eu&lt;/small&gt; s'''ou'''
| &lt;small&gt;I&lt;/small&gt; am
|-
! 2. s.
| &lt;small&gt;você&lt;/small&gt; '''é'''
| &lt;small&gt;you&lt;/small&gt; are
|-
! 3. s.
| &lt;small&gt;ele/ela&lt;/small&gt; '''é'''
| &lt;small&gt;he/she/it&lt;/small&gt; is
|-
! 1. p.
| &lt;small&gt;nós&lt;/small&gt; s'''omos'''
| &lt;small&gt;we&lt;/small&gt; are
|-
! 2. p.
| &lt;small&gt;vocês&lt;/small&gt; s'''ão'''
| &lt;small&gt;you all&lt;/small&gt; are
|-
! 3. p.
| &lt;small&gt;eles/elas&lt;/small&gt; s'''ão'''
| &lt;small&gt;they&lt;/small&gt; are
|-
|}

See some examples:
: ''Nós '''somos''' alunos.'' (&quot;We ''are'' students.&quot;)
: ''Eles '''são''' felizes.'' (&quot;They ''are'' happy.&quot;)

To illustrate the difference between ''&quot;ser&quot;'' and ''&quot;estar&quot;'', compare the next two phrases:
: ''Eu '''estou''' alegre.'' &amp;ndash; ''&quot;I '''am''' happy (right now).&quot;''
: ''Eu '''sou''' alegre.'' &amp;ndash; ''&quot;I '''am''' happy (a happy person).&quot;''

== Possessive pronouns/Pronomes possessivos ==
The '''possessive pronouns''' (''pronomes possessivos'') in Portuguese are the same than the '''possessive adjectives'''. As adjectives, they agree in gender and number with the possessed thing. They are:

{| class=&quot;wikitable&quot;
|-
! colspan=&quot;6&quot; | Possessive pronouns and adjectives
|-
! colspan=&quot;4&quot; | Portuguese
! colspan=&quot;2&quot; | English
|-
! colspan=&quot;2&quot; | Masculine
! colspan=&quot;2&quot; | Feminine
! rowspan=&quot;2&quot; | Adjective
! rowspan=&quot;2&quot; | Pronoun
|-
! Singular
! Plural
! Singular
! Plural
|- align=&quot;center&quot;
| meu
| meus
| minha
| minhas
| my
| mine
|- align=&quot;center&quot;
| seu
| seus
| sua
| suas
| his, her, its
| his, hers, its
|- align=&quot;center&quot;
| nosso
| nossos
| nossa
| nossas
| our
| ours
|- align=&quot;center&quot;
| seu
| seus
| sua
| suas
| their
| theirs
|-
|}

Just like adjectives and nouns, the plural forms are made adding '''-s'''.

: '''''meu''' apartamento'' (&quot;my apartment/flat&quot;)
: '''''meus''' apartamentos'' (&quot;my apartments/flats&quot;)
: '''''minha''' casa'' (&quot;my house&quot;)
: '''''minhas''' casas'' (&quot;my houses&quot;)

The inflection patterns of ''&quot;teu&quot;'' (compare with ''&quot;tu&quot;'') and ''&quot;seu&quot;'' are the alike.

: '''''seu''' livro'' (&quot;''his/her/its/their'' book&quot;)
: '''''seus''' livros'' (&quot;''his/her/its/their'' books&quot;)
: '''''sua''' revista'' (&quot;''his/her/its/their'' magazine&quot;)
: '''''suas''' revistas'' (&quot;''his/her/its/their'' magazines&quot;)

The pronouns ''&quot;vosso&quot;'' (compare with ''&quot;vós&quot;'') and ''&quot;nosso&quot;'' (compare with ''&quot;nós&quot;'') are inflected just like adjectives.

: '''''nosso''' trabalho'' (&quot;''our'' work&quot;)
: '''''nossos''' trabalhos'' (&quot;''our'' works&quot;)
: '''''nossa''' piada'' (&quot;''our'' joke&quot;)
: '''''nossas''' piadas'' (&quot;''our'' jokes&quot;)


As ''&quot;você&quot;'' and ''&quot;vocês&quot;'' are address pronouns, they behave as third person pronouns. So, the possessive forms of them are ''&quot;seu&quot;''-words. This is a important and confuse point, as you saw that ''&quot;seu&quot;'' can mean either ''&quot;your(s)&quot;'', ''&quot;his&quot;'', ''&quot;her(s)&quot;'', ''&quot;its&quot;'' and ''&quot;their(s)&quot;''. So instead of using ''&quot;seu&quot;'' (which have that lot of meanings) one changes it for:

{| class=&quot;wikitable&quot;
|-
! Portuguese
! English
|-
| dele
| of him
|-
| dela
| of her
|-
| deles
| of them (masculine)
|-
| delas
| of them (feminine)
|-
| de vocês
| of you all
|-
|}

Those are all contractions of the preposition ''&quot;de&quot;'' and the personal pronouns ''&quot;ele&quot;'', ''&quot;ela&quot;'', ''&quot;eles&quot;'', ''&quot;elas&quot;''. The same rule applies for ''&quot;vocês&quot;'' (but no contraction can be made between ''&quot;de&quot;'' and ''&quot;vocês&quot;''). So, the possessive form used is ''&quot;de vocês&quot;'' (''&quot;of you&quot;'').

: ''o escritório '''dele''''' (&quot;''his'' office&quot;)
: ''o escritório '''dela''''' (&quot;''her'' office&quot;)
: ''o escritório '''deles''''' (&quot;''their'' office&quot;)
: ''o escritório '''delas''''' (&quot;''their'' office&quot;)
: ''o escritório '''de vocês''''' (&quot;''your'' office&quot;)

At everyday language, ''&quot;seu&quot;'' is used only as possessive form of ''&quot;você&quot;'', making things much easier.

But some even do not use ''&quot;seu&quot;'' for ''&quot;você&quot;'', because of the confuse meanings it may have. Those use ''&quot;teu&quot;'' instead. It is grammatically wrong because ''&quot;teu&quot;'' is the possessive form of ''&quot;tu&quot;''. Grammatically, one must use the pronoun alongside with its respective possessive form: ''&quot;tu&quot;'' with  ''&quot;teu&quot;'' and ''&quot;você&quot;'' with ''&quot;seu&quot;''.

Concluding, the possessive pronouns are:

{| class=&quot;wikitable&quot;
|-
! colspan=&quot;5&quot; | Possessive pronouns and adjectives (informal speech)
|-
! colspan=&quot;4&quot; |Portuguese
! English
|-
! colspan=&quot;2&quot; | Masculine
! colspan=&quot;2&quot; | Feminine
! rowspan=&quot;2&quot; | 
|-
! Singular
! Plural
! Singular
! Plural
|- align=&quot;center&quot;
| meu
| meus
| minha
| minhas
| my, mine
|- align=&quot;center&quot;
| seu
| seus
| sua
| suas
| your, yours (using ''&quot;você&quot;'')
|- align=&quot;center&quot;
| colspan=&quot;4&quot; | dele
| of him, of it
|- align=&quot;center&quot;
| colspan=&quot;4&quot; | dela
| of her, of it
|- align=&quot;center&quot;
| nosso
| nossos
| nossa
| nossas
| our, ours
|- align=&quot;center&quot;
| colspan=&quot;4&quot; | de vocês
| your, yours
|- align=&quot;center&quot;
| colspan=&quot;4&quot; | deles
| of them (masculine)
|- align=&quot;center&quot;
| colspan=&quot;4&quot; | delas
| of them (feminine)
|-
|}

== Days of the Week and Months/ Dias da semana e meses ==
=== Days of the week/Dias da semana ===
Most of the names of the days of the week today, are adaptations made in the medieval age from the Classical Latin roots, this is true to other Latin based languages such as Spanish or Italian. But in Portuguese this was made in an easier way, naming it after fairs (naming system used in Ecclesiastical Latin). So, except for Sunday and Saturday, the days of the week are formed by ordinal numbers plus the Portuguese word for ''&quot;fair&quot;'':

{| class=&quot;wikitable&quot;
|-
! colspan=&quot;3&quot; | Portuguese
! English
|-
! Word
! Latin root
! Literal meaning
! Word
|-
| (o) domingo
| dies dominicu
| ''&quot;Lord's day&quot;''
| (the) Sunday
|-
| (a) segunda-feira
| secunda feria
| ''&quot;second fair&quot;''
| (the) Monday
|-
| (a) terça-feira
| tertia feria
| ''&quot;third fair&quot;''
| (the) Tuesday
|-
| (a) quarta-feira
| quarta feria
| ''&quot;fourth fair&quot;''
| (the) Wednesday
|-
| (a) quinta-feira
| quinta feria
| ''&quot;fifth fair&quot;''
| (the) Thursday
|-
| (a) sexta-feira
| sexta feria
| ''&quot;sixth fair&quot;''
| (the) Friday
|-
| (o) sábado
| sabbatum
| ''&quot;shabat day&quot;''
| (the) Saturday
|-
|}

For time expressions, the copula verb used is ''&quot;ser&quot;''.
: ''Hoje é '''sábado'''.'' (&quot;Today is ''Saturday''.&quot;)
: ''Meu aniversário é em uma '''sexta-feira'''.'' (&quot;My birthday is in a ''Friday''.&quot;)

{{NOTE|Today in a colloquial and informal setting, if the context is already known, it is becoming common and acceptable to drop the &quot;feira&quot; section. &quot;Vou lá na sexta.&quot;/&quot;I will go there Friday.&quot;}}

=== Months/Meses ===
{| class=&quot;wikitable&quot;
|-
! English
! Portuguese
|-
| January
| Janeiro
|-
| February
| Fevereiro
|-
| March
| Março
|-
| April
| Abril
|-
| May
| Maio
|-
| June
| Junho
|-
| July
| Julho
|-
| August
| Agosto
|-
| September
| Setembro
|-
| October
| Outubro
|-
| November
| Novembro
|-
| December
| Dezembro
|-
|}

== Introduction to verbs/Introdução a verbos ==
The infinitive of all verbs in Portuguese language end in '''-r'''. The vowel before the '''-r''' is called the '''stem vowel''', and it rules the conjugation of the verb. The '''root''' is what comes before the stem vowel. There are three stem vowels, that divides the verbs in three groups:

* '''first conjugation''' (''&quot;primeira conjugação&quot;''): infinitive ends in '''-ar'''.
* '''second conjugation''' (''&quot;segunda conjugação&quot;''): infinitive ends in '''-er'''.
* '''third conjugation''' (''&quot;terceira conjugação&quot;''): infinitive ends in '''-ir'''.

Also, there are some infinitives that end in '''-or'''. Those are all derivate forms of the verb ''&quot;pôr&quot;'', (''&quot;to put&quot;'') that is an irregular verb. All its derivates follow ''&quot;pôr&quot;''&lt;nowiki&gt;'&lt;/nowiki&gt;s conjugation pattern. This verb comes from the old Portuguese ''&quot;poer&quot;'' (Latin ''&quot;ponere&quot;''), so all verbs in '''-or''' are considered to be irregular verbs of the ''second conjugation''.

== Dialogue/Diálogo ==
{| class=&quot;wikitable&quot; width=&quot;100%&quot;
|-
|
John está indo para a aula de português. Outra estudante de português, Andréia, fala com ele.&lt;br/&gt;
'''Andréia''': Boa tarde!&lt;br/&gt;
'''John''': Boa tarde!&lt;br/&gt;
'''Andréia''': Por favor, que dia é hoje?&lt;br/&gt;
'''John''': Hoje é segunda-feira.&lt;br/&gt;
'''Andréia''': Temos aula hoje?&lt;br/&gt;
'''John''': Desculpe mas não sei.&lt;br/&gt;
'''Andréia''': Tudo bem, muito obrigada de qualquer jeito!&lt;br/&gt;
'''John''': De nada!&lt;br/&gt;
'''Andréia''': Nós estamos atrasados! Rápido, a aula já está começando!&lt;br/&gt;
'''John''': É mesmo!&lt;br/&gt;
|-
|}

{| class=&quot;wikitable&quot; width=&quot;100%&quot;
|-
! colspan=&quot;3&quot; | Vocabulary
|-
! Word
! Translation
! Notes
|-
| começar
| start
|
|-
| de
| of
|
|-
| de qualquer jeito
| anyway
| lit. ''of any way''
|-
| desculpe
| sorry
|
|-
| (o) dia
| (the) day
| masculine noun (though ends in ''-a'')
|-
| é mesmo!
| really!
|
|-
| hoje
| today
|
|-
| não
| no
| interjection, never used with nouns.
|-
| o que
| what, what thing
|
|-
| por favor
| please
| lit. ''for favour''
|-
| que
| what, which
|
|-
| que dia é hoje?
| what day is it?
| lit. ''what day is today?''
|-
| rápido
| quick
|
|-
| saber
| to know
|
|-
| segunda-feira
| Monday
| lit. ''second fair''
|-
| sobre
| about
|
|-
|}

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  <page>
    <title>Sexual Health/Abstinence</title>
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      <parentid>4640990</parentid>
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      <text bytes="5112" sha1="o3u8tfgmy7w618kpulxmoupdj5enk3f" xml:space="preserve">{{Sexual Health}}

'''Abstinence''' is the practice of not engaging in sexual behavior (&quot;abstaining&quot; from it). Just as there are many forms of sexual behavior, there are many forms of abstinence. People choose abstinence for a variety of reasons, and can change their minds at different times in their lives.

== What is Abstinence? ==

Sexual abstinence can be practiced in different ways, but most frequently it is the avoidance of sexual intercourse with a partner. Abstinence usually includes avoiding vaginal intercourse.  Sometimes people also exclude oral and/or anal sex as well.

One reason for abstinence is to avoid pregnancy and sexually transmitted infections. Pregnancy is best prevented by the use of contraceptives, which are often more reliable than persisting in the choice of abstinence.

To use abstinence to protect against pregnancy, no sexual contact that could allow sperm to enter the vagina can be engaged in - vaginal sex has the highest risk of pregnancy, but leakage of sperm from anal sex or contact with sperm from non-penetrative sex ('frotting') can lead to pregnancy.

To use abstinence to protect against sexual transmission of diseases, anal, vaginal, and oral sex would all be avoided. Also, many sexually transmitted diseases, most importantly AIDS, can be transmitted through exposure to infected blood.

Different religious traditions and cultures suggest different rules for young people.  In some cultures, people are expected to abstain from sex -- to avoid most forms of sexual contact -- before marriage,
and then to not abstain after marriage. There are thousands of variations of these rules, which have evolved from antiquity, and the rules that each person's family may have grown up with are not the only possible rules for them (or anyone else) to follow. The earliest rules were based on treating women as the property of men, a behavior that has become intolerable to women in most of the world today. Other rules evolved as attempts to enforce that a man who impregnates a woman will continue to support the woman and child throughout the child's early life. Modern understandings and technologies, such as birth control, vaccines, and antibiotics, have significantly altered these rules in many cultures.

Abstinent people sometimes masturbate alone, or practice mutual
masturbation with another person without contact.

Anal sex may carry a higher STD transmission risk than vaginal and oral sex. If a person practices abstinence by engaging in anal sex when they would otherwise have engaged in vaginal or oral, they will raise their risk of contracting an STD (if their partner or partners are infected).

== Virginity ==

People who have never had sex are called '''virgins'''. As different people
have different opinions as to what constitutes sex, some people may consider
themselves virgins even if they have had some forms of sex. Also, some
people who have had sex previously, but are now waiting until marriage to
have sex again refer to themselves as '''born again virgins''', and some
people use the term '''lapsed virgin''' or '''non-practicing virgin''' to
refer to a person who engages in sexual activity.

== Romance and Abstinence ==

It is very possible to maintain a lasting romantic relationship and remain abstinent. Some people following this path choose to wait until marriage to have sexual intercourse with their partner for the first time. (However, when cultural customs allow it, it is often better for the couple to have sex before they marry, to determine that they are sexually compatible, rather than sadly finding out after marriage that they cannot have a satisfying sexual relationship.) People who were previously abstinent are still not immune to risk of disease, and such couples should test themselves for STDs before engaging in sex for the first time with their partners. It is possible for an abstinent person to have contracted an STD, which can be passed to their partner after they are married. This could have occurred at birth, or from another event, such as exposure to infected blood (blood transfusions were common culprits historically, but now all blood donated is tested for disease), sexual activity that happened before they began practicing abstinence, or anal or oral sexual activity. People who are married may still use birth control methods to prevent pregnancies after marriage (at times when they don't want to get pregnant).

Even couples that are sexually active may practice abstinence at times. Certain medical conditions may make intercourse difficult, painful, or unsafe, for example. Also, couples that try to use fertility awareness for birth control must practice abstinence while the woman is fertile.  (Fertility awareness as a means of birth control is unreliable at preventing pregnancy, especially in women with irregular menstrual cycles.)

Instead of having sex, abstinent people can bond in other romantic ways, such as cuddling, hugging or kissing. They can also express their feelings for each other verbally, instead of relying only on touch to convey affection.

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  </page>
  <page>
    <title>Wikijunior:Europe/United Kingdom</title>
    <ns>110</ns>
    <id>101856</id>
    <revision>
      <id>4641076</id>
      <parentid>4624027</parentid>
      <timestamp>2026-06-24T17:22:18Z</timestamp>
      <contributor>
        <username>Xania</username>
        <id>40302</id>
      </contributor>
      <comment>/* The United Kingdom's People */ changed population to 'just under 70 million' (population as of 2026 is 69.9 million)</comment>
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{{wikipedia|United Kingdom}}
[[Image:EU-United_Kingdom.svg|thumb|250px|right|Map showing the United Kingdom (dark green) in the EU (light green) and Europe (dark grey)]]
The '''United Kingdom of Great Britain and Northern Ireland''' (commonly called the UK) is a country located in the north west of Europe.  The United Kingdom shares a border with the [[../Ireland|Republic of Ireland]] and is connected by the Channel Tunnel to [[../France|France]].  
The capital city is ''' London'''.  Other large cities in the United Kingdom are Manchester, Birmingham and Glasgow. 

The United Kingdom is split into four smaller countries: England, Scotland, Wales, and Northern Ireland.

The UK was a member of the [[../EU|European Union]] from 1973, but left it in January 2020, being the only country to do so as a result of a referendum (ref-fer-end-dum), or vote  which resulted in it leaving. It uses the '''pound''' as its currency.

==The United Kingdom's History==

The United Kingdom was created on 1 May 1707 with the union of the kingdoms of England and Scotland. Wales was part of the Kingdom of England. Although legally separate countries, they had been ruled by a common monarch since 1603. In 1800, Ireland became part of the United Kingdom. The United Kingdom was the source of the '''Industrial Revolution''' which greatly increased the country's power and lead to the development of the British Empire which, at its largest, controlled nearly a quarter of the world. In 1922, Ireland left the UK as the Irish Free State,  which resulted in the southeaster part of Ireland leaving, leaving just the northern counties as part of the United Kingdom.

{{{{BOOKTEMPLATE}}/Define|The United Kingdom|4 countries: England, Scotland, Wales and Northern Ireland}}

[[Image:Flag_of_the_United_Kingdom.svg|thumb|250px|left|The flag of the UK]]
[[File:The British Empire.png|thumb|523x523px|Excluding occupation of Germany during World War 2, these are all the territories that the empire has controlled at one point.]]
For many centuries the UK had an empire which was the largest the world had ever seen. This means that it controlled other countries. This empire was nearly the size of the [[wikipedia:Moon|Moon]], which is very large. At some point over the past 400 years the following countries were all part of the British Empire: The USA, Canada, South Africa, Kenya, [[../Malta|Malta]], India, Pakistan, Bangladesh, Australia, and New Zealand as well as many other places.  Independence was achieved for most British colonies by the 1970s.  Nowadays there remain a few islands in the Pacific, Caribbean, and other areas which are still British colonies.

Between the late 1960s and 1997 Northern Ireland suffered a violent conflict called '''The Troubles''' in which over 3000 people were killed in Northern Ireland, the Republic of Ireland and elsewhere in the UK.  Violence between Catholics and Protestants resulted in bomb attacks, demonstrations and shootings between civilians, paramilitary groups, the Police and the British Army.  Things are much more peaceful nowadays but violence does still occur occasionally.

==The United Kingdom's Geography==

The United Kingdom is located on two main islands (Great Britain and Ireland) to the north-west of Europe off the shores of northern France.  Only the northern sixth of Ireland is part of the UK - the remainder is the Republic of Ireland.

Large parts of England are low lying but there are upland regions (like the Lake and Peak District's) in the North, 
as well as mountains in Scotland and Wales.  The highest mountain in the UK is '''Ben Nevis''' at 1343 metres.  The north of England and Scotland also feature many lakes (termed lochs in Scotland)
[[Image:Palace_of_Westminster%2C_London_-_Feb_2007.jpg|thumb|250px|right|Palace of Westminster, London]]

Northern Ireland is in the north east of Ireland primarily centred on the UK's largest lake, Lough Neagh.  

The longest river in the United Kingdom is the River Severn, which starts in North Wales, emerging into a large
estuary between England and Wales.

{{{{BOOKTEMPLATE}}/Define|estuary|the area where a river meets the sea}}

Off the coast of the United Kingdom are a number of islands- the biggest islands are the Hebrides and Shetlands off the coast of Scotland, Anglesey off the coast of Wales and the Isle of Wight off the south coast of England. There are many cities in the United Kingdom. Each country of the United Kingdom has a capital city- London in England, Edinburgh in Scotland, Cardiff in Wales and Belfast in Northern Ireland. Most people in the UK live in towns and cities; the biggest city in the UK is London, which is home to 8 Million people. Other cities in the UK include Birmingham, Leeds, Manchester, Liverpool and Bristol in England; Cardiff and Swansea in Wales; Edinburgh, Glasgow, Inverness and Aberdeen in Scotland; and Belfast and Londonderry in Northern Ireland.

The Isle of Man (located between Britain and Ireland) and the Channel Islands (between England and France) are not part of the United Kingdom but are possessions of the British Crown and self-governing. 
[[File:City of Manchester Stadium East Stand.jpg|thumb|250px|left|The UK is famous for sport - City of Manchester Stadium]]

==The United Kingdom's People==

The United Kingdom is a country of 4 nations : England, Scotland, Wales and Northern Ireland.  Just under '''70 million people''' live in the UK and more than 50 million of those live in England.  [[Wikijunior:Languages/English|English]] is the most spoken language but many people speak [[Wikijunior:Languages/Welsh|Welsh]], Scots Gaelic, Cornish, [[Wikijunior:Languages/Urdu|Urdu]] and [[Wikijunior:Languages/Polish|Polish]] (the second most spoken language) as well as many other languages.

Whilst the majority of the UK population's religion identify as [[Wikijunior:World Religions/Christianity|Christians]], there are also followers of other faiths in many large cites.
The UK includes Europe's second largest [[Wikijunior:World Religions/Judaism|Jewish]] and [[Wikijunior:World Religions/Islam|Muslim]] populations and also large numbers of Sikhs (pronounced seeks), [[Wikijunior:World Religions/Hinduism|Hindus]] (hin-do-oos) and [[Wikijunior:World Religions/Buddhism|Buddhists]]. (bood-ists)  A sizable minority of the UK population are [[Wikijunior:World Religions/Atheism|not religious]].

Many Christians in England, Scotland and Wales are Protestant (pro-test-int), although there are also many Catholic (caf-lick) churches, especially
in Northern Ireland, Liverpool and London.

In Northern Ireland around half the population are Catholic and half are Protestant.

==The United Kingdom's Sights==

The UK is a popular tourist destination with over '''30 million foreign tourists per year'''.  The majority of tourists visit London, Cambridge and Oxford but other cities popular with tourists include Edinburgh, Cardiff, Manchester, Bath and Liverpool.

Famous landmarks in the UK include Stonehenge, Windsor Castle, Buckingham Palace, Durham Cathedral, Edinburgh's Royal Mile,
Ironbridge Gorge, The National Library of Wales in Cardiff.  There are '''28 [[Wikijunior:World Heritage Sites|UNESCO World Heritage Sites]]''' in the UK including [[Wikijunior:World Heritage Sites/Stonehenge|Stonehenge]], Blenheim Palace (a stately home and birthplace of Winston Churchill), Canterbury Cathedral and the Frontiers of the Roman Empire, on the border between England and Scotland.

The Royal Family attracts many people to the UK every year because of the large palaces and ancient customs connected with the monarchy.  Many sports popular throughout the world - football, rugby, cricket and others - were created in the UK and major sporting events attract visitors from other countries.  Theatre, musicals and the fact that most major museums are free-of-charge make the UK popular with cultural tourists.

&lt;gallery class=&quot;center&quot; caption=&quot;Images of the United Kingdom&quot; widths=225px&gt;
Image:Ambleside MMB 01.jpg|Ambleside, Lake District
Image:Fra Giant'sCauseway, N. Irland.jpg|Giant's Causeway, Northern Ireland
File:Manchester Exchange Squares.jpg|Exchange Square, Piccadilly, Manchester
Road on Barra.JPG|Barra, Hebrides, Scotland
Image:Royal Liver Building.jpg|Royal Liver Building, Liverpool
Image:Brighton Pier and seashore from Brighton Wheel.jpg|Brighton Pier, Brighton
Image:Peak District 4533.jpeg|Black Hill, Peak District
Image:Clare_Bridge_2003.jpg|Clare Bridge, Cambridge
File:London_Eye_at_night_2.jpg|London Eye, London
Image:Angel of the North - geograph.org.uk - 1253189.jpg|Angel of the North, Gateshead
Image:York Cathedral.jpg|York Cathedral, York
Image:Cardiff Bay with the Pierhead Building in the middle.jpg|Cardiff Bay &amp; Millennium Centre, Cardiff, Wales
&lt;/gallery&gt;


{{Template:WikijuniorEurope}}
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  <page>
    <title>Wikijunior:Europe/Ukraine</title>
    <ns>110</ns>
    <id>101858</id>
    <revision>
      <id>4641077</id>
      <parentid>4241312</parentid>
      <timestamp>2026-06-24T17:23:42Z</timestamp>
      <contributor>
        <username>Xania</username>
        <id>40302</id>
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      <minor />
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[[Image:Flag_of_Ukraine.svg|thumb|right|The Ukraine Flag.]]
'''Ukraine''' is the second-largest European country and the 44th largest country in the world.  It's located in Eastern Europe and shares borders with [[../Russia|Russia]], [[../Moldova|Moldova]], [[../Romania|Romania]], [[../Hungary|Hungary]], [[../Slovakia|Slovakia]], [[../Poland|Poland]] and [[../Belarus|Belarus]].  The name Ukraine means '''in our land''' in Ukrainian. The capital city is '''Kyiv'''. Other big cities are Lviv, Kharkiv and Odesa. Ukraine is not part of the [[../EU|European Union]]. The currency of Ukraine is the '''hryvnia'''.

[[Image:Ukraine_(claims_hatched)_in_Europe.svg|thumb|280px|right|Map showing the location of Ukraine in Europe with disputed Crimea shaded]]

==Ukraine's History==
Although people have lived in Ukraine since 32,000 BCE, the country Ukraine is a fairly recent country. In the centuries before the 20th century, Ukraine was controlled by the Polish, Prussians and other groups of people. Like the majority of nations in Eastern Europe, Ukraine used to be part of the [[../USSR|Union of Soviet Socialist Republics]] (USSR) (between 1921 and 1991), or Soviet Union. Before that, Ukraine was part of the Russian Empire.

{{{{BOOKTEMPLATE}}/Define|Soviet Union|This was a massive country consisting of Russia, Kazakhstan, Ukraine and many other countries. It was a super power until it ended in 1991.}}

As many as 10 million people died in a famine in Ukraine and other parts of the USSR in the 1930s and over 1 million were killed during World War 2. In 1986 Ukraine (and Belarus) suffered the world's worst nuclear accident when a reactor at Chernobyl Nuclear Power Station exploded. Since the disaster, over 4,000 people have developed cancer because of the radiation from the explosion.

Ukraine became an independent country in 1991. In 2004, after protests against corrupt elections there was a revolution, known as the '''Orange Revolution''' which brought in a democratically elected government. In 2012 Ukraine and Poland hosted the '''Euro 2012''' football competition. Large protests against the government took place from November 2013 which resulted in another revolution in February 2014.  This caused Russia to invade Crimea in the south of Ukraine and local people to vote (in what might have been an unfair vote) to leave Ukraine and join Russia. Russia now treats Crimea as part of Russia but the vast majority of countries continue to recognize it as part of Ukraine. Since the 2014 revolution parts of eastern Ukraine have been involved in a violent war against the government in Kyiv with more than 10,000 people killed.  Parts of eastern Ukraine and the Crimean peninsula are no longer under the control of the Ukrainian government.

Russia invaded Ukraine on February 24, 2022. Since that time, Ukraine has been fighting a war with Russia, with many people killed and almost 4 million people have escaped to neighbouring countries.

==Ukraine's Geography==
[[Image:L'viv Orthodox Church of Moscow Patriarchate.JPG|300px|thumb|right|Orthodox church in Lviv, Ukraine]]
Ukraine is the  second-largest country in the European continent, after Russia, spanning a total area of 603,700 km&lt;sup&gt;2&lt;/sup&gt; (233,100 sq mi).

Most of Ukraine has 4 very distinct seasons with warm summers and cold winters. Rainfall occurs more often in the summer months. Ukraine has a very wide variety of animals that live throughout the country.

Most of the country is flat but there are mountains in the west. The highest mountain in Ukraine is '''Hora Hoverla''' at 2016 metres.

==Ukraine's People==
[[Image:Massandra_Back.JPG|300px|thumb|left|The Massandra Palace.]]
The population of Ukraine is around '''35 million''' (but was 42.4 million before 2022). Ukrainians make up 73 percent of the population and Russians make up 22 percent of the population. The official language of the country is Ukrainian. [[Wikijunior:Languages/Russian|Russian]] is also used within the country, especially in cities and the east.

Most of the people in Ukraine are literate. Education is required for the ages 6 to 14.  Most people in Ukraine are [[Wikijunior:World Religions/Christianity|Christians]] - mainly Ukrainian Orthodox. There are small numbers of other Christians, Muslims and Jews living in the country.

==Ukraine's Sights==

Because of historical cities, a coastline on the Black Sea and its close location to Russia, Poland and Germany, Ukraine is a popular holiday destination. '''20 million''' tourists visit Ukraine every year. It is the 8th most visited country in Europe and has become more popular in recent years because EU citizens, Canadians, Americans (USA), Japanese and South Korean tourists no longer require visas to enter the country.

The capital city of Kyiv is popular for its churches, landscapes and Soviet architecture. Lviv, in the west, is popular because of its architecture, its Polish and Jewish history and its nightlife. Odesa, on the Black Sea coast, is also popular because of its diverse culture and location.

There are '''5 [[Wikijunior:World Heritage Sites|UNESCO World Heritage Sites]]''' in Ukraine. These include '''Saint-Sophia Cathedral''' in Kyiv and the historic centre of Lviv.


{{Template:WikijuniorEurope}}

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[[Image:LocationPolandInEurope.png|thumb|180px|right|Map of Poland]]
'''Poland''' is a large country in central Europe.  It shares borders with [[../Germany|Germany]], [[../Russia|Russia (Kaliningrad)]], [[../Lithuania|Lithuania]], [[../Belarus|Belarus]], [[../Ukraine|Ukraine]], [[../Slovakia|Slovakia]] and [[../Czech Republic|Czech Republic]].  The '''capital city is [[w:Warsaw|Warsaw]]'''.  Other big cities are Krakow and Gdansk.  The currency of Poland is the [[w:zloty|zloty]].

==Poland's History==
[[Image:Drawienski Park Narodowy - ruiny Wegorni.jpg|300px|thumb|left|Drawa National Park]]
[[Image:Flag_of_Poland.svg|230px|thumb|right|The flag of Poland.]]

Poland regained its independence in 1918 after World War I but lost it again in World War II, occupied by Nazi Germany and the Soviet Union. Poland lost over six million citizens in World War II, and emerged several years later as a socialist republic within the Eastern Bloc under strong Soviet influence. In 1989 communist rule was overthrown.

{{{{BOOKTEMPLATE}}/Define|End of communism in Europe|In 1989 Communism ended in countries like Poland, East Germany, Hungary and Romania after the people protested for change}}

Poland has changed many times in history and the latest borders were settled at the end of World War 2.  Between 1945 and 1989 Poland had a [[w:communist|communist]] government.  Since 2004 Poland has been a member of the [[../EU|European Union]].

==Poland's Geography==
[[Image:Palace of Culture and Science (9632705524).jpg|300px|thumb|right|The Palace of Culture and Science, a landmark Warsaw building and one of the tallest buildings in the EU]]
Poland is a large country about the size of the United Kingdom and Ireland.  The highest mountain is [[w:Rysy|Rysy]] at 2499 meters.  Poland has '''more than 9,000 lakes''' and two large mountain ranges: the Sudetes (in the south west) and the Carpathian mountains (in the south and south east). Poland has one of the highest numbers of lakes in the world. In Europe, only Finland has a greater density of lakes. Forests cover 28% of Poland's land area. More than half of the land is devoted to agriculture. Summers are generally warm and the winters are cold. The winter months are drier than the summer months.

==Poland's People==
The national language of Poland is [[Wikijunior:Languages/Polish|Polish]] which is spoken by 98% of the population.  Small minorities of people speak German and Ukrainian.  Poland is home to about '''37 million people'''.  In the past 15 years almost 1 million Poles have moved to the United Kingdom, Ireland and Sweden.  The vast majority of Polish people are [[Wikijunior:World Religions/Christianity|Catholic]].

Many sports are popular in Poland. Football (soccer) is the country's most popular sport, with a rich history of international competition. Track &amp; field, basketball, boxing, fencing, handball, ice hockey, swimming, volleyball, and weightlifting are other popular sports. The Polish mountains are an ideal venue for hiking, skiing and mountain biking and attract millions of tourists every year from all over the world. Baltic beaches and resorts are popular locations for fishing, canoeing, kayaking and a broad-range of other water-themed sports. American football is becoming popular throughout the country.

==Poland's Sights==
Poland is a popular destination for tourists.  The majority of foreign tourists visit the historical cities of Krakow and Wroclaw and the capital, Warsaw.  The mountains near Krakow are popular in the winter for skiing holidays.  Poland has 13 [[Wikijunior:World Heritage Sites|World Heritage Sites]] including [[Wikijunior:World Heritage Sites/Krakow Old City|Krakow Old Town]].

{{wikipedia|Poland}}
&lt;br&gt;  {{Template:WikijuniorEurope}}

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    <title>Chess Opening Theory/1. e4/1...Nf6/2. e5/2...Nd5/3. c4/3...Nb6</title>
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      <minor />
      <comment>/* 3...Nb6 */ removed 'father of Andrew Tate' as the father is far more famous than his morally corrupt son</comment>
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      <text bytes="1643" sha1="hrn90jp8i95c0urmsw7b729zvl1pak0" xml:space="preserve">{{Chess Opening Theory/Position
|name=Two pawns attack
|eco=[[Chess/ECOB|B02]]
|parent=[[Chess Opening Theory/1. e4/1...Nf6|Alekhine's defence]] → [[Chess Opening Theory/1. e4/1...Nf6/2. e5/2...Nd5/3. c4|Two pawns attack]]
}}
== 3...Nb6 ==

White may now play [[/4. d4|'''4. d4''']] to sure up their centre. This is the main move and reaches positions familiar from the 3. d4 move order, where often White plays c4 as well. 4...d6 5. exd6 [[Chess Opening Theory/1. e4/1...Nf6/2. e5/2...Nd5/3. d4/3...d6/4. c4/4...Nb6/5. exd6|reaches the exchange variation]]; 4...d6 5. f4 transposes into the [[Chess Opening Theory/1. e4/1...Nf6/2. e5/2...Nd5/3. d4/3...d6/4. c4/4...Nb6/5. f4|four pawns attack]]. 

[[/4. c5|'''4. c5''']] stays in original territory. This is the '''Lasker variation'''. White chases the knight again but it usually returns to plant itself on the newly minted outpost on d5, 4...Nd5. 5. Nc3 e6 6. Nxd5 exd5 7. d4 to close up the outpost might be sensible, or the game may continue 4...Nd5 5. Bc4 e6 6. d4 b6 7. cxb6 axb6 =.

[[/4. b3|'''4. b3''']] is the '''Steiner variation'''.


[[/4. a4|'''4. a4!''']] is the '''Tate Variation''' named after Emory Tate.

==Theory table==
{{ChessTable}}

'1.e4 Nf6 2.e5 Nd5 3.c4 Nb6'
&lt;table border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;4&quot;&gt;
	&lt;tr&gt;
		&lt;th&gt;&lt;/th&gt;
		&lt;th align=&quot;left&quot;&gt;4&lt;/th&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;&amp;nbsp;&lt;/th&gt;
		&lt;td&gt;[[/4. c5|c5]]&lt;br&gt;
		-&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
	&lt;tr&gt;
		&lt;th align=&quot;right&quot;&gt;&amp;nbsp;&lt;/th&gt;
		&lt;td&gt;[[/4. d4|d4]]&lt;br&gt;
		-&lt;/td&gt;
		&lt;td&gt;=&lt;/td&gt;
	&lt;/tr&gt;
&lt;/table&gt;
{{ChessMid}}
==References==
{{reflist}}
{{Wikipedia|Alekhine Defence}}
{{BCO2}}
{{Chess Opening Theory/Footer}}</text>
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    <title>Brazilian Portuguese/Chapter 3</title>
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      <comment>/* Counting in Portuguese */</comment>
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      <text bytes="3415" sha1="t0sonjqxk2oaanerg4tqwsrrom69lyk" xml:space="preserve">{{Simple Page Navigation|BookName=[[Brazilian Portuguese]]&lt;br/&gt;&lt;small&gt;Português Brasileiro&lt;/small&gt;|CurrentPage=Chapter 3|PrevPage=[[Brazilian Portuguese/Chapter 2|Chapter 2]]|NextPage=[[Brazilian Portuguese/Chapter 4|Chapter 4]]}}


[[File:Campinas_-_Estação_de_Anhumas_-_turismo_007.jpg | thumb | 420 px | left |''A Train at the Anhumas Station (Estação de Anhumas) in Campinas, São Paulo'')]]

{| border=0  width=45%
!colspan=&quot;29&quot; bgcolor=&quot;#E7F5DE&quot;|Chapter 3 - Objetos Comuns
|}
{| border=0  width=45%
!colspan=&quot;29&quot; bgcolor=&quot;#BECFEB&quot;|This Lesson's Vocabulary
|-
|colspan=&quot;29&quot; bgcolor=&quot;#DEE7F5&quot;|
Everyday Objects
|-
|colspan=&quot;29&quot; bgcolor=&quot;#DEE7F5&quot;|
Numbers
|-
|}

{| border=0  width=45%
!colspan=&quot;29&quot; bgcolor=&quot;#BECFEB&quot;|This Lesson's Grammar
|-
|colspan=&quot;29&quot; bgcolor=&quot;#DEE7F5&quot;|
Asking Number-Related Questions
|-
|colspan=&quot;29&quot; bgcolor=&quot;#DEE7F5&quot;|
The Verb ''Ter''
|-
|colspan=&quot;29&quot; bgcolor=&quot;#DEE7F5&quot;|
Plurals of Nouns
|-
|}

==Dialogue==
===Structure===

==Pronunciation==

==Vocabulary==

===Counting in Portuguese===

[[File:BrunnHeiligenstadtBauernhaus.jpg | 380 px |  thumb | Picture A.]]

* 1 - um (fem. uma)
* 2 - dois (fem. duas)
* 3 - três
* 4 - quatro
* 5 - cinco
* 6 - seis
* 7 - sete
* 8 - oito
* 9 - nove
* 10 - dez
* 11 - onze
* 12 - doze
* 13 - treze
* 14 - quatorze
* 15 - quinze
* 16 - dezesseis
* 17 - dezessete
* 18 - dezoito
* 19 - dezenove
* 20 - vinte
* 21 - vinte e um
* 22 - vinte e dois
etc...
* 30 - trinta
* 40 - quarenta
* 50 - cinquenta
* 60 - sessenta
* 70 - setenta
* 80 - oitenta
* 90 - noventa

===Exercises===

'''A.''' Answer in Portuguese
# Quantas janelas tem a casa? (Picture A)
# Spell out and say the numbers on the license plate.

'''B.''' Translate into Portuguese.
# Your car has two windows. 
# My car has four windows

==Grammar==

===Plurals of Nouns===
Almost every portuguese word ends with '''s'''.

To know how to make the plural:
* The suffix '''-s''' is added normally.
* '''-es''' is added when the word ends with '''r''' or '''z'''; in some words ending with '''ão''', the '''o''' is removed to add '''-es''' (Pão → Pães).
* '''-is''' is added in some words ending with '''al''', '''el''', '''ol''' or '''ul''' (Pastel → Pastéis (the accute is added for the pronunciation))
* '''-ns''' is added in words ending with '''m''' (Atum → Atuns)
* '''-ões''' is added in some words ending with ão. (ão is removed and then -ões is added) (Limão → Limões)
* In some words, the stem vowel /o/ in the singular changes to /ɔ/ in the plural, though this is not reflected in the orthography. (Tijolo /t͡ʃiˈʒ'''o'''lu/ → Tijolos /t͡ʃiˈʒ'''ɔ'''lus/)

====Regular Plurals====
Casa → Casas
====Irregular Plurals====
''Qualquer'' (any) becomes ''quaisquer''.
Most words that end with 'x' don't change: ''Tórax'' (thorax. chest), ''inox'' (Stainless steel)

===The Verb ''Ter''===

{| {{User:Theunixgeek/Portuguese table|Verb|Ter|To Have|2}}
! Eu tenho
! Nós temos
|-
! Você tem
! Vocês têm
|-
! Ele/Ela tem
! Eles/Elas têm
|}

===Exercises===

==Culture==

==Review==

==Answers to Exercises==

'''A.'''
# Oito janelas
# 

'''B.'''
# Seu carro tem duas janelas
# Meu carro tem quatro janelas


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  <page>
    <title>The Linux Kernel/Memory</title>
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      <text bytes="38032" sha1="n182t7p84vj27imp18ujs815p4g9e8o" xml:space="preserve">&lt;noinclude&gt;{{DISPLAYTITLE:Memory functionality}}&lt;/noinclude&gt;

{|style=&quot;width: 25%; float: right; text-align:center;border-spacing: 0; color:black; margin:auto;&quot; cellpadding=5pc
! bgcolor=&quot;#bfd&quot; |memory
|-
| bgcolor=&quot;#aed&quot; |[[#Processes|Processes]]
|-
| bgcolor=&quot;#9dd&quot; |[[#Virtual_memory|virtual memory]]
|-
| bgcolor=&quot;#aca&quot; |[[#Memory_mapping|memory mapping]]
|-
| bgcolor=&quot;#acb&quot; | [[#Swap|demand paging and swap]]
|-
| bgcolor=&quot;#8b9&quot; |[[#Logical_memory|logical memory]]
|-
| bgcolor=&quot;#7a7&quot; |[[#Page Allocator|Page Allocator]]
|-
| bgcolor=&quot;#686&quot; |[[#Pages|pages]]
|}
The kernel has full access to the system's memory and allows processes to {{w|Process isolation|safely access}} this memory as they require it.
Often the first step in doing this is {{w|Virtual address space|virtual addressing}}, usually achieved by paging and/or segmentation.
Virtual addressing allows the kernel to make a given {{w|physical address}} appear to be another address, the virtual address.
Virtual address spaces may be different for different processes; the memory that one process accesses at a particular (virtual) address may be different memory from what another process accesses at the same address.
This allows every program to behave as if it is the only one (apart from the kernel) running and thus prevents applications from crashing each other.

On many systems, a program's virtual address may refer to data which is not currently in memory.
The layer of indirection provided by virtual addressing allows the operating system to use other data stores, like a hard drive, to store what would otherwise have to remain in main {{w|random-access memory}} (RAM).
As a result, operating systems can allow programs to use more memory than the system has physically available.
When a program needs data which is not currently in RAM, the {{w|Memory management unit|MMU}} {{w|Page fault|signals}} to the kernel that this has happened, and the kernel responds by writing the contents of an inactive memory block to disk (if necessary) and replacing it with the data requested by the program.
The program can then be resumed from the point where it was stopped.
This scheme is generally known as {{w|demand paging}}.

Virtual addressing also allows creation of virtual partitions of memory in two disjointed areas, one being reserved for the kernel (kernel space) and the other for the applications (user space).
The applications are not permitted by the processor to address kernel memory, thus preventing an application from damaging the running kernel.
This fundamental partition of memory space has contributed much to the current designs of actual general-purpose kernels and is almost universal in such systems, Linux being one of them.


⚲ Shell interface
: cat /proc/meminfo
: {{The Linux Kernel/man|1|free}}
: {{The Linux Kernel/man|8|vmstat}}

{{:The Linux Kernel/Processes}}

== Memory management API ==

: ⚲ {{The Linux Kernel/man|2|brk}} ↪ {{The Linux Kernel/id|sys_brk}}, {{The Linux Kernel/id|do_brk_flags}} dynamically changes data segment size of the calling process.
The change is made by resetting the &lt;u&gt;program break&lt;/u&gt; of the process, which determines the maximum space that can be allocated.
The program break is the address of the first location beyond the current end of the data region, and determines the maximum space that can be allocated by the process.
The amount of available space increases as the break value increases.
The added available space is initialized to a value of zero. 
: ⚲ {{The Linux Kernel/man|2|mmap}} ↪ {{The Linux Kernel/id|ksys_mmap_pgoff}} maps files or devices into memory.
It is a method of memory-mapped file I/O.
It naturally implements demand paging, because file contents are not read from disk initially and do not use physical RAM at all.
The actual reads from disk are performed in a &quot;lazy&quot; manner, after a specific location is accessed.
After the memory is no longer needed it is important to {{The Linux Kernel/man|2|munmap}} the pointers to it.
Protection information can be managed using {{The Linux Kernel/man|2|mprotect}} ↪ {{The Linux Kernel/id|do_mprotect_pkey}} and special treatment can be enforced using {{The Linux Kernel/man|2|madvise}} ↪ {{The Linux Kernel/id|do_madvise}}.
In Linux, {{The Linux Kernel/man|2|mmap}} can create several types of mappings, such as ''anonymous mappings'', ''shared mappings'' and ''private mappings''.
Using the &lt;code&gt;MAP_ANONYMOUS&lt;/code&gt; flag &lt;code&gt;mmap()&lt;/code&gt; can map a specific area of the process's virtual memory not backed by any file, whose contents are initialized to zero.

These functions are typically called from a higher-level memory management library function such as C standard library {{The Linux Kernel/man|3|malloc}} or [[w:new and delete (C++)|C++ new operator]].

⚲ API
: {{The Linux Kernel/include|linux/uaccess.h}} &amp;ndash; user-space memory access and validation helpers
: {{The Linux Kernel/include|linux/mm.h}} &amp;ndash; memory management declarations and page handling APIs
: {{The Linux Kernel/include|linux/slab.h}} &amp;ndash; memory allocation APIs for slab and kmalloc systems


💾 ''History: Two basic related to memory management system calls &lt;code&gt;brk&lt;/code&gt; and &lt;code&gt;mmap&lt;/code&gt; Linux inherits from Unix.''

''BTW: On Linux, {{The Linux Kernel/man|2|sbrk}} is not a separate system call, but a C library function that also calls to {{The Linux Kernel/id|sys_brk}} and keeps some internal state to return the previous break value.''


📚 References
: {{The Linux Kernel/doc|Memory Management APIs|core-api/mm-api.html}}
: {{The Linux Kernel/doc|x86_64 Memory Management|x86/x86_64/mm.html}}
: {{w|sbrk}}
: {{w|mmap}}
: [https://0xax.gitbooks.io/linux-insides/content/MM/ Memory management]


⚙️ Internals:
: '''{{The Linux Kernel/id|sys_brk}}''' ↯ call hierarchy:
: {{The Linux Kernel/id|do_brk_flags}}
:: {{The Linux Kernel/id|vm_area_alloc}}
::: {{The Linux Kernel/id|kmem_cache_alloc}}
:::: {{The Linux Kernel/id|kmem_cache_alloc_lru}}


== Virtual memory ==

🔧 TODO:

{{w|Virtual memory|Virtually contiguous memory}} on top of physical and [[#Swap|swapped]] memory pages.


🗝️ Acronyms:
: VPFN - Virtual Page Frame Number
: PFN - Physical Page Frame Number
: pgd - Page Directory
: pmd - Page Middle Directory
: pud - Page Upper Directory
: pte - {{w|Page table}} Entry
: VMA - Virtual Memory Area, see {{The Linux Kernel/id|vm_area_struct}}
: TLB - {{w|Translation Lookaside Buffer}}
: MMU - {{w|Memory Management Unit}}


⚲ API:
: {{The Linux Kernel/include|linux/vmalloc.h}}
: {{The Linux Kernel/id|vmalloc}} {{The Linux Kernel/id|vfree}}
: {{The Linux Kernel/include|linux/cleanup.h}} &amp;ndash; scope-based cleanup helpers
:: {{The Linux Kernel/id|scoped_guard}}
: /proc/vmallocinfo


⚙️ Internals:
: {{The Linux Kernel/id|vm_struct}}
: {{The Linux Kernel/id|virt_to_page}}
: {{The Linux Kernel/id|vmalloc_init}}
: {{The Linux Kernel/id|find_vma}}
: {{The Linux Kernel/source|mm/vmalloc.c}} &amp;ndash; virtually contiguous memory allocator


📚 References
: {{The Linux Kernel/doc|Virtually Contiguous Mappings|core-api/mm-api.html#virtually-contiguous-mappings}}
: {{The Linux Kernel/doc|Page Tables|mm/page_tables.html}}
: {{The Linux Kernel/doc|Scope-based Cleanup Helpers|core-api/cleanup.html}}

== Data types ==

=== Pointers and addresses ===

Kernel-specific address types, in addition to common C pointers.

: &lt;big&gt;unsigned long&lt;/big&gt; &amp;ndash; used to store addresses that are not intended to be dereferenced by the user
: {{The Linux Kernel/id|uintptr_t}} &amp;ndash; to be used in ioctl
: {{The Linux Kernel/id|phys_addr_t}} &amp;ndash; physical address 
: {{The Linux Kernel/id|dma_addr_t}} &amp;ndash; DMA address


📚 Further reading
: {{The Linux Kernel/doc|(How to avoid) Botching up ioctls|process/botching-up-ioctls.html}}
: [https://unix.org/whitepapers/64bit.html Data Size Neutrality and 64-bit Support]

=== Other types ===

⚲ API
: {{The Linux Kernel/include|linux/types.h}} &amp;ndash; fixed-width and kernel-specific type definitions
: {{The Linux Kernel/include|linux/string.h}} &amp;ndash; standard string manipulation functions
: bit operations
:: {{The Linux Kernel/include|linux/bitfield.h}} &amp;ndash; defining and extracting bitfield values
:: {{The Linux Kernel/include|linux/bitops.h}} &amp;ndash; atomic and non-atomic bit manipulation operations
:: {{The Linux Kernel/include|linux/bitmap.h}} &amp;ndash; bit arrays that consume one or more unsigned longs
:: {{The Linux Kernel/include|linux/sbitmap.h}} &amp;ndash; fast and scalable bitmaps
: {{The Linux Kernel/include|linux/kref.h}}
: {{The Linux Kernel/include|acpi/actypes.h}} &amp;ndash; common data types for the entire ACPI subsystem
:: {{The Linux Kernel/include|linux/list.h}} &amp;ndash; circular doubly linked list implementation
::: {{The Linux Kernel/id|list_head}} &amp;ndash; common double linked list
::: {{The Linux Kernel/id|list_add}} ...
:: {{The Linux Kernel/include|linux/klist.h}} &amp;ndash; some {{The Linux Kernel/id|klist_node}}-&gt;{{The Linux Kernel/id|kref}} helpers
::: {{The Linux Kernel/id|klist_add_tail}} ...
: {{The Linux Kernel/include|linux/kobject.h}}
: {{The Linux Kernel/include|linux/circ_buf.h}}
: {{The Linux Kernel/include|linux/kfifo.h}} &amp;ndash; generic kernel FIFO
:: {{The Linux Kernel/id|kfifo_in}} ...
: {{The Linux Kernel/include|linux/rbtree.h}} &amp;ndash; Red-black trees
:: {{The Linux Kernel/id|rb_node}}
: {{The Linux Kernel/include|linux/scatterlist.h}}
:: {{The Linux Kernel/id|scatterlist}}
:: 👁 Example: {{The Linux Kernel/source|samples/kfifo/dma-example.c}}
: {{The Linux Kernel/include|linux/idr.h}} &amp;ndash; ID allocation
: {{The Linux Kernel/include|linux/container_of.h}}


📖 References
: {{The Linux Kernel/doc|List Management Functions|core-api/kernel-api.html#list-management-functions}}
: {{The Linux Kernel/doc|FIFO Buffer|core-api/kernel-api.html#fifo-buffer}}
: {{The Linux Kernel/doc|Data structures and low-level utilities|core-api#data-structures-and-low-level-utilities}}
:: {{The Linux Kernel/doc|Everything you never wanted to know about kobjects, ksets, and ktypes|core-api/kobject.html}} 
:: {{The Linux Kernel/doc|Adding reference counters (krefs) to kernel objects|core-api/kref.html}} 
:: {{The Linux Kernel/doc|Generic Associative Array Implementation|core-api/assoc_array.html}} 
:: {{The Linux Kernel/doc|XArray|core-api/xarray.html}} 
:: {{The Linux Kernel/doc|ID Allocation|core-api/idr.html}} 
:: {{The Linux Kernel/doc|Circular Buffers|core-api/circular-buffers.html}} 
:: {{The Linux Kernel/doc|Red-black Trees (rbtree) in Linux|core-api/rbtree.html}} 
:: {{The Linux Kernel/doc|Generic radix trees/sparse arrays|core-api/generic-radix-tree.html}} 
:: {{The Linux Kernel/doc|Generic bitfield packing and unpacking functions|core-api/packing.html}} 
:: {{The Linux Kernel/doc|How to access I/O mapped memory from within device drivers|core-api/bus-virt-phys-mapping.html}} 
:: {{The Linux Kernel/doc|this_cpu operations|core-api/this_cpu_ops.html}} 
:: {{The Linux Kernel/doc|The errseq_t datatype|core-api/errseq.html}}
📚 Further reading
: [https://0xax.gitbooks.io/linux-insides/content/DataStructures/ Data Structures in the Linux Kernel]
: https://kernelnewbies.org/InternalKernelDataTypes

== Memory mapping ==
🔧 TODO


⚲ API:
: {{The Linux Kernel/man|2|mmap}} ↪ {{The Linux Kernel/id|ksys_mmap_pgoff}} ↪ {{The Linux Kernel/id|do_mmap}}
: {{The Linux Kernel/man|2|mprotect}}
: {{The Linux Kernel/man|2|mmap2}}
: {{The Linux Kernel/man|2|mincore}}
: {{The Linux Kernel/include|linux/mm_types.h}} &amp;ndash; {{The Linux Kernel/id|mm_struct}}, {{The Linux Kernel/id|vm_area_struct}}
: {{The Linux Kernel/include|linux/mm.h}}
: {{The Linux Kernel/id|remap_pfn_range}}
: {{The Linux Kernel/id|SetPageReserved}}, {{The Linux Kernel/id|ClearPageReserved}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/mmap.c}} &amp;ndash; memory mapping implementation


📚 References:
: {{w|mmap}}
: {{The Linux Kernel/doc|Maple Tree|core-api/maple_tree.html}}
: [https://linux-kernel-labs.github.io/refs/heads/master/labs/memory_mapping.html Memory mapping, linux-kernel-labs]

=== vDSO ===

{{w|VDSO}} (virtual Dynamic Shared Object) is a kernel-mapped page in every process that allows userspace to call certain system functions (clock_gettime, gettimeofday) without a syscall.
The kernel updates the vDSO data page on every timekeeping tick via {{The Linux Kernel/id|update_vsyscall}}.

⚲ API
: {{The Linux Kernel/man|7|vdso}}
: {{The Linux Kernel/include|vdso/datapage.h}} &amp;ndash; {{The Linux Kernel/id|vdso_data}}

⚙️ Internals
: {{The Linux Kernel/source|kernel/time/vsyscall.c}} &amp;ndash; vDSO time data updates
: {{The Linux Kernel/source|arch/x86/entry/vdso}} &amp;ndash; x86 vDSO implementation

📖 References
: {{The Linux Kernel/doc|vDSO ABI|admin-guide/abi-stable.html#vdso}}

== Swap ==

🔧 TODO


⚲ API:
: cat /proc/sys/vm/swappiness ↪ {{The Linux Kernel/id|vm_swappiness}}
: {{The Linux Kernel/include|linux/swap.h}}
: {{The Linux Kernel/man|2|swapon}} ↪ {{The Linux Kernel/id|enable_swap_slots_cache}}
: {{The Linux Kernel/man|2|swapoff}}
: {{The Linux Kernel/man|2|mlock}} ↪ {{The Linux Kernel/id|do_mlock}}
: {{The Linux Kernel/man|2|shmctl}} ↪ {{The Linux Kernel/id|shmctl_do_lock}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/swapfile.c}} &amp;ndash; swap area management
: {{The Linux Kernel/source|mm/vmscan.c}} &amp;ndash; page reclaim and scanning
: {{The Linux Kernel/source|mm/mlock.c}} &amp;ndash; memory locking
: {{The Linux Kernel/id|VM_LOCKED}}
: {{The Linux Kernel/id|swap_info_struct}}, {{The Linux Kernel/id|si_swapinfo}}, {{The Linux Kernel/id|swap_info}}
: {{The Linux Kernel/id|handle_pte_fault}} ↪ {{The Linux Kernel/id|do_swap_page}}
: {{The Linux Kernel/id|wakeup_kswapd}} ↪ {{The Linux Kernel/id|kswapd}}


📚 References:
: {{w|Memory_paging#Linux|Memory paging}}
: https://wiki.archlinux.org/title/swap

== Logical memory ==

⚲ {{The Linux Kernel/id|kmalloc}} is the normal method of allocating memory in the kernel for objects smaller than the page size.
It is defined in {{The Linux Kernel/include|linux/slab.h}}.
The first argument ''size'' is the size (in bytes) of the block of memory to be allocated.
The second argument ''flags'' are the allocation flags or ''GFP flags'', a set of macros that the caller provides to control the type of requested memory.
The most commonly used values for ''flags'' are GFP_KERNEL and GFP_ATOMIC, but there is more to be considered. 

Memory-allocation requests in the kernel are always qualified by a set of ''GFP flags'' (&quot;GFP&quot; initially came from &quot;get free page&quot;) describing what can and cannot be done to satisfy the request.
The most commonly used flags are GFP_ATOMIC and GFP_KERNEL, though they are actually built up from lower-level flags.
The full set of flags is huge; they can be found in the {{The Linux Kernel/include|linux/gfp.h}} header file.


⚲ API:
:  ↯ {{w|RAII}} allocation functions hierarchy from {{The Linux Kernel/include|linux/device.h}}:
:: {{The Linux Kernel/id|devm_kcalloc}} - zeroed array 
::: {{The Linux Kernel/id|devm_kmalloc_array}}
:::: {{The Linux Kernel/id|devm_kmalloc}} - common allocation
:: {{The Linux Kernel/id|devm_kzalloc}} - zeroed allocation
::: {{The Linux Kernel/id|devm_kmalloc}} - common allocation
: Classic direct API:
:: {{The Linux Kernel/include|linux/slab.h}}
:: {{The Linux Kernel/id|kmalloc}}, {{The Linux Kernel/id|kfree}}


=== Slab allocation ===
{{w|Slab allocation}} is a memory management algorithm intended for the efficient memory allocation of kernel objects. It eliminates fragmentation caused by allocations and deallocations. The technique is used to retain allocated memory that contains a data object of a certain type for reuse upon subsequent allocations of objects of the same type. 


''' Basics '''

''This section is about the SLUB allocator implementation''

A slab can be thought of as an array of objects of certain type or with the same size, spanning through one or more contiguous pages of memory; for example, the slab named &quot;task_struct&quot; holds objects of &lt;code&gt;struct task_struct&lt;/code&gt; type, used by the scheduling subsystem.
Other slabs store objects used by other subsystems, and there is also slabs for dynamic allocations inside the kernel, such as the &quot;kmalloc-64&quot; slab that holds up to 64-byte chunks requested via kmalloc() calls.
In a slab, each object can be allocated and freed separately.

The primary motivation for slab allocation is that the initialization and destruction of kernel data objects can actually outweigh the cost of allocating memory for them.
As object creation and deletion are widely employed by the kernel, overhead costs of initialization can result in significant performance drops.
The notion of object caching was therefore introduced in order to avoid the invocation of functions used to initialize object state.

With slab allocation, memory chunks suitable to fit data objects of certain type or size are preallocated.
The slab allocator keeps track of these chunks, known as caches {{The Linux Kernel/id|kmalloc_caches}},
so that when a request to allocate memory for a data object of a certain type is received, it can instantly satisfy the request with an already allocated slot via {{The Linux Kernel/id|slab_alloc_node}}.

Deallocation of the object with {{The Linux Kernel/id|kfree}} does not free up the memory,
but only opens a slot which is returned to the slab allocator's free list.
The next call to allocate memory of the same size will return the now unused memory slot.
See {{The Linux Kernel/id|slab_alloc_node}}/{{The Linux Kernel/id|__slab_alloc_node}}/{{The Linux Kernel/id|___slab_alloc}}.
This process eliminates the need to search for suitable memory space and greatly alleviates memory fragmentation.
In this context, a slab is one or more contiguous pages in the memory containing pre-allocated memory chunks.

Slab allocation provides a kind of front-end to the zoned buddy allocator for those sections of the kernel that require more flexible memory allocation than the standard 4KB page size.


⚲ Interface:
: sudo cat /proc/slabinfo
: {{The Linux Kernel/include|linux/slab.h}}
: {{The Linux Kernel/id|kmem_cache_alloc}}, {{The Linux Kernel/id|kmem_cache_free}}
: {{The Linux Kernel/man|1|slabtop}}


⚙️ Internals: 
: {{The Linux Kernel/source|mm/slab_common.c}} &amp;ndash; slab allocator common code
: {{The Linux Kernel/id|mm_init}} is called from {{The Linux Kernel/id|start_kernel}}
:: {{The Linux Kernel/id|kmem_cache_init}}
::: {{The Linux Kernel/id|create_kmalloc_caches}}
: {{The Linux Kernel/id|kasan_slab_alloc}}


''' SLUB allocator ''' &amp;ndash; default Unqueued allocator

{{w|SLUB (software)|SLUB}} is the iteration of the original SLAB allocator that replaced it and became the Linux default allocator since 2.6.23. 

⚙️ Internals: {{The Linux Kernel/source|mm/slub.c}}


📚 References:
: {{The Linux Kernel/id|CONFIG_SLUB}}


💾 ''Historical: SLOB (Simple List Of Blocks) allocator for embedded devices was removed in kernel 6.4.''
''SLAB allocator, the original slab allocation implementation based on Jeff Bonwick's 1994 paper, was removed in kernel 6.8.''
''SLUB is now the only slab allocator in the kernel.''


&lt;hr&gt;


📚 References for Slab allocation:
: {{The Linux Kernel/doc|KASAN - KernelAddressSANitizer|dev-tools/kasan.html}} - dynamic memory safety error detector designed to find out-of-bound and use-after-free bugs
: [https://www.youtube.com/watch?v=h0VMLXavx30 &lt;nowiki&gt;Video &quot;SL[AUO]B: Kernel memory allocator design and philosophy&quot;&lt;/nowiki&gt;] Christopher Lameter (Linux.conf.au 2015 conference) [http://lca2015.linux.org.au/slides/167/slaballocators-auckland-2015.pdf Slides]

=== Page Allocator ===
The page allocator (or &quot;zoned buddy allocator&quot;) is a low-level allocator that deals with physical memory.
It delivers physical pages (usually with a size of 4096 bytes) of free memory to high-level memory consumers such as the slab allocators and &lt;code&gt;kmalloc()&lt;/code&gt;.
As the ultimate source of memory in the system, the page allocator must ensure that memory is always available, since a failure providing memory to a critical kernel subsystem can lead to a general system failure or a kernel panic.

The page allocator divides physical memory into &quot;zones&quot;, each of which corresponds to {{The Linux Kernel/id|zone_type}} with specific characteristics.
ZONE_DMA contains memory at the bottom of the address range for use by severely challenged devices, for example, while {{The Linux Kernel/id|ZONE_NORMAL}} may contain most memory on the system. 32-bit systems have a ZONE_HIGHMEM for memory that is not directly mapped into the kernel's address space.
Depending on the characteristics of any given allocation request, the page allocator will search the available zones in a specific priority order.
For the curious, &lt;code&gt;/proc/zoneinfo&lt;/code&gt; gives a lot of information about the zones in use on any given system.

Within a zone, memory is grouped into ''page blocks'', each of which can be marked with a ''migration type'' - {{The Linux Kernel/id|migratetype}} describing how the block should be allocated.


⚲ API:
: cat /proc/buddyinfo
: {{The Linux Kernel/include|linux/gfp.h}}
: {{The Linux Kernel/include|linux/mmzone.h}}
: {{The Linux Kernel/id|alloc_page}}
: {{The Linux Kernel/id|devm_get_free_pages}} - {{w|RAII}} function, ↯ hierarchy of it:
:: {{The Linux Kernel/id|__get_free_pages}}
::: {{The Linux Kernel/id|alloc_pages}}
:::: {{The Linux Kernel/id|alloc_pages_node}}
::::: {{The Linux Kernel/id|__alloc_pages}} - the 'heart' of the zoned buddy allocator

⚙️ Internals:
: {{The Linux Kernel/id|build_all_zonelists}} is called from {{The Linux Kernel/id|start_kernel}},  ↯ call hierarchy:
:: {{The Linux Kernel/id|build_all_zonelists_init}}
::: {{The Linux Kernel/id|__build_all_zonelists}}
:::: {{The Linux Kernel/id|build_zonelists}}
: {{The Linux Kernel/id|__alloc_pages}} - the 'heart' of the zoned buddy allocator
: struct {{The Linux Kernel/id|zone}}
:: {{The Linux Kernel/id|free_area}}
: {{The Linux Kernel/source|mm/mmzone.c}} &amp;ndash; memory zone helpers
: {{The Linux Kernel/source|mm/page_alloc.c}} &amp;ndash; buddy page allocator


📚 References:
: {{The Linux Kernel/doc|Get Free Page flags|core-api/memory-allocation.html}}
: {{w|Buddy memory allocation}}
: {{w|Page replacement algorithm}}

=== OOM killer ===
The {{w|Out of memory|Out-Of-Memory}} killer is invoked when the kernel cannot satisfy a memory allocation and all reclaim attempts have failed.
It selects a process to kill based on a badness score to free memory and keep the system running.

⚲ API:
: /proc/$pid/oom_score &amp;ndash; current badness score
: /proc/$pid/oom_score_adj &amp;ndash; adjust score (-1000 to 1000)
: /proc/$pid/oom_adj &amp;ndash; deprecated, use oom_score_adj
: /proc/sys/vm/panic_on_oom


⚙️ Internals:
: {{The Linux Kernel/source|mm/oom_kill.c}} &amp;ndash; out-of-memory killer
: {{The Linux Kernel/id|out_of_memory}} &amp;ndash; main entry point
: {{The Linux Kernel/id|oom_badness}} &amp;ndash; calculates badness score
: {{The Linux Kernel/id|oom_kill_process}}


📚 References:
: {{The Linux Kernel/doc|OOM|admin-guide/sysctl/vm.html}}

=== Memory cgroup controller ===
The memory cgroup controller limits and accounts memory usage per group of processes.
It can set hard and soft limits, trigger per-cgroup OOM, and track swap usage.

⚲ API:
: memory.max &amp;ndash; hard memory limit
: memory.high &amp;ndash; throttling threshold
: memory.current &amp;ndash; current usage
: memory.swap.max &amp;ndash; swap limit
: See [[../System/CGroup v2#Memory|CGroup v2 Memory controller]] for full interface


⚙️ Internals:
: {{The Linux Kernel/source|mm/memcontrol.c}} &amp;ndash; memory cgroup controller
: {{The Linux Kernel/id|mem_cgroup}} &amp;ndash; main structure
: {{The Linux Kernel/id|mem_cgroup_charge}}
: {{The Linux Kernel/id|mem_cgroup_oom}}


📚 References:
: {{The Linux Kernel/doc|Memory Resource Controller|admin-guide/cgroup-v2.html#memory}}

=== DAMON ===
Data Access MONitor (since 5.15) provides kernel-level data access pattern monitoring.
It can be used for memory management optimization and profiling.

⚲ API:
: /sys/kernel/mm/damon/
: {{The Linux Kernel/include|linux/damon.h}}

⚙️ Internals:
: {{The Linux Kernel/source|mm/damon}} &amp;ndash; DAMON core and operation schemes

📖 References:
: {{The Linux Kernel/doc|DAMON|mm/damon}}


&lt;hr&gt;
📚 References for logical memory:
: {{The Linux Kernel/doc|Memory Allocation Guide|core-api/memory-allocation.html}}
: {{The Linux Kernel/doc|Selecting memory allocator|core-api/memory-allocation.html#selecting-memory-allocator}}

== Physical memory ==

=== Memory Layout ===
A 32-bit processor can address a maximum of 4GB of memory.
Linux kernels split the 4GB address space between user processes and the kernel; under the most common configuration, the first 3GB of the 32-bit range are given over to user space, and the kernel gets the final 1GB starting at 0xc0000000.
Sharing the address space gives a number of performance benefits; in particular, the hardware's address translation buffer can be shared between the kernel and user space.

In '''x86-64''' - {{The Linux Kernel/id|CONFIG_X86_64}} with 4-level page tables ({{The Linux Kernel/id|CONFIG_X86_5LEVEL}}=n), only the least significant 48&amp;nbsp;bits of a virtual memory address would actually be used in address translation (page table lookup).
The remainder bits 48 through 63 of any virtual address must be copies of bit 47, or the processor will raise an exception.
Addresses complying with this rule are referred to as &quot;canonical form.&quot; Canonical form addresses run from 0 through 00007FFF'FFFFFFFF, and from FFFF8000'00000000 through FFFFFFFF'FFFFFFFF, for a total of 256&amp;nbsp;TB of usable {{w|virtual address space}}.
This is still approximately 64,000 times the virtual address space on 32-bit machines.

Linux takes the higher-addressed half of the address space for itself (kernel space) and leaves the lower-addressed half for user space.
The &quot;canonical address&quot; design has, in effect, two memory halves: the lower half starts at 00000000'00000000 and &quot;grows upwards&quot; as more virtual address bits become available, while the higher half is &quot;docked&quot; to the top of the address space and grows downwards.

{| class=&quot;wikitable sortable&quot;
|+
!Start addr
!class=unsortable|Offset
!End addr
!class=unsortable|Size
!class=unsortable|VM area description
|-
| &lt;code&gt;&lt;small&gt;0000'&lt;/small&gt;'''8'''&lt;small&gt;000'0000'0000&lt;/small&gt;&lt;/code&gt;
| +128 TB
| &lt;code&gt;&lt;small&gt;ffff'7fff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
|  
| ... huge, almost 64 bits wide hole of non-canonical   virtual memory addresses up to the -128 TB starting offset of kernel mappings.
|-
| &lt;code&gt;&lt;small&gt;0000'0000'0000'0000&lt;/small&gt;&lt;/code&gt;
|0
| &lt;code&gt;&lt;small&gt;0000'7fff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
|128&amp;nbsp;TB=2&lt;sup&gt;47&lt;/sup&gt;
|user-space virtual memory, different per mm
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'ffe0'0000&lt;/small&gt;&lt;/code&gt;
| -2 MB
| &lt;code&gt;&lt;small&gt;ffff'ffff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 2 MB=2&lt;sup&gt;21&lt;/sup&gt;
|... unused hole
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'ff60'0000&lt;/small&gt;&lt;/code&gt;
| -10 MB
| &lt;code&gt;&lt;small&gt;ffff'ffff'ff60'0fff&lt;/small&gt;&lt;/code&gt;
| 4 kB=2&lt;sup&gt;12&lt;/sup&gt;
| {{The Linux Kernel/id|VSYSCALL_ADDR}} - legacy vsyscall ABI
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'8000'0000&lt;/small&gt;&lt;/code&gt;
| -2 GB
| &lt;code&gt;&lt;small&gt;ffff'ffff'9fff'ffff&lt;/small&gt;&lt;/code&gt;
| 512&amp;nbsp;MB=2&lt;sup&gt;29&lt;/sup&gt;
| kernel text mapping, mapped to physical address 0
|-
|
|
|
|
|
|-
| &lt;code&gt;&lt;small&gt;ffff'8880'0000'0000&lt;/small&gt;&lt;/code&gt;
| -119.5&amp;nbsp;TB
| &lt;code&gt;&lt;small&gt;ffff'c87f'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 64&amp;nbsp;TB
| {{The Linux Kernel/id|page_offset_base}} = {{The Linux Kernel/id|__PAGE_OFFSET_BASE_L4}} - direct mapping of all physical memory 
|-
|
|
|
|
|
|-
| &lt;code&gt;&lt;small&gt;ffff'8000'0000'0000&lt;/small&gt;&lt;/code&gt;
| -128 TB
| &lt;code&gt;&lt;small&gt;ffff'87ff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 8&amp;nbsp;TB
| ... guard hole, also reserved for hypervisor
|}


[[File:Linux_Virtual_Memory_Layout_64bit.svg|border|center|x86-64 memory layout]]


⚲ API: 
: {{The Linux Kernel/man|8|setarch}} --addr-no-randomize cat /proc/self/maps


⚙️ Internals:
: {{The Linux Kernel/source|arch/x86/include/asm/page_64_types.h}} &amp;ndash; x86-64 page type definitions
: {{The Linux Kernel/source|arch/x86/mm/init_64.c}} &amp;ndash; x86-64 memory initialization


📚 References:
: {{The Linux Kernel/doc|X86_64 memory map|x86/x86_64/mm.html}}
: {{w|Address_space_layout_randomization#Linux|Address space layout randomization}}

=== Pages ===
In Linux, different architectures have different page sizes.
The original &amp;mdash;for x86 architecture&amp;mdash; and still most commonly used page size is 4096 bytes (4 KB).
The page size (in bytes) of the current architecture is defined by the &lt;code&gt;PAGE_SIZE&lt;/code&gt; macro included in {{The Linux Kernel/source|arch/x86/include/asm/page_types.h}} header file.
User space programs can get this value using the {{The Linux Kernel/man|2|getpagesize}} library function.
Another related macro is &lt;code&gt;PAGE_SHIFT&lt;/code&gt;, that contains the number of bits to shift an address to get its page number &amp;mdash;12 bits for 4K pages.

One of the most fundamental kernel data structures relating memory-management is &lt;code&gt;struct page&lt;/code&gt;.
The kernel keeps track of the status of every page of physical memory present in the system using variables of this type.
There are millions of pages in a modern system, and therefore there are millions of these structures in memory.

The full definition of &lt;code&gt;struct page&lt;/code&gt; can be found in {{The Linux Kernel/include|linux/mm_types.h}}.


: [https://0xax.gitbooks.io/linux-insides/content/Theory/linux-theory-1.html Pages]

=== NUMA ===
In {{w|Non-uniform memory access}} systems, physical memory is divided into nodes, each local to a group of CPUs.
Accessing local memory is faster than remote memory, so the kernel tries to allocate memory from the node closest to the requesting CPU.
Each node contains its own set of zones (DMA, Normal, etc.).

⚲ API:
: {{The Linux Kernel/man|8|numactl}} &amp;ndash; controls NUMA policy for processes or shared memory
: {{The Linux Kernel/man|2|set_mempolicy}} &amp;ndash; set default NUMA memory policy
: {{The Linux Kernel/man|2|mbind}} &amp;ndash; set NUMA memory policy for a memory range
: {{The Linux Kernel/man|2|get_mempolicy}}
: {{The Linux Kernel/man|2|migrate_pages}}
: {{The Linux Kernel/man|2|move_pages}}
: cat /proc/buddyinfo
: /sys/devices/system/node/
: {{The Linux Kernel/include|linux/topology.h}} &amp;ndash; {{The Linux Kernel/id|cpu_to_node}}, {{The Linux Kernel/id|numa_node_id}}
: {{The Linux Kernel/include|linux/mempolicy.h}}


⚙️ Internals:
: {{The Linux Kernel/id|CONFIG_NUMA}}
: {{The Linux Kernel/id|pglist_data}} (pg_data_t) &amp;ndash; per-node memory descriptor, contains zones @ {{The Linux Kernel/include|linux/mmzone.h}}
: {{The Linux Kernel/id|numa_node_id}} &amp;ndash; returns NUMA node of current CPU
: {{The Linux Kernel/source|mm/numa.c}} &amp;ndash; NUMA node data allocation during boot
: {{The Linux Kernel/source|mm/mempolicy.c}} &amp;ndash; NUMA memory allocation policies
: {{The Linux Kernel/source|mm/migrate.c}} &amp;ndash; page migration between nodes
: {{The Linux Kernel/source|mm/memory-tiers.c}} &amp;ndash; memory tiering (DRAM, PMEM, HBM)
: {{The Linux Kernel/source|mm/numa_memblks.c}} &amp;ndash; memory block and distance setup


📚 References:
: {{The Linux Kernel/doc|NUMA Memory Policy|admin-guide/mm/numa_memory_policy.html}}
: {{w|Non-uniform memory access}}
: See also [[../Multitasking/CPU#SMP|SMP section]] for NUMA topology and CPU aspects

=== Huge pages ===
{{w|Huge pages}} use larger page sizes (2 MB or 1 GB on x86-64) to reduce TLB misses and page table overhead for memory-intensive workloads.


==== HugeTLB ====
HugeTLB provides explicitly allocated persistent huge pages, reserved at boot or runtime.

⚲ API:
: cat /proc/meminfo | grep Huge
: cat /proc/sys/vm/nr_hugepages
: {{The Linux Kernel/man|2|mmap}} with MAP_HUGETLB
: mount -t hugetlbfs nodev /dev/hugepages
: {{The Linux Kernel/include|linux/hugetlb.h}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/hugetlb.c}} &amp;ndash; HugeTLB huge page allocator
: {{The Linux Kernel/id|hugetlb_init}}
: {{The Linux Kernel/id|hugetlb_fault}}


📚 References:
: {{The Linux Kernel/doc|HugeTLB Pages|admin-guide/mm/hugetlbpage.html}}


==== Transparent Huge Pages ====
THP automatically promotes regular pages to huge pages without application changes (since 2.6.38).

⚲ API:
: cat /sys/kernel/mm/transparent_hugepage/enabled
: {{The Linux Kernel/man|2|madvise}} with MADV_HUGEPAGE
: {{The Linux Kernel/include|linux/huge_mm.h}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/huge_memory.c}} &amp;ndash; transparent huge page support
: {{The Linux Kernel/id|khugepaged}} &amp;ndash; daemon that collapses pages into huge pages
: {{The Linux Kernel/source|mm/khugepaged.c}} &amp;ndash; THP collapse daemon


📚 References:
: {{The Linux Kernel/doc|Transparent Hugepage Support|admin-guide/mm/transhuge.html}}
: {{The Linux Kernel/doc|Concepts overview|admin-guide/mm/concepts.html}}

=== TLB ===

{{w|Translation lookaside buffer}} is a hardware cache of virtual-to-physical address translations.
The kernel must flush TLB entries when page table mappings change.
On SMP, this requires {{w|Inter-processor interrupt|IPI}}s to other CPUs (TLB shootdowns), which can impact real-time latency on isolated CPUs.

⚲ API
: {{The Linux Kernel/include|asm-generic/tlb.h}} &amp;ndash; generic TLB flush batching
: {{The Linux Kernel/id|flush_tlb_all}} &amp;ndash; flush entire TLB on all CPUs via IPI (TLB shootdown)
:: {{The Linux Kernel/id|__flush_tlb_all}} &amp;ndash; local CPU only, no IPI, calls {{The Linux Kernel/id|__flush_tlb_global}}
: {{The Linux Kernel/id|flush_tlb_mm}} &amp;ndash; flush TLB for a specific address space
: {{The Linux Kernel/id|flush_tlb_page}} &amp;ndash; flush single page from TLB
: {{The Linux Kernel/id|flush_tlb_range}} &amp;ndash; flush a range of user pages for a VMA
: {{The Linux Kernel/id|flush_tlb_kernel_range}} &amp;ndash; flush kernel mappings on all CPUs
: /sys/kernel/debug/tracing/events/tlb/tlb_flush/

⚙️ Internals
: {{The Linux Kernel/source|arch/x86/mm/tlb.c}} &amp;ndash; x86 TLB flush implementation
: {{The Linux Kernel/source|mm/mmu_gather.c}} &amp;ndash; TLB flush batching

📖 References
: {{The Linux Kernel/doc|TLB|arch/x86/tlb.html}}
: {{The Linux Kernel/doc|Cache and TLB Flushing Under Linux|core-api/cachetlb.html}}

=== CMA ===
The Contiguous Memory Allocator (CMA) reserves a region of memory at boot for large physically contiguous allocations needed by DMA devices, GPUs and multimedia hardware (since 3.5).
Unused CMA memory is available to the page allocator for movable pages.

⚲ API:
: cat /proc/meminfo | grep Cma
: {{The Linux Kernel/include|linux/cma.h}}
: {{The Linux Kernel/id|dma_alloc_contiguous}}
: {{The Linux Kernel/id|CONFIG_CMA}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/cma.c}} &amp;ndash; contiguous memory allocator core
: {{The Linux Kernel/source|kernel/dma/contiguous.c}} &amp;ndash; DMA-CMA integration
: {{The Linux Kernel/source|mm/cma_debug.c}} &amp;ndash; debugfs interface
: {{The Linux Kernel/id|cma_alloc}}
: {{The Linux Kernel/id|cma_release}}


📚 References:
: {{The Linux Kernel/doc|Contiguous Memory Allocator|mm/cma.html}}

=== DMA ===

⚲ API:
: {{The Linux Kernel/id|dma_addr_t}} - bus address
: {{The Linux Kernel/include|linux/dma-mapping.h}}
: {{The Linux Kernel/id|dma_alloc_coherent}}
: {{The Linux Kernel/id|dma_alloc_pages}} {{The Linux Kernel/id|pin_user_pages}}
: {{The Linux Kernel/id|dma_map_single}} {{The Linux Kernel/id|dma_data_direction}}
: {{The Linux Kernel/id|dma_map_sg}} {{The Linux Kernel/id|scatterlist}}
: {{The Linux Kernel/id|dma_set_mask}} {{The Linux Kernel/id|dma_set_coherent_mask}} {{The Linux Kernel/id|dma_set_mask_and_coherent}}
: {{The Linux Kernel/id|dma_sync_single_for_cpu}} {{The Linux Kernel/id|dma_sync_single_for_device}}
: {{The Linux Kernel/include|linux/gfp.h}}
: {{The Linux Kernel/include|linux/dmapool.h}}
: {{The Linux Kernel/id|dma_pool_create}}
: DMA-able memory:  {{The Linux Kernel/id|__get_free_page}} {{The Linux Kernel/id|kmalloc}} {{The Linux Kernel/id|kmem_cache_alloc}}
: {{The Linux Kernel/id|get_user_pages}} pins user pages in memory, 


👁 Examples:
: {{The Linux Kernel/source|samples/kfifo/dma-example.c}}
: {{The Linux Kernel/id|e1000_alloc_rx_buffers}}, {{The Linux Kernel/id|e1000_alloc_ring_dma}}


⚙️ Internals:
: {{The Linux Kernel/source|kernel/dma}} &amp;ndash; DMA subsystem core
: {{The Linux Kernel/source|mm/dmapool.c}} &amp;ndash; small DMA-coherent allocations
: {{The Linux Kernel/source|mm/gup.c}} &amp;ndash; get/pin user pages
: {{The Linux Kernel/source|kernel/dma/mapping.c}} &amp;ndash; arch-independent DMA mapping


📚 References:
: {{The Linux Kernel/doc|Dynamic DMA mapping Guide|core-api/dma-api-howto.html}}
: {{The Linux Kernel/doc|Dynamic DMA mapping using the generic device|core-api/dma-api.html}}
: [https://lwn.net/Articles/787636/ LWM: get_user_pages, pinned pages, and DAX]
: {{The Linux Kernel/doc|pin_user_pages() and related calls|core-api/pin_user_pages.html}}

💾 ''Historical:''
: [http://lwn.net/images/pdf/LDD3/ch15.pdf LDD3:Memory Mapping and DMA]
: http://www.xml.com/ldd/chapter/book/ch13.html mmap and DMA

: SAC &amp;ndash; Single Address Cycle, 32-bit DMA addressing (up to 4 GB)
: DAC &amp;ndash; Dual Address Cycle, 64-bit DMA addressing


==== DMAEngine ====
: {{The Linux Kernel/include|linux/dmaengine.h}}
: {{The Linux Kernel/source|drivers/dma}} &amp;ndash; DMA engine drivers
: {{The Linux Kernel/doc|driver-api/dmaengine}}
: https://bootlin.com/pub/conferences/2015/elc/ripard-dmaengine/


== ... ==

📚 References for the article:
: {{The Linux Kernel/doc|Linux Memory Management Documentation|mm/}}
: [https://www.ryadel.com/en/linux-memory-management-mechanism-analysis-kernel/ Analysis of Linux Memory Management Mechanism]
: [https://0xax.gitbooks.io/linux-insides/content/MM/ Memory management]
: http://linux-mm.org/LinuxMM
: http://www.tldp.org/HOWTO/KernelAnalysis-HOWTO-7.html
: [https://lwn.net/Kernel/Index/#Memory_management Memory management, lwn]


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{|style=&quot;width: 25%; float: right; text-align:center;border-spacing: 0; color:black; margin:auto;&quot; cellpadding=5pc
! bgcolor=&quot;#bfd&quot; |memory
|-
| bgcolor=&quot;#aed&quot; |[[#Processes|Processes]]
|-
| bgcolor=&quot;#9dd&quot; |[[#Virtual_memory|virtual memory]]
|-
| bgcolor=&quot;#aca&quot; |[[#Memory_mapping|memory mapping]]
|-
| bgcolor=&quot;#acb&quot; | [[#Swap|demand paging and swap]]
|-
| bgcolor=&quot;#8b9&quot; |[[#Logical_memory|logical memory]]
|-
| bgcolor=&quot;#7a7&quot; |[[#Page Allocator|Page Allocator]]
|-
| bgcolor=&quot;#686&quot; |[[#Pages|pages]]
|}
The kernel has full access to the system's memory and allows processes to {{w|Process isolation|safely access}} this memory as they require it.
Often the first step in doing this is {{w|Virtual address space|virtual addressing}}, usually achieved by paging and/or segmentation.
Virtual addressing allows the kernel to make a given {{w|physical address}} appear to be another address, the virtual address.
Virtual address spaces may be different for different processes; the memory that one process accesses at a particular (virtual) address may be different memory from what another process accesses at the same address.
This allows every program to behave as if it is the only one (apart from the kernel) running and thus prevents applications from crashing each other.

On many systems, a program's virtual address may refer to data which is not currently in memory.
The layer of indirection provided by virtual addressing allows the operating system to use other data stores, like a hard drive, to store what would otherwise have to remain in main {{w|random-access memory}} (RAM).
As a result, operating systems can allow programs to use more memory than the system has physically available.
When a program needs data which is not currently in RAM, the {{w|Memory management unit|MMU}} {{w|Page fault|signals}} to the kernel that this has happened, and the kernel responds by writing the contents of an inactive memory block to disk (if necessary) and replacing it with the data requested by the program.
The program can then be resumed from the point where it was stopped.
This scheme is generally known as {{w|demand paging}}.

Virtual addressing also allows creation of virtual partitions of memory in two disjointed areas, one being reserved for the kernel (kernel space) and the other for the applications (user space).
The applications are not permitted by the processor to address kernel memory, thus preventing an application from damaging the running kernel.
This fundamental partition of memory space has contributed much to the current designs of actual general-purpose kernels and is almost universal in such systems, Linux being one of them.


⚲ Shell interface
: cat /proc/meminfo
: {{The Linux Kernel/man|1|free}}
: {{The Linux Kernel/man|8|vmstat}}

{{:The Linux Kernel/Processes}}

== Memory management API ==

: ⚲ {{The Linux Kernel/man|2|brk}} ↪ {{The Linux Kernel/id|sys_brk}}, {{The Linux Kernel/id|do_brk_flags}} dynamically changes data segment size of the calling process.
The change is made by resetting the &lt;u&gt;program break&lt;/u&gt; of the process, which determines the maximum space that can be allocated.
The program break is the address of the first location beyond the current end of the data region, and determines the maximum space that can be allocated by the process.
The amount of available space increases as the break value increases.
The added available space is initialized to a value of zero. 
: ⚲ {{The Linux Kernel/man|2|mmap}} ↪ {{The Linux Kernel/id|ksys_mmap_pgoff}} maps files or devices into memory.
It is a method of memory-mapped file I/O.
It naturally implements demand paging, because file contents are not read from disk initially and do not use physical RAM at all.
The actual reads from disk are performed in a &quot;lazy&quot; manner, after a specific location is accessed.
After the memory is no longer needed it is important to {{The Linux Kernel/man|2|munmap}} the pointers to it.
Protection information can be managed using {{The Linux Kernel/man|2|mprotect}} ↪ {{The Linux Kernel/id|do_mprotect_pkey}} and special treatment can be enforced using {{The Linux Kernel/man|2|madvise}} ↪ {{The Linux Kernel/id|do_madvise}}.
In Linux, {{The Linux Kernel/man|2|mmap}} can create several types of mappings, such as ''anonymous mappings'', ''shared mappings'' and ''private mappings''.
Using the &lt;code&gt;MAP_ANONYMOUS&lt;/code&gt; flag &lt;code&gt;mmap()&lt;/code&gt; can map a specific area of the process's virtual memory not backed by any file, whose contents are initialized to zero.

These functions are typically called from a higher-level memory management library function such as C standard library {{The Linux Kernel/man|3|malloc}} or [[w:new and delete (C++)|C++ new operator]].

⚲ API
: {{The Linux Kernel/include|linux/uaccess.h}} &amp;ndash; user-space memory access and validation helpers
: {{The Linux Kernel/include|linux/mm.h}} &amp;ndash; memory management declarations and page handling APIs
: {{The Linux Kernel/include|linux/slab.h}} &amp;ndash; memory allocation APIs for slab and kmalloc systems


💾 ''History: Two basic related to memory management system calls &lt;code&gt;brk&lt;/code&gt; and &lt;code&gt;mmap&lt;/code&gt; Linux inherits from Unix.''

''BTW: On Linux, {{The Linux Kernel/man|2|sbrk}} is not a separate system call, but a C library function that also calls to {{The Linux Kernel/id|sys_brk}} and keeps some internal state to return the previous break value.''


📚 References
: {{The Linux Kernel/doc|Memory Management APIs|core-api/mm-api.html}}
: {{The Linux Kernel/doc|x86_64 Memory Management|x86/x86_64/mm.html}}
: {{w|sbrk}}
: {{w|mmap}}
: [https://0xax.gitbooks.io/linux-insides/content/MM/ Memory management]


⚙️ Internals:
: '''{{The Linux Kernel/id|sys_brk}}''' ↯ call hierarchy:
: {{The Linux Kernel/id|do_brk_flags}}
:: {{The Linux Kernel/id|vm_area_alloc}}
::: {{The Linux Kernel/id|kmem_cache_alloc}}
:::: {{The Linux Kernel/id|kmem_cache_alloc_lru}}


== Virtual memory ==

🔧 TODO:

{{w|Virtual memory|Virtually contiguous memory}} on top of physical and [[#Swap|swapped]] memory pages.


🗝️ Acronyms:
: VPFN - Virtual Page Frame Number
: PFN - Physical Page Frame Number
: pgd - Page Directory
: pmd - Page Middle Directory
: pud - Page Upper Directory
: pte - {{w|Page table}} Entry
: VMA - Virtual Memory Area, see {{The Linux Kernel/id|vm_area_struct}}
: TLB - {{w|Translation Lookaside Buffer}}
: MMU - {{w|Memory Management Unit}}


⚲ API:
: {{The Linux Kernel/include|linux/vmalloc.h}}
: {{The Linux Kernel/id|vmalloc}} {{The Linux Kernel/id|vfree}}
: {{The Linux Kernel/include|linux/cleanup.h}} &amp;ndash; scope-based cleanup helpers
:: {{The Linux Kernel/id|scoped_guard}}
: /proc/vmallocinfo


⚙️ Internals:
: {{The Linux Kernel/id|vm_struct}}
: {{The Linux Kernel/id|virt_to_page}}
: {{The Linux Kernel/id|vmalloc_init}}
: {{The Linux Kernel/id|find_vma}}
: {{The Linux Kernel/source|mm/vmalloc.c}} &amp;ndash; virtually contiguous memory allocator


📚 References
: {{The Linux Kernel/doc|Virtually Contiguous Mappings|core-api/mm-api.html#virtually-contiguous-mappings}}
: {{The Linux Kernel/doc|Page Tables|mm/page_tables.html}}
: {{The Linux Kernel/doc|Scope-based Cleanup Helpers|core-api/cleanup.html}}

== Data types ==

=== Pointers and addresses ===

Kernel-specific address types, in addition to common C pointers.

: &lt;big&gt;unsigned long&lt;/big&gt; &amp;ndash; used to store addresses that are not intended to be dereferenced by the user
: {{The Linux Kernel/id|uintptr_t}} &amp;ndash; to be used in ioctl
: {{The Linux Kernel/id|phys_addr_t}} &amp;ndash; physical address 
: {{The Linux Kernel/id|dma_addr_t}} &amp;ndash; DMA address


📚 Further reading
: {{The Linux Kernel/doc|(How to avoid) Botching up ioctls|process/botching-up-ioctls.html}}
: [https://unix.org/whitepapers/64bit.html Data Size Neutrality and 64-bit Support]

=== Other types ===

⚲ API
: {{The Linux Kernel/include|linux/types.h}} &amp;ndash; fixed-width and kernel-specific type definitions
: {{The Linux Kernel/include|linux/string.h}} &amp;ndash; standard string manipulation functions
: bit operations
:: {{The Linux Kernel/include|linux/bitfield.h}} &amp;ndash; defining and extracting bitfield values
:: {{The Linux Kernel/include|linux/bitops.h}} &amp;ndash; atomic and non-atomic bit manipulation operations
:: {{The Linux Kernel/include|linux/bitmap.h}} &amp;ndash; bit arrays that consume one or more unsigned longs
:: {{The Linux Kernel/include|linux/sbitmap.h}} &amp;ndash; fast and scalable bitmaps
: {{The Linux Kernel/include|linux/kref.h}}
: {{The Linux Kernel/include|acpi/actypes.h}} &amp;ndash; common data types for the entire ACPI subsystem
:: {{The Linux Kernel/include|linux/list.h}} &amp;ndash; circular doubly linked list implementation
::: {{The Linux Kernel/id|list_head}} &amp;ndash; common double linked list
::: {{The Linux Kernel/id|list_add}} ...
:: {{The Linux Kernel/include|linux/klist.h}} &amp;ndash; some {{The Linux Kernel/id|klist_node}}-&gt;{{The Linux Kernel/id|kref}} helpers
::: {{The Linux Kernel/id|klist_add_tail}} ...
: {{The Linux Kernel/include|linux/kobject.h}}
: {{The Linux Kernel/include|linux/circ_buf.h}}
: {{The Linux Kernel/include|linux/kfifo.h}} &amp;ndash; generic kernel FIFO
:: {{The Linux Kernel/id|kfifo_in}} ...
: {{The Linux Kernel/include|linux/rbtree.h}} &amp;ndash; Red-black trees
:: {{The Linux Kernel/id|rb_node}}
: {{The Linux Kernel/include|linux/scatterlist.h}}
:: {{The Linux Kernel/id|scatterlist}}
:: 👁 Example: {{The Linux Kernel/source|samples/kfifo/dma-example.c}}
: {{The Linux Kernel/include|linux/idr.h}} &amp;ndash; ID allocation
: {{The Linux Kernel/include|linux/container_of.h}}


📖 References
: {{The Linux Kernel/doc|List Management Functions|core-api/kernel-api.html#list-management-functions}}
: {{The Linux Kernel/doc|FIFO Buffer|core-api/kernel-api.html#fifo-buffer}}
: {{The Linux Kernel/doc|Data structures and low-level utilities|core-api#data-structures-and-low-level-utilities}}
:: {{The Linux Kernel/doc|Everything you never wanted to know about kobjects, ksets, and ktypes|core-api/kobject.html}} 
:: {{The Linux Kernel/doc|Adding reference counters (krefs) to kernel objects|core-api/kref.html}} 
:: {{The Linux Kernel/doc|Generic Associative Array Implementation|core-api/assoc_array.html}} 
:: {{The Linux Kernel/doc|XArray|core-api/xarray.html}} 
:: {{The Linux Kernel/doc|ID Allocation|core-api/idr.html}} 
:: {{The Linux Kernel/doc|Circular Buffers|core-api/circular-buffers.html}} 
:: {{The Linux Kernel/doc|Red-black Trees (rbtree) in Linux|core-api/rbtree.html}} 
:: {{The Linux Kernel/doc|Generic radix trees/sparse arrays|core-api/generic-radix-tree.html}} 
:: {{The Linux Kernel/doc|Generic bitfield packing and unpacking functions|core-api/packing.html}} 
:: {{The Linux Kernel/doc|How to access I/O mapped memory from within device drivers|core-api/bus-virt-phys-mapping.html}} 
:: {{The Linux Kernel/doc|this_cpu operations|core-api/this_cpu_ops.html}} 
:: {{The Linux Kernel/doc|The errseq_t datatype|core-api/errseq.html}}
📚 Further reading
: [https://0xax.gitbooks.io/linux-insides/content/DataStructures/ Data Structures in the Linux Kernel]
: https://kernelnewbies.org/InternalKernelDataTypes

== Memory mapping ==
🔧 TODO


⚲ API:
: {{The Linux Kernel/man|2|mmap}} ↪ {{The Linux Kernel/id|ksys_mmap_pgoff}} ↪ {{The Linux Kernel/id|do_mmap}}
: {{The Linux Kernel/man|2|mprotect}}
: {{The Linux Kernel/man|2|mmap2}}
: {{The Linux Kernel/man|2|mincore}}
: {{The Linux Kernel/include|linux/mm_types.h}} &amp;ndash; {{The Linux Kernel/id|mm_struct}}, {{The Linux Kernel/id|vm_area_struct}}
: {{The Linux Kernel/include|linux/mm.h}}
: {{The Linux Kernel/id|remap_pfn_range}}
: {{The Linux Kernel/id|SetPageReserved}}, {{The Linux Kernel/id|ClearPageReserved}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/mmap.c}} &amp;ndash; memory mapping implementation


📚 References:
: {{w|mmap}}
: {{The Linux Kernel/doc|Maple Tree|core-api/maple_tree.html}}
: [https://linux-kernel-labs.github.io/refs/heads/master/labs/memory_mapping.html Memory mapping, linux-kernel-labs]

=== vDSO ===

{{w|VDSO}} &amp;ndash; virtual Dynamic Shared Object is a kernel-mapped page in every process that allows userspace to call certain system functions (clock_gettime, gettimeofday) without a syscall.
The kernel updates the vDSO data page on every timekeeping tick via {{The Linux Kernel/id|update_vsyscall}}.

⚲ API
: {{The Linux Kernel/man|7|vdso}}
: {{The Linux Kernel/include|vdso/datapage.h}} &amp;ndash; {{The Linux Kernel/id|vdso_data}}

⚙️ Internals
: {{The Linux Kernel/source|kernel/time/vsyscall.c}} &amp;ndash; vDSO time data updates
: {{The Linux Kernel/source|arch/x86/entry/vdso}} &amp;ndash; x86 vDSO implementation

📖 References
: {{The Linux Kernel/doc|vDSO ABI|admin-guide/abi-stable.html#vdso}}

== Swap ==

🔧 TODO


⚲ API:
: cat /proc/sys/vm/swappiness ↪ {{The Linux Kernel/id|vm_swappiness}}
: {{The Linux Kernel/include|linux/swap.h}}
: {{The Linux Kernel/man|2|swapon}} ↪ {{The Linux Kernel/id|enable_swap_slots_cache}}
: {{The Linux Kernel/man|2|swapoff}}
: {{The Linux Kernel/man|2|mlock}} ↪ {{The Linux Kernel/id|do_mlock}}
: {{The Linux Kernel/man|2|shmctl}} ↪ {{The Linux Kernel/id|shmctl_do_lock}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/swapfile.c}} &amp;ndash; swap area management
: {{The Linux Kernel/source|mm/vmscan.c}} &amp;ndash; page reclaim and scanning
: {{The Linux Kernel/source|mm/mlock.c}} &amp;ndash; memory locking
: {{The Linux Kernel/id|VM_LOCKED}}
: {{The Linux Kernel/id|swap_info_struct}}, {{The Linux Kernel/id|si_swapinfo}}, {{The Linux Kernel/id|swap_info}}
: {{The Linux Kernel/id|handle_pte_fault}} ↪ {{The Linux Kernel/id|do_swap_page}}
: {{The Linux Kernel/id|wakeup_kswapd}} ↪ {{The Linux Kernel/id|kswapd}}


📚 References:
: {{w|Memory_paging#Linux|Memory paging}}
: https://wiki.archlinux.org/title/swap

== Logical memory ==

⚲ {{The Linux Kernel/id|kmalloc}} is the normal method of allocating memory in the kernel for objects smaller than the page size.
It is defined in {{The Linux Kernel/include|linux/slab.h}}.
The first argument ''size'' is the size (in bytes) of the block of memory to be allocated.
The second argument ''flags'' are the allocation flags or ''GFP flags'', a set of macros that the caller provides to control the type of requested memory.
The most commonly used values for ''flags'' are GFP_KERNEL and GFP_ATOMIC, but there is more to be considered. 

Memory-allocation requests in the kernel are always qualified by a set of ''GFP flags'' (&quot;GFP&quot; initially came from &quot;get free page&quot;) describing what can and cannot be done to satisfy the request.
The most commonly used flags are GFP_ATOMIC and GFP_KERNEL, though they are actually built up from lower-level flags.
The full set of flags is huge; they can be found in the {{The Linux Kernel/include|linux/gfp.h}} header file.


⚲ API:
:  ↯ {{w|RAII}} allocation functions hierarchy from {{The Linux Kernel/include|linux/device.h}}:
:: {{The Linux Kernel/id|devm_kcalloc}} - zeroed array 
::: {{The Linux Kernel/id|devm_kmalloc_array}}
:::: {{The Linux Kernel/id|devm_kmalloc}} - common allocation
:: {{The Linux Kernel/id|devm_kzalloc}} - zeroed allocation
::: {{The Linux Kernel/id|devm_kmalloc}} - common allocation
: Classic direct API:
:: {{The Linux Kernel/include|linux/slab.h}}
:: {{The Linux Kernel/id|kmalloc}}, {{The Linux Kernel/id|kfree}}


=== Slab allocation ===
{{w|Slab allocation}} is a memory management algorithm intended for the efficient memory allocation of kernel objects. It eliminates fragmentation caused by allocations and deallocations. The technique is used to retain allocated memory that contains a data object of a certain type for reuse upon subsequent allocations of objects of the same type. 


''' Basics '''

''This section is about the SLUB allocator implementation''

A slab can be thought of as an array of objects of certain type or with the same size, spanning through one or more contiguous pages of memory; for example, the slab named &quot;task_struct&quot; holds objects of &lt;code&gt;struct task_struct&lt;/code&gt; type, used by the scheduling subsystem.
Other slabs store objects used by other subsystems, and there is also slabs for dynamic allocations inside the kernel, such as the &quot;kmalloc-64&quot; slab that holds up to 64-byte chunks requested via kmalloc() calls.
In a slab, each object can be allocated and freed separately.

The primary motivation for slab allocation is that the initialization and destruction of kernel data objects can actually outweigh the cost of allocating memory for them.
As object creation and deletion are widely employed by the kernel, overhead costs of initialization can result in significant performance drops.
The notion of object caching was therefore introduced in order to avoid the invocation of functions used to initialize object state.

With slab allocation, memory chunks suitable to fit data objects of certain type or size are preallocated.
The slab allocator keeps track of these chunks, known as caches {{The Linux Kernel/id|kmalloc_caches}},
so that when a request to allocate memory for a data object of a certain type is received, it can instantly satisfy the request with an already allocated slot via {{The Linux Kernel/id|slab_alloc_node}}.

Deallocation of the object with {{The Linux Kernel/id|kfree}} does not free up the memory,
but only opens a slot which is returned to the slab allocator's free list.
The next call to allocate memory of the same size will return the now unused memory slot.
See {{The Linux Kernel/id|slab_alloc_node}}/{{The Linux Kernel/id|__slab_alloc_node}}/{{The Linux Kernel/id|___slab_alloc}}.
This process eliminates the need to search for suitable memory space and greatly alleviates memory fragmentation.
In this context, a slab is one or more contiguous pages in the memory containing pre-allocated memory chunks.

Slab allocation provides a kind of front-end to the zoned buddy allocator for those sections of the kernel that require more flexible memory allocation than the standard 4KB page size.


⚲ Interface:
: sudo cat /proc/slabinfo
: {{The Linux Kernel/include|linux/slab.h}}
: {{The Linux Kernel/id|kmem_cache_alloc}}, {{The Linux Kernel/id|kmem_cache_free}}
: {{The Linux Kernel/man|1|slabtop}}


⚙️ Internals: 
: {{The Linux Kernel/source|mm/slab_common.c}} &amp;ndash; slab allocator common code
: {{The Linux Kernel/id|mm_init}} is called from {{The Linux Kernel/id|start_kernel}}
:: {{The Linux Kernel/id|kmem_cache_init}}
::: {{The Linux Kernel/id|create_kmalloc_caches}}
: {{The Linux Kernel/id|kasan_slab_alloc}}


''' SLUB allocator ''' &amp;ndash; default Unqueued allocator

{{w|SLUB (software)|SLUB}} is the iteration of the original SLAB allocator that replaced it and became the Linux default allocator since 2.6.23. 

⚙️ Internals: {{The Linux Kernel/source|mm/slub.c}}


📚 References:
: {{The Linux Kernel/id|CONFIG_SLUB}}


💾 ''Historical: SLOB (Simple List Of Blocks) allocator for embedded devices was removed in kernel 6.4.''
''SLAB allocator, the original slab allocation implementation based on Jeff Bonwick's 1994 paper, was removed in kernel 6.8.''
''SLUB is now the only slab allocator in the kernel.''


&lt;hr&gt;


📚 References for Slab allocation:
: {{The Linux Kernel/doc|KASAN - KernelAddressSANitizer|dev-tools/kasan.html}} - dynamic memory safety error detector designed to find out-of-bound and use-after-free bugs
: [https://www.youtube.com/watch?v=h0VMLXavx30 &lt;nowiki&gt;Video &quot;SL[AUO]B: Kernel memory allocator design and philosophy&quot;&lt;/nowiki&gt;] Christopher Lameter (Linux.conf.au 2015 conference) [http://lca2015.linux.org.au/slides/167/slaballocators-auckland-2015.pdf Slides]

=== Page Allocator ===
The page allocator (or &quot;zoned buddy allocator&quot;) is a low-level allocator that deals with physical memory.
It delivers physical pages (usually with a size of 4096 bytes) of free memory to high-level memory consumers such as the slab allocators and &lt;code&gt;kmalloc()&lt;/code&gt;.
As the ultimate source of memory in the system, the page allocator must ensure that memory is always available, since a failure providing memory to a critical kernel subsystem can lead to a general system failure or a kernel panic.

The page allocator divides physical memory into &quot;zones&quot;, each of which corresponds to {{The Linux Kernel/id|zone_type}} with specific characteristics.
ZONE_DMA contains memory at the bottom of the address range for use by severely challenged devices, for example, while {{The Linux Kernel/id|ZONE_NORMAL}} may contain most memory on the system. 32-bit systems have a ZONE_HIGHMEM for memory that is not directly mapped into the kernel's address space.
Depending on the characteristics of any given allocation request, the page allocator will search the available zones in a specific priority order.
For the curious, &lt;code&gt;/proc/zoneinfo&lt;/code&gt; gives a lot of information about the zones in use on any given system.

Within a zone, memory is grouped into ''page blocks'', each of which can be marked with a ''migration type'' - {{The Linux Kernel/id|migratetype}} describing how the block should be allocated.


⚲ API:
: cat /proc/buddyinfo
: {{The Linux Kernel/include|linux/gfp.h}}
: {{The Linux Kernel/include|linux/mmzone.h}}
: {{The Linux Kernel/id|alloc_page}}
: {{The Linux Kernel/id|devm_get_free_pages}} - {{w|RAII}} function, ↯ hierarchy of it:
:: {{The Linux Kernel/id|__get_free_pages}}
::: {{The Linux Kernel/id|alloc_pages}}
:::: {{The Linux Kernel/id|alloc_pages_node}}
::::: {{The Linux Kernel/id|__alloc_pages}} - the 'heart' of the zoned buddy allocator

⚙️ Internals:
: {{The Linux Kernel/id|build_all_zonelists}} is called from {{The Linux Kernel/id|start_kernel}},  ↯ call hierarchy:
:: {{The Linux Kernel/id|build_all_zonelists_init}}
::: {{The Linux Kernel/id|__build_all_zonelists}}
:::: {{The Linux Kernel/id|build_zonelists}}
: {{The Linux Kernel/id|__alloc_pages}} - the 'heart' of the zoned buddy allocator
: struct {{The Linux Kernel/id|zone}}
:: {{The Linux Kernel/id|free_area}}
: {{The Linux Kernel/source|mm/mmzone.c}} &amp;ndash; memory zone helpers
: {{The Linux Kernel/source|mm/page_alloc.c}} &amp;ndash; buddy page allocator


📚 References:
: {{The Linux Kernel/doc|Get Free Page flags|core-api/memory-allocation.html}}
: {{w|Buddy memory allocation}}
: {{w|Page replacement algorithm}}

=== OOM killer ===
The {{w|Out of memory|Out-Of-Memory}} killer is invoked when the kernel cannot satisfy a memory allocation and all reclaim attempts have failed.
It selects a process to kill based on a badness score to free memory and keep the system running.

⚲ API:
: /proc/$pid/oom_score &amp;ndash; current badness score
: /proc/$pid/oom_score_adj &amp;ndash; adjust score (-1000 to 1000)
: /proc/$pid/oom_adj &amp;ndash; deprecated, use oom_score_adj
: /proc/sys/vm/panic_on_oom


⚙️ Internals:
: {{The Linux Kernel/source|mm/oom_kill.c}} &amp;ndash; out-of-memory killer
: {{The Linux Kernel/id|out_of_memory}} &amp;ndash; main entry point
: {{The Linux Kernel/id|oom_badness}} &amp;ndash; calculates badness score
: {{The Linux Kernel/id|oom_kill_process}}


📚 References:
: {{The Linux Kernel/doc|OOM|admin-guide/sysctl/vm.html}}

=== Memory cgroup controller ===
The memory cgroup controller limits and accounts memory usage per group of processes.
It can set hard and soft limits, trigger per-cgroup OOM, and track swap usage.

⚲ API:
: memory.max &amp;ndash; hard memory limit
: memory.high &amp;ndash; throttling threshold
: memory.current &amp;ndash; current usage
: memory.swap.max &amp;ndash; swap limit
: See [[../System/CGroup v2#Memory|CGroup v2 Memory controller]] for full interface


⚙️ Internals:
: {{The Linux Kernel/source|mm/memcontrol.c}} &amp;ndash; memory cgroup controller
: {{The Linux Kernel/id|mem_cgroup}} &amp;ndash; main structure
: {{The Linux Kernel/id|mem_cgroup_charge}}
: {{The Linux Kernel/id|mem_cgroup_oom}}


📚 References:
: {{The Linux Kernel/doc|Memory Resource Controller|admin-guide/cgroup-v2.html#memory}}

=== DAMON ===
Data Access MONitor (since 5.15) provides kernel-level data access pattern monitoring.
It can be used for memory management optimization and profiling.

⚲ API:
: /sys/kernel/mm/damon/
: {{The Linux Kernel/include|linux/damon.h}}

⚙️ Internals:
: {{The Linux Kernel/source|mm/damon}} &amp;ndash; DAMON core and operation schemes

📖 References:
: {{The Linux Kernel/doc|DAMON|mm/damon}}


&lt;hr&gt;
📚 References for logical memory:
: {{The Linux Kernel/doc|Memory Allocation Guide|core-api/memory-allocation.html}}
: {{The Linux Kernel/doc|Selecting memory allocator|core-api/memory-allocation.html#selecting-memory-allocator}}

== Physical memory ==

=== Memory Layout ===
A 32-bit processor can address a maximum of 4GB of memory.
Linux kernels split the 4GB address space between user processes and the kernel; under the most common configuration, the first 3GB of the 32-bit range are given over to user space, and the kernel gets the final 1GB starting at 0xc0000000.
Sharing the address space gives a number of performance benefits; in particular, the hardware's address translation buffer can be shared between the kernel and user space.

In '''x86-64''' - {{The Linux Kernel/id|CONFIG_X86_64}} with 4-level page tables ({{The Linux Kernel/id|CONFIG_X86_5LEVEL}}=n), only the least significant 48&amp;nbsp;bits of a virtual memory address would actually be used in address translation (page table lookup).
The remainder bits 48 through 63 of any virtual address must be copies of bit 47, or the processor will raise an exception.
Addresses complying with this rule are referred to as &quot;canonical form.&quot; Canonical form addresses run from 0 through 00007FFF'FFFFFFFF, and from FFFF8000'00000000 through FFFFFFFF'FFFFFFFF, for a total of 256&amp;nbsp;TB of usable {{w|virtual address space}}.
This is still approximately 64,000 times the virtual address space on 32-bit machines.

Linux takes the higher-addressed half of the address space for itself (kernel space) and leaves the lower-addressed half for user space.
The &quot;canonical address&quot; design has, in effect, two memory halves: the lower half starts at 00000000'00000000 and &quot;grows upwards&quot; as more virtual address bits become available, while the higher half is &quot;docked&quot; to the top of the address space and grows downwards.

{| class=&quot;wikitable sortable&quot;
|+
!Start addr
!class=unsortable|Offset
!End addr
!class=unsortable|Size
!class=unsortable|VM area description
|-
| &lt;code&gt;&lt;small&gt;0000'&lt;/small&gt;'''8'''&lt;small&gt;000'0000'0000&lt;/small&gt;&lt;/code&gt;
| +128 TB
| &lt;code&gt;&lt;small&gt;ffff'7fff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
|  
| ... huge, almost 64 bits wide hole of non-canonical   virtual memory addresses up to the -128 TB starting offset of kernel mappings.
|-
| &lt;code&gt;&lt;small&gt;0000'0000'0000'0000&lt;/small&gt;&lt;/code&gt;
|0
| &lt;code&gt;&lt;small&gt;0000'7fff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
|128&amp;nbsp;TB=2&lt;sup&gt;47&lt;/sup&gt;
|user-space virtual memory, different per mm
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'ffe0'0000&lt;/small&gt;&lt;/code&gt;
| -2 MB
| &lt;code&gt;&lt;small&gt;ffff'ffff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 2 MB=2&lt;sup&gt;21&lt;/sup&gt;
|... unused hole
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'ff60'0000&lt;/small&gt;&lt;/code&gt;
| -10 MB
| &lt;code&gt;&lt;small&gt;ffff'ffff'ff60'0fff&lt;/small&gt;&lt;/code&gt;
| 4 kB=2&lt;sup&gt;12&lt;/sup&gt;
| {{The Linux Kernel/id|VSYSCALL_ADDR}} - legacy vsyscall ABI
|-
| &lt;code&gt;&lt;small&gt;ffff'ffff'8000'0000&lt;/small&gt;&lt;/code&gt;
| -2 GB
| &lt;code&gt;&lt;small&gt;ffff'ffff'9fff'ffff&lt;/small&gt;&lt;/code&gt;
| 512&amp;nbsp;MB=2&lt;sup&gt;29&lt;/sup&gt;
| kernel text mapping, mapped to physical address 0
|-
|
|
|
|
|
|-
| &lt;code&gt;&lt;small&gt;ffff'8880'0000'0000&lt;/small&gt;&lt;/code&gt;
| -119.5&amp;nbsp;TB
| &lt;code&gt;&lt;small&gt;ffff'c87f'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 64&amp;nbsp;TB
| {{The Linux Kernel/id|page_offset_base}} = {{The Linux Kernel/id|__PAGE_OFFSET_BASE_L4}} - direct mapping of all physical memory 
|-
|
|
|
|
|
|-
| &lt;code&gt;&lt;small&gt;ffff'8000'0000'0000&lt;/small&gt;&lt;/code&gt;
| -128 TB
| &lt;code&gt;&lt;small&gt;ffff'87ff'ffff'ffff&lt;/small&gt;&lt;/code&gt;
| 8&amp;nbsp;TB
| ... guard hole, also reserved for hypervisor
|}


[[File:Linux_Virtual_Memory_Layout_64bit.svg|border|center|x86-64 memory layout]]


⚲ API: 
: {{The Linux Kernel/man|8|setarch}} --addr-no-randomize cat /proc/self/maps


⚙️ Internals:
: {{The Linux Kernel/source|arch/x86/include/asm/page_64_types.h}} &amp;ndash; x86-64 page type definitions
: {{The Linux Kernel/source|arch/x86/mm/init_64.c}} &amp;ndash; x86-64 memory initialization


📚 References:
: {{The Linux Kernel/doc|X86_64 memory map|x86/x86_64/mm.html}}
: {{w|Address_space_layout_randomization#Linux|Address space layout randomization}}

=== Pages ===
In Linux, different architectures have different page sizes.
The original &amp;mdash;for x86 architecture&amp;mdash; and still most commonly used page size is 4096 bytes (4 KB).
The page size (in bytes) of the current architecture is defined by the &lt;code&gt;PAGE_SIZE&lt;/code&gt; macro included in {{The Linux Kernel/source|arch/x86/include/asm/page_types.h}} header file.
User space programs can get this value using the {{The Linux Kernel/man|2|getpagesize}} library function.
Another related macro is &lt;code&gt;PAGE_SHIFT&lt;/code&gt;, that contains the number of bits to shift an address to get its page number &amp;mdash;12 bits for 4K pages.

One of the most fundamental kernel data structures relating memory-management is &lt;code&gt;struct page&lt;/code&gt;.
The kernel keeps track of the status of every page of physical memory present in the system using variables of this type.
There are millions of pages in a modern system, and therefore there are millions of these structures in memory.

The full definition of &lt;code&gt;struct page&lt;/code&gt; can be found in {{The Linux Kernel/include|linux/mm_types.h}}.


: [https://0xax.gitbooks.io/linux-insides/content/Theory/linux-theory-1.html Pages]

=== NUMA ===
In {{w|Non-uniform memory access}} systems, physical memory is divided into nodes, each local to a group of CPUs.
Accessing local memory is faster than remote memory, so the kernel tries to allocate memory from the node closest to the requesting CPU.
Each node contains its own set of zones (DMA, Normal, etc.).

⚲ API:
: {{The Linux Kernel/man|8|numactl}} &amp;ndash; controls NUMA policy for processes or shared memory
: {{The Linux Kernel/man|2|set_mempolicy}} &amp;ndash; set default NUMA memory policy
: {{The Linux Kernel/man|2|mbind}} &amp;ndash; set NUMA memory policy for a memory range
: {{The Linux Kernel/man|2|get_mempolicy}}
: {{The Linux Kernel/man|2|migrate_pages}}
: {{The Linux Kernel/man|2|move_pages}}
: cat /proc/buddyinfo
: /sys/devices/system/node/
: {{The Linux Kernel/include|linux/topology.h}} &amp;ndash; {{The Linux Kernel/id|cpu_to_node}}, {{The Linux Kernel/id|numa_node_id}}
: {{The Linux Kernel/include|linux/mempolicy.h}}


⚙️ Internals:
: {{The Linux Kernel/id|CONFIG_NUMA}}
: {{The Linux Kernel/id|pglist_data}} (pg_data_t) &amp;ndash; per-node memory descriptor, contains zones @ {{The Linux Kernel/include|linux/mmzone.h}}
: {{The Linux Kernel/id|numa_node_id}} &amp;ndash; returns NUMA node of current CPU
: {{The Linux Kernel/source|mm/numa.c}} &amp;ndash; NUMA node data allocation during boot
: {{The Linux Kernel/source|mm/mempolicy.c}} &amp;ndash; NUMA memory allocation policies
: {{The Linux Kernel/source|mm/migrate.c}} &amp;ndash; page migration between nodes
: {{The Linux Kernel/source|mm/memory-tiers.c}} &amp;ndash; memory tiering (DRAM, PMEM, HBM)
: {{The Linux Kernel/source|mm/numa_memblks.c}} &amp;ndash; memory block and distance setup


📚 References:
: {{The Linux Kernel/doc|NUMA Memory Policy|admin-guide/mm/numa_memory_policy.html}}
: {{w|Non-uniform memory access}}
: See also [[../Multitasking/CPU#SMP|SMP section]] for NUMA topology and CPU aspects

=== Huge pages ===
{{w|Huge pages}} use larger page sizes (2 MB or 1 GB on x86-64) to reduce TLB misses and page table overhead for memory-intensive workloads.


==== HugeTLB ====
HugeTLB provides explicitly allocated persistent huge pages, reserved at boot or runtime.

⚲ API:
: cat /proc/meminfo | grep Huge
: cat /proc/sys/vm/nr_hugepages
: {{The Linux Kernel/man|2|mmap}} with MAP_HUGETLB
: mount -t hugetlbfs nodev /dev/hugepages
: {{The Linux Kernel/include|linux/hugetlb.h}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/hugetlb.c}} &amp;ndash; HugeTLB huge page allocator
: {{The Linux Kernel/id|hugetlb_init}}
: {{The Linux Kernel/id|hugetlb_fault}}


📚 References:
: {{The Linux Kernel/doc|HugeTLB Pages|admin-guide/mm/hugetlbpage.html}}


==== Transparent Huge Pages ====
THP automatically promotes regular pages to huge pages without application changes (since 2.6.38).

⚲ API:
: cat /sys/kernel/mm/transparent_hugepage/enabled
: {{The Linux Kernel/man|2|madvise}} with MADV_HUGEPAGE
: {{The Linux Kernel/include|linux/huge_mm.h}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/huge_memory.c}} &amp;ndash; transparent huge page support
: {{The Linux Kernel/id|khugepaged}} &amp;ndash; daemon that collapses pages into huge pages
: {{The Linux Kernel/source|mm/khugepaged.c}} &amp;ndash; THP collapse daemon


📚 References:
: {{The Linux Kernel/doc|Transparent Hugepage Support|admin-guide/mm/transhuge.html}}
: {{The Linux Kernel/doc|Concepts overview|admin-guide/mm/concepts.html}}

=== TLB ===

{{w|Translation lookaside buffer}} is a hardware cache of virtual-to-physical address translations.
The kernel must flush TLB entries when page table mappings change.
On SMP, this requires {{w|Inter-processor interrupt|IPI}}s to other CPUs (TLB shootdowns), which can impact real-time latency on isolated CPUs.

⚲ API
: {{The Linux Kernel/include|asm-generic/tlb.h}} &amp;ndash; generic TLB flush batching
: {{The Linux Kernel/id|flush_tlb_all}} &amp;ndash; flush entire TLB on all CPUs via IPI (TLB shootdown)
:: {{The Linux Kernel/id|__flush_tlb_all}} &amp;ndash; local CPU only, no IPI, calls {{The Linux Kernel/id|__flush_tlb_global}}
: {{The Linux Kernel/id|flush_tlb_mm}} &amp;ndash; flush TLB for a specific address space
: {{The Linux Kernel/id|flush_tlb_page}} &amp;ndash; flush single page from TLB
: {{The Linux Kernel/id|flush_tlb_range}} &amp;ndash; flush a range of user pages for a VMA
: {{The Linux Kernel/id|flush_tlb_kernel_range}} &amp;ndash; flush kernel mappings on all CPUs
: /sys/kernel/debug/tracing/events/tlb/tlb_flush/

⚙️ Internals
: {{The Linux Kernel/source|arch/x86/mm/tlb.c}} &amp;ndash; x86 TLB flush implementation
: {{The Linux Kernel/source|mm/mmu_gather.c}} &amp;ndash; TLB flush batching

📖 References
: {{The Linux Kernel/doc|TLB|arch/x86/tlb.html}}
: {{The Linux Kernel/doc|Cache and TLB Flushing Under Linux|core-api/cachetlb.html}}

=== CMA ===
The Contiguous Memory Allocator (CMA) reserves a region of memory at boot for large physically contiguous allocations needed by DMA devices, GPUs and multimedia hardware (since 3.5).
Unused CMA memory is available to the page allocator for movable pages.

⚲ API:
: cat /proc/meminfo | grep Cma
: {{The Linux Kernel/include|linux/cma.h}}
: {{The Linux Kernel/id|dma_alloc_contiguous}}
: {{The Linux Kernel/id|CONFIG_CMA}}


⚙️ Internals:
: {{The Linux Kernel/source|mm/cma.c}} &amp;ndash; contiguous memory allocator core
: {{The Linux Kernel/source|kernel/dma/contiguous.c}} &amp;ndash; DMA-CMA integration
: {{The Linux Kernel/source|mm/cma_debug.c}} &amp;ndash; debugfs interface
: {{The Linux Kernel/id|cma_alloc}}
: {{The Linux Kernel/id|cma_release}}


📚 References:
: {{The Linux Kernel/doc|Contiguous Memory Allocator|mm/cma.html}}

=== DMA ===

⚲ API:
: {{The Linux Kernel/id|dma_addr_t}} - bus address
: {{The Linux Kernel/include|linux/dma-mapping.h}}
: {{The Linux Kernel/id|dma_alloc_coherent}}
: {{The Linux Kernel/id|dma_alloc_pages}} {{The Linux Kernel/id|pin_user_pages}}
: {{The Linux Kernel/id|dma_map_single}} {{The Linux Kernel/id|dma_data_direction}}
: {{The Linux Kernel/id|dma_map_sg}} {{The Linux Kernel/id|scatterlist}}
: {{The Linux Kernel/id|dma_set_mask}} {{The Linux Kernel/id|dma_set_coherent_mask}} {{The Linux Kernel/id|dma_set_mask_and_coherent}}
: {{The Linux Kernel/id|dma_sync_single_for_cpu}} {{The Linux Kernel/id|dma_sync_single_for_device}}
: {{The Linux Kernel/include|linux/gfp.h}}
: {{The Linux Kernel/include|linux/dmapool.h}}
: {{The Linux Kernel/id|dma_pool_create}}
: DMA-able memory:  {{The Linux Kernel/id|__get_free_page}} {{The Linux Kernel/id|kmalloc}} {{The Linux Kernel/id|kmem_cache_alloc}}
: {{The Linux Kernel/id|get_user_pages}} pins user pages in memory, 


👁 Examples:
: {{The Linux Kernel/source|samples/kfifo/dma-example.c}}
: {{The Linux Kernel/id|e1000_alloc_rx_buffers}}, {{The Linux Kernel/id|e1000_alloc_ring_dma}}


⚙️ Internals:
: {{The Linux Kernel/source|kernel/dma}} &amp;ndash; DMA subsystem core
: {{The Linux Kernel/source|mm/dmapool.c}} &amp;ndash; small DMA-coherent allocations
: {{The Linux Kernel/source|mm/gup.c}} &amp;ndash; get/pin user pages
: {{The Linux Kernel/source|kernel/dma/mapping.c}} &amp;ndash; arch-independent DMA mapping


📚 References:
: {{The Linux Kernel/doc|Dynamic DMA mapping Guide|core-api/dma-api-howto.html}}
: {{The Linux Kernel/doc|Dynamic DMA mapping using the generic device|core-api/dma-api.html}}
: [https://lwn.net/Articles/787636/ LWM: get_user_pages, pinned pages, and DAX]
: {{The Linux Kernel/doc|pin_user_pages() and related calls|core-api/pin_user_pages.html}}

💾 ''Historical:''
: [http://lwn.net/images/pdf/LDD3/ch15.pdf LDD3:Memory Mapping and DMA]
: http://www.xml.com/ldd/chapter/book/ch13.html mmap and DMA

: SAC &amp;ndash; Single Address Cycle, 32-bit DMA addressing (up to 4 GB)
: DAC &amp;ndash; Dual Address Cycle, 64-bit DMA addressing


==== DMAEngine ====
: {{The Linux Kernel/include|linux/dmaengine.h}}
: {{The Linux Kernel/source|drivers/dma}} &amp;ndash; DMA engine drivers
: {{The Linux Kernel/doc|driver-api/dmaengine}}
: https://bootlin.com/pub/conferences/2015/elc/ripard-dmaengine/


== ... ==

📚 References for the article:
: {{The Linux Kernel/doc|Linux Memory Management Documentation|mm/}}
: [https://www.ryadel.com/en/linux-memory-management-mechanism-analysis-kernel/ Analysis of Linux Memory Management Mechanism]
: [https://0xax.gitbooks.io/linux-insides/content/MM/ Memory management]
: http://linux-mm.org/LinuxMM
: http://www.tldp.org/HOWTO/KernelAnalysis-HOWTO-7.html
: [https://lwn.net/Kernel/Index/#Memory_management Memory management, lwn]


{{BookCat}}</text>
      <sha1>21xa137hjrgxxdfi482orbqyfjgibx6</sha1>
    </revision>
  </page>
  <page>
    <title>Structured Query Language/Managing Rights</title>
    <ns>0</ns>
    <id>299155</id>
    <revision>
      <id>4641106</id>
      <parentid>4634106</parentid>
      <timestamp>2026-06-25T06:28:15Z</timestamp>
      <contributor>
        <username>~2026-36743-15</username>
        <id>3609745</id>
      </contributor>
      <comment>/* Roles / Public */</comment>
      <origin>4641106</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="3069" sha1="1klm0266yw3hnxvjw9e58uyn0mdkc5i" xml:space="preserve">&lt;noinclude&gt;{{Nav}}&lt;/noinclude&gt;
&lt;br /&gt;
&lt;div class=&quot;nonumtoc&quot;&gt;
__TOC__
&lt;/div&gt;


For multiuser systems like DBMSs, it is necessary to grant and revoke rights for manipulating its objects. The GRANT command defines which user can manipulate (create, read, change, drop, ...) which object (tables, views, indexes, sequences, triggers, ...).

&lt;syntaxhighlight lang=&quot;sql&quot; style=&quot;background:LightGreen&quot;&gt;
GRANT &lt;privilege_name&gt;
ON    &lt;object_name&gt;
TO    [ &lt;user_name&gt; | &lt;role_name&gt; | PUBLIC ]
[WITH GRANT OPTION];
&lt;/syntaxhighlight&gt;

The REVOKE statement deprives the granted rights.
&lt;syntaxhighlight lang=&quot;sql&quot; style=&quot;background:LightGreen&quot;&gt;
REVOKE &lt;privilege_name&gt;
ON     &lt;object_name&gt;
FROM   [ &lt;user_name&gt; | &lt;role_name&gt; | PUBLIC ];
&lt;/syntaxhighlight&gt;

The example statement grants SELECT and INSERT on table ''person'' to the user ''hibernate''. The second statement removes the granted rights.
&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
GRANT  SELECT, INSERT ON person TO   hibernate;
REVOKE SELECT, INSERT ON person FROM hibernate;
&lt;/syntaxhighlight&gt;

== Privileges ==
Privileges are actions that users can perform. The SQL standard supports only a limited list of privileges, whereas real implementations offer a great bunch of different privileges. The list consists of: SELECT, INSERT, UPDATE, DELETE, CREATE &lt;object_type&gt;, DROP &lt;object_type&gt;, EXECUTE, ... .

== Object Types ==
The list of object types, to which privileges may be granted, is short in the SQL standard and long for real implementations. It consists of tables, views, indexes, sequences, triggers, procedures, ... .

== Roles / Public ==
If there is a great number of users connecting to the DBMS, it is helpful to group users with identical rights to a role and grant privileges not to the individual users but the role. To do so, the role must be created by a CREATE ROLE statement. Afterward, users are joined with this role.

&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
-- Create a role
-- (MySQL supports only predefined roles with special semantics).
CREATE ROLE department_human_resources;

-- Enrich the role with rights
GRANT  SELECT, INSERT, UPDATE, DELETE ON person        TO department_human_resources;
GRANT  SELECT, INSERT                 ON hobby         TO department_human_resources;
GRANT  SELECT, INSERT, UPDATE, DELETE ON person_hobby  TO department_human_resources;

-- Join users with the role
GRANT  department_human_resources TO user_1;
GRANT  department_human_resources TO user_2;
&lt;/syntaxhighlight&gt;

Instead of individual usernames, the keyword PUBLIC denotes '''all''' known users.
&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
-- Everybody shall be allowed to read the rows of the 'person' table.
GRANT SELECT ON person TO PUBLIC;
&lt;/syntaxhighlight&gt;

== Grant Option ==
If a DBA wants to delegate the managing of rights to special users, they can grant privileges to the users and extend the statement with the phrase 'WITH GRANT OPTION'. This enables the users to grant the received privileges to any other user.

လီးပဲ

ငှားတာတွေအခုရပ်စမ်း

&lt;noinclude&gt;{{Nav}}&lt;/noinclude&gt;</text>
      <sha1>1klm0266yw3hnxvjw9e58uyn0mdkc5i</sha1>
    </revision>
    <revision>
      <id>4641107</id>
      <parentid>4641106</parentid>
      <timestamp>2026-06-25T06:31:16Z</timestamp>
      <contributor>
        <username>Morkoz</username>
        <id>3607239</id>
      </contributor>
      <comment>Undid revision [[Special:Diff/4641106|4641106]] by [[Special:Contributions/~2026-36743-15|~2026-36743-15]] ([[User talk:~2026-36743-15|discuss]])</comment>
      <origin>4641107</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="3198" sha1="2tfuatpanmtfbabhhvabbidjusx8wn9" xml:space="preserve">&lt;noinclude&gt;{{Nav}}&lt;/noinclude&gt;
&lt;br /&gt;
&lt;div class=&quot;nonumtoc&quot;&gt;
__TOC__
&lt;/div&gt;


For multiuser systems like DBMSs, it is necessary to grant and revoke rights for manipulating its objects. The GRANT command defines which user can manipulate (create, read, change, drop, ...) which object (tables, views, indexes, sequences, triggers, ...).

&lt;syntaxhighlight lang=&quot;sql&quot; style=&quot;background:LightGreen&quot;&gt;
GRANT &lt;privilege_name&gt;
ON    &lt;object_name&gt;
TO    [ &lt;user_name&gt; | &lt;role_name&gt; | PUBLIC ]
[WITH GRANT OPTION];
&lt;/syntaxhighlight&gt;

The REVOKE statement deprives the granted rights.
&lt;syntaxhighlight lang=&quot;sql&quot; style=&quot;background:LightGreen&quot;&gt;
REVOKE &lt;privilege_name&gt;
ON     &lt;object_name&gt;
FROM   [ &lt;user_name&gt; | &lt;role_name&gt; | PUBLIC ];
&lt;/syntaxhighlight&gt;

The example statement grants SELECT and INSERT on table ''person'' to the user ''hibernate''. The second statement removes the granted rights.
&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
GRANT  SELECT, INSERT ON person TO   hibernate;
REVOKE SELECT, INSERT ON person FROM hibernate;
&lt;/syntaxhighlight&gt;

== Privileges ==
Privileges are actions that users can perform. The SQL standard supports only a limited list of privileges, whereas real implementations offer a great bunch of different privileges. The list consists of: SELECT, INSERT, UPDATE, DELETE, CREATE &lt;object_type&gt;, DROP &lt;object_type&gt;, EXECUTE, ... .

== Object Types ==
The list of object types, to which privileges may be granted, is short in the SQL standard and long for real implementations. It consists of tables, views, indexes, sequences, triggers, procedures, ... .

== Roles / Public ==
If there is a great number of users connecting to the DBMS, it is helpful to group users with identical rights to a role and grant privileges not to the individual users but the role. To do so, the role must be created by a CREATE ROLE statement. Afterward, users are joined with this role.

&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
-- Create a role
-- (MySQL supports only predefined roles with special semantics).
CREATE ROLE department_human_resources;

-- Enrich the role with rights
GRANT  SELECT, INSERT, UPDATE, DELETE ON person        TO department_human_resources;
GRANT  SELECT, INSERT                 ON hobby         TO department_human_resources;
GRANT  SELECT, INSERT, UPDATE, DELETE ON person_hobby  TO department_human_resources;

-- Join users with the role
GRANT  department_human_resources TO user_1;
GRANT  department_human_resources TO user_2;
&lt;/syntaxhighlight&gt;

Instead of individual usernames, the keyword PUBLIC denotes '''all''' known users.
&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
-- Everybody shall be allowed to read the rows of the 'person' table.
GRANT SELECT ON person TO PUBLIC;
&lt;/syntaxhighlight&gt;

== Grant Option ==
If a DBA wants to delegate the managing of rights to special users, they can grant privileges to the users and extend the statement with the phrase 'WITH GRANT OPTION'. This enables the users to grant the received privileges to any other user.

&lt;syntaxhighlight lang=&quot;sql&quot;&gt;
-- User 'hibernate' gets the right to pass the SELECT privilege on table 'person' to any other user.
GRANT SELECT ON person TO hibernate WITH GRANT OPTION;
&lt;/syntaxhighlight&gt;

&lt;noinclude&gt;{{Nav}}&lt;/noinclude&gt;</text>
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    </revision>
  </page>
  <page>
    <title>DisablingBells/OS X</title>
    <ns>0</ns>
    <id>299804</id>
    <revision>
      <id>4641075</id>
      <parentid>4640980</parentid>
      <timestamp>2026-06-24T17:20:08Z</timestamp>
      <contributor>
        <username>Xania</username>
        <id>40302</id>
      </contributor>
      <minor />
      <comment>renamed System Settings to System Preferences as it was known as the latter till very recent versions of Mac OS</comment>
      <origin>4641075</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="695" sha1="dstz91ytjpy7npaknap7k2whuwbb9bk" xml:space="preserve">OS X has a function for playing notification sounds (Alerts) that parts of OS X and third party programs use. Once these are turned off in System Preferences in older versions it won't be necessary to turn them off in Applications to be able to listen to music without extra noise. To turn them off:

# Go to '''System Preferences''' (it's in the Apple Menu)
# Click on '''Sound''' (on the third section as of macOS Ventura)
# Drag the '''Alert Volume''' all the way to the left

There are two other types of sound you can turn off:

* Play user interface sound effects (function unknown)
* Play feedback when volume is changed (disables the clicking sound when changing the volume)

{{bookcat}}</text>
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    </revision>
  </page>
  <page>
    <title>User:Panic2k4/TV, movies and documentaries</title>
    <ns>2</ns>
    <id>303614</id>
    <revision>
      <id>4641112</id>
      <parentid>4635766</parentid>
      <timestamp>2026-06-25T08:43:55Z</timestamp>
      <contributor>
        <username>Panic2k4</username>
        <id>2865</id>
      </contributor>
      <comment>/* Documentaries and other miscellaneous content: */   [[w:Panos Cosmatos|Panos Cosmatos]]</comment>
      <origin>4641112</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="207264" sha1="j1d9eef2pmt2th5pgmznd7u9j442l98" xml:space="preserve">The ratings are the same [[User:Panic2k4/Books Read|as with the books]]. I hope never to go below 4 if I do I will probably quit in the middle an that is marked with a Q this also may happen if the story does not get my interest.  The 5s are the ones I wished I had avoided, 5 below is the ones I do really regret wasting my time with and most 5+ to 6- are movies are often under-budgeted or had an intentional low budget or are simply cinematic errors, not properly acted or weird script often independent productions. The 6 indicates movies that are made for their targeted audience, and fulfill their aspiration, they are good enough for at least that, beyond 6+ is reserved for pleasant commercial fluff in most part, moves that overcome mediocrity, and merit to be the start of the ones that I'm glad I've seen. Since movies tend to be less distributed in quality than books (bad movies cost more to make than a bad book to be printed) and most aggregate on the average quality 5 and 6 I've added + and - to make a better distinction and be more fair.

{{NOTE|The comments I make is based on my own taste in content and esthetics. I'm not an image or cinematography expert, even an enthusiast, simply an appreciator. If you wish to have a discussion regarding any of my observations or need to correct me somehow, use my user talk page, I would appreciate hearing from any divergent viewpoint.}}   

==Seen:==

===Documentaries and other miscellaneous content:===
{{YouTube link|WDbo6dDXTkA|Viewing the Work of [[w:Panos Cosmatos|Panos Cosmatos]]}} (6+, very well made overview)&lt;/br&gt; 
[[w:Adam Ruins Everything|Adam Ruins Everything]] (6-Q, only saw season 2 episode 25, it is listed as a comedy but I think its more a satiric opinion show that is too reductive to have any value)&lt;/br&gt;
[[w:Outrageous Acts of Science|Outrageous Acts of Science]] (6-Q, only saw season 9 episode 1, interesting but the format does not work)&lt;/br&gt;
[https://www.imdb.com/title/tt9632280/ Dead of Winter] (6Q, only saw the first episode, I really don't think this subject matter in this format can be fairly and properly televised for the masses in any positive way)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|nkPx5vVxP9s|The Greatest Trump Impersonator on Earth}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|lMngWwI5bPU|Meet the Martha Stewart of Marijuana}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|I2GNnA-JF18|The Self-Proclaimed Bimbo Doll}} (6)&lt;/br&gt;
{{YouTube link|Y_b2i_FvYPw|Hunting mad honey by Raphael Treza}} (6+)&lt;/br&gt;
[https://www.cnbc.com/deadly-rich/ Deadly Rich] (6, only saw episode 4 of the first season, a bit bias toward the victimization of the rich and the accolades of the law enforcement)&lt;/br&gt;
[[w:Alone Together (TV series)|Alone Together]] (6-, only saw episode 1 of the second season)&lt;/br&gt;
[[w:Nanette (show)|Hannah Gadsby: Nanette]] (7+, not really a straight forward comedy show, yet again what is claimed to be a minority gets a huge representation, but at least this time very well done, sadly will probably go unnoticed amidst the cacophony.)&lt;/br&gt;
[https://www.imdb.com/title/tt4835908/ David Attenborough Meets President Obama] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt6503230/ Pornocracy: The New Sex Multinationals] (6+)&lt;/br&gt;
[[w:Gringo: The Dangerous Life of John McAfee|Gringo: The Dangerous Life of John McAfee]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8197422/ Follow Your Nose: Cracking Smell's Code] (7)&lt;/br&gt;
[[w:America: Imagine the World Without Her|America: Imagine the World Without Her]] (5+Q, political propaganda, couldn't stomach it, made an effort as it raised some valid points that indeed proves that there is a skew on the other side of the arguments but the extrapolations and the ideas that is pushes forward are just too radical and often personalized in their targets)&lt;/br&gt;
[https://www.imdb.com/title/tt0463399/ E! True Hollywood Story] {{YouTube link|HAc75TDWe3Y|Rod Serling: Beyond The Twilight Zone}}) (6+, the editing is very annoying)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|iquoaVVUTQk|Africa's Moonshine Epidemic}}) (6+)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|aT32eTWtv18|The Homeliest Homeless}}) (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt2400435/ Snoop Dogg Presents: The Bad Girls of Comedy] (7+)&lt;/br&gt;
[http://www.imdb.com/title/tt7183876/ Joe Mande's Award-Winning Comedy Special] (6-)&lt;/br&gt;
[[w:TMZ on TV|TMZ on TV]] (6-Q, only saw 2018/03/01 and 12 episodes, what a load of crap content, psychologically damaging, exploitative and abusive, the format is amazingly well done for the function and very addictive they should do something like this for legislative coverage, science, consumer and civil rights)&lt;/br&gt;
[http://www.imdb.com/title/tt6254992/ Conscious Capitalism] (5+, low in content high in self promotion and propaganda, conscience - of actions and consideration for the future, especially long term - and capitalism are incompatible, unless forced by law but then we wouldn't have capitalism at all)&lt;/br&gt;
[[w:Fake Britain|Fake Britain]] (6Q, only saw episode 11 or the 8 season)&lt;/br&gt;
[[w:Roman Empire: Reign of Blood|Roman Empire: Reign of Blood]] (6+, 6 episodes, sadly it adds too much speculation over the historical record)&lt;/br&gt;
[http://www.imdb.com/title/tt7582890/ Judah Friedlander: America is the Greatest Country in the United States] (6-)&lt;/br&gt;
Building the Sun: The 250 Million Degree Problem (7-)&lt;/br&gt;
A.I. and the Destiny of Mankind (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2446192/ Bronies: The Extremely Unexpected Adult Fans of My Little Pony] (7-)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Spiral The Spiral] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt2338173/ Radioman] (7)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Undiscovered_Secrets_of_Petra The Undiscovered Secrets of Petra] (7)&lt;/br&gt;
[http://www.travelchannel.com/shows/mysterious-islands Mysterious Islands] (6-Q, only saw episode 1, the hipped sensationalistic format is a cancer)&lt;/br&gt;
[[w:The 400 Million|The 400 Million aka China in 1938]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt6710212/ Warning: This Drug May Kill You] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5747692/ After Hitler] (6+, 2 parts, a bit too sanitized in parts, too rushed and lacks factual data/statistics, generalizes too much and fails to explain the Soviets)&lt;/br&gt;
[http://www.imdb.com/title/tt6836760/ Stonehenge: The Final Mystery] (6+)&lt;/br&gt;
[[w:The Farthest|The Farthest]] (7+)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/the-secret-of-the-phaistos-code The Secret of the Phaistos Code] (7)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7129272/ Trump's Fortress America] (6+)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7840358/ Millionaire Bankrupts Exposed] (6, too superficial)&lt;/br&gt;
[http://www.imdb.com/title/tt2384296/ Jay Mohr: Funny for a Girl] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1119621/ Jim Norton: Monster Rain] (6, the in your face bi stuff creeps me a bit at times)&lt;/br&gt;
[http://www.imdb.com/title/tt4534440/ The Secret Life of Materials] (6, the jumpy presentation is very annoying, but probably required due to the monotony of how they go about it, the content presented does not justify the time it takes to show it)&lt;/br&gt;
[http://www.imdb.com/title/tt4938484/ Silicon Cowboys] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt1029165/ Decoding the Past: The Tibetan Book of the Dead] (6-)&lt;/br&gt;
[https://www.youtube.com/watch?v=ieaVjXs3oMs Brain Overload] (6-, while the subject matter is pertinent and the presentation is not bad the content is shaped as propaganda, seeming to support anti-connection legislation/policies, that I myself do not disagree are useful but without exacerbating the problem out of proportion like they did here, this is probably why the documentary was made free)&lt;/br&gt;
[http://www.imdb.com/title/tt6544274/ Motherboard 2017] (6+, only saw episode 1 [http://www.imdb.com/title/tt6654624/ The Hunt for the New Physics], the presentation is appealing but the short format makes it not very useful)&lt;/br&gt;
[http://video.aljazeera.com/channels/eng/topics/war-and-conflict Al Jazeera World: Libya's Shifting Sands - Derma &amp; Sirte] (6+, 2 episodes, the editing is not very good and the content at times is redundant failing also to clearly express and substantiate its core point regarding the links amongst the fighters and external influences)&lt;/br&gt;
[http://www.imdb.com/title/tt6946984/ Exploring Quantum History with Brian Greene] (6, 3 episodes)&lt;/br&gt;
[http://www.imdb.com/title/tt6391320/ Ancient Earth] (6-, 3 episodes, content, that would fill many more hours, is crushed into 3 hours, the CGI, editing and production is not good, similar content exists in better form elsewhere)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/mission-x-collection/the-diesel-mystery The Diesel Mystery] (6, the voice over quality, script and editing is not the best, the reenactment is far superior, it is strong in speculations but weak on facts)&lt;/br&gt;
[[w:The Toy Box|The Toy Box]] (6-Q, only saw episode 1)&lt;/br&gt;
[http://www.imdb.com/title/tt4648556/ Impossible Engineering] (6, only saw season 3 episode 5 and 9, it is barely sufferable it goes in tangents and only covers the subject superficially, regarding the Tesla Factory episode with a highly nationalistic skew, again as with most pop US TV shows its sensationalistic format makes one cringe)&lt;/br&gt;
[[w:Expedition Unknown|Expedition Unknown]] (6-, only saw episode 16, regarding the old Indian Vedic City of Duarka, the show is very low on real content on the subject matter and replicates the lose sensationalist format of other Travel Channel productions, but for this type of content it further reduces the quality)&lt;/br&gt;
[[w:After Porn Ends 2|After Porn Ends 2]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0109508/ Crumb] (7+, extremely interesting in levels of self analysis and the raw exposure of the persons and art)&lt;/br&gt;
[[w:Planet Earth (TV series)|Planet Earth]] (7+, 11 episodes, BBC quality but seemingly at a cost, as we now know that nature in BBC productions tends to go by a multitude of filters and all the richness is a deception for the eye not factual &quot;nature&quot; but a conceptualized and optimized representation)&lt;/br&gt;
[http://www.imdb.com/title/tt2526846/ I Am Santa Claus] (6-, a bit too depressing and goes too much into other stuff)&lt;/br&gt;
[http://www.imdb.com/title/tt4669186/ Kevin Hart: What Now?] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5515750/ The Mad World of Donald Trump] (6, balance is hard in the midst of crazy, while it shows Trump from all angles, it sadly explores superficially mostly the negatives. Note the tactic on the snip from [[w:Larry King]]'s old interview shows that Trump has some education into subliminal persuasion, the dialog and the hand movements)&lt;/br&gt;
[[w:For the Love of Spock|For the Love of Spock]] (6+)&lt;/br&gt;
[[w:Panorama_(TV_series)|Panorama 2016 - Why We Voted to Leave]] (5, single sided and demagogic, since there is a clear editorial control on what is shown, and not, there is also a lack of proper analysis of the opinions expressed beyond a nodding head, there are many problems with the EU and the greatest one was the UK itself)&lt;/br&gt;
[[w:The True Cost|The True Cost]] (7-, a bit overemotional and missed some chances to be more clear becoming a bit overextended toward the end)&lt;/br&gt;
[[w:For No Good Reason|For No Good Reason]] (6+)&lt;/br&gt;
[[w:Top Gear (2002 TV series)|Top Gear (2002+)]] (7-, 22 series 175 episodes with specials, I think I have watched most of them, I probably missed some at the start, the image, sound and lighting quality are at the best of what the BBC does the editing is also good and the original cast had a working chemistry that made it all work nicely, I'm not into cars at all I just enjoyed the quality and the crazy Britishness. (These qualities are something that the US version lacks and I couldn't stomach more than 5 minutes of it)&lt;/br&gt;
[[w:Going Clear: Scientology and the Prison of Belief|Going Clear: Scientology and the Prison of Belief]] (6-, very empty of real content beyond a superficial review of some personal stories)&lt;/br&gt;
[[w:Where to Invade Next|Where to Invade Next]] (6+, oversimplification is a problem with most of [[w:Michael Moore]]'s work, probably due to the intended audience but then it risks losing the argument due to be inaccurate or unrealistic, in any case the last bit of it attempts to put some fairness into the content, and as always with Moore's work it provides good reflection material)&lt;/br&gt;
[http://www.imdb.com/title/tt4498460/ Killing Them Safely] (7-, a bit unbalanced and fails properly explore the central issue that is how the Police mishandles the device, exacerbating its lethal potential)&lt;/br&gt;
[[w:The Seven Five|The Seven Five]] (7-, a bit single sided and shallow look into the events, fun to watch due to the reported events and the characters involved but not informative enough beyond the culture of a particular social area in space and time)&lt;/br&gt;
[http://www.imdb.com/title/tt3272570/ All Things Must Pass: The Rise and Fall of Tower Records] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4872998/ Margaret Cho: PsyCHO] (6-, also a bit to much me, me and more about me for my taste)&lt;/br&gt;
[[w:John Bishop (comedian)|John Bishop Supersonic Live]] (6+)&lt;/br&gt;
[[w:Cartel Land|Cartel Land]] (6, disliked the approach that attempts to pass as an simple observation of events at first but in close examination shows some partiality on what it decided to cover or how to present events, in any case the punch line is correct vigilantism is not only dangerous but a corruption of better systems that should provide better accountability and transparency, vigilantism is impractical beyond a tribal like setting were most parties are known to all)&lt;/br&gt;
[[w:The Nightmare (2015 film)|The Nightmare]] (6, while it presents the subject for a personal experience view point it lacks the proper background about the &quot;experiencers&quot; for the dramatization to have any meaning and does not try to move the subject beyond those few unverifiable data-points, even if they are congruent with the general reports)&lt;/br&gt;
[http://www.imdb.com/title/tt3735164/ 7 Deadly Sins] (7, 7 episodes)&lt;/br&gt;
[[w:Ancient Aliens|Ancient Aliens]] (5Q, I've seen the first 4 series after that, being in its 7 season now I only have watched some episodes that touched subjects that I'm interested, while I accept some of the premises as valid, few, and consider ET presence a certainty, the show has a very low quality and lack of consistency even with its own argumentation at times it is just funny crazy, a black spot on the history channel)&lt;/br&gt;
[[w:The Island (U.S. TV series)|The Island]] (5+, 6 episodes, bad concept and &quot;casting&quot;, not that I like the other Bear Grylls's shows. Not because of the content but the way it is structured and presented, I think they target the lowest common denominator.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 47: 2010–2011 - Asteroids – The Good, the Bad and the Ugly]] (7-)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Allergies: Modern Life and Me]] (6, disliked the chosen format the bit that pushes the fear of salmonella in the wrong section, 
that pre and pro biotics received only a brief mention or the confusion in how it openly refutes the [[w:Hygiene hypothesis]] on epidemiological grounds but adheres to it by large without stating it)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Ebola: The Search for a Cure]] (8, I only disliked the convoluted rationalization presented for offering all of the only 3 trial medications to westerners, especially the last specimen, as defended on the documentary I find it morally objectionable.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - The Hunt for Gravitational Waves]] (6+)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 53: 2017-2018 - 10 Things You Need To Know About The Future]] (6)&lt;/br&gt;
[[w:The Jinx (miniseries)|The Jinx]] (7, 9 episodes, well crafted presentation of the issues regarding the strange life and deaths of [[w:Robert Durst]], it could have been better it gets a little overextended in what it presents, but the ending is priceless)&lt;/br&gt;

===Series:===
[[w:The Looming Tower (miniseries)|The Looming Tower]] (6, 10 episodes, the acting is not consistent, [[w:Tahar Rahim]] does a great job, the main problem is the production value and the script that is very simplistic even infantile in areas to a point that it seems more an historic whitewash)&lt;/br&gt;
[[w:The Walking Dead (TV series)|The Walking Dead]] (7-, 9 seasons totalling 131 episodes)&lt;/br&gt;
[[w:The Terror (TV series)|The Terror]] (7, 10 episodes, great cast and acting, fair production and fantastic script)&lt;/br&gt;
[[w:Grimm (TV series)|Grimm]] (6, 6 seasons totalling 123 episodes, the acting at times is problematic as is the writing but the cast manages to pull it along, it has some cool concepts and plot lines sadly it doesn't try to be more than it is)&lt;/br&gt;
[[w:Beyond the Walls (TV series)|Beyond the Walls aka Au-delà des Murs]] (6, 3 episodes)&lt;/br&gt;
[[w:Outlander (TV series)|Outlander]] (7, 4 seasons totalling 55 episodes - '''not concluded''', sadly there is a decay in quality of writing especially on the last 2 seasons)&lt;/br&gt;
[https://www.imdb.com/title/tt6144672/ The Day aka De Dag] (7-, 12 episodes)&lt;/br&gt;
[[w:Parade's End (TV series)|Parade's End]] (7, 5 episodes)&lt;/br&gt;
[[w:Revolution (TV series)|Revolution]] (7-, 2 seasons totalling 42 episodes - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Russian Doll (TV series)|Russian Doll]] (6+, 8 episodes)&lt;/br&gt;
[[w:Spartacus (TV series)|Spartacus]] (7-, 3 seasons totalling 39 episodes, extremely innovative cinematography and great action sequences, the plot could be better and there was a problem with recasting and rebooting the serial but overall a very refreshing take on an old subject)&lt;/br&gt;
[[w:Strange Angel|Strange Angel]] (6+, 10 episodes - '''not concluded''', good production and cast but the plot at times seems lose focus on what to explore)&lt;/br&gt;
[[w:Tin Star (TV series)|Tin Star]] (7, 2 seasons totalling 19 episodes - '''not concluded''', great cast with a fantastic [[w:Tim Roth]], cool plot and characters a bit production strapped but it makes it and great soundtrack [https://www.tunefind.com/show/tin-star/season-1 here S1] - [https://www.tunefind.com/show/tin-star/season-2 here S2])&lt;/br&gt;
[[w:Insecure (TV series)|Insecure]] (6+, only saw episode 1, only for the proper audience and that ain't me)&lt;/br&gt;
[[w:Outcast (TV series)|Outcast (TV series)]] (7+, 2 seasons totalling 20 episodes - '''not concluded''', great acting, casting and lighting, production is a bit cheap but manages to work about the limitations)&lt;/br&gt;
[[w:The Umbrella Academy (TV series)|The Umbrella Academy]] (7, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Miracle Workers (2019 TV series)|Miracle Workers]] (5Q, only saw the first 2 episodes, good premise, strange casting and badly executed, too forced)&lt;/br&gt;
[[w:Limitless (TV series)|Limitless]] (6+, 22 episodes) - '''not concluded''')&lt;/br&gt;
[[w:Condor (TV series|Condor]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Castle Rock (TV series)|Castle Rock]] (6+, 10 episodes, the main problem is the pace and how the story is presented)&lt;/br&gt;
[[w:Counterpart (TV series)|Counterpart]] (7, 2 series of 10 episodes each)&lt;/br&gt;
[[w:Nightflyers (TV series)|Nightflyers]] (7-, 10 episodes - '''not concluded''', cool concept even if derivative, the direction seems lacking as there is lots of over acting. Productions overuses &quot;budget vr&quot; too much to cut costs, and the pace is problematic, it is very slow at times, especially the emotional scenes and faster when things gets interesting action and concepts)&lt;/br&gt;
[[w:Preacher (TV series)|Preacher]] (6+, 3 season totalling 33 episodes - '''not concluded''', the quality is not constant but it contains many cleaver ideas, didn't read the comix)&lt;/br&gt;
[[w:Taboo (2017 TV series)|Taboo]] (7+, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Mentalist|The Mentalist]] (6+, 7 seasons totalling 151 episodes)&lt;/br&gt;
[[w:Lodge 49|Lodge 49]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Impulse (TV series)|Impulse]] (6+, 10 episodes)&lt;/br&gt;
[[w:Origin (TV series)|Origin]] (7, 10 episodes - '''not concluded''', it could have easily been better, the main issues are the scripts, that became repetitive, indulge on wasting too much screen time (maybe a production issue) and also there is a lack of directing especially of [[w:Tom Felton]] that has a lot of potential but when not on the reminiscences acts very out of a believable character)&lt;/br&gt;
[[w:Future Man (TV series)|Future Man]] (6+, 2 seasons totalling 26 episodes - '''not concluded''', while the scripts are mostly a bit absurd, but consistent to the created universe, the cast commitment to the roles and the limited production capability to realize the scripted concepts pushes it all above the expected)&lt;/br&gt;
[[w:Titans (2018 TV series)|Titans]] (7-, 11 episodes - '''not concluded''', so far the best Marvel/DC serial in quality of production and in script writing)&lt;/br&gt;
[[w:The Sinner (TV series)|The Sinner]] (7, 2 self contained seasons totalling (8x2) 16 episodes)&lt;/br&gt;
[[w:The First (TV series)|The First]] (6+, 8 episodes, great production and cast but it is a slow going drama on a Si-Fi setting, so be aware of that so to not feel frustrated)&lt;/br&gt;
[[w:Wayne (TV series)|Wayne]] (6+, 10 episodes - '''not concluded''', great premise and acting even if the scripts fall short at times and the production value seems limited)&lt;/br&gt;
[[w:The Mist (TV series)|The Mist (TV series)]] (6+, 10 episodes  - '''not concluded''', while the twist on the original plot lines is not great it has good production value and the acting is not bad, even if there is a problem with the pace of the action)&lt;/br&gt;
[[w:Fortitude (TV series)|Fortitude]] (6+, 3 seasons totalling 26 episodes - '''not concluded''', the quality of the seasons is a decline, not in the acting or production but on the writing, the main ideas are great and full of promise but the writers and production sadly fails to deliver)&lt;/br&gt;
[[w:The 100 (TV series)|The 100]] (6, 5 seasons totalling 71 episodes - '''not concluded''', the main problem with the series is the writing, at times it sabotages itself making characters act out, or failing to provide satisfying resolutions to problems, as the seasons go there are improvements especially in production quality, acting and better castings)&lt;/br&gt;
[[w:Zapped (TV series)|Zapped]] (6+, 2 seasons totalling 9 episodes, low budget and a bit limited in some of the acting but the scripts are like something out of  [[w:Terry Pratchett]] and ultimately it does what it proposes to do)&lt;/br&gt;
[[w:Bodyguard (2018 TV series)|Bodyguard]] (8, 6 episodes)&lt;/br&gt;
[[w:The Good Cop|The Good Cop]] (6-, only saw episode 1)&lt;/br&gt;
[[w:American Horror Story: Apocalypse|American Horror Story: Apocalypse]] (6-Q, only saw the first 2 episodes of this season, it is the third season of the serial [[w:American Horror Story]], I believe I saw the first episode of the first season and like these last 2 the quality of production is there but the scripts and acting in general terms are just bad, there is some visual quality and esthetical care but all is for not as the rest of the content makes it unbearable)&lt;/br&gt;
[[w:Ozark (TV series)|Ozark]] (7+, 2 seasons 20 episodes total, great cast, direction and scripts, [[w:Julia Garner]] is fantastic in her role)&lt;/br&gt;
[[w:Succession (TV series)|Succession]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Jack Ryan (TV series)|Tom Clancy's Jack Ryan]] (6+, 8 episodes, the US propaganda is strong in this one and they even get to bash the French a bit)&lt;/br&gt;
[[w:Primeval (TV series)|Primeval]] (6-, 5 seasons totalling 36 episodes - '''not concluded''')&lt;/br&gt;
[[w:Primeval: New World|Primeval: New World]] (6 if you had seen Primeval, 6- if not, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Colony (TV series)|Colony]] (7, 3 seasons totalling 35 episodes - '''not concluded''', low budget but creative with it, the scripts are above average and the acting and probably directing, makes it enjoyable and wanting to come for more)&lt;/br&gt;
[[w:Take Two (TV series)|Take Two]] (6, only saw the first episode, not good or innovative but mildly entertaining)&lt;/br&gt;
[[w:The Outpost (TV series)|The Outpost]] (5Q)&lt;/br&gt;
[[w:Me, Myself &amp; I (TV series)|Me, Myself &amp; I]] (6-, only saw the first 2 episodes, the comedy is too forced and formulaic and I didn't like much of the casting, the concept is interesting but the scripts fall short)&lt;/br&gt;
[[w:Mr. Mercedes (TV series)|Mr. Mercedes]] (8, 10 episodes)&lt;/br&gt;
[[w:People of Earth|People of Earth]] (6, 2 seasons totalling 20 episodes - '''not concluded''', it could easily have been better, the scripts and the format creates issues more than the low budget, the cast is fantastic for what it is as are the effects)&lt;/br&gt;
[[w:Inspector George Gently|Inspector George Gently]] (6-, only saw episode 1 of season 9, a low budget, mixed quality acting and basic script writing makes it fall flat)&lt;/br&gt;
[[w:The Orville|The Orville]] (7-, 12 episodes - '''not concluded''', great production quality, well casted and acted, the main issues are the openly social preaching scripts and highly derivative content)&lt;/br&gt;
[[w:The Living and the Dead (TV series)|The Living and the Dead]] (6+, 6 episodes - '''not concluded''', BBC quality, great acting only the scripts pull the series back)&lt;/br&gt;
[https://www.imdb.com/title/tt4167960/ Stripped] (6-, only saw episode 1)&lt;/br&gt;
[[w:Here and Now (2018 TV series)|Here and Now]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Quacks (TV series)|Quacks]] (6Q, only saw episode 1, almost a 6- it depends on the audience)&lt;/br&gt;
[[w:Goliath (TV series)|Goliath]] (7-, 8 episodes)&lt;/br&gt;
[[w:Deep State (TV series)|Deep State]] (7-, 8 episodes)&lt;/br&gt;
[[w:Damnation (TV series)|Damnation]] (6Q, only saw up to episode 2, good production, characters but not as good script and blatant propagandist at times)&lt;/br&gt;
[[w:Lost in Space (2018 TV series)|Lost in Space (2018)]] (7-, 10 episodes - '''not concluded''', it could easily have been better 10% reduction on epic music, better direction of the kid and script accommodation for him, some scenes do not work at all and less repetition of patterns on the script, different but the same becomes boring at that slow pace)&lt;/br&gt;
[[w:Kim's Convenience (TV series)|Kim's Convenience]] ( 6+, 2 seasons totalling 28 episodes, there is a negative bell curve change in quality of the writing on episodes 7 to 12)&lt;/br&gt;
[[w:Black Lightning|Black Lightning]] (6-Q, only saw episode 1, low quality even if it has some production value, it also feels too racial oriented)&lt;/br&gt;
[[w:Plebs (TV series)|Plebs]] (5+Q, only saw episode 1 or the 4th season)&lt;/br&gt;
[[w:Britannia (TV series)|Britannia]] (5+Q, only saw episode 1, acting is problematic, the script is lacking especially due to being a purportedly historically based, the production also misses the point that people, their wardrobe and scenes should be dirtier, less plastic and more chaotic. The only exception is [[w:Nikolaj Lie Kaas]] great acting, distinct presence it even clashes with the other characters, more than was decidedly intended)&lt;/br&gt;
[[w:Instinct (U.S. TV series)|Instinct (U.S.)]] (6-Q, only saw episode 1, the script and characters were not catching, there are better alternatives)&lt;/br&gt;
[[w:Alias (TV series)|Alias]] (7-, 5 seasons totalling 105 episodes, I skipped a few, but loved the script history arcs, regretted them not having as good production as lesser projects, as the acting and writing is far more consistent in quality)&lt;/br&gt;
[[w:24 (TV series)|24]] (6, 9 seasons totalling 204 episodes + some web content, the production quality is very good as the pace of the writing, the scripts could be a bit better and the acting also)&lt;/br&gt;
[[w:The Good Place|The Good Place]] (6+, 2 seasons totalling 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:From Dusk till Dawn: The Series|From Dusk till Dawn: The Series]] (6-Q, only saw, with a lot of FF up to the first episode of season 2, it diverges too much form the film, the cast and production aren't bad but the scripts are not good, too much time in dream/vision space also)&lt;/br&gt;
[[w:Forever (U.S. TV series)|Forever (U.S.)]] (6+, 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:Altered Carbon (TV series)|Altered Carbon]] (8, 10 episodes, great cast, production and script)&lt;/br&gt;
[[w:Dimension 404|Dimension 404]] (6, 6 episodes, the quality is very inconsistent, from acting to the scripts)&lt;/br&gt;
[[w:Hard Sun|Hard Sun]] (6, 6 episodes - '''not concluded''', great characters, ok cast and acting, interesting main plot line but all else is too bland and repetitive)&lt;/br&gt;
[[w:Godless (TV series)|Godless]] (7+, 7 episodes)&lt;/br&gt;
[[w:Rewind (TV series)|Rewind]] (6, &lt;b&gt;pilot only&lt;/b&gt; - {{YouTube link|Vi6u14oGmh0|Rewind}})&lt;/br&gt;
[[w:Salvation (TV series)|Salvation]] (6-, 13 episodes - '''not concluded''', the acting and writing could have been better but it really shows no effort of wanting to be more than it is)&lt;/br&gt;
[[w:Ray Donovan|Ray Donovan]] (7+, 6 seasons of 12 episodes each totalling (6x12) 72 episodes, great acting, impeccable image and very good writing for the most part, it somewhat gets over extended on the last season but manages to keep it cool)&lt;/br&gt;
[[w:Stargate Universe|Stargate Universe]] (7-, 2 seasons with a 20 episodes each, it breaks a bit from the rest of the series, the quality is not constant but a crescendo, the acting quality improves with a few exceptions and the scripts overtime become better  - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Sleepy Hollow (TV series)|Sleepy Hollow]] (6Q, only saw up to season 2 episode 5, it became too repetitive and the acting was not great, the major quality was the script plot, some of the effects and some times great esthetics, sadly inconsistently so)&lt;/br&gt;
[[w:Time After Time (TV series)|Time After Time US]] (6Q, 5 episodes - '''not concluded''')&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7+, 2 seasons with a total of 16 episodes - '''not concluded''')&lt;/br&gt;
[[w:Second Chance|Second Chance]] (6+, 11 episodes - '''cancelled''')&lt;/br&gt;
[[w:Smallville|Smallville]] (6+, 10 seasons with a total of 218 episodes, while the acting is not consistent it is above average of what one would expect and there is a real production behind it all with a script designed to please the demographic it targets it still keeps making it interesting to core fans on the DC/Marvel universe)&lt;/br&gt;
[[w:Better Call Saul|Better Call Saul]] (8, 3 seasons totalling 30 episodes)&lt;/br&gt;
[[w:Three Inches|Three Inches]] (6+, &lt;b&gt;pilot only&lt;/b&gt;)&lt;/br&gt;
Transparent (6+, &lt;b&gt;pilot only&lt;/b&gt;, sad as it had promise)&lt;/br&gt;
[[w:Turn: Washington's Spies|Turn: Washington's Spies]] (6+, 4 series of 10 episodes each, great characters but restricted budget and a free hand with history prevents it from being more, the scripts of the episodes are also of different quality, but there is a general decline near the end)&lt;/br&gt;
[[w:Oasis (2017 TV series)|Oasis]] (7, saw the pilot, hope it gets picked and they don't bork it, great starting material)&lt;/br&gt;
[[w:The Triangle (miniseries)|The Triangle]] (6-, 3 parts, it could have been much more, but the script takes too many bad turns)&lt;/br&gt;
[[w:The Leftovers (TV series)|The Leftovers]] (6+, for season 1, 7+ for season 2 and 3, totalling 28 episodes, the characters and casting are great, the script starts with a cool concept and improves after season 1 where it is it's biggest problem, too slow and confusingly presented without any gain to the story, the improvements are especially on the narrative and deepness that breaches many sensitive subjects in a very cleaver way)&lt;/br&gt;
[[w:Crossbones (TV series)|Crossbones]] (5+Q, only saw the first 5 episodes, low production quality and [[w:Richard Coyle]] seems to be one of the few actors that attempts to make it work)&lt;/br&gt;
[[w:South of Hell (TV series)|South of Hell]] (5-Q, only partially saw the first 2 episodes)&lt;/br&gt;
[[w:Aftermath (2016 TV series)|Aftermath (2016)]] (5+Q, only saw first season up to episode 13, the script tries to mash too many things, that is in part the interesting bit about it, production quality and acting are not there at all)&lt;/br&gt;
[[w:Mech-X4|Mech-X4]] (6-, only saw episode one, not in the right demographic for it, but it has some production quality)&lt;/br&gt;
[[w:Riviera (TV series)|Riviera]] (6+, 10 episodes, the script is great, with a restricted budget and the casting a bit off but the actors do their part, except for [[w:Iwan Rheon]], he doesn't seem to make an effort to make his character shine)&lt;/br&gt;
[[w:Cleverman|Cleverman]] (6-Q, only saw the first 3 episodes, the cultural divide seems too great for me to appreciate it)&lt;/br&gt;
[[w:Legion (TV series)|Legion]] (7, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Loaded (TV series)|Loaded]] (6-Q, only saw episode 1, too forced, a few interesting characters)&lt;/br&gt;
[[w:The Handmaid's Tale (TV series)|The Handmaid's Tale]] (8, 10 episodes)&lt;/br&gt;
[[w:Backstrom (TV series)|Backstrom]] (6-Q, only saw up to episode 6, great characters, cleaver script bits but it is too populated, the actors don't take it seriously to a point that they degenerate in acting very similar to each-other)&lt;/br&gt;
[[w:The Magicians (U.S. TV series)|The Magicians]] (7, 3 seasons totalling 39 episodes each, the script has great quality more than the rest of the production, the cast and characters are great. A bit too heavy on the LGBT issues and overuse of the f word, I think intentionally as to force a somewhat unpleasant cultural chock but without any real benefit to the story telling)&lt;/br&gt;
[[w:Of Kings and Prophets|Of Kings and Prophets]] (6, 9 episodes - '''cancelled, not concluded''', not as bad as many critics pain it, my main peeves are the historic inaccuracies like the use of ballistas among other things, the limited budget, some cheesy dialogs and lack of proper exteriors, the acting improves with time))&lt;/br&gt;
[[w:Iron Fist (TV series)|Iron Fist]] (7-, 13 episodes - '''not concluded''', while not too innovative the casting and acting is right, it has a lack of better special effects and camera work as at time the hero seems &quot;non-heroic&quot; in physical feats, and mind, the later a problem with the script that at times is a bit too infantile. The action sequences are also poor, Marvel did a better job in previous shows like in [[w:Daredevil (TV series)]])&lt;/br&gt;
[[w:Dig (TV series)|Dig]] (6, 10 episodes - '''cancelled, not concluded''', the production quality is above average, the acting is fair)&lt;/br&gt;
[[w:Emerald City (TV series)|Emerald City]] (8-, 10 episodes - '''not concluded''', good concept and production quality the only downside is some huge differences in acting capability in parts of the cast, or maybe lack of proper directing)&lt;/br&gt;
[[w:Crashing (U.S. TV series)|Crashing]] (6-, only saw the first 3 episodes, too forced and not that funny, it has great characters but that is all)&lt;/br&gt;
[[w:Cardinal (TV series)|Cardinal]] (8-, 6 episodes, somewhat low budget but amazing quality and acting, from the photography to the music)&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7-, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Tomorrow When the War Began (TV series)|Tomorrow When the War Began]] (6, 6 episodes, suffers from a low budget but the pace of the script and the care put into it makes it work)&lt;/br&gt;
[[w:Van Helsing (TV series)|Van Helsing]] (6, 13 episodes - '''not concluded''', hampered by a low budget but the script keeps it going with some innovative ideas)&lt;/br&gt;
[[w:Taken (TV series)|Taken]] (6Q, only saw episode 1)&lt;/br&gt;
[[w:Westworld (TV series)|Westworld]] (8, 2 seasons 20 episodes total, great production value, characters, casting and acting and cleaver script full of rich dialogs and clever ideas)&lt;/br&gt;
[[w:Shameless (UK TV series)|Shameless (UK)]] (6-, only saw one or two episodes, the concepts as shown by the US version is fine but the acting and productions was very lax)&lt;/br&gt;
[[w:Shameless (U.S. TV series)|Shameless (U.S.)]] (8, 7 seasons total of 84 episodes, great cast, characters, acting and clever scripts at a fantastic pace)&lt;/br&gt;
[[w:Pure (TV series)|Pure]] (7-, 6 episodes)&lt;/br&gt;
[[w:Scorpion (TV series)|Scorpion]] (6Q, only saw the fist 6 episodes, the scripts and ideas are a bit stale, it rehashes previous similar series)&lt;/br&gt;
[[w:Six (TV series)|Six]] (6-Q, only saw the first 2 episodes, not very good acting and the script is very basic except in the operational side of it, the settings are great better than similar shows)&lt;/br&gt;
[[w:The Exorcist (TV series)|The Exorcist]] (6, 10 episodes, not my cup of tea, but it has great characters and some scenes are memorable)&lt;/br&gt;
[[w:Lexx|Lexx]] (7-, 4 seasons 61 episodes, while the quality is not constant the uniqueness of it all make it all work, fantastic characters) (*PS revisiting it I think I only saw up to season 2 or 3)&lt;/br&gt;
[[w:Continuum (TV series)|Continuum]] (6, 4 seasons totaling 42 episodes, the writing is good but time travel is very hard, some of the acting is lacking and the budget seems short at times, it has some cool ideas)&lt;/br&gt;
[[w:Stitchers|Stitchers]] (5+Q, only saw the first 4 episodes, too plastic and canned, the scripts, setting and image weren't good, [[w:Emma Ishta]] is fine but the rest of the cast does not commit)&lt;/br&gt;
[[w:Powerless (TV series)|Powerless]] (6-, only saw episode 1, too infantile and forced, would be great for kids, I also had a strong dislike to the audio treatment of voices very cartoonish, the registry and pace)&lt;/br&gt;
[[w:Quarry (TV series)|Quarry]] (7, 8 episodes, great casting, eye for detail of the era, the scripts could be easily improved especially the pace of the action as well as the cinematography)&lt;/br&gt;
[[w:Training Day (TV series)|Training Day]] (6-Q, only saw part of episode 1, bad script, cast and acting couldn't stomach it)&lt;/br&gt;
[[w:Containment (TV series)|Containment]] (6-, 13 episodes - '''cancelled, not concluded''', acting is mixed, a very few do alight and the script is poor)&lt;/br&gt;
[[w:Caprica (TV series)|Caprica]] (7-, 19 episodes - '''cancelled, not concluded''', interesting but gets a bit too lost in virtual reality and we already know how that goes since Star-trek holodeck, there are some cool ideas on the script mostly dealing with the underlying universe)&lt;/br&gt;
[[w:Sneaky Pete|Sneaky Pete]] (8, 10 episodes - '''not concluded''', great show, interesting characters, great acting and well paced script, a bit more funding for sets, better lighting, more camera work and more varied sets would be great but as is it is all good)&lt;/br&gt;
[[w:Maigret (2016 TV series)|Maigret]] (7-, 2 episodes, sadly the production values is low, image and sound suffers from it, but the sets and acting is ok and it was very well casted)&lt;/br&gt;
[[w:Falling Water (TV series)|Falling Water]] (6, 10 episodes, the unnecessary twisted narrative serves no real purpose beyond distraction from a weak script and then frustration after the realization that it all does not matter as the script writers can magically solve anything, and even then they make a blunder here and there)&lt;/br&gt;
[[w:Beyond (2017 TV series)|Beyond]] (6, 10 episodes - '''not concluded''', excruciatingly slow without much creative content beyond the tease that makes it go, the  directing is also problematic)&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:Dirk Gently's Holistic Detective Agency (TV series)|Dirk Gently's Holistic Detective Agency]] (6, 8 episodes - '''not concluded''', the acting quality is not uniform, it may be a problem with directing as some actors aren't even making an effort to take the job seriously, the script also has issues, it could easily have been much better)&lt;/br&gt;
[[w:The OA|The OA]] (7, 2 seasons with 16 episodes - '''not concluded''', a well crafted big tease, fantastic casting, good acting and cleaver script that ultimately frustrates the created expectations again and again, season 2 has some minor script errors, regarding sequence and time frames capabilities)&lt;/br&gt;
[[w:Sense8|Sense8]] (5+Q, only saw part of episode 1, visually appealing, but poor acting and script, including too much LGBT issues)&lt;/br&gt;
[[w:Public Morals (2015 TV series)|Public Morals]] (7-, 10 episodes - '''canceled, not concluded''', fantastic cast and eye for detail, the acting and scripts are smooth but it lacks a bit of support in the production, the sets become as repetitive as the camera angles used)&lt;/br&gt;
[[w:The Crown (TV series)|The Crown]] (6Q,only saw part of episode 1, high BBC quality but who cares about royals, the characterization can even be described as a work of propaganda)&lt;/br&gt;
[[w:Luke Cage (TV series)|Luke Cage]] (6, 13 episodes, the script is not great it is exasperatingly slow also not very creative, and the production quality goes down the closer it gets to the end, the acting is fine and the casting shines, it also focus too much on social propaganda disturbingly so and in unnecessary musical plugging)&lt;/br&gt;
[[w:Kevin Can Wait|Kevin Can Wait]] (6-Q, Only saw episode 1 the casting is a mess, the audience laughter is horrid and after [[w:The King of Queens]] who needs more at lesser quality)&lt;/br&gt;
[[w:Quantico (TV series)|Quantico]] (6-Q, Only saw the first 4 episodes of season 1, not very creative and what is up with this over-presence of Indian, especially as leads in the new US shows. Is it a intentional move to get into those markets? [[w:Priyanka Chopra]] is not bad but the trend stands out badly in such an overbearing way)&lt;/br&gt;
[[w:StartUp (TV series)|StartUp]] (7, 10 episodes - '''not concluded''', suffers from its low budget and the writing quality declined in the last 3 episodes, lightning/filters and image quality could easily be improved it is unnecessarily raw)&lt;/br&gt;
[[w:The Night Of|The Night Of]] (8-, 8 episodes, great writing until, on my view, some out of character options near the end, it is also a rare and for it a political piece in how it shows some American minorities)&lt;/br&gt;
[http://www.imdb.com/title/tt4800878/ Stan Lee's Lucky Man](6-, 10 episodes, low budget and with a problematic scrip due to its childish nature, it has a great premise and characters, the acting is fair but its like painting by numbers in the creative department, the directing seems also bad since some of the actors should be able to do more with what they have)&lt;/br&gt;
[[w:Slasher (TV series)|Slasher]] (6Q, only saw the first 3 episodes, it just failed to captivate any interest)&lt;/br&gt;
[[w:Supergirl (TV series)|Supergirl]] (6-, 1 season with a total of 20 episodes, low budget, sub par acting and stale scripting too focused to a very specific narrow audience)&lt;/br&gt;
[[w:Stranger Things (TV series)|Stranger Things]] (8+, season 1 with 8 episodes, 7, season 2 with 6 episodes, fantastic casting and care for the epoch look, even in the initial way in the first series they worked the cinematography, going so far to the fonts selected, the plot sadly is a bit too derivative but beyond that it would be hard to make any improvements, even so on the second series the acting and the script loses quality probably a problem with directing)&lt;/br&gt;
[[w:Man Down (TV series)|Man Down]] (5Q, only saw part of the first episode, couldn't manage more)&lt;/br&gt;
[[w:Angel from Hell|Angel from Hell]] (6-Q, only saw the second episode, clearly directed toward a female audience, the sketches aren't very funny and the comedy is too forced)&lt;/br&gt;
[[w:Person of Interest (TV series)|Person of Interest]] (7-, 5 seasons with a total of 103 episodes, the production, acting and casting is good, the script has cool ideas and solid history arcs but at times is repetitive and the finalization lacks not only conviction but solidity, its a bit messy. Overall quality is not constant it declines with time)&lt;/br&gt;
[[w:iZombie (TV series)|iZombie]] (6+, [[w:List of iZombie episodes|4 seasons 58 Episodes]] - '''not concluded''', very creative, probably due to the original source material but the casting works very well, the acting quality is mixed but not that bad, major flaw is that it is a bit repetitive)&lt;/br&gt;
[[w:The Expanse (TV series)|The Expanse]] (7-,  season 1, 7+ season 2, 8 season 3, 3 seasons totaling 36 episodes, in the first season the rate is mostly due to the quality of the production cast and acting, the script is not too innovative and a bit slow and I particularly disliked the &quot;South African&quot; atmosphere they decided to go with at tines, the second season has a bump in production value, this in general seem more coordinated and the story is given a proper arch, less time is spent in building up the characters and so things start to get a better pace, the third season is a continuation of the improvement work and the season finale is fantastic)&lt;/br&gt;
[[w:The Hollow Crown (TV series)|The Hollow Crown]] (6Q, only saw part of episode 1, it is hard to stomach even if the quality is there there is no patience for it, the dialogs are as illustrious as the irrelevance of it all beyond the great cast and some historical interest that today is of no relevance at all)&lt;/br&gt;
[http://www.imdb.com/title/tt5237932/ Witless] (6-Q, only saw episode 1, too forced to be funny)&lt;/br&gt;
[[w:The Lottery|The Lottery]] (6, 10 episodes, while the plot lines are interesting the script does not present an engaging story, one of the highlight is carefully selected wardrobe)&lt;/br&gt;
[[w:The Last Ship (TV series)|The Last Ship]] (6, 4 seasons totaling 48 episodes, the most pressing problem is the acting, generally it is not great and the script has issues, especially in regards to emotions and nationalism and political views expressed, very basic, but at times does come out with some good ideas in regards to the settings and main plot lines)&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (7-, 2 series 10 episodes each, fine acting and interesting script even in a field that is hard to innovate the pace and environment, light and camera work makes it distinct)&lt;/br&gt;
[[w:11.22.63|11.22.63]] (7-, 8 episodes, very interesting and well done, specially the first episodes, some minor logical errors on the script but it may be issues found in the original material, time traveling is always hard to write about... The last 2 episodes are very rushed and it is when the internal logic of the script starts to crumble. All past inconsistencies could have been only flaws created by the participating characters but it starts to come out of the hinges in the end. I liked the cast and the acting performances, except the part of [[w:George MacKay]], not the acting, but the direction and the character bipolar behavior.)&lt;/br&gt;
[[w:Wynonna Earp (TV series)|Wynonna Earp]] (6-Q, only saw the 1st episode, main issue is the acting)&lt;/br&gt;
[[w:Orphan Black|Orphan Black]] (6+, 5 seasons totaling 50 episodes - '''not concluded''', great work from [[w:Tatiana Maslany]] she is the series, the plot is interesting but the production is low cost and so it becomes repetitive both in the settings and situations and unnecessary complex as the plot branches)&lt;/br&gt;
[[w:Power (TV series)|Power]] (7, 2 seasons 18 episodes, great acting, the pace, plot and characters are compelling)&lt;/br&gt;
[[w:Mr. Robot (TV series)|Mr. Robot]] (7-, Season 1 with 10 episodes, great acting, interesting script and characters)&lt;/br&gt;
[[w:Silicon Valley (TV series)|Silicon Valley]] (6-Q, only saw Season 1 and Season 2 first episode, the acting is not great nor the chemistry between the cast, the scripts are interesting at times with the pertinent information but seems to fail when dealing with the emotional and more mundane stuff)&lt;/br&gt;
[[w:Proof (2015 TV series)|Proof]] (6, Season 1 with 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Frank Herbert's Dune|Frank Herbert's Dune]] (7+, 3 episodes)&lt;/br&gt;
[[w:And Then There Were None (TV series)|And Then There Were None]] (6, 3 episodes)&lt;/br&gt;
[[w:The Frankenstein Chronicles|The Frankenstein Chronicles]] (6, 2 seasons of 6 episodes each, the low budget and the rushed ending of season one damages what could easily be a better production, the time space between seasons also does not help)&lt;/br&gt;
[[w:12 Monkeys (TV series)|12 Monkeys]] (7-, 4 Seasons, totaling 47 episodes, good acting, workable scripts even if a little constrained on budget but manages to keep the quality constant, the plot get increasingly confusing as it goes, heh time traveling...)&lt;/br&gt;
[[w:American Crime (TV series)|American Crime]] (6Q, only saw the firt three episodes of season 1, probably a 6+ but requires an interest for the script topic that to me it failed to make compelling, the acting and production is good)&lt;/br&gt;
[[w:Its Always Sunny in Philadelphia|Its Always Sunny in Philadelphia]] (6Q, only saw the first 2 episodes of the first season but it seemed too contrived)&lt;/br&gt;
[[w:Childhood's End (miniseries)|Childhood's End]] (6, I still don't understand why Syfy productions need to be so weak/cheap. This is one of the best I've seen but it fails a bit on how it circumvents what the audience would be interested to know/see and lingers too much on futile and uninteresting alternate reality love connection / triangle and rushes over some concepts, making them hard to swallow)&lt;/br&gt;
[[w:The Man in the High Castle (TV series)|The Man in the High Castle]] (7, Season 1, 7+, Season 2, 20 episodes total - '''not concluded''', a bit slow but the alternative reality is compelling and pushed forward by a great cast, on season 1 the production quality was a bit low making it a bit restrictive and repetitive in its setting, it could well be easily converted into a 4 hour movie with some re-shooting, broader view of that reality and a faster pace that would need a reworking of the main plot, focusing less on the convolutions would have made it far better, season 2 gets a better pace, it does less character building, but in my view exaggerates on the head trips of the characters to explain motivations and concerns. [[w:Cary-Hiroyuki Tagawa]] is excellent.)&lt;/br&gt;
[[w:Glitch (TV series)|Glitch]] (6+, 6 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Grinder (TV series)|The Grinder]] (5+Q, only saw part of episode 1)&lt;/br&gt;
[[w:Jessica Jones|Jessica Jones]] (7+, 13 episodes, great casting, acting and writing, well up to episode 10, then it seems to be rushed or crammed to fit the 13 episodes and I blame it on the direction and editing since there is some wasted time on the slow action of the first episodes)&lt;/br&gt;
[[w:Hung (TV series)|Hung]] (7, 3 seasons 30 episodes - '''canceled''' without proper conclusion, great cast, acting and creative writing)&lt;/br&gt;
[[w:Helix (TV series)|Helix]] (6, 2 seasons with a total of 26 episodes - '''not concluded''', the quality is not consistent nor the acting, the writing and pace is fine even innovative in its field)&lt;/br&gt;
[[w:FlashForward|FlashForward]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Doctor Who (series 1)|Doctor Who 2005]] (6-Q, seen only up to season 9 episode 8, the quality in general was never that great the lore is the more interesting part, but after the [[w:sonic screwdriver]] was turned into sunglasses and the scripts continue in a down-spiral in regards to creativity, I'm done with it...)&lt;/br&gt;
[http://www.imdb.com/title/tt3551796/ American Odyssey] (6-, 13 episodes - '''not concluded''', the acting is not great, the action pace is unbalanced probably a writing issue, that also fails to explore the relevant bits to the history and focus on the easier but often unrealistically presented emotional connections)&lt;/br&gt;
[[w:Outcasts (TV series)|Outcasts]] (6+, 8 episodes - '''not concluded''', the script was interesting in parts and messed up in others the acting was not of consistent quality but it was compelling)&lt;/br&gt;
[[w:Human Target (2010 TV series)|Human Target]] (7-, 2 seasons total of 25 episodes - '''not concluded''', great cast, acting and an above average script)&lt;/br&gt;
[[w:Agent X (TV series)|Agent X]] (5+Q, only saw episode 1, lots of FF after the major discontinuity on the first fight that indicated a lack of quality in the production, just to be surprised moments later on the casting options working with this tired script)&lt;/br&gt;
[[w:House of Cards (US)|House of Cards (U.S. TV series)]] (7+ season 1, 7- season 2, 6+ season 3, 7 seasons 4, 4 seasons with 52 episodes - '''not concluded''')&lt;/br&gt;
[[w:House of Cards (UK)|House of Cards (UK TV series)]] (8+, 4 episodes)&lt;/br&gt;
[[w:Dr. Ken|Dr. Ken]] (5Q, seen part of 1st episode)&lt;/br&gt;
[[w:Lie to Me|Lie to Me]] (6+, 3 seasons with 48 episodes, very creative script plots and subplots but also repetitive in the minutia, hence the 6+ and not a 7-, great acting and pace, [[w:Tim Roth]] makes it pop)&lt;/br&gt;
[[w:Legends (TV series)|Legends]] (6-Q, only saw the first 3 episodes, nothing innovative or enticing, the casting of [[w:Sean Bean]] does not work for me, the age and accent, then there is the feeling that they are treating the show as canned food, no love or spark)&lt;/br&gt;
[[w:Longmire (TV series)|Longmire]] (7-, 4 seasons with 43 episodes total, great casting, acting, setup and inventive script that manages to make the series not about the subplots but the characters and a rare glimpse on US society interaction with native american's issues)&lt;/br&gt;
[[w:The Knick|The Knick]] (7, 2 seasons, 20 episodes, the acting and scripts are great, the production is not at the same level and the camera work and techno sound track at times become extremely annoying, less so on season 2. Counter intuitively the quality also declines as the series goes on on season 1, being the first episodes the better ones even if the characters aren't yet as rich. In season 2 the presentation is more balanced)&lt;/br&gt;
[[w:Defiance (TV series)|Defiance]] (6, 3 seasons 38 episodes total, the production quality is sadly low but there is a lot of creativity and some few sparks of cool acting, all actors improve along the run of the serial and some characters become truly memorable, the background universe is unnecessarily complex and the script writers at times fail to be logically consistent with the reality created or let it go underused, probably due to budgetary issues)&lt;/br&gt;
[[w:Entourage (TV series)|Entourage]] (7-, 8 seasons with a total of 98 episodes, the last 2 seasons had a drop in quality, mostly on the script writing all other production values remained consistent)&lt;/br&gt;
[[w:Zoo (TV series)|Zoo]] (5+Q, saw 8 episodes, the acting is not great, after the first episodes the actors, the less experienced ones, have adopted the same mannerisms of the only 2 innovators, the script starts ok but degenerates too fast becoming increasingly and unnecessarily complex and without a defined path)&lt;/br&gt;
[[w:Lucky 7 (TV series)|Lucky 7]] (6-Q, 2 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Resurrection (U.S. TV series)|Resurrection]] (6, 2 seasons - '''not concluded''', 21 episodes, interesting concept, so as the script goes it shows in its logical failings how absurd some religious concepts are. The acting is not consistent at all, some good actors and some bad and some actors even devolve along the run of the series probably due to lack of proper direction.)&lt;/br&gt;
[[w:Homeland (TV series)|Homeland]] (8, 7 seasons totaling 84 episodes, the script, casting, acting and image is great, the writing degrades a bit as it goes into the last season but almost unnoticeable or complemented the incorporation of good ideas.)&lt;/br&gt;
[[w:Taken (miniseries)|Taken]] (6+, 10 episodes, a bit confusing especially for those that aren't aware of the meme and for those that are a bit infantile on the presentation, I guess that it was weirdly directed toward a younger audience.)&lt;/br&gt;
[[w:666 Park Avenue|666 Park Avenue]] (6, 12 episodes, haven't seen the final 13 or the promised rewritten final  - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Peaky Blinders (TV series)|Peaky Blinders]] (8, 2 seasons, 12 episodes)&lt;/br&gt;
[[w:Fargo (TV series)|Fargo (TV series)]] (9-, 3 seasons totaling 30 episodes)&lt;/br&gt;
[[w:The Event|The Event]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Z Nation|Z Nation]] (5+, 4 seasons totaling 56 episodes, crazy scripts, general bad acting (even if improving as it goes on) and bad effects, even so, it is so bad that is fun to watch)&lt;/br&gt;
[[w:Escobar: Paradise Lost|Escobar: Paradise Lost]] (6)&lt;/br&gt;
[[w:Ascension (TV series)|Ascension]] (6, first 6 episodes - '''not concluded''', this is one show that one has to use their ability to suspend critical thinking as there are many issues with the preposition of the script but the pace, acting, effects and the good side of the concept makes it all go forward, since it does not provide a conclusion I would not advise spending time in it until its a finished product)&lt;/br&gt;
[[w:American Heist|American Heist]] (5, bad script and bad directing plus the casting of [[w:Adrien Brody]] feels just weird, he tries but he does not convince)&lt;/br&gt;
[[w:Tut (miniseries)|Tut]] (5+Q, only saw part of the first episode, the acting and casting is not great and any hope of historic correctness was quickly shoot)&lt;/br&gt;
[[w:Wayward Pines|Wayward Pines]] (8 season 1, 7 season 2, 20 episodes total, a conclusion is provided in some way on season 1 but the ability to suspend disbelief on the logic of the plot starts to decay a few episodes near the end, as characters start to behave unrealistically and some even against what the audience would expect based on the provided construction, even so the issue is with the writing and probably on budget stresses to provide a final, this seems to be proven by an increased decline in writing quality on season 2 and even a lower quality of main actors, while the reality created is enticing the production of it seems to decay)&lt;/br&gt;
[[w:Daredevil (TV series)|Daredevil]] (8, 3 seasons totaling 39 episodes, it has a weak 2 first seasons and in the first the series lingers more than it should after episode 8 but overall the best Marvel's hero conversion at the time, especially because it is not too juvenile or infantile as all the others so far, great casting and acting, there is a palpable improvement in the third season even if the writing still lingers in the emotional side of the story)&lt;/br&gt;
[[w:V (2009 TV series)|V (2009]]] (6-, 2 seasons with a total of 22 episodes - '''canceled''' and '''not concluded''', not a carbon copy of the original but lacks the production budget to pull off any significance)&lt;/br&gt;
[[w:V (1984 TV series)|V (1984)]] (6+, 19 episodes, it hasn't aged well and the acting wasn't great nor was the production value but a 80's classic with some creative plot lines and a good pace)&lt;/br&gt;
[[w:Falling Skies|Falling Skies]] (6+, 5 seasons with a total of 52 episodes - '''not concluded''', production wise is just enough to keep it going and this influences the scripts, the CGI could also be better at times, even the creative department could be more consistent in general, but the main problem is the acting quality among the cast (and their directing) , with very few exceptions and considering that the main characters improve over time. the thing that keeps it all going is the main story arc and even so the writers at times takes us in some unnecessary side rides and rush the important stuff at the end of a season)&lt;/br&gt;
[[w:Remember Me (TV series)|Remember Me]] (6, 3 episodes, Great cast and acting, BBC quality image but the script that starts fabulously loses quality rapidly)&lt;/br&gt;
[[w:Da Vinci's Demons|Da Vinci's Demons]] (6-, 2 seasons 18 episodes)&lt;/br&gt;
[[w:Banshee (TV series)|Banshee]] (7, 2 seasons / 20 ep. +  web series Banshee Origins 8 ep.)&lt;/br&gt;
[[w:Black Sails (TV series)|Black Sails]] (9, 4 seasons totalling 38 episodes, great cast, acting, writing and production value)&lt;/br&gt;
[[w:Almost Human (TV series)|Almost Human]] (6+, 13 - '''canceled''', a bit more consistent acting and higher production and it would be extremely cool, no closure was provided to the series long history arc)&lt;/br&gt;
[[w:Rubicon (TV series)|Rubicon]] (8, 13 episodes - '''canceled''' and '''not concluded''', very good acting, plot and production, to be clear the last episode offers some sort of haphazardly created conclusion that addresses some of the plot arches questions but does not resolve or satisfy as a real end)&lt;/br&gt;
[[w:Ripper Street|Ripper Street]] (7 for the first season, 6 for the second and third, 3 seasons with a total of 24 episodes, great acting and some good plot lines and well created characters but the script degrades overtime into not only a slower speed but repetition and common places, the 3rd season would have closed the series nicely...)&lt;/br&gt;
[[w:No Ordinary Family|No Ordinary Family]] (6, 20 episodes)&lt;/br&gt;
[[w:The Shield|The Shield]] (9, 7 seasons with 88 episodes total)&lt;/br&gt;
[[w:Under the Dome (TV series)|Under the Dome]] (5-Q, 5 for the first season and 4 for the 2nd seasons as the quality in general crashes even at script level, 26 episodes, I have stopped watching at the 4th episode of the 3rd season as I really couldn't care less about the characters the plot of the cheesy acting)&lt;/br&gt;
[[w:The Unit|The Unit]] (6, 4 seasons with 68 episodes)&lt;/br&gt;
[[w:Dirk Gently (TV series)|Dirk Gently]] (6)&lt;/br&gt;
[[w:The Big Bang Theory|The Big Bang Theory]] (7 season 1, 6 season 2, 5 season 3, 4 the rest ... I just continue to see it due to character based curiosity and to define what went wrong, I think it was the script quality...)&lt;/br&gt;
[[w:Utopia (UK TV series)|Utopia]] (6, 2 seasons with 22 episodes total, could have been better the music score and the story itself is great)&lt;/br&gt;
[[w:Penny Dreadful (TV series)|Penny Dreadful]] (7+, 3 seasons of 8, 10 and 9 episodes respectively, superb casting, great acting and improving quality in esthetics's and editing, if it had more funding, the quality of the scripts was constant and some clumsy acting corrected it would be un-improvable)&lt;/br&gt;
[[w:Wheel of Time|Wheel of Time]] (5, pilot)&lt;/br&gt;
[[w:The Strain (TV series)|The Strain]] (7, 4 seasons totalling 48 episodes, while quality declines a bit on the second season, the issue being that the serial is become even slower and more repetitive it picks up a bit later even if it seems to start to be written more for a specific demographics, teenagers)&lt;/br&gt;
[[w:The X-Files|The X-Files]] (7, 9 seasons with 202 episodes, the series hasn't aged well and the quality is not constant across all episodes, nor are they all related to the main history arch, at times the plot gets very and unnecessarily confusing, watching the movies will probably help clearing all the mess, even so there are episodes and concepts that are truly good)&lt;/br&gt;
[[w:Terminator: The Sarah Connor Chronicles|Terminator: The Sarah Connor Chronicles]] (7, 2 series with 31 episodes - '''not concluded''')&lt;/br&gt;
[[w:Endgame (TV series)|Endgame]] (6, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Eleventh Hour (U.S. TV series)|Eleventh Hour]] (6+, 18 episodes)&lt;/br&gt;
[[w:Elementary (TV series)|Elementary]] (6+, 6 seasons totaling 141 episodes, sadly beyond season 2 the quality of episodes is not constant but the writers keep the creativity fresh with the help of a wonderful cast)&lt;/br&gt;
[[w:Alphas|Alphas]] (6, 2 seasons with a total of 24 episodes - '''canceled''' and '''not concluded''')&lt;/br&gt;
[[w:Poldark (2015 TV series)|Poldark (2015)]] (7-, first 2 seasons, 6 in the last 2, 4 seasons with a total of 35 episodes - '''not concluded''', good acting, great casting and filled with interesting characters all under BBC's great care for image, there is a decline in quality even of acting from season 3 on, and the scripts devolve into something similar to a soap opera with the only thing keeping it going is the investment the audience has in the characters)&lt;/br&gt;
[[w:Weeds (TV series)|Weeds]] (7, 8 seasons with 102 episodes)&lt;/br&gt;
[[w:Extant (TV series)|Extant]] (6, 2 seasons 26 episodes, the script and the acting, even [[w:Halle Berry]] performance could be better, probably a director's problem. The quality declines a bit on the second season too)&lt;/br&gt;
[[w:The Suspicions of Mr Whicher|The Suspicions of Mr Whicher]] (8, 2 seasons of 2 episodes)&lt;/br&gt;
[[w:Alcatraz (TV series)|Alcatraz]] (6, only seen 12 of the 13 episodes as it was '''canceled''', the last episode seems to have been created to provide closure as make the series salable. Not great but good acting, way better than Marvel Agents of Shield)&lt;/br&gt;
[[w:True Blood|True Blood]] (7+, 7 seasons, 80 episodes total, great universe, fantastic characters a bit too in your face LGBT for my taste at times but it maintains a good quality across all seasons)&lt;/br&gt;
[[w:True Detective (TV series)|True Detective]] (9, Season 1, 8 episodes, 8, Season 2, 8 episodes, fantastic characters, aesthetics and good script, even if season 1 is superior in both acting and script consistency and pace, probably due to the simpler base plot)&lt;/br&gt;
[[w:Dexter (TV series)|Dexter]] (7 for the 1st series, 6 for the 2nd up to the 7th and 5 for the last season the 8th)&lt;/br&gt;
[[w:Vikings (TV series)|Vikings]] (9 for the 2 first seasons, 19 episodes, 7 for the 3rd, 10 episodes, 6+ for the 4th, 20 episodes, amazing production from the image to the actors, casting and script, the casting starts to lose quality from the third season on, and the acting replicative and not character driven)&lt;/br&gt;
[[w:Terra Nova (TV series)|Terra Nova]] (6, 13 episodes - '''canceled''')&lt;/br&gt;
[[w:The Michael J. Fox Show|The Michael J. Fox Show]] (4, S1E1-2Q, too forced and cliché to a point it wasn't funny.)&lt;/br&gt;
[[w:Merlin (TV series)|Merlin]] (5, 5 seasons, 65 episodes)&lt;/br&gt;
[[w:Halt and Catch Fire (TV series)|Halt and Catch Fire]] (8 for Season 1, 10 episodes)&lt;/br&gt;
[[w:Inside No. 9|Inside No. 9]] (6+, only saw the 1st season ep. 1 and the 2nd season ep. 2, a special taste is required, the series revolves around human social, moral constructs and behaviors)&lt;/br&gt;
[[w:The Last Man on Earth (TV series)|The Last Man on Earth]] (6-, 4 seasons with a total 67episodes, it falls in the section of &quot;it is so bad that I couldn't stop watching&quot;, and that it is sad because it could have been so much better, the concept and even the actors are not bad but it derails into very infantile and over extended attempts to be funny, though there are some cool ideas and the scripts improve over time)&lt;/br&gt;
[[w:The Messengers (TV series)|The Messengers]] (5Q, seen only the first 2 episodes, the writing is the worst part but the religious setup, as presented, caters only for a selected audience, the camera works and the acting needed also an improvement)&lt;/br&gt;
[[w:Hand of God (TV series)|Hand of God]] (6+, 10 episodes, the first episodes are great but the script seems to lose quality especially after episode 7, the plot come to a crawl at that point and the ending is unsatisfactory)&lt;/br&gt;
[[w:World Without End (miniseries)|World Without End]] (7)&lt;/br&gt;
[[w:United States of Tara|United States of Tara]] (8, 3 seasons of 12 episodes)&lt;/br&gt;
[[w:Persons Unknown (TV series)|Persons Unknown]] (6, 13 episodes, good production and good acting but things start to fall apart as the great setup crumbles, sad.)&lt;/br&gt;
[[w:Paradox (TV series)|Paradox]] (5+, 5 episodes - '''canceled''', interesting idea but not so good production.)&lt;/br&gt;
[[w:The Fades (TV series)|The Fades]] (6-, 6 episodes, good acting, interesting concept but low production prevents it to be better.)&lt;/br&gt;
[[w:Texas Rising|Texas Rising]] (6-, 5 episodes, good production, image and fair acting, the history channel has managed to keep that standard but with it also comes the low quality of the content and presentation, that in this case has no regard to historic accuracy, that should be principal, embarking in an infantile state propaganda, akin to those that we are accustomed to come from China or South Korea)&lt;/br&gt;
[[w:Sense8|Sense8]] (5-, only saw the first episode)&lt;/br&gt;
[[w:Awake (TV series)|Awake]] (7, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Hysteria (TV series)|Hysteria]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Allegiance (TV series)|Allegiance]] (5, seen only 1 episode, the premise was ok but, bad acting and worse script sank it, see [[w:The Americans (2013 TV series)]] for contrast)&lt;/br&gt;
[[w:The Voices (film)|The Voices]] (5, good premise, ok acting but the story is very blah and the characters are very thin)&lt;/br&gt;
[[w:Game of Thrones|Game of Thrones]] (9, 4 seasons, 40 episodes + A Day in the Life, season 5 making of documentary)&lt;/br&gt;
[[w:Zero Hour (2013 TV series)|Zero Hour]] (6-, 13 episodes, the acting is not great but the script is an interesting mix of ideas)&lt;/br&gt;
[[w:Attack on Titan|Shingeki no Kyojin]] (7, 25 episodes)&lt;/br&gt;
[[w:X Company|X Company]] (5+Q, 3 episodes, low production more than anything harms this series, the script premise is interesting but it locks the story development into repetition, making it not very creative at all beyond the introduction to it)&lt;/br&gt;
[[w:The Bridge (2013 TV series)|The Bridge]] (8, 2 seasons with 13 episodes each)&lt;/br&gt;
[[w:2 Broke Girls|2 Broke Girls]] (6, season 1, 24 episodes, 5, season 2, 24 episodes, 5-, season 3 and 4, 24 and 22 episodes respectively)&lt;/br&gt;
[[w:The Assets|The Assets]] (6, 8 episodes)&lt;/br&gt;

==== Animation ====
[[w:Merc Storia: Yujutsushi to Suzu no Shirabe|Merc Storia: Yujutsushi to Suzu no Shirabe]] (6Q, only saw episode 1, I'm not the intended demographic and the art work and animation was not very good)&lt;/br&gt;
[https://www.imdb.com/title/tt8421152/ Gary and His Demons] (6-, only saw episode 1, didn't like the animation artwork or audio work, even if the writing was creative)&lt;/br&gt;
[[w:Angolmois: Record of Mongol Invasion|Angolmois: Record of Mongol Invasion]] (6, 12 episodes, the animation isn't great but the characters and plot lines keeps it going)&lt;/br&gt;
[[w:Cardcaptor Sakura: Clear Card|Cardcaptor Sakura: Clear Card]] (6-Q, only saw part of the first episode, I remember watching the some episodes of the first series and it were better it seems to have degenerated into something like [[w:Sailormoon]])&lt;/br&gt;
[[w:Orange (manga)|Orange]] (7+, 13 episodes)&lt;/br&gt;
[[w:Drifters (manga)|Drifters]] (6, 12 episodes - '''not concluded''', I don't like the format nor part of the artwork, especially the eyes, but the script is fun even if a lot of it is derivative)&lt;/br&gt;
[[w:Black Clover|Black Clover]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Angels of Death (video game)|Angels of Death aka Satsuriku no Tenshi]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Atom: The Beginning|Atom: The Beginning]] (6Q, only saw the first two episodes, the art and animation is good but the scripts fail to keep an interest)&lt;/br&gt;
[[w:Rick and Morty|Rick and Morty]] (6-Q, only saw episode 1, great creativity, the main plot lines are great but I don't like the low quality art work and resonate badly with some of the course humor in the quantity provided)&lt;/br&gt;
[[w:B The Beginning|B: The Beginning]] (6+, 12 episodes, art and animation ok, but the content is too derivative and no real depth is given to most of the characters or even the setting, especially since it has not been expressed on other medium)&lt;/br&gt;
[[w:Blend S|Blend S]] (6Q, only saw episode 6, nothing to declare same stuff rehashed again and again)&lt;/br&gt;
[[w:List of Attack on Titan episodes|Attack on Titan]] aka Shingeki no Kyojin (7-, 2 series with a total of 37 episodes - '''not concluded''', while the artwork is not that impressive nor is the animation, the script ideas that holds it together and its characters are good, even if something is lost in the second series the plot lines become more promising)&lt;/br&gt;
[[w:The Laughing Salesman|The Laughing Salesman aka Warau Salesman]] (6-Q, only saw episode 1, did not like the artwork or the plot)&lt;/br&gt;
[[w:Seven Mortal Sins|Seven Mortal Sins aka Sin – Nanatsu no Taizai]] (6Q, only saw the first 4 episodes, it is more like [[w:Hentai]] with a lot of Nipon censure. The art work isn't great nor the animation, the plot is innovative but the script is dedicated to the core purpose)&lt;/br&gt;
[[w:Re:Zero − Starting Life in Another World|Re:Zero − Starting Life in Another World]] (7-, 25 episodes)&lt;/br&gt;
[[w:Alderamin on the Sky|Alderamin on the Sky]] (7-, 13 episodes)&lt;/br&gt;
[[w:Dimension W|Dimension W]] (6+, 12 episodes)&lt;/br&gt;
[[w:Log Horizon|Log Horizon]] (6+, 2 series with a total of 50 episodes, the creative idea (2011) seems to be the source of other derivatives, like Overlord or DanMachi but here is presented in a very dull/repetitive way, the characters are great but the plot is slow and unnecessary complicated, the second series gains a better quality in regards to artwork but the same is lost in the script)&lt;/br&gt;
[[w:Comet Lucifer|Comet Lucifer]] (6, 12 episodes, the artwork and animation if fine but the script is not very good beyond most, but not all, of the characters in it)&lt;/br&gt;
[[w:Mysterious Girlfriend X|Mysterious Girlfriend X]] (6+, 13 episodes, the attention to detail on the animation movements is very cool)&lt;/br&gt;
[[w:Berserk (2016 TV series)|Berserk (2016)]] (7-, 12 episodes, I dislike the artwork and some of the transparent computer aided animation but can't refute the quality of some of the craft and creativity behind it, there are some memorable sequences and dialogs that push it further than it would otherwise go that and the great characters and story line)&lt;/br&gt;
[[w:Big Order|Big Order]] (6+, 10 episodes)&lt;/br&gt;
[[w:Endride|Endride]] (6-Q, only saw the first episode, too derivative and the artwork is not that great)&lt;/br&gt;
[[w:Lego Nexo Knights|Lego Nexo Knights]] (5Q, only saw episode 9)&lt;/br&gt;
[[w:Planetarian: The Reverie of a Little Planet|Planetarian: The Reverie of a Little Planet]] (7, 5 episodes)&lt;/br&gt;
[[w:Gate (novel series)|Gate]] (6+, 20 episodes, sadly the animation is not of better quality, but its a very creative concept full of interesting characters)&lt;/br&gt;
[[w:Kabaneri of the Iron Fortress|Kabaneri of the Iron Fortress]] (7, 12 episodes)&lt;/br&gt;
[[w:Basilisk (manga)|Basilisk]] (6+, 24 episodes)&lt;/br&gt;
[[w:Servamp|Servamp]] (6-, only saw the first episode, while the artwork and animation is fine the plot is too absurd, even for an anime)&lt;/br&gt;
[[w:Erased (manga)|Erased]] (7-, 12 episodes)&lt;/br&gt;
[[w:Bungo Stray Dogs|Bungo Stray Dogs]] (6, only saw the first episode, didn't care for the plot and did not like the color &quot;overuse&quot; nor the excessive info-graphics, the art work and animation was fine)&lt;/br&gt;
[[w:Spice and Wolf|Spice and Wolf]] (6+, 17 episodes - '''not concluded''',  while the artwork and animation is not the best the plot and characters makes it memorable, this is also one of the few times I liked an English dub of a Japanese animation, great work by the voice actors)&lt;/br&gt;
[[w:Kagewani|Kagewani]] (5, only saw the first episode, did not like the style of the animation, animated stills, and artwork itself)&lt;/br&gt;
[[w:Twin Star Exorcists|Sousei no Onmyouji]] (5+, only saw the first episode, script is a rehash of better works the artwork is also not very good)&lt;/br&gt;
[[w:Fate/Zero|Fate/Zero]] (6, 25 episodes, did not like some of the artwork, specially some of the faces, the script is not that good or innovative and the ending is very anticlimactic, it does get interesting characters and is superb on their emotional interconnections, it also tries to be a bit mental in terms of strategy and rules of its universe without being too complex or frustrate too much the viewer with &quot;magical&quot; exceptions)&lt;/br&gt;
[http://www.imdb.com/title/tt4953128/ Animals] (5Q, only saw episode 1, for something similar but way better see the original [[w:Creature Comforts]])&lt;/br&gt;
[[w:One-Punch Man|One-Punch Man]] (7-, 12 episodes, the artwork and design is very inconsistent in quality, very good parts mixed with some low quality, the most problematic is the short format that hinders the story telling and inner consistency of it)&lt;/br&gt;
[[w:Overlord (novel series)|Overlord]] (7-, 3 seasons totaling 39 episodes - '''not concluded''', haven't seen the [[w:Original video animation|OVA]]s, I don't particularly like the artwork but the ideas on the scripts are extremely fun, resulting in a very  clever mashup)&lt;/br&gt;
[[w:Noragami|Noragami Aragoto]] (6+, 13 episodes, very creative lore and concepts)&lt;/br&gt;
[[w:Tron: Uprising|Tron: Uprising]] (6+, 19 episodes - &quot;Canceled&quot;, the end seems a bit rushed but it provides some closure)&lt;/br&gt;
[[w:Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist|Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist]] (6+, 12 episodes, for adults, even if at times nippon culture seem extremely alien to a point of moral objection)&lt;/br&gt;
[[w:Planetes|Planetes]] (7-, 26 episodes, a real space soap opera, great story, art style and animation, even if at times shortcuts seem to have been taken, especially toward the end)&lt;/br&gt;
[[w:Generator Rex|Generator Rex]] (6-, 3 seasons with 60 episodes in total, great artwork and better scripting but low budget animation and very &quot;aggressive&quot; musical score degrades the quality, there are some very cool ideas mixed together, except the talking monkey sidekick. There is a small improvement on quality as it progresses)&lt;/br&gt;
[[w:Gods Eater Burst|Gods Eater]] (5+, only saw the first episode not the prelude one labeled 0, I generally dislike high stylized BD or animation, in this particular work I appreciate the concept, at times almost like water color and do like the creative art but the plot and characters are rehashes)&lt;/br&gt;
[[w:Btooom!|Btooom!]] (6, 12 episodes)&lt;/br&gt;
[[w:Is It Wrong to Try to Pick Up Girls in a Dungeon?|DanMachi]] (6+, 13 episodes, extremely creative, funny and full of RPG references with a Nippon twist anime)&lt;/br&gt;
[[w:Aldnoah.Zero|Aldnoah.Zero]] (6+, 24 episodes, while I do not appreciate the style, especially the one used for faces and the simplistic backgrounds, it improves as the series goes on, the action sections seem to be computer aided animation and are distinct and the plot and emotional dynamics are well structured)&lt;/br&gt;
[[w:Tokyo Ghoul|Tokyo Ghoul]] (6, 12 episodes - '''not concluded''', good artwork but Nippon scripting is a bit over the wall for me, regarding the subject matter, beyond the commonalities that are expected)&lt;/br&gt;
[[w:Parasyte|Parasyte - the maxim]] (7, 24 episodes)&lt;/br&gt;
[[w:The Heroic Legend of Arslan|Arslan]] (5Q, only saw the first 2 episodes, the animation is not very good nor is the script. I hope that the books are better but there is clearly a desynchrony on how in general terms, Asians envision European medieval times and build upon that)&lt;/br&gt;

===Movies:===
[[w:Destroyer (2018 film)|Destroyer]] (6+)&lt;/br&gt;
[[w:Bullitt County (film)|Bullitt County]] (6-Q, subpar acting and a droll script)&lt;/br&gt;
[https://www.imdb.com/title/tt6294226/ Stray (2019)] (6-, all ok except the script that except from the core concept, is very weak)&lt;/br&gt;
[[w:Captain Marvel (film)|Captain Marvel]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt3312180/ The Last Man] (6-Q, too theatrical and the script is all over the place with attempts to pass &quot;clever&quot; subtext)&lt;/br&gt;
[[w:Bird Box (film)|Bird Box]] (7-)&lt;/br&gt;
[[w:Black Mirror: Bandersnatch|Black Mirror: Bandersnatch]] (6-)&lt;/br&gt;
[[w:Green Book (film)|Green Book (film)]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt4157728/ The Last Boy] (6-)&lt;/br&gt;
[[w:The Girl in the Spider's Web (film)|The Girl in the Spider's Web]] (6)&lt;/br&gt;
[[w:Io (film)|Io]] (6)&lt;/br&gt;
[[w:Glass (2019 film)|Glass]] (6+)&lt;/br&gt;
[[w:Polar (film)|Polar]] (6-, great acting potential ruined by everything else. From a crappy camera, bad direction and foul editing to a sub par script)&lt;/br&gt; 
[[w:Bumblebee (film)|Bumblebee]] (6, the script is very bad)&lt;/br&gt;
[[w:Mortal Engines (film)|Mortal Engines]] (6+, same formula rinse and repeat, sad, any innovative idea is just nonsense)&lt;/br&gt; 
[[w:Aquaman (film)|Aquaman]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8883164/ Dead in the Water] (6)&lt;/br&gt;
[[w:Piercing (film)|Piercing]] (6+, a bit too empty of content for the length it uses)&lt;/br&gt;
[[w:The Man Who Killed Hitler and Then the Bigfoot|The Man Who Killed Hitler and Then the Bigfoot]] (6, the acting is fine but the script and production falters at critical moments dragging it down to mediocre levels)&lt;/br&gt;
[[w:Alita: Battle Angel|Alita: Battle Angel]] (7-)&lt;/br&gt;
[[w:Prospect (film)|Prospect]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt8329290/ The Golem] (6-)&lt;/br&gt;
[[w:Shoplifters|Shoplifters]] (6+)&lt;/br&gt; 
[https://www.imdb.com/title/tt9679608/ Mystery 101] (6-Q)&lt;/br&gt;
[[w:Rust Creek|Rust Creek]] (6-, almost a 6 but the script and acting was not there)&lt;/br&gt; 
[[w:The Vanishing (2018 film)|The Vanishing (2018)]] (6)&lt;/br&gt;
[[w:The Old Man &amp; the Gun|The Old Man &amp; the Gun]] (6+)&lt;/br&gt;
[[w:King Lear (2018 film)|King Lear (2018)]] (6-Q, too dry for me, I dislike play actualization that preserve de-synchronicities as fake erudition, in this case, the dialogs)&lt;/br&gt;
[[w:Sorry to Bother You (film)|Sorry to Bother You]] (6-, it start ok, and the social commentary is well crafted but the scrip goes off the tracks in the middle not only by deepening a palpable racial dissonance but the general nonsense that is introduced)&lt;/br&gt;
[[w:The Belstone Fox|The Belstone Fox]] (6-, it hasn't aged well especially the cinematography, but even then the editing would have been problematic, too low budged and simplified, waiting a more artistic remake as the plot lines of the original work and the underline text would merit it)&lt;/br&gt;
[[w:Apostle (film)|Apostle]] (6, the scrip goes off the rails near the end, only the core plot lines, production value and the acting saves it, the casting/directing also works well, [[w:Dan Stevens]] type of over acting in this case is a perfect match or the intense and damaged character)&lt;/br&gt;
[[w:The Kindergarten Teacher (2018 film)|The Kindergarten Teacher]] (7)&lt;/br&gt;
[https://www.imdb.com/title/tt6013156/ What Still Remains] (5+)&lt;/br&gt;
[[w:Leave No Trace (film)|Leave No Trace]] (6+)&lt;/br&gt;
[[w:Bloody Spear at Mount Fuji|Bloody Spear at Mount Fuji]] (7-)&lt;/br&gt;
[[w:Sekigahara (film)|Sekigahara]] (6+, the dialogs pace is too fast at times, the film would benefit more time as not to be as compressed)&lt;/br&gt;
[[w:Hotel Artemis|Hotel Artemis]] (6)&lt;/br&gt;
[[w:Black '47 (film)|Black '47]] (6+)&lt;/br&gt;
[[w:Hold the Dark|Hold the Dark]] (6+)&lt;/br&gt;
[[w:Cold Skin (film)|Cold Skin]] (7-)&lt;/br&gt;
[[w:The Satan Bug|The Satan Bug]] (6-)&lt;/br&gt;
[[w:I Think We're Alone Now (film)|I Think We're Alone Now]] (6)&lt;/br&gt;
[[w:Bleach (2018 film)|Bleach]] (6)&lt;/br&gt;
[[w:The Wailing (film)|The Wailing]] (6+)&lt;/br&gt;
[[w:Support the Girls|Support the Girls]] (6-, sadly the script is not worth more)&lt;/br&gt;
[[w:American Animals|American Animals]] (6, very weak 6 at that as this small story is slowly presented in almost a documentary format that is at the same time a creative approach but makes even more evident that there is very few content for it all. The acting is fine and even if limited in budget the production works for what it aim for)&lt;/br&gt;
[[w:Remains (film)|Remains]] (5Q)&lt;/br&gt;
[[w:Solo: A Star Wars Story|Solo: A Star Wars Story]] (6- if you love the original trilogy, 6 if you don't really care about the context of it all)&lt;/br&gt;
[[w:Mission: Impossible – Fallout|Mission: Impossible – Fallout]] (6)&lt;/br&gt;
[[w:Sicario: Day of the Soldado|Sicario: Day of the Soldado]] (7-)&lt;/br&gt;
[[w:Mandy (2018 film)|Mandy]] (6, the visuals are great, the cinematography is above average but the script does little to justify the time, the acting and editing could easily be better with some luck it may get into the cult movie niche with some subjective interpretation of it all)&lt;/br&gt;
[[w:The Meg|The Meg]] (5+, there is some production quality but the script is atrocious, maybe partly due to a cultural dissonance but even so its bad)&lt;/br&gt;
[https://www.imdb.com/title/tt5973658/ Winter Ridge] (5Q)&lt;/br&gt;
[[w:Mark Felt: The Man Who Brought Down the White House|Mark Felt: The Man Who Brought Down the White House]] (6+)&lt;/br&gt;
[[w:Radius (film)|Radius]] (6, low budget but the script, the cast and acting works ok)&lt;/br&gt;
[[w:Skyscraper (2018 film)|Skyscraper (2018)]] (6)&lt;/br&gt;
[[w:Tag (2018 film)|Tag (2018)]] (6-)&lt;/br&gt;
[[w:Patient Zero (film)|Patient Zero]] (6-)&lt;/br&gt;
[[w:Bleeding Steel|Bleeding Steel]] (5+)&lt;/br&gt;
[[w:Fahrenheit 451 (2018 film)|Fahrenheit 451 (2018)]] (6-Q)&lt;/br&gt;
[[w:Cargo (2017 film)|Cargo (2017)]] (6)&lt;/br&gt;
[[w:A Quiet Place (film)|A Quiet Place]] (6)&lt;/br&gt;
[[w:Death Wish (2018 film)|Death Wish (2018)]] (6+, all is fine, even the scrip manages to have a great pace, it doesn't aspire to more than it is, if we discount the political barbs)&lt;/br&gt;
[[w:A Wrinkle in Time (2018 film)|A Wrinkle in Time (2018)]] (6-)&lt;/br&gt;
[[w:First Reformed|First Reformed]] (6, a bit preachy, no pun intended, and the end seems rushed and out of character)&lt;/br&gt;
[[w:Phantoms (film)|Phantoms]] (6-, low budget, the acting is problematic only the script pushes it up a bit and even that has fails)&lt;/br&gt;
[[w:Future World (film)|Future World]] (5+)&lt;/br&gt;
[[w:Josie (film)|Josie]] (6-)&lt;/br&gt;
[[w:Extinction (2018 film)|Extinction (2018)]] (6)&lt;/br&gt;
[[w:Jurassic World: Fallen Kingdom|Jurassic World: Fallen Kingdom]] (6)&lt;/br&gt;
[[w:Hot Summer Nights (film)|Hot Summer Nights]] (7-)&lt;/br&gt;
[[w:How It Ends (film)|How It Ends]] (6, almost did not make it, limited budget shows and the script does not satisfy)&lt;/br&gt;
[[w:Tomb Raider (film)|Tomb Raider (2018)]] (6+)&lt;/br&gt;
[[w:In Darkness (2018 film)|In Darkness (2018)]] (5+)&lt;/br&gt;
[[w:2036 Origin Unknown|2036 Origin Unknown]] (6-)&lt;/br&gt;
[[w:Siberia (2018 film)|Siberia (2018)]] (6, almost dint make it, limited budget and the script start and pace is problematic but it goes in a crescendo and by the end it is saved)&lt;/br&gt;
[https://www.imdb.com/title/tt3165632/ 5th Passenger] (5+, better camera work and more funding required but production is not bad and the acting is passable a better script and it would made the cut)&lt;/br&gt;
[[w:Chappaquiddick (film)|Chappaquiddick]] (6, I do dislike these Hollywood history re-wrights)&lt;/br&gt;
[[w:Ghost Stories (film)|Ghost Stories]] (6)&lt;/br&gt;
[[w:Tully (2018 film)|Tully]] (6, probably a 6+ for its intended audience but I found the script a bit empty, the trailer and cast is great)&lt;/br&gt;
[https://www.imdb.com/title/tt5017936/ Prodigy] (6-, suffers from a low budget and the acting is too stiff and theatrical but the script pushes it forward almost to a 6)&lt;/br&gt;
[[w:Flower|Flower]] (6)&lt;/br&gt;
[[w:Escape Plan|Escape Plan]] (6-)&lt;/br&gt;
[[w:Escape Plan 2: Hades|Escape Plan 2: Hades]] (5+Q)&lt;/br&gt;
[[w:Before We Vanish|Before We Vanish]] (5+Q)&lt;/br&gt;
[[w:The Endless (film)|The Endless]] (6, could easily have been better, it goes a bit offtrack near the end, low budget and some problematic acting an lighting also do not help but a cleaver script saves it)&lt;/br&gt;
[[w:Truth or Dare (2018 film)|Truth or Dare (2018)]] (6-, maybe a 6 for the young of the intended demographics but the script has some very big logic holes)&lt;/br&gt;
[[w:Muse (2017 film)|Muse]] (6)&lt;/br&gt;
[[w:Rampage (2018 film)|Rampage]] (6+, the script is a huge mess but the production, acting and cgi are the main show)&lt;/br&gt;
[[w:Alien Code|Alien Code]] (6- but a 6 for those that can grasp the inside &quot;messages&quot;, sadly the limited budget is noticed)&lt;/br&gt;
[[w:Tau (film)|Tau]] (6+, a low budget and being a revisit to a well know subject becomes problematic at times but good acting and adding new ideas makes it a pleasure to see it play out)&lt;/br&gt;
[[w:Black Butterfly (2017 film)|Black Butterfly (2017)]] (6)&lt;/br&gt;
[[w:Ghost in the Shell (2017 film)|Ghost in the Shell]] (6+)&lt;/br&gt;
[[w:Alien: Covenant|Alien: Covenant]] (7-)&lt;/br&gt;
[[w:Going in Style (2017 film)|Going in Style]] (6)&lt;/br&gt;
[[w:Tharlo|Tharlo]] (6+)&lt;/br&gt;
[[w:Shot Caller (film)|Shot Caller]] (6)&lt;/br&gt;
[[w:The Osiris Child: Science Fiction Volume One|The Osiris Child: Science Fiction Volume One]] (6-)&lt;/br&gt;
[https://www.imdb.com/title/tt6891976/ Alien Reign of Man] (5Q, more than the effects or even the production limitation it is the acting and poor and slow script that are intolerable)&lt;/br&gt;
[[w:Sacrifice (2016 film)|Sacrifice (2016)]] (6)&lt;/br&gt;
[[w:Extraterrestrial (2011 film)|Extraterrestrial aka SP:Extraterrestre]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt5723416/ The Beyond] (6-)&lt;/br&gt;
[[w:Day of the Dead: Bloodline|Day of the Dead: Bloodline]] (6-)&lt;/br&gt;
[[w:Red Sparrow|Red Sparrow]] (6)&lt;/br&gt;
[[w:Pacific Rim Uprising|Pacific Rim Uprising]] (6, mostly the effects and CGI the script and acting is sub par)&lt;/br&gt;
[[w:Black Panther (film)|Black Panther]] (6, the acting is bad, the CGI is problematic and it is unnecessarily racial at times)&lt;/br&gt;
[[w:Anon (film)|Anon]] (6, beyond the initial plot lines the script is a mess)&lt;/br&gt;
[[w:November Criminals (film)|November Criminals]] (6-, the script needed more work the action's pace is off and the casting feels weird, the acting is fine but it doesn't seem to work well)&lt;/br&gt;
[[w:Game Over, Man!|Game Over, Man!]] (5+Q)&lt;/br&gt;
[[w:The Commuter (film)|The Commuter]] (6+)&lt;/br&gt;
[[w:The Titan (film)|The Titan]] (6)&lt;/br&gt;
[[w:Psychokinesis (film)|Psychokinesis]] (6)&lt;/br&gt;
[[w:The Hurricane Heist|The Hurricane Heist]] (6)&lt;/br&gt;
[[w:You Were Never Really Here|You Were Never Really Here]] (6-, the problem is all in the script and production that probably affected the choices made and the camera work)&lt;/br&gt;
[[w:12 Strong|12 Strong]] (6)&lt;/br&gt;
[[w:Hostiles (film)|Hostiles]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt6210996/ 10x10] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt4469518/ Genesis] (6-)&lt;/br&gt;
[[w:Vanishing Waves|Vanishing Waves aka Aurora]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt3831344/ Amelia 2.0] (6)&lt;/br&gt;
[[w:The Man from Earth: Holocene|The Man from Earth: Holocene]] (6- if you haven't seen the previous, 6 if you have)&lt;/br&gt;
[[w:Brawl in Cell Block 99|Brawl in Cell Block 99]] (6+)&lt;/br&gt;
[[w:Goodbye Christopher Robin|Goodbye Christopher Robin]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:Spartan (film)|Spartan]] (6)&lt;/br&gt;
[[w:The Ballad of Lefty Brown|The Ballad of Lefty Brown]] (6)&lt;/br&gt;
[[w:Thor: Ragnarok|Thor: Ragnarok]] (6+)&lt;/br&gt;
[[w:The Open House|The Open House]] (6-)&lt;/br&gt;
[[w:Maze (2017 film)|Maze (2017 film)]] (6)&lt;/br&gt;
[[w:Downsizing (film)|Downsizing]] (6+, could easily been better but the plot lines was more about social comments than the stuff the attracted audience would probably want)&lt;/br&gt;
[[w:Suburbicon|Suburbicon]] (6, could have been better but the criticism I saw was not merited)&lt;/br&gt;
[[w:The Florida Project|The Florida Project]] (6+)&lt;/br&gt;
[[w:The Killing of a Sacred Deer|The Killing of a Sacred Deer]] (6-, a quasi-nonsensical script but the directing of the actors, for what it was going for, and cinematography is quite good)&lt;/br&gt;
[[w:The Cloverfield Paradox|The Cloverfield Paradox]] (6, the script has issues, the acting could be better and production value is limited but well distributed)&lt;/br&gt;
[[w:The Ritual (2017 film)|The Ritual]] (6)&lt;/br&gt;
[[w:Thank You for Your Service (2017 film)|Thank You for Your Service]] (6)&lt;/br&gt;
[[w:Murder on the Orient Express (2017 film)|Murder on the Orient Express (2017)]] (6)&lt;/br&gt;
[[w:Wonder (film)|Wonder]] (6+)&lt;/br&gt;
[[w:Marrowbone (film)|Marrowbone]] (6+)&lt;/br&gt;
[[w:Beast of Burden (film)|Beast of Burden]] (6-)&lt;/br&gt;
[[w:The Lodgers (film)|The Lodgers]] (5+, good production value but all else fails in some way)&lt;/br&gt;
[[w:All the Money in the World|All the Money in the World]] (6+)&lt;/br&gt;
[[w:The Shape of Water|The Shape of Water]] (7-)&lt;/br&gt;
[[w:Mute (2018 film)|Mute]] (6+, too convoluted at times it tried to mashup too many things, and the editing, how it is presented does not help)&lt;/br&gt;
[[w:Jumanji: Welcome to the Jungle|Jumanji: Welcome to the Jungle]] (6, almost a 6- acting is not good, the script is atrocious, except in very few bits, and the CGI is also problematic, it has a good production but the allocation of resources are off)&lt;/br&gt;
[[w:The Vanishing of Sidney Hall|The Vanishing of Sidney Hall]] (6+)&lt;/br&gt;
[[w:The Disaster Artist (film)|The Disaster Artist]] (6+)&lt;/br&gt;
[[w:Annihilation (film)|Annihilation]] (6, almost a 6- the script needed more work, CGI is not good enough, the cast and esthetics is what manages to save it)&lt;/br&gt;
[[w:The Death of Stalin|The Death of Stalin]] (5, the script is atrocious, even if some form of caricature is presented only a few that understand what they are seeing will get it, the casting is also off, most of them are great actors, but the effort put in it is very basic)&lt;/br&gt;
[[w:I Kill Giants (film)|I Kill Giants]] (6)&lt;/br&gt;
[[w:Proud Mary (film)|Proud Mary]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1959563/ The Hitman's Bodyguard] (6-, almost didn't make it, some films shouldn't be made)&lt;/br&gt;
[[w:Death Note (2017 film)|Death Note]] (6 or 6- if not aware of the other work)&lt;/br&gt;
[[w:Pirates of the Caribbean: Dead Men Tell No Tales|Pirates of the Caribbean: Dead Men Tell No Tales]] (6, the script sinks it a bit)&lt;/br&gt;
[[w:Transformers: The Last Knight|Transformers: The Last Knight]] (6, the scrip is the worst so far, only the eye candy saves it)&lt;/br&gt;
[[w:Crooked House (film)|Crooked House]] (6)&lt;/br&gt;
[[w:Skyline (2010 film)|Skyline]] (6-, limited by a shoe string budget, even so some parts of the script could easily been improved)&lt;/br&gt;
[[w:Beyond Skyline|Beyond Skyline]] (6, less actors better acting and improved CGI, but the script again could easily been tweaked a bit to make something more)&lt;/br&gt;
[[w:The Mountain Between Us (film)|The Mountain Between Us]] (6, [[w:Kate Winslet]] acting shines in this one but the simplicity of the story doesn't permit more)&lt;/br&gt;
[[w:Justice League (film)|Justice League]] (6+, the CGI and the script ought to be better)&lt;/br&gt;
[http://www.imdb.com/title/tt6204340/ Bullet Head] (6, the script needed more work)&lt;/br&gt;
[[w:The Pirates of Somalia (film)|The Pirates of Somalia]] (6)&lt;/br&gt;
[[w:Land of Mine|Land of Mine]] (6+)&lt;/br&gt;
[[w:Better Watch Out (film)|Better Watch Out]] (6)&lt;/br&gt;
[[w:The Trip to Spain|The Trip to Spain]] (5+)&lt;/br&gt;
[[w:The Foreigner (2017 film)|The Foreigner]] (6+, still a bit too propagandist but at the same level as some similar inclined US productions)&lt;/br&gt;
[[w:American Made (film)|American Made]] (6+)&lt;/br&gt;
[[w:Hangman (2017 film)|Hangman]] (6, almost a 6- the the camera, editing and the direction especially of [[w:Karl Urban]] are exceptionally off)&lt;/br&gt;
[[w:Dunkirk (2017 film)|Dunkirk]] (7+, it could have been better but managed to avoid some dangerous pitfalls, not too nationalistic or bitter but also not really going deep on the event, not even at the depth that was needed to satisfy and enrich the spectator)&lt;/br&gt;
[[w:The Devil's Candy|The Devil's Candy]] (6+, [[w:Ethan Embry]] acting is fantastic)&lt;/br&gt;
[[w:Mayhem (film)|Mayhem]] (6-, low budget, easy script prevents it from being more)&lt;/br&gt;
[http://www.imdb.com/title/tt6069264/ Bitch] (5+, great premise but the script fails to deliver, the acting is not consistent)&lt;/br&gt;
[[w:My Cousin Rachel (2017 film)|My Cousin Rachel]] (6, the pace is a bit too slow)&lt;/br&gt;
[[w:Inherent Vice (film)|Inherent Vice]] (6+)&lt;/br&gt;
[[w:The Man from Planet X|The Man from Planet X]] (6)&lt;/br&gt;
[[w:Alone in Berlin (film)|Alone in Berlin]] (6, the casting overshadows and at time leads to overacting on a mostly uninteresting script) &lt;/br&gt;
[[w:The Mummy (1999 film)|The Mummy (1999)]] (6+)&lt;/br&gt;
[[w:The Mummy (2017 film)|The Mummy (2007)]] (6)&lt;/br&gt;
[[w:Free Fire|Free Fire]] (6)&lt;/br&gt;
[[w:Memories of Murder|Memories_of_Murder]] (6)&lt;/br&gt;
[[w:Bushwick (film)|Bushwick]] (6-, almost a 6, the acting degenerates past the middle even for those that had so far been doing a good job at it)&lt;/br&gt;
[[w:Rememory|Rememory]] (6)&lt;/br&gt;
[[w:First Kill (2017 film)|First Kill]] (6)&lt;/br&gt;
[[w:It Comes at Night|It Comes at Night]] (6, could easily be much better)&lt;/br&gt;
[[w:Baby Driver|Baby Driver]] (6+, the worst part is the movie title)&lt;/br&gt;
[[w:Walking Out|Walking Out]] (6-)&lt;/br&gt;
[[w:No One Lives|No One Lives]] (6-, good script concept even if with some flaws but it is the acting that is not uniform that manages to ruin the movie)&lt;/br&gt;
[[w:Jeepers Creepers 3|Jeepers Creepers 3]] (6)&lt;/br&gt;
[[w:The Hero (2017 film)|The Hero]] (6+)&lt;/br&gt;
[[w:What Happened to Monday|What Happened to Monday]] (6, so much potential almost a 6+, but budget and acting holds it back)&lt;/br&gt;
[[w:Hacksaw Ridge|Hacksaw Ridge]] (6)&lt;/br&gt;
[[w:Spider-Man: Homecoming|Spider-Man: Homecoming]] (6+)&lt;/br&gt;
[[w:The Limehouse Golem|The Limehouse Golem]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2291284/ Subterranea] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3839880/ Infinity Chamber] (6, some cool ideas and mashups but limited budget and a ready to be improved script limits it)&lt;/br&gt;
[[w:War for the Planet of the Apes|War for the Planet of the Apes]] (6)&lt;/br&gt;
[[w:The Man with the Iron Heart (film)|HHhH aka The Man with the Iron Heart]] (6+)&lt;/br&gt;
[[w:The Dark Tower (2017 film)|The Dark Tower]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4881364/ Anti Matter] (6-)&lt;/br&gt;
[[w:Atomic Blonde|Atomic Blonde]] (6, the fights choreographies are pretty good)&lt;/br&gt;
[[w:Jungle (2017 film)|Jungle]] (6, the cast is better than the script, not all stories merit a movie)&lt;/br&gt;
[http://www.imdb.com/title/tt3469798/ Orbiter 9] (6)&lt;/br&gt;
[[w:Spoor (film)|Spoor]] (6+, a weak 6+ since the script could have been better but the characters and actors are great, the context also permits the inclusion of stuff that would not work with other setups, at times it feels a bit overcrowded with ideas but ultimately that is what pushes it above in quality, it has a heavy subtext and even a bit of EU propaganda of sorts mixed in)&lt;/br&gt;
[[w:Young Ones (film)|Young Ones]] (6-Q, great concept and some good ideas but fails in a lot of areas from the acting, to the script and production value)&lt;/br&gt;
[[w:The Wall (2017 film)|The Wall]] (6+, a weak one mostly due to a bare script that is extremely limited from the onset, the high point is for the balance it provides amongst other similar movies in regards to the two forces in conflict)&lt;/br&gt;
[[w:The Case for Christ|The Case for Christ]] (6-Q, I should have known better, but the production has great quality in comparison to other &quot;jobs&quot; like this, the settings and even acting is not bad, even if the casting could have been better, but the script is unredeemable the premise starts ok but the argumentation, character build and dialogs clearly shows a bias on the presentation and telegraphs where it intendeds to go. I really was expecting a more intelligent argumentation from both sides and some fairness on the presentation.)&lt;/br&gt;
[[w:Rules of Engagement|Rules of Engagement]] (6)&lt;/br&gt;
[[w:The Sunset Limited (film)|The Sunset Limited]] (8-, great acting, good script and fantastic audio work and editing, camera work could be better and the script as a few argumentation that don't flow, even considering the characters)&lt;/br&gt;
[[w:Thor (film)|Thor]] (6+, just made it to 6+ and mostly for the effects and casting)&lt;/br&gt;
[[w:Thor: The Dark World|Thor: The Dark World]] (6+, even if a bit better that the previous one)&lt;/br&gt;
[[w:The Comedian (2016 film)|The Comedian]] (6)&lt;/br&gt;
[[w:Patrick (2013 film)|Patrick]] (5+Q, all is well but the script, it even lacks originality, the acting could be better at times and the casting is a bit off)&lt;/br&gt;
[http://www.imdb.com/title/tt3722614/ Revolt] (6, low budget but makes a huge effort, thanks to the actors and the cinematography, that it is even clever as to hide the shortfalls, the CGI is not great but passable)&lt;/br&gt;
[http://www.imdb.com/title/tt5669936/ The Recall] (5+)&lt;/br&gt;
[[w:John Wick: Chapter 2|John Wick: Chapter 2]] (6)&lt;/br&gt;
[[w:The Circle (2017 film)|The Circle]] (6+, while the script is very weak, especially the characters, the core ideas in it are interesting to explore)&lt;/br&gt;
[[w:Wonder Woman (2017 film)|Wonder Woman]] (7)&lt;/br&gt;
[[w:2:22 (2017 film)|2:22]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World aka The Walking Death] (6-, note that the trailer available is not related to the content of the film, low budget and a too theatrical representation of a rehashed plot, even so with more effects, better image and direction, funds and little rewriting could have been easily better)&lt;/br&gt;
[[w:The Lost City of Z (film)|The Lost City of Z]] (6, the script is too empty, making the movie very slow and unsatisfying at the end, even if historically accurate)&lt;/br&gt;
[[w:Once Upon a Time in Venice|Once Upon a Time in Venice]] (5+, main culprit is the script)&lt;/br&gt;
[[w:Hot Tub Time Machine|Hot Tub Time Machine]] (6-, matches its own expectations)&lt;/br&gt;
[[w:Camera Store|Camera Store]] (6-Q, the scrip is not good even if some of the dialog are interesting but not the setup, acting is too theatrical and with uneven quality)&lt;/br&gt;
[[w:King Arthur: Legend of the Sword|King Arthur: Legend of the Sword]] (6+, cinematography, sound and soundtrack are amazing but the rest falls in quality, even the acting and casting, for example [[w:Jude Law]] was a poor choice, the script is too overcrowded for a single movie format, even if it is brilliant at time, great characters, ideas and dialogs)&lt;/br&gt;
[[w:A Dark Song|A Dark Song]] (6+, simple and small budget, but a creative script and dynamic acting makes it work)&lt;/br&gt;
[[w:Wilson (2017 film)|Wilson]] (6)&lt;/br&gt;
[[w:Boy 7|Boy 7]] (6-Q)&lt;/br&gt;
[[w:Future Folk|Future Folk]] (6-)&lt;/br&gt;
[[w:Colossal (film)|Colossal]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5460530/ Vengeance: A Love Story] (6-Q)&lt;/br&gt;
[[w:Personal Shopper|Personal Shopper]] (6)&lt;/br&gt;
[[w:Isolation (2005 film)|Isolation]] (6+)&lt;/br&gt;
[[w:Flags of Our Fathers|Flags of Our Fathers]] (6+)&lt;/br&gt;
[[w:A Cure for Wellness|A Cure for Wellness]] (6-, the script tanks it, even if we attempt to give it a subtext it just does not work, the rest is fine not great but would serve best a better scrip, the casting of [[w:Jason Isaacs]] also seem a bit out of sync)&lt;/br&gt;
[http://www.imdb.com/title/tt5464234/ Kill Switch] (6-, the casting is off, the script is not great, the core idea is a rehash, but the effects and visuals are great, in fact it is the best 3rd person scenes I have seen so far)&lt;/br&gt;
[[w:War Machine (film)|War Machine]] (7, the script is the best part, but it would fall short on its vivid characters without a fantastic cast)&lt;/br&gt;
[[w:X the Unknown|X the Unknown]] (6)&lt;/br&gt;
[[w:Red Beard|Akahige/Red Beard]] (7-, the script is not the best but has its moments and interesting characters, the cinematography is great)&lt;/br&gt;
[[w:Sandy Wexler|Sandy Wexler]] (5+Q)&lt;/br&gt;
[[w:Stalker (1979 film)|Stalker]] (6-, the cinematography, imagines and visual setups are great but all else fails to captivate, the script is confusing at times uninteresting at others, except for the self contained sketches and the pace is generally too slow)&lt;/br&gt;
[[w:Mine (2016 film)|Mine]] (6, could easily be better, it is not innovative at all)&lt;/br&gt;
[[w:The Founder|The Founder]] (6+, good acting, great production. I do hate when Hollywood &quot;simplifies&quot;/rewrites history in general and so disregard any relation to reality when watching any of these works)&lt;/br&gt;
[[w:The Void (2016 film)|The Void]] (5+Q, the script is a mess and the acting is not consistent, effects are ok)&lt;/br&gt;
[http://www.imdb.com/title/tt3722062/ Bokeh] (6)&lt;/br&gt;
[[w:The Great Wall (film)|The Great Wall]] (6, there is a cultural divide that still prevents movies to be portable from East to West when mixing cultural concepts)&lt;/br&gt;
[[w:About Time (2013 film)|About Time (2013)]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4835894/ Middle Man (2016)] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2449638/ Atomica] (5Q)&lt;/br&gt;
[[w:The Bay (film)|The Bay]] (5+Q)&lt;/br&gt;
[[w:Win It All|Win It All]] (6)&lt;/br&gt;
[[w:Here Alone (film)|Here Alone]] (6+)&lt;/br&gt;
[[w:The Discovery (film)|The Discovery]] (6+, sadly it does waste too much time and fails to go more in depth, even around the central subject mater, [[w:Jesse Plemons]] is fantastic)&lt;/br&gt;
[[w:Life (2017 film)|Life]] (7-, the plot ideas are better than the movie but the movie isn't bad)&lt;/br&gt;
[[w:Gantz (film)|Gantz]] (6+, if you at least have seen the anime, 6 if not)&lt;/br&gt;
[http://www.imdb.com/title/tt1525836/ Gantz: Perfect Answer] (6 if you saw the first, 6- if not, the script is not as good as the first film and the production seems to be more restricted in budget)&lt;/br&gt;
[[w:Black Moon Rising|Black Moon Rising]] (5+, it hasn't aged very well the main problem is the cinematography and script even for its time it wouldn't be very good, interesting to see the younger [[w:Tommy Lee Jones]] and [[w:Linda Hamilton]])&lt;/br&gt;
[http://www.imdb.com/title/tt5167934/ The Chamber (2016)] (6-, this sort of script requires great acting and writing to work this is not the case, it has been done better many times before)&lt;/br&gt;
[[w:The Shack (2017 film)|The Shack]] (6, while the film had a feel good intention and for the believer will be somewhat uplifting, the concept of a personal God, one that cares about each individual continues to seem nonsensical and unworkable, even as fantasy plot-line)&lt;/br&gt;
[[w:The White King|The White King]] (6-, great premise good acting but the script doesn't satisfy in the end)&lt;/br&gt;
[[w:The Eagle Has Landed |The Eagle Has Landed]] (7-)&lt;/br&gt;
[[w:Midway (film)|Midway]] (7-, these old war movies almost always get better with time, if quality is there to begin with)&lt;/br&gt;
[[w:Marathon Man|Marathon Man]] (7)&lt;/br&gt;
[[w:Logan's Run (film)|Logan's Run]] (6+, it also hasn't aged very well, a redo is in order)&lt;/br&gt;
[[w:The Omen|The Omen]] (6+)&lt;/br&gt;
[[w:Carrie (1976 film)|Carrie (1976)]] (6-, it hasn't aged well)&lt;/br&gt;
[[w:Rocky|Rocky]] (6, it never was a great movie but time has also eroded it)&lt;/br&gt;
[[w:Taxi Driver|Taxi Driver]] (8+)&lt;/br&gt;
[[w:Jonah Hex (film)|Jonah Hex (film)]] (6+)&lt;/br&gt;
[[w:King Kong (1933 film)|King Kong (1933)]] (7)&lt;/br&gt;
[[w:King Kong (1976 film|King Kong (1976)]] (6)&lt;/br&gt;
[[w:King Kong (2005 film)|King Kong (2005 film)]] (7-)&lt;/br&gt;
[[w:Kong: Skull Island|Kong: Skull Island]] (7-, some improvements in regards to the backgrounds, but the script lacks some of the cool dialogs of the previous, as it is designed to put forward the visual show)&lt;/br&gt;
[[w:Iron Man (2008 film)|Iron Man]] (7-)&lt;/br&gt;
[[w:Iron Man 2|Iron Man 2]] (6+)&lt;/br&gt;
[[w:Iron Man 3|Iron Man 3]] (7, but requires to have seen the previous, if not 7-, the script still suffers from blockbuster memes that shouldn't have been included)&lt;/br&gt;
[[w:Moontrap|Moontrap]] (6-, I did like the script and some parts fo the movie, it hasn't aged well and even at its time it was a low budget production, it would merit a remake)&lt;/br&gt;
[http://www.imdb.com/title/tt3705822/ Moontrap: Target Earth] (5, it has mostly nothing to do with the first Moontrap and it is all bad except the core ideas of the script)&lt;/br&gt;
[[w:Silence (2016 film)|Silence]] (6+)&lt;/br&gt;
[[w:Logan (film)|Logan]] (7-)&lt;/br&gt;
[[w:Operation Avalanche (film)|Operation Avalanche]] (6-Q, a low budget but fantastically casted and reflecting the time in sets, costumes and image it just doesn't have the content to be a movie, the script rehashes cleverly some of the moon landing memes but it still doesn't escape the feel of being a movie student project)&lt;/br&gt;
[[w:Why Him?|Why Him?]] (6)&lt;/br&gt;
[[w:Live by Night (film)|Live by Night]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:The Assignment (2016 film)|The Assignment]] (6-, the cast is better than the script that sucks, even a bit frustratingly since some of the ideas in it could work indeed work. [[w:Sigourney Weaver]] does an interesting psychopath)&lt;/br&gt;
[[w:Without Warning (1980 film)|Without Warning (1980)]] (5Q, even at its time is would have been a B movie, some star cast, or star to be, [[w:Jack Palance]], [[w:Martin Landau]], [[w:David Caruso]], the script and audio editing are very bad)&lt;/br&gt;
[[w:The Day the Earth Caught Fire|The Day the Earth Caught Fire]] (7+, it aged well)&lt;/br&gt;
[[w:I Don't Feel at Home in This World Anymore|I Don't Feel at Home in This World Anymore]] (6, a somewhat interesting script with some high points, interesting characters that aren't really fleshed out, the acting was fine)&lt;/br&gt;
[[w:Tumbledown (2015 film)|Tumbledown]] (6, sweet story but [[w:Jason Sudeikis]] casting does not work and the script is a bit too bare)&lt;/br&gt;
[[w:AfterDeath (film)|AfterDeath]] (6-)&lt;/br&gt;
[[w:Case 39|Case 39]] (6, the casting of [[w:Renée Zellweger]] was an error and the script needed more work)&lt;/br&gt;
[[w:Assassin's Creed (film)|Assassin's Creed]] (6, the biggest problem was casting and the uneven acting helped by a script that had little in subtleties and proper dialogs)&lt;/br&gt;
[[w:Allied (film)|Allied]] (6+, loved the color pallet and the cinematography, the CGI was a bit too transparent)&lt;/br&gt;
[[w:Gold (2016 film)|Gold]] (6)&lt;/br&gt;
[[w:Underworld (2003 film)|Underworld]] (6+)&lt;/br&gt;
[[w:Underworld: Evolution|Underworld: Evolution]] (6)&lt;/br&gt;
[[w:Underworld: Rise of the Lycans|Underworld: Rise of the Lycans]] (6)&lt;/br&gt;
[[w:Underworld: Awakening|Underworld: Awakening]] (6, script wise the worst than the previous ones)&lt;/br&gt;
[[w:Underworld: Blood Wars|Underworld: Blood Wars]] (6+, but you must have watched the others or it will be hard to get into)&lt;/br&gt;
[[w:Resident Evil (film)|Resident Evil (film)]] (7-)&lt;/br&gt;
[[w:Resident Evil: Apocalypse|Resident Evil: Apocalypse]] (6+)&lt;/br&gt;
[[w:Resident Evil: Extinction|Resident Evil: Extinction]] (7-)&lt;/br&gt;
[[w:Resident Evil: Afterlife|Resident Evil: Afterlife]] (6+)&lt;/br&gt;
[[w:Resident Evil: Retribution|Resident Evil: Retribution]] (6)&lt;/br&gt;
[[w:Resident Evil: The Final Chapter|Resident Evil: The Final Chapter]] (6+)&lt;/br&gt;
[[w:Safety Not Guaranteed|Safety Not Guaranteed]] (6-Q, well I didn't quit but there was a lot of fast forward, some interesting ideas but the acting script and production values aren't there)&lt;/br&gt;
[[w:Teenage Cocktail|Teenage Cocktail]] (6-Q, too much focused to a specific type of audience to have any interest for me and the quality is not that great to make me linger, it has a very 90s feel about it that does not help)&lt;/br&gt;
[http://www.imdb.com/title/tt3612320/ Within] (6-, some of the acting has problems and the script in not very good, extremely derivative)&lt;/br&gt;
[[w:The 9th Life of Louis Drax|The 9th Life of Louis Drax]] (6-, the script has problems and it wouldn't at its core be worth a movie, the convolutions added still does not justify the time. All the rest is fine and it has an above average music score)&lt;/br&gt;
[[w:War on Everyone|War on Everyone]] (6-Q, the script is a mess, there are some interesting sketches and it rewrites or reuses some old ones but the narrative and the quality below the setup is very bad, the acting is not bad and as for image production and casting they are above average even the selection of film color)&lt;/br&gt;
[[w:Patriots Day (film)|Patriots Day]] (6+, a bit of a propaganda work, movies should avoid contemporaneous events if possible as they often serve to rewrite history or skew the discourse, in this case the &quot;reality&quot; goes by a very heavy filter and what goes out only slightly has any points of connection to factual events and ultimately is one sided)&lt;/br&gt;
[http://www.imdb.com/title/tt3138344/ Baked in Brooklyn] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt2445178/ Molly Moon and the Incredible Book of Hypnotism] (5+Q)&lt;/br&gt;
[[w:USS Indianapolis: Men of Courage|USS Indianapolis: Men of Courage]] (5+Q, the script is horrid as are some of the CGI, image quality and pallet is great and the acting in not bad but the script is just unbearable)&lt;/br&gt;
[[w:The Girl with All the Gifts (film)|The Girl with All the Gifts]] (7+)&lt;/br&gt;
[[w:Road Games (film)|Road Games]] (6-Q, too slow and the image is too raw, the script and its characters did not impress)&lt;/br&gt;
[[w:Passengers (2016 film)|Passengers]] (7-)&lt;/br&gt;
[[w:Equity (film)|Equity]] (5+Q, casting, acting and script are bad)&lt;/br&gt;
[[w:Genius (2016 film)|Genius]] (7-)&lt;/br&gt;
[[w:Dollman (film)|Dollman]] (5Q)&lt;/br&gt;
[[w:The Autopsy of Jane Doe|The Autopsy of Jane Doe]] (6)&lt;/br&gt;
[[w:Rogue One|Rogue One]] (7-)&lt;/br&gt;
[[w:Time Out of Mind (2014 film)|Time Out of Mind]] (7-, a bit slow but the script is very well planed all dialogs contribute to shape not only the story but to establish the background of the reality portrayed. The acting/directing is superb, all around. The only downside is the medium, the editing and story pace seems more like a TV movie than cinema)&lt;/br&gt;
[http://www.imdb.com/title/tt4800418/ Manson's Lost Girls] (6-Q, all good but the format, a TV movie with very cropped image and fast editing, cast, acting and production is good, the best I've seen covering this tired subject)&lt;/br&gt;
[[w:The Benefactor (film)|The Benefactor]] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3954876/ Don Quixote: The Ingenious Gentleman of La Mancha] (5+Q)&lt;/br&gt;
[[w:The Thinning|The Thinning]] (5+, bad script and some sub par acting)&lt;/br&gt;
[http://www.imdb.com/title/tt2106651/ Spectral] (7-, a little better CGI, a little less corner cutting in the script and a little more creative cinematics and it would be great)&lt;/br&gt;
[[w:The Liberator (film)|The Liberator]] (6, great image quality, decent cinematography and well acted the main problem is the script that feels too slow, missing pertinent historical information or simply oversimplifies)&lt;/br&gt;
[[w:Dad's Army|Dad's Army]] (6-, great casting and image, but acting and script fail to work)&lt;/br&gt;
[[w:The Siege of Jadotville (film)|The Siege of Jadotville]] (6-, good acting but low budget and poor script)&lt;/br&gt;
[[w:Train to Busan|Train to Busan]] (6-, interesting movie but some of the casting, acting and CGI/effects does not match a better script, has great ideas but some are derivative, it is also a bit too long but manages not to get repetitive)&lt;/br&gt;
[[w:The Da Vinci Code (film)|The Da Vinci Code]] (7)&lt;/br&gt;
[[w:Angels &amp; Demons (film)|Angels &amp; Demons]] (6+)&lt;/br&gt;
[[w:Inferno (2016 film)|Inferno]] (6)&lt;/br&gt;
[[w:The Serpent and the Rainbow (film)|The Serpent and the Rainbow]] (5Q, it was never a good movie but it also hasn't aged well at all)&lt;/br&gt;
[[w:Creative Control (film)|Creative Control]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3471098/ Maggie's Plan] (6-Q)&lt;/br&gt;
[[w:Masterminds (2016 film)|Masterminds]] (6-)&lt;/br&gt;
[[w:Fantastic Beasts and Where to Find Them (film)|Fantastic Beasts and Where to Find Them]] (7-)&lt;/br&gt;
[[w:The Accountant (2016 film)|The Accountant]] (6+, a bit too formulaic but a cool and well told story)&lt;/br&gt;
[[w:True Memoirs of an International Assassin|True Memoirs of an International Assassin]] (6-Q)&lt;/br&gt;
[[w:Arrival (film)|Arrival]] (6+, a too heavy on the emotional content and light on the technological side, even if one must recognize some effort on that area)&lt;/br&gt;
[[w:Snowden (film)|Snowden]] (6, a weak one, only reached because of the heroic performance by [[w:Joseph Gordon-Levitt]] in this a low budgeted underwhelming script shown in monotonous cinematography)&lt;/br&gt;
[[w:Dog Eat Dog (2016 film)|Dog Eat Dog]] (6-, the script is a mess in its sequencing, character build and its too dry, beyond the Bogart joke, that is a bit out of date, and personal crisis of [[w:Willem Dafoe]]'s character that occurs out of the blue)&lt;/br&gt;
[[w:Sully (film)|Sully]] (6, often reality do not a good movie make, but I'm glad that the hyperbole was kept to a bearable degree making it watchable in this format)&lt;/br&gt;
[http://www.imdb.com/title/tt3976144/ The Monster] (6, the acting, image, cinematography and a well balanced script, even if very derivative, elevates it beyond the stigma of being a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3597108/ Plan Z] (6-, low budget and crappy camera makes it all worst than it is, the script could have had a bit more of work but cinematics, acting and effects are ok)&lt;/br&gt;
[[w:Miss Peregrine's Home for Peculiar Children (film)|Miss Peregrine's Home for Peculiar Children (film)]] (6)&lt;/br&gt;
[[w:Doctor Strange (film)|Doctor Strange]] (7-, visually great but the script is a bit empty of creativity beyond the effects and cramped with lore and origin to a point that the viewer only sees highlights but few nuances, if they make a second one maybe the actors can really act in a more well paced and crafted script)&lt;/br&gt;
[[w:Army of One (2016 film)|Army of One]] (6, sadly a low value production that could have been much more. One of the best roles I have seen [[w:Nicolas Cage]] in, especially recently. He carries all the movie but that barely saves it, the script is repetitive at times and generally not good beyond Cage's character.)&lt;/br&gt;
[[w:Nine Lives (2016 film)|Nine Lives]] (6-)&lt;/br&gt;
[[w:Jack Reacher: Never Go Back|Jack Reacher: Never Go Back]] (6)&lt;/br&gt;
[[w:In a Valley of Violence|In a Valley of Violence]] (6, could easily have be better, but parts of what could have been a great script are weakly constructed or are too derivative and the camera work is horrid at times even if the cinematography is above par, this all would indicate budget problems but the cast seems to indicate a bad production choice, heck the most memorable roles are by the dog and Tommy Nohilly (Tubby) anyway...)&lt;/br&gt;
[[w:Anthropoid (film)|Anthropoid]] (6-, low budget and bad script, actors and props are fine but even the camera work and cinematography at times feels cheap)&lt;/br&gt;
[http://www.imdb.com/title/tt3286052/ February] (6-, everything even the cinematography and music score is great but the script and the presentation chosen makes it am almost painful experience, there really is no content)&lt;/br&gt;
[[w:Captain Fantastic (film)|Captain Fantastic]] (7-)&lt;/br&gt;
[[w:The Infiltrator (2016 film)|The Infiltrator (2016)]] (6, suffers a bit from a low budget, the lighting is not good and the script is formulaic and seems directed into elevating its pedestrian characters)&lt;/br&gt;
[[w:Zoom (2015 film)|Zoom (2015)]] (6-, some cleaver ideas, good enough casting and acting but the script is not right, the characters needs more building time so that the audience can appreciate them, it would be fine as a short film, even more compressed or extended into a series)&lt;/br&gt;
[[w:Mechanic: Resurrection|Mechanic: Resurrection]] (6-, only problem is the brain dead script, it could be a 6 but the nonsense directing the action makes it pointless)&lt;/br&gt;
[[w:Special Correspondents|Special Correspondents]] (6-, it has the start of an interesting subtext but as the main plot it doesn't do much with it, I also have a particular dislike as [[w:Ricky Gervais]] always portray him as the ultimate underdog ad nausea, it is tiresome)&lt;/br&gt;
[http://www.imdb.com/title/tt2932532/ Blood Trap] (5Q)&lt;/br&gt;
[[w:Morgan (2016 film)|Morgan]] (6, a bit frustrating that the script wasn't more forward thinking, many lost opportunities making it fell too claustrophobic, shallow and repetitive, a ripe opportunity to someone to pick the core premises and make it go well beyond)&lt;/br&gt;
[http://www.imdb.com/title/tt3865238/ ChickLit] (6)&lt;/br&gt;
[[w:Swiss Army Man|Swiss Army Man]] (6-, while the encoded subtext is open to interpretation the script in itself is not that great, some cool sketches some cool philosophical issues and a good enough acting does not make a good movie alone, a bit fun but a lot wieldier, but ultimately that is the point being made)&lt;/br&gt;
[[w:Café Society (film)|Café Society]] (7-)&lt;/br&gt;
[[w:Alice Through the Looking Glass (film)|Alice Through the Looking Glass]] (6+)&lt;/br&gt;
[[w:The Good Neighbor (film)|The Good Neighbor]] (6-)&lt;/br&gt;
[[w:ARQ (film)|ARQ]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2278870/ ISRA 88] (5, low budget and nonsensical script, the production value is there, even decent acting sadly it does not go anywhere)&lt;/br&gt;
[http://www.imdb.com/title/tt3330764/ The Neighbor] (6-, horrid camera at times, the script needed more work, the characters and setup is fine and the acting is not bad)&lt;/br&gt;
[[w:Other People (film)|Other People]] (6-Q, too forced and the script is not good)&lt;/br&gt;
[[w:Transpecos (film)|Transpecos]] (6-, the acting could have been more consistent and the script have more content and close more of the storyline, the main issue was probably the low budget)&lt;/br&gt;
[http://www.imdb.com/title/tt0084329/ A Midsummer Night's Sex Comedy] (6, the editing is a bit bad, especially if we compare it with more contemporaneous works)&lt;/br&gt;
[[w:Don't Breathe (2016 film)|Don't Breathe]] (6+)&lt;/br&gt;
[[w:The Confirmation|The Confirmation]] (6)&lt;/br&gt;
[[w:I Am Not a Serial Killer (film)|I Am Not a Serial Killer]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2243260/ Swung] (5+Q)&lt;/br&gt;
[[w:Into the Forest|Into the Forest]] (6, the script loses a bit of coherence near the end)&lt;/br&gt;
[[w:The Neon Demon|The Neon Demon]] (7-)&lt;/br&gt;
[[w:Our Kind of Traitor (film)|Our Kind of Traitor]] (6)&lt;/br&gt;
[[w:Blood Father|Blood Father]] (7-, the script loses momentum as it approaches the end and sadly [[w:Mel Gibson]] fails to innovate, not that it is bad, never is, just repetitious, we already seem to have seen all he can offer on screen too many times)&lt;/br&gt;
[[w:War Dogs (2016 film)|War Dogs]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt4475992/ Tank 432] (5)&lt;/br&gt;
[[w:Secret in Their Eyes|Secret in Their Eyes]] (6+)&lt;/br&gt;
[[w:Imperium (2016 film)|Imperium]] (6)&lt;/br&gt;
[[w:Arbitrage (film)|Arbitrage]] (6+)&lt;/br&gt;
[[w:Regression (film)|Regression]] (6, it could easily be much better but the script keeps it too simplistic and formulaic)&lt;/br&gt;
[[w:One Eyed Girl|One Eyed Girl]] (6-Q, good acting and cinematography, and enjoyable premise but the script has bad pace and lacks content)&lt;/br&gt;
[[w:600 Miles|600 Miles]] (6, low budget but well done and with [[w:Tim Roth]] to boot, camera work leaves something to desire at times and the argument is not that complex but its the simplicity that makes it work)&lt;/br&gt;
[http://www.imdb.com/title/tt2818252/ Couple in a Hole] (6, it could easily be better)&lt;/br&gt;
[[w:Flight of the Navigator|Flight of the Navigator (1986)]] (6-, it hasn't aged well but would be still fun for kids)&lt;/br&gt;
[[w:Breakdown (2016 film)|Breakdown]] (6)&lt;/br&gt;
[[w:We Need to Talk About Kevin (film)|We Need to Talk About Kevin]] (6, the script presentation is a mess, it requires a lot of patience to get into the crazy way things are shown, the story is ok and the acting is above par)&lt;/br&gt;
[[w:All the Way (film)|All the Way]] (6, the script is too revisionist and emotional focused, it skirts some of the most important issues, the casting is great and as expected [[w:Bryan Cranston]] does a great act, [[w:Anthony Mackie]] also does a great [[w:Martin Luther King Jr.]])&lt;/br&gt;
[[w:The Man Who Knew Infinity (film)|The Man Who Knew Infinity]] (6)&lt;/br&gt;
[[w:Lazer Team|Lazer Team]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2630992/ Darkest Day] (6-, the camera work is horrid)&lt;/br&gt;
[[w:Jason Bourne (film)|Jason Bourne]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1517471/ Dough] (6-, a low budget movie with a forced and simplistic script that is badly directed as the actors seem capable of more)&lt;/br&gt;
[[w:Suicide Squad (film)|Suicide Squad]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3007132/ Daylight's End] (5+, better than one would expect, props, effects and image and even the some of the acting, the main issue was the script and probably budgetary restrains, it could have been better)&lt;/br&gt;
[http://www.imdb.com/title/tt3975556/ Jackrabbit] (6-, some cool concepts but the script is not that good in this low budget production, acting if fair but all could easily be better)&lt;/br&gt;
[[w:The Jungle Book (2016 film)|The Jungle Book]] (6)&lt;/br&gt;
[[w:The Legend of Tarzan (film)|The Legend of Tarzan]] (6+)&lt;/br&gt;
[[w:Lights Out (2016 film)|Lights Out]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1821641/ The Congress] (6, too many ideas crumpled into it, its all a bit unnecessary confusing and indirect)&lt;/br&gt;
[[w:The Nice Guys|The Nice Guys]] (6+, good scrip and a fair production of it, the casting of [[w:Russell Crowe]] is a bit off and he really does not make an effort, the movie is carried along by [[w:Ryan Gosling]] and [[w:Angourie Rice]])&lt;/br&gt;
[[w:A Hologram for the King (film)|A Hologram for the King]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt1498878/ The Whisperer in Darkness] (6-, problems with the acting, pace of action and CGI effects, and only those)&lt;/br&gt;
[[w:High-Rise (film)|High-Rise]] (6-Q, good production quality, esthetics and cinematography, great casting but the script is not relatable, I don't know the original novel but I couldn't care less about it all.)&lt;/br&gt;
[http://www.imdb.com/title/tt3189648/ Blood Moon] (5+, too theatrical and the audio is not right even if casting is also an issue as [[w:Maya Kazan]] voice hard to cope with in that reguister.)&lt;/br&gt;
[http://www.imdb.com/title/tt2597892/ Viral] (6)&lt;/br&gt;
[[w:Star Trek Beyond|Star Trek Beyond]] (6, the script isn't good, and I hate the reboot changes to the ST Universe in general, not the actors even if I would prefer a less plastic look)&lt;/br&gt;
[[w:Star Trek Into Darkness|Star Trek Into Darkness]] (6+, for the acting and visuals a lot has improved from the first, the new Klingons... I hate)&lt;/br&gt;
[[w:Star Trek (film)|Star Trek (reboot)]] (6, what a mess)&lt;/br&gt;
[[w:Free State of Jones (film)|Free State of Jones]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4470266/ Numb](6)&lt;/br&gt;
[[w:Transcendence (2014 film)|Transcendence]] (6+, there are issues with the script, there is also one or two blatant unexplainable jumps of the plot on screen)&lt;/br&gt;
[http://www.imdb.com/title/tt3923388/ The Call Up] (5+, some issues with the script and the acting is not good, but the production quality is there, image, lights and cgi, only the sound suffers a bit)&lt;/br&gt;
[[w:The BFG (2016 film)|The BFG]] (6-, great for children but has several issues that puts it below average)&lt;/br&gt;
[[w:The Way, Way Back|The Way, Way Back]] (6+)&lt;/br&gt;
[[w:Scoop (2006 film)|Scoop]] (6+, [[w:Scarlett Johansson]] is always fantastic even if the film is a bit too theatrical, even more than usual for a [[w:Woody Allen]] movie. In that regard it is also becoming obvious that most of his movies are just a bit too repetitious in the characters psychology and small sketch formulas they use)&lt;/br&gt;
[http://www.imdb.com/title/tt4834150/ Accidental Exorcist] (5Q, the real issues are the script and the low budget but kudos for the effects, image quality and acting)&lt;/br&gt;
[[w:Marauders (2016 film)|Marauders]] (6-, script, casting and production issues, there is also something lacking in the cinematography and editing)&lt;/br&gt;
[http://www.imdb.com/title/tt2883448/ Cash Only] (6)&lt;/br&gt;
[[w:About Scout|About Scout]] (6Q, it just didn't capture my interest)&lt;/br&gt;
[[w:Equals (film)|Equals]] (6, sadly it fails to have more content to justify the screen time and it is too derivative to be called creative)&lt;/br&gt;
[[w:Blackway|Blackway]] (6, the acting is fine but the script is just not that fleshed out, in the characters' backgrounds or in the content it presents)&lt;/br&gt;
[[w:The Duel (2016 film)|The Duel]] (6-, the main problems is the script, the erudition of the dialogs is out of context, then the slow pace, low scenery and unsteady cam puts the final nails on it)&lt;/br&gt;
[[w:Criminal (2016 film)|Criminal]] (6+, the only real problem is the unreality of it all the rest is simply a well oiled rehash of old formulas that we have already see elsewhere, good acting and overall production that pushes it ahead but nothing new inside)&lt;/br&gt;
[[w:Synecdoche, New York|Synecdoche, New York]] (6-Q, while I can recognize the production quality especially of the actors and cast in general, I can only get frustrated by the psychotic script populated by interesting characters in a chaotic manner. I loved some of the small sketches but couldn't care less about the main plot beyond a shared frustration with the main character regarding what is going on)&lt;/br&gt;
[[w:Von Ryan's Express|Von Ryan's Express]] (6-, it hasn't aged well at all, the plot is fine, as is the acting and casting, with the exception of the extras that at times are completely out of it. The camera and audio is hard to stomach today requires a note that the Motion Picture Sound Editors nominated it for &quot;Best Sound Editing&quot; in a Feature Film in 1966)&lt;/br&gt;
[[w:Gridlocked (2015 film)|Gridlocked]] (6-Q, low budget production, bad image and script, with some recognizable faces but the acting is also not good in general)&lt;/br&gt;
[[w:Money Monster|Money Monster]] (6, not a very creative script and has several problems in it, it all feels like a small production and yet the story does not merit much more)&lt;/br&gt;
[[w:Eye in the Sky (2015 film)|Eye in the Sky (2015)]] (6, a bit of an unrealistic view of how thing go, politically and military, we all have seen factual and audible dialog from real leaked footage of similar attacks, so to err so broadly is clearly a white wash work of propaganda and fantasy, aside from that the acting and production is ok and manages to engage people into the story)&lt;/br&gt;
[[w:Cell (film)|Cell]] (5+, it has many issues first the script has problems, the camera, sound and feel is of a extremely low budget production, except for the main actors, sets and effects, some of the secondary aren't good at all. The script has some interesting ideas and the limited cinematography at times manages to get some cool shoots here and there)&lt;/br&gt;
[[w:Warcraft (film)|Warcraft]] (7-, great visually but did not dare to have a better script, the direction of [[w:Travis Fimmel]] a good actor, is also lacking, why didn't they push him to diverge more from his previous Viking role, we see the same mannerisms even speech patterns and he is clearly capable of evolving beyond a single role, so it must have been intentional and it detracts from the movie)&lt;/br&gt;
[http://www.imdb.com/title/tt2544074/ Identicals] (6-, script needed more balance, lighting, cinematography and the general esthetics were good but it feels empty, the characters disposable this and a haze of confused story telling)&lt;/br&gt;
[[w:Urge (film)|Urge]] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt4991652/ Camino] (5Q)&lt;/br&gt;
[[w:Approaching the Unknown|Approaching the Unknown]] (6-, mostly due to a very weak the script, and I think I got the under-text, but it is also a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3174376/ Before I Wake] (7)&lt;/br&gt;
[[w:Colonia (film)|Colonia]] (6, the camera work at times is very messy)&lt;/br&gt;
[[w:Manhattan Night|Manhattan Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4149732/ Crush the Skull] (5+, very creative script, the dialogs at time do really shine, the production suffers form a very limited budget the camera work and image in general is crap, especially the lighting in the outdoor scenes, the editing is not bad and the cinematography could be better since the setting were great for better and creative angles, especially with the cameras available. As for the actors they could improve the best performance is without a doubt by Katie Savoy, sadly Chris Dinh tries too hard and it shows)&lt;/br&gt;
[[w:Mr. Right (2015 film)|Mr. Right]] (6-, while it just manages to deliver what it intended, the casting doesn't work even if both of the main actors are great they face an hard sell)&lt;/br&gt;
[[w:The Forest (2016 film)|The Forest (2016)]] (6)&lt;/br&gt;
[[w:Hardcore Henry|Hardcore Henry]] (7-, there are some memorable scenes and some very creative ideas and setups, the production suffers from a reduced budget but the stunts are great and the CGI only has small issues, the main problem is the trippy script, at times it seems to try to mash too many things into the story some it succeeds some it doesn't)&lt;/br&gt;
[[w:Red Dawn|Red Dawn (1984)]] (6)&lt;/br&gt;
[[w:Red Dawn (2012 film)|Red Dawn (2012)]] (6-)&lt;/br&gt;
[[w:Captain America: Civil War|Captain America: Civil War]] (7-, it could easily been better, the main plot line needed to be better constructed but it probably couldn't due to time constrains even if the movie does seems a 2 part work as it does not provide a proper conclusion. The CGI is also lacking but the fights chorography has clearly improved)&lt;/br&gt;
[[w:X-Men: Apocalypse|X-Men: Apocalypse]] (6+, it has good quality in all areas but also a script that fails to take excellent characters and do something with them, most of the film is a continuous unravel of a new character and his/hers powers peppered with historical lore dust but cant escape the old and tired formulas, until people stop rewarding this tripe this will continue to be made)&lt;/br&gt;
[[w:The Witch (2015 film)|The Witch]] (6, and a weak 6 since the only virtues of the work is the purported historical accounting it makes, the good acting, fair image and editing but the rest is not that great the pace is very slow, boringly so, the blame is all on the script more background scenes even of daily life would have made it more tolerable and the characters more rich and interesting)&lt;/br&gt;
[http://www.imdb.com/title/tt0848554/ The Sighting] (5Q, the actors and the script are the main problem, there are passable production values in the image, camera and editing but that alone does not make it something that is watchable)&lt;/br&gt;
[[w:The Finest Hours (2016 film)|The Finest Hours]] (6+, the scrip is meh but some of the characters, casting and direction are great and even if it is very limited in visual diversity and richness of exteriors and sets it manages to do a convincing job, it also does not go overboard with nationalistic or special interests propaganda that is common on this &quot;historic&quot; pieces from the US)&lt;/br&gt;
[[w:Brooklyn (film)|Brooklyn]] (6, a weak 6 due to what was done to in the script to make it populist propaganda at times. The real plot line and I believe the original material from the book is interesting and the characters and cast are fine, the directing could have been better so that the interactions would be more organic and not so staged)&lt;/br&gt;
[http://www.imdb.com/title/tt2667380/ Kill Command] (6, very sad but the script needed more work and the characters to be better fleshed out, a strong 6 for the image, creativity and CGI)&lt;/br&gt;
[[w:London Has Fallen|London Has Fallen]] (6, a film for brain dead Americans to fell good about their nation, disregarding any link to reality there is I believe an intentional tongue in cheek around the plot, one needs to pay attention to the dialogs, but it aim to be a blockbuster action movie and it does that with a weak script a not that great acting and the rehashing of all the formulas once again, one thing that is great is the choregraphy of the gun fights the parts with the tracers are very well designed)&lt;/br&gt;
[[w:The Adderall Diaries (film)|The Adderall Diaries]] (6+, the script is not for everyone and requires effort to appreciate, the best parts are the characters it brings then the casting and acting of those)&lt;/br&gt;
[http://www.imdb.com/title/tt3093286/ The American Side] (5+Q, the cinematography is there but the camera work is a bit clumsy and the editing could be better, the acting isn't great but with a better script or direction it could be easily better, liked the care for image and lighting and the backgrounds that gives it a 70's nuance)&lt;/br&gt;
[[w:Guns for Hire (film)|Guns for Hire]] (5+Q, the script has potential but it is not there yet the acting suffers from bad direction as the talent is there)&lt;/br&gt;
[[w:Triple 9|Triple 9]] (6-, the script is too unnecessarily confusing and the acting is not even, some talent is wasted, like [[w:Woody Harrelson]]. The action sequences are interesting but seems low budget more due to the prevalent bad editing and sloppy lighting)&lt;/br&gt;
[[w:Hail, Caesar!|Hail, Caesar!]] (6+, not an easy work, full of subtext and references to old classics, the script is very creative but I found myself perplexed by minor but obvious continuity errors, was it intentional?!)&lt;/br&gt;
[[w:The Boy (2016 film)|The Boy]] (6-, the story is too surreal to work)&lt;/br&gt;
[http://www.imdb.com/title/tt5113926/ They Found Hell] (5Q)&lt;/br&gt;
[[w:Precious Cargo (film)|Precious Cargo]] (6)&lt;/br&gt;
[[w:The Veil (2016 film)|The Veil]] (6, fantastic work, as usual by [[w:Thomas Jane]], the story itself is not great but it manages to get the mood and the cinematography is ok)&lt;/br&gt;
[[w:Risen (2016 film)|Risen (2016)]] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt4540434/ Paradox] (5-Q)&lt;/br&gt;
[[w:Midnight Special (film)|Midnight Special]] (7, fantastic acting and interesting story even if it fails to satisfy in the ending, it is like a long pilot for a serial)&lt;/br&gt;
[[w:Dirty Grandpa|Dirty Grandpa]] (5Q, to confess I did not quit, I just fast forwarded it a lot I couldn't believe someone would waste money and time working in something like this)&lt;/br&gt;
[[w:The Girl King|The Girl King]] (6-Q, to much theatrical to my taste, I do like theater but generally not the theatrical acting play productions values packaged as a movie, the wardrobe also seem funky for the historic date it intends to represent)&lt;/br&gt;
[[w:Backtrack (2015 film)|Backtrack]] (6, a bit slow but manages the ending twist, the script lingers too much in non-important stuff, for instance the dead people, failing to make clear a few details within that logic. It would have been more interesting to focus on the factual emotional drama, and the links that emerge to the memories that it uncovers. The casting of George Shevtsov as [[w:Adrien Brody]] dad is genial.)&lt;/br&gt;
[[w:Walt Before Mickey|Walt Before Mickey]] (5+, small budget production with a great effort in the settings but the acting is not great and the script while interesting in the particulars it covers fails in the options it makes, making it more like a theatrical play)&lt;/br&gt;
[[w:The Trust (film)|The Trust]] (6, too over acted by the main characters and with a plot that does not evolve in a satisfying script, it ends when one would like it to really begin, in all it is fun but also frustrating)&lt;/br&gt;
[[w:Freaks of Nature (film)|Freaks of Nature]] (5+, it just tries too hard not to be more)&lt;/br&gt;
[[w:Pandemic (film)|Pandemic]](6-, the script has some cool ideas and the movie is an expansion of previous POV cinematography attempts but is still too raw and low budget, the acting is also not constant in quality, more a casting and directing issue)&lt;/br&gt;
[[w:Batman v Superman: Dawn of Justice|Batman v Superman: Dawn of Justice]] (6, main issue is the implementation of the plot concept, that is good but falls apart when they blackmail superman and present us a clueless batman. There are a few great visual moments but the dialog and actors presentation are not that great)&lt;/br&gt;
[[w:10 Cloverfield Lane|10 Cloverfield Lane]] (6+)&lt;/br&gt;
[[w:Zathura (film)|Zathura]] (7-)&lt;/br&gt;
[[w:Jumanji|Jumanji]] (7-)&lt;/br&gt;
[[w:The Fisher King|The Fisher King]] (7+)&lt;/br&gt;
[[w:Dead Poets Society|Dead Poets Society]] (8)&lt;/br&gt;
[[w:Good Morning, Vietnam|Good Morning, Vietnam]] (7)&lt;/br&gt;
[[w:Awakenings|Awakenings]] (8+)&lt;/br&gt;
[[w:Forever (2015 film)|Forever]] (5+Q)&lt;/br&gt;
[[w:Pawn Sacrifice|Pawn Sacrifice]] (6, good acting but the story as told is not very compelling material, there are parts of [[w:Bobby Fischer]] history that would merit more attention and would be more interesting to dissect and explore)&lt;/br&gt;
[[w:Pride and Prejudice and Zombies (film)|Pride and Prejudice and Zombies]] (6-, mostly for the novelty, even if it is an adaptation of a literary work, the editing, acting and script are not good)&lt;/br&gt;
[[w:Undercover Blues|Undercover Blues]] (6)&lt;/br&gt;
[[w:Millennium (film)|Millennium]] (6)&lt;/br&gt;
[[w:WarGames|WarGames]] (6+, it hasn't aged well but it is still an iconic work of its time)&lt;/br&gt;
[[w:Confessions of a Dangerous Mind|Confessions of a Dangerous Mind]] (7)&lt;/br&gt;
[[w:Spotlight (film)|Spotlight]] (7-)&lt;/br&gt;
[[w:Forsaken (2015 film)|Forsaken]] (6-, slow and bare script a lost opportunity with that cast, there is also the problem that [[w:Kiefer Sutherland]] is not very good at emotional roles)&lt;/br&gt;
[[w:Standoff (film)|Standoff]] (6, almost a 6+, it improves as the story is being told but from the start something is off, the camera, lighting and direction hasn't been given the necessary effort and the dialogs and emotional nuances are lacking, with such good actors it could have been way better)&lt;/br&gt;
[[w:Gods of Egypt (film)|Gods of Egypt]] (6-, a mess of a movie, from the idealization, casting and script, the effects are ok and the acting and production is not bad)&lt;/br&gt;
[http://www.imdb.com/title/tt2364774/ Kill or Be Killed] (5+Q, the cinematics, acting and script are not good)&lt;/br&gt;
[[w:The Lady in the Van|The Lady in the Van]] (6, fantastic work by [[w:Maggie Smith]] the script is a bit slow and dull but there are some clever dialogs and little sketches that makes it move forward nicely, a nice story telling, it could easily been better without feeling too cluttered)&lt;/br&gt;
[[w:The People vs. Larry Flynt|The People vs. Larry Flynt]] (7, they try to much too shock the audience, the acting is great)&lt;/br&gt;
[[w:Code 46|Code 46]] (6, it isn't better due to the low budget and logical failures of some of the propositions on the script, the aesthetics and acting are fine and some of the ideas in it are worth the reflection)&lt;/br&gt;
[[w:Extremely Loud and Incredibly Close (film)|Extremely Loud and Incredibly Close]] (6-Q, more for the production value and acting, the casting is off and the script doesn't work, it also seems to be an emotional exploitation job due to the artificiality of it all)&lt;/br&gt;
[http://www.imdb.com/title/tt2324928/ Alienate] (5+, the acting is not bad but its a low cost production of a very demanding concept and so the script fails to satisfy there are also several issues in continuity/editing and the camera work could be better)&lt;/br&gt;
[[w:She's Funny That Way|She's Funny That Way]] (6+, like a slowed down Woody Hallen, good scrip, pace and interesting characters ([[w:Imogen Poots]] was fantastic), even if some are too off with the plastic jobs it was interesting to see them again. I think also that [[w:Owen Wilson]] and [[w:Jennifer Aniston]] are becoming too typecast, even if I love to see them on that type, its becoming a blur)&lt;/br&gt;
[[w:Victor Frankenstein (film)|Victor Frankenstein]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4733536/ American Hero] (6-)&lt;/br&gt;
[[w:Southbound (2015 film)|Southbound]] (5Q)&lt;/br&gt;
[[w:Frankenstein (2015 film)|Frankenstein (2015)]] (5+, low production value beyond the acceptable acting, that yet seems uncoordinated and the pace plus the inconsistencies in the scrip also diminish what would be a great angle for the revisit to the subject, making it lose track and become as disfigured as the protagonist)&lt;/br&gt;
[[w:Deadpool (film)|Deadpool]] (6+, I don't know the original material but some of the funny moments are too forced and the need or presence of the X-Men subtract more than add, I especially disliked Colossus, there is also a problem with the character Weasel being too similar to Deadpool himself, the action bits are fun but could easily been better)&lt;/br&gt;
[[w:The Survivalist (film)|The Survivalist]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5354588/ Tom Clancy's the Division: Agent Origins] (5, better camera work and characterization, use of filters and quality would be easily increased)&lt;/br&gt;
[[w:Deathgasm|Deathgasm]] (5+, they didnt aim to do much better than)&lt;/br&gt;
[[w:The Night Before (2015 film)|The Night Before]] (6-, very poor and mixed up script that seems at times to be a simple vehicle for product placement)&lt;/br&gt;
[[w:Deadly Virtues: Love.Honour.Obey|Deadly Virtues: Love.Honour.Obey]] (5+, the script is not very creative, low production value and the acting is lacking)&lt;/br&gt;
[[w:The Legend of Barney Thomson|The Legend of Barney Thomson]] (5+, the script is not good and rarely fun at all it is a waste of acting capability)&lt;/br&gt;
[[w:The Sand|The Sand]] (5+, a bit below what it aims to be, it should be a short story not a feature film)&lt;/br&gt;
[[w:The War of the Roses (film)|The War of the Roses]] (7-)&lt;/br&gt;
[[w:Love the Coopers|Love the Coopers]] (6-)&lt;/br&gt;
[[w:Romancing the Stone|Romancing the Stone]] (6+)&lt;/br&gt;
[[w:The Jewel of the Nile|The Jewel of the Nile]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3013160/ Arrowhead] (5+, the confused and hard to implement script and lack of funds seems be the main issue more than the acting)&lt;/br&gt;
[[w:Lamb (2015 American film)|Lamb]] (7-, great acting and script)&lt;/br&gt;
[[w:Synchronicity (film)|Synchronicity]] (5+, the acting is ok but also a low cost production with a script too convoluted without any rewarding content)&lt;/br&gt;
[[w:The Mask (film)|The Mask]] (6, this movie hasn't aged well, while it remains iconic of the 90s, with the repeated and over-similar work of the actor [[w:Jim Carrey]] that had peaked in fame at the time allied with an unimpressive script and some advanced (for that time) special effects)&lt;/br&gt;
[[w:Scent of a Woman (1992 film)|Scent of a Woman]] (7-)&lt;/br&gt;
[[w:The 5th Wave (film)|The 5th Wave]] (6, don't know the original source for the adaptation but the script is not great and I hope they don't waste those actors in more of this tripe)&lt;/br&gt;
[[w:Pleasantville (film)|Pleasantville]] (7, the cinematography, lighting and aesthetics push it up, the script internal logic at times gets very strained, the acting at times is intentionally woody as to fit the epoch and so the casting has also to be praised)&lt;/br&gt;
[[w:Exposed (2016 film)|Exposed]] (6-, the script is too slow to unravel and the viewer is not granted a proper return for the convoluted deception)&lt;/br&gt;
[[w:Terminus (2015 film)|Terminus]] (6+, great work done on a shoe string, cinematography and acting is good, even the effects, the script could have a bit more polish and faster pace at times but I loved the Iran angle and depth it got)&lt;/br&gt;
[[w:Rock the Kasbah (film)|Rock the Kasbah]] (6-, I like Bill Murray but the last few scripts he agreed to perform aren't good at all, this one included)&lt;/br&gt;
[[w:Our Brand Is Crisis (2005 film)|Our Brand Is Crisis]] (6-, while the subject mater has merit the acting and script are weak)&lt;/br&gt;
[[w:Flutter (2011 film)|Flutter]] (6-, a very depressing movie that has some cool ideas but also holes in the script that ruin the en-sable)&lt;/br&gt;
[[w:Dune (film)|Dune]] (7-, the film hasn't aged well especially the special effects, it has also other problems, badly done fight scenes and editing, but the source material, esthetics, soundtrack, cast and acting is great. It would be interesting if someone took it and digitally remastered it and corrected and improved some of the background scenes.)&lt;/br&gt;
[[w:Amnesiac (film)|Amnesiac]] (6-)&lt;/br&gt;
[[w:28 Days Later|28 Days Later]] (7-)&lt;/br&gt;
[[w:28 Weeks Later|28 Weeks Later]] (6, the script is a mess at times making the characters behavior unrealistic and generally over simpleminded placing them in a setup that seems only so as to make the plot work toward the intended goal, the acting and casting is fine)&lt;/br&gt;
[[w:Steve Jobs (2015 film)|Steve Jobs (2015)]] (7+, great script writing, casting and acting)&lt;/br&gt;
[[w:The Pawnbroker (film)|The Pawnbroker]] (6+, it hasn't aged too well, but it can be an historic reference to a particular time, the acting is great and has a rich background, the casting of the protagonist especially for the scenes of a prison camp does not go well due to his body frame)&lt;/br&gt;
[[w:Crazy, Stupid, Love|Crazy, Stupid, Love]] (6)&lt;/br&gt;
[[w:Solace (2015 film)|Solace]] (6, fun but you have to leave logic way behind to go along with the premise of the plot)&lt;/br&gt;
[http://www.imdb.com/title/tt4076760/ Diablo] (5+, the main problem is the script)&lt;/br&gt;
[[w:The Walk (2015 film)|The Walk]] (6+, it could have been better without the high tone theatrics and a more close, realistic and human view of events, it almost derails the movie in its first half)&lt;/br&gt;
[[w:Burnt (film)|Burnt]] (6, small issues with the editing)&lt;/br&gt;
[[w:Guns for Hire|Guns for Hire]] (5Q)&lt;/br&gt;
[[w:The Flock (film)|The Flock]] (6+, it could have been better simply by refraining from taking an &quot;educational&quot; path)&lt;/br&gt;
[[w:Concussion (2015 film)|Concussion]] (6)&lt;/br&gt;
[[w:The Diary of a Teenage Girl|The Diary of a Teenage Girl]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt4974584/ Harry Price: Ghost Hunter] (6)&lt;/br&gt;
[[w:Irrational Man (film)|Irrational Man]] (7, fantastic characters and casting)&lt;/br&gt;
[[w:Carol (film)|Carol]] (6-Q, the constant close plane of the camera is claustrophobic and monotonous, the acting and detail to match the era is great but the script is not that great nor the dialogs and pace)&lt;/br&gt;
[[w:Scouts Guide to the Zombie Apocalypse|Scouts Guide to the Zombie Apocalypse]] (5+)&lt;/br&gt;
[[w:Spectre (2015 film)|Spectre]] (7-)&lt;/br&gt;
[[w:Idiocracy|Idiocracy]] (7-)&lt;/br&gt;
[[w:The Ridiculous 6|The Ridiculous 6]] (5Q, the script is just horrible)&lt;/br&gt;
[[w:Bare (film)|Bare]] (6, probably a 6+ but this type of film is not my cup of tea, so I haven't a deep appreciation for the script)&lt;/br&gt;
[[w:He Never Died|He Never Died]] (6-, a low budget production with potential, the script has some cool ideas)&lt;/br&gt;
[[w:The Revenant (2015 film)|The Revenant]] (7-, the costume design is great the cgi is not)&lt;/br&gt;
[[w:In the Heart of the Sea (film)|In the Heart of the Sea]] (7-)&lt;/br&gt;
[[w:The Hateful Eight|The Hateful Eight]] (6+, the last creations of [[w:Quentin Tarantino]] haven't been great (or as great as we come to expect), in this one the cinematography is inconstant and highlights the Tarantino formula, a sequence of copycats of epic moments of other productions applied to &quot;mostly&quot; creative and fun scripts)&lt;/br&gt;
[[w:Star Wars: The Force Awakens|Star Wars: The Force Awakens]] + [http://screenrant.com/star-wars-7-force-awakens-deleted-scenes-images/ deleted-scenes] (6, the script is not creative, in fact we can find much of it is a rehash of other movies of the same franchise, starting for the quest for the droid with the secret message. I also am starting to have a cognitive resistance to the contrived propagandistic wave of this pseudo-blockbuster productions, from the girl heroin to the afro-American second fiddler, well at least we haven't the hero question her sexuality)&lt;/br&gt;
[[w:A Walk in the Woods (film)|A Walk in the Woods]] (6-, the script isn't very good and it all seem very canned, the best bit is [[w:Nick Nolte]] and the idea of casting [[w:Emma Thompson]] as [[w:Robert Redford]] wife is just wrong, probably good as bait for the viewers but it doesn't work in practice)&lt;/br&gt;
[[w:A Perfect Day (2015 film)|A Perfect Day]] (6-, the script is weak and the acting is not that great even from [[w:Benicio del Toro]] that over-performs making it stick out, in a bad way, and contrasting with the other actors, the best moment is the ending sequence from just before it starts to rain)&lt;/br&gt;
[[w:Crimson Peak|Crimson Peak]] (6, it fails the purpose, that of terror, but it fails beautifully, and I don't give it more because at least in the wardrobe esthetics remove credibility to what is already an over the top visual ensemble, I was derailed several thinking about how fake the presented climate/weather was)&lt;/br&gt;
[[w:Room (2015 film)|Room]] (8, there is little thing that could be optimized, probably a better musical score and certainly a bit more of cinematic creativity with angles, lenses and even light but it is certainly one of the best movies of 2015)&lt;/br&gt;
[[w:The Intern (2015 film)|The Intern]] (6-, I see no point or merit on the script beyond a vehicle for social propaganda, propaganda because it promotes and attempts to normalizes fringe social-economical behaviors, not defending or opposing any of what is covered but I feel a bit sick when it is packaged and given a shine like this without a real balance or promotion for reflection)&lt;/br&gt;
[[w:A Very Murray Christmas|A Very Murray Christmas]] (6-, I almost quitted and it would be a 5+ without [[w:Bill Murray]], the problem as I see it is that they create a very depressing atmosphere, even claustrophobic that highlights the artificiality of it all, including the &quot;Christmas spirit&quot;)&lt;/br&gt;
[[w:Heist (2015 film)|Heist]] (6+)&lt;/br&gt;
[[w:Knight and Day|Knight and Day]] (6+)&lt;/br&gt;
[[w:Sleepers (film)|Sleepers]] (7)&lt;/br&gt;
[[w:Ronin (film)|Ronin]] (7)&lt;/br&gt;
[[w:Wag the Dog|Wag the Dog]] (7-)&lt;/br&gt;
[[w:The Fan (1996 film)|The Fan]] (6+)&lt;/br&gt;
[[w:Cape Fear (1991 film)|Cape Fear]] (8-, great acting all around)&lt;/br&gt;
[[w:The Mission (1986 film)|The Mission]] (8, some historic errors/freedoms but not very relevant)&lt;/br&gt;
[[w:Parasyte: Part 1|Parasyte: Part 1]] (6, cool adaptation, the acting is not great and the easier parts to replicate like the emotional drama, love relation, internal conflict is mostly missing focusing more on the special effects part that works great except for the way the &quot;heroes&quot; move together)&lt;/br&gt;
[[w:Uncanny (film)|Uncanny]] (6+, a bit of a reluctant 6+ since the sexual weird part of the script seems an unnecessary addition to the plot, nice esthetics and a good pace)&lt;/br&gt;
[[w:Parasyte: Part 2|Parasyte: Part 2]] (6-, it deviates even more from the original, for someone that has no previous knowledge it makes it all become too bizarre)&lt;/br&gt;
[http://www.imdb.com/title/tt3508840/ The Assassin] (5+Q, the photography is great but it is too artsy and with a extremely slow pace for me to digest, if a director needs to show off non-story telling concepts he should use short movies or create a good pace of visual fanfare)&lt;/br&gt;
[http://www.imdb.com/title/tt2954474/ Visions] (7-, good script)&lt;/br&gt;
[[w:No Escape (2015 film)|No Escape]] (7-, the writing has a bit of a badly done injection of anti-neo-colonialism that as presented it would be better have been left out and also while the action takes place in an unnamed nation the inclusion of Vietnam as a safe harbor demonstrates how Hollywood serves to shape public perception)&lt;/br&gt;
[[w:Absolutely Anything|Absolutely Anything]] (5+)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3774790/ 400 Days] (5-, very weird work, the script is absurd the acting not that great but there is some production value in it, esthetics, image and light are above B movie level)&lt;/br&gt;
[[w:Before We Go|Before We Go]] (6+)&lt;/br&gt;
[[w:Insidious: Chapter 3|Insidious: Chapter 3]] (6)&lt;/br&gt;
[[w:The Man from U.N.C.L.E. (film)|The Man from U.N.C.L.E.]] (6, I was going to give it a 6- but if you disregard the flaws, bad script and lack of chemistry between the main actors, the rest is pretty good, from the cinematics, color choice, esthetics and music all is above par)&lt;/br&gt;
[[w:SuperBob|SuperBob]] (6-, I think it depends on taste, it is nonsense comedy, reminiscent of [[w:Monty Python]] at times)&lt;/br&gt;
[[w:Everest (2015 film)|Everest]] (6)&lt;/br&gt;
[[w:X+Y|A Brilliant Young Mind]] (6)&lt;/br&gt;
[[w:9. April|9. April]] (6)&lt;/br&gt;
[[w:The End of the Tour|The End of the Tour]] (6-Q, good acting and movie in general but based on a core dialog that seems to go into an endless loop of witticism, commonalities and some minor erudition, I think people that aren't capable of very profound thoughts or have a good cultural background would certainly appreciate it more but I lost patience with it)&lt;/br&gt;
[[w:Bone Tomahawk|Bone Tomahawk]] (6+, a bit slow and the camera work at times is painful but a cool script, characters and acting puts it above the norm had it more funding and content it could easily have been better)&lt;/br&gt;
[[w:Momentum (2015 film)|Momentum]] (6-, I have noticed an issue that it transversal to most SA productions, the choice of image format, it hampers the immersion into the movie, this and the attempt to emulate Hollywood in the aesthetics. In this case all fall short, and is utterly unnecessary, the freaky futuristic costumes may have worked wonders for the trailer but not for the film itself, that and a poor script and uneven acting especially when they put in [[w:James Purefoy]] as the second fiddler creates a critical unbalance that robs it of any chance of working out)&lt;/br&gt;
[[w:Bridge of Spies (film)|Bridge of Spies]] (6, I have issues with this type of Hollywood rewrite or simplification of history, I also took note of the blatant product placing, it truly disgusted me)&lt;/br&gt;
[[w:Howl (2015 film)|Howl]] (6, the minor issue is the close-up effects on the fully transformed creatures it may be because of the conservative budget or a directors decision, the movie does not bring anything new but it is well constructed and presents what it proposes)&lt;/br&gt;
[http://www.imdb.com/title/tt3118452/ Circle] (6+, yet again a variation of a groups of people in a closed room but well conceived, good casting, script and acting makes it above average)&lt;/br&gt;
[[w:Experimenter (film)|Experimenter]] (6+, great acting from [[w:Peter Sarsgaard]], clever script that manages to do a great presentation at low cost)&lt;/br&gt;
[[w:Re-Kill|Re-Kill]] (5+Q, bad concept, the effects aren't great and dislike the docustyle camera-work in general)&lt;/br&gt;
[[w:Six Degrees of Separation (film)|Six Degrees of Separation]] (6+)&lt;/br&gt;
[[w:Mr. Holmes|Mr. Holmes]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4224478/ The Subjects] (6-, great premise and an innovation over the genre but needs a rewrite, waiting for a remake)&lt;/br&gt;
[[w:The Green Inferno (film)|The Green Inferno]] (5+)&lt;/br&gt;
[[w:Garm Wars: The Last Druid|Garm Wars: The Last Druid]] (6-, some above average CGI, good cinematography, fair acting but a extremely weak script and creative content beyond the futuristic esthetics)&lt;/br&gt;
[[w:The Vatican Tapes|The Vatican Tapes]] (5+)&lt;/br&gt;
[[w:The Gift (2015 film)|The Gift]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2531362/ Chariot] (5Q, interesting central idea but the rest is just awful)&lt;/br&gt;
[[w:The Martian (film)|The Martian]] (6+, also saw the extended version, the only annoyance was the politically (in)correct way that China is included into the script even if it is also on the source novel)&lt;/br&gt;
[[w:The Hive (2014 film)|The Hive]] (6-, some cool rehashed ideas in there)&lt;/br&gt;
[[w:Little Boy (film)|Little Boy]] (7-, good tale and well told even if is doesn't innovate in old and tired formulas)&lt;/br&gt;
[[w:Beyond the Mask|Beyond the Mask]] (5+Q)&lt;/br&gt;
[[w:Closer to the Moon|Closer to the Moon]] (5+, seems a propagandistic movie in itself, very full of misdirected primitive anti-communism and cultural Zionism and empty of much anything else, the major plot line is great but its hand is shown right at the start, a very broad mix of acting quality and low budget production values also do not help)&lt;/br&gt;
[[w:Unknown (2011 film)|Unknown]] (6+)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Lion, the Witch and the Wardrobe|The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]] (5+, it may be directed at an young audience but it isn't very good, the acting even production values are fine but the script and effects are not)&lt;/br&gt;
[[w:The Chronicles of Narnia: Prince Caspian|The Chronicles of Narnia: Prince Caspian]] (6-)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Voyage of the Dawn Treader|The Chronicles of Narnia: The Voyage of the Dawn Treader]] (6, more a part of a set, alone the movie wouldn't make any sense)&lt;/br&gt;
[[w:The Hard Way (1991 film)|The Hard Way]] (6-)&lt;/br&gt;
[[w:Teen Wolf|Teen Wolf]] (6-, it hasn't aged well, these epoch centered movies are ripe for a remake)&lt;/br&gt;
[[w:Vampires (film)|Vampires]] (6+, many flaws but memorable, as many other work's from [[w:John Carpenter]] the expenses are dwarfed by the returns in detriment of production quality)&lt;/br&gt;
[[w:Pixels (2015 film)|Pixels]] (5)&lt;/br&gt;
[[w:Love &amp; Mercy (film)|Love &amp; Mercy]] (5+)&lt;/br&gt;
[[w:Pay the Ghost|Pay the Ghost]] (5+)&lt;/br&gt;
[[w:Me and Earl and the Dying Girl (film)|Me and Earl and the Dying Girl]] (6+)&lt;/br&gt;
[[w:Mississippi Grind|Mississippi Grind]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3153582/ Listening] (6-)&lt;/br&gt;
[[w:Cop Car (film)|Cop Car]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt0685628/ The Sign of Four] (5+, it hasn't aged well, the series was great, this movie exacerbates the theatrical acting something that was more subdued in the series)&lt;/br&gt;
[[w:American Ultra|American Ultra]] (6+)&lt;/br&gt;
[[w:Tale of Tales (2015 film)|Tale of Tales]] (6, a bland blending of old folk tales)&lt;/br&gt;
[http://www.imdb.com/title/tt3815430/ Awaiting] (5+Q, it is more like awaiting for it to end, the script is very bare of content and drags the few rehashed ideas too long, in a low production with above fair, but not brilliant acting)&lt;/br&gt;
[[w:Zipper (film)|Zipper]] (6-, not a good script, a beaten track and lacks content)&lt;/br&gt;
[[w:Self/less|Self/less]] (6-, the issue is the directing, the acting is ok and the script has its issues but the options taken do not work)&lt;/br&gt;
[[w:Tiger House|Tiger House]] (6)&lt;/br&gt;
[[w:Z for Zachariah (film)|Z for Zachariah]] (7-, very cleaver premise for the script but falls short on what it could deliver on the very human subjects it tries to approach, it becomes an endurance process due to the very slow pace, creating a frustration that in part does help empathize with the frustration felt by the characters  )&lt;/br&gt;
[[w:Entourage (film)|Entourage (film)]] (5+, or a 6- for those that have seen the serial)&lt;/br&gt;
[[w:Twixt (film)|Twixt]] (5+Q, from [[w:Francis Ford Coppola]] ?! why not simply make a experimental short movie instead of this mess)&lt;/br&gt;
[[w:Star Trek: Renegades|Star Trek: Renegades]] (5+, all things are off except the CG effects and editing)&lt;/br&gt;
[[w:Bad Night|Bad Night]] (5+)&lt;/br&gt;
[[w:Fifty Dead Men Walking|Fifty Dead Men Walking]] (6-, the main issue with it is the production value and the tired subject it covers, it does an amazing job but the quality is not there, the image format selected is also extremely bad for the project, claustrophobic at times and hinders the movie more than anything else.)&lt;/br&gt;
[[w:Attack on Titan (film)|Attack on Titan]] (5, the adaptation is very poor, even if we recognize that it would be extremely difficult but the best ideas, even those that wouldn't require great cost or effects are left out and the acting is extremely theatrical, the best part is the effects and other solutions found for this low budget but with high expectations production.)&lt;/br&gt;
[[w:Strangerland|Strangerland]] (6-, extremely slow and shallow script, some interesting dialogs and a good main plot line, the casting of [[w:Joseph Fiennes]] seems out of place, but a good quality ensemble.)&lt;/br&gt;
[[w:The Humbling (film)|The Humbling]] (6-, the script is not great, a bit confusing at times but with some interesting vignettes and there isn't much that we haven't seen from [[w:Al Pacino]], he does not surprise us here.)&lt;/br&gt;
[[w:Air (2015 film)|Air]] (6, a bit slow and empty of content, [[w:Norman Reedus]] is a great actor.)&lt;/br&gt;
[http://www.imdb.com/title/tt3064356/ The Beat Beneath My Feet] (5+Q)&lt;/br&gt;
[[w:Fantastic Four (2015 film)|Fantastic Four]] (6, the reboot script is crap, the effects, ambiance and backgrounds are ok)&lt;/br&gt;
[[w:Harbinger Down|Harbinger Down]] (6-, the main problem is the acting and a not very creative script)&lt;/br&gt;
[[w:The Runner (2015 film)|The Runner]] (6-)&lt;/br&gt;
[[w:Shaun of the Dead|Shaun of the Dead]] (6)&lt;/br&gt;
[[w:Taken (film)|Taken]] (7, more than anything for the cleaver script concept and a memorable film)&lt;/br&gt;
[[w:Taken 2|Taken 2]] (6)&lt;/br&gt;
[[w:Taken 3|Taken 3]] (6, I wanted to tag it as a 5 due to the very crappy editing that degrades most of the film, especially the action sequences, the script also does not help, not creative or with fully fleshed characters)&lt;/br&gt;
[[w:Some Kind of Beautiful|Some Kind of Beautiful]] (5+, not very good acting, script or even casting)&lt;/br&gt;
[[w:The Age of Adaline|The Age of Adaline]] (6+, a rehash of ideas but not at all bad)&lt;/br&gt;
[[w:Perfect Sense|Perfect Sense]] (6)&lt;/br&gt;
[[w:Kingdom of Heaven (film)|Kingdom of Heaven]] (6)&lt;/br&gt;
[[w:Cracks (film)|Cracks]] (6)&lt;/br&gt;
[[w:Big Driver (film)|Big Driver]] (6)&lt;/br&gt;
[[w:American Sniper (film)|American Sniper]] (6)&lt;/br&gt;
[[w:Wild Card (2015 film)|Wild Card]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2691734/ October Gale] (6)&lt;/br&gt;
[[w:Grizzly (2014 film)|Grizzly (2014 film)]] (5, bad digital effects and camera + mixed cast quality)&lt;/br&gt;
[http://www.imdb.com/title/tt1921149/ Trash] (6)&lt;/br&gt;
[[w:Wyrmwood|Wyrmwood]] (6, for the creativity, acting and effects, considering the low budget and independent production, the close plane camera subterfuge still annoys the hell out of me)&lt;/br&gt;
[http://www.imdb.com/title/tt2998118/ SOS: Save Our Skins] (4, funny to watch due to how bad, in a good way. Very low budget and crazy script)&lt;/br&gt;
[[w:Tracers (film)|Tracers]] (6)&lt;/br&gt;
[[w:Jupiter Ascending|Jupiter Ascending]] (6, I almost gave this a 5 the script is horrid, including the lack of any innovative idea beyond mixing all into a blender including lycanthropes and vampires. The esthetics and effects are excellent but the casting and acting are not.)&lt;/br&gt;
[[w:The Loft (2014 film)|The Loft]] (5, script story as told is very unsalable to get one interested, the acting is also very inconsistent probably due to errors in casting and directing that only makes it worst)&lt;/br&gt;
[[w:The Interview (2014 film)|The Interview]] (5, I rarely like this type of movies anyway, but due to the hype I did look at it, as the others its a waste of time)&lt;/br&gt;
[[w:Northmen: A Viking Saga|Northmen: A Viking Saga]] (5Q, Good production and acceptable acting but the script is bad and the pace is off, very slow. I liked the cinematography but couldn't stomach the empty dialog and lack of character building)&lt;/br&gt;
[[w:Black Sea (film)|Black Sea]] (6, a good story concept, great works from [[w:Jude Law]], but issues with the script cripples it from being even better more than the budget)&lt;/br&gt;
[http://www.imdb.com/title/tt2798456/ The Hybrid] (6)&lt;/br&gt;
[[w:Battle Creek (TV series)|Battle Creek]] (5, only seen 1st episode, the acting is lacking the script quality is not constant, some great ideas mixed with very old clichés and the camera work is also poor)&lt;/br&gt;
[[w:Exodus: Gods and Kings|Exodus: Gods and Kings]] (5, not that great acting, disliked the twists in the script to the original material)&lt;/br&gt;
[[w:The Pyramid (film)|The Pyramid]] (5)&lt;/br&gt;
[[w:Night at the Museum|Night at the Museum]] (5)&lt;/br&gt;
[[w:Night at the Museum: Battle of the Smithsonian|Night at the Museum: Battle of the Smithsonian]] (6)&lt;/br&gt;
[[w:Night at the Museum: Secret of the Tomb|Night at the Museum: Secret of the Tomb]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3204734/ Allies] (4Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3793230/ Extraction Day] (4Q)&lt;/br&gt;
[[w:Cut Bank (film)|Cut Bank]] (6)&lt;/br&gt;
[[w:Vice (2015 film)|Vice]] (5)&lt;/br&gt;
[[w:Chappie (film)|Chappie]] (6, it could have been so much better, it could even incorporate some of the stuff from [[w:Isaac Asimov]])&lt;/br&gt;
[[w:District 9|District 9]] (8)&lt;/br&gt;
[[w:Elysium|Elysium]] (7)&lt;/br&gt;
[[w:Kidnapping Freddy Heineken|Kidnapping Freddy Heineken]] (6, a bit empty, it could have been better scripted)&lt;/br&gt;
[[w:My Mistress|My Mistress]] (6)&lt;/br&gt;
[[w:Meet Joe Black|Meet Joe Black]] (7, some &quot;logical&quot; issues but great story and acting)&lt;/br&gt;
[[w:Instinct (film)|Instinct]] (6, almost a 7, but much is lost by hand holding the audience)&lt;/br&gt;
[[w:Hannibal (film)|Hannibal]] (7)&lt;/br&gt;
[[w:The Silence of the Lambs (film)|The Silence of the Lambs]] (8)&lt;/br&gt;
[[w:Seven (1995 film)|Seven]] (8)&lt;/br&gt;
[[w:The Cobbler (2014 film)|The Cobbler]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3804114/ Halo: Nightfall] (5)&lt;/br&gt;
[[w:Fifty Shades of Grey (film)|Fifty Shades of Grey]] (6, a weak 6 since there is not much content on it, nor any profound psychological depth as one might expect)&lt;/br&gt;
[[w:Innocence (2013 film)|Innocence]] (4Q)&lt;/br&gt;
[[w:Cymbeline (film)|Cymbeline]] (4Q)&lt;/br&gt;
[[w:Faults (film)|Faults]] (7, clever scripting and good acting beats low production costs every time)&lt;/br&gt;
[[w:Alexander (2004 film)|Alexander]] (5, bad acting, casting and awful script)&lt;/br&gt;
[[w:Spring (2014 film)|Spring]] (5, too slow, inconsequential, the camera work/image could have been easily better)&lt;/br&gt;
[[w:Boyhood (film)|Boyhood]] (6)&lt;/br&gt;
[[w:A Most Violent Year|A Most Violent Year]] (5, good acting but the script is lacking)&lt;/br&gt;
[[w:Robot Overlords|Robot Overlords]] (4)&lt;/br&gt;
[[w:Big Eyes|Big Eyes]] (6)&lt;/br&gt;
[[w:Into the Woods|Into the Woods]] (6, musicals aren't my cup of tea)&lt;/br&gt;
[[w:Annie (1982 film)|Annie]] (6)&lt;/br&gt;
[[w:The Sound of Music (film)|The Sound of Music]] (7)&lt;/br&gt;
[[w:The Frighteners|The Frighteners]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2194826/ The Barber] (6, the best point is [[w:Scott Glenn]] act. The script is not great or better yet the history told is not, it is all about the characters and sadly only one gets any tangibility)&lt;/br&gt;
[[w:The Beaver (film)|The Beaver]] (7)&lt;/br&gt;
[[w:The Day of the Dolphin|The Day of the Dolphin]] (6, a weak one, while the plot is good the movie itself hasn't aged well, still a classic but not re-watchable)&lt;/br&gt;
[[w:An Act of War|An Act of War]] (5Q, esthetically pleasing cinematography but no real innovative content in a slow develop plot on a slim budget)&lt;/br&gt;
[[w:Blackhat (film)|Blackhat]] (5, due to the cinematographic quality, or it would be a 6, the acting is also problematic at times with exception of [[w:Chris Hemsworth]], the plot is interesting and the movie well paced but the camera quality and even the audio is inconsistent)&lt;/br&gt;
[[w:Last Knights|Last Knights]] (5Q, horrid script premise, Historic Nippon setup in a Western context (Knights as Samurai), and a waste of good acting talent)&lt;/br&gt;
[[w:Dead Rising: Watchtower|Dead Rising: Watchtower]] (5, some innovative ideas in regard to the Zombie gender, with some concepts from the game, but weak acting and bad camera work takes it below the 6. The budget also does not help, even in the s. effects department)&lt;/br&gt;
[[w:Dead Rising: Endgame|Dead Rising: Endgame]] (6-, better actors and previous actors had more experience, increased production value, except the sound and a messed up casting, even shifting same actors around in roles would have been better, in any case direction is also lacking, as some actors perform below what they have done in the past)&lt;/br&gt;
[[w:Batman vs. Robin|Batman vs. Robin]] (5, subpar animation, one thing done right was the fight choreography between different sized combatants where one would expect problems or gimmicks to surpass them)&lt;/br&gt;
[[w:Robin Hood: Prince of Thieves|Robin Hood: Prince of Thieves]] (6)&lt;/br&gt;
[[w:The Untouchables|The Untouchables]] (7)&lt;/br&gt;
[[w:Outland (film)|Outland]] (8)&lt;/br&gt;
[[w:Good Kill|Good Kill]] (6, sadly it fails to go deeper into the morality of subject matter and focus to much into personal crisis and technicalities and soapboxing, that prevents it for being better)&lt;/br&gt;
[[w:The Dead Lands|The Dead Lands]] (6, weak 6 since the scrip is not great. The strongest point is the Māori culture that is rarely seen on the global screens and when shown it is too politically correct or clean. In that note one of the actors strikes out as being too westerner looking for the casting)&lt;/br&gt;
[[w:The Lazarus Effect (2015 film)|The Lazarus Effect (2015 film)]] (6-, the script is not innovative, like a remake of [[w:Flatliners]] in a small scale production)&lt;/br&gt;
[[w:Flatliners|Flatliners]] (7)&lt;/br&gt;
[[w:30 Days of Night (film)|30 Days of Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2361602/ Five Star] (5+)&lt;/br&gt;
[[w:The Big Lebowski|The Big Lebowski]] (7)&lt;/br&gt;
[[w:Four Brothers (film)|Four Brothers]] (6+)&lt;/br&gt;
[[w:Mission: Impossible – Rogue Nation|Mission: Impossible – Rogue Nation]] (6-, what is up with all the neon/led lightening it is even more out of place than in ST reboot high brightness weird futuristic ambiance)&lt;/br&gt;
[[w:The Physician (2013 film)|The Physician]] (7)&lt;/br&gt;
[[w:Kiss of Death (1995 film)|Kiss of Death]] (5, bad casting and lousy script)&lt;/br&gt;
[[w:Birdman (film)|Birdman]] (5, almost didn't make it till the end, great acting great script I just didn't appreciate the subject-matter else it would be probably a 7)&lt;/br&gt;
[[w:Laggies|Laggies]] (6, I FF some-parts of the start as the movie seems to be intended to a niche audience, not bad for what it is)&lt;/br&gt;
[http://www.imdb.com/title/tt2505294/ Ask Me Anything] (7)&lt;/br&gt;
[[w:Unbroken (film)|Unbroken]] (6, the script itself is weak and walks in a beaten path but transpires reality and stays away from the unnecessary nationalistic imaginary that we would expect, I loved the color pallet concept)&lt;/br&gt;
[[w:Alexander and the Terrible, Horrible, No Good, Very Bad Day (film)|Alexander and the Terrible, Horrible, No Good, Very Bad Day]] (5, there is no real chemistry on the cast, all good actors but that and the issues with the script that breaks at times makes it not shine)&lt;/br&gt;
[[w:Whiplash (2014 film)|Whiplash]] (6, not much of a story beyond attempting to validate the insanity that mediocrity should be sacrificed in the altar of subjective excellence, a 1% sponsored message, but great acting and music)&lt;/br&gt;
[[w:Kill the Messenger (2014 film)|Kill the Messenger]] (6, simple production but concise presentation)&lt;/br&gt;
[[w:The Imitation Game|The Imitation Game]] (6, low budget production but my main dislike was the departure from the real history)&lt;/br&gt;
[[w:The Gambler (2014 film)|The Gambler]] (7)&lt;/br&gt;
[[w:Seventh Son (film)|Seventh Son]] (5)&lt;/br&gt;
[[w:Horrible Bosses|Horrible Bosses]] (5)&lt;/br&gt;
[[w:Horrible Bosses 2|Horrible Bosses 2]] (4)&lt;/br&gt;
[[w:Stonehearst Asylum|Stonehearst Asylum]] (6)&lt;/br&gt;
[[w:Blood: The Last Vampire (2009 film)|Blood: The Last Vampire]] (6, low budget and forced internationalization but it delivers a good show for what it is, the camera works should be more cinematic and the shoots should be less regular in amplitude it feels a bit too narrow at times)&lt;/br&gt;
[[w:The Atticus Institute|The Atticus Institute]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2557276/ Against the Sun] (6)&lt;/br&gt;
[[w:Jarhead_2:_Field_of_Fire|Jarhead 2: Field of Fire]] (5Q, bad script and claustrophobic camera more than the acting makes it intolerable)&lt;/br&gt;
[[w:Extinction (film)|Extinction]] (7-, great acting, good effects even in such a small production, the script should have been better leveraged and paced)&lt;/br&gt;
[[w:Dark Was the Night (film)|Dark Was the Night]] (6-, very few proper actors and a limited budget, that is evident in the effects, camera works, lighting and sound quality, allied with a very bare script puts it on the hedge of meriting the time expenditure)&lt;/br&gt;
[http://www.imdb.com/title/tt1854580/ That Burning Feeling] (5Q, interesting premise but weak presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2570224/ Two-Bit Waltz] (4Q)&lt;/br&gt;
[[w:Enough (film)|Enough]] (6)&lt;/br&gt;
[[w:The Drop (film)|The Drop]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3157224/ We Still Kill the Old Way] (4Q)&lt;/br&gt;
[[w:Good Night, and Good Luck|Good Night, and Good Luck]] (6, it could be better it suffers from bad editing, the camera work, selected planes are also problematic and at times it is too slow for the content presented)&lt;/br&gt;
[[w:Alien vs. Predator (film)|Alien vs. Predator]] (6)&lt;/br&gt;
[[w:The Adjustment Bureau|The Adjustment Bureau]] (6)&lt;/br&gt;
[[w:Foxcatcher|Foxcatcher]] (5)&lt;/br&gt;
[[w:'71 (film)|'71]] (7)&lt;/br&gt;
[[w:Rising Sun (film)|Rising Sun]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0835775/ Electric Slide] (5)&lt;/br&gt;
[[w:Conspiracy Theory (film)|Conspiracy Theory]] (6)&lt;/br&gt;
[[w:The Scorpion King 4: Quest for Power|The Scorpion King 4: Quest for Power]] (5, a [[w:LARP]] while the scrip itself is not that bad the acting or directing is very lacking, some setting/locations also are out of place and the epic music becomes extremely annoying after a bit)&lt;/br&gt;
[[w:I Saw the Devil|I Saw the Devil]] (7)&lt;/br&gt;
[[w:Get Low (film)|Get Low]] (6)&lt;/br&gt;
[[w:Highwaymen (film)|Highwaymen]] (6, the very ending is very out of character and unnecessary)&lt;/br&gt;
[[w:Time Lapse (film)|Time Lapse]] (5, good premise but the script needed more work and greater creativity)&lt;/br&gt;
[[w:Hunter Killer (film)|Hunter Killer]] (6)&lt;/br&gt;
[[w:Gone Girl (film)|Gone Girl]] (7)&lt;/br&gt;
[[w:The Contract (2006 film)|The Contract]] (6)&lt;/br&gt;
[[w:The Sum of All Fears (film)|The Sum of All Fears]] (6)&lt;/br&gt;
[[w:Driving Miss Daisy|Driving Miss Daisy]] (7)&lt;/br&gt;
[[w:Along Came a Spider (film)|Along Came a Spider]] (7)&lt;/br&gt;
[[w:Nurse Betty|Nurse Betty]] (6)&lt;/br&gt;
[[w:The Shawshank Redemption|The Shawshank Redemption]] (8)&lt;/br&gt;
[[w:Hot Pursuit (2015 film)|Hot Pursuit]] (5+, almost gave up, the script is horrid leading to very forced and infantile gags, the acting is fair)&lt;/br&gt;
[[w:Ant-Man (film)|Ant-Man]] (6, safe and boring use of basic formulas, it is like packing sausages. The effects are fine but the ant &quot;speech&quot; is cartoonish and out of place)&lt;/br&gt;
[http://www.imdb.com/title/tt2558318/ The Last Survivors] (5+, lacks many things, the premise is fine even if it needed some work to work beyond setting the stage for the action. The acting is also lacking beyond the very main characters. The &quot;villain&quot; could easily been better structured at least to bring it to par with the &quot;heroes&quot; even fleshing this duality would have provided some usable content. With a little more work it could have been way better...)&lt;/br&gt;
[[w:The Day the Earth Stood Still (2008 film)|The Day the Earth Stood Still (2008)]] (7-, a remake that adds some good content but fails to be better due to concentrating too much on the [[w:Keanu Reeves]] part)&lt;/br&gt;
[[w:The Day the Earth Stood Still|The Day the Earth Stood Still]] (8, a memorable classic)&lt;/br&gt;
[[w:Soldier (1998 American film)|Soldier]] (6)&lt;/br&gt;
[[w:The Time Machine (1960 film)|The Time Machine (1960)]] (8, a classic with memorable scenes, except for some of the effects it has aged remarkably well)&lt;/br&gt;
[[w:In Bruges|In Bruges]] (6, funny story with unexpected twists)&lt;/br&gt;
[[w:REC (film)|REC]] (5, some good scenes but weak plot, the acting is also very inconsistent probably an issue with direction more than issues with the script)&lt;/br&gt;
[[w:REC 4: Apocalypse|REC 4: Apocalypse]] (5, a bit better production but suffers from the same acting issues added to it is the camera work that in this installment should have been more cinematographic)&lt;/br&gt;
[[w:The Day of the Beast (film)|The Day of the Beast]] (7)&lt;/br&gt;
[[w:Pan's Labyrinth|Pan's Labyrinth]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3367686/ Awaken] (4+Q, main issues for what little I saw, the camera work the acting and the general production value)&lt;/br&gt;
[[w:The Manchurian Candidate (2004 film)|The Manchurian Candidate (2004)]] (6)&lt;/br&gt;
[[w:The Manchurian Candidate (1962 film)|The Manchurian Candidate (1962)]] (7+)&lt;/br&gt;
[[w:The Parallax View|The Parallax View]] (6-, it didn't age well, some parts of the script would probably merit a remake as they continue to be interesting to explore. There is some potential there and a remake would be easier than what happened to latter adaptations to screen of [[w:The Manchurian Candidate]])&lt;/br&gt;
[http://www.imdb.com/title/tt2517300/ The Suicide Theory] (5-Q, the plot premise reads great but production, casting and acting is bad, I did not see much of the movie to comment on the script but it should be on par with the rest)&lt;/br&gt;
[[w:Tusk (2014 film)|Tusk]] (5)&lt;/br&gt;
[[w:I Origins|I Origins]] (5, very slow for lack of content)&lt;/br&gt;
[[w:The Skeleton Twins|The Skeleton Twins]] (5Q)&lt;/br&gt;
[[w:Minuscule: Valley of the Lost Ants|Minuscule: Valley of the Lost Ants]] (5Q)&lt;/br&gt;
[[w:Nightcrawler (film)|Nightcrawler]] (7)&lt;/br&gt;
[[w:Dying of the Light (film)|Dying of the Light]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1958007/ Roadside] (5)&lt;/br&gt;
[[w:Thin Ice (2011 film)|Thin Ice]] (6+)&lt;/br&gt;
[[w:Teenage Mutant Ninja Turtles (2014 film)|Teenage Mutant Ninja Turtles (2014)]] (5)&lt;/br&gt;
[[w:Late Phases|Late Phases]] (5, interesting script ideas but low budget and weak directing it could have been way better, this is one waiting for a proper remake)&lt;/br&gt;
[[w:The Hunger Games: Mockingjay – Part 1|The Hunger Games: Mockingjay – Part 1]] (6)&lt;/br&gt;
[[w:Three Days of the Condor|Three Days of the Condor]] (8)&lt;/br&gt;
[[w:The Canal (2014 film)|The Canal]] (4Q)&lt;/br&gt;
[[w:Fury (2014 film)|Fury]] (7)&lt;/br&gt;
[[w:Into the Storm (2014 film)|Into the Storm]] (4, some of the effects are fine and its the main point of a calamity movie so I FF to those in place of quiting)&lt;/br&gt;
[[w:Living with the Enemy (tv series)|Living with the Enemy]] (5, I only have seen episode 5 about Marijuana, I dislike the format because it can be easily manipulated on production and it doesn't reach any conclusion beyond maybe having an impact on the protagonists, one thing it reinforced in my view is how connected the legal system and even general politic discourse is with the US)&lt;/br&gt;
[[w:These Final Hours|These Final Hours]] (7)&lt;/br&gt;
[[w:Nightbreed|Nightbreed]] (8)&lt;/br&gt;
[http://www.imdb.com/title/tt2873214/ Bad Turn Worse] (5, boiler plate)&lt;/br&gt;
[[w:A Walk Among the Tombstones (film)|A Walk Among the Tombstones]] (7, the musical score is very interesting, good script and acting too)&lt;/br&gt;
[[w:Locke (film)|Locke]] (7, mesmerizing story about character and responsibility, one of a kind)&lt;/br&gt;
[[w:The Lunchbox|The Lunchbox]] (7, a good, and funny, look into India's lifestyle and social relations)&lt;/br&gt;
[[w:This Is Where I Leave You|This Is Where I Leave You]] (5)&lt;/br&gt;
[[w:John Wick (film)|John Wick]] (6, I was going to make it a 7 due to the combat choreography/scenography but the last sequences of the script, especially the &quot;boss&quot; fight ruin it)&lt;/br&gt;
[http://www.imdb.com/title/tt2769184/ Debug] (5, the plot premise was great but the aesthetics and implementation failed probably due to budget issues, not bad acting in general)&lt;/br&gt;
[[w:Total Recall (1990 film)|Total Recall (1990)]] (7, it didn't age well)&lt;/br&gt;
[[w:Total Recall (2012 film)|Total Recall (2012)]] (6)&lt;/br&gt;
[[w:A Merry Friggin' Christmas|A Merry Friggin' Christmas]] (4Q)&lt;/br&gt;
[[w:And So It Goes (film)|And So It Goes]] (5, nothing new, the same formulas, rinse and repeat)&lt;/br&gt;
[[w:Dracula Untold|Dracula Untold]] (6)&lt;/br&gt;
[[w:The Hobbit: The Desolation of Smaug|The Hobbit: The Desolation of Smaug]] (8)&lt;/br&gt;
[[w:The Hobbit: The Battle of the Five Armies|The Hobbit: The Battle of the Five Armies]] (6)&lt;/br&gt;
[[w:Frontera (2014 film)|Frontera]] (5, mostly a one sided educational film directed as to moralize an infantile audience on the base of emotional appeal and not addressing the real issues behind actions and events)&lt;/br&gt;
[[w:Interstellar (film)|Interstellar]] (7)&lt;/br&gt;
[[w:Gravity (film)|Gravity]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt1639397/ Once Upon a Time in Queens] (6, a bit slow a bit myopic but a good rehash and spin on many similar movies that deal with aging and dealing with changes)&lt;/br&gt;
[[w:The Salvation (film)|The Salvation]] (7, not an unique script but the cinematography the camera angles were great, not the editing, it was horrid at times and the over use of light filters, but excellent acting and good sound track)&lt;/br&gt;
[[w:America Unearthed|America Unearthed]] (4, very bad TV format and premise, I have only seen a few of the programs, the ones that cover subjects that I may have an interests like the copper mystery, vikings in the Americas etc but the show is very bad at explaining and exploring the subjects and in differentiating fact from fiction and present a grounded scientific conclusion)&lt;/br&gt;
[[w:Guardians of the Galaxy (film)|Guardians of the Galaxy]] (7, I always liked the more or less consistent Marvel universe, and the efforts they make to keep it so, this adaptation into the big screen didn't seem to mess that up too much, one of the best Marvels adaptations so far)&lt;/br&gt;
[[w:Nine Queens|Nine Queens]] (7)&lt;/br&gt;
[[w:Before I Go to Sleep (film)|Before I Go to Sleep]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2170593/ St. Vincent] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1403862/ Sinbad: The Fifth Voyage] (4)&lt;/br&gt;
[[w:Lucy (2014 film)|Lucy]] (7)&lt;/br&gt;
[[w:Beyond the Edge|Beyond the Edge]] (7)&lt;/br&gt;
[[w:Wolf Creek (film)|Wolf Creek]] (6)&lt;/br&gt;
[[w:Wolf Creek 2|Wolf Creek 2]] (5)&lt;/br&gt;
[[w:Big Hero 6 (film)|Big Hero 6]] (6, seeing the same formulas applied over and over again without significant innovations or creativity becomes boring)&lt;/br&gt;
[[w:Predestination (film)|Predestination]] (7)&lt;/br&gt;
[[w:The Warrior's Way|The Warrior's Way]] (6, more for the image and aesthetics and strangeness of the plot)&lt;/br&gt;
[[w:Snowpiercer|Snowpiercer]] (6, good acting and interesting attempt of a political statement, but the plot itself is not consistent in logic and since those premises are central to the story it hinders the overall quality)&lt;/br&gt;
[[w:True Story (film)|True Story]] (6, I'm sad that it isn't better, the acting is great but ultimately it is all that there is to it, the story is not that good or especially well told and so it centers the movie in the conflict of the two main characters)&lt;/br&gt;
[[w:Jinn (film)|Jinn]] (4Q)&lt;/br&gt;
[[w:Hercules (2014 film)|Hercules]] (6, a weak 6 at that there are problem with the cinematography, the decisions made especially in the first part of the movie. The editing is also a problem...)&lt;/br&gt;
[[w:Camp X-Ray (film)|Camp X-Ray]] (6, a bit disappointing that it never goes beyond the emotional aspect of the issue of captive vs captor and the background seems only circumstantial emptying the movie of any interest)&lt;/br&gt;
[[w:The Judge (2014 film)|The Judge]] (6)&lt;/br&gt;
[[w:A Most Wanted Man (film)|A Most Wanted Man]] (6)&lt;/br&gt;
[[w:The Prince (2014 film)|The Prince]] (5)&lt;/br&gt;
[[w:Let's Be Cops|Let's Be Cops]] (4Q)&lt;/br&gt;
[[w:The Limits of Control|The Limits of Control]] (5+, too pointless, empty and slow, again the premise is fine and the actor's are ok but their work is not that hard in this setup. It could have easily been much more profound and/or entertaining, even taking advantage of better locations/backgrounds would add value to it)&lt;/br&gt;
[[w:Housebound|Housebound]] (4, yes I've seen it till the end, a bit of FF but didn't quit, just because of Morgana O'Reilly acting and role)&lt;/br&gt;
[[w:The Rover (2014 film)|The Rover]] (7, with a few tweaks it would have been fantastic but as it is, it is memorable)&lt;/br&gt;
[[w:Grumpy Old Men (film)|Grumpy Old Men]] (6-, I do like Jack Lemmon and Walter Matthau but is not that great and some situational comedy too forced)&lt;/br&gt;
[[w:The Usual Suspects|The Usual Suspects]] (8, the script is great as it is the acting)&lt;/br&gt;
[[w:Strange Magic (film)|Strange Magic]] (6-, I don't particularly like musicals but the animation is good, even if I strongly dislike the style used for faces)&lt;/br&gt;
[[w:Run All Night (film)|Run All Night]] (6+, well paced action flick)&lt;/br&gt;
[[w:Beyond the Reach|Beyond the Reach]] (6-, there a a multitude of similar and better movies around similar lines)&lt;/br&gt;
[[w:Divergent (film)|Divergent]] (6-)&lt;/br&gt;
[[w:The Divergent Series: Insurgent|Insurgent]] (5+, only due to the effects, the casting and acting is not good, suffers basically from the same problems of the first movie but the story issues becomes more pressing as it progresses)&lt;/br&gt;
[[w:The Divergent Series: Allegiant|The Divergent Series: Allegiant]] (6, the best one of the series, the acting has improved, even if the script is relatively empty of content and not very creative. I also disliked the implementation of the gas threat, not the visual but the &quot;logic&quot; on how they've gone about it, in all its angles)&lt;/br&gt;
[[w:The Forger (2014 film)|The Forger]] (4Q)&lt;/br&gt;
[[w:The Reconstruction of William Zero|The Reconstruction of William Zero]] (6-, unnecessarily confused presentation, the key concepts of the script are interesting but fizzle without satisfying)&lt;/br&gt;
[http://www.imdb.com/title/tt2567038/ The Frame] (4Q)&lt;/br&gt;
[[w:Avengers: Age of Ultron|Avengers: Age of Ultron]] (6+, better than all the previous ones but MARVEL IP is at times outdated, even if they managed to explore almost every angle on paper, on screen the selection or options hurt the &quot;logic&quot; of the plot)&lt;/br&gt;
[[w:The Duke of Burgundy|The Duke of Burgundy]] (7-, there is not much on history content)&lt;/br&gt;
[[w:Embrace of the Vampire|Embrace of the Vampire]] (4Q, the best angle is to regard it as a very weak soft porn)&lt;/br&gt;
[[w:Cake (2014 film)|Cake]] (6, a weak 6 since it can get a boring for lack of content beyond the good acting and interesting characters)&lt;/br&gt;
[[w:Spare Parts (film)|Spare Parts]] (6, but a weak 6 only due to the excessive propagandistic way the story is presented)&lt;/br&gt;
[[w:Kingsman: The Secret Service|Kingsman: The Secret Service]] (6-, the script is weak and full of clichés that are taken too seriously, to be seen as a parody to the gender)&lt;/br&gt;
[[w:Kingsman: The Golden Circle|Kingsman: The Golden Circle]] (5+, why waste good production value in this type of trash is incomprehensible to me, the script is a mess the CGI is over used and not very good and the camera was too squizo)&lt;/br&gt;
[[w:Hit by Lightning|Hit by Lightning]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt4530832/ Road Wars] (5, a bit more work on the script and better actors, not that all are bad, and it could have been easily better, its not that hard with this gender)&lt;/br&gt;
[[w:It Follows|It Follows]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3552892/ Hungerford] (5)&lt;/br&gt;
[[w:Home (2015 film)|Home]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt2784134/ Battle for Skyark] (5+, a bit more work on the script and little more in the budget and it could have be easily improved)&lt;/br&gt;
[[w:Maggie (film)|Maggie]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3327624/ Infini] (5, good premise that fails to deliver, main issue is the script that falls apart as soon as it goes beyond the introduction)&lt;/br&gt;
[[w:Project Almanac|Project Almanac]] (6-)&lt;/br&gt;
[[w:Focus (2015 film)|Focus (2015 film)]] (7)&lt;/br&gt;
[[w:Exeter|Exeter]] (5)&lt;/br&gt;
[[w:Area 51 (film)|Area 51]] (5)&lt;/br&gt;
[[w:The Admiral: Roaring Currents|The Admiral: Roaring Currents]] (5+, most of the acting is bad and it continues to baffles me why most of these Asian movies are so filled with propagandistic or ultra nationalistic nuances, in this case it also includes erroneous religious remarks since at the time Koreans did not believe in a single God. Even if the historic accuracy was already doubtful it further detracts from the presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2564978/ Lost Time] (5-, what a mess, some cool ideas and effects but a crazy script and bad acting makes it unwatchable)&lt;/br&gt;
[[w:Mimic (film)|Mimic]] (7-)&lt;/br&gt; 
[[w:Mimic 2|Mimic 2]] (6-)&lt;/br&gt;
[[w:Mimic 3: Sentinel|Mimic 3: Sentinel]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3300572/ Stung] (5+, required a lot of FF)&lt;/br&gt;
[[w:Two Girls and a Guy|Two Girls and a Guy]] (6-, the buildup is great but there are script issues and the production quality is low, in any case it keeps your watching)&lt;/br&gt;
[[w:The Terminator|The Terminator]] (8-)&lt;/br&gt;
[[w:Terminator 2: Judgment Day|Terminator 2: Judgment Day]] (7)&lt;/br&gt;
[[w:Terminator 3: Rise of the Machines|Terminator 3: Rise of the Machines]] (6+)&lt;/br&gt;
[[w:Terminator Salvation|Terminator Salvation]] (7+)&lt;/br&gt;
[[w:Terminator Genisys|Terminator Genisys]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt3029476/ Pressure] (6+)&lt;/br&gt;
[[w:Madame Bovary (2014 film)|Madame Bovary (2014)]] (5+)&lt;/br&gt;
[[w:Manglehorn|Manglehorn]] (5+, no problem about the acting but the script is too bare and slow to make it worth investing the time)&lt;/br&gt;
[[w:Law Abiding Citizen|Law Abiding Citizen]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2962726/ The Anomaly] (5, very interesting concept, nothing new but an interesting subject, good production but not well directed, acted and the fight scenes are very, very bad and in bullet time)&lt;/br&gt;
[[w:Extraterrestrial (2014 film)|Extraterrestrial]] (6, if you take it for what it is &quot;a groups of friends decide to take a romantic weekend in the woods at her parents' cabin&quot;, the plot could have be better as it has a hard time to stay funny and dark at the same time, it could have been great had they decided one way or the other)&lt;/br&gt;
[http://www.imdb.com/title/tt2186663/ 36 Saints] (4Q)&lt;/br&gt;
[[w:The Gunman (film)|The Gunman]] (6, it could have been better if not for the weak script and the almost unbearable moralism that permeates it, I gave it a 6 because of the action sequences and the settings)&lt;/br&gt;
[http://www.imdb.com/title/tt4627104/ Flight World War II] (5+, the script needed more work, the film would benefit from a better camera work and a larger production, but the plot is different, a creative merge of many other previous works)&lt;/br&gt;
[[w:Jurassic Park (film)|Jurassic Park]] (7)&lt;/br&gt;
[[w:The Lost World: Jurassic Park|The Lost World: Jurassic Park]] (6)&lt;/br&gt;
[[w:Jurassic Park III|Jurassic Park III]] (6-)&lt;/br&gt;
[[w:Jurassic World|Jurassic World]] (6-, the scrip falls apart 30m into it, the acting is good but rehashing cliches does not make it a good movie, huge lack of imagination to stay in the already traveled path)&lt;/br&gt;
[[w:Parlor (film)|Anarchy Parlor]] (5)&lt;/br&gt;
[[w:Stretch (2014 film)|Stretch]] (5)&lt;/br&gt;
[[w:Earth to Echo|Earth to Echo]] (4, a weaker version of Explorers, and I hate the &quot;found footage&quot; meme, except for Cloverfield)&lt;/br&gt;
[[w:The Goonies|The Goonies]] (7-)&lt;/br&gt;
[[w:Explorers (film)|Explorers]] (7)&lt;/br&gt;
[[w:Cloverfield|Cloverfield]] (7-)&lt;/br&gt;
[[w:Revenge of the Green Dragons|Revenge of the Green Dragons]] (4, bad camera work, weak montage and sadly clearly a script for Asian consumption. I cringe every time I see this propagandistic use of racism, to a sickening degree, it is not that some coverage of it may not be justified, but they exacerbate it to the nth degree)&lt;/br&gt;
[[w:Begin Again (film)|Begin Again]] (5)&lt;/br&gt;
[[w:Deliver Us from Evil (2014 film)|Deliver Us from Evil]] (6)&lt;/br&gt;
[[w:Automata (film)|Automata]] (7, it seems to suffer from a low production budget, with a little tweak here and there it would have been fantastic)&lt;/br&gt;
[[w:I, Robot (film)|I, Robot]] (8)&lt;/br&gt;
[[w:The Hornet's Nest|The Hornet's Nest ]] (5, embedded reporting is almost always tendentious, in this case it is also a bit of self promotion and  in general it takes a single sided propagandistic and sanitized aspect without any real content beyond a few, sadly &quot;normal&quot;, tales of the misery of war. The music score is extremely detrimental and over dramatical, completely unnecessary)&lt;/br&gt;
[[w:The Purge|The Purge]] (4)&lt;/br&gt;
[[w:The Purge: Anarchy|The Purge: Anarchy]] (5)&lt;/br&gt;
[[w:The Purge: Election Year|The Purge: Election Year]] (5+, the acting/cast is improving as the effects but the script is not)&lt;/br&gt;
[[w:Fargo (film)|Fargo]] (7)&lt;/br&gt;
[[w:Kumiko, the Treasure Hunter|Kumiko, the Treasure Hunter]] (6-, slow and without much content, I do get the emotional and cultural allusions but that alone does not validate this film)&lt;/br&gt;
[[w:A Dark Reflection|A Dark Reflection]] (6-, a bit slow and too propagandistic, while having a good image quality the pace and script fails to satisfy any requirements of a thriller, making a difficult watch. Reading the resume of the issues or the wikipedia entry on the movie would be as satisfying and less of a burden to the audience)&lt;/br&gt;
[[w:San Andreas (film)|San Andreas]] (7-, a 7 only due to the effects and graphical work and acting, the script in itself is not very good its simply a visual disaster movie)&lt;/br&gt;
[[w:Kajaki (film)|Kajaki]] (5Q, has a very unnecessary slow start and it is not great in the acting or the writing, if one believes that this ineptitude is how professional armies operate)&lt;/br&gt;
[[w:Just Before I Go|Just Before I Go ]] (5+, very confusing and pointless script even if one tries to make something out of any subtext)&lt;/br&gt;
[[w:Warm Bodies (film)|Warm Bodies]] (7, cool twist on a creatively lifeless subject matter)&lt;/br&gt;
[[w:Edge of Tomorrow (film)|Edge of Tomorrow]] (6, some plot holes but a good watch.)&lt;/br&gt;
[[w:Million Dollar Arm|Million Dollar Arm]] (5)&lt;/br&gt;
[[w:Sin City (film)|Sin City]] (7)&lt;/br&gt;
[[w:Sin City: A Dame to Kill For|Sin City: A Dame to Kill For]] (7)&lt;/br&gt;
[[w:The Homesman|The Homesman]] (6, the movie should have ended much sooner, the last sequences are ruinous.)&lt;/br&gt;
[[w:Road to Paloma|Road to Paloma]] (5, not bad for a first film, but too much of the director itself on film and too many lingering reflective moments.)&lt;/br&gt;
[[w:Cold in July (film)|Cold in July]] (4, empty movie with not even good acting)&lt;/br&gt;
[[w:The Maze Runner (film)|The Maze Runner]] (6, we will have now to become accustomed to movies in installments...)&lt;/br&gt;
[[w:Maze Runner: The Scorch Trials|Maze Runner: The Scorch Trials]] (6-, I'm beginning to think that the main issue is with the original work, in any case this installment has almost no content it just adds and builds up characters to the story as they incessantly run around)&lt;/br&gt;
[[w:Coherence (film)|Coherence]] (4, has a lot of scientific incoherences with some funny though experiments but it is boring)&lt;/br&gt;
[[w:Good People (film)|Good People]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1572306/ Don't Blink] (5, the sound designer needs to be more subtle, he alone manages to ruin some good scenes)&lt;/br&gt;
[[w:Horns (film)|Horns]] (5)&lt;/br&gt;
[[w:The Equalizer (film)|The Equalizer]] (6, nothing new, same formula over and over again)&lt;/br&gt;
[[w:The Equalizer 2|The Equalizer 2]] (6)&lt;/br&gt;
[[w:Survivor (film)|Survivor]] (6-, weak script, pervasive with a strange subtext, is a waste of time for those actors)&lt;/br&gt;
[http://www.imdb.com/title/tt2950236/ The Living] (5Q)&lt;/br&gt;
[[w:Children of Men|Children of Men]] (7)&lt;/br&gt;
[[w:Page Eight|Page Eight]] (7)&lt;/br&gt;
[[w:Turks &amp; Caicos (film)|Turks &amp; Caicos]] (6-, not as good as the first movie of the series, [[w:Page Eight]] and the plot is very thinly presented but good enough acting and set-up, a must if one sees the first)&lt;/br&gt;
[[w:Salting the Battlefield|Salting the Battlefield]] (6)&lt;/br&gt;
[[w:Tomorrowland (film)|Tomorrowland]] (6+)&lt;/br&gt;
[[w:Big Game (2014 film)|Big Game]] (5+)&lt;/br&gt;
[[w:5 Flights Up (film)|5 Flights Up (film)]] (6+)&lt;/br&gt;
[[w:Mad Max: Fury Road|Mad Max: Fury Road]] (6+)&lt;/br&gt;
[[w:Mad Max|Mad Max]] (6-)&lt;/br&gt;
[[w:Mad Max 2|Mad Max 2]] (6)&lt;/br&gt;
[[w:Mad Max Beyond Thunderdome|Mad Max Beyond Thunderdome]] (6)&lt;/br&gt;
[[w:Parallels (2015 film)|Parallels]] (6-, simple but to the point, the acting could be a bit better and the script improved, it seems a long pilot and ends without any real conclusion, I recollected the great [[w:Sliders]] series)&lt;/br&gt;
[http://www.imdb.com/title/tt2016335/ Walter] (5)&lt;/br&gt;
[[w:The Giver (film)|The Giver]] (6, good movie but a bad adaptation to script from the novel [[w:The Giver|The Giver]], that I haven't read but seems to avoid many of the bad issues that the script creates in the background that is presented.)&lt;/br&gt;

====Shorts====
[http://www.imdb.com/title/tt6089002/ Yes, God, Yes] (6-, it could easily been better)&lt;/br&gt;
[http://www.imdb.com/title/tt7078780/ Zygote] (6)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:All Hail the King|All Hail the King]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Item 47|Item 47]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Agent Carter (film)|Agent Carter]] (6-, the low budget feel ruins it)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#The_Consultant_.282011.29|The Consultant]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#A_Funny_Thing_Happened_on_the_Way_to_Thor.27s_Hammer_.282011.29|A Funny Thing Happened on the Way to Thor's Hammer]] (7)

====Animation====
[[w:Batman Ninja|Batman Ninja]] (6-, while I can appreciate the craft didn't like the art work on this context, and I have rarely seen computer aided animation that I like or better yet not notice)&lt;/br&gt;
[[w:Reign of the Supermen (film)|Reign of the Supermen]] (6+)
[[w:Ralph Breaks the Internet|Ralph Breaks the Internet]] (6+)&lt;/br&gt;
[[w:Kingsglaive: Final Fantasy XV|Kingsglaive: Final Fantasy XV]] (6-)&lt;/br&gt;
[[w:Isle of Dogs (film)|Isle of Dogs]] (6+)&lt;/br&gt;
[[w:Dead Space: Aftermath|Dead Space: Aftermath]] (5Q)&lt;/br&gt;
[[w:Captain Underpants: The First Epic Movie|Captain Underpants: The First Epic Movie]] (6-)&lt;/br&gt;
[[w:Godzilla: Planet of the Monsters|Godzilla: Planet of the Monsters]] (6-)&lt;/br&gt;
[[w:Harmony (2015 film)|Hāmonī aka Harmony]] (6-)&lt;/br&gt;
[[w:Starship Troopers: Traitor of Mars|Starship Troopers: Traitor of Mars]] (6)&lt;/br&gt;
[[w:Memories (1995 film)|Memories]] (8-, while a collection of shorter films the overall quality is good even if the esthetics suffer significant changes)&lt;/br&gt;
[http://www.imdb.com/title/tt0817910/ Hellboy Animated: Blood and Iron] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0810895/ Hellboy Animated: Sword of Storms] (6)&lt;/br&gt;
[[w:Resident Evil: Vendetta|Resident Evil: Vendetta]] (6)&lt;/br&gt;
[[w:The Boss Baby|The Boss Baby]] (6, for the proper audience, kids, as the script has logic issues. Also the message seems a bit too dangerous and is much stressed on the initial part of the movie, love is finite and needs to be divided in portions and a brother/sister will result in less love for the kid, is not how I would introduce things)&lt;/br&gt;
[[w:Justice League: Gods and Monsters|Justice League: Gods and Monsters]] (6)&lt;/br&gt;
[[w:Summer Wars|Summer Wars]] (7)&lt;/br&gt;
[[w:Gantz: O|Gantz: O]] (6)&lt;/br&gt;
[[w:Teen Titans: The Judas Contract|Teen Titans: The Judas Contract]] (6-)&lt;/br&gt;
[[w:Moana (2016 film)|Moana]] (6)&lt;/br&gt;
[[w:Redline (2009 film)|Redline]] (6+, the script isn't great and I dislike the style of the artwork but it has some very good scenes and clever ideas in the mix)&lt;/br&gt;
[[w:Justice League Dark (film)|Justice League Dark]] (6-, while the quality of the artwork is not consistent the script and some of the later animation sequences saves it)&lt;/br&gt;
[[w:Mardock Scramble: The First Compression|Mardock Scramble: The First Compression]] (6, some cool ideas but the script is not very good nor is the artwork)&lt;/br&gt;
[[w:Mardock Scramble|Mardock Scramble: The Second Combustion]] (6, this time the open end is even more obnoxious, this is a serialized movie)&lt;/br&gt;
[[w:Snowtime!|Snowtime!]] (6)&lt;/br&gt;
[[w:Finding Dory|Finding Dory]] (6)&lt;/br&gt;
[https://teaser-trailer.com/hulk-where-monsters-dwell-movie/ Hulk Where Monsters Dwell] (5+)&lt;/br&gt;
[[w:Psycho-Pass: The Movie|Psycho-Pass: The Movie]] (6+)&lt;/br&gt;
[[w:April and the Extraordinary World|April and the Extraordinary World]] (7-, the artwork is not great but the animation and creativity especially in the script, even if derivative, ties it all well enough, it could easily be better, the idea of a rocket with a rock-crusher is one that shouldn't have passed)&lt;/br&gt;
[[w:The Jungle Book (1967 film)|The Jungle Book (1967)]] (6+)&lt;/br&gt;
[[w:The Secret Life of Pets|The Secret Life of Pets]] (6)&lt;/br&gt;
[[w:Justice League vs. Teen Titans|Justice League vs. Teen Titans]] (6-, the script and action is a bit repetitive, the selected color scheme also is very tiring and basic)&lt;/br&gt;
[[w:The Iron Giant|The Iron Giant]] (7+)&lt;/br&gt;
[[w:Open Season (2006 film)|Open Season]] (6)&lt;/br&gt;
[[w:Open Season: Scared Silly|Open Season: Scared Silly]] (5+Q)&lt;/br&gt;
[[w:Anomalisa|Anomalisa]] (6-, the animation is ok but the script is dull, the male voice-overs on female parts is just weird)&lt;/br&gt;
[[w:Justice League: Throne of Atlantis|Justice League: Throne of Atlantis]] (5, subpar animation, bad script and I cringe to what they are doing to [[w:Captain Marvel (DC Comics)|Captain Marvel aka Shazam]] after the DC/Marvel merge.)&lt;/br&gt;
[[w:Batman Unlimited: Monster Mayhem|Batman Unlimited: Monster Mayhem]] (5+Q, bad artwork not so bad animation but an horrendous script no pun intended.)&lt;/br&gt;
[[w:Batman: Bad Blood|Batman: Bad Blood]] (6)&lt;/br&gt;
[[w:The Peanuts Movie|The Peanuts Movie]] (6-, the animation is not great and the changes to the original material remove more than add)&lt;/br&gt;
[[w:Pirate's Passage|Pirate's Passage]] (6, while the animation is not great and the script is too slow in unfolding it is a fine tale)&lt;/br&gt;
[http://www.imdb.com/title/tt4856322/ Halo: The Fall of Reach] (6-, the artwork is fine but the animation is subpar and takes several shortcuts like use of static backgrounds, the faces and bodies are also weird in proportions and movement)&lt;/br&gt;
[[w:Dragon Nest: Warrior's Dawn|Dragon Nest: Warrior's Dawn]] (6-, the art work and animation quality is not consistent it has lows and highs, the script has its issues and at times it feels like a rerun of many other movies without a real creative insight just a lose mishmash set into appealing to higher emotions but failing miserably to have any moral regard to the violence it dishes out at times)&lt;/br&gt;
[[w:Toy Story That Time Forgot|Toy Story That Time Forgot]] (6+)&lt;/br&gt;
[[w:Ghost in the Shell (film)|Ghost in the Shell]] (8)&lt;/br&gt;
[[w:Ghost in the Shell: Arise|Ghost in the Shell: Pyrophoric Cult]] (6, the animation has lost some quality even the art work and the scripts seem repetitive)&lt;/br&gt;

==Future:==
Hand of God ?; {{YouTube link|COgFH-AXCpU|The Leviathan}}; Ripper Street 4th series (unnecessary but could be nice if they pursue the Scotland Yard path and restore the shine of the 1st season); When Animals Dream 2014 ({{YouTube link|LgW9AGgVwlk|trailer}}); [[w:Maigret (2016 TV series)|Maigret]] season 2, 2017; [[w:The Last Kingdom (TV series)|The Last Kingdom]] 3rd season ? ; [[w:Travelers (TV series)|Travelers]] 2nd season, October 16, 2017&lt;/br&gt;

==Highlights, pre-final review:==
*The Last Kingdom is also proving great, the writing is far superior than that of The Vikings but the acting in general and characters sadly are not as good.&lt;/br&gt;

*Interesting show, [http://www.imdb.com/title/tt4716164/ Tomorrow, When the War Began] have only seen the first episode and is far superior to the film with the same name, even if it is all a rehash of [http://www.imdb.com/title/tt0087985/ Red Dawn].

*[[w:Mr Inbetween|Mr Inbetween]] is unexpectedly a great show, great acting and writing.

== Media comments ==
I will start this section to keep a log of my views regarding some of the content producers.&lt;/br&gt;&lt;/br&gt; 
[[w:History (TV channel)|'''History channel''']] part of the [[w:Hearst Corporation|'''Hearst Corporation''']] (to what I have an historic disdain) this American cable and satellite television channel is a good example of what is wrong with most US TV content producers. Its productions are very good, almost as good as [[w:HBO]] but the content is empty of almost any value. In general transmits US stereotypes and idiocy and is an extension of the continued attempt of rewriting history, reality perception and shape culture by a sensationalist appeal to the lowest common denominator and at its best its like fast food for your mind.&lt;/br&gt;
&lt;/br&gt;
Recently learned about a new definition, '''Christian historical films.''' WTF?!?&lt;/br&gt;
I was aware of other movies that &quot;promote&quot; Christian values but I think this is too much idiocy, just think about the term. In the religious sense it should be clarified to those not aware that anglo-american Christianism is about a subsection of Roman-Chatolic values with deviations that may even include Mormonism. In any case I see this mostly US centric &quot;fragmentation&quot; a sign that at least some &quot;minorities&quot; are revolting against &quot;main-stream&quot; media content in regard to the moral values they &quot;promote&quot; and I applaud the self labeling as &quot;promotion&quot; material. Sadly it will soon be equated to lack of quality mostly of production, writing/creativity and to the rest of the knowledgeable non-believers and potential consumers as an unwanted distortion of reality. I also don't think you can proselytize with movies the best they can is make people think or acclimate to issues (unless they are true deception jobs, but that would go against most religious beliefs), in any case most of these Christian productions I've seen are too far inside their own act to create any valid concise point of reflection beyond turning it off.&lt;/br&gt;</text>
      <sha1>j1d9eef2pmt2th5pgmznd7u9j442l98</sha1>
    </revision>
    <revision>
      <id>4641113</id>
      <parentid>4641112</parentid>
      <timestamp>2026-06-25T08:55:48Z</timestamp>
      <contributor>
        <username>Panic2k4</username>
        <id>2865</id>
      </contributor>
      <minor />
      <comment>/* Highlights, pre-final review: */</comment>
      <origin>4641113</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="206724" sha1="1wi4gqf91q8osp18jolu3tqhb2dbzw5" xml:space="preserve">The ratings are the same [[User:Panic2k4/Books Read|as with the books]]. I hope never to go below 4 if I do I will probably quit in the middle an that is marked with a Q this also may happen if the story does not get my interest.  The 5s are the ones I wished I had avoided, 5 below is the ones I do really regret wasting my time with and most 5+ to 6- are movies are often under-budgeted or had an intentional low budget or are simply cinematic errors, not properly acted or weird script often independent productions. The 6 indicates movies that are made for their targeted audience, and fulfill their aspiration, they are good enough for at least that, beyond 6+ is reserved for pleasant commercial fluff in most part, moves that overcome mediocrity, and merit to be the start of the ones that I'm glad I've seen. Since movies tend to be less distributed in quality than books (bad movies cost more to make than a bad book to be printed) and most aggregate on the average quality 5 and 6 I've added + and - to make a better distinction and be more fair.

{{NOTE|The comments I make is based on my own taste in content and esthetics. I'm not an image or cinematography expert, even an enthusiast, simply an appreciator. If you wish to have a discussion regarding any of my observations or need to correct me somehow, use my user talk page, I would appreciate hearing from any divergent viewpoint.}}   

==Seen:==

===Documentaries and other miscellaneous content:===
{{YouTube link|WDbo6dDXTkA|Viewing the Work of [[w:Panos Cosmatos|Panos Cosmatos]]}} (6+, very well made overview)&lt;/br&gt; 
[[w:Adam Ruins Everything|Adam Ruins Everything]] (6-Q, only saw season 2 episode 25, it is listed as a comedy but I think its more a satiric opinion show that is too reductive to have any value)&lt;/br&gt;
[[w:Outrageous Acts of Science|Outrageous Acts of Science]] (6-Q, only saw season 9 episode 1, interesting but the format does not work)&lt;/br&gt;
[https://www.imdb.com/title/tt9632280/ Dead of Winter] (6Q, only saw the first episode, I really don't think this subject matter in this format can be fairly and properly televised for the masses in any positive way)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|nkPx5vVxP9s|The Greatest Trump Impersonator on Earth}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|lMngWwI5bPU|Meet the Martha Stewart of Marijuana}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|I2GNnA-JF18|The Self-Proclaimed Bimbo Doll}} (6)&lt;/br&gt;
{{YouTube link|Y_b2i_FvYPw|Hunting mad honey by Raphael Treza}} (6+)&lt;/br&gt;
[https://www.cnbc.com/deadly-rich/ Deadly Rich] (6, only saw episode 4 of the first season, a bit bias toward the victimization of the rich and the accolades of the law enforcement)&lt;/br&gt;
[[w:Alone Together (TV series)|Alone Together]] (6-, only saw episode 1 of the second season)&lt;/br&gt;
[[w:Nanette (show)|Hannah Gadsby: Nanette]] (7+, not really a straight forward comedy show, yet again what is claimed to be a minority gets a huge representation, but at least this time very well done, sadly will probably go unnoticed amidst the cacophony.)&lt;/br&gt;
[https://www.imdb.com/title/tt4835908/ David Attenborough Meets President Obama] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt6503230/ Pornocracy: The New Sex Multinationals] (6+)&lt;/br&gt;
[[w:Gringo: The Dangerous Life of John McAfee|Gringo: The Dangerous Life of John McAfee]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8197422/ Follow Your Nose: Cracking Smell's Code] (7)&lt;/br&gt;
[[w:America: Imagine the World Without Her|America: Imagine the World Without Her]] (5+Q, political propaganda, couldn't stomach it, made an effort as it raised some valid points that indeed proves that there is a skew on the other side of the arguments but the extrapolations and the ideas that is pushes forward are just too radical and often personalized in their targets)&lt;/br&gt;
[https://www.imdb.com/title/tt0463399/ E! True Hollywood Story] {{YouTube link|HAc75TDWe3Y|Rod Serling: Beyond The Twilight Zone}}) (6+, the editing is very annoying)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|iquoaVVUTQk|Africa's Moonshine Epidemic}}) (6+)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|aT32eTWtv18|The Homeliest Homeless}}) (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt2400435/ Snoop Dogg Presents: The Bad Girls of Comedy] (7+)&lt;/br&gt;
[http://www.imdb.com/title/tt7183876/ Joe Mande's Award-Winning Comedy Special] (6-)&lt;/br&gt;
[[w:TMZ on TV|TMZ on TV]] (6-Q, only saw 2018/03/01 and 12 episodes, what a load of crap content, psychologically damaging, exploitative and abusive, the format is amazingly well done for the function and very addictive they should do something like this for legislative coverage, science, consumer and civil rights)&lt;/br&gt;
[http://www.imdb.com/title/tt6254992/ Conscious Capitalism] (5+, low in content high in self promotion and propaganda, conscience - of actions and consideration for the future, especially long term - and capitalism are incompatible, unless forced by law but then we wouldn't have capitalism at all)&lt;/br&gt;
[[w:Fake Britain|Fake Britain]] (6Q, only saw episode 11 or the 8 season)&lt;/br&gt;
[[w:Roman Empire: Reign of Blood|Roman Empire: Reign of Blood]] (6+, 6 episodes, sadly it adds too much speculation over the historical record)&lt;/br&gt;
[http://www.imdb.com/title/tt7582890/ Judah Friedlander: America is the Greatest Country in the United States] (6-)&lt;/br&gt;
Building the Sun: The 250 Million Degree Problem (7-)&lt;/br&gt;
A.I. and the Destiny of Mankind (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2446192/ Bronies: The Extremely Unexpected Adult Fans of My Little Pony] (7-)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Spiral The Spiral] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt2338173/ Radioman] (7)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Undiscovered_Secrets_of_Petra The Undiscovered Secrets of Petra] (7)&lt;/br&gt;
[http://www.travelchannel.com/shows/mysterious-islands Mysterious Islands] (6-Q, only saw episode 1, the hipped sensationalistic format is a cancer)&lt;/br&gt;
[[w:The 400 Million|The 400 Million aka China in 1938]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt6710212/ Warning: This Drug May Kill You] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5747692/ After Hitler] (6+, 2 parts, a bit too sanitized in parts, too rushed and lacks factual data/statistics, generalizes too much and fails to explain the Soviets)&lt;/br&gt;
[http://www.imdb.com/title/tt6836760/ Stonehenge: The Final Mystery] (6+)&lt;/br&gt;
[[w:The Farthest|The Farthest]] (7+)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/the-secret-of-the-phaistos-code The Secret of the Phaistos Code] (7)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7129272/ Trump's Fortress America] (6+)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7840358/ Millionaire Bankrupts Exposed] (6, too superficial)&lt;/br&gt;
[http://www.imdb.com/title/tt2384296/ Jay Mohr: Funny for a Girl] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1119621/ Jim Norton: Monster Rain] (6, the in your face bi stuff creeps me a bit at times)&lt;/br&gt;
[http://www.imdb.com/title/tt4534440/ The Secret Life of Materials] (6, the jumpy presentation is very annoying, but probably required due to the monotony of how they go about it, the content presented does not justify the time it takes to show it)&lt;/br&gt;
[http://www.imdb.com/title/tt4938484/ Silicon Cowboys] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt1029165/ Decoding the Past: The Tibetan Book of the Dead] (6-)&lt;/br&gt;
[https://www.youtube.com/watch?v=ieaVjXs3oMs Brain Overload] (6-, while the subject matter is pertinent and the presentation is not bad the content is shaped as propaganda, seeming to support anti-connection legislation/policies, that I myself do not disagree are useful but without exacerbating the problem out of proportion like they did here, this is probably why the documentary was made free)&lt;/br&gt;
[http://www.imdb.com/title/tt6544274/ Motherboard 2017] (6+, only saw episode 1 [http://www.imdb.com/title/tt6654624/ The Hunt for the New Physics], the presentation is appealing but the short format makes it not very useful)&lt;/br&gt;
[http://video.aljazeera.com/channels/eng/topics/war-and-conflict Al Jazeera World: Libya's Shifting Sands - Derma &amp; Sirte] (6+, 2 episodes, the editing is not very good and the content at times is redundant failing also to clearly express and substantiate its core point regarding the links amongst the fighters and external influences)&lt;/br&gt;
[http://www.imdb.com/title/tt6946984/ Exploring Quantum History with Brian Greene] (6, 3 episodes)&lt;/br&gt;
[http://www.imdb.com/title/tt6391320/ Ancient Earth] (6-, 3 episodes, content, that would fill many more hours, is crushed into 3 hours, the CGI, editing and production is not good, similar content exists in better form elsewhere)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/mission-x-collection/the-diesel-mystery The Diesel Mystery] (6, the voice over quality, script and editing is not the best, the reenactment is far superior, it is strong in speculations but weak on facts)&lt;/br&gt;
[[w:The Toy Box|The Toy Box]] (6-Q, only saw episode 1)&lt;/br&gt;
[http://www.imdb.com/title/tt4648556/ Impossible Engineering] (6, only saw season 3 episode 5 and 9, it is barely sufferable it goes in tangents and only covers the subject superficially, regarding the Tesla Factory episode with a highly nationalistic skew, again as with most pop US TV shows its sensationalistic format makes one cringe)&lt;/br&gt;
[[w:Expedition Unknown|Expedition Unknown]] (6-, only saw episode 16, regarding the old Indian Vedic City of Duarka, the show is very low on real content on the subject matter and replicates the lose sensationalist format of other Travel Channel productions, but for this type of content it further reduces the quality)&lt;/br&gt;
[[w:After Porn Ends 2|After Porn Ends 2]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0109508/ Crumb] (7+, extremely interesting in levels of self analysis and the raw exposure of the persons and art)&lt;/br&gt;
[[w:Planet Earth (TV series)|Planet Earth]] (7+, 11 episodes, BBC quality but seemingly at a cost, as we now know that nature in BBC productions tends to go by a multitude of filters and all the richness is a deception for the eye not factual &quot;nature&quot; but a conceptualized and optimized representation)&lt;/br&gt;
[http://www.imdb.com/title/tt2526846/ I Am Santa Claus] (6-, a bit too depressing and goes too much into other stuff)&lt;/br&gt;
[http://www.imdb.com/title/tt4669186/ Kevin Hart: What Now?] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5515750/ The Mad World of Donald Trump] (6, balance is hard in the midst of crazy, while it shows Trump from all angles, it sadly explores superficially mostly the negatives. Note the tactic on the snip from [[w:Larry King]]'s old interview shows that Trump has some education into subliminal persuasion, the dialog and the hand movements)&lt;/br&gt;
[[w:For the Love of Spock|For the Love of Spock]] (6+)&lt;/br&gt;
[[w:Panorama_(TV_series)|Panorama 2016 - Why We Voted to Leave]] (5, single sided and demagogic, since there is a clear editorial control on what is shown, and not, there is also a lack of proper analysis of the opinions expressed beyond a nodding head, there are many problems with the EU and the greatest one was the UK itself)&lt;/br&gt;
[[w:The True Cost|The True Cost]] (7-, a bit overemotional and missed some chances to be more clear becoming a bit overextended toward the end)&lt;/br&gt;
[[w:For No Good Reason|For No Good Reason]] (6+)&lt;/br&gt;
[[w:Top Gear (2002 TV series)|Top Gear (2002+)]] (7-, 22 series 175 episodes with specials, I think I have watched most of them, I probably missed some at the start, the image, sound and lighting quality are at the best of what the BBC does the editing is also good and the original cast had a working chemistry that made it all work nicely, I'm not into cars at all I just enjoyed the quality and the crazy Britishness. (These qualities are something that the US version lacks and I couldn't stomach more than 5 minutes of it)&lt;/br&gt;
[[w:Going Clear: Scientology and the Prison of Belief|Going Clear: Scientology and the Prison of Belief]] (6-, very empty of real content beyond a superficial review of some personal stories)&lt;/br&gt;
[[w:Where to Invade Next|Where to Invade Next]] (6+, oversimplification is a problem with most of [[w:Michael Moore]]'s work, probably due to the intended audience but then it risks losing the argument due to be inaccurate or unrealistic, in any case the last bit of it attempts to put some fairness into the content, and as always with Moore's work it provides good reflection material)&lt;/br&gt;
[http://www.imdb.com/title/tt4498460/ Killing Them Safely] (7-, a bit unbalanced and fails properly explore the central issue that is how the Police mishandles the device, exacerbating its lethal potential)&lt;/br&gt;
[[w:The Seven Five|The Seven Five]] (7-, a bit single sided and shallow look into the events, fun to watch due to the reported events and the characters involved but not informative enough beyond the culture of a particular social area in space and time)&lt;/br&gt;
[http://www.imdb.com/title/tt3272570/ All Things Must Pass: The Rise and Fall of Tower Records] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4872998/ Margaret Cho: PsyCHO] (6-, also a bit to much me, me and more about me for my taste)&lt;/br&gt;
[[w:John Bishop (comedian)|John Bishop Supersonic Live]] (6+)&lt;/br&gt;
[[w:Cartel Land|Cartel Land]] (6, disliked the approach that attempts to pass as an simple observation of events at first but in close examination shows some partiality on what it decided to cover or how to present events, in any case the punch line is correct vigilantism is not only dangerous but a corruption of better systems that should provide better accountability and transparency, vigilantism is impractical beyond a tribal like setting were most parties are known to all)&lt;/br&gt;
[[w:The Nightmare (2015 film)|The Nightmare]] (6, while it presents the subject for a personal experience view point it lacks the proper background about the &quot;experiencers&quot; for the dramatization to have any meaning and does not try to move the subject beyond those few unverifiable data-points, even if they are congruent with the general reports)&lt;/br&gt;
[http://www.imdb.com/title/tt3735164/ 7 Deadly Sins] (7, 7 episodes)&lt;/br&gt;
[[w:Ancient Aliens|Ancient Aliens]] (5Q, I've seen the first 4 series after that, being in its 7 season now I only have watched some episodes that touched subjects that I'm interested, while I accept some of the premises as valid, few, and consider ET presence a certainty, the show has a very low quality and lack of consistency even with its own argumentation at times it is just funny crazy, a black spot on the history channel)&lt;/br&gt;
[[w:The Island (U.S. TV series)|The Island]] (5+, 6 episodes, bad concept and &quot;casting&quot;, not that I like the other Bear Grylls's shows. Not because of the content but the way it is structured and presented, I think they target the lowest common denominator.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 47: 2010–2011 - Asteroids – The Good, the Bad and the Ugly]] (7-)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Allergies: Modern Life and Me]] (6, disliked the chosen format the bit that pushes the fear of salmonella in the wrong section, 
that pre and pro biotics received only a brief mention or the confusion in how it openly refutes the [[w:Hygiene hypothesis]] on epidemiological grounds but adheres to it by large without stating it)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Ebola: The Search for a Cure]] (8, I only disliked the convoluted rationalization presented for offering all of the only 3 trial medications to westerners, especially the last specimen, as defended on the documentary I find it morally objectionable.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - The Hunt for Gravitational Waves]] (6+)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 53: 2017-2018 - 10 Things You Need To Know About The Future]] (6)&lt;/br&gt;
[[w:The Jinx (miniseries)|The Jinx]] (7, 9 episodes, well crafted presentation of the issues regarding the strange life and deaths of [[w:Robert Durst]], it could have been better it gets a little overextended in what it presents, but the ending is priceless)&lt;/br&gt;

===Series:===
[[w:The Looming Tower (miniseries)|The Looming Tower]] (6, 10 episodes, the acting is not consistent, [[w:Tahar Rahim]] does a great job, the main problem is the production value and the script that is very simplistic even infantile in areas to a point that it seems more an historic whitewash)&lt;/br&gt;
[[w:The Walking Dead (TV series)|The Walking Dead]] (7-, 9 seasons totalling 131 episodes)&lt;/br&gt;
[[w:The Terror (TV series)|The Terror]] (7, 10 episodes, great cast and acting, fair production and fantastic script)&lt;/br&gt;
[[w:Grimm (TV series)|Grimm]] (6, 6 seasons totalling 123 episodes, the acting at times is problematic as is the writing but the cast manages to pull it along, it has some cool concepts and plot lines sadly it doesn't try to be more than it is)&lt;/br&gt;
[[w:Beyond the Walls (TV series)|Beyond the Walls aka Au-delà des Murs]] (6, 3 episodes)&lt;/br&gt;
[[w:Outlander (TV series)|Outlander]] (7, 4 seasons totalling 55 episodes - '''not concluded''', sadly there is a decay in quality of writing especially on the last 2 seasons)&lt;/br&gt;
[https://www.imdb.com/title/tt6144672/ The Day aka De Dag] (7-, 12 episodes)&lt;/br&gt;
[[w:Parade's End (TV series)|Parade's End]] (7, 5 episodes)&lt;/br&gt;
[[w:Revolution (TV series)|Revolution]] (7-, 2 seasons totalling 42 episodes - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Russian Doll (TV series)|Russian Doll]] (6+, 8 episodes)&lt;/br&gt;
[[w:Spartacus (TV series)|Spartacus]] (7-, 3 seasons totalling 39 episodes, extremely innovative cinematography and great action sequences, the plot could be better and there was a problem with recasting and rebooting the serial but overall a very refreshing take on an old subject)&lt;/br&gt;
[[w:Strange Angel|Strange Angel]] (6+, 10 episodes - '''not concluded''', good production and cast but the plot at times seems lose focus on what to explore)&lt;/br&gt;
[[w:Tin Star (TV series)|Tin Star]] (7, 2 seasons totalling 19 episodes - '''not concluded''', great cast with a fantastic [[w:Tim Roth]], cool plot and characters a bit production strapped but it makes it and great soundtrack [https://www.tunefind.com/show/tin-star/season-1 here S1] - [https://www.tunefind.com/show/tin-star/season-2 here S2])&lt;/br&gt;
[[w:Insecure (TV series)|Insecure]] (6+, only saw episode 1, only for the proper audience and that ain't me)&lt;/br&gt;
[[w:Outcast (TV series)|Outcast (TV series)]] (7+, 2 seasons totalling 20 episodes - '''not concluded''', great acting, casting and lighting, production is a bit cheap but manages to work about the limitations)&lt;/br&gt;
[[w:The Umbrella Academy (TV series)|The Umbrella Academy]] (7, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Miracle Workers (2019 TV series)|Miracle Workers]] (5Q, only saw the first 2 episodes, good premise, strange casting and badly executed, too forced)&lt;/br&gt;
[[w:Limitless (TV series)|Limitless]] (6+, 22 episodes) - '''not concluded''')&lt;/br&gt;
[[w:Condor (TV series|Condor]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Castle Rock (TV series)|Castle Rock]] (6+, 10 episodes, the main problem is the pace and how the story is presented)&lt;/br&gt;
[[w:Counterpart (TV series)|Counterpart]] (7, 2 series of 10 episodes each)&lt;/br&gt;
[[w:Nightflyers (TV series)|Nightflyers]] (7-, 10 episodes - '''not concluded''', cool concept even if derivative, the direction seems lacking as there is lots of over acting. Productions overuses &quot;budget vr&quot; too much to cut costs, and the pace is problematic, it is very slow at times, especially the emotional scenes and faster when things gets interesting action and concepts)&lt;/br&gt;
[[w:Preacher (TV series)|Preacher]] (6+, 3 season totalling 33 episodes - '''not concluded''', the quality is not constant but it contains many cleaver ideas, didn't read the comix)&lt;/br&gt;
[[w:Taboo (2017 TV series)|Taboo]] (7+, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Mentalist|The Mentalist]] (6+, 7 seasons totalling 151 episodes)&lt;/br&gt;
[[w:Lodge 49|Lodge 49]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Impulse (TV series)|Impulse]] (6+, 10 episodes)&lt;/br&gt;
[[w:Origin (TV series)|Origin]] (7, 10 episodes - '''not concluded''', it could have easily been better, the main issues are the scripts, that became repetitive, indulge on wasting too much screen time (maybe a production issue) and also there is a lack of directing especially of [[w:Tom Felton]] that has a lot of potential but when not on the reminiscences acts very out of a believable character)&lt;/br&gt;
[[w:Future Man (TV series)|Future Man]] (6+, 2 seasons totalling 26 episodes - '''not concluded''', while the scripts are mostly a bit absurd, but consistent to the created universe, the cast commitment to the roles and the limited production capability to realize the scripted concepts pushes it all above the expected)&lt;/br&gt;
[[w:Titans (2018 TV series)|Titans]] (7-, 11 episodes - '''not concluded''', so far the best Marvel/DC serial in quality of production and in script writing)&lt;/br&gt;
[[w:The Sinner (TV series)|The Sinner]] (7, 2 self contained seasons totalling (8x2) 16 episodes)&lt;/br&gt;
[[w:The First (TV series)|The First]] (6+, 8 episodes, great production and cast but it is a slow going drama on a Si-Fi setting, so be aware of that so to not feel frustrated)&lt;/br&gt;
[[w:Wayne (TV series)|Wayne]] (6+, 10 episodes - '''not concluded''', great premise and acting even if the scripts fall short at times and the production value seems limited)&lt;/br&gt;
[[w:The Mist (TV series)|The Mist (TV series)]] (6+, 10 episodes  - '''not concluded''', while the twist on the original plot lines is not great it has good production value and the acting is not bad, even if there is a problem with the pace of the action)&lt;/br&gt;
[[w:Fortitude (TV series)|Fortitude]] (6+, 3 seasons totalling 26 episodes - '''not concluded''', the quality of the seasons is a decline, not in the acting or production but on the writing, the main ideas are great and full of promise but the writers and production sadly fails to deliver)&lt;/br&gt;
[[w:The 100 (TV series)|The 100]] (6, 5 seasons totalling 71 episodes - '''not concluded''', the main problem with the series is the writing, at times it sabotages itself making characters act out, or failing to provide satisfying resolutions to problems, as the seasons go there are improvements especially in production quality, acting and better castings)&lt;/br&gt;
[[w:Zapped (TV series)|Zapped]] (6+, 2 seasons totalling 9 episodes, low budget and a bit limited in some of the acting but the scripts are like something out of  [[w:Terry Pratchett]] and ultimately it does what it proposes to do)&lt;/br&gt;
[[w:Bodyguard (2018 TV series)|Bodyguard]] (8, 6 episodes)&lt;/br&gt;
[[w:The Good Cop|The Good Cop]] (6-, only saw episode 1)&lt;/br&gt;
[[w:American Horror Story: Apocalypse|American Horror Story: Apocalypse]] (6-Q, only saw the first 2 episodes of this season, it is the third season of the serial [[w:American Horror Story]], I believe I saw the first episode of the first season and like these last 2 the quality of production is there but the scripts and acting in general terms are just bad, there is some visual quality and esthetical care but all is for not as the rest of the content makes it unbearable)&lt;/br&gt;
[[w:Ozark (TV series)|Ozark]] (7+, 2 seasons 20 episodes total, great cast, direction and scripts, [[w:Julia Garner]] is fantastic in her role)&lt;/br&gt;
[[w:Succession (TV series)|Succession]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Jack Ryan (TV series)|Tom Clancy's Jack Ryan]] (6+, 8 episodes, the US propaganda is strong in this one and they even get to bash the French a bit)&lt;/br&gt;
[[w:Primeval (TV series)|Primeval]] (6-, 5 seasons totalling 36 episodes - '''not concluded''')&lt;/br&gt;
[[w:Primeval: New World|Primeval: New World]] (6 if you had seen Primeval, 6- if not, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Colony (TV series)|Colony]] (7, 3 seasons totalling 35 episodes - '''not concluded''', low budget but creative with it, the scripts are above average and the acting and probably directing, makes it enjoyable and wanting to come for more)&lt;/br&gt;
[[w:Take Two (TV series)|Take Two]] (6, only saw the first episode, not good or innovative but mildly entertaining)&lt;/br&gt;
[[w:The Outpost (TV series)|The Outpost]] (5Q)&lt;/br&gt;
[[w:Me, Myself &amp; I (TV series)|Me, Myself &amp; I]] (6-, only saw the first 2 episodes, the comedy is too forced and formulaic and I didn't like much of the casting, the concept is interesting but the scripts fall short)&lt;/br&gt;
[[w:Mr. Mercedes (TV series)|Mr. Mercedes]] (8, 10 episodes)&lt;/br&gt;
[[w:People of Earth|People of Earth]] (6, 2 seasons totalling 20 episodes - '''not concluded''', it could easily have been better, the scripts and the format creates issues more than the low budget, the cast is fantastic for what it is as are the effects)&lt;/br&gt;
[[w:Inspector George Gently|Inspector George Gently]] (6-, only saw episode 1 of season 9, a low budget, mixed quality acting and basic script writing makes it fall flat)&lt;/br&gt;
[[w:The Orville|The Orville]] (7-, 12 episodes - '''not concluded''', great production quality, well casted and acted, the main issues are the openly social preaching scripts and highly derivative content)&lt;/br&gt;
[[w:The Living and the Dead (TV series)|The Living and the Dead]] (6+, 6 episodes - '''not concluded''', BBC quality, great acting only the scripts pull the series back)&lt;/br&gt;
[https://www.imdb.com/title/tt4167960/ Stripped] (6-, only saw episode 1)&lt;/br&gt;
[[w:Here and Now (2018 TV series)|Here and Now]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Quacks (TV series)|Quacks]] (6Q, only saw episode 1, almost a 6- it depends on the audience)&lt;/br&gt;
[[w:Goliath (TV series)|Goliath]] (7-, 8 episodes)&lt;/br&gt;
[[w:Deep State (TV series)|Deep State]] (7-, 8 episodes)&lt;/br&gt;
[[w:Damnation (TV series)|Damnation]] (6Q, only saw up to episode 2, good production, characters but not as good script and blatant propagandist at times)&lt;/br&gt;
[[w:Lost in Space (2018 TV series)|Lost in Space (2018)]] (7-, 10 episodes - '''not concluded''', it could easily have been better 10% reduction on epic music, better direction of the kid and script accommodation for him, some scenes do not work at all and less repetition of patterns on the script, different but the same becomes boring at that slow pace)&lt;/br&gt;
[[w:Kim's Convenience (TV series)|Kim's Convenience]] ( 6+, 2 seasons totalling 28 episodes, there is a negative bell curve change in quality of the writing on episodes 7 to 12)&lt;/br&gt;
[[w:Black Lightning|Black Lightning]] (6-Q, only saw episode 1, low quality even if it has some production value, it also feels too racial oriented)&lt;/br&gt;
[[w:Plebs (TV series)|Plebs]] (5+Q, only saw episode 1 or the 4th season)&lt;/br&gt;
[[w:Britannia (TV series)|Britannia]] (5+Q, only saw episode 1, acting is problematic, the script is lacking especially due to being a purportedly historically based, the production also misses the point that people, their wardrobe and scenes should be dirtier, less plastic and more chaotic. The only exception is [[w:Nikolaj Lie Kaas]] great acting, distinct presence it even clashes with the other characters, more than was decidedly intended)&lt;/br&gt;
[[w:Instinct (U.S. TV series)|Instinct (U.S.)]] (6-Q, only saw episode 1, the script and characters were not catching, there are better alternatives)&lt;/br&gt;
[[w:Alias (TV series)|Alias]] (7-, 5 seasons totalling 105 episodes, I skipped a few, but loved the script history arcs, regretted them not having as good production as lesser projects, as the acting and writing is far more consistent in quality)&lt;/br&gt;
[[w:24 (TV series)|24]] (6, 9 seasons totalling 204 episodes + some web content, the production quality is very good as the pace of the writing, the scripts could be a bit better and the acting also)&lt;/br&gt;
[[w:The Good Place|The Good Place]] (6+, 2 seasons totalling 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:From Dusk till Dawn: The Series|From Dusk till Dawn: The Series]] (6-Q, only saw, with a lot of FF up to the first episode of season 2, it diverges too much form the film, the cast and production aren't bad but the scripts are not good, too much time in dream/vision space also)&lt;/br&gt;
[[w:Forever (U.S. TV series)|Forever (U.S.)]] (6+, 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:Altered Carbon (TV series)|Altered Carbon]] (8, 10 episodes, great cast, production and script)&lt;/br&gt;
[[w:Dimension 404|Dimension 404]] (6, 6 episodes, the quality is very inconsistent, from acting to the scripts)&lt;/br&gt;
[[w:Hard Sun|Hard Sun]] (6, 6 episodes - '''not concluded''', great characters, ok cast and acting, interesting main plot line but all else is too bland and repetitive)&lt;/br&gt;
[[w:Godless (TV series)|Godless]] (7+, 7 episodes)&lt;/br&gt;
[[w:Rewind (TV series)|Rewind]] (6, &lt;b&gt;pilot only&lt;/b&gt; - {{YouTube link|Vi6u14oGmh0|Rewind}})&lt;/br&gt;
[[w:Salvation (TV series)|Salvation]] (6-, 13 episodes - '''not concluded''', the acting and writing could have been better but it really shows no effort of wanting to be more than it is)&lt;/br&gt;
[[w:Ray Donovan|Ray Donovan]] (7+, 6 seasons of 12 episodes each totalling (6x12) 72 episodes, great acting, impeccable image and very good writing for the most part, it somewhat gets over extended on the last season but manages to keep it cool)&lt;/br&gt;
[[w:Stargate Universe|Stargate Universe]] (7-, 2 seasons with a 20 episodes each, it breaks a bit from the rest of the series, the quality is not constant but a crescendo, the acting quality improves with a few exceptions and the scripts overtime become better  - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Sleepy Hollow (TV series)|Sleepy Hollow]] (6Q, only saw up to season 2 episode 5, it became too repetitive and the acting was not great, the major quality was the script plot, some of the effects and some times great esthetics, sadly inconsistently so)&lt;/br&gt;
[[w:Time After Time (TV series)|Time After Time US]] (6Q, 5 episodes - '''not concluded''')&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7+, 2 seasons with a total of 16 episodes - '''not concluded''')&lt;/br&gt;
[[w:Second Chance|Second Chance]] (6+, 11 episodes - '''cancelled''')&lt;/br&gt;
[[w:Smallville|Smallville]] (6+, 10 seasons with a total of 218 episodes, while the acting is not consistent it is above average of what one would expect and there is a real production behind it all with a script designed to please the demographic it targets it still keeps making it interesting to core fans on the DC/Marvel universe)&lt;/br&gt;
[[w:Better Call Saul|Better Call Saul]] (8, 3 seasons totalling 30 episodes)&lt;/br&gt;
[[w:Three Inches|Three Inches]] (6+, &lt;b&gt;pilot only&lt;/b&gt;)&lt;/br&gt;
Transparent (6+, &lt;b&gt;pilot only&lt;/b&gt;, sad as it had promise)&lt;/br&gt;
[[w:Turn: Washington's Spies|Turn: Washington's Spies]] (6+, 4 series of 10 episodes each, great characters but restricted budget and a free hand with history prevents it from being more, the scripts of the episodes are also of different quality, but there is a general decline near the end)&lt;/br&gt;
[[w:Oasis (2017 TV series)|Oasis]] (7, saw the pilot, hope it gets picked and they don't bork it, great starting material)&lt;/br&gt;
[[w:The Triangle (miniseries)|The Triangle]] (6-, 3 parts, it could have been much more, but the script takes too many bad turns)&lt;/br&gt;
[[w:The Leftovers (TV series)|The Leftovers]] (6+, for season 1, 7+ for season 2 and 3, totalling 28 episodes, the characters and casting are great, the script starts with a cool concept and improves after season 1 where it is it's biggest problem, too slow and confusingly presented without any gain to the story, the improvements are especially on the narrative and deepness that breaches many sensitive subjects in a very cleaver way)&lt;/br&gt;
[[w:Crossbones (TV series)|Crossbones]] (5+Q, only saw the first 5 episodes, low production quality and [[w:Richard Coyle]] seems to be one of the few actors that attempts to make it work)&lt;/br&gt;
[[w:South of Hell (TV series)|South of Hell]] (5-Q, only partially saw the first 2 episodes)&lt;/br&gt;
[[w:Aftermath (2016 TV series)|Aftermath (2016)]] (5+Q, only saw first season up to episode 13, the script tries to mash too many things, that is in part the interesting bit about it, production quality and acting are not there at all)&lt;/br&gt;
[[w:Mech-X4|Mech-X4]] (6-, only saw episode one, not in the right demographic for it, but it has some production quality)&lt;/br&gt;
[[w:Riviera (TV series)|Riviera]] (6+, 10 episodes, the script is great, with a restricted budget and the casting a bit off but the actors do their part, except for [[w:Iwan Rheon]], he doesn't seem to make an effort to make his character shine)&lt;/br&gt;
[[w:Cleverman|Cleverman]] (6-Q, only saw the first 3 episodes, the cultural divide seems too great for me to appreciate it)&lt;/br&gt;
[[w:Legion (TV series)|Legion]] (7, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Loaded (TV series)|Loaded]] (6-Q, only saw episode 1, too forced, a few interesting characters)&lt;/br&gt;
[[w:The Handmaid's Tale (TV series)|The Handmaid's Tale]] (8, 10 episodes)&lt;/br&gt;
[[w:Backstrom (TV series)|Backstrom]] (6-Q, only saw up to episode 6, great characters, cleaver script bits but it is too populated, the actors don't take it seriously to a point that they degenerate in acting very similar to each-other)&lt;/br&gt;
[[w:The Magicians (U.S. TV series)|The Magicians]] (7, 3 seasons totalling 39 episodes each, the script has great quality more than the rest of the production, the cast and characters are great. A bit too heavy on the LGBT issues and overuse of the f word, I think intentionally as to force a somewhat unpleasant cultural chock but without any real benefit to the story telling)&lt;/br&gt;
[[w:Of Kings and Prophets|Of Kings and Prophets]] (6, 9 episodes - '''cancelled, not concluded''', not as bad as many critics pain it, my main peeves are the historic inaccuracies like the use of ballistas among other things, the limited budget, some cheesy dialogs and lack of proper exteriors, the acting improves with time))&lt;/br&gt;
[[w:Iron Fist (TV series)|Iron Fist]] (7-, 13 episodes - '''not concluded''', while not too innovative the casting and acting is right, it has a lack of better special effects and camera work as at time the hero seems &quot;non-heroic&quot; in physical feats, and mind, the later a problem with the script that at times is a bit too infantile. The action sequences are also poor, Marvel did a better job in previous shows like in [[w:Daredevil (TV series)]])&lt;/br&gt;
[[w:Dig (TV series)|Dig]] (6, 10 episodes - '''cancelled, not concluded''', the production quality is above average, the acting is fair)&lt;/br&gt;
[[w:Emerald City (TV series)|Emerald City]] (8-, 10 episodes - '''not concluded''', good concept and production quality the only downside is some huge differences in acting capability in parts of the cast, or maybe lack of proper directing)&lt;/br&gt;
[[w:Crashing (U.S. TV series)|Crashing]] (6-, only saw the first 3 episodes, too forced and not that funny, it has great characters but that is all)&lt;/br&gt;
[[w:Cardinal (TV series)|Cardinal]] (8-, 6 episodes, somewhat low budget but amazing quality and acting, from the photography to the music)&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7-, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Tomorrow When the War Began (TV series)|Tomorrow When the War Began]] (6, 6 episodes, suffers from a low budget but the pace of the script and the care put into it makes it work)&lt;/br&gt;
[[w:Van Helsing (TV series)|Van Helsing]] (6, 13 episodes - '''not concluded''', hampered by a low budget but the script keeps it going with some innovative ideas)&lt;/br&gt;
[[w:Taken (TV series)|Taken]] (6Q, only saw episode 1)&lt;/br&gt;
[[w:Westworld (TV series)|Westworld]] (8, 2 seasons 20 episodes total, great production value, characters, casting and acting and cleaver script full of rich dialogs and clever ideas)&lt;/br&gt;
[[w:Shameless (UK TV series)|Shameless (UK)]] (6-, only saw one or two episodes, the concepts as shown by the US version is fine but the acting and productions was very lax)&lt;/br&gt;
[[w:Shameless (U.S. TV series)|Shameless (U.S.)]] (8, 7 seasons total of 84 episodes, great cast, characters, acting and clever scripts at a fantastic pace)&lt;/br&gt;
[[w:Pure (TV series)|Pure]] (7-, 6 episodes)&lt;/br&gt;
[[w:Scorpion (TV series)|Scorpion]] (6Q, only saw the fist 6 episodes, the scripts and ideas are a bit stale, it rehashes previous similar series)&lt;/br&gt;
[[w:Six (TV series)|Six]] (6-Q, only saw the first 2 episodes, not very good acting and the script is very basic except in the operational side of it, the settings are great better than similar shows)&lt;/br&gt;
[[w:The Exorcist (TV series)|The Exorcist]] (6, 10 episodes, not my cup of tea, but it has great characters and some scenes are memorable)&lt;/br&gt;
[[w:Lexx|Lexx]] (7-, 4 seasons 61 episodes, while the quality is not constant the uniqueness of it all make it all work, fantastic characters) (*PS revisiting it I think I only saw up to season 2 or 3)&lt;/br&gt;
[[w:Continuum (TV series)|Continuum]] (6, 4 seasons totaling 42 episodes, the writing is good but time travel is very hard, some of the acting is lacking and the budget seems short at times, it has some cool ideas)&lt;/br&gt;
[[w:Stitchers|Stitchers]] (5+Q, only saw the first 4 episodes, too plastic and canned, the scripts, setting and image weren't good, [[w:Emma Ishta]] is fine but the rest of the cast does not commit)&lt;/br&gt;
[[w:Powerless (TV series)|Powerless]] (6-, only saw episode 1, too infantile and forced, would be great for kids, I also had a strong dislike to the audio treatment of voices very cartoonish, the registry and pace)&lt;/br&gt;
[[w:Quarry (TV series)|Quarry]] (7, 8 episodes, great casting, eye for detail of the era, the scripts could be easily improved especially the pace of the action as well as the cinematography)&lt;/br&gt;
[[w:Training Day (TV series)|Training Day]] (6-Q, only saw part of episode 1, bad script, cast and acting couldn't stomach it)&lt;/br&gt;
[[w:Containment (TV series)|Containment]] (6-, 13 episodes - '''cancelled, not concluded''', acting is mixed, a very few do alight and the script is poor)&lt;/br&gt;
[[w:Caprica (TV series)|Caprica]] (7-, 19 episodes - '''cancelled, not concluded''', interesting but gets a bit too lost in virtual reality and we already know how that goes since Star-trek holodeck, there are some cool ideas on the script mostly dealing with the underlying universe)&lt;/br&gt;
[[w:Sneaky Pete|Sneaky Pete]] (8, 10 episodes - '''not concluded''', great show, interesting characters, great acting and well paced script, a bit more funding for sets, better lighting, more camera work and more varied sets would be great but as is it is all good)&lt;/br&gt;
[[w:Maigret (2016 TV series)|Maigret]] (7-, 2 episodes, sadly the production values is low, image and sound suffers from it, but the sets and acting is ok and it was very well casted)&lt;/br&gt;
[[w:Falling Water (TV series)|Falling Water]] (6, 10 episodes, the unnecessary twisted narrative serves no real purpose beyond distraction from a weak script and then frustration after the realization that it all does not matter as the script writers can magically solve anything, and even then they make a blunder here and there)&lt;/br&gt;
[[w:Beyond (2017 TV series)|Beyond]] (6, 10 episodes - '''not concluded''', excruciatingly slow without much creative content beyond the tease that makes it go, the  directing is also problematic)&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:Dirk Gently's Holistic Detective Agency (TV series)|Dirk Gently's Holistic Detective Agency]] (6, 8 episodes - '''not concluded''', the acting quality is not uniform, it may be a problem with directing as some actors aren't even making an effort to take the job seriously, the script also has issues, it could easily have been much better)&lt;/br&gt;
[[w:The OA|The OA]] (7, 2 seasons with 16 episodes - '''not concluded''', a well crafted big tease, fantastic casting, good acting and cleaver script that ultimately frustrates the created expectations again and again, season 2 has some minor script errors, regarding sequence and time frames capabilities)&lt;/br&gt;
[[w:Sense8|Sense8]] (5+Q, only saw part of episode 1, visually appealing, but poor acting and script, including too much LGBT issues)&lt;/br&gt;
[[w:Public Morals (2015 TV series)|Public Morals]] (7-, 10 episodes - '''canceled, not concluded''', fantastic cast and eye for detail, the acting and scripts are smooth but it lacks a bit of support in the production, the sets become as repetitive as the camera angles used)&lt;/br&gt;
[[w:The Crown (TV series)|The Crown]] (6Q,only saw part of episode 1, high BBC quality but who cares about royals, the characterization can even be described as a work of propaganda)&lt;/br&gt;
[[w:Luke Cage (TV series)|Luke Cage]] (6, 13 episodes, the script is not great it is exasperatingly slow also not very creative, and the production quality goes down the closer it gets to the end, the acting is fine and the casting shines, it also focus too much on social propaganda disturbingly so and in unnecessary musical plugging)&lt;/br&gt;
[[w:Kevin Can Wait|Kevin Can Wait]] (6-Q, Only saw episode 1 the casting is a mess, the audience laughter is horrid and after [[w:The King of Queens]] who needs more at lesser quality)&lt;/br&gt;
[[w:Quantico (TV series)|Quantico]] (6-Q, Only saw the first 4 episodes of season 1, not very creative and what is up with this over-presence of Indian, especially as leads in the new US shows. Is it a intentional move to get into those markets? [[w:Priyanka Chopra]] is not bad but the trend stands out badly in such an overbearing way)&lt;/br&gt;
[[w:StartUp (TV series)|StartUp]] (7, 10 episodes - '''not concluded''', suffers from its low budget and the writing quality declined in the last 3 episodes, lightning/filters and image quality could easily be improved it is unnecessarily raw)&lt;/br&gt;
[[w:The Night Of|The Night Of]] (8-, 8 episodes, great writing until, on my view, some out of character options near the end, it is also a rare and for it a political piece in how it shows some American minorities)&lt;/br&gt;
[http://www.imdb.com/title/tt4800878/ Stan Lee's Lucky Man](6-, 10 episodes, low budget and with a problematic scrip due to its childish nature, it has a great premise and characters, the acting is fair but its like painting by numbers in the creative department, the directing seems also bad since some of the actors should be able to do more with what they have)&lt;/br&gt;
[[w:Slasher (TV series)|Slasher]] (6Q, only saw the first 3 episodes, it just failed to captivate any interest)&lt;/br&gt;
[[w:Supergirl (TV series)|Supergirl]] (6-, 1 season with a total of 20 episodes, low budget, sub par acting and stale scripting too focused to a very specific narrow audience)&lt;/br&gt;
[[w:Stranger Things (TV series)|Stranger Things]] (8+, season 1 with 8 episodes, 7, season 2 with 6 episodes, fantastic casting and care for the epoch look, even in the initial way in the first series they worked the cinematography, going so far to the fonts selected, the plot sadly is a bit too derivative but beyond that it would be hard to make any improvements, even so on the second series the acting and the script loses quality probably a problem with directing)&lt;/br&gt;
[[w:Man Down (TV series)|Man Down]] (5Q, only saw part of the first episode, couldn't manage more)&lt;/br&gt;
[[w:Angel from Hell|Angel from Hell]] (6-Q, only saw the second episode, clearly directed toward a female audience, the sketches aren't very funny and the comedy is too forced)&lt;/br&gt;
[[w:Person of Interest (TV series)|Person of Interest]] (7-, 5 seasons with a total of 103 episodes, the production, acting and casting is good, the script has cool ideas and solid history arcs but at times is repetitive and the finalization lacks not only conviction but solidity, its a bit messy. Overall quality is not constant it declines with time)&lt;/br&gt;
[[w:iZombie (TV series)|iZombie]] (6+, [[w:List of iZombie episodes|4 seasons 58 Episodes]] - '''not concluded''', very creative, probably due to the original source material but the casting works very well, the acting quality is mixed but not that bad, major flaw is that it is a bit repetitive)&lt;/br&gt;
[[w:The Expanse (TV series)|The Expanse]] (7-,  season 1, 7+ season 2, 8 season 3, 3 seasons totaling 36 episodes, in the first season the rate is mostly due to the quality of the production cast and acting, the script is not too innovative and a bit slow and I particularly disliked the &quot;South African&quot; atmosphere they decided to go with at tines, the second season has a bump in production value, this in general seem more coordinated and the story is given a proper arch, less time is spent in building up the characters and so things start to get a better pace, the third season is a continuation of the improvement work and the season finale is fantastic)&lt;/br&gt;
[[w:The Hollow Crown (TV series)|The Hollow Crown]] (6Q, only saw part of episode 1, it is hard to stomach even if the quality is there there is no patience for it, the dialogs are as illustrious as the irrelevance of it all beyond the great cast and some historical interest that today is of no relevance at all)&lt;/br&gt;
[http://www.imdb.com/title/tt5237932/ Witless] (6-Q, only saw episode 1, too forced to be funny)&lt;/br&gt;
[[w:The Lottery|The Lottery]] (6, 10 episodes, while the plot lines are interesting the script does not present an engaging story, one of the highlight is carefully selected wardrobe)&lt;/br&gt;
[[w:The Last Ship (TV series)|The Last Ship]] (6, 4 seasons totaling 48 episodes, the most pressing problem is the acting, generally it is not great and the script has issues, especially in regards to emotions and nationalism and political views expressed, very basic, but at times does come out with some good ideas in regards to the settings and main plot lines)&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (7-, 2 series 10 episodes each, fine acting and interesting script even in a field that is hard to innovate the pace and environment, light and camera work makes it distinct)&lt;/br&gt;
[[w:11.22.63|11.22.63]] (7-, 8 episodes, very interesting and well done, specially the first episodes, some minor logical errors on the script but it may be issues found in the original material, time traveling is always hard to write about... The last 2 episodes are very rushed and it is when the internal logic of the script starts to crumble. All past inconsistencies could have been only flaws created by the participating characters but it starts to come out of the hinges in the end. I liked the cast and the acting performances, except the part of [[w:George MacKay]], not the acting, but the direction and the character bipolar behavior.)&lt;/br&gt;
[[w:Wynonna Earp (TV series)|Wynonna Earp]] (6-Q, only saw the 1st episode, main issue is the acting)&lt;/br&gt;
[[w:Orphan Black|Orphan Black]] (6+, 5 seasons totaling 50 episodes - '''not concluded''', great work from [[w:Tatiana Maslany]] she is the series, the plot is interesting but the production is low cost and so it becomes repetitive both in the settings and situations and unnecessary complex as the plot branches)&lt;/br&gt;
[[w:Power (TV series)|Power]] (7, 2 seasons 18 episodes, great acting, the pace, plot and characters are compelling)&lt;/br&gt;
[[w:Mr. Robot (TV series)|Mr. Robot]] (7-, Season 1 with 10 episodes, great acting, interesting script and characters)&lt;/br&gt;
[[w:Silicon Valley (TV series)|Silicon Valley]] (6-Q, only saw Season 1 and Season 2 first episode, the acting is not great nor the chemistry between the cast, the scripts are interesting at times with the pertinent information but seems to fail when dealing with the emotional and more mundane stuff)&lt;/br&gt;
[[w:Proof (2015 TV series)|Proof]] (6, Season 1 with 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Frank Herbert's Dune|Frank Herbert's Dune]] (7+, 3 episodes)&lt;/br&gt;
[[w:And Then There Were None (TV series)|And Then There Were None]] (6, 3 episodes)&lt;/br&gt;
[[w:The Frankenstein Chronicles|The Frankenstein Chronicles]] (6, 2 seasons of 6 episodes each, the low budget and the rushed ending of season one damages what could easily be a better production, the time space between seasons also does not help)&lt;/br&gt;
[[w:12 Monkeys (TV series)|12 Monkeys]] (7-, 4 Seasons, totaling 47 episodes, good acting, workable scripts even if a little constrained on budget but manages to keep the quality constant, the plot get increasingly confusing as it goes, heh time traveling...)&lt;/br&gt;
[[w:American Crime (TV series)|American Crime]] (6Q, only saw the firt three episodes of season 1, probably a 6+ but requires an interest for the script topic that to me it failed to make compelling, the acting and production is good)&lt;/br&gt;
[[w:Its Always Sunny in Philadelphia|Its Always Sunny in Philadelphia]] (6Q, only saw the first 2 episodes of the first season but it seemed too contrived)&lt;/br&gt;
[[w:Childhood's End (miniseries)|Childhood's End]] (6, I still don't understand why Syfy productions need to be so weak/cheap. This is one of the best I've seen but it fails a bit on how it circumvents what the audience would be interested to know/see and lingers too much on futile and uninteresting alternate reality love connection / triangle and rushes over some concepts, making them hard to swallow)&lt;/br&gt;
[[w:The Man in the High Castle (TV series)|The Man in the High Castle]] (7, Season 1, 7+, Season 2, 20 episodes total - '''not concluded''', a bit slow but the alternative reality is compelling and pushed forward by a great cast, on season 1 the production quality was a bit low making it a bit restrictive and repetitive in its setting, it could well be easily converted into a 4 hour movie with some re-shooting, broader view of that reality and a faster pace that would need a reworking of the main plot, focusing less on the convolutions would have made it far better, season 2 gets a better pace, it does less character building, but in my view exaggerates on the head trips of the characters to explain motivations and concerns. [[w:Cary-Hiroyuki Tagawa]] is excellent.)&lt;/br&gt;
[[w:Glitch (TV series)|Glitch]] (6+, 6 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Grinder (TV series)|The Grinder]] (5+Q, only saw part of episode 1)&lt;/br&gt;
[[w:Jessica Jones|Jessica Jones]] (7+, 13 episodes, great casting, acting and writing, well up to episode 10, then it seems to be rushed or crammed to fit the 13 episodes and I blame it on the direction and editing since there is some wasted time on the slow action of the first episodes)&lt;/br&gt;
[[w:Hung (TV series)|Hung]] (7, 3 seasons 30 episodes - '''canceled''' without proper conclusion, great cast, acting and creative writing)&lt;/br&gt;
[[w:Helix (TV series)|Helix]] (6, 2 seasons with a total of 26 episodes - '''not concluded''', the quality is not consistent nor the acting, the writing and pace is fine even innovative in its field)&lt;/br&gt;
[[w:FlashForward|FlashForward]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Doctor Who (series 1)|Doctor Who 2005]] (6-Q, seen only up to season 9 episode 8, the quality in general was never that great the lore is the more interesting part, but after the [[w:sonic screwdriver]] was turned into sunglasses and the scripts continue in a down-spiral in regards to creativity, I'm done with it...)&lt;/br&gt;
[http://www.imdb.com/title/tt3551796/ American Odyssey] (6-, 13 episodes - '''not concluded''', the acting is not great, the action pace is unbalanced probably a writing issue, that also fails to explore the relevant bits to the history and focus on the easier but often unrealistically presented emotional connections)&lt;/br&gt;
[[w:Outcasts (TV series)|Outcasts]] (6+, 8 episodes - '''not concluded''', the script was interesting in parts and messed up in others the acting was not of consistent quality but it was compelling)&lt;/br&gt;
[[w:Human Target (2010 TV series)|Human Target]] (7-, 2 seasons total of 25 episodes - '''not concluded''', great cast, acting and an above average script)&lt;/br&gt;
[[w:Agent X (TV series)|Agent X]] (5+Q, only saw episode 1, lots of FF after the major discontinuity on the first fight that indicated a lack of quality in the production, just to be surprised moments later on the casting options working with this tired script)&lt;/br&gt;
[[w:House of Cards (US)|House of Cards (U.S. TV series)]] (7+ season 1, 7- season 2, 6+ season 3, 7 seasons 4, 4 seasons with 52 episodes - '''not concluded''')&lt;/br&gt;
[[w:House of Cards (UK)|House of Cards (UK TV series)]] (8+, 4 episodes)&lt;/br&gt;
[[w:Dr. Ken|Dr. Ken]] (5Q, seen part of 1st episode)&lt;/br&gt;
[[w:Lie to Me|Lie to Me]] (6+, 3 seasons with 48 episodes, very creative script plots and subplots but also repetitive in the minutia, hence the 6+ and not a 7-, great acting and pace, [[w:Tim Roth]] makes it pop)&lt;/br&gt;
[[w:Legends (TV series)|Legends]] (6-Q, only saw the first 3 episodes, nothing innovative or enticing, the casting of [[w:Sean Bean]] does not work for me, the age and accent, then there is the feeling that they are treating the show as canned food, no love or spark)&lt;/br&gt;
[[w:Longmire (TV series)|Longmire]] (7-, 4 seasons with 43 episodes total, great casting, acting, setup and inventive script that manages to make the series not about the subplots but the characters and a rare glimpse on US society interaction with native american's issues)&lt;/br&gt;
[[w:The Knick|The Knick]] (7, 2 seasons, 20 episodes, the acting and scripts are great, the production is not at the same level and the camera work and techno sound track at times become extremely annoying, less so on season 2. Counter intuitively the quality also declines as the series goes on on season 1, being the first episodes the better ones even if the characters aren't yet as rich. In season 2 the presentation is more balanced)&lt;/br&gt;
[[w:Defiance (TV series)|Defiance]] (6, 3 seasons 38 episodes total, the production quality is sadly low but there is a lot of creativity and some few sparks of cool acting, all actors improve along the run of the serial and some characters become truly memorable, the background universe is unnecessarily complex and the script writers at times fail to be logically consistent with the reality created or let it go underused, probably due to budgetary issues)&lt;/br&gt;
[[w:Entourage (TV series)|Entourage]] (7-, 8 seasons with a total of 98 episodes, the last 2 seasons had a drop in quality, mostly on the script writing all other production values remained consistent)&lt;/br&gt;
[[w:Zoo (TV series)|Zoo]] (5+Q, saw 8 episodes, the acting is not great, after the first episodes the actors, the less experienced ones, have adopted the same mannerisms of the only 2 innovators, the script starts ok but degenerates too fast becoming increasingly and unnecessarily complex and without a defined path)&lt;/br&gt;
[[w:Lucky 7 (TV series)|Lucky 7]] (6-Q, 2 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Resurrection (U.S. TV series)|Resurrection]] (6, 2 seasons - '''not concluded''', 21 episodes, interesting concept, so as the script goes it shows in its logical failings how absurd some religious concepts are. The acting is not consistent at all, some good actors and some bad and some actors even devolve along the run of the series probably due to lack of proper direction.)&lt;/br&gt;
[[w:Homeland (TV series)|Homeland]] (8, 7 seasons totaling 84 episodes, the script, casting, acting and image is great, the writing degrades a bit as it goes into the last season but almost unnoticeable or complemented the incorporation of good ideas.)&lt;/br&gt;
[[w:Taken (miniseries)|Taken]] (6+, 10 episodes, a bit confusing especially for those that aren't aware of the meme and for those that are a bit infantile on the presentation, I guess that it was weirdly directed toward a younger audience.)&lt;/br&gt;
[[w:666 Park Avenue|666 Park Avenue]] (6, 12 episodes, haven't seen the final 13 or the promised rewritten final  - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Peaky Blinders (TV series)|Peaky Blinders]] (8, 2 seasons, 12 episodes)&lt;/br&gt;
[[w:Fargo (TV series)|Fargo (TV series)]] (9-, 3 seasons totaling 30 episodes)&lt;/br&gt;
[[w:The Event|The Event]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Z Nation|Z Nation]] (5+, 4 seasons totaling 56 episodes, crazy scripts, general bad acting (even if improving as it goes on) and bad effects, even so, it is so bad that is fun to watch)&lt;/br&gt;
[[w:Escobar: Paradise Lost|Escobar: Paradise Lost]] (6)&lt;/br&gt;
[[w:Ascension (TV series)|Ascension]] (6, first 6 episodes - '''not concluded''', this is one show that one has to use their ability to suspend critical thinking as there are many issues with the preposition of the script but the pace, acting, effects and the good side of the concept makes it all go forward, since it does not provide a conclusion I would not advise spending time in it until its a finished product)&lt;/br&gt;
[[w:American Heist|American Heist]] (5, bad script and bad directing plus the casting of [[w:Adrien Brody]] feels just weird, he tries but he does not convince)&lt;/br&gt;
[[w:Tut (miniseries)|Tut]] (5+Q, only saw part of the first episode, the acting and casting is not great and any hope of historic correctness was quickly shoot)&lt;/br&gt;
[[w:Wayward Pines|Wayward Pines]] (8 season 1, 7 season 2, 20 episodes total, a conclusion is provided in some way on season 1 but the ability to suspend disbelief on the logic of the plot starts to decay a few episodes near the end, as characters start to behave unrealistically and some even against what the audience would expect based on the provided construction, even so the issue is with the writing and probably on budget stresses to provide a final, this seems to be proven by an increased decline in writing quality on season 2 and even a lower quality of main actors, while the reality created is enticing the production of it seems to decay)&lt;/br&gt;
[[w:Daredevil (TV series)|Daredevil]] (8, 3 seasons totaling 39 episodes, it has a weak 2 first seasons and in the first the series lingers more than it should after episode 8 but overall the best Marvel's hero conversion at the time, especially because it is not too juvenile or infantile as all the others so far, great casting and acting, there is a palpable improvement in the third season even if the writing still lingers in the emotional side of the story)&lt;/br&gt;
[[w:V (2009 TV series)|V (2009]]] (6-, 2 seasons with a total of 22 episodes - '''canceled''' and '''not concluded''', not a carbon copy of the original but lacks the production budget to pull off any significance)&lt;/br&gt;
[[w:V (1984 TV series)|V (1984)]] (6+, 19 episodes, it hasn't aged well and the acting wasn't great nor was the production value but a 80's classic with some creative plot lines and a good pace)&lt;/br&gt;
[[w:Falling Skies|Falling Skies]] (6+, 5 seasons with a total of 52 episodes - '''not concluded''', production wise is just enough to keep it going and this influences the scripts, the CGI could also be better at times, even the creative department could be more consistent in general, but the main problem is the acting quality among the cast (and their directing) , with very few exceptions and considering that the main characters improve over time. the thing that keeps it all going is the main story arc and even so the writers at times takes us in some unnecessary side rides and rush the important stuff at the end of a season)&lt;/br&gt;
[[w:Remember Me (TV series)|Remember Me]] (6, 3 episodes, Great cast and acting, BBC quality image but the script that starts fabulously loses quality rapidly)&lt;/br&gt;
[[w:Da Vinci's Demons|Da Vinci's Demons]] (6-, 2 seasons 18 episodes)&lt;/br&gt;
[[w:Banshee (TV series)|Banshee]] (7, 2 seasons / 20 ep. +  web series Banshee Origins 8 ep.)&lt;/br&gt;
[[w:Black Sails (TV series)|Black Sails]] (9, 4 seasons totalling 38 episodes, great cast, acting, writing and production value)&lt;/br&gt;
[[w:Almost Human (TV series)|Almost Human]] (6+, 13 - '''canceled''', a bit more consistent acting and higher production and it would be extremely cool, no closure was provided to the series long history arc)&lt;/br&gt;
[[w:Rubicon (TV series)|Rubicon]] (8, 13 episodes - '''canceled''' and '''not concluded''', very good acting, plot and production, to be clear the last episode offers some sort of haphazardly created conclusion that addresses some of the plot arches questions but does not resolve or satisfy as a real end)&lt;/br&gt;
[[w:Ripper Street|Ripper Street]] (7 for the first season, 6 for the second and third, 3 seasons with a total of 24 episodes, great acting and some good plot lines and well created characters but the script degrades overtime into not only a slower speed but repetition and common places, the 3rd season would have closed the series nicely...)&lt;/br&gt;
[[w:No Ordinary Family|No Ordinary Family]] (6, 20 episodes)&lt;/br&gt;
[[w:The Shield|The Shield]] (9, 7 seasons with 88 episodes total)&lt;/br&gt;
[[w:Under the Dome (TV series)|Under the Dome]] (5-Q, 5 for the first season and 4 for the 2nd seasons as the quality in general crashes even at script level, 26 episodes, I have stopped watching at the 4th episode of the 3rd season as I really couldn't care less about the characters the plot of the cheesy acting)&lt;/br&gt;
[[w:The Unit|The Unit]] (6, 4 seasons with 68 episodes)&lt;/br&gt;
[[w:Dirk Gently (TV series)|Dirk Gently]] (6)&lt;/br&gt;
[[w:The Big Bang Theory|The Big Bang Theory]] (7 season 1, 6 season 2, 5 season 3, 4 the rest ... I just continue to see it due to character based curiosity and to define what went wrong, I think it was the script quality...)&lt;/br&gt;
[[w:Utopia (UK TV series)|Utopia]] (6, 2 seasons with 22 episodes total, could have been better the music score and the story itself is great)&lt;/br&gt;
[[w:Penny Dreadful (TV series)|Penny Dreadful]] (7+, 3 seasons of 8, 10 and 9 episodes respectively, superb casting, great acting and improving quality in esthetics's and editing, if it had more funding, the quality of the scripts was constant and some clumsy acting corrected it would be un-improvable)&lt;/br&gt;
[[w:Wheel of Time|Wheel of Time]] (5, pilot)&lt;/br&gt;
[[w:The Strain (TV series)|The Strain]] (7, 4 seasons totalling 48 episodes, while quality declines a bit on the second season, the issue being that the serial is become even slower and more repetitive it picks up a bit later even if it seems to start to be written more for a specific demographics, teenagers)&lt;/br&gt;
[[w:The X-Files|The X-Files]] (7, 9 seasons with 202 episodes, the series hasn't aged well and the quality is not constant across all episodes, nor are they all related to the main history arch, at times the plot gets very and unnecessarily confusing, watching the movies will probably help clearing all the mess, even so there are episodes and concepts that are truly good)&lt;/br&gt;
[[w:Terminator: The Sarah Connor Chronicles|Terminator: The Sarah Connor Chronicles]] (7, 2 series with 31 episodes - '''not concluded''')&lt;/br&gt;
[[w:Endgame (TV series)|Endgame]] (6, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Eleventh Hour (U.S. TV series)|Eleventh Hour]] (6+, 18 episodes)&lt;/br&gt;
[[w:Elementary (TV series)|Elementary]] (6+, 6 seasons totaling 141 episodes, sadly beyond season 2 the quality of episodes is not constant but the writers keep the creativity fresh with the help of a wonderful cast)&lt;/br&gt;
[[w:Alphas|Alphas]] (6, 2 seasons with a total of 24 episodes - '''canceled''' and '''not concluded''')&lt;/br&gt;
[[w:Poldark (2015 TV series)|Poldark (2015)]] (7-, first 2 seasons, 6 in the last 2, 4 seasons with a total of 35 episodes - '''not concluded''', good acting, great casting and filled with interesting characters all under BBC's great care for image, there is a decline in quality even of acting from season 3 on, and the scripts devolve into something similar to a soap opera with the only thing keeping it going is the investment the audience has in the characters)&lt;/br&gt;
[[w:Weeds (TV series)|Weeds]] (7, 8 seasons with 102 episodes)&lt;/br&gt;
[[w:Extant (TV series)|Extant]] (6, 2 seasons 26 episodes, the script and the acting, even [[w:Halle Berry]] performance could be better, probably a director's problem. The quality declines a bit on the second season too)&lt;/br&gt;
[[w:The Suspicions of Mr Whicher|The Suspicions of Mr Whicher]] (8, 2 seasons of 2 episodes)&lt;/br&gt;
[[w:Alcatraz (TV series)|Alcatraz]] (6, only seen 12 of the 13 episodes as it was '''canceled''', the last episode seems to have been created to provide closure as make the series salable. Not great but good acting, way better than Marvel Agents of Shield)&lt;/br&gt;
[[w:True Blood|True Blood]] (7+, 7 seasons, 80 episodes total, great universe, fantastic characters a bit too in your face LGBT for my taste at times but it maintains a good quality across all seasons)&lt;/br&gt;
[[w:True Detective (TV series)|True Detective]] (9, Season 1, 8 episodes, 8, Season 2, 8 episodes, fantastic characters, aesthetics and good script, even if season 1 is superior in both acting and script consistency and pace, probably due to the simpler base plot)&lt;/br&gt;
[[w:Dexter (TV series)|Dexter]] (7 for the 1st series, 6 for the 2nd up to the 7th and 5 for the last season the 8th)&lt;/br&gt;
[[w:Vikings (TV series)|Vikings]] (9 for the 2 first seasons, 19 episodes, 7 for the 3rd, 10 episodes, 6+ for the 4th, 20 episodes, amazing production from the image to the actors, casting and script, the casting starts to lose quality from the third season on, and the acting replicative and not character driven)&lt;/br&gt;
[[w:Terra Nova (TV series)|Terra Nova]] (6, 13 episodes - '''canceled''')&lt;/br&gt;
[[w:The Michael J. Fox Show|The Michael J. Fox Show]] (4, S1E1-2Q, too forced and cliché to a point it wasn't funny.)&lt;/br&gt;
[[w:Merlin (TV series)|Merlin]] (5, 5 seasons, 65 episodes)&lt;/br&gt;
[[w:Halt and Catch Fire (TV series)|Halt and Catch Fire]] (8 for Season 1, 10 episodes)&lt;/br&gt;
[[w:Inside No. 9|Inside No. 9]] (6+, only saw the 1st season ep. 1 and the 2nd season ep. 2, a special taste is required, the series revolves around human social, moral constructs and behaviors)&lt;/br&gt;
[[w:The Last Man on Earth (TV series)|The Last Man on Earth]] (6-, 4 seasons with a total 67episodes, it falls in the section of &quot;it is so bad that I couldn't stop watching&quot;, and that it is sad because it could have been so much better, the concept and even the actors are not bad but it derails into very infantile and over extended attempts to be funny, though there are some cool ideas and the scripts improve over time)&lt;/br&gt;
[[w:The Messengers (TV series)|The Messengers]] (5Q, seen only the first 2 episodes, the writing is the worst part but the religious setup, as presented, caters only for a selected audience, the camera works and the acting needed also an improvement)&lt;/br&gt;
[[w:Hand of God (TV series)|Hand of God]] (6+, 10 episodes, the first episodes are great but the script seems to lose quality especially after episode 7, the plot come to a crawl at that point and the ending is unsatisfactory)&lt;/br&gt;
[[w:World Without End (miniseries)|World Without End]] (7)&lt;/br&gt;
[[w:United States of Tara|United States of Tara]] (8, 3 seasons of 12 episodes)&lt;/br&gt;
[[w:Persons Unknown (TV series)|Persons Unknown]] (6, 13 episodes, good production and good acting but things start to fall apart as the great setup crumbles, sad.)&lt;/br&gt;
[[w:Paradox (TV series)|Paradox]] (5+, 5 episodes - '''canceled''', interesting idea but not so good production.)&lt;/br&gt;
[[w:The Fades (TV series)|The Fades]] (6-, 6 episodes, good acting, interesting concept but low production prevents it to be better.)&lt;/br&gt;
[[w:Texas Rising|Texas Rising]] (6-, 5 episodes, good production, image and fair acting, the history channel has managed to keep that standard but with it also comes the low quality of the content and presentation, that in this case has no regard to historic accuracy, that should be principal, embarking in an infantile state propaganda, akin to those that we are accustomed to come from China or South Korea)&lt;/br&gt;
[[w:Sense8|Sense8]] (5-, only saw the first episode)&lt;/br&gt;
[[w:Awake (TV series)|Awake]] (7, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Hysteria (TV series)|Hysteria]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Allegiance (TV series)|Allegiance]] (5, seen only 1 episode, the premise was ok but, bad acting and worse script sank it, see [[w:The Americans (2013 TV series)]] for contrast)&lt;/br&gt;
[[w:The Voices (film)|The Voices]] (5, good premise, ok acting but the story is very blah and the characters are very thin)&lt;/br&gt;
[[w:Game of Thrones|Game of Thrones]] (9, 4 seasons, 40 episodes + A Day in the Life, season 5 making of documentary)&lt;/br&gt;
[[w:Zero Hour (2013 TV series)|Zero Hour]] (6-, 13 episodes, the acting is not great but the script is an interesting mix of ideas)&lt;/br&gt;
[[w:Attack on Titan|Shingeki no Kyojin]] (7, 25 episodes)&lt;/br&gt;
[[w:X Company|X Company]] (5+Q, 3 episodes, low production more than anything harms this series, the script premise is interesting but it locks the story development into repetition, making it not very creative at all beyond the introduction to it)&lt;/br&gt;
[[w:The Bridge (2013 TV series)|The Bridge]] (8, 2 seasons with 13 episodes each)&lt;/br&gt;
[[w:2 Broke Girls|2 Broke Girls]] (6, season 1, 24 episodes, 5, season 2, 24 episodes, 5-, season 3 and 4, 24 and 22 episodes respectively)&lt;/br&gt;
[[w:The Assets|The Assets]] (6, 8 episodes)&lt;/br&gt;

==== Animation ====
[[w:Merc Storia: Yujutsushi to Suzu no Shirabe|Merc Storia: Yujutsushi to Suzu no Shirabe]] (6Q, only saw episode 1, I'm not the intended demographic and the art work and animation was not very good)&lt;/br&gt;
[https://www.imdb.com/title/tt8421152/ Gary and His Demons] (6-, only saw episode 1, didn't like the animation artwork or audio work, even if the writing was creative)&lt;/br&gt;
[[w:Angolmois: Record of Mongol Invasion|Angolmois: Record of Mongol Invasion]] (6, 12 episodes, the animation isn't great but the characters and plot lines keeps it going)&lt;/br&gt;
[[w:Cardcaptor Sakura: Clear Card|Cardcaptor Sakura: Clear Card]] (6-Q, only saw part of the first episode, I remember watching the some episodes of the first series and it were better it seems to have degenerated into something like [[w:Sailormoon]])&lt;/br&gt;
[[w:Orange (manga)|Orange]] (7+, 13 episodes)&lt;/br&gt;
[[w:Drifters (manga)|Drifters]] (6, 12 episodes - '''not concluded''', I don't like the format nor part of the artwork, especially the eyes, but the script is fun even if a lot of it is derivative)&lt;/br&gt;
[[w:Black Clover|Black Clover]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Angels of Death (video game)|Angels of Death aka Satsuriku no Tenshi]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Atom: The Beginning|Atom: The Beginning]] (6Q, only saw the first two episodes, the art and animation is good but the scripts fail to keep an interest)&lt;/br&gt;
[[w:Rick and Morty|Rick and Morty]] (6-Q, only saw episode 1, great creativity, the main plot lines are great but I don't like the low quality art work and resonate badly with some of the course humor in the quantity provided)&lt;/br&gt;
[[w:B The Beginning|B: The Beginning]] (6+, 12 episodes, art and animation ok, but the content is too derivative and no real depth is given to most of the characters or even the setting, especially since it has not been expressed on other medium)&lt;/br&gt;
[[w:Blend S|Blend S]] (6Q, only saw episode 6, nothing to declare same stuff rehashed again and again)&lt;/br&gt;
[[w:List of Attack on Titan episodes|Attack on Titan]] aka Shingeki no Kyojin (7-, 2 series with a total of 37 episodes - '''not concluded''', while the artwork is not that impressive nor is the animation, the script ideas that holds it together and its characters are good, even if something is lost in the second series the plot lines become more promising)&lt;/br&gt;
[[w:The Laughing Salesman|The Laughing Salesman aka Warau Salesman]] (6-Q, only saw episode 1, did not like the artwork or the plot)&lt;/br&gt;
[[w:Seven Mortal Sins|Seven Mortal Sins aka Sin – Nanatsu no Taizai]] (6Q, only saw the first 4 episodes, it is more like [[w:Hentai]] with a lot of Nipon censure. The art work isn't great nor the animation, the plot is innovative but the script is dedicated to the core purpose)&lt;/br&gt;
[[w:Re:Zero − Starting Life in Another World|Re:Zero − Starting Life in Another World]] (7-, 25 episodes)&lt;/br&gt;
[[w:Alderamin on the Sky|Alderamin on the Sky]] (7-, 13 episodes)&lt;/br&gt;
[[w:Dimension W|Dimension W]] (6+, 12 episodes)&lt;/br&gt;
[[w:Log Horizon|Log Horizon]] (6+, 2 series with a total of 50 episodes, the creative idea (2011) seems to be the source of other derivatives, like Overlord or DanMachi but here is presented in a very dull/repetitive way, the characters are great but the plot is slow and unnecessary complicated, the second series gains a better quality in regards to artwork but the same is lost in the script)&lt;/br&gt;
[[w:Comet Lucifer|Comet Lucifer]] (6, 12 episodes, the artwork and animation if fine but the script is not very good beyond most, but not all, of the characters in it)&lt;/br&gt;
[[w:Mysterious Girlfriend X|Mysterious Girlfriend X]] (6+, 13 episodes, the attention to detail on the animation movements is very cool)&lt;/br&gt;
[[w:Berserk (2016 TV series)|Berserk (2016)]] (7-, 12 episodes, I dislike the artwork and some of the transparent computer aided animation but can't refute the quality of some of the craft and creativity behind it, there are some memorable sequences and dialogs that push it further than it would otherwise go that and the great characters and story line)&lt;/br&gt;
[[w:Big Order|Big Order]] (6+, 10 episodes)&lt;/br&gt;
[[w:Endride|Endride]] (6-Q, only saw the first episode, too derivative and the artwork is not that great)&lt;/br&gt;
[[w:Lego Nexo Knights|Lego Nexo Knights]] (5Q, only saw episode 9)&lt;/br&gt;
[[w:Planetarian: The Reverie of a Little Planet|Planetarian: The Reverie of a Little Planet]] (7, 5 episodes)&lt;/br&gt;
[[w:Gate (novel series)|Gate]] (6+, 20 episodes, sadly the animation is not of better quality, but its a very creative concept full of interesting characters)&lt;/br&gt;
[[w:Kabaneri of the Iron Fortress|Kabaneri of the Iron Fortress]] (7, 12 episodes)&lt;/br&gt;
[[w:Basilisk (manga)|Basilisk]] (6+, 24 episodes)&lt;/br&gt;
[[w:Servamp|Servamp]] (6-, only saw the first episode, while the artwork and animation is fine the plot is too absurd, even for an anime)&lt;/br&gt;
[[w:Erased (manga)|Erased]] (7-, 12 episodes)&lt;/br&gt;
[[w:Bungo Stray Dogs|Bungo Stray Dogs]] (6, only saw the first episode, didn't care for the plot and did not like the color &quot;overuse&quot; nor the excessive info-graphics, the art work and animation was fine)&lt;/br&gt;
[[w:Spice and Wolf|Spice and Wolf]] (6+, 17 episodes - '''not concluded''',  while the artwork and animation is not the best the plot and characters makes it memorable, this is also one of the few times I liked an English dub of a Japanese animation, great work by the voice actors)&lt;/br&gt;
[[w:Kagewani|Kagewani]] (5, only saw the first episode, did not like the style of the animation, animated stills, and artwork itself)&lt;/br&gt;
[[w:Twin Star Exorcists|Sousei no Onmyouji]] (5+, only saw the first episode, script is a rehash of better works the artwork is also not very good)&lt;/br&gt;
[[w:Fate/Zero|Fate/Zero]] (6, 25 episodes, did not like some of the artwork, specially some of the faces, the script is not that good or innovative and the ending is very anticlimactic, it does get interesting characters and is superb on their emotional interconnections, it also tries to be a bit mental in terms of strategy and rules of its universe without being too complex or frustrate too much the viewer with &quot;magical&quot; exceptions)&lt;/br&gt;
[http://www.imdb.com/title/tt4953128/ Animals] (5Q, only saw episode 1, for something similar but way better see the original [[w:Creature Comforts]])&lt;/br&gt;
[[w:One-Punch Man|One-Punch Man]] (7-, 12 episodes, the artwork and design is very inconsistent in quality, very good parts mixed with some low quality, the most problematic is the short format that hinders the story telling and inner consistency of it)&lt;/br&gt;
[[w:Overlord (novel series)|Overlord]] (7-, 3 seasons totaling 39 episodes - '''not concluded''', haven't seen the [[w:Original video animation|OVA]]s, I don't particularly like the artwork but the ideas on the scripts are extremely fun, resulting in a very  clever mashup)&lt;/br&gt;
[[w:Noragami|Noragami Aragoto]] (6+, 13 episodes, very creative lore and concepts)&lt;/br&gt;
[[w:Tron: Uprising|Tron: Uprising]] (6+, 19 episodes - &quot;Canceled&quot;, the end seems a bit rushed but it provides some closure)&lt;/br&gt;
[[w:Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist|Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist]] (6+, 12 episodes, for adults, even if at times nippon culture seem extremely alien to a point of moral objection)&lt;/br&gt;
[[w:Planetes|Planetes]] (7-, 26 episodes, a real space soap opera, great story, art style and animation, even if at times shortcuts seem to have been taken, especially toward the end)&lt;/br&gt;
[[w:Generator Rex|Generator Rex]] (6-, 3 seasons with 60 episodes in total, great artwork and better scripting but low budget animation and very &quot;aggressive&quot; musical score degrades the quality, there are some very cool ideas mixed together, except the talking monkey sidekick. There is a small improvement on quality as it progresses)&lt;/br&gt;
[[w:Gods Eater Burst|Gods Eater]] (5+, only saw the first episode not the prelude one labeled 0, I generally dislike high stylized BD or animation, in this particular work I appreciate the concept, at times almost like water color and do like the creative art but the plot and characters are rehashes)&lt;/br&gt;
[[w:Btooom!|Btooom!]] (6, 12 episodes)&lt;/br&gt;
[[w:Is It Wrong to Try to Pick Up Girls in a Dungeon?|DanMachi]] (6+, 13 episodes, extremely creative, funny and full of RPG references with a Nippon twist anime)&lt;/br&gt;
[[w:Aldnoah.Zero|Aldnoah.Zero]] (6+, 24 episodes, while I do not appreciate the style, especially the one used for faces and the simplistic backgrounds, it improves as the series goes on, the action sections seem to be computer aided animation and are distinct and the plot and emotional dynamics are well structured)&lt;/br&gt;
[[w:Tokyo Ghoul|Tokyo Ghoul]] (6, 12 episodes - '''not concluded''', good artwork but Nippon scripting is a bit over the wall for me, regarding the subject matter, beyond the commonalities that are expected)&lt;/br&gt;
[[w:Parasyte|Parasyte - the maxim]] (7, 24 episodes)&lt;/br&gt;
[[w:The Heroic Legend of Arslan|Arslan]] (5Q, only saw the first 2 episodes, the animation is not very good nor is the script. I hope that the books are better but there is clearly a desynchrony on how in general terms, Asians envision European medieval times and build upon that)&lt;/br&gt;

===Movies:===
[[w:Destroyer (2018 film)|Destroyer]] (6+)&lt;/br&gt;
[[w:Bullitt County (film)|Bullitt County]] (6-Q, subpar acting and a droll script)&lt;/br&gt;
[https://www.imdb.com/title/tt6294226/ Stray (2019)] (6-, all ok except the script that except from the core concept, is very weak)&lt;/br&gt;
[[w:Captain Marvel (film)|Captain Marvel]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt3312180/ The Last Man] (6-Q, too theatrical and the script is all over the place with attempts to pass &quot;clever&quot; subtext)&lt;/br&gt;
[[w:Bird Box (film)|Bird Box]] (7-)&lt;/br&gt;
[[w:Black Mirror: Bandersnatch|Black Mirror: Bandersnatch]] (6-)&lt;/br&gt;
[[w:Green Book (film)|Green Book (film)]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt4157728/ The Last Boy] (6-)&lt;/br&gt;
[[w:The Girl in the Spider's Web (film)|The Girl in the Spider's Web]] (6)&lt;/br&gt;
[[w:Io (film)|Io]] (6)&lt;/br&gt;
[[w:Glass (2019 film)|Glass]] (6+)&lt;/br&gt;
[[w:Polar (film)|Polar]] (6-, great acting potential ruined by everything else. From a crappy camera, bad direction and foul editing to a sub par script)&lt;/br&gt; 
[[w:Bumblebee (film)|Bumblebee]] (6, the script is very bad)&lt;/br&gt;
[[w:Mortal Engines (film)|Mortal Engines]] (6+, same formula rinse and repeat, sad, any innovative idea is just nonsense)&lt;/br&gt; 
[[w:Aquaman (film)|Aquaman]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8883164/ Dead in the Water] (6)&lt;/br&gt;
[[w:Piercing (film)|Piercing]] (6+, a bit too empty of content for the length it uses)&lt;/br&gt;
[[w:The Man Who Killed Hitler and Then the Bigfoot|The Man Who Killed Hitler and Then the Bigfoot]] (6, the acting is fine but the script and production falters at critical moments dragging it down to mediocre levels)&lt;/br&gt;
[[w:Alita: Battle Angel|Alita: Battle Angel]] (7-)&lt;/br&gt;
[[w:Prospect (film)|Prospect]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt8329290/ The Golem] (6-)&lt;/br&gt;
[[w:Shoplifters|Shoplifters]] (6+)&lt;/br&gt; 
[https://www.imdb.com/title/tt9679608/ Mystery 101] (6-Q)&lt;/br&gt;
[[w:Rust Creek|Rust Creek]] (6-, almost a 6 but the script and acting was not there)&lt;/br&gt; 
[[w:The Vanishing (2018 film)|The Vanishing (2018)]] (6)&lt;/br&gt;
[[w:The Old Man &amp; the Gun|The Old Man &amp; the Gun]] (6+)&lt;/br&gt;
[[w:King Lear (2018 film)|King Lear (2018)]] (6-Q, too dry for me, I dislike play actualization that preserve de-synchronicities as fake erudition, in this case, the dialogs)&lt;/br&gt;
[[w:Sorry to Bother You (film)|Sorry to Bother You]] (6-, it start ok, and the social commentary is well crafted but the scrip goes off the tracks in the middle not only by deepening a palpable racial dissonance but the general nonsense that is introduced)&lt;/br&gt;
[[w:The Belstone Fox|The Belstone Fox]] (6-, it hasn't aged well especially the cinematography, but even then the editing would have been problematic, too low budged and simplified, waiting a more artistic remake as the plot lines of the original work and the underline text would merit it)&lt;/br&gt;
[[w:Apostle (film)|Apostle]] (6, the scrip goes off the rails near the end, only the core plot lines, production value and the acting saves it, the casting/directing also works well, [[w:Dan Stevens]] type of over acting in this case is a perfect match or the intense and damaged character)&lt;/br&gt;
[[w:The Kindergarten Teacher (2018 film)|The Kindergarten Teacher]] (7)&lt;/br&gt;
[https://www.imdb.com/title/tt6013156/ What Still Remains] (5+)&lt;/br&gt;
[[w:Leave No Trace (film)|Leave No Trace]] (6+)&lt;/br&gt;
[[w:Bloody Spear at Mount Fuji|Bloody Spear at Mount Fuji]] (7-)&lt;/br&gt;
[[w:Sekigahara (film)|Sekigahara]] (6+, the dialogs pace is too fast at times, the film would benefit more time as not to be as compressed)&lt;/br&gt;
[[w:Hotel Artemis|Hotel Artemis]] (6)&lt;/br&gt;
[[w:Black '47 (film)|Black '47]] (6+)&lt;/br&gt;
[[w:Hold the Dark|Hold the Dark]] (6+)&lt;/br&gt;
[[w:Cold Skin (film)|Cold Skin]] (7-)&lt;/br&gt;
[[w:The Satan Bug|The Satan Bug]] (6-)&lt;/br&gt;
[[w:I Think We're Alone Now (film)|I Think We're Alone Now]] (6)&lt;/br&gt;
[[w:Bleach (2018 film)|Bleach]] (6)&lt;/br&gt;
[[w:The Wailing (film)|The Wailing]] (6+)&lt;/br&gt;
[[w:Support the Girls|Support the Girls]] (6-, sadly the script is not worth more)&lt;/br&gt;
[[w:American Animals|American Animals]] (6, very weak 6 at that as this small story is slowly presented in almost a documentary format that is at the same time a creative approach but makes even more evident that there is very few content for it all. The acting is fine and even if limited in budget the production works for what it aim for)&lt;/br&gt;
[[w:Remains (film)|Remains]] (5Q)&lt;/br&gt;
[[w:Solo: A Star Wars Story|Solo: A Star Wars Story]] (6- if you love the original trilogy, 6 if you don't really care about the context of it all)&lt;/br&gt;
[[w:Mission: Impossible – Fallout|Mission: Impossible – Fallout]] (6)&lt;/br&gt;
[[w:Sicario: Day of the Soldado|Sicario: Day of the Soldado]] (7-)&lt;/br&gt;
[[w:Mandy (2018 film)|Mandy]] (6, the visuals are great, the cinematography is above average but the script does little to justify the time, the acting and editing could easily be better with some luck it may get into the cult movie niche with some subjective interpretation of it all)&lt;/br&gt;
[[w:The Meg|The Meg]] (5+, there is some production quality but the script is atrocious, maybe partly due to a cultural dissonance but even so its bad)&lt;/br&gt;
[https://www.imdb.com/title/tt5973658/ Winter Ridge] (5Q)&lt;/br&gt;
[[w:Mark Felt: The Man Who Brought Down the White House|Mark Felt: The Man Who Brought Down the White House]] (6+)&lt;/br&gt;
[[w:Radius (film)|Radius]] (6, low budget but the script, the cast and acting works ok)&lt;/br&gt;
[[w:Skyscraper (2018 film)|Skyscraper (2018)]] (6)&lt;/br&gt;
[[w:Tag (2018 film)|Tag (2018)]] (6-)&lt;/br&gt;
[[w:Patient Zero (film)|Patient Zero]] (6-)&lt;/br&gt;
[[w:Bleeding Steel|Bleeding Steel]] (5+)&lt;/br&gt;
[[w:Fahrenheit 451 (2018 film)|Fahrenheit 451 (2018)]] (6-Q)&lt;/br&gt;
[[w:Cargo (2017 film)|Cargo (2017)]] (6)&lt;/br&gt;
[[w:A Quiet Place (film)|A Quiet Place]] (6)&lt;/br&gt;
[[w:Death Wish (2018 film)|Death Wish (2018)]] (6+, all is fine, even the scrip manages to have a great pace, it doesn't aspire to more than it is, if we discount the political barbs)&lt;/br&gt;
[[w:A Wrinkle in Time (2018 film)|A Wrinkle in Time (2018)]] (6-)&lt;/br&gt;
[[w:First Reformed|First Reformed]] (6, a bit preachy, no pun intended, and the end seems rushed and out of character)&lt;/br&gt;
[[w:Phantoms (film)|Phantoms]] (6-, low budget, the acting is problematic only the script pushes it up a bit and even that has fails)&lt;/br&gt;
[[w:Future World (film)|Future World]] (5+)&lt;/br&gt;
[[w:Josie (film)|Josie]] (6-)&lt;/br&gt;
[[w:Extinction (2018 film)|Extinction (2018)]] (6)&lt;/br&gt;
[[w:Jurassic World: Fallen Kingdom|Jurassic World: Fallen Kingdom]] (6)&lt;/br&gt;
[[w:Hot Summer Nights (film)|Hot Summer Nights]] (7-)&lt;/br&gt;
[[w:How It Ends (film)|How It Ends]] (6, almost did not make it, limited budget shows and the script does not satisfy)&lt;/br&gt;
[[w:Tomb Raider (film)|Tomb Raider (2018)]] (6+)&lt;/br&gt;
[[w:In Darkness (2018 film)|In Darkness (2018)]] (5+)&lt;/br&gt;
[[w:2036 Origin Unknown|2036 Origin Unknown]] (6-)&lt;/br&gt;
[[w:Siberia (2018 film)|Siberia (2018)]] (6, almost dint make it, limited budget and the script start and pace is problematic but it goes in a crescendo and by the end it is saved)&lt;/br&gt;
[https://www.imdb.com/title/tt3165632/ 5th Passenger] (5+, better camera work and more funding required but production is not bad and the acting is passable a better script and it would made the cut)&lt;/br&gt;
[[w:Chappaquiddick (film)|Chappaquiddick]] (6, I do dislike these Hollywood history re-wrights)&lt;/br&gt;
[[w:Ghost Stories (film)|Ghost Stories]] (6)&lt;/br&gt;
[[w:Tully (2018 film)|Tully]] (6, probably a 6+ for its intended audience but I found the script a bit empty, the trailer and cast is great)&lt;/br&gt;
[https://www.imdb.com/title/tt5017936/ Prodigy] (6-, suffers from a low budget and the acting is too stiff and theatrical but the script pushes it forward almost to a 6)&lt;/br&gt;
[[w:Flower|Flower]] (6)&lt;/br&gt;
[[w:Escape Plan|Escape Plan]] (6-)&lt;/br&gt;
[[w:Escape Plan 2: Hades|Escape Plan 2: Hades]] (5+Q)&lt;/br&gt;
[[w:Before We Vanish|Before We Vanish]] (5+Q)&lt;/br&gt;
[[w:The Endless (film)|The Endless]] (6, could easily have been better, it goes a bit offtrack near the end, low budget and some problematic acting an lighting also do not help but a cleaver script saves it)&lt;/br&gt;
[[w:Truth or Dare (2018 film)|Truth or Dare (2018)]] (6-, maybe a 6 for the young of the intended demographics but the script has some very big logic holes)&lt;/br&gt;
[[w:Muse (2017 film)|Muse]] (6)&lt;/br&gt;
[[w:Rampage (2018 film)|Rampage]] (6+, the script is a huge mess but the production, acting and cgi are the main show)&lt;/br&gt;
[[w:Alien Code|Alien Code]] (6- but a 6 for those that can grasp the inside &quot;messages&quot;, sadly the limited budget is noticed)&lt;/br&gt;
[[w:Tau (film)|Tau]] (6+, a low budget and being a revisit to a well know subject becomes problematic at times but good acting and adding new ideas makes it a pleasure to see it play out)&lt;/br&gt;
[[w:Black Butterfly (2017 film)|Black Butterfly (2017)]] (6)&lt;/br&gt;
[[w:Ghost in the Shell (2017 film)|Ghost in the Shell]] (6+)&lt;/br&gt;
[[w:Alien: Covenant|Alien: Covenant]] (7-)&lt;/br&gt;
[[w:Going in Style (2017 film)|Going in Style]] (6)&lt;/br&gt;
[[w:Tharlo|Tharlo]] (6+)&lt;/br&gt;
[[w:Shot Caller (film)|Shot Caller]] (6)&lt;/br&gt;
[[w:The Osiris Child: Science Fiction Volume One|The Osiris Child: Science Fiction Volume One]] (6-)&lt;/br&gt;
[https://www.imdb.com/title/tt6891976/ Alien Reign of Man] (5Q, more than the effects or even the production limitation it is the acting and poor and slow script that are intolerable)&lt;/br&gt;
[[w:Sacrifice (2016 film)|Sacrifice (2016)]] (6)&lt;/br&gt;
[[w:Extraterrestrial (2011 film)|Extraterrestrial aka SP:Extraterrestre]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt5723416/ The Beyond] (6-)&lt;/br&gt;
[[w:Day of the Dead: Bloodline|Day of the Dead: Bloodline]] (6-)&lt;/br&gt;
[[w:Red Sparrow|Red Sparrow]] (6)&lt;/br&gt;
[[w:Pacific Rim Uprising|Pacific Rim Uprising]] (6, mostly the effects and CGI the script and acting is sub par)&lt;/br&gt;
[[w:Black Panther (film)|Black Panther]] (6, the acting is bad, the CGI is problematic and it is unnecessarily racial at times)&lt;/br&gt;
[[w:Anon (film)|Anon]] (6, beyond the initial plot lines the script is a mess)&lt;/br&gt;
[[w:November Criminals (film)|November Criminals]] (6-, the script needed more work the action's pace is off and the casting feels weird, the acting is fine but it doesn't seem to work well)&lt;/br&gt;
[[w:Game Over, Man!|Game Over, Man!]] (5+Q)&lt;/br&gt;
[[w:The Commuter (film)|The Commuter]] (6+)&lt;/br&gt;
[[w:The Titan (film)|The Titan]] (6)&lt;/br&gt;
[[w:Psychokinesis (film)|Psychokinesis]] (6)&lt;/br&gt;
[[w:The Hurricane Heist|The Hurricane Heist]] (6)&lt;/br&gt;
[[w:You Were Never Really Here|You Were Never Really Here]] (6-, the problem is all in the script and production that probably affected the choices made and the camera work)&lt;/br&gt;
[[w:12 Strong|12 Strong]] (6)&lt;/br&gt;
[[w:Hostiles (film)|Hostiles]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt6210996/ 10x10] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt4469518/ Genesis] (6-)&lt;/br&gt;
[[w:Vanishing Waves|Vanishing Waves aka Aurora]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt3831344/ Amelia 2.0] (6)&lt;/br&gt;
[[w:The Man from Earth: Holocene|The Man from Earth: Holocene]] (6- if you haven't seen the previous, 6 if you have)&lt;/br&gt;
[[w:Brawl in Cell Block 99|Brawl in Cell Block 99]] (6+)&lt;/br&gt;
[[w:Goodbye Christopher Robin|Goodbye Christopher Robin]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:Spartan (film)|Spartan]] (6)&lt;/br&gt;
[[w:The Ballad of Lefty Brown|The Ballad of Lefty Brown]] (6)&lt;/br&gt;
[[w:Thor: Ragnarok|Thor: Ragnarok]] (6+)&lt;/br&gt;
[[w:The Open House|The Open House]] (6-)&lt;/br&gt;
[[w:Maze (2017 film)|Maze (2017 film)]] (6)&lt;/br&gt;
[[w:Downsizing (film)|Downsizing]] (6+, could easily been better but the plot lines was more about social comments than the stuff the attracted audience would probably want)&lt;/br&gt;
[[w:Suburbicon|Suburbicon]] (6, could have been better but the criticism I saw was not merited)&lt;/br&gt;
[[w:The Florida Project|The Florida Project]] (6+)&lt;/br&gt;
[[w:The Killing of a Sacred Deer|The Killing of a Sacred Deer]] (6-, a quasi-nonsensical script but the directing of the actors, for what it was going for, and cinematography is quite good)&lt;/br&gt;
[[w:The Cloverfield Paradox|The Cloverfield Paradox]] (6, the script has issues, the acting could be better and production value is limited but well distributed)&lt;/br&gt;
[[w:The Ritual (2017 film)|The Ritual]] (6)&lt;/br&gt;
[[w:Thank You for Your Service (2017 film)|Thank You for Your Service]] (6)&lt;/br&gt;
[[w:Murder on the Orient Express (2017 film)|Murder on the Orient Express (2017)]] (6)&lt;/br&gt;
[[w:Wonder (film)|Wonder]] (6+)&lt;/br&gt;
[[w:Marrowbone (film)|Marrowbone]] (6+)&lt;/br&gt;
[[w:Beast of Burden (film)|Beast of Burden]] (6-)&lt;/br&gt;
[[w:The Lodgers (film)|The Lodgers]] (5+, good production value but all else fails in some way)&lt;/br&gt;
[[w:All the Money in the World|All the Money in the World]] (6+)&lt;/br&gt;
[[w:The Shape of Water|The Shape of Water]] (7-)&lt;/br&gt;
[[w:Mute (2018 film)|Mute]] (6+, too convoluted at times it tried to mashup too many things, and the editing, how it is presented does not help)&lt;/br&gt;
[[w:Jumanji: Welcome to the Jungle|Jumanji: Welcome to the Jungle]] (6, almost a 6- acting is not good, the script is atrocious, except in very few bits, and the CGI is also problematic, it has a good production but the allocation of resources are off)&lt;/br&gt;
[[w:The Vanishing of Sidney Hall|The Vanishing of Sidney Hall]] (6+)&lt;/br&gt;
[[w:The Disaster Artist (film)|The Disaster Artist]] (6+)&lt;/br&gt;
[[w:Annihilation (film)|Annihilation]] (6, almost a 6- the script needed more work, CGI is not good enough, the cast and esthetics is what manages to save it)&lt;/br&gt;
[[w:The Death of Stalin|The Death of Stalin]] (5, the script is atrocious, even if some form of caricature is presented only a few that understand what they are seeing will get it, the casting is also off, most of them are great actors, but the effort put in it is very basic)&lt;/br&gt;
[[w:I Kill Giants (film)|I Kill Giants]] (6)&lt;/br&gt;
[[w:Proud Mary (film)|Proud Mary]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1959563/ The Hitman's Bodyguard] (6-, almost didn't make it, some films shouldn't be made)&lt;/br&gt;
[[w:Death Note (2017 film)|Death Note]] (6 or 6- if not aware of the other work)&lt;/br&gt;
[[w:Pirates of the Caribbean: Dead Men Tell No Tales|Pirates of the Caribbean: Dead Men Tell No Tales]] (6, the script sinks it a bit)&lt;/br&gt;
[[w:Transformers: The Last Knight|Transformers: The Last Knight]] (6, the scrip is the worst so far, only the eye candy saves it)&lt;/br&gt;
[[w:Crooked House (film)|Crooked House]] (6)&lt;/br&gt;
[[w:Skyline (2010 film)|Skyline]] (6-, limited by a shoe string budget, even so some parts of the script could easily been improved)&lt;/br&gt;
[[w:Beyond Skyline|Beyond Skyline]] (6, less actors better acting and improved CGI, but the script again could easily been tweaked a bit to make something more)&lt;/br&gt;
[[w:The Mountain Between Us (film)|The Mountain Between Us]] (6, [[w:Kate Winslet]] acting shines in this one but the simplicity of the story doesn't permit more)&lt;/br&gt;
[[w:Justice League (film)|Justice League]] (6+, the CGI and the script ought to be better)&lt;/br&gt;
[http://www.imdb.com/title/tt6204340/ Bullet Head] (6, the script needed more work)&lt;/br&gt;
[[w:The Pirates of Somalia (film)|The Pirates of Somalia]] (6)&lt;/br&gt;
[[w:Land of Mine|Land of Mine]] (6+)&lt;/br&gt;
[[w:Better Watch Out (film)|Better Watch Out]] (6)&lt;/br&gt;
[[w:The Trip to Spain|The Trip to Spain]] (5+)&lt;/br&gt;
[[w:The Foreigner (2017 film)|The Foreigner]] (6+, still a bit too propagandist but at the same level as some similar inclined US productions)&lt;/br&gt;
[[w:American Made (film)|American Made]] (6+)&lt;/br&gt;
[[w:Hangman (2017 film)|Hangman]] (6, almost a 6- the the camera, editing and the direction especially of [[w:Karl Urban]] are exceptionally off)&lt;/br&gt;
[[w:Dunkirk (2017 film)|Dunkirk]] (7+, it could have been better but managed to avoid some dangerous pitfalls, not too nationalistic or bitter but also not really going deep on the event, not even at the depth that was needed to satisfy and enrich the spectator)&lt;/br&gt;
[[w:The Devil's Candy|The Devil's Candy]] (6+, [[w:Ethan Embry]] acting is fantastic)&lt;/br&gt;
[[w:Mayhem (film)|Mayhem]] (6-, low budget, easy script prevents it from being more)&lt;/br&gt;
[http://www.imdb.com/title/tt6069264/ Bitch] (5+, great premise but the script fails to deliver, the acting is not consistent)&lt;/br&gt;
[[w:My Cousin Rachel (2017 film)|My Cousin Rachel]] (6, the pace is a bit too slow)&lt;/br&gt;
[[w:Inherent Vice (film)|Inherent Vice]] (6+)&lt;/br&gt;
[[w:The Man from Planet X|The Man from Planet X]] (6)&lt;/br&gt;
[[w:Alone in Berlin (film)|Alone in Berlin]] (6, the casting overshadows and at time leads to overacting on a mostly uninteresting script) &lt;/br&gt;
[[w:The Mummy (1999 film)|The Mummy (1999)]] (6+)&lt;/br&gt;
[[w:The Mummy (2017 film)|The Mummy (2007)]] (6)&lt;/br&gt;
[[w:Free Fire|Free Fire]] (6)&lt;/br&gt;
[[w:Memories of Murder|Memories_of_Murder]] (6)&lt;/br&gt;
[[w:Bushwick (film)|Bushwick]] (6-, almost a 6, the acting degenerates past the middle even for those that had so far been doing a good job at it)&lt;/br&gt;
[[w:Rememory|Rememory]] (6)&lt;/br&gt;
[[w:First Kill (2017 film)|First Kill]] (6)&lt;/br&gt;
[[w:It Comes at Night|It Comes at Night]] (6, could easily be much better)&lt;/br&gt;
[[w:Baby Driver|Baby Driver]] (6+, the worst part is the movie title)&lt;/br&gt;
[[w:Walking Out|Walking Out]] (6-)&lt;/br&gt;
[[w:No One Lives|No One Lives]] (6-, good script concept even if with some flaws but it is the acting that is not uniform that manages to ruin the movie)&lt;/br&gt;
[[w:Jeepers Creepers 3|Jeepers Creepers 3]] (6)&lt;/br&gt;
[[w:The Hero (2017 film)|The Hero]] (6+)&lt;/br&gt;
[[w:What Happened to Monday|What Happened to Monday]] (6, so much potential almost a 6+, but budget and acting holds it back)&lt;/br&gt;
[[w:Hacksaw Ridge|Hacksaw Ridge]] (6)&lt;/br&gt;
[[w:Spider-Man: Homecoming|Spider-Man: Homecoming]] (6+)&lt;/br&gt;
[[w:The Limehouse Golem|The Limehouse Golem]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2291284/ Subterranea] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3839880/ Infinity Chamber] (6, some cool ideas and mashups but limited budget and a ready to be improved script limits it)&lt;/br&gt;
[[w:War for the Planet of the Apes|War for the Planet of the Apes]] (6)&lt;/br&gt;
[[w:The Man with the Iron Heart (film)|HHhH aka The Man with the Iron Heart]] (6+)&lt;/br&gt;
[[w:The Dark Tower (2017 film)|The Dark Tower]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4881364/ Anti Matter] (6-)&lt;/br&gt;
[[w:Atomic Blonde|Atomic Blonde]] (6, the fights choreographies are pretty good)&lt;/br&gt;
[[w:Jungle (2017 film)|Jungle]] (6, the cast is better than the script, not all stories merit a movie)&lt;/br&gt;
[http://www.imdb.com/title/tt3469798/ Orbiter 9] (6)&lt;/br&gt;
[[w:Spoor (film)|Spoor]] (6+, a weak 6+ since the script could have been better but the characters and actors are great, the context also permits the inclusion of stuff that would not work with other setups, at times it feels a bit overcrowded with ideas but ultimately that is what pushes it above in quality, it has a heavy subtext and even a bit of EU propaganda of sorts mixed in)&lt;/br&gt;
[[w:Young Ones (film)|Young Ones]] (6-Q, great concept and some good ideas but fails in a lot of areas from the acting, to the script and production value)&lt;/br&gt;
[[w:The Wall (2017 film)|The Wall]] (6+, a weak one mostly due to a bare script that is extremely limited from the onset, the high point is for the balance it provides amongst other similar movies in regards to the two forces in conflict)&lt;/br&gt;
[[w:The Case for Christ|The Case for Christ]] (6-Q, I should have known better, but the production has great quality in comparison to other &quot;jobs&quot; like this, the settings and even acting is not bad, even if the casting could have been better, but the script is unredeemable the premise starts ok but the argumentation, character build and dialogs clearly shows a bias on the presentation and telegraphs where it intendeds to go. I really was expecting a more intelligent argumentation from both sides and some fairness on the presentation.)&lt;/br&gt;
[[w:Rules of Engagement|Rules of Engagement]] (6)&lt;/br&gt;
[[w:The Sunset Limited (film)|The Sunset Limited]] (8-, great acting, good script and fantastic audio work and editing, camera work could be better and the script as a few argumentation that don't flow, even considering the characters)&lt;/br&gt;
[[w:Thor (film)|Thor]] (6+, just made it to 6+ and mostly for the effects and casting)&lt;/br&gt;
[[w:Thor: The Dark World|Thor: The Dark World]] (6+, even if a bit better that the previous one)&lt;/br&gt;
[[w:The Comedian (2016 film)|The Comedian]] (6)&lt;/br&gt;
[[w:Patrick (2013 film)|Patrick]] (5+Q, all is well but the script, it even lacks originality, the acting could be better at times and the casting is a bit off)&lt;/br&gt;
[http://www.imdb.com/title/tt3722614/ Revolt] (6, low budget but makes a huge effort, thanks to the actors and the cinematography, that it is even clever as to hide the shortfalls, the CGI is not great but passable)&lt;/br&gt;
[http://www.imdb.com/title/tt5669936/ The Recall] (5+)&lt;/br&gt;
[[w:John Wick: Chapter 2|John Wick: Chapter 2]] (6)&lt;/br&gt;
[[w:The Circle (2017 film)|The Circle]] (6+, while the script is very weak, especially the characters, the core ideas in it are interesting to explore)&lt;/br&gt;
[[w:Wonder Woman (2017 film)|Wonder Woman]] (7)&lt;/br&gt;
[[w:2:22 (2017 film)|2:22]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World aka The Walking Death] (6-, note that the trailer available is not related to the content of the film, low budget and a too theatrical representation of a rehashed plot, even so with more effects, better image and direction, funds and little rewriting could have been easily better)&lt;/br&gt;
[[w:The Lost City of Z (film)|The Lost City of Z]] (6, the script is too empty, making the movie very slow and unsatisfying at the end, even if historically accurate)&lt;/br&gt;
[[w:Once Upon a Time in Venice|Once Upon a Time in Venice]] (5+, main culprit is the script)&lt;/br&gt;
[[w:Hot Tub Time Machine|Hot Tub Time Machine]] (6-, matches its own expectations)&lt;/br&gt;
[[w:Camera Store|Camera Store]] (6-Q, the scrip is not good even if some of the dialog are interesting but not the setup, acting is too theatrical and with uneven quality)&lt;/br&gt;
[[w:King Arthur: Legend of the Sword|King Arthur: Legend of the Sword]] (6+, cinematography, sound and soundtrack are amazing but the rest falls in quality, even the acting and casting, for example [[w:Jude Law]] was a poor choice, the script is too overcrowded for a single movie format, even if it is brilliant at time, great characters, ideas and dialogs)&lt;/br&gt;
[[w:A Dark Song|A Dark Song]] (6+, simple and small budget, but a creative script and dynamic acting makes it work)&lt;/br&gt;
[[w:Wilson (2017 film)|Wilson]] (6)&lt;/br&gt;
[[w:Boy 7|Boy 7]] (6-Q)&lt;/br&gt;
[[w:Future Folk|Future Folk]] (6-)&lt;/br&gt;
[[w:Colossal (film)|Colossal]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5460530/ Vengeance: A Love Story] (6-Q)&lt;/br&gt;
[[w:Personal Shopper|Personal Shopper]] (6)&lt;/br&gt;
[[w:Isolation (2005 film)|Isolation]] (6+)&lt;/br&gt;
[[w:Flags of Our Fathers|Flags of Our Fathers]] (6+)&lt;/br&gt;
[[w:A Cure for Wellness|A Cure for Wellness]] (6-, the script tanks it, even if we attempt to give it a subtext it just does not work, the rest is fine not great but would serve best a better scrip, the casting of [[w:Jason Isaacs]] also seem a bit out of sync)&lt;/br&gt;
[http://www.imdb.com/title/tt5464234/ Kill Switch] (6-, the casting is off, the script is not great, the core idea is a rehash, but the effects and visuals are great, in fact it is the best 3rd person scenes I have seen so far)&lt;/br&gt;
[[w:War Machine (film)|War Machine]] (7, the script is the best part, but it would fall short on its vivid characters without a fantastic cast)&lt;/br&gt;
[[w:X the Unknown|X the Unknown]] (6)&lt;/br&gt;
[[w:Red Beard|Akahige/Red Beard]] (7-, the script is not the best but has its moments and interesting characters, the cinematography is great)&lt;/br&gt;
[[w:Sandy Wexler|Sandy Wexler]] (5+Q)&lt;/br&gt;
[[w:Stalker (1979 film)|Stalker]] (6-, the cinematography, imagines and visual setups are great but all else fails to captivate, the script is confusing at times uninteresting at others, except for the self contained sketches and the pace is generally too slow)&lt;/br&gt;
[[w:Mine (2016 film)|Mine]] (6, could easily be better, it is not innovative at all)&lt;/br&gt;
[[w:The Founder|The Founder]] (6+, good acting, great production. I do hate when Hollywood &quot;simplifies&quot;/rewrites history in general and so disregard any relation to reality when watching any of these works)&lt;/br&gt;
[[w:The Void (2016 film)|The Void]] (5+Q, the script is a mess and the acting is not consistent, effects are ok)&lt;/br&gt;
[http://www.imdb.com/title/tt3722062/ Bokeh] (6)&lt;/br&gt;
[[w:The Great Wall (film)|The Great Wall]] (6, there is a cultural divide that still prevents movies to be portable from East to West when mixing cultural concepts)&lt;/br&gt;
[[w:About Time (2013 film)|About Time (2013)]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4835894/ Middle Man (2016)] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2449638/ Atomica] (5Q)&lt;/br&gt;
[[w:The Bay (film)|The Bay]] (5+Q)&lt;/br&gt;
[[w:Win It All|Win It All]] (6)&lt;/br&gt;
[[w:Here Alone (film)|Here Alone]] (6+)&lt;/br&gt;
[[w:The Discovery (film)|The Discovery]] (6+, sadly it does waste too much time and fails to go more in depth, even around the central subject mater, [[w:Jesse Plemons]] is fantastic)&lt;/br&gt;
[[w:Life (2017 film)|Life]] (7-, the plot ideas are better than the movie but the movie isn't bad)&lt;/br&gt;
[[w:Gantz (film)|Gantz]] (6+, if you at least have seen the anime, 6 if not)&lt;/br&gt;
[http://www.imdb.com/title/tt1525836/ Gantz: Perfect Answer] (6 if you saw the first, 6- if not, the script is not as good as the first film and the production seems to be more restricted in budget)&lt;/br&gt;
[[w:Black Moon Rising|Black Moon Rising]] (5+, it hasn't aged very well the main problem is the cinematography and script even for its time it wouldn't be very good, interesting to see the younger [[w:Tommy Lee Jones]] and [[w:Linda Hamilton]])&lt;/br&gt;
[http://www.imdb.com/title/tt5167934/ The Chamber (2016)] (6-, this sort of script requires great acting and writing to work this is not the case, it has been done better many times before)&lt;/br&gt;
[[w:The Shack (2017 film)|The Shack]] (6, while the film had a feel good intention and for the believer will be somewhat uplifting, the concept of a personal God, one that cares about each individual continues to seem nonsensical and unworkable, even as fantasy plot-line)&lt;/br&gt;
[[w:The White King|The White King]] (6-, great premise good acting but the script doesn't satisfy in the end)&lt;/br&gt;
[[w:The Eagle Has Landed |The Eagle Has Landed]] (7-)&lt;/br&gt;
[[w:Midway (film)|Midway]] (7-, these old war movies almost always get better with time, if quality is there to begin with)&lt;/br&gt;
[[w:Marathon Man|Marathon Man]] (7)&lt;/br&gt;
[[w:Logan's Run (film)|Logan's Run]] (6+, it also hasn't aged very well, a redo is in order)&lt;/br&gt;
[[w:The Omen|The Omen]] (6+)&lt;/br&gt;
[[w:Carrie (1976 film)|Carrie (1976)]] (6-, it hasn't aged well)&lt;/br&gt;
[[w:Rocky|Rocky]] (6, it never was a great movie but time has also eroded it)&lt;/br&gt;
[[w:Taxi Driver|Taxi Driver]] (8+)&lt;/br&gt;
[[w:Jonah Hex (film)|Jonah Hex (film)]] (6+)&lt;/br&gt;
[[w:King Kong (1933 film)|King Kong (1933)]] (7)&lt;/br&gt;
[[w:King Kong (1976 film|King Kong (1976)]] (6)&lt;/br&gt;
[[w:King Kong (2005 film)|King Kong (2005 film)]] (7-)&lt;/br&gt;
[[w:Kong: Skull Island|Kong: Skull Island]] (7-, some improvements in regards to the backgrounds, but the script lacks some of the cool dialogs of the previous, as it is designed to put forward the visual show)&lt;/br&gt;
[[w:Iron Man (2008 film)|Iron Man]] (7-)&lt;/br&gt;
[[w:Iron Man 2|Iron Man 2]] (6+)&lt;/br&gt;
[[w:Iron Man 3|Iron Man 3]] (7, but requires to have seen the previous, if not 7-, the script still suffers from blockbuster memes that shouldn't have been included)&lt;/br&gt;
[[w:Moontrap|Moontrap]] (6-, I did like the script and some parts fo the movie, it hasn't aged well and even at its time it was a low budget production, it would merit a remake)&lt;/br&gt;
[http://www.imdb.com/title/tt3705822/ Moontrap: Target Earth] (5, it has mostly nothing to do with the first Moontrap and it is all bad except the core ideas of the script)&lt;/br&gt;
[[w:Silence (2016 film)|Silence]] (6+)&lt;/br&gt;
[[w:Logan (film)|Logan]] (7-)&lt;/br&gt;
[[w:Operation Avalanche (film)|Operation Avalanche]] (6-Q, a low budget but fantastically casted and reflecting the time in sets, costumes and image it just doesn't have the content to be a movie, the script rehashes cleverly some of the moon landing memes but it still doesn't escape the feel of being a movie student project)&lt;/br&gt;
[[w:Why Him?|Why Him?]] (6)&lt;/br&gt;
[[w:Live by Night (film)|Live by Night]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:The Assignment (2016 film)|The Assignment]] (6-, the cast is better than the script that sucks, even a bit frustratingly since some of the ideas in it could work indeed work. [[w:Sigourney Weaver]] does an interesting psychopath)&lt;/br&gt;
[[w:Without Warning (1980 film)|Without Warning (1980)]] (5Q, even at its time is would have been a B movie, some star cast, or star to be, [[w:Jack Palance]], [[w:Martin Landau]], [[w:David Caruso]], the script and audio editing are very bad)&lt;/br&gt;
[[w:The Day the Earth Caught Fire|The Day the Earth Caught Fire]] (7+, it aged well)&lt;/br&gt;
[[w:I Don't Feel at Home in This World Anymore|I Don't Feel at Home in This World Anymore]] (6, a somewhat interesting script with some high points, interesting characters that aren't really fleshed out, the acting was fine)&lt;/br&gt;
[[w:Tumbledown (2015 film)|Tumbledown]] (6, sweet story but [[w:Jason Sudeikis]] casting does not work and the script is a bit too bare)&lt;/br&gt;
[[w:AfterDeath (film)|AfterDeath]] (6-)&lt;/br&gt;
[[w:Case 39|Case 39]] (6, the casting of [[w:Renée Zellweger]] was an error and the script needed more work)&lt;/br&gt;
[[w:Assassin's Creed (film)|Assassin's Creed]] (6, the biggest problem was casting and the uneven acting helped by a script that had little in subtleties and proper dialogs)&lt;/br&gt;
[[w:Allied (film)|Allied]] (6+, loved the color pallet and the cinematography, the CGI was a bit too transparent)&lt;/br&gt;
[[w:Gold (2016 film)|Gold]] (6)&lt;/br&gt;
[[w:Underworld (2003 film)|Underworld]] (6+)&lt;/br&gt;
[[w:Underworld: Evolution|Underworld: Evolution]] (6)&lt;/br&gt;
[[w:Underworld: Rise of the Lycans|Underworld: Rise of the Lycans]] (6)&lt;/br&gt;
[[w:Underworld: Awakening|Underworld: Awakening]] (6, script wise the worst than the previous ones)&lt;/br&gt;
[[w:Underworld: Blood Wars|Underworld: Blood Wars]] (6+, but you must have watched the others or it will be hard to get into)&lt;/br&gt;
[[w:Resident Evil (film)|Resident Evil (film)]] (7-)&lt;/br&gt;
[[w:Resident Evil: Apocalypse|Resident Evil: Apocalypse]] (6+)&lt;/br&gt;
[[w:Resident Evil: Extinction|Resident Evil: Extinction]] (7-)&lt;/br&gt;
[[w:Resident Evil: Afterlife|Resident Evil: Afterlife]] (6+)&lt;/br&gt;
[[w:Resident Evil: Retribution|Resident Evil: Retribution]] (6)&lt;/br&gt;
[[w:Resident Evil: The Final Chapter|Resident Evil: The Final Chapter]] (6+)&lt;/br&gt;
[[w:Safety Not Guaranteed|Safety Not Guaranteed]] (6-Q, well I didn't quit but there was a lot of fast forward, some interesting ideas but the acting script and production values aren't there)&lt;/br&gt;
[[w:Teenage Cocktail|Teenage Cocktail]] (6-Q, too much focused to a specific type of audience to have any interest for me and the quality is not that great to make me linger, it has a very 90s feel about it that does not help)&lt;/br&gt;
[http://www.imdb.com/title/tt3612320/ Within] (6-, some of the acting has problems and the script in not very good, extremely derivative)&lt;/br&gt;
[[w:The 9th Life of Louis Drax|The 9th Life of Louis Drax]] (6-, the script has problems and it wouldn't at its core be worth a movie, the convolutions added still does not justify the time. All the rest is fine and it has an above average music score)&lt;/br&gt;
[[w:War on Everyone|War on Everyone]] (6-Q, the script is a mess, there are some interesting sketches and it rewrites or reuses some old ones but the narrative and the quality below the setup is very bad, the acting is not bad and as for image production and casting they are above average even the selection of film color)&lt;/br&gt;
[[w:Patriots Day (film)|Patriots Day]] (6+, a bit of a propaganda work, movies should avoid contemporaneous events if possible as they often serve to rewrite history or skew the discourse, in this case the &quot;reality&quot; goes by a very heavy filter and what goes out only slightly has any points of connection to factual events and ultimately is one sided)&lt;/br&gt;
[http://www.imdb.com/title/tt3138344/ Baked in Brooklyn] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt2445178/ Molly Moon and the Incredible Book of Hypnotism] (5+Q)&lt;/br&gt;
[[w:USS Indianapolis: Men of Courage|USS Indianapolis: Men of Courage]] (5+Q, the script is horrid as are some of the CGI, image quality and pallet is great and the acting in not bad but the script is just unbearable)&lt;/br&gt;
[[w:The Girl with All the Gifts (film)|The Girl with All the Gifts]] (7+)&lt;/br&gt;
[[w:Road Games (film)|Road Games]] (6-Q, too slow and the image is too raw, the script and its characters did not impress)&lt;/br&gt;
[[w:Passengers (2016 film)|Passengers]] (7-)&lt;/br&gt;
[[w:Equity (film)|Equity]] (5+Q, casting, acting and script are bad)&lt;/br&gt;
[[w:Genius (2016 film)|Genius]] (7-)&lt;/br&gt;
[[w:Dollman (film)|Dollman]] (5Q)&lt;/br&gt;
[[w:The Autopsy of Jane Doe|The Autopsy of Jane Doe]] (6)&lt;/br&gt;
[[w:Rogue One|Rogue One]] (7-)&lt;/br&gt;
[[w:Time Out of Mind (2014 film)|Time Out of Mind]] (7-, a bit slow but the script is very well planed all dialogs contribute to shape not only the story but to establish the background of the reality portrayed. The acting/directing is superb, all around. The only downside is the medium, the editing and story pace seems more like a TV movie than cinema)&lt;/br&gt;
[http://www.imdb.com/title/tt4800418/ Manson's Lost Girls] (6-Q, all good but the format, a TV movie with very cropped image and fast editing, cast, acting and production is good, the best I've seen covering this tired subject)&lt;/br&gt;
[[w:The Benefactor (film)|The Benefactor]] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3954876/ Don Quixote: The Ingenious Gentleman of La Mancha] (5+Q)&lt;/br&gt;
[[w:The Thinning|The Thinning]] (5+, bad script and some sub par acting)&lt;/br&gt;
[http://www.imdb.com/title/tt2106651/ Spectral] (7-, a little better CGI, a little less corner cutting in the script and a little more creative cinematics and it would be great)&lt;/br&gt;
[[w:The Liberator (film)|The Liberator]] (6, great image quality, decent cinematography and well acted the main problem is the script that feels too slow, missing pertinent historical information or simply oversimplifies)&lt;/br&gt;
[[w:Dad's Army|Dad's Army]] (6-, great casting and image, but acting and script fail to work)&lt;/br&gt;
[[w:The Siege of Jadotville (film)|The Siege of Jadotville]] (6-, good acting but low budget and poor script)&lt;/br&gt;
[[w:Train to Busan|Train to Busan]] (6-, interesting movie but some of the casting, acting and CGI/effects does not match a better script, has great ideas but some are derivative, it is also a bit too long but manages not to get repetitive)&lt;/br&gt;
[[w:The Da Vinci Code (film)|The Da Vinci Code]] (7)&lt;/br&gt;
[[w:Angels &amp; Demons (film)|Angels &amp; Demons]] (6+)&lt;/br&gt;
[[w:Inferno (2016 film)|Inferno]] (6)&lt;/br&gt;
[[w:The Serpent and the Rainbow (film)|The Serpent and the Rainbow]] (5Q, it was never a good movie but it also hasn't aged well at all)&lt;/br&gt;
[[w:Creative Control (film)|Creative Control]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3471098/ Maggie's Plan] (6-Q)&lt;/br&gt;
[[w:Masterminds (2016 film)|Masterminds]] (6-)&lt;/br&gt;
[[w:Fantastic Beasts and Where to Find Them (film)|Fantastic Beasts and Where to Find Them]] (7-)&lt;/br&gt;
[[w:The Accountant (2016 film)|The Accountant]] (6+, a bit too formulaic but a cool and well told story)&lt;/br&gt;
[[w:True Memoirs of an International Assassin|True Memoirs of an International Assassin]] (6-Q)&lt;/br&gt;
[[w:Arrival (film)|Arrival]] (6+, a too heavy on the emotional content and light on the technological side, even if one must recognize some effort on that area)&lt;/br&gt;
[[w:Snowden (film)|Snowden]] (6, a weak one, only reached because of the heroic performance by [[w:Joseph Gordon-Levitt]] in this a low budgeted underwhelming script shown in monotonous cinematography)&lt;/br&gt;
[[w:Dog Eat Dog (2016 film)|Dog Eat Dog]] (6-, the script is a mess in its sequencing, character build and its too dry, beyond the Bogart joke, that is a bit out of date, and personal crisis of [[w:Willem Dafoe]]'s character that occurs out of the blue)&lt;/br&gt;
[[w:Sully (film)|Sully]] (6, often reality do not a good movie make, but I'm glad that the hyperbole was kept to a bearable degree making it watchable in this format)&lt;/br&gt;
[http://www.imdb.com/title/tt3976144/ The Monster] (6, the acting, image, cinematography and a well balanced script, even if very derivative, elevates it beyond the stigma of being a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3597108/ Plan Z] (6-, low budget and crappy camera makes it all worst than it is, the script could have had a bit more of work but cinematics, acting and effects are ok)&lt;/br&gt;
[[w:Miss Peregrine's Home for Peculiar Children (film)|Miss Peregrine's Home for Peculiar Children (film)]] (6)&lt;/br&gt;
[[w:Doctor Strange (film)|Doctor Strange]] (7-, visually great but the script is a bit empty of creativity beyond the effects and cramped with lore and origin to a point that the viewer only sees highlights but few nuances, if they make a second one maybe the actors can really act in a more well paced and crafted script)&lt;/br&gt;
[[w:Army of One (2016 film)|Army of One]] (6, sadly a low value production that could have been much more. One of the best roles I have seen [[w:Nicolas Cage]] in, especially recently. He carries all the movie but that barely saves it, the script is repetitive at times and generally not good beyond Cage's character.)&lt;/br&gt;
[[w:Nine Lives (2016 film)|Nine Lives]] (6-)&lt;/br&gt;
[[w:Jack Reacher: Never Go Back|Jack Reacher: Never Go Back]] (6)&lt;/br&gt;
[[w:In a Valley of Violence|In a Valley of Violence]] (6, could easily have be better, but parts of what could have been a great script are weakly constructed or are too derivative and the camera work is horrid at times even if the cinematography is above par, this all would indicate budget problems but the cast seems to indicate a bad production choice, heck the most memorable roles are by the dog and Tommy Nohilly (Tubby) anyway...)&lt;/br&gt;
[[w:Anthropoid (film)|Anthropoid]] (6-, low budget and bad script, actors and props are fine but even the camera work and cinematography at times feels cheap)&lt;/br&gt;
[http://www.imdb.com/title/tt3286052/ February] (6-, everything even the cinematography and music score is great but the script and the presentation chosen makes it am almost painful experience, there really is no content)&lt;/br&gt;
[[w:Captain Fantastic (film)|Captain Fantastic]] (7-)&lt;/br&gt;
[[w:The Infiltrator (2016 film)|The Infiltrator (2016)]] (6, suffers a bit from a low budget, the lighting is not good and the script is formulaic and seems directed into elevating its pedestrian characters)&lt;/br&gt;
[[w:Zoom (2015 film)|Zoom (2015)]] (6-, some cleaver ideas, good enough casting and acting but the script is not right, the characters needs more building time so that the audience can appreciate them, it would be fine as a short film, even more compressed or extended into a series)&lt;/br&gt;
[[w:Mechanic: Resurrection|Mechanic: Resurrection]] (6-, only problem is the brain dead script, it could be a 6 but the nonsense directing the action makes it pointless)&lt;/br&gt;
[[w:Special Correspondents|Special Correspondents]] (6-, it has the start of an interesting subtext but as the main plot it doesn't do much with it, I also have a particular dislike as [[w:Ricky Gervais]] always portray him as the ultimate underdog ad nausea, it is tiresome)&lt;/br&gt;
[http://www.imdb.com/title/tt2932532/ Blood Trap] (5Q)&lt;/br&gt;
[[w:Morgan (2016 film)|Morgan]] (6, a bit frustrating that the script wasn't more forward thinking, many lost opportunities making it fell too claustrophobic, shallow and repetitive, a ripe opportunity to someone to pick the core premises and make it go well beyond)&lt;/br&gt;
[http://www.imdb.com/title/tt3865238/ ChickLit] (6)&lt;/br&gt;
[[w:Swiss Army Man|Swiss Army Man]] (6-, while the encoded subtext is open to interpretation the script in itself is not that great, some cool sketches some cool philosophical issues and a good enough acting does not make a good movie alone, a bit fun but a lot wieldier, but ultimately that is the point being made)&lt;/br&gt;
[[w:Café Society (film)|Café Society]] (7-)&lt;/br&gt;
[[w:Alice Through the Looking Glass (film)|Alice Through the Looking Glass]] (6+)&lt;/br&gt;
[[w:The Good Neighbor (film)|The Good Neighbor]] (6-)&lt;/br&gt;
[[w:ARQ (film)|ARQ]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2278870/ ISRA 88] (5, low budget and nonsensical script, the production value is there, even decent acting sadly it does not go anywhere)&lt;/br&gt;
[http://www.imdb.com/title/tt3330764/ The Neighbor] (6-, horrid camera at times, the script needed more work, the characters and setup is fine and the acting is not bad)&lt;/br&gt;
[[w:Other People (film)|Other People]] (6-Q, too forced and the script is not good)&lt;/br&gt;
[[w:Transpecos (film)|Transpecos]] (6-, the acting could have been more consistent and the script have more content and close more of the storyline, the main issue was probably the low budget)&lt;/br&gt;
[http://www.imdb.com/title/tt0084329/ A Midsummer Night's Sex Comedy] (6, the editing is a bit bad, especially if we compare it with more contemporaneous works)&lt;/br&gt;
[[w:Don't Breathe (2016 film)|Don't Breathe]] (6+)&lt;/br&gt;
[[w:The Confirmation|The Confirmation]] (6)&lt;/br&gt;
[[w:I Am Not a Serial Killer (film)|I Am Not a Serial Killer]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2243260/ Swung] (5+Q)&lt;/br&gt;
[[w:Into the Forest|Into the Forest]] (6, the script loses a bit of coherence near the end)&lt;/br&gt;
[[w:The Neon Demon|The Neon Demon]] (7-)&lt;/br&gt;
[[w:Our Kind of Traitor (film)|Our Kind of Traitor]] (6)&lt;/br&gt;
[[w:Blood Father|Blood Father]] (7-, the script loses momentum as it approaches the end and sadly [[w:Mel Gibson]] fails to innovate, not that it is bad, never is, just repetitious, we already seem to have seen all he can offer on screen too many times)&lt;/br&gt;
[[w:War Dogs (2016 film)|War Dogs]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt4475992/ Tank 432] (5)&lt;/br&gt;
[[w:Secret in Their Eyes|Secret in Their Eyes]] (6+)&lt;/br&gt;
[[w:Imperium (2016 film)|Imperium]] (6)&lt;/br&gt;
[[w:Arbitrage (film)|Arbitrage]] (6+)&lt;/br&gt;
[[w:Regression (film)|Regression]] (6, it could easily be much better but the script keeps it too simplistic and formulaic)&lt;/br&gt;
[[w:One Eyed Girl|One Eyed Girl]] (6-Q, good acting and cinematography, and enjoyable premise but the script has bad pace and lacks content)&lt;/br&gt;
[[w:600 Miles|600 Miles]] (6, low budget but well done and with [[w:Tim Roth]] to boot, camera work leaves something to desire at times and the argument is not that complex but its the simplicity that makes it work)&lt;/br&gt;
[http://www.imdb.com/title/tt2818252/ Couple in a Hole] (6, it could easily be better)&lt;/br&gt;
[[w:Flight of the Navigator|Flight of the Navigator (1986)]] (6-, it hasn't aged well but would be still fun for kids)&lt;/br&gt;
[[w:Breakdown (2016 film)|Breakdown]] (6)&lt;/br&gt;
[[w:We Need to Talk About Kevin (film)|We Need to Talk About Kevin]] (6, the script presentation is a mess, it requires a lot of patience to get into the crazy way things are shown, the story is ok and the acting is above par)&lt;/br&gt;
[[w:All the Way (film)|All the Way]] (6, the script is too revisionist and emotional focused, it skirts some of the most important issues, the casting is great and as expected [[w:Bryan Cranston]] does a great act, [[w:Anthony Mackie]] also does a great [[w:Martin Luther King Jr.]])&lt;/br&gt;
[[w:The Man Who Knew Infinity (film)|The Man Who Knew Infinity]] (6)&lt;/br&gt;
[[w:Lazer Team|Lazer Team]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2630992/ Darkest Day] (6-, the camera work is horrid)&lt;/br&gt;
[[w:Jason Bourne (film)|Jason Bourne]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1517471/ Dough] (6-, a low budget movie with a forced and simplistic script that is badly directed as the actors seem capable of more)&lt;/br&gt;
[[w:Suicide Squad (film)|Suicide Squad]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3007132/ Daylight's End] (5+, better than one would expect, props, effects and image and even the some of the acting, the main issue was the script and probably budgetary restrains, it could have been better)&lt;/br&gt;
[http://www.imdb.com/title/tt3975556/ Jackrabbit] (6-, some cool concepts but the script is not that good in this low budget production, acting if fair but all could easily be better)&lt;/br&gt;
[[w:The Jungle Book (2016 film)|The Jungle Book]] (6)&lt;/br&gt;
[[w:The Legend of Tarzan (film)|The Legend of Tarzan]] (6+)&lt;/br&gt;
[[w:Lights Out (2016 film)|Lights Out]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1821641/ The Congress] (6, too many ideas crumpled into it, its all a bit unnecessary confusing and indirect)&lt;/br&gt;
[[w:The Nice Guys|The Nice Guys]] (6+, good scrip and a fair production of it, the casting of [[w:Russell Crowe]] is a bit off and he really does not make an effort, the movie is carried along by [[w:Ryan Gosling]] and [[w:Angourie Rice]])&lt;/br&gt;
[[w:A Hologram for the King (film)|A Hologram for the King]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt1498878/ The Whisperer in Darkness] (6-, problems with the acting, pace of action and CGI effects, and only those)&lt;/br&gt;
[[w:High-Rise (film)|High-Rise]] (6-Q, good production quality, esthetics and cinematography, great casting but the script is not relatable, I don't know the original novel but I couldn't care less about it all.)&lt;/br&gt;
[http://www.imdb.com/title/tt3189648/ Blood Moon] (5+, too theatrical and the audio is not right even if casting is also an issue as [[w:Maya Kazan]] voice hard to cope with in that reguister.)&lt;/br&gt;
[http://www.imdb.com/title/tt2597892/ Viral] (6)&lt;/br&gt;
[[w:Star Trek Beyond|Star Trek Beyond]] (6, the script isn't good, and I hate the reboot changes to the ST Universe in general, not the actors even if I would prefer a less plastic look)&lt;/br&gt;
[[w:Star Trek Into Darkness|Star Trek Into Darkness]] (6+, for the acting and visuals a lot has improved from the first, the new Klingons... I hate)&lt;/br&gt;
[[w:Star Trek (film)|Star Trek (reboot)]] (6, what a mess)&lt;/br&gt;
[[w:Free State of Jones (film)|Free State of Jones]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4470266/ Numb](6)&lt;/br&gt;
[[w:Transcendence (2014 film)|Transcendence]] (6+, there are issues with the script, there is also one or two blatant unexplainable jumps of the plot on screen)&lt;/br&gt;
[http://www.imdb.com/title/tt3923388/ The Call Up] (5+, some issues with the script and the acting is not good, but the production quality is there, image, lights and cgi, only the sound suffers a bit)&lt;/br&gt;
[[w:The BFG (2016 film)|The BFG]] (6-, great for children but has several issues that puts it below average)&lt;/br&gt;
[[w:The Way, Way Back|The Way, Way Back]] (6+)&lt;/br&gt;
[[w:Scoop (2006 film)|Scoop]] (6+, [[w:Scarlett Johansson]] is always fantastic even if the film is a bit too theatrical, even more than usual for a [[w:Woody Allen]] movie. In that regard it is also becoming obvious that most of his movies are just a bit too repetitious in the characters psychology and small sketch formulas they use)&lt;/br&gt;
[http://www.imdb.com/title/tt4834150/ Accidental Exorcist] (5Q, the real issues are the script and the low budget but kudos for the effects, image quality and acting)&lt;/br&gt;
[[w:Marauders (2016 film)|Marauders]] (6-, script, casting and production issues, there is also something lacking in the cinematography and editing)&lt;/br&gt;
[http://www.imdb.com/title/tt2883448/ Cash Only] (6)&lt;/br&gt;
[[w:About Scout|About Scout]] (6Q, it just didn't capture my interest)&lt;/br&gt;
[[w:Equals (film)|Equals]] (6, sadly it fails to have more content to justify the screen time and it is too derivative to be called creative)&lt;/br&gt;
[[w:Blackway|Blackway]] (6, the acting is fine but the script is just not that fleshed out, in the characters' backgrounds or in the content it presents)&lt;/br&gt;
[[w:The Duel (2016 film)|The Duel]] (6-, the main problems is the script, the erudition of the dialogs is out of context, then the slow pace, low scenery and unsteady cam puts the final nails on it)&lt;/br&gt;
[[w:Criminal (2016 film)|Criminal]] (6+, the only real problem is the unreality of it all the rest is simply a well oiled rehash of old formulas that we have already see elsewhere, good acting and overall production that pushes it ahead but nothing new inside)&lt;/br&gt;
[[w:Synecdoche, New York|Synecdoche, New York]] (6-Q, while I can recognize the production quality especially of the actors and cast in general, I can only get frustrated by the psychotic script populated by interesting characters in a chaotic manner. I loved some of the small sketches but couldn't care less about the main plot beyond a shared frustration with the main character regarding what is going on)&lt;/br&gt;
[[w:Von Ryan's Express|Von Ryan's Express]] (6-, it hasn't aged well at all, the plot is fine, as is the acting and casting, with the exception of the extras that at times are completely out of it. The camera and audio is hard to stomach today requires a note that the Motion Picture Sound Editors nominated it for &quot;Best Sound Editing&quot; in a Feature Film in 1966)&lt;/br&gt;
[[w:Gridlocked (2015 film)|Gridlocked]] (6-Q, low budget production, bad image and script, with some recognizable faces but the acting is also not good in general)&lt;/br&gt;
[[w:Money Monster|Money Monster]] (6, not a very creative script and has several problems in it, it all feels like a small production and yet the story does not merit much more)&lt;/br&gt;
[[w:Eye in the Sky (2015 film)|Eye in the Sky (2015)]] (6, a bit of an unrealistic view of how thing go, politically and military, we all have seen factual and audible dialog from real leaked footage of similar attacks, so to err so broadly is clearly a white wash work of propaganda and fantasy, aside from that the acting and production is ok and manages to engage people into the story)&lt;/br&gt;
[[w:Cell (film)|Cell]] (5+, it has many issues first the script has problems, the camera, sound and feel is of a extremely low budget production, except for the main actors, sets and effects, some of the secondary aren't good at all. The script has some interesting ideas and the limited cinematography at times manages to get some cool shoots here and there)&lt;/br&gt;
[[w:Warcraft (film)|Warcraft]] (7-, great visually but did not dare to have a better script, the direction of [[w:Travis Fimmel]] a good actor, is also lacking, why didn't they push him to diverge more from his previous Viking role, we see the same mannerisms even speech patterns and he is clearly capable of evolving beyond a single role, so it must have been intentional and it detracts from the movie)&lt;/br&gt;
[http://www.imdb.com/title/tt2544074/ Identicals] (6-, script needed more balance, lighting, cinematography and the general esthetics were good but it feels empty, the characters disposable this and a haze of confused story telling)&lt;/br&gt;
[[w:Urge (film)|Urge]] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt4991652/ Camino] (5Q)&lt;/br&gt;
[[w:Approaching the Unknown|Approaching the Unknown]] (6-, mostly due to a very weak the script, and I think I got the under-text, but it is also a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3174376/ Before I Wake] (7)&lt;/br&gt;
[[w:Colonia (film)|Colonia]] (6, the camera work at times is very messy)&lt;/br&gt;
[[w:Manhattan Night|Manhattan Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4149732/ Crush the Skull] (5+, very creative script, the dialogs at time do really shine, the production suffers form a very limited budget the camera work and image in general is crap, especially the lighting in the outdoor scenes, the editing is not bad and the cinematography could be better since the setting were great for better and creative angles, especially with the cameras available. As for the actors they could improve the best performance is without a doubt by Katie Savoy, sadly Chris Dinh tries too hard and it shows)&lt;/br&gt;
[[w:Mr. Right (2015 film)|Mr. Right]] (6-, while it just manages to deliver what it intended, the casting doesn't work even if both of the main actors are great they face an hard sell)&lt;/br&gt;
[[w:The Forest (2016 film)|The Forest (2016)]] (6)&lt;/br&gt;
[[w:Hardcore Henry|Hardcore Henry]] (7-, there are some memorable scenes and some very creative ideas and setups, the production suffers from a reduced budget but the stunts are great and the CGI only has small issues, the main problem is the trippy script, at times it seems to try to mash too many things into the story some it succeeds some it doesn't)&lt;/br&gt;
[[w:Red Dawn|Red Dawn (1984)]] (6)&lt;/br&gt;
[[w:Red Dawn (2012 film)|Red Dawn (2012)]] (6-)&lt;/br&gt;
[[w:Captain America: Civil War|Captain America: Civil War]] (7-, it could easily been better, the main plot line needed to be better constructed but it probably couldn't due to time constrains even if the movie does seems a 2 part work as it does not provide a proper conclusion. The CGI is also lacking but the fights chorography has clearly improved)&lt;/br&gt;
[[w:X-Men: Apocalypse|X-Men: Apocalypse]] (6+, it has good quality in all areas but also a script that fails to take excellent characters and do something with them, most of the film is a continuous unravel of a new character and his/hers powers peppered with historical lore dust but cant escape the old and tired formulas, until people stop rewarding this tripe this will continue to be made)&lt;/br&gt;
[[w:The Witch (2015 film)|The Witch]] (6, and a weak 6 since the only virtues of the work is the purported historical accounting it makes, the good acting, fair image and editing but the rest is not that great the pace is very slow, boringly so, the blame is all on the script more background scenes even of daily life would have made it more tolerable and the characters more rich and interesting)&lt;/br&gt;
[http://www.imdb.com/title/tt0848554/ The Sighting] (5Q, the actors and the script are the main problem, there are passable production values in the image, camera and editing but that alone does not make it something that is watchable)&lt;/br&gt;
[[w:The Finest Hours (2016 film)|The Finest Hours]] (6+, the scrip is meh but some of the characters, casting and direction are great and even if it is very limited in visual diversity and richness of exteriors and sets it manages to do a convincing job, it also does not go overboard with nationalistic or special interests propaganda that is common on this &quot;historic&quot; pieces from the US)&lt;/br&gt;
[[w:Brooklyn (film)|Brooklyn]] (6, a weak 6 due to what was done to in the script to make it populist propaganda at times. The real plot line and I believe the original material from the book is interesting and the characters and cast are fine, the directing could have been better so that the interactions would be more organic and not so staged)&lt;/br&gt;
[http://www.imdb.com/title/tt2667380/ Kill Command] (6, very sad but the script needed more work and the characters to be better fleshed out, a strong 6 for the image, creativity and CGI)&lt;/br&gt;
[[w:London Has Fallen|London Has Fallen]] (6, a film for brain dead Americans to fell good about their nation, disregarding any link to reality there is I believe an intentional tongue in cheek around the plot, one needs to pay attention to the dialogs, but it aim to be a blockbuster action movie and it does that with a weak script a not that great acting and the rehashing of all the formulas once again, one thing that is great is the choregraphy of the gun fights the parts with the tracers are very well designed)&lt;/br&gt;
[[w:The Adderall Diaries (film)|The Adderall Diaries]] (6+, the script is not for everyone and requires effort to appreciate, the best parts are the characters it brings then the casting and acting of those)&lt;/br&gt;
[http://www.imdb.com/title/tt3093286/ The American Side] (5+Q, the cinematography is there but the camera work is a bit clumsy and the editing could be better, the acting isn't great but with a better script or direction it could be easily better, liked the care for image and lighting and the backgrounds that gives it a 70's nuance)&lt;/br&gt;
[[w:Guns for Hire (film)|Guns for Hire]] (5+Q, the script has potential but it is not there yet the acting suffers from bad direction as the talent is there)&lt;/br&gt;
[[w:Triple 9|Triple 9]] (6-, the script is too unnecessarily confusing and the acting is not even, some talent is wasted, like [[w:Woody Harrelson]]. The action sequences are interesting but seems low budget more due to the prevalent bad editing and sloppy lighting)&lt;/br&gt;
[[w:Hail, Caesar!|Hail, Caesar!]] (6+, not an easy work, full of subtext and references to old classics, the script is very creative but I found myself perplexed by minor but obvious continuity errors, was it intentional?!)&lt;/br&gt;
[[w:The Boy (2016 film)|The Boy]] (6-, the story is too surreal to work)&lt;/br&gt;
[http://www.imdb.com/title/tt5113926/ They Found Hell] (5Q)&lt;/br&gt;
[[w:Precious Cargo (film)|Precious Cargo]] (6)&lt;/br&gt;
[[w:The Veil (2016 film)|The Veil]] (6, fantastic work, as usual by [[w:Thomas Jane]], the story itself is not great but it manages to get the mood and the cinematography is ok)&lt;/br&gt;
[[w:Risen (2016 film)|Risen (2016)]] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt4540434/ Paradox] (5-Q)&lt;/br&gt;
[[w:Midnight Special (film)|Midnight Special]] (7, fantastic acting and interesting story even if it fails to satisfy in the ending, it is like a long pilot for a serial)&lt;/br&gt;
[[w:Dirty Grandpa|Dirty Grandpa]] (5Q, to confess I did not quit, I just fast forwarded it a lot I couldn't believe someone would waste money and time working in something like this)&lt;/br&gt;
[[w:The Girl King|The Girl King]] (6-Q, to much theatrical to my taste, I do like theater but generally not the theatrical acting play productions values packaged as a movie, the wardrobe also seem funky for the historic date it intends to represent)&lt;/br&gt;
[[w:Backtrack (2015 film)|Backtrack]] (6, a bit slow but manages the ending twist, the script lingers too much in non-important stuff, for instance the dead people, failing to make clear a few details within that logic. It would have been more interesting to focus on the factual emotional drama, and the links that emerge to the memories that it uncovers. The casting of George Shevtsov as [[w:Adrien Brody]] dad is genial.)&lt;/br&gt;
[[w:Walt Before Mickey|Walt Before Mickey]] (5+, small budget production with a great effort in the settings but the acting is not great and the script while interesting in the particulars it covers fails in the options it makes, making it more like a theatrical play)&lt;/br&gt;
[[w:The Trust (film)|The Trust]] (6, too over acted by the main characters and with a plot that does not evolve in a satisfying script, it ends when one would like it to really begin, in all it is fun but also frustrating)&lt;/br&gt;
[[w:Freaks of Nature (film)|Freaks of Nature]] (5+, it just tries too hard not to be more)&lt;/br&gt;
[[w:Pandemic (film)|Pandemic]](6-, the script has some cool ideas and the movie is an expansion of previous POV cinematography attempts but is still too raw and low budget, the acting is also not constant in quality, more a casting and directing issue)&lt;/br&gt;
[[w:Batman v Superman: Dawn of Justice|Batman v Superman: Dawn of Justice]] (6, main issue is the implementation of the plot concept, that is good but falls apart when they blackmail superman and present us a clueless batman. There are a few great visual moments but the dialog and actors presentation are not that great)&lt;/br&gt;
[[w:10 Cloverfield Lane|10 Cloverfield Lane]] (6+)&lt;/br&gt;
[[w:Zathura (film)|Zathura]] (7-)&lt;/br&gt;
[[w:Jumanji|Jumanji]] (7-)&lt;/br&gt;
[[w:The Fisher King|The Fisher King]] (7+)&lt;/br&gt;
[[w:Dead Poets Society|Dead Poets Society]] (8)&lt;/br&gt;
[[w:Good Morning, Vietnam|Good Morning, Vietnam]] (7)&lt;/br&gt;
[[w:Awakenings|Awakenings]] (8+)&lt;/br&gt;
[[w:Forever (2015 film)|Forever]] (5+Q)&lt;/br&gt;
[[w:Pawn Sacrifice|Pawn Sacrifice]] (6, good acting but the story as told is not very compelling material, there are parts of [[w:Bobby Fischer]] history that would merit more attention and would be more interesting to dissect and explore)&lt;/br&gt;
[[w:Pride and Prejudice and Zombies (film)|Pride and Prejudice and Zombies]] (6-, mostly for the novelty, even if it is an adaptation of a literary work, the editing, acting and script are not good)&lt;/br&gt;
[[w:Undercover Blues|Undercover Blues]] (6)&lt;/br&gt;
[[w:Millennium (film)|Millennium]] (6)&lt;/br&gt;
[[w:WarGames|WarGames]] (6+, it hasn't aged well but it is still an iconic work of its time)&lt;/br&gt;
[[w:Confessions of a Dangerous Mind|Confessions of a Dangerous Mind]] (7)&lt;/br&gt;
[[w:Spotlight (film)|Spotlight]] (7-)&lt;/br&gt;
[[w:Forsaken (2015 film)|Forsaken]] (6-, slow and bare script a lost opportunity with that cast, there is also the problem that [[w:Kiefer Sutherland]] is not very good at emotional roles)&lt;/br&gt;
[[w:Standoff (film)|Standoff]] (6, almost a 6+, it improves as the story is being told but from the start something is off, the camera, lighting and direction hasn't been given the necessary effort and the dialogs and emotional nuances are lacking, with such good actors it could have been way better)&lt;/br&gt;
[[w:Gods of Egypt (film)|Gods of Egypt]] (6-, a mess of a movie, from the idealization, casting and script, the effects are ok and the acting and production is not bad)&lt;/br&gt;
[http://www.imdb.com/title/tt2364774/ Kill or Be Killed] (5+Q, the cinematics, acting and script are not good)&lt;/br&gt;
[[w:The Lady in the Van|The Lady in the Van]] (6, fantastic work by [[w:Maggie Smith]] the script is a bit slow and dull but there are some clever dialogs and little sketches that makes it move forward nicely, a nice story telling, it could easily been better without feeling too cluttered)&lt;/br&gt;
[[w:The People vs. Larry Flynt|The People vs. Larry Flynt]] (7, they try to much too shock the audience, the acting is great)&lt;/br&gt;
[[w:Code 46|Code 46]] (6, it isn't better due to the low budget and logical failures of some of the propositions on the script, the aesthetics and acting are fine and some of the ideas in it are worth the reflection)&lt;/br&gt;
[[w:Extremely Loud and Incredibly Close (film)|Extremely Loud and Incredibly Close]] (6-Q, more for the production value and acting, the casting is off and the script doesn't work, it also seems to be an emotional exploitation job due to the artificiality of it all)&lt;/br&gt;
[http://www.imdb.com/title/tt2324928/ Alienate] (5+, the acting is not bad but its a low cost production of a very demanding concept and so the script fails to satisfy there are also several issues in continuity/editing and the camera work could be better)&lt;/br&gt;
[[w:She's Funny That Way|She's Funny That Way]] (6+, like a slowed down Woody Hallen, good scrip, pace and interesting characters ([[w:Imogen Poots]] was fantastic), even if some are too off with the plastic jobs it was interesting to see them again. I think also that [[w:Owen Wilson]] and [[w:Jennifer Aniston]] are becoming too typecast, even if I love to see them on that type, its becoming a blur)&lt;/br&gt;
[[w:Victor Frankenstein (film)|Victor Frankenstein]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4733536/ American Hero] (6-)&lt;/br&gt;
[[w:Southbound (2015 film)|Southbound]] (5Q)&lt;/br&gt;
[[w:Frankenstein (2015 film)|Frankenstein (2015)]] (5+, low production value beyond the acceptable acting, that yet seems uncoordinated and the pace plus the inconsistencies in the scrip also diminish what would be a great angle for the revisit to the subject, making it lose track and become as disfigured as the protagonist)&lt;/br&gt;
[[w:Deadpool (film)|Deadpool]] (6+, I don't know the original material but some of the funny moments are too forced and the need or presence of the X-Men subtract more than add, I especially disliked Colossus, there is also a problem with the character Weasel being too similar to Deadpool himself, the action bits are fun but could easily been better)&lt;/br&gt;
[[w:The Survivalist (film)|The Survivalist]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5354588/ Tom Clancy's the Division: Agent Origins] (5, better camera work and characterization, use of filters and quality would be easily increased)&lt;/br&gt;
[[w:Deathgasm|Deathgasm]] (5+, they didnt aim to do much better than)&lt;/br&gt;
[[w:The Night Before (2015 film)|The Night Before]] (6-, very poor and mixed up script that seems at times to be a simple vehicle for product placement)&lt;/br&gt;
[[w:Deadly Virtues: Love.Honour.Obey|Deadly Virtues: Love.Honour.Obey]] (5+, the script is not very creative, low production value and the acting is lacking)&lt;/br&gt;
[[w:The Legend of Barney Thomson|The Legend of Barney Thomson]] (5+, the script is not good and rarely fun at all it is a waste of acting capability)&lt;/br&gt;
[[w:The Sand|The Sand]] (5+, a bit below what it aims to be, it should be a short story not a feature film)&lt;/br&gt;
[[w:The War of the Roses (film)|The War of the Roses]] (7-)&lt;/br&gt;
[[w:Love the Coopers|Love the Coopers]] (6-)&lt;/br&gt;
[[w:Romancing the Stone|Romancing the Stone]] (6+)&lt;/br&gt;
[[w:The Jewel of the Nile|The Jewel of the Nile]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3013160/ Arrowhead] (5+, the confused and hard to implement script and lack of funds seems be the main issue more than the acting)&lt;/br&gt;
[[w:Lamb (2015 American film)|Lamb]] (7-, great acting and script)&lt;/br&gt;
[[w:Synchronicity (film)|Synchronicity]] (5+, the acting is ok but also a low cost production with a script too convoluted without any rewarding content)&lt;/br&gt;
[[w:The Mask (film)|The Mask]] (6, this movie hasn't aged well, while it remains iconic of the 90s, with the repeated and over-similar work of the actor [[w:Jim Carrey]] that had peaked in fame at the time allied with an unimpressive script and some advanced (for that time) special effects)&lt;/br&gt;
[[w:Scent of a Woman (1992 film)|Scent of a Woman]] (7-)&lt;/br&gt;
[[w:The 5th Wave (film)|The 5th Wave]] (6, don't know the original source for the adaptation but the script is not great and I hope they don't waste those actors in more of this tripe)&lt;/br&gt;
[[w:Pleasantville (film)|Pleasantville]] (7, the cinematography, lighting and aesthetics push it up, the script internal logic at times gets very strained, the acting at times is intentionally woody as to fit the epoch and so the casting has also to be praised)&lt;/br&gt;
[[w:Exposed (2016 film)|Exposed]] (6-, the script is too slow to unravel and the viewer is not granted a proper return for the convoluted deception)&lt;/br&gt;
[[w:Terminus (2015 film)|Terminus]] (6+, great work done on a shoe string, cinematography and acting is good, even the effects, the script could have a bit more polish and faster pace at times but I loved the Iran angle and depth it got)&lt;/br&gt;
[[w:Rock the Kasbah (film)|Rock the Kasbah]] (6-, I like Bill Murray but the last few scripts he agreed to perform aren't good at all, this one included)&lt;/br&gt;
[[w:Our Brand Is Crisis (2005 film)|Our Brand Is Crisis]] (6-, while the subject mater has merit the acting and script are weak)&lt;/br&gt;
[[w:Flutter (2011 film)|Flutter]] (6-, a very depressing movie that has some cool ideas but also holes in the script that ruin the en-sable)&lt;/br&gt;
[[w:Dune (film)|Dune]] (7-, the film hasn't aged well especially the special effects, it has also other problems, badly done fight scenes and editing, but the source material, esthetics, soundtrack, cast and acting is great. It would be interesting if someone took it and digitally remastered it and corrected and improved some of the background scenes.)&lt;/br&gt;
[[w:Amnesiac (film)|Amnesiac]] (6-)&lt;/br&gt;
[[w:28 Days Later|28 Days Later]] (7-)&lt;/br&gt;
[[w:28 Weeks Later|28 Weeks Later]] (6, the script is a mess at times making the characters behavior unrealistic and generally over simpleminded placing them in a setup that seems only so as to make the plot work toward the intended goal, the acting and casting is fine)&lt;/br&gt;
[[w:Steve Jobs (2015 film)|Steve Jobs (2015)]] (7+, great script writing, casting and acting)&lt;/br&gt;
[[w:The Pawnbroker (film)|The Pawnbroker]] (6+, it hasn't aged too well, but it can be an historic reference to a particular time, the acting is great and has a rich background, the casting of the protagonist especially for the scenes of a prison camp does not go well due to his body frame)&lt;/br&gt;
[[w:Crazy, Stupid, Love|Crazy, Stupid, Love]] (6)&lt;/br&gt;
[[w:Solace (2015 film)|Solace]] (6, fun but you have to leave logic way behind to go along with the premise of the plot)&lt;/br&gt;
[http://www.imdb.com/title/tt4076760/ Diablo] (5+, the main problem is the script)&lt;/br&gt;
[[w:The Walk (2015 film)|The Walk]] (6+, it could have been better without the high tone theatrics and a more close, realistic and human view of events, it almost derails the movie in its first half)&lt;/br&gt;
[[w:Burnt (film)|Burnt]] (6, small issues with the editing)&lt;/br&gt;
[[w:Guns for Hire|Guns for Hire]] (5Q)&lt;/br&gt;
[[w:The Flock (film)|The Flock]] (6+, it could have been better simply by refraining from taking an &quot;educational&quot; path)&lt;/br&gt;
[[w:Concussion (2015 film)|Concussion]] (6)&lt;/br&gt;
[[w:The Diary of a Teenage Girl|The Diary of a Teenage Girl]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt4974584/ Harry Price: Ghost Hunter] (6)&lt;/br&gt;
[[w:Irrational Man (film)|Irrational Man]] (7, fantastic characters and casting)&lt;/br&gt;
[[w:Carol (film)|Carol]] (6-Q, the constant close plane of the camera is claustrophobic and monotonous, the acting and detail to match the era is great but the script is not that great nor the dialogs and pace)&lt;/br&gt;
[[w:Scouts Guide to the Zombie Apocalypse|Scouts Guide to the Zombie Apocalypse]] (5+)&lt;/br&gt;
[[w:Spectre (2015 film)|Spectre]] (7-)&lt;/br&gt;
[[w:Idiocracy|Idiocracy]] (7-)&lt;/br&gt;
[[w:The Ridiculous 6|The Ridiculous 6]] (5Q, the script is just horrible)&lt;/br&gt;
[[w:Bare (film)|Bare]] (6, probably a 6+ but this type of film is not my cup of tea, so I haven't a deep appreciation for the script)&lt;/br&gt;
[[w:He Never Died|He Never Died]] (6-, a low budget production with potential, the script has some cool ideas)&lt;/br&gt;
[[w:The Revenant (2015 film)|The Revenant]] (7-, the costume design is great the cgi is not)&lt;/br&gt;
[[w:In the Heart of the Sea (film)|In the Heart of the Sea]] (7-)&lt;/br&gt;
[[w:The Hateful Eight|The Hateful Eight]] (6+, the last creations of [[w:Quentin Tarantino]] haven't been great (or as great as we come to expect), in this one the cinematography is inconstant and highlights the Tarantino formula, a sequence of copycats of epic moments of other productions applied to &quot;mostly&quot; creative and fun scripts)&lt;/br&gt;
[[w:Star Wars: The Force Awakens|Star Wars: The Force Awakens]] + [http://screenrant.com/star-wars-7-force-awakens-deleted-scenes-images/ deleted-scenes] (6, the script is not creative, in fact we can find much of it is a rehash of other movies of the same franchise, starting for the quest for the droid with the secret message. I also am starting to have a cognitive resistance to the contrived propagandistic wave of this pseudo-blockbuster productions, from the girl heroin to the afro-American second fiddler, well at least we haven't the hero question her sexuality)&lt;/br&gt;
[[w:A Walk in the Woods (film)|A Walk in the Woods]] (6-, the script isn't very good and it all seem very canned, the best bit is [[w:Nick Nolte]] and the idea of casting [[w:Emma Thompson]] as [[w:Robert Redford]] wife is just wrong, probably good as bait for the viewers but it doesn't work in practice)&lt;/br&gt;
[[w:A Perfect Day (2015 film)|A Perfect Day]] (6-, the script is weak and the acting is not that great even from [[w:Benicio del Toro]] that over-performs making it stick out, in a bad way, and contrasting with the other actors, the best moment is the ending sequence from just before it starts to rain)&lt;/br&gt;
[[w:Crimson Peak|Crimson Peak]] (6, it fails the purpose, that of terror, but it fails beautifully, and I don't give it more because at least in the wardrobe esthetics remove credibility to what is already an over the top visual ensemble, I was derailed several thinking about how fake the presented climate/weather was)&lt;/br&gt;
[[w:Room (2015 film)|Room]] (8, there is little thing that could be optimized, probably a better musical score and certainly a bit more of cinematic creativity with angles, lenses and even light but it is certainly one of the best movies of 2015)&lt;/br&gt;
[[w:The Intern (2015 film)|The Intern]] (6-, I see no point or merit on the script beyond a vehicle for social propaganda, propaganda because it promotes and attempts to normalizes fringe social-economical behaviors, not defending or opposing any of what is covered but I feel a bit sick when it is packaged and given a shine like this without a real balance or promotion for reflection)&lt;/br&gt;
[[w:A Very Murray Christmas|A Very Murray Christmas]] (6-, I almost quitted and it would be a 5+ without [[w:Bill Murray]], the problem as I see it is that they create a very depressing atmosphere, even claustrophobic that highlights the artificiality of it all, including the &quot;Christmas spirit&quot;)&lt;/br&gt;
[[w:Heist (2015 film)|Heist]] (6+)&lt;/br&gt;
[[w:Knight and Day|Knight and Day]] (6+)&lt;/br&gt;
[[w:Sleepers (film)|Sleepers]] (7)&lt;/br&gt;
[[w:Ronin (film)|Ronin]] (7)&lt;/br&gt;
[[w:Wag the Dog|Wag the Dog]] (7-)&lt;/br&gt;
[[w:The Fan (1996 film)|The Fan]] (6+)&lt;/br&gt;
[[w:Cape Fear (1991 film)|Cape Fear]] (8-, great acting all around)&lt;/br&gt;
[[w:The Mission (1986 film)|The Mission]] (8, some historic errors/freedoms but not very relevant)&lt;/br&gt;
[[w:Parasyte: Part 1|Parasyte: Part 1]] (6, cool adaptation, the acting is not great and the easier parts to replicate like the emotional drama, love relation, internal conflict is mostly missing focusing more on the special effects part that works great except for the way the &quot;heroes&quot; move together)&lt;/br&gt;
[[w:Uncanny (film)|Uncanny]] (6+, a bit of a reluctant 6+ since the sexual weird part of the script seems an unnecessary addition to the plot, nice esthetics and a good pace)&lt;/br&gt;
[[w:Parasyte: Part 2|Parasyte: Part 2]] (6-, it deviates even more from the original, for someone that has no previous knowledge it makes it all become too bizarre)&lt;/br&gt;
[http://www.imdb.com/title/tt3508840/ The Assassin] (5+Q, the photography is great but it is too artsy and with a extremely slow pace for me to digest, if a director needs to show off non-story telling concepts he should use short movies or create a good pace of visual fanfare)&lt;/br&gt;
[http://www.imdb.com/title/tt2954474/ Visions] (7-, good script)&lt;/br&gt;
[[w:No Escape (2015 film)|No Escape]] (7-, the writing has a bit of a badly done injection of anti-neo-colonialism that as presented it would be better have been left out and also while the action takes place in an unnamed nation the inclusion of Vietnam as a safe harbor demonstrates how Hollywood serves to shape public perception)&lt;/br&gt;
[[w:Absolutely Anything|Absolutely Anything]] (5+)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3774790/ 400 Days] (5-, very weird work, the script is absurd the acting not that great but there is some production value in it, esthetics, image and light are above B movie level)&lt;/br&gt;
[[w:Before We Go|Before We Go]] (6+)&lt;/br&gt;
[[w:Insidious: Chapter 3|Insidious: Chapter 3]] (6)&lt;/br&gt;
[[w:The Man from U.N.C.L.E. (film)|The Man from U.N.C.L.E.]] (6, I was going to give it a 6- but if you disregard the flaws, bad script and lack of chemistry between the main actors, the rest is pretty good, from the cinematics, color choice, esthetics and music all is above par)&lt;/br&gt;
[[w:SuperBob|SuperBob]] (6-, I think it depends on taste, it is nonsense comedy, reminiscent of [[w:Monty Python]] at times)&lt;/br&gt;
[[w:Everest (2015 film)|Everest]] (6)&lt;/br&gt;
[[w:X+Y|A Brilliant Young Mind]] (6)&lt;/br&gt;
[[w:9. April|9. April]] (6)&lt;/br&gt;
[[w:The End of the Tour|The End of the Tour]] (6-Q, good acting and movie in general but based on a core dialog that seems to go into an endless loop of witticism, commonalities and some minor erudition, I think people that aren't capable of very profound thoughts or have a good cultural background would certainly appreciate it more but I lost patience with it)&lt;/br&gt;
[[w:Bone Tomahawk|Bone Tomahawk]] (6+, a bit slow and the camera work at times is painful but a cool script, characters and acting puts it above the norm had it more funding and content it could easily have been better)&lt;/br&gt;
[[w:Momentum (2015 film)|Momentum]] (6-, I have noticed an issue that it transversal to most SA productions, the choice of image format, it hampers the immersion into the movie, this and the attempt to emulate Hollywood in the aesthetics. In this case all fall short, and is utterly unnecessary, the freaky futuristic costumes may have worked wonders for the trailer but not for the film itself, that and a poor script and uneven acting especially when they put in [[w:James Purefoy]] as the second fiddler creates a critical unbalance that robs it of any chance of working out)&lt;/br&gt;
[[w:Bridge of Spies (film)|Bridge of Spies]] (6, I have issues with this type of Hollywood rewrite or simplification of history, I also took note of the blatant product placing, it truly disgusted me)&lt;/br&gt;
[[w:Howl (2015 film)|Howl]] (6, the minor issue is the close-up effects on the fully transformed creatures it may be because of the conservative budget or a directors decision, the movie does not bring anything new but it is well constructed and presents what it proposes)&lt;/br&gt;
[http://www.imdb.com/title/tt3118452/ Circle] (6+, yet again a variation of a groups of people in a closed room but well conceived, good casting, script and acting makes it above average)&lt;/br&gt;
[[w:Experimenter (film)|Experimenter]] (6+, great acting from [[w:Peter Sarsgaard]], clever script that manages to do a great presentation at low cost)&lt;/br&gt;
[[w:Re-Kill|Re-Kill]] (5+Q, bad concept, the effects aren't great and dislike the docustyle camera-work in general)&lt;/br&gt;
[[w:Six Degrees of Separation (film)|Six Degrees of Separation]] (6+)&lt;/br&gt;
[[w:Mr. Holmes|Mr. Holmes]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4224478/ The Subjects] (6-, great premise and an innovation over the genre but needs a rewrite, waiting for a remake)&lt;/br&gt;
[[w:The Green Inferno (film)|The Green Inferno]] (5+)&lt;/br&gt;
[[w:Garm Wars: The Last Druid|Garm Wars: The Last Druid]] (6-, some above average CGI, good cinematography, fair acting but a extremely weak script and creative content beyond the futuristic esthetics)&lt;/br&gt;
[[w:The Vatican Tapes|The Vatican Tapes]] (5+)&lt;/br&gt;
[[w:The Gift (2015 film)|The Gift]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2531362/ Chariot] (5Q, interesting central idea but the rest is just awful)&lt;/br&gt;
[[w:The Martian (film)|The Martian]] (6+, also saw the extended version, the only annoyance was the politically (in)correct way that China is included into the script even if it is also on the source novel)&lt;/br&gt;
[[w:The Hive (2014 film)|The Hive]] (6-, some cool rehashed ideas in there)&lt;/br&gt;
[[w:Little Boy (film)|Little Boy]] (7-, good tale and well told even if is doesn't innovate in old and tired formulas)&lt;/br&gt;
[[w:Beyond the Mask|Beyond the Mask]] (5+Q)&lt;/br&gt;
[[w:Closer to the Moon|Closer to the Moon]] (5+, seems a propagandistic movie in itself, very full of misdirected primitive anti-communism and cultural Zionism and empty of much anything else, the major plot line is great but its hand is shown right at the start, a very broad mix of acting quality and low budget production values also do not help)&lt;/br&gt;
[[w:Unknown (2011 film)|Unknown]] (6+)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Lion, the Witch and the Wardrobe|The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]] (5+, it may be directed at an young audience but it isn't very good, the acting even production values are fine but the script and effects are not)&lt;/br&gt;
[[w:The Chronicles of Narnia: Prince Caspian|The Chronicles of Narnia: Prince Caspian]] (6-)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Voyage of the Dawn Treader|The Chronicles of Narnia: The Voyage of the Dawn Treader]] (6, more a part of a set, alone the movie wouldn't make any sense)&lt;/br&gt;
[[w:The Hard Way (1991 film)|The Hard Way]] (6-)&lt;/br&gt;
[[w:Teen Wolf|Teen Wolf]] (6-, it hasn't aged well, these epoch centered movies are ripe for a remake)&lt;/br&gt;
[[w:Vampires (film)|Vampires]] (6+, many flaws but memorable, as many other work's from [[w:John Carpenter]] the expenses are dwarfed by the returns in detriment of production quality)&lt;/br&gt;
[[w:Pixels (2015 film)|Pixels]] (5)&lt;/br&gt;
[[w:Love &amp; Mercy (film)|Love &amp; Mercy]] (5+)&lt;/br&gt;
[[w:Pay the Ghost|Pay the Ghost]] (5+)&lt;/br&gt;
[[w:Me and Earl and the Dying Girl (film)|Me and Earl and the Dying Girl]] (6+)&lt;/br&gt;
[[w:Mississippi Grind|Mississippi Grind]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3153582/ Listening] (6-)&lt;/br&gt;
[[w:Cop Car (film)|Cop Car]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt0685628/ The Sign of Four] (5+, it hasn't aged well, the series was great, this movie exacerbates the theatrical acting something that was more subdued in the series)&lt;/br&gt;
[[w:American Ultra|American Ultra]] (6+)&lt;/br&gt;
[[w:Tale of Tales (2015 film)|Tale of Tales]] (6, a bland blending of old folk tales)&lt;/br&gt;
[http://www.imdb.com/title/tt3815430/ Awaiting] (5+Q, it is more like awaiting for it to end, the script is very bare of content and drags the few rehashed ideas too long, in a low production with above fair, but not brilliant acting)&lt;/br&gt;
[[w:Zipper (film)|Zipper]] (6-, not a good script, a beaten track and lacks content)&lt;/br&gt;
[[w:Self/less|Self/less]] (6-, the issue is the directing, the acting is ok and the script has its issues but the options taken do not work)&lt;/br&gt;
[[w:Tiger House|Tiger House]] (6)&lt;/br&gt;
[[w:Z for Zachariah (film)|Z for Zachariah]] (7-, very cleaver premise for the script but falls short on what it could deliver on the very human subjects it tries to approach, it becomes an endurance process due to the very slow pace, creating a frustration that in part does help empathize with the frustration felt by the characters  )&lt;/br&gt;
[[w:Entourage (film)|Entourage (film)]] (5+, or a 6- for those that have seen the serial)&lt;/br&gt;
[[w:Twixt (film)|Twixt]] (5+Q, from [[w:Francis Ford Coppola]] ?! why not simply make a experimental short movie instead of this mess)&lt;/br&gt;
[[w:Star Trek: Renegades|Star Trek: Renegades]] (5+, all things are off except the CG effects and editing)&lt;/br&gt;
[[w:Bad Night|Bad Night]] (5+)&lt;/br&gt;
[[w:Fifty Dead Men Walking|Fifty Dead Men Walking]] (6-, the main issue with it is the production value and the tired subject it covers, it does an amazing job but the quality is not there, the image format selected is also extremely bad for the project, claustrophobic at times and hinders the movie more than anything else.)&lt;/br&gt;
[[w:Attack on Titan (film)|Attack on Titan]] (5, the adaptation is very poor, even if we recognize that it would be extremely difficult but the best ideas, even those that wouldn't require great cost or effects are left out and the acting is extremely theatrical, the best part is the effects and other solutions found for this low budget but with high expectations production.)&lt;/br&gt;
[[w:Strangerland|Strangerland]] (6-, extremely slow and shallow script, some interesting dialogs and a good main plot line, the casting of [[w:Joseph Fiennes]] seems out of place, but a good quality ensemble.)&lt;/br&gt;
[[w:The Humbling (film)|The Humbling]] (6-, the script is not great, a bit confusing at times but with some interesting vignettes and there isn't much that we haven't seen from [[w:Al Pacino]], he does not surprise us here.)&lt;/br&gt;
[[w:Air (2015 film)|Air]] (6, a bit slow and empty of content, [[w:Norman Reedus]] is a great actor.)&lt;/br&gt;
[http://www.imdb.com/title/tt3064356/ The Beat Beneath My Feet] (5+Q)&lt;/br&gt;
[[w:Fantastic Four (2015 film)|Fantastic Four]] (6, the reboot script is crap, the effects, ambiance and backgrounds are ok)&lt;/br&gt;
[[w:Harbinger Down|Harbinger Down]] (6-, the main problem is the acting and a not very creative script)&lt;/br&gt;
[[w:The Runner (2015 film)|The Runner]] (6-)&lt;/br&gt;
[[w:Shaun of the Dead|Shaun of the Dead]] (6)&lt;/br&gt;
[[w:Taken (film)|Taken]] (7, more than anything for the cleaver script concept and a memorable film)&lt;/br&gt;
[[w:Taken 2|Taken 2]] (6)&lt;/br&gt;
[[w:Taken 3|Taken 3]] (6, I wanted to tag it as a 5 due to the very crappy editing that degrades most of the film, especially the action sequences, the script also does not help, not creative or with fully fleshed characters)&lt;/br&gt;
[[w:Some Kind of Beautiful|Some Kind of Beautiful]] (5+, not very good acting, script or even casting)&lt;/br&gt;
[[w:The Age of Adaline|The Age of Adaline]] (6+, a rehash of ideas but not at all bad)&lt;/br&gt;
[[w:Perfect Sense|Perfect Sense]] (6)&lt;/br&gt;
[[w:Kingdom of Heaven (film)|Kingdom of Heaven]] (6)&lt;/br&gt;
[[w:Cracks (film)|Cracks]] (6)&lt;/br&gt;
[[w:Big Driver (film)|Big Driver]] (6)&lt;/br&gt;
[[w:American Sniper (film)|American Sniper]] (6)&lt;/br&gt;
[[w:Wild Card (2015 film)|Wild Card]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2691734/ October Gale] (6)&lt;/br&gt;
[[w:Grizzly (2014 film)|Grizzly (2014 film)]] (5, bad digital effects and camera + mixed cast quality)&lt;/br&gt;
[http://www.imdb.com/title/tt1921149/ Trash] (6)&lt;/br&gt;
[[w:Wyrmwood|Wyrmwood]] (6, for the creativity, acting and effects, considering the low budget and independent production, the close plane camera subterfuge still annoys the hell out of me)&lt;/br&gt;
[http://www.imdb.com/title/tt2998118/ SOS: Save Our Skins] (4, funny to watch due to how bad, in a good way. Very low budget and crazy script)&lt;/br&gt;
[[w:Tracers (film)|Tracers]] (6)&lt;/br&gt;
[[w:Jupiter Ascending|Jupiter Ascending]] (6, I almost gave this a 5 the script is horrid, including the lack of any innovative idea beyond mixing all into a blender including lycanthropes and vampires. The esthetics and effects are excellent but the casting and acting are not.)&lt;/br&gt;
[[w:The Loft (2014 film)|The Loft]] (5, script story as told is very unsalable to get one interested, the acting is also very inconsistent probably due to errors in casting and directing that only makes it worst)&lt;/br&gt;
[[w:The Interview (2014 film)|The Interview]] (5, I rarely like this type of movies anyway, but due to the hype I did look at it, as the others its a waste of time)&lt;/br&gt;
[[w:Northmen: A Viking Saga|Northmen: A Viking Saga]] (5Q, Good production and acceptable acting but the script is bad and the pace is off, very slow. I liked the cinematography but couldn't stomach the empty dialog and lack of character building)&lt;/br&gt;
[[w:Black Sea (film)|Black Sea]] (6, a good story concept, great works from [[w:Jude Law]], but issues with the script cripples it from being even better more than the budget)&lt;/br&gt;
[http://www.imdb.com/title/tt2798456/ The Hybrid] (6)&lt;/br&gt;
[[w:Battle Creek (TV series)|Battle Creek]] (5, only seen 1st episode, the acting is lacking the script quality is not constant, some great ideas mixed with very old clichés and the camera work is also poor)&lt;/br&gt;
[[w:Exodus: Gods and Kings|Exodus: Gods and Kings]] (5, not that great acting, disliked the twists in the script to the original material)&lt;/br&gt;
[[w:The Pyramid (film)|The Pyramid]] (5)&lt;/br&gt;
[[w:Night at the Museum|Night at the Museum]] (5)&lt;/br&gt;
[[w:Night at the Museum: Battle of the Smithsonian|Night at the Museum: Battle of the Smithsonian]] (6)&lt;/br&gt;
[[w:Night at the Museum: Secret of the Tomb|Night at the Museum: Secret of the Tomb]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3204734/ Allies] (4Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3793230/ Extraction Day] (4Q)&lt;/br&gt;
[[w:Cut Bank (film)|Cut Bank]] (6)&lt;/br&gt;
[[w:Vice (2015 film)|Vice]] (5)&lt;/br&gt;
[[w:Chappie (film)|Chappie]] (6, it could have been so much better, it could even incorporate some of the stuff from [[w:Isaac Asimov]])&lt;/br&gt;
[[w:District 9|District 9]] (8)&lt;/br&gt;
[[w:Elysium|Elysium]] (7)&lt;/br&gt;
[[w:Kidnapping Freddy Heineken|Kidnapping Freddy Heineken]] (6, a bit empty, it could have been better scripted)&lt;/br&gt;
[[w:My Mistress|My Mistress]] (6)&lt;/br&gt;
[[w:Meet Joe Black|Meet Joe Black]] (7, some &quot;logical&quot; issues but great story and acting)&lt;/br&gt;
[[w:Instinct (film)|Instinct]] (6, almost a 7, but much is lost by hand holding the audience)&lt;/br&gt;
[[w:Hannibal (film)|Hannibal]] (7)&lt;/br&gt;
[[w:The Silence of the Lambs (film)|The Silence of the Lambs]] (8)&lt;/br&gt;
[[w:Seven (1995 film)|Seven]] (8)&lt;/br&gt;
[[w:The Cobbler (2014 film)|The Cobbler]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3804114/ Halo: Nightfall] (5)&lt;/br&gt;
[[w:Fifty Shades of Grey (film)|Fifty Shades of Grey]] (6, a weak 6 since there is not much content on it, nor any profound psychological depth as one might expect)&lt;/br&gt;
[[w:Innocence (2013 film)|Innocence]] (4Q)&lt;/br&gt;
[[w:Cymbeline (film)|Cymbeline]] (4Q)&lt;/br&gt;
[[w:Faults (film)|Faults]] (7, clever scripting and good acting beats low production costs every time)&lt;/br&gt;
[[w:Alexander (2004 film)|Alexander]] (5, bad acting, casting and awful script)&lt;/br&gt;
[[w:Spring (2014 film)|Spring]] (5, too slow, inconsequential, the camera work/image could have been easily better)&lt;/br&gt;
[[w:Boyhood (film)|Boyhood]] (6)&lt;/br&gt;
[[w:A Most Violent Year|A Most Violent Year]] (5, good acting but the script is lacking)&lt;/br&gt;
[[w:Robot Overlords|Robot Overlords]] (4)&lt;/br&gt;
[[w:Big Eyes|Big Eyes]] (6)&lt;/br&gt;
[[w:Into the Woods|Into the Woods]] (6, musicals aren't my cup of tea)&lt;/br&gt;
[[w:Annie (1982 film)|Annie]] (6)&lt;/br&gt;
[[w:The Sound of Music (film)|The Sound of Music]] (7)&lt;/br&gt;
[[w:The Frighteners|The Frighteners]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2194826/ The Barber] (6, the best point is [[w:Scott Glenn]] act. The script is not great or better yet the history told is not, it is all about the characters and sadly only one gets any tangibility)&lt;/br&gt;
[[w:The Beaver (film)|The Beaver]] (7)&lt;/br&gt;
[[w:The Day of the Dolphin|The Day of the Dolphin]] (6, a weak one, while the plot is good the movie itself hasn't aged well, still a classic but not re-watchable)&lt;/br&gt;
[[w:An Act of War|An Act of War]] (5Q, esthetically pleasing cinematography but no real innovative content in a slow develop plot on a slim budget)&lt;/br&gt;
[[w:Blackhat (film)|Blackhat]] (5, due to the cinematographic quality, or it would be a 6, the acting is also problematic at times with exception of [[w:Chris Hemsworth]], the plot is interesting and the movie well paced but the camera quality and even the audio is inconsistent)&lt;/br&gt;
[[w:Last Knights|Last Knights]] (5Q, horrid script premise, Historic Nippon setup in a Western context (Knights as Samurai), and a waste of good acting talent)&lt;/br&gt;
[[w:Dead Rising: Watchtower|Dead Rising: Watchtower]] (5, some innovative ideas in regard to the Zombie gender, with some concepts from the game, but weak acting and bad camera work takes it below the 6. The budget also does not help, even in the s. effects department)&lt;/br&gt;
[[w:Dead Rising: Endgame|Dead Rising: Endgame]] (6-, better actors and previous actors had more experience, increased production value, except the sound and a messed up casting, even shifting same actors around in roles would have been better, in any case direction is also lacking, as some actors perform below what they have done in the past)&lt;/br&gt;
[[w:Batman vs. Robin|Batman vs. Robin]] (5, subpar animation, one thing done right was the fight choreography between different sized combatants where one would expect problems or gimmicks to surpass them)&lt;/br&gt;
[[w:Robin Hood: Prince of Thieves|Robin Hood: Prince of Thieves]] (6)&lt;/br&gt;
[[w:The Untouchables|The Untouchables]] (7)&lt;/br&gt;
[[w:Outland (film)|Outland]] (8)&lt;/br&gt;
[[w:Good Kill|Good Kill]] (6, sadly it fails to go deeper into the morality of subject matter and focus to much into personal crisis and technicalities and soapboxing, that prevents it for being better)&lt;/br&gt;
[[w:The Dead Lands|The Dead Lands]] (6, weak 6 since the scrip is not great. The strongest point is the Māori culture that is rarely seen on the global screens and when shown it is too politically correct or clean. In that note one of the actors strikes out as being too westerner looking for the casting)&lt;/br&gt;
[[w:The Lazarus Effect (2015 film)|The Lazarus Effect (2015 film)]] (6-, the script is not innovative, like a remake of [[w:Flatliners]] in a small scale production)&lt;/br&gt;
[[w:Flatliners|Flatliners]] (7)&lt;/br&gt;
[[w:30 Days of Night (film)|30 Days of Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2361602/ Five Star] (5+)&lt;/br&gt;
[[w:The Big Lebowski|The Big Lebowski]] (7)&lt;/br&gt;
[[w:Four Brothers (film)|Four Brothers]] (6+)&lt;/br&gt;
[[w:Mission: Impossible – Rogue Nation|Mission: Impossible – Rogue Nation]] (6-, what is up with all the neon/led lightening it is even more out of place than in ST reboot high brightness weird futuristic ambiance)&lt;/br&gt;
[[w:The Physician (2013 film)|The Physician]] (7)&lt;/br&gt;
[[w:Kiss of Death (1995 film)|Kiss of Death]] (5, bad casting and lousy script)&lt;/br&gt;
[[w:Birdman (film)|Birdman]] (5, almost didn't make it till the end, great acting great script I just didn't appreciate the subject-matter else it would be probably a 7)&lt;/br&gt;
[[w:Laggies|Laggies]] (6, I FF some-parts of the start as the movie seems to be intended to a niche audience, not bad for what it is)&lt;/br&gt;
[http://www.imdb.com/title/tt2505294/ Ask Me Anything] (7)&lt;/br&gt;
[[w:Unbroken (film)|Unbroken]] (6, the script itself is weak and walks in a beaten path but transpires reality and stays away from the unnecessary nationalistic imaginary that we would expect, I loved the color pallet concept)&lt;/br&gt;
[[w:Alexander and the Terrible, Horrible, No Good, Very Bad Day (film)|Alexander and the Terrible, Horrible, No Good, Very Bad Day]] (5, there is no real chemistry on the cast, all good actors but that and the issues with the script that breaks at times makes it not shine)&lt;/br&gt;
[[w:Whiplash (2014 film)|Whiplash]] (6, not much of a story beyond attempting to validate the insanity that mediocrity should be sacrificed in the altar of subjective excellence, a 1% sponsored message, but great acting and music)&lt;/br&gt;
[[w:Kill the Messenger (2014 film)|Kill the Messenger]] (6, simple production but concise presentation)&lt;/br&gt;
[[w:The Imitation Game|The Imitation Game]] (6, low budget production but my main dislike was the departure from the real history)&lt;/br&gt;
[[w:The Gambler (2014 film)|The Gambler]] (7)&lt;/br&gt;
[[w:Seventh Son (film)|Seventh Son]] (5)&lt;/br&gt;
[[w:Horrible Bosses|Horrible Bosses]] (5)&lt;/br&gt;
[[w:Horrible Bosses 2|Horrible Bosses 2]] (4)&lt;/br&gt;
[[w:Stonehearst Asylum|Stonehearst Asylum]] (6)&lt;/br&gt;
[[w:Blood: The Last Vampire (2009 film)|Blood: The Last Vampire]] (6, low budget and forced internationalization but it delivers a good show for what it is, the camera works should be more cinematic and the shoots should be less regular in amplitude it feels a bit too narrow at times)&lt;/br&gt;
[[w:The Atticus Institute|The Atticus Institute]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2557276/ Against the Sun] (6)&lt;/br&gt;
[[w:Jarhead_2:_Field_of_Fire|Jarhead 2: Field of Fire]] (5Q, bad script and claustrophobic camera more than the acting makes it intolerable)&lt;/br&gt;
[[w:Extinction (film)|Extinction]] (7-, great acting, good effects even in such a small production, the script should have been better leveraged and paced)&lt;/br&gt;
[[w:Dark Was the Night (film)|Dark Was the Night]] (6-, very few proper actors and a limited budget, that is evident in the effects, camera works, lighting and sound quality, allied with a very bare script puts it on the hedge of meriting the time expenditure)&lt;/br&gt;
[http://www.imdb.com/title/tt1854580/ That Burning Feeling] (5Q, interesting premise but weak presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2570224/ Two-Bit Waltz] (4Q)&lt;/br&gt;
[[w:Enough (film)|Enough]] (6)&lt;/br&gt;
[[w:The Drop (film)|The Drop]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3157224/ We Still Kill the Old Way] (4Q)&lt;/br&gt;
[[w:Good Night, and Good Luck|Good Night, and Good Luck]] (6, it could be better it suffers from bad editing, the camera work, selected planes are also problematic and at times it is too slow for the content presented)&lt;/br&gt;
[[w:Alien vs. Predator (film)|Alien vs. Predator]] (6)&lt;/br&gt;
[[w:The Adjustment Bureau|The Adjustment Bureau]] (6)&lt;/br&gt;
[[w:Foxcatcher|Foxcatcher]] (5)&lt;/br&gt;
[[w:'71 (film)|'71]] (7)&lt;/br&gt;
[[w:Rising Sun (film)|Rising Sun]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0835775/ Electric Slide] (5)&lt;/br&gt;
[[w:Conspiracy Theory (film)|Conspiracy Theory]] (6)&lt;/br&gt;
[[w:The Scorpion King 4: Quest for Power|The Scorpion King 4: Quest for Power]] (5, a [[w:LARP]] while the scrip itself is not that bad the acting or directing is very lacking, some setting/locations also are out of place and the epic music becomes extremely annoying after a bit)&lt;/br&gt;
[[w:I Saw the Devil|I Saw the Devil]] (7)&lt;/br&gt;
[[w:Get Low (film)|Get Low]] (6)&lt;/br&gt;
[[w:Highwaymen (film)|Highwaymen]] (6, the very ending is very out of character and unnecessary)&lt;/br&gt;
[[w:Time Lapse (film)|Time Lapse]] (5, good premise but the script needed more work and greater creativity)&lt;/br&gt;
[[w:Hunter Killer (film)|Hunter Killer]] (6)&lt;/br&gt;
[[w:Gone Girl (film)|Gone Girl]] (7)&lt;/br&gt;
[[w:The Contract (2006 film)|The Contract]] (6)&lt;/br&gt;
[[w:The Sum of All Fears (film)|The Sum of All Fears]] (6)&lt;/br&gt;
[[w:Driving Miss Daisy|Driving Miss Daisy]] (7)&lt;/br&gt;
[[w:Along Came a Spider (film)|Along Came a Spider]] (7)&lt;/br&gt;
[[w:Nurse Betty|Nurse Betty]] (6)&lt;/br&gt;
[[w:The Shawshank Redemption|The Shawshank Redemption]] (8)&lt;/br&gt;
[[w:Hot Pursuit (2015 film)|Hot Pursuit]] (5+, almost gave up, the script is horrid leading to very forced and infantile gags, the acting is fair)&lt;/br&gt;
[[w:Ant-Man (film)|Ant-Man]] (6, safe and boring use of basic formulas, it is like packing sausages. The effects are fine but the ant &quot;speech&quot; is cartoonish and out of place)&lt;/br&gt;
[http://www.imdb.com/title/tt2558318/ The Last Survivors] (5+, lacks many things, the premise is fine even if it needed some work to work beyond setting the stage for the action. The acting is also lacking beyond the very main characters. The &quot;villain&quot; could easily been better structured at least to bring it to par with the &quot;heroes&quot; even fleshing this duality would have provided some usable content. With a little more work it could have been way better...)&lt;/br&gt;
[[w:The Day the Earth Stood Still (2008 film)|The Day the Earth Stood Still (2008)]] (7-, a remake that adds some good content but fails to be better due to concentrating too much on the [[w:Keanu Reeves]] part)&lt;/br&gt;
[[w:The Day the Earth Stood Still|The Day the Earth Stood Still]] (8, a memorable classic)&lt;/br&gt;
[[w:Soldier (1998 American film)|Soldier]] (6)&lt;/br&gt;
[[w:The Time Machine (1960 film)|The Time Machine (1960)]] (8, a classic with memorable scenes, except for some of the effects it has aged remarkably well)&lt;/br&gt;
[[w:In Bruges|In Bruges]] (6, funny story with unexpected twists)&lt;/br&gt;
[[w:REC (film)|REC]] (5, some good scenes but weak plot, the acting is also very inconsistent probably an issue with direction more than issues with the script)&lt;/br&gt;
[[w:REC 4: Apocalypse|REC 4: Apocalypse]] (5, a bit better production but suffers from the same acting issues added to it is the camera work that in this installment should have been more cinematographic)&lt;/br&gt;
[[w:The Day of the Beast (film)|The Day of the Beast]] (7)&lt;/br&gt;
[[w:Pan's Labyrinth|Pan's Labyrinth]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3367686/ Awaken] (4+Q, main issues for what little I saw, the camera work the acting and the general production value)&lt;/br&gt;
[[w:The Manchurian Candidate (2004 film)|The Manchurian Candidate (2004)]] (6)&lt;/br&gt;
[[w:The Manchurian Candidate (1962 film)|The Manchurian Candidate (1962)]] (7+)&lt;/br&gt;
[[w:The Parallax View|The Parallax View]] (6-, it didn't age well, some parts of the script would probably merit a remake as they continue to be interesting to explore. There is some potential there and a remake would be easier than what happened to latter adaptations to screen of [[w:The Manchurian Candidate]])&lt;/br&gt;
[http://www.imdb.com/title/tt2517300/ The Suicide Theory] (5-Q, the plot premise reads great but production, casting and acting is bad, I did not see much of the movie to comment on the script but it should be on par with the rest)&lt;/br&gt;
[[w:Tusk (2014 film)|Tusk]] (5)&lt;/br&gt;
[[w:I Origins|I Origins]] (5, very slow for lack of content)&lt;/br&gt;
[[w:The Skeleton Twins|The Skeleton Twins]] (5Q)&lt;/br&gt;
[[w:Minuscule: Valley of the Lost Ants|Minuscule: Valley of the Lost Ants]] (5Q)&lt;/br&gt;
[[w:Nightcrawler (film)|Nightcrawler]] (7)&lt;/br&gt;
[[w:Dying of the Light (film)|Dying of the Light]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1958007/ Roadside] (5)&lt;/br&gt;
[[w:Thin Ice (2011 film)|Thin Ice]] (6+)&lt;/br&gt;
[[w:Teenage Mutant Ninja Turtles (2014 film)|Teenage Mutant Ninja Turtles (2014)]] (5)&lt;/br&gt;
[[w:Late Phases|Late Phases]] (5, interesting script ideas but low budget and weak directing it could have been way better, this is one waiting for a proper remake)&lt;/br&gt;
[[w:The Hunger Games: Mockingjay – Part 1|The Hunger Games: Mockingjay – Part 1]] (6)&lt;/br&gt;
[[w:Three Days of the Condor|Three Days of the Condor]] (8)&lt;/br&gt;
[[w:The Canal (2014 film)|The Canal]] (4Q)&lt;/br&gt;
[[w:Fury (2014 film)|Fury]] (7)&lt;/br&gt;
[[w:Into the Storm (2014 film)|Into the Storm]] (4, some of the effects are fine and its the main point of a calamity movie so I FF to those in place of quiting)&lt;/br&gt;
[[w:Living with the Enemy (tv series)|Living with the Enemy]] (5, I only have seen episode 5 about Marijuana, I dislike the format because it can be easily manipulated on production and it doesn't reach any conclusion beyond maybe having an impact on the protagonists, one thing it reinforced in my view is how connected the legal system and even general politic discourse is with the US)&lt;/br&gt;
[[w:These Final Hours|These Final Hours]] (7)&lt;/br&gt;
[[w:Nightbreed|Nightbreed]] (8)&lt;/br&gt;
[http://www.imdb.com/title/tt2873214/ Bad Turn Worse] (5, boiler plate)&lt;/br&gt;
[[w:A Walk Among the Tombstones (film)|A Walk Among the Tombstones]] (7, the musical score is very interesting, good script and acting too)&lt;/br&gt;
[[w:Locke (film)|Locke]] (7, mesmerizing story about character and responsibility, one of a kind)&lt;/br&gt;
[[w:The Lunchbox|The Lunchbox]] (7, a good, and funny, look into India's lifestyle and social relations)&lt;/br&gt;
[[w:This Is Where I Leave You|This Is Where I Leave You]] (5)&lt;/br&gt;
[[w:John Wick (film)|John Wick]] (6, I was going to make it a 7 due to the combat choreography/scenography but the last sequences of the script, especially the &quot;boss&quot; fight ruin it)&lt;/br&gt;
[http://www.imdb.com/title/tt2769184/ Debug] (5, the plot premise was great but the aesthetics and implementation failed probably due to budget issues, not bad acting in general)&lt;/br&gt;
[[w:Total Recall (1990 film)|Total Recall (1990)]] (7, it didn't age well)&lt;/br&gt;
[[w:Total Recall (2012 film)|Total Recall (2012)]] (6)&lt;/br&gt;
[[w:A Merry Friggin' Christmas|A Merry Friggin' Christmas]] (4Q)&lt;/br&gt;
[[w:And So It Goes (film)|And So It Goes]] (5, nothing new, the same formulas, rinse and repeat)&lt;/br&gt;
[[w:Dracula Untold|Dracula Untold]] (6)&lt;/br&gt;
[[w:The Hobbit: The Desolation of Smaug|The Hobbit: The Desolation of Smaug]] (8)&lt;/br&gt;
[[w:The Hobbit: The Battle of the Five Armies|The Hobbit: The Battle of the Five Armies]] (6)&lt;/br&gt;
[[w:Frontera (2014 film)|Frontera]] (5, mostly a one sided educational film directed as to moralize an infantile audience on the base of emotional appeal and not addressing the real issues behind actions and events)&lt;/br&gt;
[[w:Interstellar (film)|Interstellar]] (7)&lt;/br&gt;
[[w:Gravity (film)|Gravity]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt1639397/ Once Upon a Time in Queens] (6, a bit slow a bit myopic but a good rehash and spin on many similar movies that deal with aging and dealing with changes)&lt;/br&gt;
[[w:The Salvation (film)|The Salvation]] (7, not an unique script but the cinematography the camera angles were great, not the editing, it was horrid at times and the over use of light filters, but excellent acting and good sound track)&lt;/br&gt;
[[w:America Unearthed|America Unearthed]] (4, very bad TV format and premise, I have only seen a few of the programs, the ones that cover subjects that I may have an interests like the copper mystery, vikings in the Americas etc but the show is very bad at explaining and exploring the subjects and in differentiating fact from fiction and present a grounded scientific conclusion)&lt;/br&gt;
[[w:Guardians of the Galaxy (film)|Guardians of the Galaxy]] (7, I always liked the more or less consistent Marvel universe, and the efforts they make to keep it so, this adaptation into the big screen didn't seem to mess that up too much, one of the best Marvels adaptations so far)&lt;/br&gt;
[[w:Nine Queens|Nine Queens]] (7)&lt;/br&gt;
[[w:Before I Go to Sleep (film)|Before I Go to Sleep]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2170593/ St. Vincent] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1403862/ Sinbad: The Fifth Voyage] (4)&lt;/br&gt;
[[w:Lucy (2014 film)|Lucy]] (7)&lt;/br&gt;
[[w:Beyond the Edge|Beyond the Edge]] (7)&lt;/br&gt;
[[w:Wolf Creek (film)|Wolf Creek]] (6)&lt;/br&gt;
[[w:Wolf Creek 2|Wolf Creek 2]] (5)&lt;/br&gt;
[[w:Big Hero 6 (film)|Big Hero 6]] (6, seeing the same formulas applied over and over again without significant innovations or creativity becomes boring)&lt;/br&gt;
[[w:Predestination (film)|Predestination]] (7)&lt;/br&gt;
[[w:The Warrior's Way|The Warrior's Way]] (6, more for the image and aesthetics and strangeness of the plot)&lt;/br&gt;
[[w:Snowpiercer|Snowpiercer]] (6, good acting and interesting attempt of a political statement, but the plot itself is not consistent in logic and since those premises are central to the story it hinders the overall quality)&lt;/br&gt;
[[w:True Story (film)|True Story]] (6, I'm sad that it isn't better, the acting is great but ultimately it is all that there is to it, the story is not that good or especially well told and so it centers the movie in the conflict of the two main characters)&lt;/br&gt;
[[w:Jinn (film)|Jinn]] (4Q)&lt;/br&gt;
[[w:Hercules (2014 film)|Hercules]] (6, a weak 6 at that there are problem with the cinematography, the decisions made especially in the first part of the movie. The editing is also a problem...)&lt;/br&gt;
[[w:Camp X-Ray (film)|Camp X-Ray]] (6, a bit disappointing that it never goes beyond the emotional aspect of the issue of captive vs captor and the background seems only circumstantial emptying the movie of any interest)&lt;/br&gt;
[[w:The Judge (2014 film)|The Judge]] (6)&lt;/br&gt;
[[w:A Most Wanted Man (film)|A Most Wanted Man]] (6)&lt;/br&gt;
[[w:The Prince (2014 film)|The Prince]] (5)&lt;/br&gt;
[[w:Let's Be Cops|Let's Be Cops]] (4Q)&lt;/br&gt;
[[w:The Limits of Control|The Limits of Control]] (5+, too pointless, empty and slow, again the premise is fine and the actor's are ok but their work is not that hard in this setup. It could have easily been much more profound and/or entertaining, even taking advantage of better locations/backgrounds would add value to it)&lt;/br&gt;
[[w:Housebound|Housebound]] (4, yes I've seen it till the end, a bit of FF but didn't quit, just because of Morgana O'Reilly acting and role)&lt;/br&gt;
[[w:The Rover (2014 film)|The Rover]] (7, with a few tweaks it would have been fantastic but as it is, it is memorable)&lt;/br&gt;
[[w:Grumpy Old Men (film)|Grumpy Old Men]] (6-, I do like Jack Lemmon and Walter Matthau but is not that great and some situational comedy too forced)&lt;/br&gt;
[[w:The Usual Suspects|The Usual Suspects]] (8, the script is great as it is the acting)&lt;/br&gt;
[[w:Strange Magic (film)|Strange Magic]] (6-, I don't particularly like musicals but the animation is good, even if I strongly dislike the style used for faces)&lt;/br&gt;
[[w:Run All Night (film)|Run All Night]] (6+, well paced action flick)&lt;/br&gt;
[[w:Beyond the Reach|Beyond the Reach]] (6-, there a a multitude of similar and better movies around similar lines)&lt;/br&gt;
[[w:Divergent (film)|Divergent]] (6-)&lt;/br&gt;
[[w:The Divergent Series: Insurgent|Insurgent]] (5+, only due to the effects, the casting and acting is not good, suffers basically from the same problems of the first movie but the story issues becomes more pressing as it progresses)&lt;/br&gt;
[[w:The Divergent Series: Allegiant|The Divergent Series: Allegiant]] (6, the best one of the series, the acting has improved, even if the script is relatively empty of content and not very creative. I also disliked the implementation of the gas threat, not the visual but the &quot;logic&quot; on how they've gone about it, in all its angles)&lt;/br&gt;
[[w:The Forger (2014 film)|The Forger]] (4Q)&lt;/br&gt;
[[w:The Reconstruction of William Zero|The Reconstruction of William Zero]] (6-, unnecessarily confused presentation, the key concepts of the script are interesting but fizzle without satisfying)&lt;/br&gt;
[http://www.imdb.com/title/tt2567038/ The Frame] (4Q)&lt;/br&gt;
[[w:Avengers: Age of Ultron|Avengers: Age of Ultron]] (6+, better than all the previous ones but MARVEL IP is at times outdated, even if they managed to explore almost every angle on paper, on screen the selection or options hurt the &quot;logic&quot; of the plot)&lt;/br&gt;
[[w:The Duke of Burgundy|The Duke of Burgundy]] (7-, there is not much on history content)&lt;/br&gt;
[[w:Embrace of the Vampire|Embrace of the Vampire]] (4Q, the best angle is to regard it as a very weak soft porn)&lt;/br&gt;
[[w:Cake (2014 film)|Cake]] (6, a weak 6 since it can get a boring for lack of content beyond the good acting and interesting characters)&lt;/br&gt;
[[w:Spare Parts (film)|Spare Parts]] (6, but a weak 6 only due to the excessive propagandistic way the story is presented)&lt;/br&gt;
[[w:Kingsman: The Secret Service|Kingsman: The Secret Service]] (6-, the script is weak and full of clichés that are taken too seriously, to be seen as a parody to the gender)&lt;/br&gt;
[[w:Kingsman: The Golden Circle|Kingsman: The Golden Circle]] (5+, why waste good production value in this type of trash is incomprehensible to me, the script is a mess the CGI is over used and not very good and the camera was too squizo)&lt;/br&gt;
[[w:Hit by Lightning|Hit by Lightning]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt4530832/ Road Wars] (5, a bit more work on the script and better actors, not that all are bad, and it could have been easily better, its not that hard with this gender)&lt;/br&gt;
[[w:It Follows|It Follows]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3552892/ Hungerford] (5)&lt;/br&gt;
[[w:Home (2015 film)|Home]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt2784134/ Battle for Skyark] (5+, a bit more work on the script and little more in the budget and it could have be easily improved)&lt;/br&gt;
[[w:Maggie (film)|Maggie]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3327624/ Infini] (5, good premise that fails to deliver, main issue is the script that falls apart as soon as it goes beyond the introduction)&lt;/br&gt;
[[w:Project Almanac|Project Almanac]] (6-)&lt;/br&gt;
[[w:Focus (2015 film)|Focus (2015 film)]] (7)&lt;/br&gt;
[[w:Exeter|Exeter]] (5)&lt;/br&gt;
[[w:Area 51 (film)|Area 51]] (5)&lt;/br&gt;
[[w:The Admiral: Roaring Currents|The Admiral: Roaring Currents]] (5+, most of the acting is bad and it continues to baffles me why most of these Asian movies are so filled with propagandistic or ultra nationalistic nuances, in this case it also includes erroneous religious remarks since at the time Koreans did not believe in a single God. Even if the historic accuracy was already doubtful it further detracts from the presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2564978/ Lost Time] (5-, what a mess, some cool ideas and effects but a crazy script and bad acting makes it unwatchable)&lt;/br&gt;
[[w:Mimic (film)|Mimic]] (7-)&lt;/br&gt; 
[[w:Mimic 2|Mimic 2]] (6-)&lt;/br&gt;
[[w:Mimic 3: Sentinel|Mimic 3: Sentinel]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3300572/ Stung] (5+, required a lot of FF)&lt;/br&gt;
[[w:Two Girls and a Guy|Two Girls and a Guy]] (6-, the buildup is great but there are script issues and the production quality is low, in any case it keeps your watching)&lt;/br&gt;
[[w:The Terminator|The Terminator]] (8-)&lt;/br&gt;
[[w:Terminator 2: Judgment Day|Terminator 2: Judgment Day]] (7)&lt;/br&gt;
[[w:Terminator 3: Rise of the Machines|Terminator 3: Rise of the Machines]] (6+)&lt;/br&gt;
[[w:Terminator Salvation|Terminator Salvation]] (7+)&lt;/br&gt;
[[w:Terminator Genisys|Terminator Genisys]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt3029476/ Pressure] (6+)&lt;/br&gt;
[[w:Madame Bovary (2014 film)|Madame Bovary (2014)]] (5+)&lt;/br&gt;
[[w:Manglehorn|Manglehorn]] (5+, no problem about the acting but the script is too bare and slow to make it worth investing the time)&lt;/br&gt;
[[w:Law Abiding Citizen|Law Abiding Citizen]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2962726/ The Anomaly] (5, very interesting concept, nothing new but an interesting subject, good production but not well directed, acted and the fight scenes are very, very bad and in bullet time)&lt;/br&gt;
[[w:Extraterrestrial (2014 film)|Extraterrestrial]] (6, if you take it for what it is &quot;a groups of friends decide to take a romantic weekend in the woods at her parents' cabin&quot;, the plot could have be better as it has a hard time to stay funny and dark at the same time, it could have been great had they decided one way or the other)&lt;/br&gt;
[http://www.imdb.com/title/tt2186663/ 36 Saints] (4Q)&lt;/br&gt;
[[w:The Gunman (film)|The Gunman]] (6, it could have been better if not for the weak script and the almost unbearable moralism that permeates it, I gave it a 6 because of the action sequences and the settings)&lt;/br&gt;
[http://www.imdb.com/title/tt4627104/ Flight World War II] (5+, the script needed more work, the film would benefit from a better camera work and a larger production, but the plot is different, a creative merge of many other previous works)&lt;/br&gt;
[[w:Jurassic Park (film)|Jurassic Park]] (7)&lt;/br&gt;
[[w:The Lost World: Jurassic Park|The Lost World: Jurassic Park]] (6)&lt;/br&gt;
[[w:Jurassic Park III|Jurassic Park III]] (6-)&lt;/br&gt;
[[w:Jurassic World|Jurassic World]] (6-, the scrip falls apart 30m into it, the acting is good but rehashing cliches does not make it a good movie, huge lack of imagination to stay in the already traveled path)&lt;/br&gt;
[[w:Parlor (film)|Anarchy Parlor]] (5)&lt;/br&gt;
[[w:Stretch (2014 film)|Stretch]] (5)&lt;/br&gt;
[[w:Earth to Echo|Earth to Echo]] (4, a weaker version of Explorers, and I hate the &quot;found footage&quot; meme, except for Cloverfield)&lt;/br&gt;
[[w:The Goonies|The Goonies]] (7-)&lt;/br&gt;
[[w:Explorers (film)|Explorers]] (7)&lt;/br&gt;
[[w:Cloverfield|Cloverfield]] (7-)&lt;/br&gt;
[[w:Revenge of the Green Dragons|Revenge of the Green Dragons]] (4, bad camera work, weak montage and sadly clearly a script for Asian consumption. I cringe every time I see this propagandistic use of racism, to a sickening degree, it is not that some coverage of it may not be justified, but they exacerbate it to the nth degree)&lt;/br&gt;
[[w:Begin Again (film)|Begin Again]] (5)&lt;/br&gt;
[[w:Deliver Us from Evil (2014 film)|Deliver Us from Evil]] (6)&lt;/br&gt;
[[w:Automata (film)|Automata]] (7, it seems to suffer from a low production budget, with a little tweak here and there it would have been fantastic)&lt;/br&gt;
[[w:I, Robot (film)|I, Robot]] (8)&lt;/br&gt;
[[w:The Hornet's Nest|The Hornet's Nest ]] (5, embedded reporting is almost always tendentious, in this case it is also a bit of self promotion and  in general it takes a single sided propagandistic and sanitized aspect without any real content beyond a few, sadly &quot;normal&quot;, tales of the misery of war. The music score is extremely detrimental and over dramatical, completely unnecessary)&lt;/br&gt;
[[w:The Purge|The Purge]] (4)&lt;/br&gt;
[[w:The Purge: Anarchy|The Purge: Anarchy]] (5)&lt;/br&gt;
[[w:The Purge: Election Year|The Purge: Election Year]] (5+, the acting/cast is improving as the effects but the script is not)&lt;/br&gt;
[[w:Fargo (film)|Fargo]] (7)&lt;/br&gt;
[[w:Kumiko, the Treasure Hunter|Kumiko, the Treasure Hunter]] (6-, slow and without much content, I do get the emotional and cultural allusions but that alone does not validate this film)&lt;/br&gt;
[[w:A Dark Reflection|A Dark Reflection]] (6-, a bit slow and too propagandistic, while having a good image quality the pace and script fails to satisfy any requirements of a thriller, making a difficult watch. Reading the resume of the issues or the wikipedia entry on the movie would be as satisfying and less of a burden to the audience)&lt;/br&gt;
[[w:San Andreas (film)|San Andreas]] (7-, a 7 only due to the effects and graphical work and acting, the script in itself is not very good its simply a visual disaster movie)&lt;/br&gt;
[[w:Kajaki (film)|Kajaki]] (5Q, has a very unnecessary slow start and it is not great in the acting or the writing, if one believes that this ineptitude is how professional armies operate)&lt;/br&gt;
[[w:Just Before I Go|Just Before I Go ]] (5+, very confusing and pointless script even if one tries to make something out of any subtext)&lt;/br&gt;
[[w:Warm Bodies (film)|Warm Bodies]] (7, cool twist on a creatively lifeless subject matter)&lt;/br&gt;
[[w:Edge of Tomorrow (film)|Edge of Tomorrow]] (6, some plot holes but a good watch.)&lt;/br&gt;
[[w:Million Dollar Arm|Million Dollar Arm]] (5)&lt;/br&gt;
[[w:Sin City (film)|Sin City]] (7)&lt;/br&gt;
[[w:Sin City: A Dame to Kill For|Sin City: A Dame to Kill For]] (7)&lt;/br&gt;
[[w:The Homesman|The Homesman]] (6, the movie should have ended much sooner, the last sequences are ruinous.)&lt;/br&gt;
[[w:Road to Paloma|Road to Paloma]] (5, not bad for a first film, but too much of the director itself on film and too many lingering reflective moments.)&lt;/br&gt;
[[w:Cold in July (film)|Cold in July]] (4, empty movie with not even good acting)&lt;/br&gt;
[[w:The Maze Runner (film)|The Maze Runner]] (6, we will have now to become accustomed to movies in installments...)&lt;/br&gt;
[[w:Maze Runner: The Scorch Trials|Maze Runner: The Scorch Trials]] (6-, I'm beginning to think that the main issue is with the original work, in any case this installment has almost no content it just adds and builds up characters to the story as they incessantly run around)&lt;/br&gt;
[[w:Coherence (film)|Coherence]] (4, has a lot of scientific incoherences with some funny though experiments but it is boring)&lt;/br&gt;
[[w:Good People (film)|Good People]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1572306/ Don't Blink] (5, the sound designer needs to be more subtle, he alone manages to ruin some good scenes)&lt;/br&gt;
[[w:Horns (film)|Horns]] (5)&lt;/br&gt;
[[w:The Equalizer (film)|The Equalizer]] (6, nothing new, same formula over and over again)&lt;/br&gt;
[[w:The Equalizer 2|The Equalizer 2]] (6)&lt;/br&gt;
[[w:Survivor (film)|Survivor]] (6-, weak script, pervasive with a strange subtext, is a waste of time for those actors)&lt;/br&gt;
[http://www.imdb.com/title/tt2950236/ The Living] (5Q)&lt;/br&gt;
[[w:Children of Men|Children of Men]] (7)&lt;/br&gt;
[[w:Page Eight|Page Eight]] (7)&lt;/br&gt;
[[w:Turks &amp; Caicos (film)|Turks &amp; Caicos]] (6-, not as good as the first movie of the series, [[w:Page Eight]] and the plot is very thinly presented but good enough acting and set-up, a must if one sees the first)&lt;/br&gt;
[[w:Salting the Battlefield|Salting the Battlefield]] (6)&lt;/br&gt;
[[w:Tomorrowland (film)|Tomorrowland]] (6+)&lt;/br&gt;
[[w:Big Game (2014 film)|Big Game]] (5+)&lt;/br&gt;
[[w:5 Flights Up (film)|5 Flights Up (film)]] (6+)&lt;/br&gt;
[[w:Mad Max: Fury Road|Mad Max: Fury Road]] (6+)&lt;/br&gt;
[[w:Mad Max|Mad Max]] (6-)&lt;/br&gt;
[[w:Mad Max 2|Mad Max 2]] (6)&lt;/br&gt;
[[w:Mad Max Beyond Thunderdome|Mad Max Beyond Thunderdome]] (6)&lt;/br&gt;
[[w:Parallels (2015 film)|Parallels]] (6-, simple but to the point, the acting could be a bit better and the script improved, it seems a long pilot and ends without any real conclusion, I recollected the great [[w:Sliders]] series)&lt;/br&gt;
[http://www.imdb.com/title/tt2016335/ Walter] (5)&lt;/br&gt;
[[w:The Giver (film)|The Giver]] (6, good movie but a bad adaptation to script from the novel [[w:The Giver|The Giver]], that I haven't read but seems to avoid many of the bad issues that the script creates in the background that is presented.)&lt;/br&gt;

====Shorts====
[http://www.imdb.com/title/tt6089002/ Yes, God, Yes] (6-, it could easily been better)&lt;/br&gt;
[http://www.imdb.com/title/tt7078780/ Zygote] (6)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:All Hail the King|All Hail the King]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Item 47|Item 47]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Agent Carter (film)|Agent Carter]] (6-, the low budget feel ruins it)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#The_Consultant_.282011.29|The Consultant]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#A_Funny_Thing_Happened_on_the_Way_to_Thor.27s_Hammer_.282011.29|A Funny Thing Happened on the Way to Thor's Hammer]] (7)

====Animation====
[[w:Batman Ninja|Batman Ninja]] (6-, while I can appreciate the craft didn't like the art work on this context, and I have rarely seen computer aided animation that I like or better yet not notice)&lt;/br&gt;
[[w:Reign of the Supermen (film)|Reign of the Supermen]] (6+)
[[w:Ralph Breaks the Internet|Ralph Breaks the Internet]] (6+)&lt;/br&gt;
[[w:Kingsglaive: Final Fantasy XV|Kingsglaive: Final Fantasy XV]] (6-)&lt;/br&gt;
[[w:Isle of Dogs (film)|Isle of Dogs]] (6+)&lt;/br&gt;
[[w:Dead Space: Aftermath|Dead Space: Aftermath]] (5Q)&lt;/br&gt;
[[w:Captain Underpants: The First Epic Movie|Captain Underpants: The First Epic Movie]] (6-)&lt;/br&gt;
[[w:Godzilla: Planet of the Monsters|Godzilla: Planet of the Monsters]] (6-)&lt;/br&gt;
[[w:Harmony (2015 film)|Hāmonī aka Harmony]] (6-)&lt;/br&gt;
[[w:Starship Troopers: Traitor of Mars|Starship Troopers: Traitor of Mars]] (6)&lt;/br&gt;
[[w:Memories (1995 film)|Memories]] (8-, while a collection of shorter films the overall quality is good even if the esthetics suffer significant changes)&lt;/br&gt;
[http://www.imdb.com/title/tt0817910/ Hellboy Animated: Blood and Iron] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0810895/ Hellboy Animated: Sword of Storms] (6)&lt;/br&gt;
[[w:Resident Evil: Vendetta|Resident Evil: Vendetta]] (6)&lt;/br&gt;
[[w:The Boss Baby|The Boss Baby]] (6, for the proper audience, kids, as the script has logic issues. Also the message seems a bit too dangerous and is much stressed on the initial part of the movie, love is finite and needs to be divided in portions and a brother/sister will result in less love for the kid, is not how I would introduce things)&lt;/br&gt;
[[w:Justice League: Gods and Monsters|Justice League: Gods and Monsters]] (6)&lt;/br&gt;
[[w:Summer Wars|Summer Wars]] (7)&lt;/br&gt;
[[w:Gantz: O|Gantz: O]] (6)&lt;/br&gt;
[[w:Teen Titans: The Judas Contract|Teen Titans: The Judas Contract]] (6-)&lt;/br&gt;
[[w:Moana (2016 film)|Moana]] (6)&lt;/br&gt;
[[w:Redline (2009 film)|Redline]] (6+, the script isn't great and I dislike the style of the artwork but it has some very good scenes and clever ideas in the mix)&lt;/br&gt;
[[w:Justice League Dark (film)|Justice League Dark]] (6-, while the quality of the artwork is not consistent the script and some of the later animation sequences saves it)&lt;/br&gt;
[[w:Mardock Scramble: The First Compression|Mardock Scramble: The First Compression]] (6, some cool ideas but the script is not very good nor is the artwork)&lt;/br&gt;
[[w:Mardock Scramble|Mardock Scramble: The Second Combustion]] (6, this time the open end is even more obnoxious, this is a serialized movie)&lt;/br&gt;
[[w:Snowtime!|Snowtime!]] (6)&lt;/br&gt;
[[w:Finding Dory|Finding Dory]] (6)&lt;/br&gt;
[https://teaser-trailer.com/hulk-where-monsters-dwell-movie/ Hulk Where Monsters Dwell] (5+)&lt;/br&gt;
[[w:Psycho-Pass: The Movie|Psycho-Pass: The Movie]] (6+)&lt;/br&gt;
[[w:April and the Extraordinary World|April and the Extraordinary World]] (7-, the artwork is not great but the animation and creativity especially in the script, even if derivative, ties it all well enough, it could easily be better, the idea of a rocket with a rock-crusher is one that shouldn't have passed)&lt;/br&gt;
[[w:The Jungle Book (1967 film)|The Jungle Book (1967)]] (6+)&lt;/br&gt;
[[w:The Secret Life of Pets|The Secret Life of Pets]] (6)&lt;/br&gt;
[[w:Justice League vs. Teen Titans|Justice League vs. Teen Titans]] (6-, the script and action is a bit repetitive, the selected color scheme also is very tiring and basic)&lt;/br&gt;
[[w:The Iron Giant|The Iron Giant]] (7+)&lt;/br&gt;
[[w:Open Season (2006 film)|Open Season]] (6)&lt;/br&gt;
[[w:Open Season: Scared Silly|Open Season: Scared Silly]] (5+Q)&lt;/br&gt;
[[w:Anomalisa|Anomalisa]] (6-, the animation is ok but the script is dull, the male voice-overs on female parts is just weird)&lt;/br&gt;
[[w:Justice League: Throne of Atlantis|Justice League: Throne of Atlantis]] (5, subpar animation, bad script and I cringe to what they are doing to [[w:Captain Marvel (DC Comics)|Captain Marvel aka Shazam]] after the DC/Marvel merge.)&lt;/br&gt;
[[w:Batman Unlimited: Monster Mayhem|Batman Unlimited: Monster Mayhem]] (5+Q, bad artwork not so bad animation but an horrendous script no pun intended.)&lt;/br&gt;
[[w:Batman: Bad Blood|Batman: Bad Blood]] (6)&lt;/br&gt;
[[w:The Peanuts Movie|The Peanuts Movie]] (6-, the animation is not great and the changes to the original material remove more than add)&lt;/br&gt;
[[w:Pirate's Passage|Pirate's Passage]] (6, while the animation is not great and the script is too slow in unfolding it is a fine tale)&lt;/br&gt;
[http://www.imdb.com/title/tt4856322/ Halo: The Fall of Reach] (6-, the artwork is fine but the animation is subpar and takes several shortcuts like use of static backgrounds, the faces and bodies are also weird in proportions and movement)&lt;/br&gt;
[[w:Dragon Nest: Warrior's Dawn|Dragon Nest: Warrior's Dawn]] (6-, the art work and animation quality is not consistent it has lows and highs, the script has its issues and at times it feels like a rerun of many other movies without a real creative insight just a lose mishmash set into appealing to higher emotions but failing miserably to have any moral regard to the violence it dishes out at times)&lt;/br&gt;
[[w:Toy Story That Time Forgot|Toy Story That Time Forgot]] (6+)&lt;/br&gt;
[[w:Ghost in the Shell (film)|Ghost in the Shell]] (8)&lt;/br&gt;
[[w:Ghost in the Shell: Arise|Ghost in the Shell: Pyrophoric Cult]] (6, the animation has lost some quality even the art work and the scripts seem repetitive)&lt;/br&gt;

==Future:==
Hand of God ?; {{YouTube link|COgFH-AXCpU|The Leviathan}}; Ripper Street 4th series (unnecessary but could be nice if they pursue the Scotland Yard path and restore the shine of the 1st season); When Animals Dream 2014 ({{YouTube link|LgW9AGgVwlk|trailer}}); [[w:Maigret (2016 TV series)|Maigret]] season 2, 2017; [[w:The Last Kingdom (TV series)|The Last Kingdom]] 3rd season ? ; [[w:Travelers (TV series)|Travelers]] 2nd season, October 16, 2017&lt;/br&gt;

== Media comments ==
I will start this section to keep a log of my views regarding some of the content producers.&lt;/br&gt;&lt;/br&gt; 
[[w:History (TV channel)|'''History channel''']] part of the [[w:Hearst Corporation|'''Hearst Corporation''']] (to what I have an historic disdain) this American cable and satellite television channel is a good example of what is wrong with most US TV content producers. Its productions are very good, almost as good as [[w:HBO]] but the content is empty of almost any value. In general transmits US stereotypes and idiocy and is an extension of the continued attempt of rewriting history, reality perception and shape culture by a sensationalist appeal to the lowest common denominator and at its best its like fast food for your mind.&lt;/br&gt;
&lt;/br&gt;
Recently learned about a new definition, '''Christian historical films.''' WTF?!?&lt;/br&gt;
I was aware of other movies that &quot;promote&quot; Christian values but I think this is too much idiocy, just think about the term. In the religious sense it should be clarified to those not aware that anglo-american Christianism is about a subsection of Roman-Chatolic values with deviations that may even include Mormonism. In any case I see this mostly US centric &quot;fragmentation&quot; a sign that at least some &quot;minorities&quot; are revolting against &quot;main-stream&quot; media content in regard to the moral values they &quot;promote&quot; and I applaud the self labeling as &quot;promotion&quot; material. Sadly it will soon be equated to lack of quality mostly of production, writing/creativity and to the rest of the knowledgeable non-believers and potential consumers as an unwanted distortion of reality. I also don't think you can proselytize with movies the best they can is make people think or acclimate to issues (unless they are true deception jobs, but that would go against most religious beliefs), in any case most of these Christian productions I've seen are too far inside their own act to create any valid concise point of reflection beyond turning it off.&lt;/br&gt;</text>
      <sha1>1wi4gqf91q8osp18jolu3tqhb2dbzw5</sha1>
    </revision>
    <revision>
      <id>4641114</id>
      <parentid>4641113</parentid>
      <timestamp>2026-06-25T08:58:10Z</timestamp>
      <contributor>
        <username>Panic2k4</username>
        <id>2865</id>
      </contributor>
      <minor />
      <comment>/* Future: */</comment>
      <origin>4641114</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="206397" sha1="gn4x9wrqwxsdrqp0rlv6w05ff4847qo" xml:space="preserve">The ratings are the same [[User:Panic2k4/Books Read|as with the books]]. I hope never to go below 4 if I do I will probably quit in the middle an that is marked with a Q this also may happen if the story does not get my interest.  The 5s are the ones I wished I had avoided, 5 below is the ones I do really regret wasting my time with and most 5+ to 6- are movies are often under-budgeted or had an intentional low budget or are simply cinematic errors, not properly acted or weird script often independent productions. The 6 indicates movies that are made for their targeted audience, and fulfill their aspiration, they are good enough for at least that, beyond 6+ is reserved for pleasant commercial fluff in most part, moves that overcome mediocrity, and merit to be the start of the ones that I'm glad I've seen. Since movies tend to be less distributed in quality than books (bad movies cost more to make than a bad book to be printed) and most aggregate on the average quality 5 and 6 I've added + and - to make a better distinction and be more fair.

{{NOTE|The comments I make is based on my own taste in content and esthetics. I'm not an image or cinematography expert, even an enthusiast, simply an appreciator. If you wish to have a discussion regarding any of my observations or need to correct me somehow, use my user talk page, I would appreciate hearing from any divergent viewpoint.}}   

==Seen:==

===Documentaries and other miscellaneous content:===
{{YouTube link|WDbo6dDXTkA|Viewing the Work of [[w:Panos Cosmatos|Panos Cosmatos]]}} (6+, very well made overview)&lt;/br&gt; 
[[w:Adam Ruins Everything|Adam Ruins Everything]] (6-Q, only saw season 2 episode 25, it is listed as a comedy but I think its more a satiric opinion show that is too reductive to have any value)&lt;/br&gt;
[[w:Outrageous Acts of Science|Outrageous Acts of Science]] (6-Q, only saw season 9 episode 1, interesting but the format does not work)&lt;/br&gt;
[https://www.imdb.com/title/tt9632280/ Dead of Winter] (6Q, only saw the first episode, I really don't think this subject matter in this format can be fairly and properly televised for the masses in any positive way)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|nkPx5vVxP9s|The Greatest Trump Impersonator on Earth}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|lMngWwI5bPU|Meet the Martha Stewart of Marijuana}} (6)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] [https://www.youtube.com/playlist?list=PLDbSvEZka6GGTP6ZlKo9eacICAAe_x-t3 FAMEish]:{{YouTube link|I2GNnA-JF18|The Self-Proclaimed Bimbo Doll}} (6)&lt;/br&gt;
{{YouTube link|Y_b2i_FvYPw|Hunting mad honey by Raphael Treza}} (6+)&lt;/br&gt;
[https://www.cnbc.com/deadly-rich/ Deadly Rich] (6, only saw episode 4 of the first season, a bit bias toward the victimization of the rich and the accolades of the law enforcement)&lt;/br&gt;
[[w:Alone Together (TV series)|Alone Together]] (6-, only saw episode 1 of the second season)&lt;/br&gt;
[[w:Nanette (show)|Hannah Gadsby: Nanette]] (7+, not really a straight forward comedy show, yet again what is claimed to be a minority gets a huge representation, but at least this time very well done, sadly will probably go unnoticed amidst the cacophony.)&lt;/br&gt;
[https://www.imdb.com/title/tt4835908/ David Attenborough Meets President Obama] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt6503230/ Pornocracy: The New Sex Multinationals] (6+)&lt;/br&gt;
[[w:Gringo: The Dangerous Life of John McAfee|Gringo: The Dangerous Life of John McAfee]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8197422/ Follow Your Nose: Cracking Smell's Code] (7)&lt;/br&gt;
[[w:America: Imagine the World Without Her|America: Imagine the World Without Her]] (5+Q, political propaganda, couldn't stomach it, made an effort as it raised some valid points that indeed proves that there is a skew on the other side of the arguments but the extrapolations and the ideas that is pushes forward are just too radical and often personalized in their targets)&lt;/br&gt;
[https://www.imdb.com/title/tt0463399/ E! True Hollywood Story] {{YouTube link|HAc75TDWe3Y|Rod Serling: Beyond The Twilight Zone}}) (6+, the editing is very annoying)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|iquoaVVUTQk|Africa's Moonshine Epidemic}}) (6+)&lt;/br&gt;
[[w:Vice (TV series)|Vice]] Japan: {{YouTube link|aT32eTWtv18|The Homeliest Homeless}}) (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt2400435/ Snoop Dogg Presents: The Bad Girls of Comedy] (7+)&lt;/br&gt;
[http://www.imdb.com/title/tt7183876/ Joe Mande's Award-Winning Comedy Special] (6-)&lt;/br&gt;
[[w:TMZ on TV|TMZ on TV]] (6-Q, only saw 2018/03/01 and 12 episodes, what a load of crap content, psychologically damaging, exploitative and abusive, the format is amazingly well done for the function and very addictive they should do something like this for legislative coverage, science, consumer and civil rights)&lt;/br&gt;
[http://www.imdb.com/title/tt6254992/ Conscious Capitalism] (5+, low in content high in self promotion and propaganda, conscience - of actions and consideration for the future, especially long term - and capitalism are incompatible, unless forced by law but then we wouldn't have capitalism at all)&lt;/br&gt;
[[w:Fake Britain|Fake Britain]] (6Q, only saw episode 11 or the 8 season)&lt;/br&gt;
[[w:Roman Empire: Reign of Blood|Roman Empire: Reign of Blood]] (6+, 6 episodes, sadly it adds too much speculation over the historical record)&lt;/br&gt;
[http://www.imdb.com/title/tt7582890/ Judah Friedlander: America is the Greatest Country in the United States] (6-)&lt;/br&gt;
Building the Sun: The 250 Million Degree Problem (7-)&lt;/br&gt;
A.I. and the Destiny of Mankind (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2446192/ Bronies: The Extremely Unexpected Adult Fans of My Little Pony] (7-)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Spiral The Spiral] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt2338173/ Radioman] (7)&lt;/br&gt;
[http://docuwiki.net/index.php?title=The_Undiscovered_Secrets_of_Petra The Undiscovered Secrets of Petra] (7)&lt;/br&gt;
[http://www.travelchannel.com/shows/mysterious-islands Mysterious Islands] (6-Q, only saw episode 1, the hipped sensationalistic format is a cancer)&lt;/br&gt;
[[w:The 400 Million|The 400 Million aka China in 1938]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt6710212/ Warning: This Drug May Kill You] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5747692/ After Hitler] (6+, 2 parts, a bit too sanitized in parts, too rushed and lacks factual data/statistics, generalizes too much and fails to explain the Soviets)&lt;/br&gt;
[http://www.imdb.com/title/tt6836760/ Stonehenge: The Final Mystery] (6+)&lt;/br&gt;
[[w:The Farthest|The Farthest]] (7+)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/the-secret-of-the-phaistos-code The Secret of the Phaistos Code] (7)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7129272/ Trump's Fortress America] (6+)&lt;/br&gt;
[[w:Panorama (TV series)|Panorama]]:[http://www.imdb.com/title/tt7840358/ Millionaire Bankrupts Exposed] (6, too superficial)&lt;/br&gt;
[http://www.imdb.com/title/tt2384296/ Jay Mohr: Funny for a Girl] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1119621/ Jim Norton: Monster Rain] (6, the in your face bi stuff creeps me a bit at times)&lt;/br&gt;
[http://www.imdb.com/title/tt4534440/ The Secret Life of Materials] (6, the jumpy presentation is very annoying, but probably required due to the monotony of how they go about it, the content presented does not justify the time it takes to show it)&lt;/br&gt;
[http://www.imdb.com/title/tt4938484/ Silicon Cowboys] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt1029165/ Decoding the Past: The Tibetan Book of the Dead] (6-)&lt;/br&gt;
[https://www.youtube.com/watch?v=ieaVjXs3oMs Brain Overload] (6-, while the subject matter is pertinent and the presentation is not bad the content is shaped as propaganda, seeming to support anti-connection legislation/policies, that I myself do not disagree are useful but without exacerbating the problem out of proportion like they did here, this is probably why the documentary was made free)&lt;/br&gt;
[http://www.imdb.com/title/tt6544274/ Motherboard 2017] (6+, only saw episode 1 [http://www.imdb.com/title/tt6654624/ The Hunt for the New Physics], the presentation is appealing but the short format makes it not very useful)&lt;/br&gt;
[http://video.aljazeera.com/channels/eng/topics/war-and-conflict Al Jazeera World: Libya's Shifting Sands - Derma &amp; Sirte] (6+, 2 episodes, the editing is not very good and the content at times is redundant failing also to clearly express and substantiate its core point regarding the links amongst the fighters and external influences)&lt;/br&gt;
[http://www.imdb.com/title/tt6946984/ Exploring Quantum History with Brian Greene] (6, 3 episodes)&lt;/br&gt;
[http://www.imdb.com/title/tt6391320/ Ancient Earth] (6-, 3 episodes, content, that would fill many more hours, is crushed into 3 hours, the CGI, editing and production is not good, similar content exists in better form elsewhere)&lt;/br&gt;
[https://zdf-enterprises.de/en/catalogue/international/zdfefactual/history-biographies/mission-x-collection/the-diesel-mystery The Diesel Mystery] (6, the voice over quality, script and editing is not the best, the reenactment is far superior, it is strong in speculations but weak on facts)&lt;/br&gt;
[[w:The Toy Box|The Toy Box]] (6-Q, only saw episode 1)&lt;/br&gt;
[http://www.imdb.com/title/tt4648556/ Impossible Engineering] (6, only saw season 3 episode 5 and 9, it is barely sufferable it goes in tangents and only covers the subject superficially, regarding the Tesla Factory episode with a highly nationalistic skew, again as with most pop US TV shows its sensationalistic format makes one cringe)&lt;/br&gt;
[[w:Expedition Unknown|Expedition Unknown]] (6-, only saw episode 16, regarding the old Indian Vedic City of Duarka, the show is very low on real content on the subject matter and replicates the lose sensationalist format of other Travel Channel productions, but for this type of content it further reduces the quality)&lt;/br&gt;
[[w:After Porn Ends 2|After Porn Ends 2]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0109508/ Crumb] (7+, extremely interesting in levels of self analysis and the raw exposure of the persons and art)&lt;/br&gt;
[[w:Planet Earth (TV series)|Planet Earth]] (7+, 11 episodes, BBC quality but seemingly at a cost, as we now know that nature in BBC productions tends to go by a multitude of filters and all the richness is a deception for the eye not factual &quot;nature&quot; but a conceptualized and optimized representation)&lt;/br&gt;
[http://www.imdb.com/title/tt2526846/ I Am Santa Claus] (6-, a bit too depressing and goes too much into other stuff)&lt;/br&gt;
[http://www.imdb.com/title/tt4669186/ Kevin Hart: What Now?] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5515750/ The Mad World of Donald Trump] (6, balance is hard in the midst of crazy, while it shows Trump from all angles, it sadly explores superficially mostly the negatives. Note the tactic on the snip from [[w:Larry King]]'s old interview shows that Trump has some education into subliminal persuasion, the dialog and the hand movements)&lt;/br&gt;
[[w:For the Love of Spock|For the Love of Spock]] (6+)&lt;/br&gt;
[[w:Panorama_(TV_series)|Panorama 2016 - Why We Voted to Leave]] (5, single sided and demagogic, since there is a clear editorial control on what is shown, and not, there is also a lack of proper analysis of the opinions expressed beyond a nodding head, there are many problems with the EU and the greatest one was the UK itself)&lt;/br&gt;
[[w:The True Cost|The True Cost]] (7-, a bit overemotional and missed some chances to be more clear becoming a bit overextended toward the end)&lt;/br&gt;
[[w:For No Good Reason|For No Good Reason]] (6+)&lt;/br&gt;
[[w:Top Gear (2002 TV series)|Top Gear (2002+)]] (7-, 22 series 175 episodes with specials, I think I have watched most of them, I probably missed some at the start, the image, sound and lighting quality are at the best of what the BBC does the editing is also good and the original cast had a working chemistry that made it all work nicely, I'm not into cars at all I just enjoyed the quality and the crazy Britishness. (These qualities are something that the US version lacks and I couldn't stomach more than 5 minutes of it)&lt;/br&gt;
[[w:Going Clear: Scientology and the Prison of Belief|Going Clear: Scientology and the Prison of Belief]] (6-, very empty of real content beyond a superficial review of some personal stories)&lt;/br&gt;
[[w:Where to Invade Next|Where to Invade Next]] (6+, oversimplification is a problem with most of [[w:Michael Moore]]'s work, probably due to the intended audience but then it risks losing the argument due to be inaccurate or unrealistic, in any case the last bit of it attempts to put some fairness into the content, and as always with Moore's work it provides good reflection material)&lt;/br&gt;
[http://www.imdb.com/title/tt4498460/ Killing Them Safely] (7-, a bit unbalanced and fails properly explore the central issue that is how the Police mishandles the device, exacerbating its lethal potential)&lt;/br&gt;
[[w:The Seven Five|The Seven Five]] (7-, a bit single sided and shallow look into the events, fun to watch due to the reported events and the characters involved but not informative enough beyond the culture of a particular social area in space and time)&lt;/br&gt;
[http://www.imdb.com/title/tt3272570/ All Things Must Pass: The Rise and Fall of Tower Records] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4872998/ Margaret Cho: PsyCHO] (6-, also a bit to much me, me and more about me for my taste)&lt;/br&gt;
[[w:John Bishop (comedian)|John Bishop Supersonic Live]] (6+)&lt;/br&gt;
[[w:Cartel Land|Cartel Land]] (6, disliked the approach that attempts to pass as an simple observation of events at first but in close examination shows some partiality on what it decided to cover or how to present events, in any case the punch line is correct vigilantism is not only dangerous but a corruption of better systems that should provide better accountability and transparency, vigilantism is impractical beyond a tribal like setting were most parties are known to all)&lt;/br&gt;
[[w:The Nightmare (2015 film)|The Nightmare]] (6, while it presents the subject for a personal experience view point it lacks the proper background about the &quot;experiencers&quot; for the dramatization to have any meaning and does not try to move the subject beyond those few unverifiable data-points, even if they are congruent with the general reports)&lt;/br&gt;
[http://www.imdb.com/title/tt3735164/ 7 Deadly Sins] (7, 7 episodes)&lt;/br&gt;
[[w:Ancient Aliens|Ancient Aliens]] (5Q, I've seen the first 4 series after that, being in its 7 season now I only have watched some episodes that touched subjects that I'm interested, while I accept some of the premises as valid, few, and consider ET presence a certainty, the show has a very low quality and lack of consistency even with its own argumentation at times it is just funny crazy, a black spot on the history channel)&lt;/br&gt;
[[w:The Island (U.S. TV series)|The Island]] (5+, 6 episodes, bad concept and &quot;casting&quot;, not that I like the other Bear Grylls's shows. Not because of the content but the way it is structured and presented, I think they target the lowest common denominator.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 47: 2010–2011 - Asteroids – The Good, the Bad and the Ugly]] (7-)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Allergies: Modern Life and Me]] (6, disliked the chosen format the bit that pushes the fear of salmonella in the wrong section, 
that pre and pro biotics received only a brief mention or the confusion in how it openly refutes the [[w:Hygiene hypothesis]] on epidemiological grounds but adheres to it by large without stating it)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - Ebola: The Search for a Cure]] (8, I only disliked the convoluted rationalization presented for offering all of the only 3 trial medications to westerners, especially the last specimen, as defended on the documentary I find it morally objectionable.)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 51: 2014–2015 - The Hunt for Gravitational Waves]] (6+)&lt;/br&gt;
[[w:List of Horizon episodes|BBC Horizon Series 53: 2017-2018 - 10 Things You Need To Know About The Future]] (6)&lt;/br&gt;
[[w:The Jinx (miniseries)|The Jinx]] (7, 9 episodes, well crafted presentation of the issues regarding the strange life and deaths of [[w:Robert Durst]], it could have been better it gets a little overextended in what it presents, but the ending is priceless)&lt;/br&gt;

===Series:===
[[w:The Looming Tower (miniseries)|The Looming Tower]] (6, 10 episodes, the acting is not consistent, [[w:Tahar Rahim]] does a great job, the main problem is the production value and the script that is very simplistic even infantile in areas to a point that it seems more an historic whitewash)&lt;/br&gt;
[[w:The Walking Dead (TV series)|The Walking Dead]] (7-, 9 seasons totalling 131 episodes)&lt;/br&gt;
[[w:The Terror (TV series)|The Terror]] (7, 10 episodes, great cast and acting, fair production and fantastic script)&lt;/br&gt;
[[w:Grimm (TV series)|Grimm]] (6, 6 seasons totalling 123 episodes, the acting at times is problematic as is the writing but the cast manages to pull it along, it has some cool concepts and plot lines sadly it doesn't try to be more than it is)&lt;/br&gt;
[[w:Beyond the Walls (TV series)|Beyond the Walls aka Au-delà des Murs]] (6, 3 episodes)&lt;/br&gt;
[[w:Outlander (TV series)|Outlander]] (7, 4 seasons totalling 55 episodes - '''not concluded''', sadly there is a decay in quality of writing especially on the last 2 seasons)&lt;/br&gt;
[https://www.imdb.com/title/tt6144672/ The Day aka De Dag] (7-, 12 episodes)&lt;/br&gt;
[[w:Parade's End (TV series)|Parade's End]] (7, 5 episodes)&lt;/br&gt;
[[w:Revolution (TV series)|Revolution]] (7-, 2 seasons totalling 42 episodes - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Russian Doll (TV series)|Russian Doll]] (6+, 8 episodes)&lt;/br&gt;
[[w:Spartacus (TV series)|Spartacus]] (7-, 3 seasons totalling 39 episodes, extremely innovative cinematography and great action sequences, the plot could be better and there was a problem with recasting and rebooting the serial but overall a very refreshing take on an old subject)&lt;/br&gt;
[[w:Strange Angel|Strange Angel]] (6+, 10 episodes - '''not concluded''', good production and cast but the plot at times seems lose focus on what to explore)&lt;/br&gt;
[[w:Tin Star (TV series)|Tin Star]] (7, 2 seasons totalling 19 episodes - '''not concluded''', great cast with a fantastic [[w:Tim Roth]], cool plot and characters a bit production strapped but it makes it and great soundtrack [https://www.tunefind.com/show/tin-star/season-1 here S1] - [https://www.tunefind.com/show/tin-star/season-2 here S2])&lt;/br&gt;
[[w:Insecure (TV series)|Insecure]] (6+, only saw episode 1, only for the proper audience and that ain't me)&lt;/br&gt;
[[w:Outcast (TV series)|Outcast (TV series)]] (7+, 2 seasons totalling 20 episodes - '''not concluded''', great acting, casting and lighting, production is a bit cheap but manages to work about the limitations)&lt;/br&gt;
[[w:The Umbrella Academy (TV series)|The Umbrella Academy]] (7, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Miracle Workers (2019 TV series)|Miracle Workers]] (5Q, only saw the first 2 episodes, good premise, strange casting and badly executed, too forced)&lt;/br&gt;
[[w:Limitless (TV series)|Limitless]] (6+, 22 episodes) - '''not concluded''')&lt;/br&gt;
[[w:Condor (TV series|Condor]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Castle Rock (TV series)|Castle Rock]] (6+, 10 episodes, the main problem is the pace and how the story is presented)&lt;/br&gt;
[[w:Counterpart (TV series)|Counterpart]] (7, 2 series of 10 episodes each)&lt;/br&gt;
[[w:Nightflyers (TV series)|Nightflyers]] (7-, 10 episodes - '''not concluded''', cool concept even if derivative, the direction seems lacking as there is lots of over acting. Productions overuses &quot;budget vr&quot; too much to cut costs, and the pace is problematic, it is very slow at times, especially the emotional scenes and faster when things gets interesting action and concepts)&lt;/br&gt;
[[w:Preacher (TV series)|Preacher]] (6+, 3 season totalling 33 episodes - '''not concluded''', the quality is not constant but it contains many cleaver ideas, didn't read the comix)&lt;/br&gt;
[[w:Taboo (2017 TV series)|Taboo]] (7+, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Mentalist|The Mentalist]] (6+, 7 seasons totalling 151 episodes)&lt;/br&gt;
[[w:Lodge 49|Lodge 49]] (7-, 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Impulse (TV series)|Impulse]] (6+, 10 episodes)&lt;/br&gt;
[[w:Origin (TV series)|Origin]] (7, 10 episodes - '''not concluded''', it could have easily been better, the main issues are the scripts, that became repetitive, indulge on wasting too much screen time (maybe a production issue) and also there is a lack of directing especially of [[w:Tom Felton]] that has a lot of potential but when not on the reminiscences acts very out of a believable character)&lt;/br&gt;
[[w:Future Man (TV series)|Future Man]] (6+, 2 seasons totalling 26 episodes - '''not concluded''', while the scripts are mostly a bit absurd, but consistent to the created universe, the cast commitment to the roles and the limited production capability to realize the scripted concepts pushes it all above the expected)&lt;/br&gt;
[[w:Titans (2018 TV series)|Titans]] (7-, 11 episodes - '''not concluded''', so far the best Marvel/DC serial in quality of production and in script writing)&lt;/br&gt;
[[w:The Sinner (TV series)|The Sinner]] (7, 2 self contained seasons totalling (8x2) 16 episodes)&lt;/br&gt;
[[w:The First (TV series)|The First]] (6+, 8 episodes, great production and cast but it is a slow going drama on a Si-Fi setting, so be aware of that so to not feel frustrated)&lt;/br&gt;
[[w:Wayne (TV series)|Wayne]] (6+, 10 episodes - '''not concluded''', great premise and acting even if the scripts fall short at times and the production value seems limited)&lt;/br&gt;
[[w:The Mist (TV series)|The Mist (TV series)]] (6+, 10 episodes  - '''not concluded''', while the twist on the original plot lines is not great it has good production value and the acting is not bad, even if there is a problem with the pace of the action)&lt;/br&gt;
[[w:Fortitude (TV series)|Fortitude]] (6+, 3 seasons totalling 26 episodes - '''not concluded''', the quality of the seasons is a decline, not in the acting or production but on the writing, the main ideas are great and full of promise but the writers and production sadly fails to deliver)&lt;/br&gt;
[[w:The 100 (TV series)|The 100]] (6, 5 seasons totalling 71 episodes - '''not concluded''', the main problem with the series is the writing, at times it sabotages itself making characters act out, or failing to provide satisfying resolutions to problems, as the seasons go there are improvements especially in production quality, acting and better castings)&lt;/br&gt;
[[w:Zapped (TV series)|Zapped]] (6+, 2 seasons totalling 9 episodes, low budget and a bit limited in some of the acting but the scripts are like something out of  [[w:Terry Pratchett]] and ultimately it does what it proposes to do)&lt;/br&gt;
[[w:Bodyguard (2018 TV series)|Bodyguard]] (8, 6 episodes)&lt;/br&gt;
[[w:The Good Cop|The Good Cop]] (6-, only saw episode 1)&lt;/br&gt;
[[w:American Horror Story: Apocalypse|American Horror Story: Apocalypse]] (6-Q, only saw the first 2 episodes of this season, it is the third season of the serial [[w:American Horror Story]], I believe I saw the first episode of the first season and like these last 2 the quality of production is there but the scripts and acting in general terms are just bad, there is some visual quality and esthetical care but all is for not as the rest of the content makes it unbearable)&lt;/br&gt;
[[w:Ozark (TV series)|Ozark]] (7+, 2 seasons 20 episodes total, great cast, direction and scripts, [[w:Julia Garner]] is fantastic in her role)&lt;/br&gt;
[[w:Succession (TV series)|Succession]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Jack Ryan (TV series)|Tom Clancy's Jack Ryan]] (6+, 8 episodes, the US propaganda is strong in this one and they even get to bash the French a bit)&lt;/br&gt;
[[w:Primeval (TV series)|Primeval]] (6-, 5 seasons totalling 36 episodes - '''not concluded''')&lt;/br&gt;
[[w:Primeval: New World|Primeval: New World]] (6 if you had seen Primeval, 6- if not, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Colony (TV series)|Colony]] (7, 3 seasons totalling 35 episodes - '''not concluded''', low budget but creative with it, the scripts are above average and the acting and probably directing, makes it enjoyable and wanting to come for more)&lt;/br&gt;
[[w:Take Two (TV series)|Take Two]] (6, only saw the first episode, not good or innovative but mildly entertaining)&lt;/br&gt;
[[w:The Outpost (TV series)|The Outpost]] (5Q)&lt;/br&gt;
[[w:Me, Myself &amp; I (TV series)|Me, Myself &amp; I]] (6-, only saw the first 2 episodes, the comedy is too forced and formulaic and I didn't like much of the casting, the concept is interesting but the scripts fall short)&lt;/br&gt;
[[w:Mr. Mercedes (TV series)|Mr. Mercedes]] (8, 10 episodes)&lt;/br&gt;
[[w:People of Earth|People of Earth]] (6, 2 seasons totalling 20 episodes - '''not concluded''', it could easily have been better, the scripts and the format creates issues more than the low budget, the cast is fantastic for what it is as are the effects)&lt;/br&gt;
[[w:Inspector George Gently|Inspector George Gently]] (6-, only saw episode 1 of season 9, a low budget, mixed quality acting and basic script writing makes it fall flat)&lt;/br&gt;
[[w:The Orville|The Orville]] (7-, 12 episodes - '''not concluded''', great production quality, well casted and acted, the main issues are the openly social preaching scripts and highly derivative content)&lt;/br&gt;
[[w:The Living and the Dead (TV series)|The Living and the Dead]] (6+, 6 episodes - '''not concluded''', BBC quality, great acting only the scripts pull the series back)&lt;/br&gt;
[https://www.imdb.com/title/tt4167960/ Stripped] (6-, only saw episode 1)&lt;/br&gt;
[[w:Here and Now (2018 TV series)|Here and Now]] (6-, only saw episode 1)&lt;/br&gt;
[[w:Quacks (TV series)|Quacks]] (6Q, only saw episode 1, almost a 6- it depends on the audience)&lt;/br&gt;
[[w:Goliath (TV series)|Goliath]] (7-, 8 episodes)&lt;/br&gt;
[[w:Deep State (TV series)|Deep State]] (7-, 8 episodes)&lt;/br&gt;
[[w:Damnation (TV series)|Damnation]] (6Q, only saw up to episode 2, good production, characters but not as good script and blatant propagandist at times)&lt;/br&gt;
[[w:Lost in Space (2018 TV series)|Lost in Space (2018)]] (7-, 10 episodes - '''not concluded''', it could easily have been better 10% reduction on epic music, better direction of the kid and script accommodation for him, some scenes do not work at all and less repetition of patterns on the script, different but the same becomes boring at that slow pace)&lt;/br&gt;
[[w:Kim's Convenience (TV series)|Kim's Convenience]] ( 6+, 2 seasons totalling 28 episodes, there is a negative bell curve change in quality of the writing on episodes 7 to 12)&lt;/br&gt;
[[w:Black Lightning|Black Lightning]] (6-Q, only saw episode 1, low quality even if it has some production value, it also feels too racial oriented)&lt;/br&gt;
[[w:Plebs (TV series)|Plebs]] (5+Q, only saw episode 1 or the 4th season)&lt;/br&gt;
[[w:Britannia (TV series)|Britannia]] (5+Q, only saw episode 1, acting is problematic, the script is lacking especially due to being a purportedly historically based, the production also misses the point that people, their wardrobe and scenes should be dirtier, less plastic and more chaotic. The only exception is [[w:Nikolaj Lie Kaas]] great acting, distinct presence it even clashes with the other characters, more than was decidedly intended)&lt;/br&gt;
[[w:Instinct (U.S. TV series)|Instinct (U.S.)]] (6-Q, only saw episode 1, the script and characters were not catching, there are better alternatives)&lt;/br&gt;
[[w:Alias (TV series)|Alias]] (7-, 5 seasons totalling 105 episodes, I skipped a few, but loved the script history arcs, regretted them not having as good production as lesser projects, as the acting and writing is far more consistent in quality)&lt;/br&gt;
[[w:24 (TV series)|24]] (6, 9 seasons totalling 204 episodes + some web content, the production quality is very good as the pace of the writing, the scripts could be a bit better and the acting also)&lt;/br&gt;
[[w:The Good Place|The Good Place]] (6+, 2 seasons totalling 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:From Dusk till Dawn: The Series|From Dusk till Dawn: The Series]] (6-Q, only saw, with a lot of FF up to the first episode of season 2, it diverges too much form the film, the cast and production aren't bad but the scripts are not good, too much time in dream/vision space also)&lt;/br&gt;
[[w:Forever (U.S. TV series)|Forever (U.S.)]] (6+, 22 episodes - '''not concluded''')&lt;/br&gt;
[[w:Altered Carbon (TV series)|Altered Carbon]] (8, 10 episodes, great cast, production and script)&lt;/br&gt;
[[w:Dimension 404|Dimension 404]] (6, 6 episodes, the quality is very inconsistent, from acting to the scripts)&lt;/br&gt;
[[w:Hard Sun|Hard Sun]] (6, 6 episodes - '''not concluded''', great characters, ok cast and acting, interesting main plot line but all else is too bland and repetitive)&lt;/br&gt;
[[w:Godless (TV series)|Godless]] (7+, 7 episodes)&lt;/br&gt;
[[w:Rewind (TV series)|Rewind]] (6, &lt;b&gt;pilot only&lt;/b&gt; - {{YouTube link|Vi6u14oGmh0|Rewind}})&lt;/br&gt;
[[w:Salvation (TV series)|Salvation]] (6-, 13 episodes - '''not concluded''', the acting and writing could have been better but it really shows no effort of wanting to be more than it is)&lt;/br&gt;
[[w:Ray Donovan|Ray Donovan]] (7+, 6 seasons of 12 episodes each totalling (6x12) 72 episodes, great acting, impeccable image and very good writing for the most part, it somewhat gets over extended on the last season but manages to keep it cool)&lt;/br&gt;
[[w:Stargate Universe|Stargate Universe]] (7-, 2 seasons with a 20 episodes each, it breaks a bit from the rest of the series, the quality is not constant but a crescendo, the acting quality improves with a few exceptions and the scripts overtime become better  - '''cancelled, not concluded''')&lt;/br&gt;
[[w:Sleepy Hollow (TV series)|Sleepy Hollow]] (6Q, only saw up to season 2 episode 5, it became too repetitive and the acting was not great, the major quality was the script plot, some of the effects and some times great esthetics, sadly inconsistently so)&lt;/br&gt;
[[w:Time After Time (TV series)|Time After Time US]] (6Q, 5 episodes - '''not concluded''')&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7+, 2 seasons with a total of 16 episodes - '''not concluded''')&lt;/br&gt;
[[w:Second Chance|Second Chance]] (6+, 11 episodes - '''cancelled''')&lt;/br&gt;
[[w:Smallville|Smallville]] (6+, 10 seasons with a total of 218 episodes, while the acting is not consistent it is above average of what one would expect and there is a real production behind it all with a script designed to please the demographic it targets it still keeps making it interesting to core fans on the DC/Marvel universe)&lt;/br&gt;
[[w:Better Call Saul|Better Call Saul]] (8, 3 seasons totalling 30 episodes)&lt;/br&gt;
[[w:Three Inches|Three Inches]] (6+, &lt;b&gt;pilot only&lt;/b&gt;)&lt;/br&gt;
Transparent (6+, &lt;b&gt;pilot only&lt;/b&gt;, sad as it had promise)&lt;/br&gt;
[[w:Turn: Washington's Spies|Turn: Washington's Spies]] (6+, 4 series of 10 episodes each, great characters but restricted budget and a free hand with history prevents it from being more, the scripts of the episodes are also of different quality, but there is a general decline near the end)&lt;/br&gt;
[[w:Oasis (2017 TV series)|Oasis]] (7, saw the pilot, hope it gets picked and they don't bork it, great starting material)&lt;/br&gt;
[[w:The Triangle (miniseries)|The Triangle]] (6-, 3 parts, it could have been much more, but the script takes too many bad turns)&lt;/br&gt;
[[w:The Leftovers (TV series)|The Leftovers]] (6+, for season 1, 7+ for season 2 and 3, totalling 28 episodes, the characters and casting are great, the script starts with a cool concept and improves after season 1 where it is it's biggest problem, too slow and confusingly presented without any gain to the story, the improvements are especially on the narrative and deepness that breaches many sensitive subjects in a very cleaver way)&lt;/br&gt;
[[w:Crossbones (TV series)|Crossbones]] (5+Q, only saw the first 5 episodes, low production quality and [[w:Richard Coyle]] seems to be one of the few actors that attempts to make it work)&lt;/br&gt;
[[w:South of Hell (TV series)|South of Hell]] (5-Q, only partially saw the first 2 episodes)&lt;/br&gt;
[[w:Aftermath (2016 TV series)|Aftermath (2016)]] (5+Q, only saw first season up to episode 13, the script tries to mash too many things, that is in part the interesting bit about it, production quality and acting are not there at all)&lt;/br&gt;
[[w:Mech-X4|Mech-X4]] (6-, only saw episode one, not in the right demographic for it, but it has some production quality)&lt;/br&gt;
[[w:Riviera (TV series)|Riviera]] (6+, 10 episodes, the script is great, with a restricted budget and the casting a bit off but the actors do their part, except for [[w:Iwan Rheon]], he doesn't seem to make an effort to make his character shine)&lt;/br&gt;
[[w:Cleverman|Cleverman]] (6-Q, only saw the first 3 episodes, the cultural divide seems too great for me to appreciate it)&lt;/br&gt;
[[w:Legion (TV series)|Legion]] (7, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Loaded (TV series)|Loaded]] (6-Q, only saw episode 1, too forced, a few interesting characters)&lt;/br&gt;
[[w:The Handmaid's Tale (TV series)|The Handmaid's Tale]] (8, 10 episodes)&lt;/br&gt;
[[w:Backstrom (TV series)|Backstrom]] (6-Q, only saw up to episode 6, great characters, cleaver script bits but it is too populated, the actors don't take it seriously to a point that they degenerate in acting very similar to each-other)&lt;/br&gt;
[[w:The Magicians (U.S. TV series)|The Magicians]] (7, 3 seasons totalling 39 episodes each, the script has great quality more than the rest of the production, the cast and characters are great. A bit too heavy on the LGBT issues and overuse of the f word, I think intentionally as to force a somewhat unpleasant cultural chock but without any real benefit to the story telling)&lt;/br&gt;
[[w:Of Kings and Prophets|Of Kings and Prophets]] (6, 9 episodes - '''cancelled, not concluded''', not as bad as many critics pain it, my main peeves are the historic inaccuracies like the use of ballistas among other things, the limited budget, some cheesy dialogs and lack of proper exteriors, the acting improves with time))&lt;/br&gt;
[[w:Iron Fist (TV series)|Iron Fist]] (7-, 13 episodes - '''not concluded''', while not too innovative the casting and acting is right, it has a lack of better special effects and camera work as at time the hero seems &quot;non-heroic&quot; in physical feats, and mind, the later a problem with the script that at times is a bit too infantile. The action sequences are also poor, Marvel did a better job in previous shows like in [[w:Daredevil (TV series)]])&lt;/br&gt;
[[w:Dig (TV series)|Dig]] (6, 10 episodes - '''cancelled, not concluded''', the production quality is above average, the acting is fair)&lt;/br&gt;
[[w:Emerald City (TV series)|Emerald City]] (8-, 10 episodes - '''not concluded''', good concept and production quality the only downside is some huge differences in acting capability in parts of the cast, or maybe lack of proper directing)&lt;/br&gt;
[[w:Crashing (U.S. TV series)|Crashing]] (6-, only saw the first 3 episodes, too forced and not that funny, it has great characters but that is all)&lt;/br&gt;
[[w:Cardinal (TV series)|Cardinal]] (8-, 6 episodes, somewhat low budget but amazing quality and acting, from the photography to the music)&lt;/br&gt;
[[w:The Last Kingdom (TV series)|The Last Kingdom]] (7-, 8 episodes - '''not concluded''')&lt;/br&gt;
[[w:Tomorrow When the War Began (TV series)|Tomorrow When the War Began]] (6, 6 episodes, suffers from a low budget but the pace of the script and the care put into it makes it work)&lt;/br&gt;
[[w:Van Helsing (TV series)|Van Helsing]] (6, 13 episodes - '''not concluded''', hampered by a low budget but the script keeps it going with some innovative ideas)&lt;/br&gt;
[[w:Taken (TV series)|Taken]] (6Q, only saw episode 1)&lt;/br&gt;
[[w:Westworld (TV series)|Westworld]] (8, 2 seasons 20 episodes total, great production value, characters, casting and acting and cleaver script full of rich dialogs and clever ideas)&lt;/br&gt;
[[w:Shameless (UK TV series)|Shameless (UK)]] (6-, only saw one or two episodes, the concepts as shown by the US version is fine but the acting and productions was very lax)&lt;/br&gt;
[[w:Shameless (U.S. TV series)|Shameless (U.S.)]] (8, 7 seasons total of 84 episodes, great cast, characters, acting and clever scripts at a fantastic pace)&lt;/br&gt;
[[w:Pure (TV series)|Pure]] (7-, 6 episodes)&lt;/br&gt;
[[w:Scorpion (TV series)|Scorpion]] (6Q, only saw the fist 6 episodes, the scripts and ideas are a bit stale, it rehashes previous similar series)&lt;/br&gt;
[[w:Six (TV series)|Six]] (6-Q, only saw the first 2 episodes, not very good acting and the script is very basic except in the operational side of it, the settings are great better than similar shows)&lt;/br&gt;
[[w:The Exorcist (TV series)|The Exorcist]] (6, 10 episodes, not my cup of tea, but it has great characters and some scenes are memorable)&lt;/br&gt;
[[w:Lexx|Lexx]] (7-, 4 seasons 61 episodes, while the quality is not constant the uniqueness of it all make it all work, fantastic characters) (*PS revisiting it I think I only saw up to season 2 or 3)&lt;/br&gt;
[[w:Continuum (TV series)|Continuum]] (6, 4 seasons totaling 42 episodes, the writing is good but time travel is very hard, some of the acting is lacking and the budget seems short at times, it has some cool ideas)&lt;/br&gt;
[[w:Stitchers|Stitchers]] (5+Q, only saw the first 4 episodes, too plastic and canned, the scripts, setting and image weren't good, [[w:Emma Ishta]] is fine but the rest of the cast does not commit)&lt;/br&gt;
[[w:Powerless (TV series)|Powerless]] (6-, only saw episode 1, too infantile and forced, would be great for kids, I also had a strong dislike to the audio treatment of voices very cartoonish, the registry and pace)&lt;/br&gt;
[[w:Quarry (TV series)|Quarry]] (7, 8 episodes, great casting, eye for detail of the era, the scripts could be easily improved especially the pace of the action as well as the cinematography)&lt;/br&gt;
[[w:Training Day (TV series)|Training Day]] (6-Q, only saw part of episode 1, bad script, cast and acting couldn't stomach it)&lt;/br&gt;
[[w:Containment (TV series)|Containment]] (6-, 13 episodes - '''cancelled, not concluded''', acting is mixed, a very few do alight and the script is poor)&lt;/br&gt;
[[w:Caprica (TV series)|Caprica]] (7-, 19 episodes - '''cancelled, not concluded''', interesting but gets a bit too lost in virtual reality and we already know how that goes since Star-trek holodeck, there are some cool ideas on the script mostly dealing with the underlying universe)&lt;/br&gt;
[[w:Sneaky Pete|Sneaky Pete]] (8, 10 episodes - '''not concluded''', great show, interesting characters, great acting and well paced script, a bit more funding for sets, better lighting, more camera work and more varied sets would be great but as is it is all good)&lt;/br&gt;
[[w:Maigret (2016 TV series)|Maigret]] (7-, 2 episodes, sadly the production values is low, image and sound suffers from it, but the sets and acting is ok and it was very well casted)&lt;/br&gt;
[[w:Falling Water (TV series)|Falling Water]] (6, 10 episodes, the unnecessary twisted narrative serves no real purpose beyond distraction from a weak script and then frustration after the realization that it all does not matter as the script writers can magically solve anything, and even then they make a blunder here and there)&lt;/br&gt;
[[w:Beyond (2017 TV series)|Beyond]] (6, 10 episodes - '''not concluded''', excruciatingly slow without much creative content beyond the tease that makes it go, the  directing is also problematic)&lt;/br&gt;
[[w:Travelers (TV series)|Travelers]] (6+, 12 episodes - '''not concluded''')&lt;/br&gt;
[[w:Dirk Gently's Holistic Detective Agency (TV series)|Dirk Gently's Holistic Detective Agency]] (6, 8 episodes - '''not concluded''', the acting quality is not uniform, it may be a problem with directing as some actors aren't even making an effort to take the job seriously, the script also has issues, it could easily have been much better)&lt;/br&gt;
[[w:The OA|The OA]] (7, 2 seasons with 16 episodes - '''not concluded''', a well crafted big tease, fantastic casting, good acting and cleaver script that ultimately frustrates the created expectations again and again, season 2 has some minor script errors, regarding sequence and time frames capabilities)&lt;/br&gt;
[[w:Sense8|Sense8]] (5+Q, only saw part of episode 1, visually appealing, but poor acting and script, including too much LGBT issues)&lt;/br&gt;
[[w:Public Morals (2015 TV series)|Public Morals]] (7-, 10 episodes - '''canceled, not concluded''', fantastic cast and eye for detail, the acting and scripts are smooth but it lacks a bit of support in the production, the sets become as repetitive as the camera angles used)&lt;/br&gt;
[[w:The Crown (TV series)|The Crown]] (6Q,only saw part of episode 1, high BBC quality but who cares about royals, the characterization can even be described as a work of propaganda)&lt;/br&gt;
[[w:Luke Cage (TV series)|Luke Cage]] (6, 13 episodes, the script is not great it is exasperatingly slow also not very creative, and the production quality goes down the closer it gets to the end, the acting is fine and the casting shines, it also focus too much on social propaganda disturbingly so and in unnecessary musical plugging)&lt;/br&gt;
[[w:Kevin Can Wait|Kevin Can Wait]] (6-Q, Only saw episode 1 the casting is a mess, the audience laughter is horrid and after [[w:The King of Queens]] who needs more at lesser quality)&lt;/br&gt;
[[w:Quantico (TV series)|Quantico]] (6-Q, Only saw the first 4 episodes of season 1, not very creative and what is up with this over-presence of Indian, especially as leads in the new US shows. Is it a intentional move to get into those markets? [[w:Priyanka Chopra]] is not bad but the trend stands out badly in such an overbearing way)&lt;/br&gt;
[[w:StartUp (TV series)|StartUp]] (7, 10 episodes - '''not concluded''', suffers from its low budget and the writing quality declined in the last 3 episodes, lightning/filters and image quality could easily be improved it is unnecessarily raw)&lt;/br&gt;
[[w:The Night Of|The Night Of]] (8-, 8 episodes, great writing until, on my view, some out of character options near the end, it is also a rare and for it a political piece in how it shows some American minorities)&lt;/br&gt;
[http://www.imdb.com/title/tt4800878/ Stan Lee's Lucky Man](6-, 10 episodes, low budget and with a problematic scrip due to its childish nature, it has a great premise and characters, the acting is fair but its like painting by numbers in the creative department, the directing seems also bad since some of the actors should be able to do more with what they have)&lt;/br&gt;
[[w:Slasher (TV series)|Slasher]] (6Q, only saw the first 3 episodes, it just failed to captivate any interest)&lt;/br&gt;
[[w:Supergirl (TV series)|Supergirl]] (6-, 1 season with a total of 20 episodes, low budget, sub par acting and stale scripting too focused to a very specific narrow audience)&lt;/br&gt;
[[w:Stranger Things (TV series)|Stranger Things]] (8+, season 1 with 8 episodes, 7, season 2 with 6 episodes, fantastic casting and care for the epoch look, even in the initial way in the first series they worked the cinematography, going so far to the fonts selected, the plot sadly is a bit too derivative but beyond that it would be hard to make any improvements, even so on the second series the acting and the script loses quality probably a problem with directing)&lt;/br&gt;
[[w:Man Down (TV series)|Man Down]] (5Q, only saw part of the first episode, couldn't manage more)&lt;/br&gt;
[[w:Angel from Hell|Angel from Hell]] (6-Q, only saw the second episode, clearly directed toward a female audience, the sketches aren't very funny and the comedy is too forced)&lt;/br&gt;
[[w:Person of Interest (TV series)|Person of Interest]] (7-, 5 seasons with a total of 103 episodes, the production, acting and casting is good, the script has cool ideas and solid history arcs but at times is repetitive and the finalization lacks not only conviction but solidity, its a bit messy. Overall quality is not constant it declines with time)&lt;/br&gt;
[[w:iZombie (TV series)|iZombie]] (6+, [[w:List of iZombie episodes|4 seasons 58 Episodes]] - '''not concluded''', very creative, probably due to the original source material but the casting works very well, the acting quality is mixed but not that bad, major flaw is that it is a bit repetitive)&lt;/br&gt;
[[w:The Expanse (TV series)|The Expanse]] (7-,  season 1, 7+ season 2, 8 season 3, 3 seasons totaling 36 episodes, in the first season the rate is mostly due to the quality of the production cast and acting, the script is not too innovative and a bit slow and I particularly disliked the &quot;South African&quot; atmosphere they decided to go with at tines, the second season has a bump in production value, this in general seem more coordinated and the story is given a proper arch, less time is spent in building up the characters and so things start to get a better pace, the third season is a continuation of the improvement work and the season finale is fantastic)&lt;/br&gt;
[[w:The Hollow Crown (TV series)|The Hollow Crown]] (6Q, only saw part of episode 1, it is hard to stomach even if the quality is there there is no patience for it, the dialogs are as illustrious as the irrelevance of it all beyond the great cast and some historical interest that today is of no relevance at all)&lt;/br&gt;
[http://www.imdb.com/title/tt5237932/ Witless] (6-Q, only saw episode 1, too forced to be funny)&lt;/br&gt;
[[w:The Lottery|The Lottery]] (6, 10 episodes, while the plot lines are interesting the script does not present an engaging story, one of the highlight is carefully selected wardrobe)&lt;/br&gt;
[[w:The Last Ship (TV series)|The Last Ship]] (6, 4 seasons totaling 48 episodes, the most pressing problem is the acting, generally it is not great and the script has issues, especially in regards to emotions and nationalism and political views expressed, very basic, but at times does come out with some good ideas in regards to the settings and main plot lines)&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (7-, 2 series 10 episodes each, fine acting and interesting script even in a field that is hard to innovate the pace and environment, light and camera work makes it distinct)&lt;/br&gt;
[[w:11.22.63|11.22.63]] (7-, 8 episodes, very interesting and well done, specially the first episodes, some minor logical errors on the script but it may be issues found in the original material, time traveling is always hard to write about... The last 2 episodes are very rushed and it is when the internal logic of the script starts to crumble. All past inconsistencies could have been only flaws created by the participating characters but it starts to come out of the hinges in the end. I liked the cast and the acting performances, except the part of [[w:George MacKay]], not the acting, but the direction and the character bipolar behavior.)&lt;/br&gt;
[[w:Wynonna Earp (TV series)|Wynonna Earp]] (6-Q, only saw the 1st episode, main issue is the acting)&lt;/br&gt;
[[w:Orphan Black|Orphan Black]] (6+, 5 seasons totaling 50 episodes - '''not concluded''', great work from [[w:Tatiana Maslany]] she is the series, the plot is interesting but the production is low cost and so it becomes repetitive both in the settings and situations and unnecessary complex as the plot branches)&lt;/br&gt;
[[w:Power (TV series)|Power]] (7, 2 seasons 18 episodes, great acting, the pace, plot and characters are compelling)&lt;/br&gt;
[[w:Mr. Robot (TV series)|Mr. Robot]] (7-, Season 1 with 10 episodes, great acting, interesting script and characters)&lt;/br&gt;
[[w:Silicon Valley (TV series)|Silicon Valley]] (6-Q, only saw Season 1 and Season 2 first episode, the acting is not great nor the chemistry between the cast, the scripts are interesting at times with the pertinent information but seems to fail when dealing with the emotional and more mundane stuff)&lt;/br&gt;
[[w:Proof (2015 TV series)|Proof]] (6, Season 1 with 10 episodes - '''not concluded''')&lt;/br&gt;
[[w:Frank Herbert's Dune|Frank Herbert's Dune]] (7+, 3 episodes)&lt;/br&gt;
[[w:And Then There Were None (TV series)|And Then There Were None]] (6, 3 episodes)&lt;/br&gt;
[[w:The Frankenstein Chronicles|The Frankenstein Chronicles]] (6, 2 seasons of 6 episodes each, the low budget and the rushed ending of season one damages what could easily be a better production, the time space between seasons also does not help)&lt;/br&gt;
[[w:12 Monkeys (TV series)|12 Monkeys]] (7-, 4 Seasons, totaling 47 episodes, good acting, workable scripts even if a little constrained on budget but manages to keep the quality constant, the plot get increasingly confusing as it goes, heh time traveling...)&lt;/br&gt;
[[w:American Crime (TV series)|American Crime]] (6Q, only saw the firt three episodes of season 1, probably a 6+ but requires an interest for the script topic that to me it failed to make compelling, the acting and production is good)&lt;/br&gt;
[[w:Its Always Sunny in Philadelphia|Its Always Sunny in Philadelphia]] (6Q, only saw the first 2 episodes of the first season but it seemed too contrived)&lt;/br&gt;
[[w:Childhood's End (miniseries)|Childhood's End]] (6, I still don't understand why Syfy productions need to be so weak/cheap. This is one of the best I've seen but it fails a bit on how it circumvents what the audience would be interested to know/see and lingers too much on futile and uninteresting alternate reality love connection / triangle and rushes over some concepts, making them hard to swallow)&lt;/br&gt;
[[w:The Man in the High Castle (TV series)|The Man in the High Castle]] (7, Season 1, 7+, Season 2, 20 episodes total - '''not concluded''', a bit slow but the alternative reality is compelling and pushed forward by a great cast, on season 1 the production quality was a bit low making it a bit restrictive and repetitive in its setting, it could well be easily converted into a 4 hour movie with some re-shooting, broader view of that reality and a faster pace that would need a reworking of the main plot, focusing less on the convolutions would have made it far better, season 2 gets a better pace, it does less character building, but in my view exaggerates on the head trips of the characters to explain motivations and concerns. [[w:Cary-Hiroyuki Tagawa]] is excellent.)&lt;/br&gt;
[[w:Glitch (TV series)|Glitch]] (6+, 6 episodes - '''not concluded''')&lt;/br&gt;
[[w:The Grinder (TV series)|The Grinder]] (5+Q, only saw part of episode 1)&lt;/br&gt;
[[w:Jessica Jones|Jessica Jones]] (7+, 13 episodes, great casting, acting and writing, well up to episode 10, then it seems to be rushed or crammed to fit the 13 episodes and I blame it on the direction and editing since there is some wasted time on the slow action of the first episodes)&lt;/br&gt;
[[w:Hung (TV series)|Hung]] (7, 3 seasons 30 episodes - '''canceled''' without proper conclusion, great cast, acting and creative writing)&lt;/br&gt;
[[w:Helix (TV series)|Helix]] (6, 2 seasons with a total of 26 episodes - '''not concluded''', the quality is not consistent nor the acting, the writing and pace is fine even innovative in its field)&lt;/br&gt;
[[w:FlashForward|FlashForward]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Doctor Who (series 1)|Doctor Who 2005]] (6-Q, seen only up to season 9 episode 8, the quality in general was never that great the lore is the more interesting part, but after the [[w:sonic screwdriver]] was turned into sunglasses and the scripts continue in a down-spiral in regards to creativity, I'm done with it...)&lt;/br&gt;
[http://www.imdb.com/title/tt3551796/ American Odyssey] (6-, 13 episodes - '''not concluded''', the acting is not great, the action pace is unbalanced probably a writing issue, that also fails to explore the relevant bits to the history and focus on the easier but often unrealistically presented emotional connections)&lt;/br&gt;
[[w:Outcasts (TV series)|Outcasts]] (6+, 8 episodes - '''not concluded''', the script was interesting in parts and messed up in others the acting was not of consistent quality but it was compelling)&lt;/br&gt;
[[w:Human Target (2010 TV series)|Human Target]] (7-, 2 seasons total of 25 episodes - '''not concluded''', great cast, acting and an above average script)&lt;/br&gt;
[[w:Agent X (TV series)|Agent X]] (5+Q, only saw episode 1, lots of FF after the major discontinuity on the first fight that indicated a lack of quality in the production, just to be surprised moments later on the casting options working with this tired script)&lt;/br&gt;
[[w:House of Cards (US)|House of Cards (U.S. TV series)]] (7+ season 1, 7- season 2, 6+ season 3, 7 seasons 4, 4 seasons with 52 episodes - '''not concluded''')&lt;/br&gt;
[[w:House of Cards (UK)|House of Cards (UK TV series)]] (8+, 4 episodes)&lt;/br&gt;
[[w:Dr. Ken|Dr. Ken]] (5Q, seen part of 1st episode)&lt;/br&gt;
[[w:Lie to Me|Lie to Me]] (6+, 3 seasons with 48 episodes, very creative script plots and subplots but also repetitive in the minutia, hence the 6+ and not a 7-, great acting and pace, [[w:Tim Roth]] makes it pop)&lt;/br&gt;
[[w:Legends (TV series)|Legends]] (6-Q, only saw the first 3 episodes, nothing innovative or enticing, the casting of [[w:Sean Bean]] does not work for me, the age and accent, then there is the feeling that they are treating the show as canned food, no love or spark)&lt;/br&gt;
[[w:Longmire (TV series)|Longmire]] (7-, 4 seasons with 43 episodes total, great casting, acting, setup and inventive script that manages to make the series not about the subplots but the characters and a rare glimpse on US society interaction with native american's issues)&lt;/br&gt;
[[w:The Knick|The Knick]] (7, 2 seasons, 20 episodes, the acting and scripts are great, the production is not at the same level and the camera work and techno sound track at times become extremely annoying, less so on season 2. Counter intuitively the quality also declines as the series goes on on season 1, being the first episodes the better ones even if the characters aren't yet as rich. In season 2 the presentation is more balanced)&lt;/br&gt;
[[w:Defiance (TV series)|Defiance]] (6, 3 seasons 38 episodes total, the production quality is sadly low but there is a lot of creativity and some few sparks of cool acting, all actors improve along the run of the serial and some characters become truly memorable, the background universe is unnecessarily complex and the script writers at times fail to be logically consistent with the reality created or let it go underused, probably due to budgetary issues)&lt;/br&gt;
[[w:Entourage (TV series)|Entourage]] (7-, 8 seasons with a total of 98 episodes, the last 2 seasons had a drop in quality, mostly on the script writing all other production values remained consistent)&lt;/br&gt;
[[w:Zoo (TV series)|Zoo]] (5+Q, saw 8 episodes, the acting is not great, after the first episodes the actors, the less experienced ones, have adopted the same mannerisms of the only 2 innovators, the script starts ok but degenerates too fast becoming increasingly and unnecessarily complex and without a defined path)&lt;/br&gt;
[[w:Lucky 7 (TV series)|Lucky 7]] (6-Q, 2 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Resurrection (U.S. TV series)|Resurrection]] (6, 2 seasons - '''not concluded''', 21 episodes, interesting concept, so as the script goes it shows in its logical failings how absurd some religious concepts are. The acting is not consistent at all, some good actors and some bad and some actors even devolve along the run of the series probably due to lack of proper direction.)&lt;/br&gt;
[[w:Homeland (TV series)|Homeland]] (8, 7 seasons totaling 84 episodes, the script, casting, acting and image is great, the writing degrades a bit as it goes into the last season but almost unnoticeable or complemented the incorporation of good ideas.)&lt;/br&gt;
[[w:Taken (miniseries)|Taken]] (6+, 10 episodes, a bit confusing especially for those that aren't aware of the meme and for those that are a bit infantile on the presentation, I guess that it was weirdly directed toward a younger audience.)&lt;/br&gt;
[[w:666 Park Avenue|666 Park Avenue]] (6, 12 episodes, haven't seen the final 13 or the promised rewritten final  - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Peaky Blinders (TV series)|Peaky Blinders]] (8, 2 seasons, 12 episodes)&lt;/br&gt;
[[w:Fargo (TV series)|Fargo (TV series)]] (9-, 3 seasons totaling 30 episodes)&lt;/br&gt;
[[w:The Event|The Event]] (6+, 22 episodes - '''canceled''' without proper conclusion)&lt;/br&gt;
[[w:Z Nation|Z Nation]] (5+, 4 seasons totaling 56 episodes, crazy scripts, general bad acting (even if improving as it goes on) and bad effects, even so, it is so bad that is fun to watch)&lt;/br&gt;
[[w:Escobar: Paradise Lost|Escobar: Paradise Lost]] (6)&lt;/br&gt;
[[w:Ascension (TV series)|Ascension]] (6, first 6 episodes - '''not concluded''', this is one show that one has to use their ability to suspend critical thinking as there are many issues with the preposition of the script but the pace, acting, effects and the good side of the concept makes it all go forward, since it does not provide a conclusion I would not advise spending time in it until its a finished product)&lt;/br&gt;
[[w:American Heist|American Heist]] (5, bad script and bad directing plus the casting of [[w:Adrien Brody]] feels just weird, he tries but he does not convince)&lt;/br&gt;
[[w:Tut (miniseries)|Tut]] (5+Q, only saw part of the first episode, the acting and casting is not great and any hope of historic correctness was quickly shoot)&lt;/br&gt;
[[w:Wayward Pines|Wayward Pines]] (8 season 1, 7 season 2, 20 episodes total, a conclusion is provided in some way on season 1 but the ability to suspend disbelief on the logic of the plot starts to decay a few episodes near the end, as characters start to behave unrealistically and some even against what the audience would expect based on the provided construction, even so the issue is with the writing and probably on budget stresses to provide a final, this seems to be proven by an increased decline in writing quality on season 2 and even a lower quality of main actors, while the reality created is enticing the production of it seems to decay)&lt;/br&gt;
[[w:Daredevil (TV series)|Daredevil]] (8, 3 seasons totaling 39 episodes, it has a weak 2 first seasons and in the first the series lingers more than it should after episode 8 but overall the best Marvel's hero conversion at the time, especially because it is not too juvenile or infantile as all the others so far, great casting and acting, there is a palpable improvement in the third season even if the writing still lingers in the emotional side of the story)&lt;/br&gt;
[[w:V (2009 TV series)|V (2009]]] (6-, 2 seasons with a total of 22 episodes - '''canceled''' and '''not concluded''', not a carbon copy of the original but lacks the production budget to pull off any significance)&lt;/br&gt;
[[w:V (1984 TV series)|V (1984)]] (6+, 19 episodes, it hasn't aged well and the acting wasn't great nor was the production value but a 80's classic with some creative plot lines and a good pace)&lt;/br&gt;
[[w:Falling Skies|Falling Skies]] (6+, 5 seasons with a total of 52 episodes - '''not concluded''', production wise is just enough to keep it going and this influences the scripts, the CGI could also be better at times, even the creative department could be more consistent in general, but the main problem is the acting quality among the cast (and their directing) , with very few exceptions and considering that the main characters improve over time. the thing that keeps it all going is the main story arc and even so the writers at times takes us in some unnecessary side rides and rush the important stuff at the end of a season)&lt;/br&gt;
[[w:Remember Me (TV series)|Remember Me]] (6, 3 episodes, Great cast and acting, BBC quality image but the script that starts fabulously loses quality rapidly)&lt;/br&gt;
[[w:Da Vinci's Demons|Da Vinci's Demons]] (6-, 2 seasons 18 episodes)&lt;/br&gt;
[[w:Banshee (TV series)|Banshee]] (7, 2 seasons / 20 ep. +  web series Banshee Origins 8 ep.)&lt;/br&gt;
[[w:Black Sails (TV series)|Black Sails]] (9, 4 seasons totalling 38 episodes, great cast, acting, writing and production value)&lt;/br&gt;
[[w:Almost Human (TV series)|Almost Human]] (6+, 13 - '''canceled''', a bit more consistent acting and higher production and it would be extremely cool, no closure was provided to the series long history arc)&lt;/br&gt;
[[w:Rubicon (TV series)|Rubicon]] (8, 13 episodes - '''canceled''' and '''not concluded''', very good acting, plot and production, to be clear the last episode offers some sort of haphazardly created conclusion that addresses some of the plot arches questions but does not resolve or satisfy as a real end)&lt;/br&gt;
[[w:Ripper Street|Ripper Street]] (7 for the first season, 6 for the second and third, 3 seasons with a total of 24 episodes, great acting and some good plot lines and well created characters but the script degrades overtime into not only a slower speed but repetition and common places, the 3rd season would have closed the series nicely...)&lt;/br&gt;
[[w:No Ordinary Family|No Ordinary Family]] (6, 20 episodes)&lt;/br&gt;
[[w:The Shield|The Shield]] (9, 7 seasons with 88 episodes total)&lt;/br&gt;
[[w:Under the Dome (TV series)|Under the Dome]] (5-Q, 5 for the first season and 4 for the 2nd seasons as the quality in general crashes even at script level, 26 episodes, I have stopped watching at the 4th episode of the 3rd season as I really couldn't care less about the characters the plot of the cheesy acting)&lt;/br&gt;
[[w:The Unit|The Unit]] (6, 4 seasons with 68 episodes)&lt;/br&gt;
[[w:Dirk Gently (TV series)|Dirk Gently]] (6)&lt;/br&gt;
[[w:The Big Bang Theory|The Big Bang Theory]] (7 season 1, 6 season 2, 5 season 3, 4 the rest ... I just continue to see it due to character based curiosity and to define what went wrong, I think it was the script quality...)&lt;/br&gt;
[[w:Utopia (UK TV series)|Utopia]] (6, 2 seasons with 22 episodes total, could have been better the music score and the story itself is great)&lt;/br&gt;
[[w:Penny Dreadful (TV series)|Penny Dreadful]] (7+, 3 seasons of 8, 10 and 9 episodes respectively, superb casting, great acting and improving quality in esthetics's and editing, if it had more funding, the quality of the scripts was constant and some clumsy acting corrected it would be un-improvable)&lt;/br&gt;
[[w:Wheel of Time|Wheel of Time]] (5, pilot)&lt;/br&gt;
[[w:The Strain (TV series)|The Strain]] (7, 4 seasons totalling 48 episodes, while quality declines a bit on the second season, the issue being that the serial is become even slower and more repetitive it picks up a bit later even if it seems to start to be written more for a specific demographics, teenagers)&lt;/br&gt;
[[w:The X-Files|The X-Files]] (7, 9 seasons with 202 episodes, the series hasn't aged well and the quality is not constant across all episodes, nor are they all related to the main history arch, at times the plot gets very and unnecessarily confusing, watching the movies will probably help clearing all the mess, even so there are episodes and concepts that are truly good)&lt;/br&gt;
[[w:Terminator: The Sarah Connor Chronicles|Terminator: The Sarah Connor Chronicles]] (7, 2 series with 31 episodes - '''not concluded''')&lt;/br&gt;
[[w:Endgame (TV series)|Endgame]] (6, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Eleventh Hour (U.S. TV series)|Eleventh Hour]] (6+, 18 episodes)&lt;/br&gt;
[[w:Elementary (TV series)|Elementary]] (6+, 6 seasons totaling 141 episodes, sadly beyond season 2 the quality of episodes is not constant but the writers keep the creativity fresh with the help of a wonderful cast)&lt;/br&gt;
[[w:Alphas|Alphas]] (6, 2 seasons with a total of 24 episodes - '''canceled''' and '''not concluded''')&lt;/br&gt;
[[w:Poldark (2015 TV series)|Poldark (2015)]] (7-, first 2 seasons, 6 in the last 2, 4 seasons with a total of 35 episodes - '''not concluded''', good acting, great casting and filled with interesting characters all under BBC's great care for image, there is a decline in quality even of acting from season 3 on, and the scripts devolve into something similar to a soap opera with the only thing keeping it going is the investment the audience has in the characters)&lt;/br&gt;
[[w:Weeds (TV series)|Weeds]] (7, 8 seasons with 102 episodes)&lt;/br&gt;
[[w:Extant (TV series)|Extant]] (6, 2 seasons 26 episodes, the script and the acting, even [[w:Halle Berry]] performance could be better, probably a director's problem. The quality declines a bit on the second season too)&lt;/br&gt;
[[w:The Suspicions of Mr Whicher|The Suspicions of Mr Whicher]] (8, 2 seasons of 2 episodes)&lt;/br&gt;
[[w:Alcatraz (TV series)|Alcatraz]] (6, only seen 12 of the 13 episodes as it was '''canceled''', the last episode seems to have been created to provide closure as make the series salable. Not great but good acting, way better than Marvel Agents of Shield)&lt;/br&gt;
[[w:True Blood|True Blood]] (7+, 7 seasons, 80 episodes total, great universe, fantastic characters a bit too in your face LGBT for my taste at times but it maintains a good quality across all seasons)&lt;/br&gt;
[[w:True Detective (TV series)|True Detective]] (9, Season 1, 8 episodes, 8, Season 2, 8 episodes, fantastic characters, aesthetics and good script, even if season 1 is superior in both acting and script consistency and pace, probably due to the simpler base plot)&lt;/br&gt;
[[w:Dexter (TV series)|Dexter]] (7 for the 1st series, 6 for the 2nd up to the 7th and 5 for the last season the 8th)&lt;/br&gt;
[[w:Vikings (TV series)|Vikings]] (9 for the 2 first seasons, 19 episodes, 7 for the 3rd, 10 episodes, 6+ for the 4th, 20 episodes, amazing production from the image to the actors, casting and script, the casting starts to lose quality from the third season on, and the acting replicative and not character driven)&lt;/br&gt;
[[w:Terra Nova (TV series)|Terra Nova]] (6, 13 episodes - '''canceled''')&lt;/br&gt;
[[w:The Michael J. Fox Show|The Michael J. Fox Show]] (4, S1E1-2Q, too forced and cliché to a point it wasn't funny.)&lt;/br&gt;
[[w:Merlin (TV series)|Merlin]] (5, 5 seasons, 65 episodes)&lt;/br&gt;
[[w:Halt and Catch Fire (TV series)|Halt and Catch Fire]] (8 for Season 1, 10 episodes)&lt;/br&gt;
[[w:Inside No. 9|Inside No. 9]] (6+, only saw the 1st season ep. 1 and the 2nd season ep. 2, a special taste is required, the series revolves around human social, moral constructs and behaviors)&lt;/br&gt;
[[w:The Last Man on Earth (TV series)|The Last Man on Earth]] (6-, 4 seasons with a total 67episodes, it falls in the section of &quot;it is so bad that I couldn't stop watching&quot;, and that it is sad because it could have been so much better, the concept and even the actors are not bad but it derails into very infantile and over extended attempts to be funny, though there are some cool ideas and the scripts improve over time)&lt;/br&gt;
[[w:The Messengers (TV series)|The Messengers]] (5Q, seen only the first 2 episodes, the writing is the worst part but the religious setup, as presented, caters only for a selected audience, the camera works and the acting needed also an improvement)&lt;/br&gt;
[[w:Hand of God (TV series)|Hand of God]] (6+, 10 episodes, the first episodes are great but the script seems to lose quality especially after episode 7, the plot come to a crawl at that point and the ending is unsatisfactory)&lt;/br&gt;
[[w:World Without End (miniseries)|World Without End]] (7)&lt;/br&gt;
[[w:United States of Tara|United States of Tara]] (8, 3 seasons of 12 episodes)&lt;/br&gt;
[[w:Persons Unknown (TV series)|Persons Unknown]] (6, 13 episodes, good production and good acting but things start to fall apart as the great setup crumbles, sad.)&lt;/br&gt;
[[w:Paradox (TV series)|Paradox]] (5+, 5 episodes - '''canceled''', interesting idea but not so good production.)&lt;/br&gt;
[[w:The Fades (TV series)|The Fades]] (6-, 6 episodes, good acting, interesting concept but low production prevents it to be better.)&lt;/br&gt;
[[w:Texas Rising|Texas Rising]] (6-, 5 episodes, good production, image and fair acting, the history channel has managed to keep that standard but with it also comes the low quality of the content and presentation, that in this case has no regard to historic accuracy, that should be principal, embarking in an infantile state propaganda, akin to those that we are accustomed to come from China or South Korea)&lt;/br&gt;
[[w:Sense8|Sense8]] (5-, only saw the first episode)&lt;/br&gt;
[[w:Awake (TV series)|Awake]] (7, 13 episodes - '''not concluded''')&lt;/br&gt;
[[w:Bosch (TV series)|Bosch]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Hysteria (TV series)|Hysteria]] (6, pilot - '''not concluded''' )&lt;/br&gt;
[[w:Allegiance (TV series)|Allegiance]] (5, seen only 1 episode, the premise was ok but, bad acting and worse script sank it, see [[w:The Americans (2013 TV series)]] for contrast)&lt;/br&gt;
[[w:The Voices (film)|The Voices]] (5, good premise, ok acting but the story is very blah and the characters are very thin)&lt;/br&gt;
[[w:Game of Thrones|Game of Thrones]] (9, 4 seasons, 40 episodes + A Day in the Life, season 5 making of documentary)&lt;/br&gt;
[[w:Zero Hour (2013 TV series)|Zero Hour]] (6-, 13 episodes, the acting is not great but the script is an interesting mix of ideas)&lt;/br&gt;
[[w:Attack on Titan|Shingeki no Kyojin]] (7, 25 episodes)&lt;/br&gt;
[[w:X Company|X Company]] (5+Q, 3 episodes, low production more than anything harms this series, the script premise is interesting but it locks the story development into repetition, making it not very creative at all beyond the introduction to it)&lt;/br&gt;
[[w:The Bridge (2013 TV series)|The Bridge]] (8, 2 seasons with 13 episodes each)&lt;/br&gt;
[[w:2 Broke Girls|2 Broke Girls]] (6, season 1, 24 episodes, 5, season 2, 24 episodes, 5-, season 3 and 4, 24 and 22 episodes respectively)&lt;/br&gt;
[[w:The Assets|The Assets]] (6, 8 episodes)&lt;/br&gt;

==== Animation ====
[[w:Merc Storia: Yujutsushi to Suzu no Shirabe|Merc Storia: Yujutsushi to Suzu no Shirabe]] (6Q, only saw episode 1, I'm not the intended demographic and the art work and animation was not very good)&lt;/br&gt;
[https://www.imdb.com/title/tt8421152/ Gary and His Demons] (6-, only saw episode 1, didn't like the animation artwork or audio work, even if the writing was creative)&lt;/br&gt;
[[w:Angolmois: Record of Mongol Invasion|Angolmois: Record of Mongol Invasion]] (6, 12 episodes, the animation isn't great but the characters and plot lines keeps it going)&lt;/br&gt;
[[w:Cardcaptor Sakura: Clear Card|Cardcaptor Sakura: Clear Card]] (6-Q, only saw part of the first episode, I remember watching the some episodes of the first series and it were better it seems to have degenerated into something like [[w:Sailormoon]])&lt;/br&gt;
[[w:Orange (manga)|Orange]] (7+, 13 episodes)&lt;/br&gt;
[[w:Drifters (manga)|Drifters]] (6, 12 episodes - '''not concluded''', I don't like the format nor part of the artwork, especially the eyes, but the script is fun even if a lot of it is derivative)&lt;/br&gt;
[[w:Black Clover|Black Clover]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Angels of Death (video game)|Angels of Death aka Satsuriku no Tenshi]] (6-, only saw the first episode)&lt;/br&gt;
[[w:Atom: The Beginning|Atom: The Beginning]] (6Q, only saw the first two episodes, the art and animation is good but the scripts fail to keep an interest)&lt;/br&gt;
[[w:Rick and Morty|Rick and Morty]] (6-Q, only saw episode 1, great creativity, the main plot lines are great but I don't like the low quality art work and resonate badly with some of the course humor in the quantity provided)&lt;/br&gt;
[[w:B The Beginning|B: The Beginning]] (6+, 12 episodes, art and animation ok, but the content is too derivative and no real depth is given to most of the characters or even the setting, especially since it has not been expressed on other medium)&lt;/br&gt;
[[w:Blend S|Blend S]] (6Q, only saw episode 6, nothing to declare same stuff rehashed again and again)&lt;/br&gt;
[[w:List of Attack on Titan episodes|Attack on Titan]] aka Shingeki no Kyojin (7-, 2 series with a total of 37 episodes - '''not concluded''', while the artwork is not that impressive nor is the animation, the script ideas that holds it together and its characters are good, even if something is lost in the second series the plot lines become more promising)&lt;/br&gt;
[[w:The Laughing Salesman|The Laughing Salesman aka Warau Salesman]] (6-Q, only saw episode 1, did not like the artwork or the plot)&lt;/br&gt;
[[w:Seven Mortal Sins|Seven Mortal Sins aka Sin – Nanatsu no Taizai]] (6Q, only saw the first 4 episodes, it is more like [[w:Hentai]] with a lot of Nipon censure. The art work isn't great nor the animation, the plot is innovative but the script is dedicated to the core purpose)&lt;/br&gt;
[[w:Re:Zero − Starting Life in Another World|Re:Zero − Starting Life in Another World]] (7-, 25 episodes)&lt;/br&gt;
[[w:Alderamin on the Sky|Alderamin on the Sky]] (7-, 13 episodes)&lt;/br&gt;
[[w:Dimension W|Dimension W]] (6+, 12 episodes)&lt;/br&gt;
[[w:Log Horizon|Log Horizon]] (6+, 2 series with a total of 50 episodes, the creative idea (2011) seems to be the source of other derivatives, like Overlord or DanMachi but here is presented in a very dull/repetitive way, the characters are great but the plot is slow and unnecessary complicated, the second series gains a better quality in regards to artwork but the same is lost in the script)&lt;/br&gt;
[[w:Comet Lucifer|Comet Lucifer]] (6, 12 episodes, the artwork and animation if fine but the script is not very good beyond most, but not all, of the characters in it)&lt;/br&gt;
[[w:Mysterious Girlfriend X|Mysterious Girlfriend X]] (6+, 13 episodes, the attention to detail on the animation movements is very cool)&lt;/br&gt;
[[w:Berserk (2016 TV series)|Berserk (2016)]] (7-, 12 episodes, I dislike the artwork and some of the transparent computer aided animation but can't refute the quality of some of the craft and creativity behind it, there are some memorable sequences and dialogs that push it further than it would otherwise go that and the great characters and story line)&lt;/br&gt;
[[w:Big Order|Big Order]] (6+, 10 episodes)&lt;/br&gt;
[[w:Endride|Endride]] (6-Q, only saw the first episode, too derivative and the artwork is not that great)&lt;/br&gt;
[[w:Lego Nexo Knights|Lego Nexo Knights]] (5Q, only saw episode 9)&lt;/br&gt;
[[w:Planetarian: The Reverie of a Little Planet|Planetarian: The Reverie of a Little Planet]] (7, 5 episodes)&lt;/br&gt;
[[w:Gate (novel series)|Gate]] (6+, 20 episodes, sadly the animation is not of better quality, but its a very creative concept full of interesting characters)&lt;/br&gt;
[[w:Kabaneri of the Iron Fortress|Kabaneri of the Iron Fortress]] (7, 12 episodes)&lt;/br&gt;
[[w:Basilisk (manga)|Basilisk]] (6+, 24 episodes)&lt;/br&gt;
[[w:Servamp|Servamp]] (6-, only saw the first episode, while the artwork and animation is fine the plot is too absurd, even for an anime)&lt;/br&gt;
[[w:Erased (manga)|Erased]] (7-, 12 episodes)&lt;/br&gt;
[[w:Bungo Stray Dogs|Bungo Stray Dogs]] (6, only saw the first episode, didn't care for the plot and did not like the color &quot;overuse&quot; nor the excessive info-graphics, the art work and animation was fine)&lt;/br&gt;
[[w:Spice and Wolf|Spice and Wolf]] (6+, 17 episodes - '''not concluded''',  while the artwork and animation is not the best the plot and characters makes it memorable, this is also one of the few times I liked an English dub of a Japanese animation, great work by the voice actors)&lt;/br&gt;
[[w:Kagewani|Kagewani]] (5, only saw the first episode, did not like the style of the animation, animated stills, and artwork itself)&lt;/br&gt;
[[w:Twin Star Exorcists|Sousei no Onmyouji]] (5+, only saw the first episode, script is a rehash of better works the artwork is also not very good)&lt;/br&gt;
[[w:Fate/Zero|Fate/Zero]] (6, 25 episodes, did not like some of the artwork, specially some of the faces, the script is not that good or innovative and the ending is very anticlimactic, it does get interesting characters and is superb on their emotional interconnections, it also tries to be a bit mental in terms of strategy and rules of its universe without being too complex or frustrate too much the viewer with &quot;magical&quot; exceptions)&lt;/br&gt;
[http://www.imdb.com/title/tt4953128/ Animals] (5Q, only saw episode 1, for something similar but way better see the original [[w:Creature Comforts]])&lt;/br&gt;
[[w:One-Punch Man|One-Punch Man]] (7-, 12 episodes, the artwork and design is very inconsistent in quality, very good parts mixed with some low quality, the most problematic is the short format that hinders the story telling and inner consistency of it)&lt;/br&gt;
[[w:Overlord (novel series)|Overlord]] (7-, 3 seasons totaling 39 episodes - '''not concluded''', haven't seen the [[w:Original video animation|OVA]]s, I don't particularly like the artwork but the ideas on the scripts are extremely fun, resulting in a very  clever mashup)&lt;/br&gt;
[[w:Noragami|Noragami Aragoto]] (6+, 13 episodes, very creative lore and concepts)&lt;/br&gt;
[[w:Tron: Uprising|Tron: Uprising]] (6+, 19 episodes - &quot;Canceled&quot;, the end seems a bit rushed but it provides some closure)&lt;/br&gt;
[[w:Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist|Shimoneta: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist]] (6+, 12 episodes, for adults, even if at times nippon culture seem extremely alien to a point of moral objection)&lt;/br&gt;
[[w:Planetes|Planetes]] (7-, 26 episodes, a real space soap opera, great story, art style and animation, even if at times shortcuts seem to have been taken, especially toward the end)&lt;/br&gt;
[[w:Generator Rex|Generator Rex]] (6-, 3 seasons with 60 episodes in total, great artwork and better scripting but low budget animation and very &quot;aggressive&quot; musical score degrades the quality, there are some very cool ideas mixed together, except the talking monkey sidekick. There is a small improvement on quality as it progresses)&lt;/br&gt;
[[w:Gods Eater Burst|Gods Eater]] (5+, only saw the first episode not the prelude one labeled 0, I generally dislike high stylized BD or animation, in this particular work I appreciate the concept, at times almost like water color and do like the creative art but the plot and characters are rehashes)&lt;/br&gt;
[[w:Btooom!|Btooom!]] (6, 12 episodes)&lt;/br&gt;
[[w:Is It Wrong to Try to Pick Up Girls in a Dungeon?|DanMachi]] (6+, 13 episodes, extremely creative, funny and full of RPG references with a Nippon twist anime)&lt;/br&gt;
[[w:Aldnoah.Zero|Aldnoah.Zero]] (6+, 24 episodes, while I do not appreciate the style, especially the one used for faces and the simplistic backgrounds, it improves as the series goes on, the action sections seem to be computer aided animation and are distinct and the plot and emotional dynamics are well structured)&lt;/br&gt;
[[w:Tokyo Ghoul|Tokyo Ghoul]] (6, 12 episodes - '''not concluded''', good artwork but Nippon scripting is a bit over the wall for me, regarding the subject matter, beyond the commonalities that are expected)&lt;/br&gt;
[[w:Parasyte|Parasyte - the maxim]] (7, 24 episodes)&lt;/br&gt;
[[w:The Heroic Legend of Arslan|Arslan]] (5Q, only saw the first 2 episodes, the animation is not very good nor is the script. I hope that the books are better but there is clearly a desynchrony on how in general terms, Asians envision European medieval times and build upon that)&lt;/br&gt;

===Movies:===
[[w:Destroyer (2018 film)|Destroyer]] (6+)&lt;/br&gt;
[[w:Bullitt County (film)|Bullitt County]] (6-Q, subpar acting and a droll script)&lt;/br&gt;
[https://www.imdb.com/title/tt6294226/ Stray (2019)] (6-, all ok except the script that except from the core concept, is very weak)&lt;/br&gt;
[[w:Captain Marvel (film)|Captain Marvel]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt3312180/ The Last Man] (6-Q, too theatrical and the script is all over the place with attempts to pass &quot;clever&quot; subtext)&lt;/br&gt;
[[w:Bird Box (film)|Bird Box]] (7-)&lt;/br&gt;
[[w:Black Mirror: Bandersnatch|Black Mirror: Bandersnatch]] (6-)&lt;/br&gt;
[[w:Green Book (film)|Green Book (film)]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt4157728/ The Last Boy] (6-)&lt;/br&gt;
[[w:The Girl in the Spider's Web (film)|The Girl in the Spider's Web]] (6)&lt;/br&gt;
[[w:Io (film)|Io]] (6)&lt;/br&gt;
[[w:Glass (2019 film)|Glass]] (6+)&lt;/br&gt;
[[w:Polar (film)|Polar]] (6-, great acting potential ruined by everything else. From a crappy camera, bad direction and foul editing to a sub par script)&lt;/br&gt; 
[[w:Bumblebee (film)|Bumblebee]] (6, the script is very bad)&lt;/br&gt;
[[w:Mortal Engines (film)|Mortal Engines]] (6+, same formula rinse and repeat, sad, any innovative idea is just nonsense)&lt;/br&gt; 
[[w:Aquaman (film)|Aquaman]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt8883164/ Dead in the Water] (6)&lt;/br&gt;
[[w:Piercing (film)|Piercing]] (6+, a bit too empty of content for the length it uses)&lt;/br&gt;
[[w:The Man Who Killed Hitler and Then the Bigfoot|The Man Who Killed Hitler and Then the Bigfoot]] (6, the acting is fine but the script and production falters at critical moments dragging it down to mediocre levels)&lt;/br&gt;
[[w:Alita: Battle Angel|Alita: Battle Angel]] (7-)&lt;/br&gt;
[[w:Prospect (film)|Prospect]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt8329290/ The Golem] (6-)&lt;/br&gt;
[[w:Shoplifters|Shoplifters]] (6+)&lt;/br&gt; 
[https://www.imdb.com/title/tt9679608/ Mystery 101] (6-Q)&lt;/br&gt;
[[w:Rust Creek|Rust Creek]] (6-, almost a 6 but the script and acting was not there)&lt;/br&gt; 
[[w:The Vanishing (2018 film)|The Vanishing (2018)]] (6)&lt;/br&gt;
[[w:The Old Man &amp; the Gun|The Old Man &amp; the Gun]] (6+)&lt;/br&gt;
[[w:King Lear (2018 film)|King Lear (2018)]] (6-Q, too dry for me, I dislike play actualization that preserve de-synchronicities as fake erudition, in this case, the dialogs)&lt;/br&gt;
[[w:Sorry to Bother You (film)|Sorry to Bother You]] (6-, it start ok, and the social commentary is well crafted but the scrip goes off the tracks in the middle not only by deepening a palpable racial dissonance but the general nonsense that is introduced)&lt;/br&gt;
[[w:The Belstone Fox|The Belstone Fox]] (6-, it hasn't aged well especially the cinematography, but even then the editing would have been problematic, too low budged and simplified, waiting a more artistic remake as the plot lines of the original work and the underline text would merit it)&lt;/br&gt;
[[w:Apostle (film)|Apostle]] (6, the scrip goes off the rails near the end, only the core plot lines, production value and the acting saves it, the casting/directing also works well, [[w:Dan Stevens]] type of over acting in this case is a perfect match or the intense and damaged character)&lt;/br&gt;
[[w:The Kindergarten Teacher (2018 film)|The Kindergarten Teacher]] (7)&lt;/br&gt;
[https://www.imdb.com/title/tt6013156/ What Still Remains] (5+)&lt;/br&gt;
[[w:Leave No Trace (film)|Leave No Trace]] (6+)&lt;/br&gt;
[[w:Bloody Spear at Mount Fuji|Bloody Spear at Mount Fuji]] (7-)&lt;/br&gt;
[[w:Sekigahara (film)|Sekigahara]] (6+, the dialogs pace is too fast at times, the film would benefit more time as not to be as compressed)&lt;/br&gt;
[[w:Hotel Artemis|Hotel Artemis]] (6)&lt;/br&gt;
[[w:Black '47 (film)|Black '47]] (6+)&lt;/br&gt;
[[w:Hold the Dark|Hold the Dark]] (6+)&lt;/br&gt;
[[w:Cold Skin (film)|Cold Skin]] (7-)&lt;/br&gt;
[[w:The Satan Bug|The Satan Bug]] (6-)&lt;/br&gt;
[[w:I Think We're Alone Now (film)|I Think We're Alone Now]] (6)&lt;/br&gt;
[[w:Bleach (2018 film)|Bleach]] (6)&lt;/br&gt;
[[w:The Wailing (film)|The Wailing]] (6+)&lt;/br&gt;
[[w:Support the Girls|Support the Girls]] (6-, sadly the script is not worth more)&lt;/br&gt;
[[w:American Animals|American Animals]] (6, very weak 6 at that as this small story is slowly presented in almost a documentary format that is at the same time a creative approach but makes even more evident that there is very few content for it all. The acting is fine and even if limited in budget the production works for what it aim for)&lt;/br&gt;
[[w:Remains (film)|Remains]] (5Q)&lt;/br&gt;
[[w:Solo: A Star Wars Story|Solo: A Star Wars Story]] (6- if you love the original trilogy, 6 if you don't really care about the context of it all)&lt;/br&gt;
[[w:Mission: Impossible – Fallout|Mission: Impossible – Fallout]] (6)&lt;/br&gt;
[[w:Sicario: Day of the Soldado|Sicario: Day of the Soldado]] (7-)&lt;/br&gt;
[[w:Mandy (2018 film)|Mandy]] (6, the visuals are great, the cinematography is above average but the script does little to justify the time, the acting and editing could easily be better with some luck it may get into the cult movie niche with some subjective interpretation of it all)&lt;/br&gt;
[[w:The Meg|The Meg]] (5+, there is some production quality but the script is atrocious, maybe partly due to a cultural dissonance but even so its bad)&lt;/br&gt;
[https://www.imdb.com/title/tt5973658/ Winter Ridge] (5Q)&lt;/br&gt;
[[w:Mark Felt: The Man Who Brought Down the White House|Mark Felt: The Man Who Brought Down the White House]] (6+)&lt;/br&gt;
[[w:Radius (film)|Radius]] (6, low budget but the script, the cast and acting works ok)&lt;/br&gt;
[[w:Skyscraper (2018 film)|Skyscraper (2018)]] (6)&lt;/br&gt;
[[w:Tag (2018 film)|Tag (2018)]] (6-)&lt;/br&gt;
[[w:Patient Zero (film)|Patient Zero]] (6-)&lt;/br&gt;
[[w:Bleeding Steel|Bleeding Steel]] (5+)&lt;/br&gt;
[[w:Fahrenheit 451 (2018 film)|Fahrenheit 451 (2018)]] (6-Q)&lt;/br&gt;
[[w:Cargo (2017 film)|Cargo (2017)]] (6)&lt;/br&gt;
[[w:A Quiet Place (film)|A Quiet Place]] (6)&lt;/br&gt;
[[w:Death Wish (2018 film)|Death Wish (2018)]] (6+, all is fine, even the scrip manages to have a great pace, it doesn't aspire to more than it is, if we discount the political barbs)&lt;/br&gt;
[[w:A Wrinkle in Time (2018 film)|A Wrinkle in Time (2018)]] (6-)&lt;/br&gt;
[[w:First Reformed|First Reformed]] (6, a bit preachy, no pun intended, and the end seems rushed and out of character)&lt;/br&gt;
[[w:Phantoms (film)|Phantoms]] (6-, low budget, the acting is problematic only the script pushes it up a bit and even that has fails)&lt;/br&gt;
[[w:Future World (film)|Future World]] (5+)&lt;/br&gt;
[[w:Josie (film)|Josie]] (6-)&lt;/br&gt;
[[w:Extinction (2018 film)|Extinction (2018)]] (6)&lt;/br&gt;
[[w:Jurassic World: Fallen Kingdom|Jurassic World: Fallen Kingdom]] (6)&lt;/br&gt;
[[w:Hot Summer Nights (film)|Hot Summer Nights]] (7-)&lt;/br&gt;
[[w:How It Ends (film)|How It Ends]] (6, almost did not make it, limited budget shows and the script does not satisfy)&lt;/br&gt;
[[w:Tomb Raider (film)|Tomb Raider (2018)]] (6+)&lt;/br&gt;
[[w:In Darkness (2018 film)|In Darkness (2018)]] (5+)&lt;/br&gt;
[[w:2036 Origin Unknown|2036 Origin Unknown]] (6-)&lt;/br&gt;
[[w:Siberia (2018 film)|Siberia (2018)]] (6, almost dint make it, limited budget and the script start and pace is problematic but it goes in a crescendo and by the end it is saved)&lt;/br&gt;
[https://www.imdb.com/title/tt3165632/ 5th Passenger] (5+, better camera work and more funding required but production is not bad and the acting is passable a better script and it would made the cut)&lt;/br&gt;
[[w:Chappaquiddick (film)|Chappaquiddick]] (6, I do dislike these Hollywood history re-wrights)&lt;/br&gt;
[[w:Ghost Stories (film)|Ghost Stories]] (6)&lt;/br&gt;
[[w:Tully (2018 film)|Tully]] (6, probably a 6+ for its intended audience but I found the script a bit empty, the trailer and cast is great)&lt;/br&gt;
[https://www.imdb.com/title/tt5017936/ Prodigy] (6-, suffers from a low budget and the acting is too stiff and theatrical but the script pushes it forward almost to a 6)&lt;/br&gt;
[[w:Flower|Flower]] (6)&lt;/br&gt;
[[w:Escape Plan|Escape Plan]] (6-)&lt;/br&gt;
[[w:Escape Plan 2: Hades|Escape Plan 2: Hades]] (5+Q)&lt;/br&gt;
[[w:Before We Vanish|Before We Vanish]] (5+Q)&lt;/br&gt;
[[w:The Endless (film)|The Endless]] (6, could easily have been better, it goes a bit offtrack near the end, low budget and some problematic acting an lighting also do not help but a cleaver script saves it)&lt;/br&gt;
[[w:Truth or Dare (2018 film)|Truth or Dare (2018)]] (6-, maybe a 6 for the young of the intended demographics but the script has some very big logic holes)&lt;/br&gt;
[[w:Muse (2017 film)|Muse]] (6)&lt;/br&gt;
[[w:Rampage (2018 film)|Rampage]] (6+, the script is a huge mess but the production, acting and cgi are the main show)&lt;/br&gt;
[[w:Alien Code|Alien Code]] (6- but a 6 for those that can grasp the inside &quot;messages&quot;, sadly the limited budget is noticed)&lt;/br&gt;
[[w:Tau (film)|Tau]] (6+, a low budget and being a revisit to a well know subject becomes problematic at times but good acting and adding new ideas makes it a pleasure to see it play out)&lt;/br&gt;
[[w:Black Butterfly (2017 film)|Black Butterfly (2017)]] (6)&lt;/br&gt;
[[w:Ghost in the Shell (2017 film)|Ghost in the Shell]] (6+)&lt;/br&gt;
[[w:Alien: Covenant|Alien: Covenant]] (7-)&lt;/br&gt;
[[w:Going in Style (2017 film)|Going in Style]] (6)&lt;/br&gt;
[[w:Tharlo|Tharlo]] (6+)&lt;/br&gt;
[[w:Shot Caller (film)|Shot Caller]] (6)&lt;/br&gt;
[[w:The Osiris Child: Science Fiction Volume One|The Osiris Child: Science Fiction Volume One]] (6-)&lt;/br&gt;
[https://www.imdb.com/title/tt6891976/ Alien Reign of Man] (5Q, more than the effects or even the production limitation it is the acting and poor and slow script that are intolerable)&lt;/br&gt;
[[w:Sacrifice (2016 film)|Sacrifice (2016)]] (6)&lt;/br&gt;
[[w:Extraterrestrial (2011 film)|Extraterrestrial aka SP:Extraterrestre]] (6+)&lt;/br&gt;
[https://www.imdb.com/title/tt5723416/ The Beyond] (6-)&lt;/br&gt;
[[w:Day of the Dead: Bloodline|Day of the Dead: Bloodline]] (6-)&lt;/br&gt;
[[w:Red Sparrow|Red Sparrow]] (6)&lt;/br&gt;
[[w:Pacific Rim Uprising|Pacific Rim Uprising]] (6, mostly the effects and CGI the script and acting is sub par)&lt;/br&gt;
[[w:Black Panther (film)|Black Panther]] (6, the acting is bad, the CGI is problematic and it is unnecessarily racial at times)&lt;/br&gt;
[[w:Anon (film)|Anon]] (6, beyond the initial plot lines the script is a mess)&lt;/br&gt;
[[w:November Criminals (film)|November Criminals]] (6-, the script needed more work the action's pace is off and the casting feels weird, the acting is fine but it doesn't seem to work well)&lt;/br&gt;
[[w:Game Over, Man!|Game Over, Man!]] (5+Q)&lt;/br&gt;
[[w:The Commuter (film)|The Commuter]] (6+)&lt;/br&gt;
[[w:The Titan (film)|The Titan]] (6)&lt;/br&gt;
[[w:Psychokinesis (film)|Psychokinesis]] (6)&lt;/br&gt;
[[w:The Hurricane Heist|The Hurricane Heist]] (6)&lt;/br&gt;
[[w:You Were Never Really Here|You Were Never Really Here]] (6-, the problem is all in the script and production that probably affected the choices made and the camera work)&lt;/br&gt;
[[w:12 Strong|12 Strong]] (6)&lt;/br&gt;
[[w:Hostiles (film)|Hostiles]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt6210996/ 10x10] (6)&lt;/br&gt;
[https://www.imdb.com/title/tt4469518/ Genesis] (6-)&lt;/br&gt;
[[w:Vanishing Waves|Vanishing Waves aka Aurora]] (7-)&lt;/br&gt;
[https://www.imdb.com/title/tt3831344/ Amelia 2.0] (6)&lt;/br&gt;
[[w:The Man from Earth: Holocene|The Man from Earth: Holocene]] (6- if you haven't seen the previous, 6 if you have)&lt;/br&gt;
[[w:Brawl in Cell Block 99|Brawl in Cell Block 99]] (6+)&lt;/br&gt;
[[w:Goodbye Christopher Robin|Goodbye Christopher Robin]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:Spartan (film)|Spartan]] (6)&lt;/br&gt;
[[w:The Ballad of Lefty Brown|The Ballad of Lefty Brown]] (6)&lt;/br&gt;
[[w:Thor: Ragnarok|Thor: Ragnarok]] (6+)&lt;/br&gt;
[[w:The Open House|The Open House]] (6-)&lt;/br&gt;
[[w:Maze (2017 film)|Maze (2017 film)]] (6)&lt;/br&gt;
[[w:Downsizing (film)|Downsizing]] (6+, could easily been better but the plot lines was more about social comments than the stuff the attracted audience would probably want)&lt;/br&gt;
[[w:Suburbicon|Suburbicon]] (6, could have been better but the criticism I saw was not merited)&lt;/br&gt;
[[w:The Florida Project|The Florida Project]] (6+)&lt;/br&gt;
[[w:The Killing of a Sacred Deer|The Killing of a Sacred Deer]] (6-, a quasi-nonsensical script but the directing of the actors, for what it was going for, and cinematography is quite good)&lt;/br&gt;
[[w:The Cloverfield Paradox|The Cloverfield Paradox]] (6, the script has issues, the acting could be better and production value is limited but well distributed)&lt;/br&gt;
[[w:The Ritual (2017 film)|The Ritual]] (6)&lt;/br&gt;
[[w:Thank You for Your Service (2017 film)|Thank You for Your Service]] (6)&lt;/br&gt;
[[w:Murder on the Orient Express (2017 film)|Murder on the Orient Express (2017)]] (6)&lt;/br&gt;
[[w:Wonder (film)|Wonder]] (6+)&lt;/br&gt;
[[w:Marrowbone (film)|Marrowbone]] (6+)&lt;/br&gt;
[[w:Beast of Burden (film)|Beast of Burden]] (6-)&lt;/br&gt;
[[w:The Lodgers (film)|The Lodgers]] (5+, good production value but all else fails in some way)&lt;/br&gt;
[[w:All the Money in the World|All the Money in the World]] (6+)&lt;/br&gt;
[[w:The Shape of Water|The Shape of Water]] (7-)&lt;/br&gt;
[[w:Mute (2018 film)|Mute]] (6+, too convoluted at times it tried to mashup too many things, and the editing, how it is presented does not help)&lt;/br&gt;
[[w:Jumanji: Welcome to the Jungle|Jumanji: Welcome to the Jungle]] (6, almost a 6- acting is not good, the script is atrocious, except in very few bits, and the CGI is also problematic, it has a good production but the allocation of resources are off)&lt;/br&gt;
[[w:The Vanishing of Sidney Hall|The Vanishing of Sidney Hall]] (6+)&lt;/br&gt;
[[w:The Disaster Artist (film)|The Disaster Artist]] (6+)&lt;/br&gt;
[[w:Annihilation (film)|Annihilation]] (6, almost a 6- the script needed more work, CGI is not good enough, the cast and esthetics is what manages to save it)&lt;/br&gt;
[[w:The Death of Stalin|The Death of Stalin]] (5, the script is atrocious, even if some form of caricature is presented only a few that understand what they are seeing will get it, the casting is also off, most of them are great actors, but the effort put in it is very basic)&lt;/br&gt;
[[w:I Kill Giants (film)|I Kill Giants]] (6)&lt;/br&gt;
[[w:Proud Mary (film)|Proud Mary]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1959563/ The Hitman's Bodyguard] (6-, almost didn't make it, some films shouldn't be made)&lt;/br&gt;
[[w:Death Note (2017 film)|Death Note]] (6 or 6- if not aware of the other work)&lt;/br&gt;
[[w:Pirates of the Caribbean: Dead Men Tell No Tales|Pirates of the Caribbean: Dead Men Tell No Tales]] (6, the script sinks it a bit)&lt;/br&gt;
[[w:Transformers: The Last Knight|Transformers: The Last Knight]] (6, the scrip is the worst so far, only the eye candy saves it)&lt;/br&gt;
[[w:Crooked House (film)|Crooked House]] (6)&lt;/br&gt;
[[w:Skyline (2010 film)|Skyline]] (6-, limited by a shoe string budget, even so some parts of the script could easily been improved)&lt;/br&gt;
[[w:Beyond Skyline|Beyond Skyline]] (6, less actors better acting and improved CGI, but the script again could easily been tweaked a bit to make something more)&lt;/br&gt;
[[w:The Mountain Between Us (film)|The Mountain Between Us]] (6, [[w:Kate Winslet]] acting shines in this one but the simplicity of the story doesn't permit more)&lt;/br&gt;
[[w:Justice League (film)|Justice League]] (6+, the CGI and the script ought to be better)&lt;/br&gt;
[http://www.imdb.com/title/tt6204340/ Bullet Head] (6, the script needed more work)&lt;/br&gt;
[[w:The Pirates of Somalia (film)|The Pirates of Somalia]] (6)&lt;/br&gt;
[[w:Land of Mine|Land of Mine]] (6+)&lt;/br&gt;
[[w:Better Watch Out (film)|Better Watch Out]] (6)&lt;/br&gt;
[[w:The Trip to Spain|The Trip to Spain]] (5+)&lt;/br&gt;
[[w:The Foreigner (2017 film)|The Foreigner]] (6+, still a bit too propagandist but at the same level as some similar inclined US productions)&lt;/br&gt;
[[w:American Made (film)|American Made]] (6+)&lt;/br&gt;
[[w:Hangman (2017 film)|Hangman]] (6, almost a 6- the the camera, editing and the direction especially of [[w:Karl Urban]] are exceptionally off)&lt;/br&gt;
[[w:Dunkirk (2017 film)|Dunkirk]] (7+, it could have been better but managed to avoid some dangerous pitfalls, not too nationalistic or bitter but also not really going deep on the event, not even at the depth that was needed to satisfy and enrich the spectator)&lt;/br&gt;
[[w:The Devil's Candy|The Devil's Candy]] (6+, [[w:Ethan Embry]] acting is fantastic)&lt;/br&gt;
[[w:Mayhem (film)|Mayhem]] (6-, low budget, easy script prevents it from being more)&lt;/br&gt;
[http://www.imdb.com/title/tt6069264/ Bitch] (5+, great premise but the script fails to deliver, the acting is not consistent)&lt;/br&gt;
[[w:My Cousin Rachel (2017 film)|My Cousin Rachel]] (6, the pace is a bit too slow)&lt;/br&gt;
[[w:Inherent Vice (film)|Inherent Vice]] (6+)&lt;/br&gt;
[[w:The Man from Planet X|The Man from Planet X]] (6)&lt;/br&gt;
[[w:Alone in Berlin (film)|Alone in Berlin]] (6, the casting overshadows and at time leads to overacting on a mostly uninteresting script) &lt;/br&gt;
[[w:The Mummy (1999 film)|The Mummy (1999)]] (6+)&lt;/br&gt;
[[w:The Mummy (2017 film)|The Mummy (2007)]] (6)&lt;/br&gt;
[[w:Free Fire|Free Fire]] (6)&lt;/br&gt;
[[w:Memories of Murder|Memories_of_Murder]] (6)&lt;/br&gt;
[[w:Bushwick (film)|Bushwick]] (6-, almost a 6, the acting degenerates past the middle even for those that had so far been doing a good job at it)&lt;/br&gt;
[[w:Rememory|Rememory]] (6)&lt;/br&gt;
[[w:First Kill (2017 film)|First Kill]] (6)&lt;/br&gt;
[[w:It Comes at Night|It Comes at Night]] (6, could easily be much better)&lt;/br&gt;
[[w:Baby Driver|Baby Driver]] (6+, the worst part is the movie title)&lt;/br&gt;
[[w:Walking Out|Walking Out]] (6-)&lt;/br&gt;
[[w:No One Lives|No One Lives]] (6-, good script concept even if with some flaws but it is the acting that is not uniform that manages to ruin the movie)&lt;/br&gt;
[[w:Jeepers Creepers 3|Jeepers Creepers 3]] (6)&lt;/br&gt;
[[w:The Hero (2017 film)|The Hero]] (6+)&lt;/br&gt;
[[w:What Happened to Monday|What Happened to Monday]] (6, so much potential almost a 6+, but budget and acting holds it back)&lt;/br&gt;
[[w:Hacksaw Ridge|Hacksaw Ridge]] (6)&lt;/br&gt;
[[w:Spider-Man: Homecoming|Spider-Man: Homecoming]] (6+)&lt;/br&gt;
[[w:The Limehouse Golem|The Limehouse Golem]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2291284/ Subterranea] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3839880/ Infinity Chamber] (6, some cool ideas and mashups but limited budget and a ready to be improved script limits it)&lt;/br&gt;
[[w:War for the Planet of the Apes|War for the Planet of the Apes]] (6)&lt;/br&gt;
[[w:The Man with the Iron Heart (film)|HHhH aka The Man with the Iron Heart]] (6+)&lt;/br&gt;
[[w:The Dark Tower (2017 film)|The Dark Tower]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4881364/ Anti Matter] (6-)&lt;/br&gt;
[[w:Atomic Blonde|Atomic Blonde]] (6, the fights choreographies are pretty good)&lt;/br&gt;
[[w:Jungle (2017 film)|Jungle]] (6, the cast is better than the script, not all stories merit a movie)&lt;/br&gt;
[http://www.imdb.com/title/tt3469798/ Orbiter 9] (6)&lt;/br&gt;
[[w:Spoor (film)|Spoor]] (6+, a weak 6+ since the script could have been better but the characters and actors are great, the context also permits the inclusion of stuff that would not work with other setups, at times it feels a bit overcrowded with ideas but ultimately that is what pushes it above in quality, it has a heavy subtext and even a bit of EU propaganda of sorts mixed in)&lt;/br&gt;
[[w:Young Ones (film)|Young Ones]] (6-Q, great concept and some good ideas but fails in a lot of areas from the acting, to the script and production value)&lt;/br&gt;
[[w:The Wall (2017 film)|The Wall]] (6+, a weak one mostly due to a bare script that is extremely limited from the onset, the high point is for the balance it provides amongst other similar movies in regards to the two forces in conflict)&lt;/br&gt;
[[w:The Case for Christ|The Case for Christ]] (6-Q, I should have known better, but the production has great quality in comparison to other &quot;jobs&quot; like this, the settings and even acting is not bad, even if the casting could have been better, but the script is unredeemable the premise starts ok but the argumentation, character build and dialogs clearly shows a bias on the presentation and telegraphs where it intendeds to go. I really was expecting a more intelligent argumentation from both sides and some fairness on the presentation.)&lt;/br&gt;
[[w:Rules of Engagement|Rules of Engagement]] (6)&lt;/br&gt;
[[w:The Sunset Limited (film)|The Sunset Limited]] (8-, great acting, good script and fantastic audio work and editing, camera work could be better and the script as a few argumentation that don't flow, even considering the characters)&lt;/br&gt;
[[w:Thor (film)|Thor]] (6+, just made it to 6+ and mostly for the effects and casting)&lt;/br&gt;
[[w:Thor: The Dark World|Thor: The Dark World]] (6+, even if a bit better that the previous one)&lt;/br&gt;
[[w:The Comedian (2016 film)|The Comedian]] (6)&lt;/br&gt;
[[w:Patrick (2013 film)|Patrick]] (5+Q, all is well but the script, it even lacks originality, the acting could be better at times and the casting is a bit off)&lt;/br&gt;
[http://www.imdb.com/title/tt3722614/ Revolt] (6, low budget but makes a huge effort, thanks to the actors and the cinematography, that it is even clever as to hide the shortfalls, the CGI is not great but passable)&lt;/br&gt;
[http://www.imdb.com/title/tt5669936/ The Recall] (5+)&lt;/br&gt;
[[w:John Wick: Chapter 2|John Wick: Chapter 2]] (6)&lt;/br&gt;
[[w:The Circle (2017 film)|The Circle]] (6+, while the script is very weak, especially the characters, the core ideas in it are interesting to explore)&lt;/br&gt;
[[w:Wonder Woman (2017 film)|Wonder Woman]] (7)&lt;/br&gt;
[[w:2:22 (2017 film)|2:22]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World aka The Walking Death] (6-, note that the trailer available is not related to the content of the film, low budget and a too theatrical representation of a rehashed plot, even so with more effects, better image and direction, funds and little rewriting could have been easily better)&lt;/br&gt;
[[w:The Lost City of Z (film)|The Lost City of Z]] (6, the script is too empty, making the movie very slow and unsatisfying at the end, even if historically accurate)&lt;/br&gt;
[[w:Once Upon a Time in Venice|Once Upon a Time in Venice]] (5+, main culprit is the script)&lt;/br&gt;
[[w:Hot Tub Time Machine|Hot Tub Time Machine]] (6-, matches its own expectations)&lt;/br&gt;
[[w:Camera Store|Camera Store]] (6-Q, the scrip is not good even if some of the dialog are interesting but not the setup, acting is too theatrical and with uneven quality)&lt;/br&gt;
[[w:King Arthur: Legend of the Sword|King Arthur: Legend of the Sword]] (6+, cinematography, sound and soundtrack are amazing but the rest falls in quality, even the acting and casting, for example [[w:Jude Law]] was a poor choice, the script is too overcrowded for a single movie format, even if it is brilliant at time, great characters, ideas and dialogs)&lt;/br&gt;
[[w:A Dark Song|A Dark Song]] (6+, simple and small budget, but a creative script and dynamic acting makes it work)&lt;/br&gt;
[[w:Wilson (2017 film)|Wilson]] (6)&lt;/br&gt;
[[w:Boy 7|Boy 7]] (6-Q)&lt;/br&gt;
[[w:Future Folk|Future Folk]] (6-)&lt;/br&gt;
[[w:Colossal (film)|Colossal]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt5460530/ Vengeance: A Love Story] (6-Q)&lt;/br&gt;
[[w:Personal Shopper|Personal Shopper]] (6)&lt;/br&gt;
[[w:Isolation (2005 film)|Isolation]] (6+)&lt;/br&gt;
[[w:Flags of Our Fathers|Flags of Our Fathers]] (6+)&lt;/br&gt;
[[w:A Cure for Wellness|A Cure for Wellness]] (6-, the script tanks it, even if we attempt to give it a subtext it just does not work, the rest is fine not great but would serve best a better scrip, the casting of [[w:Jason Isaacs]] also seem a bit out of sync)&lt;/br&gt;
[http://www.imdb.com/title/tt5464234/ Kill Switch] (6-, the casting is off, the script is not great, the core idea is a rehash, but the effects and visuals are great, in fact it is the best 3rd person scenes I have seen so far)&lt;/br&gt;
[[w:War Machine (film)|War Machine]] (7, the script is the best part, but it would fall short on its vivid characters without a fantastic cast)&lt;/br&gt;
[[w:X the Unknown|X the Unknown]] (6)&lt;/br&gt;
[[w:Red Beard|Akahige/Red Beard]] (7-, the script is not the best but has its moments and interesting characters, the cinematography is great)&lt;/br&gt;
[[w:Sandy Wexler|Sandy Wexler]] (5+Q)&lt;/br&gt;
[[w:Stalker (1979 film)|Stalker]] (6-, the cinematography, imagines and visual setups are great but all else fails to captivate, the script is confusing at times uninteresting at others, except for the self contained sketches and the pace is generally too slow)&lt;/br&gt;
[[w:Mine (2016 film)|Mine]] (6, could easily be better, it is not innovative at all)&lt;/br&gt;
[[w:The Founder|The Founder]] (6+, good acting, great production. I do hate when Hollywood &quot;simplifies&quot;/rewrites history in general and so disregard any relation to reality when watching any of these works)&lt;/br&gt;
[[w:The Void (2016 film)|The Void]] (5+Q, the script is a mess and the acting is not consistent, effects are ok)&lt;/br&gt;
[http://www.imdb.com/title/tt3722062/ Bokeh] (6)&lt;/br&gt;
[[w:The Great Wall (film)|The Great Wall]] (6, there is a cultural divide that still prevents movies to be portable from East to West when mixing cultural concepts)&lt;/br&gt;
[[w:About Time (2013 film)|About Time (2013)]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4835894/ Middle Man (2016)] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2449638/ Atomica] (5Q)&lt;/br&gt;
[[w:The Bay (film)|The Bay]] (5+Q)&lt;/br&gt;
[[w:Win It All|Win It All]] (6)&lt;/br&gt;
[[w:Here Alone (film)|Here Alone]] (6+)&lt;/br&gt;
[[w:The Discovery (film)|The Discovery]] (6+, sadly it does waste too much time and fails to go more in depth, even around the central subject mater, [[w:Jesse Plemons]] is fantastic)&lt;/br&gt;
[[w:Life (2017 film)|Life]] (7-, the plot ideas are better than the movie but the movie isn't bad)&lt;/br&gt;
[[w:Gantz (film)|Gantz]] (6+, if you at least have seen the anime, 6 if not)&lt;/br&gt;
[http://www.imdb.com/title/tt1525836/ Gantz: Perfect Answer] (6 if you saw the first, 6- if not, the script is not as good as the first film and the production seems to be more restricted in budget)&lt;/br&gt;
[[w:Black Moon Rising|Black Moon Rising]] (5+, it hasn't aged very well the main problem is the cinematography and script even for its time it wouldn't be very good, interesting to see the younger [[w:Tommy Lee Jones]] and [[w:Linda Hamilton]])&lt;/br&gt;
[http://www.imdb.com/title/tt5167934/ The Chamber (2016)] (6-, this sort of script requires great acting and writing to work this is not the case, it has been done better many times before)&lt;/br&gt;
[[w:The Shack (2017 film)|The Shack]] (6, while the film had a feel good intention and for the believer will be somewhat uplifting, the concept of a personal God, one that cares about each individual continues to seem nonsensical and unworkable, even as fantasy plot-line)&lt;/br&gt;
[[w:The White King|The White King]] (6-, great premise good acting but the script doesn't satisfy in the end)&lt;/br&gt;
[[w:The Eagle Has Landed |The Eagle Has Landed]] (7-)&lt;/br&gt;
[[w:Midway (film)|Midway]] (7-, these old war movies almost always get better with time, if quality is there to begin with)&lt;/br&gt;
[[w:Marathon Man|Marathon Man]] (7)&lt;/br&gt;
[[w:Logan's Run (film)|Logan's Run]] (6+, it also hasn't aged very well, a redo is in order)&lt;/br&gt;
[[w:The Omen|The Omen]] (6+)&lt;/br&gt;
[[w:Carrie (1976 film)|Carrie (1976)]] (6-, it hasn't aged well)&lt;/br&gt;
[[w:Rocky|Rocky]] (6, it never was a great movie but time has also eroded it)&lt;/br&gt;
[[w:Taxi Driver|Taxi Driver]] (8+)&lt;/br&gt;
[[w:Jonah Hex (film)|Jonah Hex (film)]] (6+)&lt;/br&gt;
[[w:King Kong (1933 film)|King Kong (1933)]] (7)&lt;/br&gt;
[[w:King Kong (1976 film|King Kong (1976)]] (6)&lt;/br&gt;
[[w:King Kong (2005 film)|King Kong (2005 film)]] (7-)&lt;/br&gt;
[[w:Kong: Skull Island|Kong: Skull Island]] (7-, some improvements in regards to the backgrounds, but the script lacks some of the cool dialogs of the previous, as it is designed to put forward the visual show)&lt;/br&gt;
[[w:Iron Man (2008 film)|Iron Man]] (7-)&lt;/br&gt;
[[w:Iron Man 2|Iron Man 2]] (6+)&lt;/br&gt;
[[w:Iron Man 3|Iron Man 3]] (7, but requires to have seen the previous, if not 7-, the script still suffers from blockbuster memes that shouldn't have been included)&lt;/br&gt;
[[w:Moontrap|Moontrap]] (6-, I did like the script and some parts fo the movie, it hasn't aged well and even at its time it was a low budget production, it would merit a remake)&lt;/br&gt;
[http://www.imdb.com/title/tt3705822/ Moontrap: Target Earth] (5, it has mostly nothing to do with the first Moontrap and it is all bad except the core ideas of the script)&lt;/br&gt;
[[w:Silence (2016 film)|Silence]] (6+)&lt;/br&gt;
[[w:Logan (film)|Logan]] (7-)&lt;/br&gt;
[[w:Operation Avalanche (film)|Operation Avalanche]] (6-Q, a low budget but fantastically casted and reflecting the time in sets, costumes and image it just doesn't have the content to be a movie, the script rehashes cleverly some of the moon landing memes but it still doesn't escape the feel of being a movie student project)&lt;/br&gt;
[[w:Why Him?|Why Him?]] (6)&lt;/br&gt;
[[w:Live by Night (film)|Live by Night]] (6+, a bit too formulaic)&lt;/br&gt;
[[w:The Assignment (2016 film)|The Assignment]] (6-, the cast is better than the script that sucks, even a bit frustratingly since some of the ideas in it could work indeed work. [[w:Sigourney Weaver]] does an interesting psychopath)&lt;/br&gt;
[[w:Without Warning (1980 film)|Without Warning (1980)]] (5Q, even at its time is would have been a B movie, some star cast, or star to be, [[w:Jack Palance]], [[w:Martin Landau]], [[w:David Caruso]], the script and audio editing are very bad)&lt;/br&gt;
[[w:The Day the Earth Caught Fire|The Day the Earth Caught Fire]] (7+, it aged well)&lt;/br&gt;
[[w:I Don't Feel at Home in This World Anymore|I Don't Feel at Home in This World Anymore]] (6, a somewhat interesting script with some high points, interesting characters that aren't really fleshed out, the acting was fine)&lt;/br&gt;
[[w:Tumbledown (2015 film)|Tumbledown]] (6, sweet story but [[w:Jason Sudeikis]] casting does not work and the script is a bit too bare)&lt;/br&gt;
[[w:AfterDeath (film)|AfterDeath]] (6-)&lt;/br&gt;
[[w:Case 39|Case 39]] (6, the casting of [[w:Renée Zellweger]] was an error and the script needed more work)&lt;/br&gt;
[[w:Assassin's Creed (film)|Assassin's Creed]] (6, the biggest problem was casting and the uneven acting helped by a script that had little in subtleties and proper dialogs)&lt;/br&gt;
[[w:Allied (film)|Allied]] (6+, loved the color pallet and the cinematography, the CGI was a bit too transparent)&lt;/br&gt;
[[w:Gold (2016 film)|Gold]] (6)&lt;/br&gt;
[[w:Underworld (2003 film)|Underworld]] (6+)&lt;/br&gt;
[[w:Underworld: Evolution|Underworld: Evolution]] (6)&lt;/br&gt;
[[w:Underworld: Rise of the Lycans|Underworld: Rise of the Lycans]] (6)&lt;/br&gt;
[[w:Underworld: Awakening|Underworld: Awakening]] (6, script wise the worst than the previous ones)&lt;/br&gt;
[[w:Underworld: Blood Wars|Underworld: Blood Wars]] (6+, but you must have watched the others or it will be hard to get into)&lt;/br&gt;
[[w:Resident Evil (film)|Resident Evil (film)]] (7-)&lt;/br&gt;
[[w:Resident Evil: Apocalypse|Resident Evil: Apocalypse]] (6+)&lt;/br&gt;
[[w:Resident Evil: Extinction|Resident Evil: Extinction]] (7-)&lt;/br&gt;
[[w:Resident Evil: Afterlife|Resident Evil: Afterlife]] (6+)&lt;/br&gt;
[[w:Resident Evil: Retribution|Resident Evil: Retribution]] (6)&lt;/br&gt;
[[w:Resident Evil: The Final Chapter|Resident Evil: The Final Chapter]] (6+)&lt;/br&gt;
[[w:Safety Not Guaranteed|Safety Not Guaranteed]] (6-Q, well I didn't quit but there was a lot of fast forward, some interesting ideas but the acting script and production values aren't there)&lt;/br&gt;
[[w:Teenage Cocktail|Teenage Cocktail]] (6-Q, too much focused to a specific type of audience to have any interest for me and the quality is not that great to make me linger, it has a very 90s feel about it that does not help)&lt;/br&gt;
[http://www.imdb.com/title/tt3612320/ Within] (6-, some of the acting has problems and the script in not very good, extremely derivative)&lt;/br&gt;
[[w:The 9th Life of Louis Drax|The 9th Life of Louis Drax]] (6-, the script has problems and it wouldn't at its core be worth a movie, the convolutions added still does not justify the time. All the rest is fine and it has an above average music score)&lt;/br&gt;
[[w:War on Everyone|War on Everyone]] (6-Q, the script is a mess, there are some interesting sketches and it rewrites or reuses some old ones but the narrative and the quality below the setup is very bad, the acting is not bad and as for image production and casting they are above average even the selection of film color)&lt;/br&gt;
[[w:Patriots Day (film)|Patriots Day]] (6+, a bit of a propaganda work, movies should avoid contemporaneous events if possible as they often serve to rewrite history or skew the discourse, in this case the &quot;reality&quot; goes by a very heavy filter and what goes out only slightly has any points of connection to factual events and ultimately is one sided)&lt;/br&gt;
[http://www.imdb.com/title/tt3138344/ Baked in Brooklyn] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt2445178/ Molly Moon and the Incredible Book of Hypnotism] (5+Q)&lt;/br&gt;
[[w:USS Indianapolis: Men of Courage|USS Indianapolis: Men of Courage]] (5+Q, the script is horrid as are some of the CGI, image quality and pallet is great and the acting in not bad but the script is just unbearable)&lt;/br&gt;
[[w:The Girl with All the Gifts (film)|The Girl with All the Gifts]] (7+)&lt;/br&gt;
[[w:Road Games (film)|Road Games]] (6-Q, too slow and the image is too raw, the script and its characters did not impress)&lt;/br&gt;
[[w:Passengers (2016 film)|Passengers]] (7-)&lt;/br&gt;
[[w:Equity (film)|Equity]] (5+Q, casting, acting and script are bad)&lt;/br&gt;
[[w:Genius (2016 film)|Genius]] (7-)&lt;/br&gt;
[[w:Dollman (film)|Dollman]] (5Q)&lt;/br&gt;
[[w:The Autopsy of Jane Doe|The Autopsy of Jane Doe]] (6)&lt;/br&gt;
[[w:Rogue One|Rogue One]] (7-)&lt;/br&gt;
[[w:Time Out of Mind (2014 film)|Time Out of Mind]] (7-, a bit slow but the script is very well planed all dialogs contribute to shape not only the story but to establish the background of the reality portrayed. The acting/directing is superb, all around. The only downside is the medium, the editing and story pace seems more like a TV movie than cinema)&lt;/br&gt;
[http://www.imdb.com/title/tt4800418/ Manson's Lost Girls] (6-Q, all good but the format, a TV movie with very cropped image and fast editing, cast, acting and production is good, the best I've seen covering this tired subject)&lt;/br&gt;
[[w:The Benefactor (film)|The Benefactor]] (6-Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3954876/ Don Quixote: The Ingenious Gentleman of La Mancha] (5+Q)&lt;/br&gt;
[[w:The Thinning|The Thinning]] (5+, bad script and some sub par acting)&lt;/br&gt;
[http://www.imdb.com/title/tt2106651/ Spectral] (7-, a little better CGI, a little less corner cutting in the script and a little more creative cinematics and it would be great)&lt;/br&gt;
[[w:The Liberator (film)|The Liberator]] (6, great image quality, decent cinematography and well acted the main problem is the script that feels too slow, missing pertinent historical information or simply oversimplifies)&lt;/br&gt;
[[w:Dad's Army|Dad's Army]] (6-, great casting and image, but acting and script fail to work)&lt;/br&gt;
[[w:The Siege of Jadotville (film)|The Siege of Jadotville]] (6-, good acting but low budget and poor script)&lt;/br&gt;
[[w:Train to Busan|Train to Busan]] (6-, interesting movie but some of the casting, acting and CGI/effects does not match a better script, has great ideas but some are derivative, it is also a bit too long but manages not to get repetitive)&lt;/br&gt;
[[w:The Da Vinci Code (film)|The Da Vinci Code]] (7)&lt;/br&gt;
[[w:Angels &amp; Demons (film)|Angels &amp; Demons]] (6+)&lt;/br&gt;
[[w:Inferno (2016 film)|Inferno]] (6)&lt;/br&gt;
[[w:The Serpent and the Rainbow (film)|The Serpent and the Rainbow]] (5Q, it was never a good movie but it also hasn't aged well at all)&lt;/br&gt;
[[w:Creative Control (film)|Creative Control]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3471098/ Maggie's Plan] (6-Q)&lt;/br&gt;
[[w:Masterminds (2016 film)|Masterminds]] (6-)&lt;/br&gt;
[[w:Fantastic Beasts and Where to Find Them (film)|Fantastic Beasts and Where to Find Them]] (7-)&lt;/br&gt;
[[w:The Accountant (2016 film)|The Accountant]] (6+, a bit too formulaic but a cool and well told story)&lt;/br&gt;
[[w:True Memoirs of an International Assassin|True Memoirs of an International Assassin]] (6-Q)&lt;/br&gt;
[[w:Arrival (film)|Arrival]] (6+, a too heavy on the emotional content and light on the technological side, even if one must recognize some effort on that area)&lt;/br&gt;
[[w:Snowden (film)|Snowden]] (6, a weak one, only reached because of the heroic performance by [[w:Joseph Gordon-Levitt]] in this a low budgeted underwhelming script shown in monotonous cinematography)&lt;/br&gt;
[[w:Dog Eat Dog (2016 film)|Dog Eat Dog]] (6-, the script is a mess in its sequencing, character build and its too dry, beyond the Bogart joke, that is a bit out of date, and personal crisis of [[w:Willem Dafoe]]'s character that occurs out of the blue)&lt;/br&gt;
[[w:Sully (film)|Sully]] (6, often reality do not a good movie make, but I'm glad that the hyperbole was kept to a bearable degree making it watchable in this format)&lt;/br&gt;
[http://www.imdb.com/title/tt3976144/ The Monster] (6, the acting, image, cinematography and a well balanced script, even if very derivative, elevates it beyond the stigma of being a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3597108/ Plan Z] (6-, low budget and crappy camera makes it all worst than it is, the script could have had a bit more of work but cinematics, acting and effects are ok)&lt;/br&gt;
[[w:Miss Peregrine's Home for Peculiar Children (film)|Miss Peregrine's Home for Peculiar Children (film)]] (6)&lt;/br&gt;
[[w:Doctor Strange (film)|Doctor Strange]] (7-, visually great but the script is a bit empty of creativity beyond the effects and cramped with lore and origin to a point that the viewer only sees highlights but few nuances, if they make a second one maybe the actors can really act in a more well paced and crafted script)&lt;/br&gt;
[[w:Army of One (2016 film)|Army of One]] (6, sadly a low value production that could have been much more. One of the best roles I have seen [[w:Nicolas Cage]] in, especially recently. He carries all the movie but that barely saves it, the script is repetitive at times and generally not good beyond Cage's character.)&lt;/br&gt;
[[w:Nine Lives (2016 film)|Nine Lives]] (6-)&lt;/br&gt;
[[w:Jack Reacher: Never Go Back|Jack Reacher: Never Go Back]] (6)&lt;/br&gt;
[[w:In a Valley of Violence|In a Valley of Violence]] (6, could easily have be better, but parts of what could have been a great script are weakly constructed or are too derivative and the camera work is horrid at times even if the cinematography is above par, this all would indicate budget problems but the cast seems to indicate a bad production choice, heck the most memorable roles are by the dog and Tommy Nohilly (Tubby) anyway...)&lt;/br&gt;
[[w:Anthropoid (film)|Anthropoid]] (6-, low budget and bad script, actors and props are fine but even the camera work and cinematography at times feels cheap)&lt;/br&gt;
[http://www.imdb.com/title/tt3286052/ February] (6-, everything even the cinematography and music score is great but the script and the presentation chosen makes it am almost painful experience, there really is no content)&lt;/br&gt;
[[w:Captain Fantastic (film)|Captain Fantastic]] (7-)&lt;/br&gt;
[[w:The Infiltrator (2016 film)|The Infiltrator (2016)]] (6, suffers a bit from a low budget, the lighting is not good and the script is formulaic and seems directed into elevating its pedestrian characters)&lt;/br&gt;
[[w:Zoom (2015 film)|Zoom (2015)]] (6-, some cleaver ideas, good enough casting and acting but the script is not right, the characters needs more building time so that the audience can appreciate them, it would be fine as a short film, even more compressed or extended into a series)&lt;/br&gt;
[[w:Mechanic: Resurrection|Mechanic: Resurrection]] (6-, only problem is the brain dead script, it could be a 6 but the nonsense directing the action makes it pointless)&lt;/br&gt;
[[w:Special Correspondents|Special Correspondents]] (6-, it has the start of an interesting subtext but as the main plot it doesn't do much with it, I also have a particular dislike as [[w:Ricky Gervais]] always portray him as the ultimate underdog ad nausea, it is tiresome)&lt;/br&gt;
[http://www.imdb.com/title/tt2932532/ Blood Trap] (5Q)&lt;/br&gt;
[[w:Morgan (2016 film)|Morgan]] (6, a bit frustrating that the script wasn't more forward thinking, many lost opportunities making it fell too claustrophobic, shallow and repetitive, a ripe opportunity to someone to pick the core premises and make it go well beyond)&lt;/br&gt;
[http://www.imdb.com/title/tt3865238/ ChickLit] (6)&lt;/br&gt;
[[w:Swiss Army Man|Swiss Army Man]] (6-, while the encoded subtext is open to interpretation the script in itself is not that great, some cool sketches some cool philosophical issues and a good enough acting does not make a good movie alone, a bit fun but a lot wieldier, but ultimately that is the point being made)&lt;/br&gt;
[[w:Café Society (film)|Café Society]] (7-)&lt;/br&gt;
[[w:Alice Through the Looking Glass (film)|Alice Through the Looking Glass]] (6+)&lt;/br&gt;
[[w:The Good Neighbor (film)|The Good Neighbor]] (6-)&lt;/br&gt;
[[w:ARQ (film)|ARQ]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2278870/ ISRA 88] (5, low budget and nonsensical script, the production value is there, even decent acting sadly it does not go anywhere)&lt;/br&gt;
[http://www.imdb.com/title/tt3330764/ The Neighbor] (6-, horrid camera at times, the script needed more work, the characters and setup is fine and the acting is not bad)&lt;/br&gt;
[[w:Other People (film)|Other People]] (6-Q, too forced and the script is not good)&lt;/br&gt;
[[w:Transpecos (film)|Transpecos]] (6-, the acting could have been more consistent and the script have more content and close more of the storyline, the main issue was probably the low budget)&lt;/br&gt;
[http://www.imdb.com/title/tt0084329/ A Midsummer Night's Sex Comedy] (6, the editing is a bit bad, especially if we compare it with more contemporaneous works)&lt;/br&gt;
[[w:Don't Breathe (2016 film)|Don't Breathe]] (6+)&lt;/br&gt;
[[w:The Confirmation|The Confirmation]] (6)&lt;/br&gt;
[[w:I Am Not a Serial Killer (film)|I Am Not a Serial Killer]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2243260/ Swung] (5+Q)&lt;/br&gt;
[[w:Into the Forest|Into the Forest]] (6, the script loses a bit of coherence near the end)&lt;/br&gt;
[[w:The Neon Demon|The Neon Demon]] (7-)&lt;/br&gt;
[[w:Our Kind of Traitor (film)|Our Kind of Traitor]] (6)&lt;/br&gt;
[[w:Blood Father|Blood Father]] (7-, the script loses momentum as it approaches the end and sadly [[w:Mel Gibson]] fails to innovate, not that it is bad, never is, just repetitious, we already seem to have seen all he can offer on screen too many times)&lt;/br&gt;
[[w:War Dogs (2016 film)|War Dogs]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt4475992/ Tank 432] (5)&lt;/br&gt;
[[w:Secret in Their Eyes|Secret in Their Eyes]] (6+)&lt;/br&gt;
[[w:Imperium (2016 film)|Imperium]] (6)&lt;/br&gt;
[[w:Arbitrage (film)|Arbitrage]] (6+)&lt;/br&gt;
[[w:Regression (film)|Regression]] (6, it could easily be much better but the script keeps it too simplistic and formulaic)&lt;/br&gt;
[[w:One Eyed Girl|One Eyed Girl]] (6-Q, good acting and cinematography, and enjoyable premise but the script has bad pace and lacks content)&lt;/br&gt;
[[w:600 Miles|600 Miles]] (6, low budget but well done and with [[w:Tim Roth]] to boot, camera work leaves something to desire at times and the argument is not that complex but its the simplicity that makes it work)&lt;/br&gt;
[http://www.imdb.com/title/tt2818252/ Couple in a Hole] (6, it could easily be better)&lt;/br&gt;
[[w:Flight of the Navigator|Flight of the Navigator (1986)]] (6-, it hasn't aged well but would be still fun for kids)&lt;/br&gt;
[[w:Breakdown (2016 film)|Breakdown]] (6)&lt;/br&gt;
[[w:We Need to Talk About Kevin (film)|We Need to Talk About Kevin]] (6, the script presentation is a mess, it requires a lot of patience to get into the crazy way things are shown, the story is ok and the acting is above par)&lt;/br&gt;
[[w:All the Way (film)|All the Way]] (6, the script is too revisionist and emotional focused, it skirts some of the most important issues, the casting is great and as expected [[w:Bryan Cranston]] does a great act, [[w:Anthony Mackie]] also does a great [[w:Martin Luther King Jr.]])&lt;/br&gt;
[[w:The Man Who Knew Infinity (film)|The Man Who Knew Infinity]] (6)&lt;/br&gt;
[[w:Lazer Team|Lazer Team]] (5+Q)&lt;/br&gt;
[http://www.imdb.com/title/tt2630992/ Darkest Day] (6-, the camera work is horrid)&lt;/br&gt;
[[w:Jason Bourne (film)|Jason Bourne]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1517471/ Dough] (6-, a low budget movie with a forced and simplistic script that is badly directed as the actors seem capable of more)&lt;/br&gt;
[[w:Suicide Squad (film)|Suicide Squad]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3007132/ Daylight's End] (5+, better than one would expect, props, effects and image and even the some of the acting, the main issue was the script and probably budgetary restrains, it could have been better)&lt;/br&gt;
[http://www.imdb.com/title/tt3975556/ Jackrabbit] (6-, some cool concepts but the script is not that good in this low budget production, acting if fair but all could easily be better)&lt;/br&gt;
[[w:The Jungle Book (2016 film)|The Jungle Book]] (6)&lt;/br&gt;
[[w:The Legend of Tarzan (film)|The Legend of Tarzan]] (6+)&lt;/br&gt;
[[w:Lights Out (2016 film)|Lights Out]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1821641/ The Congress] (6, too many ideas crumpled into it, its all a bit unnecessary confusing and indirect)&lt;/br&gt;
[[w:The Nice Guys|The Nice Guys]] (6+, good scrip and a fair production of it, the casting of [[w:Russell Crowe]] is a bit off and he really does not make an effort, the movie is carried along by [[w:Ryan Gosling]] and [[w:Angourie Rice]])&lt;/br&gt;
[[w:A Hologram for the King (film)|A Hologram for the King]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt1498878/ The Whisperer in Darkness] (6-, problems with the acting, pace of action and CGI effects, and only those)&lt;/br&gt;
[[w:High-Rise (film)|High-Rise]] (6-Q, good production quality, esthetics and cinematography, great casting but the script is not relatable, I don't know the original novel but I couldn't care less about it all.)&lt;/br&gt;
[http://www.imdb.com/title/tt3189648/ Blood Moon] (5+, too theatrical and the audio is not right even if casting is also an issue as [[w:Maya Kazan]] voice hard to cope with in that reguister.)&lt;/br&gt;
[http://www.imdb.com/title/tt2597892/ Viral] (6)&lt;/br&gt;
[[w:Star Trek Beyond|Star Trek Beyond]] (6, the script isn't good, and I hate the reboot changes to the ST Universe in general, not the actors even if I would prefer a less plastic look)&lt;/br&gt;
[[w:Star Trek Into Darkness|Star Trek Into Darkness]] (6+, for the acting and visuals a lot has improved from the first, the new Klingons... I hate)&lt;/br&gt;
[[w:Star Trek (film)|Star Trek (reboot)]] (6, what a mess)&lt;/br&gt;
[[w:Free State of Jones (film)|Free State of Jones]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4470266/ Numb](6)&lt;/br&gt;
[[w:Transcendence (2014 film)|Transcendence]] (6+, there are issues with the script, there is also one or two blatant unexplainable jumps of the plot on screen)&lt;/br&gt;
[http://www.imdb.com/title/tt3923388/ The Call Up] (5+, some issues with the script and the acting is not good, but the production quality is there, image, lights and cgi, only the sound suffers a bit)&lt;/br&gt;
[[w:The BFG (2016 film)|The BFG]] (6-, great for children but has several issues that puts it below average)&lt;/br&gt;
[[w:The Way, Way Back|The Way, Way Back]] (6+)&lt;/br&gt;
[[w:Scoop (2006 film)|Scoop]] (6+, [[w:Scarlett Johansson]] is always fantastic even if the film is a bit too theatrical, even more than usual for a [[w:Woody Allen]] movie. In that regard it is also becoming obvious that most of his movies are just a bit too repetitious in the characters psychology and small sketch formulas they use)&lt;/br&gt;
[http://www.imdb.com/title/tt4834150/ Accidental Exorcist] (5Q, the real issues are the script and the low budget but kudos for the effects, image quality and acting)&lt;/br&gt;
[[w:Marauders (2016 film)|Marauders]] (6-, script, casting and production issues, there is also something lacking in the cinematography and editing)&lt;/br&gt;
[http://www.imdb.com/title/tt2883448/ Cash Only] (6)&lt;/br&gt;
[[w:About Scout|About Scout]] (6Q, it just didn't capture my interest)&lt;/br&gt;
[[w:Equals (film)|Equals]] (6, sadly it fails to have more content to justify the screen time and it is too derivative to be called creative)&lt;/br&gt;
[[w:Blackway|Blackway]] (6, the acting is fine but the script is just not that fleshed out, in the characters' backgrounds or in the content it presents)&lt;/br&gt;
[[w:The Duel (2016 film)|The Duel]] (6-, the main problems is the script, the erudition of the dialogs is out of context, then the slow pace, low scenery and unsteady cam puts the final nails on it)&lt;/br&gt;
[[w:Criminal (2016 film)|Criminal]] (6+, the only real problem is the unreality of it all the rest is simply a well oiled rehash of old formulas that we have already see elsewhere, good acting and overall production that pushes it ahead but nothing new inside)&lt;/br&gt;
[[w:Synecdoche, New York|Synecdoche, New York]] (6-Q, while I can recognize the production quality especially of the actors and cast in general, I can only get frustrated by the psychotic script populated by interesting characters in a chaotic manner. I loved some of the small sketches but couldn't care less about the main plot beyond a shared frustration with the main character regarding what is going on)&lt;/br&gt;
[[w:Von Ryan's Express|Von Ryan's Express]] (6-, it hasn't aged well at all, the plot is fine, as is the acting and casting, with the exception of the extras that at times are completely out of it. The camera and audio is hard to stomach today requires a note that the Motion Picture Sound Editors nominated it for &quot;Best Sound Editing&quot; in a Feature Film in 1966)&lt;/br&gt;
[[w:Gridlocked (2015 film)|Gridlocked]] (6-Q, low budget production, bad image and script, with some recognizable faces but the acting is also not good in general)&lt;/br&gt;
[[w:Money Monster|Money Monster]] (6, not a very creative script and has several problems in it, it all feels like a small production and yet the story does not merit much more)&lt;/br&gt;
[[w:Eye in the Sky (2015 film)|Eye in the Sky (2015)]] (6, a bit of an unrealistic view of how thing go, politically and military, we all have seen factual and audible dialog from real leaked footage of similar attacks, so to err so broadly is clearly a white wash work of propaganda and fantasy, aside from that the acting and production is ok and manages to engage people into the story)&lt;/br&gt;
[[w:Cell (film)|Cell]] (5+, it has many issues first the script has problems, the camera, sound and feel is of a extremely low budget production, except for the main actors, sets and effects, some of the secondary aren't good at all. The script has some interesting ideas and the limited cinematography at times manages to get some cool shoots here and there)&lt;/br&gt;
[[w:Warcraft (film)|Warcraft]] (7-, great visually but did not dare to have a better script, the direction of [[w:Travis Fimmel]] a good actor, is also lacking, why didn't they push him to diverge more from his previous Viking role, we see the same mannerisms even speech patterns and he is clearly capable of evolving beyond a single role, so it must have been intentional and it detracts from the movie)&lt;/br&gt;
[http://www.imdb.com/title/tt2544074/ Identicals] (6-, script needed more balance, lighting, cinematography and the general esthetics were good but it feels empty, the characters disposable this and a haze of confused story telling)&lt;/br&gt;
[[w:Urge (film)|Urge]] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt4991652/ Camino] (5Q)&lt;/br&gt;
[[w:Approaching the Unknown|Approaching the Unknown]] (6-, mostly due to a very weak the script, and I think I got the under-text, but it is also a low budget production)&lt;/br&gt;
[http://www.imdb.com/title/tt3174376/ Before I Wake] (7)&lt;/br&gt;
[[w:Colonia (film)|Colonia]] (6, the camera work at times is very messy)&lt;/br&gt;
[[w:Manhattan Night|Manhattan Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4149732/ Crush the Skull] (5+, very creative script, the dialogs at time do really shine, the production suffers form a very limited budget the camera work and image in general is crap, especially the lighting in the outdoor scenes, the editing is not bad and the cinematography could be better since the setting were great for better and creative angles, especially with the cameras available. As for the actors they could improve the best performance is without a doubt by Katie Savoy, sadly Chris Dinh tries too hard and it shows)&lt;/br&gt;
[[w:Mr. Right (2015 film)|Mr. Right]] (6-, while it just manages to deliver what it intended, the casting doesn't work even if both of the main actors are great they face an hard sell)&lt;/br&gt;
[[w:The Forest (2016 film)|The Forest (2016)]] (6)&lt;/br&gt;
[[w:Hardcore Henry|Hardcore Henry]] (7-, there are some memorable scenes and some very creative ideas and setups, the production suffers from a reduced budget but the stunts are great and the CGI only has small issues, the main problem is the trippy script, at times it seems to try to mash too many things into the story some it succeeds some it doesn't)&lt;/br&gt;
[[w:Red Dawn|Red Dawn (1984)]] (6)&lt;/br&gt;
[[w:Red Dawn (2012 film)|Red Dawn (2012)]] (6-)&lt;/br&gt;
[[w:Captain America: Civil War|Captain America: Civil War]] (7-, it could easily been better, the main plot line needed to be better constructed but it probably couldn't due to time constrains even if the movie does seems a 2 part work as it does not provide a proper conclusion. The CGI is also lacking but the fights chorography has clearly improved)&lt;/br&gt;
[[w:X-Men: Apocalypse|X-Men: Apocalypse]] (6+, it has good quality in all areas but also a script that fails to take excellent characters and do something with them, most of the film is a continuous unravel of a new character and his/hers powers peppered with historical lore dust but cant escape the old and tired formulas, until people stop rewarding this tripe this will continue to be made)&lt;/br&gt;
[[w:The Witch (2015 film)|The Witch]] (6, and a weak 6 since the only virtues of the work is the purported historical accounting it makes, the good acting, fair image and editing but the rest is not that great the pace is very slow, boringly so, the blame is all on the script more background scenes even of daily life would have made it more tolerable and the characters more rich and interesting)&lt;/br&gt;
[http://www.imdb.com/title/tt0848554/ The Sighting] (5Q, the actors and the script are the main problem, there are passable production values in the image, camera and editing but that alone does not make it something that is watchable)&lt;/br&gt;
[[w:The Finest Hours (2016 film)|The Finest Hours]] (6+, the scrip is meh but some of the characters, casting and direction are great and even if it is very limited in visual diversity and richness of exteriors and sets it manages to do a convincing job, it also does not go overboard with nationalistic or special interests propaganda that is common on this &quot;historic&quot; pieces from the US)&lt;/br&gt;
[[w:Brooklyn (film)|Brooklyn]] (6, a weak 6 due to what was done to in the script to make it populist propaganda at times. The real plot line and I believe the original material from the book is interesting and the characters and cast are fine, the directing could have been better so that the interactions would be more organic and not so staged)&lt;/br&gt;
[http://www.imdb.com/title/tt2667380/ Kill Command] (6, very sad but the script needed more work and the characters to be better fleshed out, a strong 6 for the image, creativity and CGI)&lt;/br&gt;
[[w:London Has Fallen|London Has Fallen]] (6, a film for brain dead Americans to fell good about their nation, disregarding any link to reality there is I believe an intentional tongue in cheek around the plot, one needs to pay attention to the dialogs, but it aim to be a blockbuster action movie and it does that with a weak script a not that great acting and the rehashing of all the formulas once again, one thing that is great is the choregraphy of the gun fights the parts with the tracers are very well designed)&lt;/br&gt;
[[w:The Adderall Diaries (film)|The Adderall Diaries]] (6+, the script is not for everyone and requires effort to appreciate, the best parts are the characters it brings then the casting and acting of those)&lt;/br&gt;
[http://www.imdb.com/title/tt3093286/ The American Side] (5+Q, the cinematography is there but the camera work is a bit clumsy and the editing could be better, the acting isn't great but with a better script or direction it could be easily better, liked the care for image and lighting and the backgrounds that gives it a 70's nuance)&lt;/br&gt;
[[w:Guns for Hire (film)|Guns for Hire]] (5+Q, the script has potential but it is not there yet the acting suffers from bad direction as the talent is there)&lt;/br&gt;
[[w:Triple 9|Triple 9]] (6-, the script is too unnecessarily confusing and the acting is not even, some talent is wasted, like [[w:Woody Harrelson]]. The action sequences are interesting but seems low budget more due to the prevalent bad editing and sloppy lighting)&lt;/br&gt;
[[w:Hail, Caesar!|Hail, Caesar!]] (6+, not an easy work, full of subtext and references to old classics, the script is very creative but I found myself perplexed by minor but obvious continuity errors, was it intentional?!)&lt;/br&gt;
[[w:The Boy (2016 film)|The Boy]] (6-, the story is too surreal to work)&lt;/br&gt;
[http://www.imdb.com/title/tt5113926/ They Found Hell] (5Q)&lt;/br&gt;
[[w:Precious Cargo (film)|Precious Cargo]] (6)&lt;/br&gt;
[[w:The Veil (2016 film)|The Veil]] (6, fantastic work, as usual by [[w:Thomas Jane]], the story itself is not great but it manages to get the mood and the cinematography is ok)&lt;/br&gt;
[[w:Risen (2016 film)|Risen (2016)]] (6-)&lt;/br&gt;
[http://www.imdb.com/title/tt4540434/ Paradox] (5-Q)&lt;/br&gt;
[[w:Midnight Special (film)|Midnight Special]] (7, fantastic acting and interesting story even if it fails to satisfy in the ending, it is like a long pilot for a serial)&lt;/br&gt;
[[w:Dirty Grandpa|Dirty Grandpa]] (5Q, to confess I did not quit, I just fast forwarded it a lot I couldn't believe someone would waste money and time working in something like this)&lt;/br&gt;
[[w:The Girl King|The Girl King]] (6-Q, to much theatrical to my taste, I do like theater but generally not the theatrical acting play productions values packaged as a movie, the wardrobe also seem funky for the historic date it intends to represent)&lt;/br&gt;
[[w:Backtrack (2015 film)|Backtrack]] (6, a bit slow but manages the ending twist, the script lingers too much in non-important stuff, for instance the dead people, failing to make clear a few details within that logic. It would have been more interesting to focus on the factual emotional drama, and the links that emerge to the memories that it uncovers. The casting of George Shevtsov as [[w:Adrien Brody]] dad is genial.)&lt;/br&gt;
[[w:Walt Before Mickey|Walt Before Mickey]] (5+, small budget production with a great effort in the settings but the acting is not great and the script while interesting in the particulars it covers fails in the options it makes, making it more like a theatrical play)&lt;/br&gt;
[[w:The Trust (film)|The Trust]] (6, too over acted by the main characters and with a plot that does not evolve in a satisfying script, it ends when one would like it to really begin, in all it is fun but also frustrating)&lt;/br&gt;
[[w:Freaks of Nature (film)|Freaks of Nature]] (5+, it just tries too hard not to be more)&lt;/br&gt;
[[w:Pandemic (film)|Pandemic]](6-, the script has some cool ideas and the movie is an expansion of previous POV cinematography attempts but is still too raw and low budget, the acting is also not constant in quality, more a casting and directing issue)&lt;/br&gt;
[[w:Batman v Superman: Dawn of Justice|Batman v Superman: Dawn of Justice]] (6, main issue is the implementation of the plot concept, that is good but falls apart when they blackmail superman and present us a clueless batman. There are a few great visual moments but the dialog and actors presentation are not that great)&lt;/br&gt;
[[w:10 Cloverfield Lane|10 Cloverfield Lane]] (6+)&lt;/br&gt;
[[w:Zathura (film)|Zathura]] (7-)&lt;/br&gt;
[[w:Jumanji|Jumanji]] (7-)&lt;/br&gt;
[[w:The Fisher King|The Fisher King]] (7+)&lt;/br&gt;
[[w:Dead Poets Society|Dead Poets Society]] (8)&lt;/br&gt;
[[w:Good Morning, Vietnam|Good Morning, Vietnam]] (7)&lt;/br&gt;
[[w:Awakenings|Awakenings]] (8+)&lt;/br&gt;
[[w:Forever (2015 film)|Forever]] (5+Q)&lt;/br&gt;
[[w:Pawn Sacrifice|Pawn Sacrifice]] (6, good acting but the story as told is not very compelling material, there are parts of [[w:Bobby Fischer]] history that would merit more attention and would be more interesting to dissect and explore)&lt;/br&gt;
[[w:Pride and Prejudice and Zombies (film)|Pride and Prejudice and Zombies]] (6-, mostly for the novelty, even if it is an adaptation of a literary work, the editing, acting and script are not good)&lt;/br&gt;
[[w:Undercover Blues|Undercover Blues]] (6)&lt;/br&gt;
[[w:Millennium (film)|Millennium]] (6)&lt;/br&gt;
[[w:WarGames|WarGames]] (6+, it hasn't aged well but it is still an iconic work of its time)&lt;/br&gt;
[[w:Confessions of a Dangerous Mind|Confessions of a Dangerous Mind]] (7)&lt;/br&gt;
[[w:Spotlight (film)|Spotlight]] (7-)&lt;/br&gt;
[[w:Forsaken (2015 film)|Forsaken]] (6-, slow and bare script a lost opportunity with that cast, there is also the problem that [[w:Kiefer Sutherland]] is not very good at emotional roles)&lt;/br&gt;
[[w:Standoff (film)|Standoff]] (6, almost a 6+, it improves as the story is being told but from the start something is off, the camera, lighting and direction hasn't been given the necessary effort and the dialogs and emotional nuances are lacking, with such good actors it could have been way better)&lt;/br&gt;
[[w:Gods of Egypt (film)|Gods of Egypt]] (6-, a mess of a movie, from the idealization, casting and script, the effects are ok and the acting and production is not bad)&lt;/br&gt;
[http://www.imdb.com/title/tt2364774/ Kill or Be Killed] (5+Q, the cinematics, acting and script are not good)&lt;/br&gt;
[[w:The Lady in the Van|The Lady in the Van]] (6, fantastic work by [[w:Maggie Smith]] the script is a bit slow and dull but there are some clever dialogs and little sketches that makes it move forward nicely, a nice story telling, it could easily been better without feeling too cluttered)&lt;/br&gt;
[[w:The People vs. Larry Flynt|The People vs. Larry Flynt]] (7, they try to much too shock the audience, the acting is great)&lt;/br&gt;
[[w:Code 46|Code 46]] (6, it isn't better due to the low budget and logical failures of some of the propositions on the script, the aesthetics and acting are fine and some of the ideas in it are worth the reflection)&lt;/br&gt;
[[w:Extremely Loud and Incredibly Close (film)|Extremely Loud and Incredibly Close]] (6-Q, more for the production value and acting, the casting is off and the script doesn't work, it also seems to be an emotional exploitation job due to the artificiality of it all)&lt;/br&gt;
[http://www.imdb.com/title/tt2324928/ Alienate] (5+, the acting is not bad but its a low cost production of a very demanding concept and so the script fails to satisfy there are also several issues in continuity/editing and the camera work could be better)&lt;/br&gt;
[[w:She's Funny That Way|She's Funny That Way]] (6+, like a slowed down Woody Hallen, good scrip, pace and interesting characters ([[w:Imogen Poots]] was fantastic), even if some are too off with the plastic jobs it was interesting to see them again. I think also that [[w:Owen Wilson]] and [[w:Jennifer Aniston]] are becoming too typecast, even if I love to see them on that type, its becoming a blur)&lt;/br&gt;
[[w:Victor Frankenstein (film)|Victor Frankenstein]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt4733536/ American Hero] (6-)&lt;/br&gt;
[[w:Southbound (2015 film)|Southbound]] (5Q)&lt;/br&gt;
[[w:Frankenstein (2015 film)|Frankenstein (2015)]] (5+, low production value beyond the acceptable acting, that yet seems uncoordinated and the pace plus the inconsistencies in the scrip also diminish what would be a great angle for the revisit to the subject, making it lose track and become as disfigured as the protagonist)&lt;/br&gt;
[[w:Deadpool (film)|Deadpool]] (6+, I don't know the original material but some of the funny moments are too forced and the need or presence of the X-Men subtract more than add, I especially disliked Colossus, there is also a problem with the character Weasel being too similar to Deadpool himself, the action bits are fun but could easily been better)&lt;/br&gt;
[[w:The Survivalist (film)|The Survivalist]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt5354588/ Tom Clancy's the Division: Agent Origins] (5, better camera work and characterization, use of filters and quality would be easily increased)&lt;/br&gt;
[[w:Deathgasm|Deathgasm]] (5+, they didnt aim to do much better than)&lt;/br&gt;
[[w:The Night Before (2015 film)|The Night Before]] (6-, very poor and mixed up script that seems at times to be a simple vehicle for product placement)&lt;/br&gt;
[[w:Deadly Virtues: Love.Honour.Obey|Deadly Virtues: Love.Honour.Obey]] (5+, the script is not very creative, low production value and the acting is lacking)&lt;/br&gt;
[[w:The Legend of Barney Thomson|The Legend of Barney Thomson]] (5+, the script is not good and rarely fun at all it is a waste of acting capability)&lt;/br&gt;
[[w:The Sand|The Sand]] (5+, a bit below what it aims to be, it should be a short story not a feature film)&lt;/br&gt;
[[w:The War of the Roses (film)|The War of the Roses]] (7-)&lt;/br&gt;
[[w:Love the Coopers|Love the Coopers]] (6-)&lt;/br&gt;
[[w:Romancing the Stone|Romancing the Stone]] (6+)&lt;/br&gt;
[[w:The Jewel of the Nile|The Jewel of the Nile]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3013160/ Arrowhead] (5+, the confused and hard to implement script and lack of funds seems be the main issue more than the acting)&lt;/br&gt;
[[w:Lamb (2015 American film)|Lamb]] (7-, great acting and script)&lt;/br&gt;
[[w:Synchronicity (film)|Synchronicity]] (5+, the acting is ok but also a low cost production with a script too convoluted without any rewarding content)&lt;/br&gt;
[[w:The Mask (film)|The Mask]] (6, this movie hasn't aged well, while it remains iconic of the 90s, with the repeated and over-similar work of the actor [[w:Jim Carrey]] that had peaked in fame at the time allied with an unimpressive script and some advanced (for that time) special effects)&lt;/br&gt;
[[w:Scent of a Woman (1992 film)|Scent of a Woman]] (7-)&lt;/br&gt;
[[w:The 5th Wave (film)|The 5th Wave]] (6, don't know the original source for the adaptation but the script is not great and I hope they don't waste those actors in more of this tripe)&lt;/br&gt;
[[w:Pleasantville (film)|Pleasantville]] (7, the cinematography, lighting and aesthetics push it up, the script internal logic at times gets very strained, the acting at times is intentionally woody as to fit the epoch and so the casting has also to be praised)&lt;/br&gt;
[[w:Exposed (2016 film)|Exposed]] (6-, the script is too slow to unravel and the viewer is not granted a proper return for the convoluted deception)&lt;/br&gt;
[[w:Terminus (2015 film)|Terminus]] (6+, great work done on a shoe string, cinematography and acting is good, even the effects, the script could have a bit more polish and faster pace at times but I loved the Iran angle and depth it got)&lt;/br&gt;
[[w:Rock the Kasbah (film)|Rock the Kasbah]] (6-, I like Bill Murray but the last few scripts he agreed to perform aren't good at all, this one included)&lt;/br&gt;
[[w:Our Brand Is Crisis (2005 film)|Our Brand Is Crisis]] (6-, while the subject mater has merit the acting and script are weak)&lt;/br&gt;
[[w:Flutter (2011 film)|Flutter]] (6-, a very depressing movie that has some cool ideas but also holes in the script that ruin the en-sable)&lt;/br&gt;
[[w:Dune (film)|Dune]] (7-, the film hasn't aged well especially the special effects, it has also other problems, badly done fight scenes and editing, but the source material, esthetics, soundtrack, cast and acting is great. It would be interesting if someone took it and digitally remastered it and corrected and improved some of the background scenes.)&lt;/br&gt;
[[w:Amnesiac (film)|Amnesiac]] (6-)&lt;/br&gt;
[[w:28 Days Later|28 Days Later]] (7-)&lt;/br&gt;
[[w:28 Weeks Later|28 Weeks Later]] (6, the script is a mess at times making the characters behavior unrealistic and generally over simpleminded placing them in a setup that seems only so as to make the plot work toward the intended goal, the acting and casting is fine)&lt;/br&gt;
[[w:Steve Jobs (2015 film)|Steve Jobs (2015)]] (7+, great script writing, casting and acting)&lt;/br&gt;
[[w:The Pawnbroker (film)|The Pawnbroker]] (6+, it hasn't aged too well, but it can be an historic reference to a particular time, the acting is great and has a rich background, the casting of the protagonist especially for the scenes of a prison camp does not go well due to his body frame)&lt;/br&gt;
[[w:Crazy, Stupid, Love|Crazy, Stupid, Love]] (6)&lt;/br&gt;
[[w:Solace (2015 film)|Solace]] (6, fun but you have to leave logic way behind to go along with the premise of the plot)&lt;/br&gt;
[http://www.imdb.com/title/tt4076760/ Diablo] (5+, the main problem is the script)&lt;/br&gt;
[[w:The Walk (2015 film)|The Walk]] (6+, it could have been better without the high tone theatrics and a more close, realistic and human view of events, it almost derails the movie in its first half)&lt;/br&gt;
[[w:Burnt (film)|Burnt]] (6, small issues with the editing)&lt;/br&gt;
[[w:Guns for Hire|Guns for Hire]] (5Q)&lt;/br&gt;
[[w:The Flock (film)|The Flock]] (6+, it could have been better simply by refraining from taking an &quot;educational&quot; path)&lt;/br&gt;
[[w:Concussion (2015 film)|Concussion]] (6)&lt;/br&gt;
[[w:The Diary of a Teenage Girl|The Diary of a Teenage Girl]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt4974584/ Harry Price: Ghost Hunter] (6)&lt;/br&gt;
[[w:Irrational Man (film)|Irrational Man]] (7, fantastic characters and casting)&lt;/br&gt;
[[w:Carol (film)|Carol]] (6-Q, the constant close plane of the camera is claustrophobic and monotonous, the acting and detail to match the era is great but the script is not that great nor the dialogs and pace)&lt;/br&gt;
[[w:Scouts Guide to the Zombie Apocalypse|Scouts Guide to the Zombie Apocalypse]] (5+)&lt;/br&gt;
[[w:Spectre (2015 film)|Spectre]] (7-)&lt;/br&gt;
[[w:Idiocracy|Idiocracy]] (7-)&lt;/br&gt;
[[w:The Ridiculous 6|The Ridiculous 6]] (5Q, the script is just horrible)&lt;/br&gt;
[[w:Bare (film)|Bare]] (6, probably a 6+ but this type of film is not my cup of tea, so I haven't a deep appreciation for the script)&lt;/br&gt;
[[w:He Never Died|He Never Died]] (6-, a low budget production with potential, the script has some cool ideas)&lt;/br&gt;
[[w:The Revenant (2015 film)|The Revenant]] (7-, the costume design is great the cgi is not)&lt;/br&gt;
[[w:In the Heart of the Sea (film)|In the Heart of the Sea]] (7-)&lt;/br&gt;
[[w:The Hateful Eight|The Hateful Eight]] (6+, the last creations of [[w:Quentin Tarantino]] haven't been great (or as great as we come to expect), in this one the cinematography is inconstant and highlights the Tarantino formula, a sequence of copycats of epic moments of other productions applied to &quot;mostly&quot; creative and fun scripts)&lt;/br&gt;
[[w:Star Wars: The Force Awakens|Star Wars: The Force Awakens]] + [http://screenrant.com/star-wars-7-force-awakens-deleted-scenes-images/ deleted-scenes] (6, the script is not creative, in fact we can find much of it is a rehash of other movies of the same franchise, starting for the quest for the droid with the secret message. I also am starting to have a cognitive resistance to the contrived propagandistic wave of this pseudo-blockbuster productions, from the girl heroin to the afro-American second fiddler, well at least we haven't the hero question her sexuality)&lt;/br&gt;
[[w:A Walk in the Woods (film)|A Walk in the Woods]] (6-, the script isn't very good and it all seem very canned, the best bit is [[w:Nick Nolte]] and the idea of casting [[w:Emma Thompson]] as [[w:Robert Redford]] wife is just wrong, probably good as bait for the viewers but it doesn't work in practice)&lt;/br&gt;
[[w:A Perfect Day (2015 film)|A Perfect Day]] (6-, the script is weak and the acting is not that great even from [[w:Benicio del Toro]] that over-performs making it stick out, in a bad way, and contrasting with the other actors, the best moment is the ending sequence from just before it starts to rain)&lt;/br&gt;
[[w:Crimson Peak|Crimson Peak]] (6, it fails the purpose, that of terror, but it fails beautifully, and I don't give it more because at least in the wardrobe esthetics remove credibility to what is already an over the top visual ensemble, I was derailed several thinking about how fake the presented climate/weather was)&lt;/br&gt;
[[w:Room (2015 film)|Room]] (8, there is little thing that could be optimized, probably a better musical score and certainly a bit more of cinematic creativity with angles, lenses and even light but it is certainly one of the best movies of 2015)&lt;/br&gt;
[[w:The Intern (2015 film)|The Intern]] (6-, I see no point or merit on the script beyond a vehicle for social propaganda, propaganda because it promotes and attempts to normalizes fringe social-economical behaviors, not defending or opposing any of what is covered but I feel a bit sick when it is packaged and given a shine like this without a real balance or promotion for reflection)&lt;/br&gt;
[[w:A Very Murray Christmas|A Very Murray Christmas]] (6-, I almost quitted and it would be a 5+ without [[w:Bill Murray]], the problem as I see it is that they create a very depressing atmosphere, even claustrophobic that highlights the artificiality of it all, including the &quot;Christmas spirit&quot;)&lt;/br&gt;
[[w:Heist (2015 film)|Heist]] (6+)&lt;/br&gt;
[[w:Knight and Day|Knight and Day]] (6+)&lt;/br&gt;
[[w:Sleepers (film)|Sleepers]] (7)&lt;/br&gt;
[[w:Ronin (film)|Ronin]] (7)&lt;/br&gt;
[[w:Wag the Dog|Wag the Dog]] (7-)&lt;/br&gt;
[[w:The Fan (1996 film)|The Fan]] (6+)&lt;/br&gt;
[[w:Cape Fear (1991 film)|Cape Fear]] (8-, great acting all around)&lt;/br&gt;
[[w:The Mission (1986 film)|The Mission]] (8, some historic errors/freedoms but not very relevant)&lt;/br&gt;
[[w:Parasyte: Part 1|Parasyte: Part 1]] (6, cool adaptation, the acting is not great and the easier parts to replicate like the emotional drama, love relation, internal conflict is mostly missing focusing more on the special effects part that works great except for the way the &quot;heroes&quot; move together)&lt;/br&gt;
[[w:Uncanny (film)|Uncanny]] (6+, a bit of a reluctant 6+ since the sexual weird part of the script seems an unnecessary addition to the plot, nice esthetics and a good pace)&lt;/br&gt;
[[w:Parasyte: Part 2|Parasyte: Part 2]] (6-, it deviates even more from the original, for someone that has no previous knowledge it makes it all become too bizarre)&lt;/br&gt;
[http://www.imdb.com/title/tt3508840/ The Assassin] (5+Q, the photography is great but it is too artsy and with a extremely slow pace for me to digest, if a director needs to show off non-story telling concepts he should use short movies or create a good pace of visual fanfare)&lt;/br&gt;
[http://www.imdb.com/title/tt2954474/ Visions] (7-, good script)&lt;/br&gt;
[[w:No Escape (2015 film)|No Escape]] (7-, the writing has a bit of a badly done injection of anti-neo-colonialism that as presented it would be better have been left out and also while the action takes place in an unnamed nation the inclusion of Vietnam as a safe harbor demonstrates how Hollywood serves to shape public perception)&lt;/br&gt;
[[w:Absolutely Anything|Absolutely Anything]] (5+)&lt;/br&gt;
[http://www.imdb.com/title/tt1920846/ Another World] (5Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3774790/ 400 Days] (5-, very weird work, the script is absurd the acting not that great but there is some production value in it, esthetics, image and light are above B movie level)&lt;/br&gt;
[[w:Before We Go|Before We Go]] (6+)&lt;/br&gt;
[[w:Insidious: Chapter 3|Insidious: Chapter 3]] (6)&lt;/br&gt;
[[w:The Man from U.N.C.L.E. (film)|The Man from U.N.C.L.E.]] (6, I was going to give it a 6- but if you disregard the flaws, bad script and lack of chemistry between the main actors, the rest is pretty good, from the cinematics, color choice, esthetics and music all is above par)&lt;/br&gt;
[[w:SuperBob|SuperBob]] (6-, I think it depends on taste, it is nonsense comedy, reminiscent of [[w:Monty Python]] at times)&lt;/br&gt;
[[w:Everest (2015 film)|Everest]] (6)&lt;/br&gt;
[[w:X+Y|A Brilliant Young Mind]] (6)&lt;/br&gt;
[[w:9. April|9. April]] (6)&lt;/br&gt;
[[w:The End of the Tour|The End of the Tour]] (6-Q, good acting and movie in general but based on a core dialog that seems to go into an endless loop of witticism, commonalities and some minor erudition, I think people that aren't capable of very profound thoughts or have a good cultural background would certainly appreciate it more but I lost patience with it)&lt;/br&gt;
[[w:Bone Tomahawk|Bone Tomahawk]] (6+, a bit slow and the camera work at times is painful but a cool script, characters and acting puts it above the norm had it more funding and content it could easily have been better)&lt;/br&gt;
[[w:Momentum (2015 film)|Momentum]] (6-, I have noticed an issue that it transversal to most SA productions, the choice of image format, it hampers the immersion into the movie, this and the attempt to emulate Hollywood in the aesthetics. In this case all fall short, and is utterly unnecessary, the freaky futuristic costumes may have worked wonders for the trailer but not for the film itself, that and a poor script and uneven acting especially when they put in [[w:James Purefoy]] as the second fiddler creates a critical unbalance that robs it of any chance of working out)&lt;/br&gt;
[[w:Bridge of Spies (film)|Bridge of Spies]] (6, I have issues with this type of Hollywood rewrite or simplification of history, I also took note of the blatant product placing, it truly disgusted me)&lt;/br&gt;
[[w:Howl (2015 film)|Howl]] (6, the minor issue is the close-up effects on the fully transformed creatures it may be because of the conservative budget or a directors decision, the movie does not bring anything new but it is well constructed and presents what it proposes)&lt;/br&gt;
[http://www.imdb.com/title/tt3118452/ Circle] (6+, yet again a variation of a groups of people in a closed room but well conceived, good casting, script and acting makes it above average)&lt;/br&gt;
[[w:Experimenter (film)|Experimenter]] (6+, great acting from [[w:Peter Sarsgaard]], clever script that manages to do a great presentation at low cost)&lt;/br&gt;
[[w:Re-Kill|Re-Kill]] (5+Q, bad concept, the effects aren't great and dislike the docustyle camera-work in general)&lt;/br&gt;
[[w:Six Degrees of Separation (film)|Six Degrees of Separation]] (6+)&lt;/br&gt;
[[w:Mr. Holmes|Mr. Holmes]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt4224478/ The Subjects] (6-, great premise and an innovation over the genre but needs a rewrite, waiting for a remake)&lt;/br&gt;
[[w:The Green Inferno (film)|The Green Inferno]] (5+)&lt;/br&gt;
[[w:Garm Wars: The Last Druid|Garm Wars: The Last Druid]] (6-, some above average CGI, good cinematography, fair acting but a extremely weak script and creative content beyond the futuristic esthetics)&lt;/br&gt;
[[w:The Vatican Tapes|The Vatican Tapes]] (5+)&lt;/br&gt;
[[w:The Gift (2015 film)|The Gift]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2531362/ Chariot] (5Q, interesting central idea but the rest is just awful)&lt;/br&gt;
[[w:The Martian (film)|The Martian]] (6+, also saw the extended version, the only annoyance was the politically (in)correct way that China is included into the script even if it is also on the source novel)&lt;/br&gt;
[[w:The Hive (2014 film)|The Hive]] (6-, some cool rehashed ideas in there)&lt;/br&gt;
[[w:Little Boy (film)|Little Boy]] (7-, good tale and well told even if is doesn't innovate in old and tired formulas)&lt;/br&gt;
[[w:Beyond the Mask|Beyond the Mask]] (5+Q)&lt;/br&gt;
[[w:Closer to the Moon|Closer to the Moon]] (5+, seems a propagandistic movie in itself, very full of misdirected primitive anti-communism and cultural Zionism and empty of much anything else, the major plot line is great but its hand is shown right at the start, a very broad mix of acting quality and low budget production values also do not help)&lt;/br&gt;
[[w:Unknown (2011 film)|Unknown]] (6+)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Lion, the Witch and the Wardrobe|The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]] (5+, it may be directed at an young audience but it isn't very good, the acting even production values are fine but the script and effects are not)&lt;/br&gt;
[[w:The Chronicles of Narnia: Prince Caspian|The Chronicles of Narnia: Prince Caspian]] (6-)&lt;/br&gt;
[[w:The Chronicles of Narnia: The Voyage of the Dawn Treader|The Chronicles of Narnia: The Voyage of the Dawn Treader]] (6, more a part of a set, alone the movie wouldn't make any sense)&lt;/br&gt;
[[w:The Hard Way (1991 film)|The Hard Way]] (6-)&lt;/br&gt;
[[w:Teen Wolf|Teen Wolf]] (6-, it hasn't aged well, these epoch centered movies are ripe for a remake)&lt;/br&gt;
[[w:Vampires (film)|Vampires]] (6+, many flaws but memorable, as many other work's from [[w:John Carpenter]] the expenses are dwarfed by the returns in detriment of production quality)&lt;/br&gt;
[[w:Pixels (2015 film)|Pixels]] (5)&lt;/br&gt;
[[w:Love &amp; Mercy (film)|Love &amp; Mercy]] (5+)&lt;/br&gt;
[[w:Pay the Ghost|Pay the Ghost]] (5+)&lt;/br&gt;
[[w:Me and Earl and the Dying Girl (film)|Me and Earl and the Dying Girl]] (6+)&lt;/br&gt;
[[w:Mississippi Grind|Mississippi Grind]] (6+)&lt;/br&gt;
[http://www.imdb.com/title/tt3153582/ Listening] (6-)&lt;/br&gt;
[[w:Cop Car (film)|Cop Car]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt0685628/ The Sign of Four] (5+, it hasn't aged well, the series was great, this movie exacerbates the theatrical acting something that was more subdued in the series)&lt;/br&gt;
[[w:American Ultra|American Ultra]] (6+)&lt;/br&gt;
[[w:Tale of Tales (2015 film)|Tale of Tales]] (6, a bland blending of old folk tales)&lt;/br&gt;
[http://www.imdb.com/title/tt3815430/ Awaiting] (5+Q, it is more like awaiting for it to end, the script is very bare of content and drags the few rehashed ideas too long, in a low production with above fair, but not brilliant acting)&lt;/br&gt;
[[w:Zipper (film)|Zipper]] (6-, not a good script, a beaten track and lacks content)&lt;/br&gt;
[[w:Self/less|Self/less]] (6-, the issue is the directing, the acting is ok and the script has its issues but the options taken do not work)&lt;/br&gt;
[[w:Tiger House|Tiger House]] (6)&lt;/br&gt;
[[w:Z for Zachariah (film)|Z for Zachariah]] (7-, very cleaver premise for the script but falls short on what it could deliver on the very human subjects it tries to approach, it becomes an endurance process due to the very slow pace, creating a frustration that in part does help empathize with the frustration felt by the characters  )&lt;/br&gt;
[[w:Entourage (film)|Entourage (film)]] (5+, or a 6- for those that have seen the serial)&lt;/br&gt;
[[w:Twixt (film)|Twixt]] (5+Q, from [[w:Francis Ford Coppola]] ?! why not simply make a experimental short movie instead of this mess)&lt;/br&gt;
[[w:Star Trek: Renegades|Star Trek: Renegades]] (5+, all things are off except the CG effects and editing)&lt;/br&gt;
[[w:Bad Night|Bad Night]] (5+)&lt;/br&gt;
[[w:Fifty Dead Men Walking|Fifty Dead Men Walking]] (6-, the main issue with it is the production value and the tired subject it covers, it does an amazing job but the quality is not there, the image format selected is also extremely bad for the project, claustrophobic at times and hinders the movie more than anything else.)&lt;/br&gt;
[[w:Attack on Titan (film)|Attack on Titan]] (5, the adaptation is very poor, even if we recognize that it would be extremely difficult but the best ideas, even those that wouldn't require great cost or effects are left out and the acting is extremely theatrical, the best part is the effects and other solutions found for this low budget but with high expectations production.)&lt;/br&gt;
[[w:Strangerland|Strangerland]] (6-, extremely slow and shallow script, some interesting dialogs and a good main plot line, the casting of [[w:Joseph Fiennes]] seems out of place, but a good quality ensemble.)&lt;/br&gt;
[[w:The Humbling (film)|The Humbling]] (6-, the script is not great, a bit confusing at times but with some interesting vignettes and there isn't much that we haven't seen from [[w:Al Pacino]], he does not surprise us here.)&lt;/br&gt;
[[w:Air (2015 film)|Air]] (6, a bit slow and empty of content, [[w:Norman Reedus]] is a great actor.)&lt;/br&gt;
[http://www.imdb.com/title/tt3064356/ The Beat Beneath My Feet] (5+Q)&lt;/br&gt;
[[w:Fantastic Four (2015 film)|Fantastic Four]] (6, the reboot script is crap, the effects, ambiance and backgrounds are ok)&lt;/br&gt;
[[w:Harbinger Down|Harbinger Down]] (6-, the main problem is the acting and a not very creative script)&lt;/br&gt;
[[w:The Runner (2015 film)|The Runner]] (6-)&lt;/br&gt;
[[w:Shaun of the Dead|Shaun of the Dead]] (6)&lt;/br&gt;
[[w:Taken (film)|Taken]] (7, more than anything for the cleaver script concept and a memorable film)&lt;/br&gt;
[[w:Taken 2|Taken 2]] (6)&lt;/br&gt;
[[w:Taken 3|Taken 3]] (6, I wanted to tag it as a 5 due to the very crappy editing that degrades most of the film, especially the action sequences, the script also does not help, not creative or with fully fleshed characters)&lt;/br&gt;
[[w:Some Kind of Beautiful|Some Kind of Beautiful]] (5+, not very good acting, script or even casting)&lt;/br&gt;
[[w:The Age of Adaline|The Age of Adaline]] (6+, a rehash of ideas but not at all bad)&lt;/br&gt;
[[w:Perfect Sense|Perfect Sense]] (6)&lt;/br&gt;
[[w:Kingdom of Heaven (film)|Kingdom of Heaven]] (6)&lt;/br&gt;
[[w:Cracks (film)|Cracks]] (6)&lt;/br&gt;
[[w:Big Driver (film)|Big Driver]] (6)&lt;/br&gt;
[[w:American Sniper (film)|American Sniper]] (6)&lt;/br&gt;
[[w:Wild Card (2015 film)|Wild Card]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2691734/ October Gale] (6)&lt;/br&gt;
[[w:Grizzly (2014 film)|Grizzly (2014 film)]] (5, bad digital effects and camera + mixed cast quality)&lt;/br&gt;
[http://www.imdb.com/title/tt1921149/ Trash] (6)&lt;/br&gt;
[[w:Wyrmwood|Wyrmwood]] (6, for the creativity, acting and effects, considering the low budget and independent production, the close plane camera subterfuge still annoys the hell out of me)&lt;/br&gt;
[http://www.imdb.com/title/tt2998118/ SOS: Save Our Skins] (4, funny to watch due to how bad, in a good way. Very low budget and crazy script)&lt;/br&gt;
[[w:Tracers (film)|Tracers]] (6)&lt;/br&gt;
[[w:Jupiter Ascending|Jupiter Ascending]] (6, I almost gave this a 5 the script is horrid, including the lack of any innovative idea beyond mixing all into a blender including lycanthropes and vampires. The esthetics and effects are excellent but the casting and acting are not.)&lt;/br&gt;
[[w:The Loft (2014 film)|The Loft]] (5, script story as told is very unsalable to get one interested, the acting is also very inconsistent probably due to errors in casting and directing that only makes it worst)&lt;/br&gt;
[[w:The Interview (2014 film)|The Interview]] (5, I rarely like this type of movies anyway, but due to the hype I did look at it, as the others its a waste of time)&lt;/br&gt;
[[w:Northmen: A Viking Saga|Northmen: A Viking Saga]] (5Q, Good production and acceptable acting but the script is bad and the pace is off, very slow. I liked the cinematography but couldn't stomach the empty dialog and lack of character building)&lt;/br&gt;
[[w:Black Sea (film)|Black Sea]] (6, a good story concept, great works from [[w:Jude Law]], but issues with the script cripples it from being even better more than the budget)&lt;/br&gt;
[http://www.imdb.com/title/tt2798456/ The Hybrid] (6)&lt;/br&gt;
[[w:Battle Creek (TV series)|Battle Creek]] (5, only seen 1st episode, the acting is lacking the script quality is not constant, some great ideas mixed with very old clichés and the camera work is also poor)&lt;/br&gt;
[[w:Exodus: Gods and Kings|Exodus: Gods and Kings]] (5, not that great acting, disliked the twists in the script to the original material)&lt;/br&gt;
[[w:The Pyramid (film)|The Pyramid]] (5)&lt;/br&gt;
[[w:Night at the Museum|Night at the Museum]] (5)&lt;/br&gt;
[[w:Night at the Museum: Battle of the Smithsonian|Night at the Museum: Battle of the Smithsonian]] (6)&lt;/br&gt;
[[w:Night at the Museum: Secret of the Tomb|Night at the Museum: Secret of the Tomb]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3204734/ Allies] (4Q)&lt;/br&gt;
[http://www.imdb.com/title/tt3793230/ Extraction Day] (4Q)&lt;/br&gt;
[[w:Cut Bank (film)|Cut Bank]] (6)&lt;/br&gt;
[[w:Vice (2015 film)|Vice]] (5)&lt;/br&gt;
[[w:Chappie (film)|Chappie]] (6, it could have been so much better, it could even incorporate some of the stuff from [[w:Isaac Asimov]])&lt;/br&gt;
[[w:District 9|District 9]] (8)&lt;/br&gt;
[[w:Elysium|Elysium]] (7)&lt;/br&gt;
[[w:Kidnapping Freddy Heineken|Kidnapping Freddy Heineken]] (6, a bit empty, it could have been better scripted)&lt;/br&gt;
[[w:My Mistress|My Mistress]] (6)&lt;/br&gt;
[[w:Meet Joe Black|Meet Joe Black]] (7, some &quot;logical&quot; issues but great story and acting)&lt;/br&gt;
[[w:Instinct (film)|Instinct]] (6, almost a 7, but much is lost by hand holding the audience)&lt;/br&gt;
[[w:Hannibal (film)|Hannibal]] (7)&lt;/br&gt;
[[w:The Silence of the Lambs (film)|The Silence of the Lambs]] (8)&lt;/br&gt;
[[w:Seven (1995 film)|Seven]] (8)&lt;/br&gt;
[[w:The Cobbler (2014 film)|The Cobbler]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3804114/ Halo: Nightfall] (5)&lt;/br&gt;
[[w:Fifty Shades of Grey (film)|Fifty Shades of Grey]] (6, a weak 6 since there is not much content on it, nor any profound psychological depth as one might expect)&lt;/br&gt;
[[w:Innocence (2013 film)|Innocence]] (4Q)&lt;/br&gt;
[[w:Cymbeline (film)|Cymbeline]] (4Q)&lt;/br&gt;
[[w:Faults (film)|Faults]] (7, clever scripting and good acting beats low production costs every time)&lt;/br&gt;
[[w:Alexander (2004 film)|Alexander]] (5, bad acting, casting and awful script)&lt;/br&gt;
[[w:Spring (2014 film)|Spring]] (5, too slow, inconsequential, the camera work/image could have been easily better)&lt;/br&gt;
[[w:Boyhood (film)|Boyhood]] (6)&lt;/br&gt;
[[w:A Most Violent Year|A Most Violent Year]] (5, good acting but the script is lacking)&lt;/br&gt;
[[w:Robot Overlords|Robot Overlords]] (4)&lt;/br&gt;
[[w:Big Eyes|Big Eyes]] (6)&lt;/br&gt;
[[w:Into the Woods|Into the Woods]] (6, musicals aren't my cup of tea)&lt;/br&gt;
[[w:Annie (1982 film)|Annie]] (6)&lt;/br&gt;
[[w:The Sound of Music (film)|The Sound of Music]] (7)&lt;/br&gt;
[[w:The Frighteners|The Frighteners]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2194826/ The Barber] (6, the best point is [[w:Scott Glenn]] act. The script is not great or better yet the history told is not, it is all about the characters and sadly only one gets any tangibility)&lt;/br&gt;
[[w:The Beaver (film)|The Beaver]] (7)&lt;/br&gt;
[[w:The Day of the Dolphin|The Day of the Dolphin]] (6, a weak one, while the plot is good the movie itself hasn't aged well, still a classic but not re-watchable)&lt;/br&gt;
[[w:An Act of War|An Act of War]] (5Q, esthetically pleasing cinematography but no real innovative content in a slow develop plot on a slim budget)&lt;/br&gt;
[[w:Blackhat (film)|Blackhat]] (5, due to the cinematographic quality, or it would be a 6, the acting is also problematic at times with exception of [[w:Chris Hemsworth]], the plot is interesting and the movie well paced but the camera quality and even the audio is inconsistent)&lt;/br&gt;
[[w:Last Knights|Last Knights]] (5Q, horrid script premise, Historic Nippon setup in a Western context (Knights as Samurai), and a waste of good acting talent)&lt;/br&gt;
[[w:Dead Rising: Watchtower|Dead Rising: Watchtower]] (5, some innovative ideas in regard to the Zombie gender, with some concepts from the game, but weak acting and bad camera work takes it below the 6. The budget also does not help, even in the s. effects department)&lt;/br&gt;
[[w:Dead Rising: Endgame|Dead Rising: Endgame]] (6-, better actors and previous actors had more experience, increased production value, except the sound and a messed up casting, even shifting same actors around in roles would have been better, in any case direction is also lacking, as some actors perform below what they have done in the past)&lt;/br&gt;
[[w:Batman vs. Robin|Batman vs. Robin]] (5, subpar animation, one thing done right was the fight choreography between different sized combatants where one would expect problems or gimmicks to surpass them)&lt;/br&gt;
[[w:Robin Hood: Prince of Thieves|Robin Hood: Prince of Thieves]] (6)&lt;/br&gt;
[[w:The Untouchables|The Untouchables]] (7)&lt;/br&gt;
[[w:Outland (film)|Outland]] (8)&lt;/br&gt;
[[w:Good Kill|Good Kill]] (6, sadly it fails to go deeper into the morality of subject matter and focus to much into personal crisis and technicalities and soapboxing, that prevents it for being better)&lt;/br&gt;
[[w:The Dead Lands|The Dead Lands]] (6, weak 6 since the scrip is not great. The strongest point is the Māori culture that is rarely seen on the global screens and when shown it is too politically correct or clean. In that note one of the actors strikes out as being too westerner looking for the casting)&lt;/br&gt;
[[w:The Lazarus Effect (2015 film)|The Lazarus Effect (2015 film)]] (6-, the script is not innovative, like a remake of [[w:Flatliners]] in a small scale production)&lt;/br&gt;
[[w:Flatliners|Flatliners]] (7)&lt;/br&gt;
[[w:30 Days of Night (film)|30 Days of Night]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2361602/ Five Star] (5+)&lt;/br&gt;
[[w:The Big Lebowski|The Big Lebowski]] (7)&lt;/br&gt;
[[w:Four Brothers (film)|Four Brothers]] (6+)&lt;/br&gt;
[[w:Mission: Impossible – Rogue Nation|Mission: Impossible – Rogue Nation]] (6-, what is up with all the neon/led lightening it is even more out of place than in ST reboot high brightness weird futuristic ambiance)&lt;/br&gt;
[[w:The Physician (2013 film)|The Physician]] (7)&lt;/br&gt;
[[w:Kiss of Death (1995 film)|Kiss of Death]] (5, bad casting and lousy script)&lt;/br&gt;
[[w:Birdman (film)|Birdman]] (5, almost didn't make it till the end, great acting great script I just didn't appreciate the subject-matter else it would be probably a 7)&lt;/br&gt;
[[w:Laggies|Laggies]] (6, I FF some-parts of the start as the movie seems to be intended to a niche audience, not bad for what it is)&lt;/br&gt;
[http://www.imdb.com/title/tt2505294/ Ask Me Anything] (7)&lt;/br&gt;
[[w:Unbroken (film)|Unbroken]] (6, the script itself is weak and walks in a beaten path but transpires reality and stays away from the unnecessary nationalistic imaginary that we would expect, I loved the color pallet concept)&lt;/br&gt;
[[w:Alexander and the Terrible, Horrible, No Good, Very Bad Day (film)|Alexander and the Terrible, Horrible, No Good, Very Bad Day]] (5, there is no real chemistry on the cast, all good actors but that and the issues with the script that breaks at times makes it not shine)&lt;/br&gt;
[[w:Whiplash (2014 film)|Whiplash]] (6, not much of a story beyond attempting to validate the insanity that mediocrity should be sacrificed in the altar of subjective excellence, a 1% sponsored message, but great acting and music)&lt;/br&gt;
[[w:Kill the Messenger (2014 film)|Kill the Messenger]] (6, simple production but concise presentation)&lt;/br&gt;
[[w:The Imitation Game|The Imitation Game]] (6, low budget production but my main dislike was the departure from the real history)&lt;/br&gt;
[[w:The Gambler (2014 film)|The Gambler]] (7)&lt;/br&gt;
[[w:Seventh Son (film)|Seventh Son]] (5)&lt;/br&gt;
[[w:Horrible Bosses|Horrible Bosses]] (5)&lt;/br&gt;
[[w:Horrible Bosses 2|Horrible Bosses 2]] (4)&lt;/br&gt;
[[w:Stonehearst Asylum|Stonehearst Asylum]] (6)&lt;/br&gt;
[[w:Blood: The Last Vampire (2009 film)|Blood: The Last Vampire]] (6, low budget and forced internationalization but it delivers a good show for what it is, the camera works should be more cinematic and the shoots should be less regular in amplitude it feels a bit too narrow at times)&lt;/br&gt;
[[w:The Atticus Institute|The Atticus Institute]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2557276/ Against the Sun] (6)&lt;/br&gt;
[[w:Jarhead_2:_Field_of_Fire|Jarhead 2: Field of Fire]] (5Q, bad script and claustrophobic camera more than the acting makes it intolerable)&lt;/br&gt;
[[w:Extinction (film)|Extinction]] (7-, great acting, good effects even in such a small production, the script should have been better leveraged and paced)&lt;/br&gt;
[[w:Dark Was the Night (film)|Dark Was the Night]] (6-, very few proper actors and a limited budget, that is evident in the effects, camera works, lighting and sound quality, allied with a very bare script puts it on the hedge of meriting the time expenditure)&lt;/br&gt;
[http://www.imdb.com/title/tt1854580/ That Burning Feeling] (5Q, interesting premise but weak presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2570224/ Two-Bit Waltz] (4Q)&lt;/br&gt;
[[w:Enough (film)|Enough]] (6)&lt;/br&gt;
[[w:The Drop (film)|The Drop]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3157224/ We Still Kill the Old Way] (4Q)&lt;/br&gt;
[[w:Good Night, and Good Luck|Good Night, and Good Luck]] (6, it could be better it suffers from bad editing, the camera work, selected planes are also problematic and at times it is too slow for the content presented)&lt;/br&gt;
[[w:Alien vs. Predator (film)|Alien vs. Predator]] (6)&lt;/br&gt;
[[w:The Adjustment Bureau|The Adjustment Bureau]] (6)&lt;/br&gt;
[[w:Foxcatcher|Foxcatcher]] (5)&lt;/br&gt;
[[w:'71 (film)|'71]] (7)&lt;/br&gt;
[[w:Rising Sun (film)|Rising Sun]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0835775/ Electric Slide] (5)&lt;/br&gt;
[[w:Conspiracy Theory (film)|Conspiracy Theory]] (6)&lt;/br&gt;
[[w:The Scorpion King 4: Quest for Power|The Scorpion King 4: Quest for Power]] (5, a [[w:LARP]] while the scrip itself is not that bad the acting or directing is very lacking, some setting/locations also are out of place and the epic music becomes extremely annoying after a bit)&lt;/br&gt;
[[w:I Saw the Devil|I Saw the Devil]] (7)&lt;/br&gt;
[[w:Get Low (film)|Get Low]] (6)&lt;/br&gt;
[[w:Highwaymen (film)|Highwaymen]] (6, the very ending is very out of character and unnecessary)&lt;/br&gt;
[[w:Time Lapse (film)|Time Lapse]] (5, good premise but the script needed more work and greater creativity)&lt;/br&gt;
[[w:Hunter Killer (film)|Hunter Killer]] (6)&lt;/br&gt;
[[w:Gone Girl (film)|Gone Girl]] (7)&lt;/br&gt;
[[w:The Contract (2006 film)|The Contract]] (6)&lt;/br&gt;
[[w:The Sum of All Fears (film)|The Sum of All Fears]] (6)&lt;/br&gt;
[[w:Driving Miss Daisy|Driving Miss Daisy]] (7)&lt;/br&gt;
[[w:Along Came a Spider (film)|Along Came a Spider]] (7)&lt;/br&gt;
[[w:Nurse Betty|Nurse Betty]] (6)&lt;/br&gt;
[[w:The Shawshank Redemption|The Shawshank Redemption]] (8)&lt;/br&gt;
[[w:Hot Pursuit (2015 film)|Hot Pursuit]] (5+, almost gave up, the script is horrid leading to very forced and infantile gags, the acting is fair)&lt;/br&gt;
[[w:Ant-Man (film)|Ant-Man]] (6, safe and boring use of basic formulas, it is like packing sausages. The effects are fine but the ant &quot;speech&quot; is cartoonish and out of place)&lt;/br&gt;
[http://www.imdb.com/title/tt2558318/ The Last Survivors] (5+, lacks many things, the premise is fine even if it needed some work to work beyond setting the stage for the action. The acting is also lacking beyond the very main characters. The &quot;villain&quot; could easily been better structured at least to bring it to par with the &quot;heroes&quot; even fleshing this duality would have provided some usable content. With a little more work it could have been way better...)&lt;/br&gt;
[[w:The Day the Earth Stood Still (2008 film)|The Day the Earth Stood Still (2008)]] (7-, a remake that adds some good content but fails to be better due to concentrating too much on the [[w:Keanu Reeves]] part)&lt;/br&gt;
[[w:The Day the Earth Stood Still|The Day the Earth Stood Still]] (8, a memorable classic)&lt;/br&gt;
[[w:Soldier (1998 American film)|Soldier]] (6)&lt;/br&gt;
[[w:The Time Machine (1960 film)|The Time Machine (1960)]] (8, a classic with memorable scenes, except for some of the effects it has aged remarkably well)&lt;/br&gt;
[[w:In Bruges|In Bruges]] (6, funny story with unexpected twists)&lt;/br&gt;
[[w:REC (film)|REC]] (5, some good scenes but weak plot, the acting is also very inconsistent probably an issue with direction more than issues with the script)&lt;/br&gt;
[[w:REC 4: Apocalypse|REC 4: Apocalypse]] (5, a bit better production but suffers from the same acting issues added to it is the camera work that in this installment should have been more cinematographic)&lt;/br&gt;
[[w:The Day of the Beast (film)|The Day of the Beast]] (7)&lt;/br&gt;
[[w:Pan's Labyrinth|Pan's Labyrinth]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3367686/ Awaken] (4+Q, main issues for what little I saw, the camera work the acting and the general production value)&lt;/br&gt;
[[w:The Manchurian Candidate (2004 film)|The Manchurian Candidate (2004)]] (6)&lt;/br&gt;
[[w:The Manchurian Candidate (1962 film)|The Manchurian Candidate (1962)]] (7+)&lt;/br&gt;
[[w:The Parallax View|The Parallax View]] (6-, it didn't age well, some parts of the script would probably merit a remake as they continue to be interesting to explore. There is some potential there and a remake would be easier than what happened to latter adaptations to screen of [[w:The Manchurian Candidate]])&lt;/br&gt;
[http://www.imdb.com/title/tt2517300/ The Suicide Theory] (5-Q, the plot premise reads great but production, casting and acting is bad, I did not see much of the movie to comment on the script but it should be on par with the rest)&lt;/br&gt;
[[w:Tusk (2014 film)|Tusk]] (5)&lt;/br&gt;
[[w:I Origins|I Origins]] (5, very slow for lack of content)&lt;/br&gt;
[[w:The Skeleton Twins|The Skeleton Twins]] (5Q)&lt;/br&gt;
[[w:Minuscule: Valley of the Lost Ants|Minuscule: Valley of the Lost Ants]] (5Q)&lt;/br&gt;
[[w:Nightcrawler (film)|Nightcrawler]] (7)&lt;/br&gt;
[[w:Dying of the Light (film)|Dying of the Light]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1958007/ Roadside] (5)&lt;/br&gt;
[[w:Thin Ice (2011 film)|Thin Ice]] (6+)&lt;/br&gt;
[[w:Teenage Mutant Ninja Turtles (2014 film)|Teenage Mutant Ninja Turtles (2014)]] (5)&lt;/br&gt;
[[w:Late Phases|Late Phases]] (5, interesting script ideas but low budget and weak directing it could have been way better, this is one waiting for a proper remake)&lt;/br&gt;
[[w:The Hunger Games: Mockingjay – Part 1|The Hunger Games: Mockingjay – Part 1]] (6)&lt;/br&gt;
[[w:Three Days of the Condor|Three Days of the Condor]] (8)&lt;/br&gt;
[[w:The Canal (2014 film)|The Canal]] (4Q)&lt;/br&gt;
[[w:Fury (2014 film)|Fury]] (7)&lt;/br&gt;
[[w:Into the Storm (2014 film)|Into the Storm]] (4, some of the effects are fine and its the main point of a calamity movie so I FF to those in place of quiting)&lt;/br&gt;
[[w:Living with the Enemy (tv series)|Living with the Enemy]] (5, I only have seen episode 5 about Marijuana, I dislike the format because it can be easily manipulated on production and it doesn't reach any conclusion beyond maybe having an impact on the protagonists, one thing it reinforced in my view is how connected the legal system and even general politic discourse is with the US)&lt;/br&gt;
[[w:These Final Hours|These Final Hours]] (7)&lt;/br&gt;
[[w:Nightbreed|Nightbreed]] (8)&lt;/br&gt;
[http://www.imdb.com/title/tt2873214/ Bad Turn Worse] (5, boiler plate)&lt;/br&gt;
[[w:A Walk Among the Tombstones (film)|A Walk Among the Tombstones]] (7, the musical score is very interesting, good script and acting too)&lt;/br&gt;
[[w:Locke (film)|Locke]] (7, mesmerizing story about character and responsibility, one of a kind)&lt;/br&gt;
[[w:The Lunchbox|The Lunchbox]] (7, a good, and funny, look into India's lifestyle and social relations)&lt;/br&gt;
[[w:This Is Where I Leave You|This Is Where I Leave You]] (5)&lt;/br&gt;
[[w:John Wick (film)|John Wick]] (6, I was going to make it a 7 due to the combat choreography/scenography but the last sequences of the script, especially the &quot;boss&quot; fight ruin it)&lt;/br&gt;
[http://www.imdb.com/title/tt2769184/ Debug] (5, the plot premise was great but the aesthetics and implementation failed probably due to budget issues, not bad acting in general)&lt;/br&gt;
[[w:Total Recall (1990 film)|Total Recall (1990)]] (7, it didn't age well)&lt;/br&gt;
[[w:Total Recall (2012 film)|Total Recall (2012)]] (6)&lt;/br&gt;
[[w:A Merry Friggin' Christmas|A Merry Friggin' Christmas]] (4Q)&lt;/br&gt;
[[w:And So It Goes (film)|And So It Goes]] (5, nothing new, the same formulas, rinse and repeat)&lt;/br&gt;
[[w:Dracula Untold|Dracula Untold]] (6)&lt;/br&gt;
[[w:The Hobbit: The Desolation of Smaug|The Hobbit: The Desolation of Smaug]] (8)&lt;/br&gt;
[[w:The Hobbit: The Battle of the Five Armies|The Hobbit: The Battle of the Five Armies]] (6)&lt;/br&gt;
[[w:Frontera (2014 film)|Frontera]] (5, mostly a one sided educational film directed as to moralize an infantile audience on the base of emotional appeal and not addressing the real issues behind actions and events)&lt;/br&gt;
[[w:Interstellar (film)|Interstellar]] (7)&lt;/br&gt;
[[w:Gravity (film)|Gravity]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt1639397/ Once Upon a Time in Queens] (6, a bit slow a bit myopic but a good rehash and spin on many similar movies that deal with aging and dealing with changes)&lt;/br&gt;
[[w:The Salvation (film)|The Salvation]] (7, not an unique script but the cinematography the camera angles were great, not the editing, it was horrid at times and the over use of light filters, but excellent acting and good sound track)&lt;/br&gt;
[[w:America Unearthed|America Unearthed]] (4, very bad TV format and premise, I have only seen a few of the programs, the ones that cover subjects that I may have an interests like the copper mystery, vikings in the Americas etc but the show is very bad at explaining and exploring the subjects and in differentiating fact from fiction and present a grounded scientific conclusion)&lt;/br&gt;
[[w:Guardians of the Galaxy (film)|Guardians of the Galaxy]] (7, I always liked the more or less consistent Marvel universe, and the efforts they make to keep it so, this adaptation into the big screen didn't seem to mess that up too much, one of the best Marvels adaptations so far)&lt;/br&gt;
[[w:Nine Queens|Nine Queens]] (7)&lt;/br&gt;
[[w:Before I Go to Sleep (film)|Before I Go to Sleep]] (7)&lt;/br&gt;
[http://www.imdb.com/title/tt2170593/ St. Vincent] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt1403862/ Sinbad: The Fifth Voyage] (4)&lt;/br&gt;
[[w:Lucy (2014 film)|Lucy]] (7)&lt;/br&gt;
[[w:Beyond the Edge|Beyond the Edge]] (7)&lt;/br&gt;
[[w:Wolf Creek (film)|Wolf Creek]] (6)&lt;/br&gt;
[[w:Wolf Creek 2|Wolf Creek 2]] (5)&lt;/br&gt;
[[w:Big Hero 6 (film)|Big Hero 6]] (6, seeing the same formulas applied over and over again without significant innovations or creativity becomes boring)&lt;/br&gt;
[[w:Predestination (film)|Predestination]] (7)&lt;/br&gt;
[[w:The Warrior's Way|The Warrior's Way]] (6, more for the image and aesthetics and strangeness of the plot)&lt;/br&gt;
[[w:Snowpiercer|Snowpiercer]] (6, good acting and interesting attempt of a political statement, but the plot itself is not consistent in logic and since those premises are central to the story it hinders the overall quality)&lt;/br&gt;
[[w:True Story (film)|True Story]] (6, I'm sad that it isn't better, the acting is great but ultimately it is all that there is to it, the story is not that good or especially well told and so it centers the movie in the conflict of the two main characters)&lt;/br&gt;
[[w:Jinn (film)|Jinn]] (4Q)&lt;/br&gt;
[[w:Hercules (2014 film)|Hercules]] (6, a weak 6 at that there are problem with the cinematography, the decisions made especially in the first part of the movie. The editing is also a problem...)&lt;/br&gt;
[[w:Camp X-Ray (film)|Camp X-Ray]] (6, a bit disappointing that it never goes beyond the emotional aspect of the issue of captive vs captor and the background seems only circumstantial emptying the movie of any interest)&lt;/br&gt;
[[w:The Judge (2014 film)|The Judge]] (6)&lt;/br&gt;
[[w:A Most Wanted Man (film)|A Most Wanted Man]] (6)&lt;/br&gt;
[[w:The Prince (2014 film)|The Prince]] (5)&lt;/br&gt;
[[w:Let's Be Cops|Let's Be Cops]] (4Q)&lt;/br&gt;
[[w:The Limits of Control|The Limits of Control]] (5+, too pointless, empty and slow, again the premise is fine and the actor's are ok but their work is not that hard in this setup. It could have easily been much more profound and/or entertaining, even taking advantage of better locations/backgrounds would add value to it)&lt;/br&gt;
[[w:Housebound|Housebound]] (4, yes I've seen it till the end, a bit of FF but didn't quit, just because of Morgana O'Reilly acting and role)&lt;/br&gt;
[[w:The Rover (2014 film)|The Rover]] (7, with a few tweaks it would have been fantastic but as it is, it is memorable)&lt;/br&gt;
[[w:Grumpy Old Men (film)|Grumpy Old Men]] (6-, I do like Jack Lemmon and Walter Matthau but is not that great and some situational comedy too forced)&lt;/br&gt;
[[w:The Usual Suspects|The Usual Suspects]] (8, the script is great as it is the acting)&lt;/br&gt;
[[w:Strange Magic (film)|Strange Magic]] (6-, I don't particularly like musicals but the animation is good, even if I strongly dislike the style used for faces)&lt;/br&gt;
[[w:Run All Night (film)|Run All Night]] (6+, well paced action flick)&lt;/br&gt;
[[w:Beyond the Reach|Beyond the Reach]] (6-, there a a multitude of similar and better movies around similar lines)&lt;/br&gt;
[[w:Divergent (film)|Divergent]] (6-)&lt;/br&gt;
[[w:The Divergent Series: Insurgent|Insurgent]] (5+, only due to the effects, the casting and acting is not good, suffers basically from the same problems of the first movie but the story issues becomes more pressing as it progresses)&lt;/br&gt;
[[w:The Divergent Series: Allegiant|The Divergent Series: Allegiant]] (6, the best one of the series, the acting has improved, even if the script is relatively empty of content and not very creative. I also disliked the implementation of the gas threat, not the visual but the &quot;logic&quot; on how they've gone about it, in all its angles)&lt;/br&gt;
[[w:The Forger (2014 film)|The Forger]] (4Q)&lt;/br&gt;
[[w:The Reconstruction of William Zero|The Reconstruction of William Zero]] (6-, unnecessarily confused presentation, the key concepts of the script are interesting but fizzle without satisfying)&lt;/br&gt;
[http://www.imdb.com/title/tt2567038/ The Frame] (4Q)&lt;/br&gt;
[[w:Avengers: Age of Ultron|Avengers: Age of Ultron]] (6+, better than all the previous ones but MARVEL IP is at times outdated, even if they managed to explore almost every angle on paper, on screen the selection or options hurt the &quot;logic&quot; of the plot)&lt;/br&gt;
[[w:The Duke of Burgundy|The Duke of Burgundy]] (7-, there is not much on history content)&lt;/br&gt;
[[w:Embrace of the Vampire|Embrace of the Vampire]] (4Q, the best angle is to regard it as a very weak soft porn)&lt;/br&gt;
[[w:Cake (2014 film)|Cake]] (6, a weak 6 since it can get a boring for lack of content beyond the good acting and interesting characters)&lt;/br&gt;
[[w:Spare Parts (film)|Spare Parts]] (6, but a weak 6 only due to the excessive propagandistic way the story is presented)&lt;/br&gt;
[[w:Kingsman: The Secret Service|Kingsman: The Secret Service]] (6-, the script is weak and full of clichés that are taken too seriously, to be seen as a parody to the gender)&lt;/br&gt;
[[w:Kingsman: The Golden Circle|Kingsman: The Golden Circle]] (5+, why waste good production value in this type of trash is incomprehensible to me, the script is a mess the CGI is over used and not very good and the camera was too squizo)&lt;/br&gt;
[[w:Hit by Lightning|Hit by Lightning]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt4530832/ Road Wars] (5, a bit more work on the script and better actors, not that all are bad, and it could have been easily better, its not that hard with this gender)&lt;/br&gt;
[[w:It Follows|It Follows]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt3552892/ Hungerford] (5)&lt;/br&gt;
[[w:Home (2015 film)|Home]] (5)&lt;/br&gt;
[http://www.imdb.com/title/tt2784134/ Battle for Skyark] (5+, a bit more work on the script and little more in the budget and it could have be easily improved)&lt;/br&gt;
[[w:Maggie (film)|Maggie]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3327624/ Infini] (5, good premise that fails to deliver, main issue is the script that falls apart as soon as it goes beyond the introduction)&lt;/br&gt;
[[w:Project Almanac|Project Almanac]] (6-)&lt;/br&gt;
[[w:Focus (2015 film)|Focus (2015 film)]] (7)&lt;/br&gt;
[[w:Exeter|Exeter]] (5)&lt;/br&gt;
[[w:Area 51 (film)|Area 51]] (5)&lt;/br&gt;
[[w:The Admiral: Roaring Currents|The Admiral: Roaring Currents]] (5+, most of the acting is bad and it continues to baffles me why most of these Asian movies are so filled with propagandistic or ultra nationalistic nuances, in this case it also includes erroneous religious remarks since at the time Koreans did not believe in a single God. Even if the historic accuracy was already doubtful it further detracts from the presentation)&lt;/br&gt;
[http://www.imdb.com/title/tt2564978/ Lost Time] (5-, what a mess, some cool ideas and effects but a crazy script and bad acting makes it unwatchable)&lt;/br&gt;
[[w:Mimic (film)|Mimic]] (7-)&lt;/br&gt; 
[[w:Mimic 2|Mimic 2]] (6-)&lt;/br&gt;
[[w:Mimic 3: Sentinel|Mimic 3: Sentinel]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt3300572/ Stung] (5+, required a lot of FF)&lt;/br&gt;
[[w:Two Girls and a Guy|Two Girls and a Guy]] (6-, the buildup is great but there are script issues and the production quality is low, in any case it keeps your watching)&lt;/br&gt;
[[w:The Terminator|The Terminator]] (8-)&lt;/br&gt;
[[w:Terminator 2: Judgment Day|Terminator 2: Judgment Day]] (7)&lt;/br&gt;
[[w:Terminator 3: Rise of the Machines|Terminator 3: Rise of the Machines]] (6+)&lt;/br&gt;
[[w:Terminator Salvation|Terminator Salvation]] (7+)&lt;/br&gt;
[[w:Terminator Genisys|Terminator Genisys]] (7-)&lt;/br&gt;
[http://www.imdb.com/title/tt3029476/ Pressure] (6+)&lt;/br&gt;
[[w:Madame Bovary (2014 film)|Madame Bovary (2014)]] (5+)&lt;/br&gt;
[[w:Manglehorn|Manglehorn]] (5+, no problem about the acting but the script is too bare and slow to make it worth investing the time)&lt;/br&gt;
[[w:Law Abiding Citizen|Law Abiding Citizen]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt2962726/ The Anomaly] (5, very interesting concept, nothing new but an interesting subject, good production but not well directed, acted and the fight scenes are very, very bad and in bullet time)&lt;/br&gt;
[[w:Extraterrestrial (2014 film)|Extraterrestrial]] (6, if you take it for what it is &quot;a groups of friends decide to take a romantic weekend in the woods at her parents' cabin&quot;, the plot could have be better as it has a hard time to stay funny and dark at the same time, it could have been great had they decided one way or the other)&lt;/br&gt;
[http://www.imdb.com/title/tt2186663/ 36 Saints] (4Q)&lt;/br&gt;
[[w:The Gunman (film)|The Gunman]] (6, it could have been better if not for the weak script and the almost unbearable moralism that permeates it, I gave it a 6 because of the action sequences and the settings)&lt;/br&gt;
[http://www.imdb.com/title/tt4627104/ Flight World War II] (5+, the script needed more work, the film would benefit from a better camera work and a larger production, but the plot is different, a creative merge of many other previous works)&lt;/br&gt;
[[w:Jurassic Park (film)|Jurassic Park]] (7)&lt;/br&gt;
[[w:The Lost World: Jurassic Park|The Lost World: Jurassic Park]] (6)&lt;/br&gt;
[[w:Jurassic Park III|Jurassic Park III]] (6-)&lt;/br&gt;
[[w:Jurassic World|Jurassic World]] (6-, the scrip falls apart 30m into it, the acting is good but rehashing cliches does not make it a good movie, huge lack of imagination to stay in the already traveled path)&lt;/br&gt;
[[w:Parlor (film)|Anarchy Parlor]] (5)&lt;/br&gt;
[[w:Stretch (2014 film)|Stretch]] (5)&lt;/br&gt;
[[w:Earth to Echo|Earth to Echo]] (4, a weaker version of Explorers, and I hate the &quot;found footage&quot; meme, except for Cloverfield)&lt;/br&gt;
[[w:The Goonies|The Goonies]] (7-)&lt;/br&gt;
[[w:Explorers (film)|Explorers]] (7)&lt;/br&gt;
[[w:Cloverfield|Cloverfield]] (7-)&lt;/br&gt;
[[w:Revenge of the Green Dragons|Revenge of the Green Dragons]] (4, bad camera work, weak montage and sadly clearly a script for Asian consumption. I cringe every time I see this propagandistic use of racism, to a sickening degree, it is not that some coverage of it may not be justified, but they exacerbate it to the nth degree)&lt;/br&gt;
[[w:Begin Again (film)|Begin Again]] (5)&lt;/br&gt;
[[w:Deliver Us from Evil (2014 film)|Deliver Us from Evil]] (6)&lt;/br&gt;
[[w:Automata (film)|Automata]] (7, it seems to suffer from a low production budget, with a little tweak here and there it would have been fantastic)&lt;/br&gt;
[[w:I, Robot (film)|I, Robot]] (8)&lt;/br&gt;
[[w:The Hornet's Nest|The Hornet's Nest ]] (5, embedded reporting is almost always tendentious, in this case it is also a bit of self promotion and  in general it takes a single sided propagandistic and sanitized aspect without any real content beyond a few, sadly &quot;normal&quot;, tales of the misery of war. The music score is extremely detrimental and over dramatical, completely unnecessary)&lt;/br&gt;
[[w:The Purge|The Purge]] (4)&lt;/br&gt;
[[w:The Purge: Anarchy|The Purge: Anarchy]] (5)&lt;/br&gt;
[[w:The Purge: Election Year|The Purge: Election Year]] (5+, the acting/cast is improving as the effects but the script is not)&lt;/br&gt;
[[w:Fargo (film)|Fargo]] (7)&lt;/br&gt;
[[w:Kumiko, the Treasure Hunter|Kumiko, the Treasure Hunter]] (6-, slow and without much content, I do get the emotional and cultural allusions but that alone does not validate this film)&lt;/br&gt;
[[w:A Dark Reflection|A Dark Reflection]] (6-, a bit slow and too propagandistic, while having a good image quality the pace and script fails to satisfy any requirements of a thriller, making a difficult watch. Reading the resume of the issues or the wikipedia entry on the movie would be as satisfying and less of a burden to the audience)&lt;/br&gt;
[[w:San Andreas (film)|San Andreas]] (7-, a 7 only due to the effects and graphical work and acting, the script in itself is not very good its simply a visual disaster movie)&lt;/br&gt;
[[w:Kajaki (film)|Kajaki]] (5Q, has a very unnecessary slow start and it is not great in the acting or the writing, if one believes that this ineptitude is how professional armies operate)&lt;/br&gt;
[[w:Just Before I Go|Just Before I Go ]] (5+, very confusing and pointless script even if one tries to make something out of any subtext)&lt;/br&gt;
[[w:Warm Bodies (film)|Warm Bodies]] (7, cool twist on a creatively lifeless subject matter)&lt;/br&gt;
[[w:Edge of Tomorrow (film)|Edge of Tomorrow]] (6, some plot holes but a good watch.)&lt;/br&gt;
[[w:Million Dollar Arm|Million Dollar Arm]] (5)&lt;/br&gt;
[[w:Sin City (film)|Sin City]] (7)&lt;/br&gt;
[[w:Sin City: A Dame to Kill For|Sin City: A Dame to Kill For]] (7)&lt;/br&gt;
[[w:The Homesman|The Homesman]] (6, the movie should have ended much sooner, the last sequences are ruinous.)&lt;/br&gt;
[[w:Road to Paloma|Road to Paloma]] (5, not bad for a first film, but too much of the director itself on film and too many lingering reflective moments.)&lt;/br&gt;
[[w:Cold in July (film)|Cold in July]] (4, empty movie with not even good acting)&lt;/br&gt;
[[w:The Maze Runner (film)|The Maze Runner]] (6, we will have now to become accustomed to movies in installments...)&lt;/br&gt;
[[w:Maze Runner: The Scorch Trials|Maze Runner: The Scorch Trials]] (6-, I'm beginning to think that the main issue is with the original work, in any case this installment has almost no content it just adds and builds up characters to the story as they incessantly run around)&lt;/br&gt;
[[w:Coherence (film)|Coherence]] (4, has a lot of scientific incoherences with some funny though experiments but it is boring)&lt;/br&gt;
[[w:Good People (film)|Good People]] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt1572306/ Don't Blink] (5, the sound designer needs to be more subtle, he alone manages to ruin some good scenes)&lt;/br&gt;
[[w:Horns (film)|Horns]] (5)&lt;/br&gt;
[[w:The Equalizer (film)|The Equalizer]] (6, nothing new, same formula over and over again)&lt;/br&gt;
[[w:The Equalizer 2|The Equalizer 2]] (6)&lt;/br&gt;
[[w:Survivor (film)|Survivor]] (6-, weak script, pervasive with a strange subtext, is a waste of time for those actors)&lt;/br&gt;
[http://www.imdb.com/title/tt2950236/ The Living] (5Q)&lt;/br&gt;
[[w:Children of Men|Children of Men]] (7)&lt;/br&gt;
[[w:Page Eight|Page Eight]] (7)&lt;/br&gt;
[[w:Turks &amp; Caicos (film)|Turks &amp; Caicos]] (6-, not as good as the first movie of the series, [[w:Page Eight]] and the plot is very thinly presented but good enough acting and set-up, a must if one sees the first)&lt;/br&gt;
[[w:Salting the Battlefield|Salting the Battlefield]] (6)&lt;/br&gt;
[[w:Tomorrowland (film)|Tomorrowland]] (6+)&lt;/br&gt;
[[w:Big Game (2014 film)|Big Game]] (5+)&lt;/br&gt;
[[w:5 Flights Up (film)|5 Flights Up (film)]] (6+)&lt;/br&gt;
[[w:Mad Max: Fury Road|Mad Max: Fury Road]] (6+)&lt;/br&gt;
[[w:Mad Max|Mad Max]] (6-)&lt;/br&gt;
[[w:Mad Max 2|Mad Max 2]] (6)&lt;/br&gt;
[[w:Mad Max Beyond Thunderdome|Mad Max Beyond Thunderdome]] (6)&lt;/br&gt;
[[w:Parallels (2015 film)|Parallels]] (6-, simple but to the point, the acting could be a bit better and the script improved, it seems a long pilot and ends without any real conclusion, I recollected the great [[w:Sliders]] series)&lt;/br&gt;
[http://www.imdb.com/title/tt2016335/ Walter] (5)&lt;/br&gt;
[[w:The Giver (film)|The Giver]] (6, good movie but a bad adaptation to script from the novel [[w:The Giver|The Giver]], that I haven't read but seems to avoid many of the bad issues that the script creates in the background that is presented.)&lt;/br&gt;

====Shorts====
[http://www.imdb.com/title/tt6089002/ Yes, God, Yes] (6-, it could easily been better)&lt;/br&gt;
[http://www.imdb.com/title/tt7078780/ Zygote] (6)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:All Hail the King|All Hail the King]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Item 47|Item 47]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Agent Carter (film)|Agent Carter]] (6-, the low budget feel ruins it)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#The_Consultant_.282011.29|The Consultant]] (6+)&lt;/br&gt;
[[w:Marvel One-Shots]]:[[w:Marvel_One-Shots#A_Funny_Thing_Happened_on_the_Way_to_Thor.27s_Hammer_.282011.29|A Funny Thing Happened on the Way to Thor's Hammer]] (7)

====Animation====
[[w:Batman Ninja|Batman Ninja]] (6-, while I can appreciate the craft didn't like the art work on this context, and I have rarely seen computer aided animation that I like or better yet not notice)&lt;/br&gt;
[[w:Reign of the Supermen (film)|Reign of the Supermen]] (6+)
[[w:Ralph Breaks the Internet|Ralph Breaks the Internet]] (6+)&lt;/br&gt;
[[w:Kingsglaive: Final Fantasy XV|Kingsglaive: Final Fantasy XV]] (6-)&lt;/br&gt;
[[w:Isle of Dogs (film)|Isle of Dogs]] (6+)&lt;/br&gt;
[[w:Dead Space: Aftermath|Dead Space: Aftermath]] (5Q)&lt;/br&gt;
[[w:Captain Underpants: The First Epic Movie|Captain Underpants: The First Epic Movie]] (6-)&lt;/br&gt;
[[w:Godzilla: Planet of the Monsters|Godzilla: Planet of the Monsters]] (6-)&lt;/br&gt;
[[w:Harmony (2015 film)|Hāmonī aka Harmony]] (6-)&lt;/br&gt;
[[w:Starship Troopers: Traitor of Mars|Starship Troopers: Traitor of Mars]] (6)&lt;/br&gt;
[[w:Memories (1995 film)|Memories]] (8-, while a collection of shorter films the overall quality is good even if the esthetics suffer significant changes)&lt;/br&gt;
[http://www.imdb.com/title/tt0817910/ Hellboy Animated: Blood and Iron] (6)&lt;/br&gt;
[http://www.imdb.com/title/tt0810895/ Hellboy Animated: Sword of Storms] (6)&lt;/br&gt;
[[w:Resident Evil: Vendetta|Resident Evil: Vendetta]] (6)&lt;/br&gt;
[[w:The Boss Baby|The Boss Baby]] (6, for the proper audience, kids, as the script has logic issues. Also the message seems a bit too dangerous and is much stressed on the initial part of the movie, love is finite and needs to be divided in portions and a brother/sister will result in less love for the kid, is not how I would introduce things)&lt;/br&gt;
[[w:Justice League: Gods and Monsters|Justice League: Gods and Monsters]] (6)&lt;/br&gt;
[[w:Summer Wars|Summer Wars]] (7)&lt;/br&gt;
[[w:Gantz: O|Gantz: O]] (6)&lt;/br&gt;
[[w:Teen Titans: The Judas Contract|Teen Titans: The Judas Contract]] (6-)&lt;/br&gt;
[[w:Moana (2016 film)|Moana]] (6)&lt;/br&gt;
[[w:Redline (2009 film)|Redline]] (6+, the script isn't great and I dislike the style of the artwork but it has some very good scenes and clever ideas in the mix)&lt;/br&gt;
[[w:Justice League Dark (film)|Justice League Dark]] (6-, while the quality of the artwork is not consistent the script and some of the later animation sequences saves it)&lt;/br&gt;
[[w:Mardock Scramble: The First Compression|Mardock Scramble: The First Compression]] (6, some cool ideas but the script is not very good nor is the artwork)&lt;/br&gt;
[[w:Mardock Scramble|Mardock Scramble: The Second Combustion]] (6, this time the open end is even more obnoxious, this is a serialized movie)&lt;/br&gt;
[[w:Snowtime!|Snowtime!]] (6)&lt;/br&gt;
[[w:Finding Dory|Finding Dory]] (6)&lt;/br&gt;
[https://teaser-trailer.com/hulk-where-monsters-dwell-movie/ Hulk Where Monsters Dwell] (5+)&lt;/br&gt;
[[w:Psycho-Pass: The Movie|Psycho-Pass: The Movie]] (6+)&lt;/br&gt;
[[w:April and the Extraordinary World|April and the Extraordinary World]] (7-, the artwork is not great but the animation and creativity especially in the script, even if derivative, ties it all well enough, it could easily be better, the idea of a rocket with a rock-crusher is one that shouldn't have passed)&lt;/br&gt;
[[w:The Jungle Book (1967 film)|The Jungle Book (1967)]] (6+)&lt;/br&gt;
[[w:The Secret Life of Pets|The Secret Life of Pets]] (6)&lt;/br&gt;
[[w:Justice League vs. Teen Titans|Justice League vs. Teen Titans]] (6-, the script and action is a bit repetitive, the selected color scheme also is very tiring and basic)&lt;/br&gt;
[[w:The Iron Giant|The Iron Giant]] (7+)&lt;/br&gt;
[[w:Open Season (2006 film)|Open Season]] (6)&lt;/br&gt;
[[w:Open Season: Scared Silly|Open Season: Scared Silly]] (5+Q)&lt;/br&gt;
[[w:Anomalisa|Anomalisa]] (6-, the animation is ok but the script is dull, the male voice-overs on female parts is just weird)&lt;/br&gt;
[[w:Justice League: Throne of Atlantis|Justice League: Throne of Atlantis]] (5, subpar animation, bad script and I cringe to what they are doing to [[w:Captain Marvel (DC Comics)|Captain Marvel aka Shazam]] after the DC/Marvel merge.)&lt;/br&gt;
[[w:Batman Unlimited: Monster Mayhem|Batman Unlimited: Monster Mayhem]] (5+Q, bad artwork not so bad animation but an horrendous script no pun intended.)&lt;/br&gt;
[[w:Batman: Bad Blood|Batman: Bad Blood]] (6)&lt;/br&gt;
[[w:The Peanuts Movie|The Peanuts Movie]] (6-, the animation is not great and the changes to the original material remove more than add)&lt;/br&gt;
[[w:Pirate's Passage|Pirate's Passage]] (6, while the animation is not great and the script is too slow in unfolding it is a fine tale)&lt;/br&gt;
[http://www.imdb.com/title/tt4856322/ Halo: The Fall of Reach] (6-, the artwork is fine but the animation is subpar and takes several shortcuts like use of static backgrounds, the faces and bodies are also weird in proportions and movement)&lt;/br&gt;
[[w:Dragon Nest: Warrior's Dawn|Dragon Nest: Warrior's Dawn]] (6-, the art work and animation quality is not consistent it has lows and highs, the script has its issues and at times it feels like a rerun of many other movies without a real creative insight just a lose mishmash set into appealing to higher emotions but failing miserably to have any moral regard to the violence it dishes out at times)&lt;/br&gt;
[[w:Toy Story That Time Forgot|Toy Story That Time Forgot]] (6+)&lt;/br&gt;
[[w:Ghost in the Shell (film)|Ghost in the Shell]] (8)&lt;/br&gt;
[[w:Ghost in the Shell: Arise|Ghost in the Shell: Pyrophoric Cult]] (6, the animation has lost some quality even the art work and the scripts seem repetitive)&lt;/br&gt;

==Future:==
- Sakamoto Days is getting a second season, which is also due to hit the streamer 2027.

- second season of Blue Eye Samurai.

== Media comments ==
I will start this section to keep a log of my views regarding some of the content producers.&lt;/br&gt;&lt;/br&gt; 
[[w:History (TV channel)|'''History channel''']] part of the [[w:Hearst Corporation|'''Hearst Corporation''']] (to what I have an historic disdain) this American cable and satellite television channel is a good example of what is wrong with most US TV content producers. Its productions are very good, almost as good as [[w:HBO]] but the content is empty of almost any value. In general transmits US stereotypes and idiocy and is an extension of the continued attempt of rewriting history, reality perception and shape culture by a sensationalist appeal to the lowest common denominator and at its best its like fast food for your mind.&lt;/br&gt;
&lt;/br&gt;
Recently learned about a new definition, '''Christian historical films.''' WTF?!?&lt;/br&gt;
I was aware of other movies that &quot;promote&quot; Christian values but I think this is too much idiocy, just think about the term. In the religious sense it should be clarified to those not aware that anglo-american Christianism is about a subsection of Roman-Chatolic values with deviations that may even include Mormonism. In any case I see this mostly US centric &quot;fragmentation&quot; a sign that at least some &quot;minorities&quot; are revolting against &quot;main-stream&quot; media content in regard to the moral values they &quot;promote&quot; and I applaud the self labeling as &quot;promotion&quot; material. Sadly it will soon be equated to lack of quality mostly of production, writing/creativity and to the rest of the knowledgeable non-believers and potential consumers as an unwanted distortion of reality. I also don't think you can proselytize with movies the best they can is make people think or acclimate to issues (unless they are true deception jobs, but that would go against most religious beliefs), in any case most of these Christian productions I've seen are too far inside their own act to create any valid concise point of reflection beyond turning it off.&lt;/br&gt;</text>
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  <page>
    <title>Cookbook:Cuisine of Algeria</title>
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      <text bytes="10453" sha1="dhfw971aaw798ymqdlvi2ce6sumygr1" xml:space="preserve">{{cuisine}}

'''Algerian cuisine''' is a Mediterranean and North African cuisine with Berber roots, known for its diverse variety of dishes thanks to the various interactions Algeria went through throughout the centuries. In addition to that, Algeria's large and diverse territory is able to provide both land and sea products. 

== Influences ==
The cuisine of Algeria has a mix of Berber, Arab, Turkish, Andalusian, French, and Spanish influences. The Berber population in the region's early history introduced wheat and fruit cultivation. They developed [[Cookbook:Couscous|couscous]], which has become the national dish and staple item, and they also influenced Algerian stews and tagines. Muslim Arab invaders around 600 AD introduced a variety of flavorings from the East, such as [[Cookbook:Saffron|saffron]], [[Cookbook:Nutmeg|nutmeg]], [[Cookbook:Clove|clove]], [[Cookbook:Ginger|ginger]], and [[Cookbook:Orange Flower Water|orange flower water]]. Turkish and Ottoman influences on Algerian cuisine include a variety of pastries, fruits, nuts, and flavorings. The French occupation of Algeria in the 19th century introduced new culinary features, especially in terms of bread and a variety of pastries. They also introduced a variety of foods originally from the Americas.

== Characteristics ==

=== Sauces ===
A variety of sauces are used in Algerian cuisine. These include:

* ''Marqa beida (derdja)'': white sauce made with [[Cookbook:Butter|butter]] or [[Cookbook:Oil and Fat|oil]], seasoned with [[Cookbook:Onion|onion]], [[Cookbook:Black Pepper|black pepper]], [[Cookbook:Cinnamon|cinnamon]], [[Cookbook:Ginger|ginger]], [[Cookbook:Saffron|saffron]], and/or [[Cookbook:Turmeric|turmeric]]
* ''M'hammer'' (roasting sauce): butter-based sauce with onion, cinnamon, and saffron
* ''Dersa'' (red sauce): red pepper sauce, containing black pepper and cinnamon
* ''Marqa b'tomatich'': [[Cookbook:Tomato|tomato]]-based sauce containing onions, [[Cookbook:Garlic|garlic]], black pepper, [[Cookbook:Cumin|cumin]], and other flavorings
* ''Chermoula'': acidic sauce often used for marinating meats
* ''Marqa helou'': sweet butter-based sauce including cinnamon, saffron, and [[Cookbook:Honey|honey]]
[[File:COUSCOUS in locally-made steamer.jpg|thumb|Couscous in a steamer]]

=== Couscous ===
[[Cookbook:Couscous|Couscous]] is a staple food and national dish in Algeria, originating with the original Berber population. It is technically a type of [[Cookbook:Pasta|pasta]], made of a [[Cookbook:Semolina|semolina]] dough crumbled into small grains and cooked until fluffy. It's traditionally steamed in a ''taseksut'' (also called ''kaskas'' or ''couscoussier'') and can be served savory or sweet.

=== Bread ===
Algerian breads are eaten at most meals, where they are often used to scoop and soak up foods. They can include the following types:
* ''Khubz ad-dâr'' (&quot;bread of the house&quot;): round, [[Cookbook:Yeast|yeasted]] wheat [[Cookbook:Flatbread|flatbread]], baked in an oven
* ''Matlû'' or ''khubz at-tajîn'': yeasted flatbread made of [[Cookbook:Semolina|semolina]], [[Cookbook:Barley|barley]], [[Cookbook:Sorghum|sorghum]], and/or corn; cooked on a heated surface like a hot plate
* ''Raqâq'', ''rfîs'', ''khubz-ftir'', or ''tarîd'': very thin, unleavened flatbreads, cooked on sheet of hot metal; often stuffed, can be sweet or savory
* French bread (''pain''): white, leavened, crusty french bread

=== Sweets ===
Algerian sweets include a variety of pastries that have been influenced by Arab, Ottoman, and Turkish cuisines:

* ''Ketaef'' or ''kadayif'': pastry similar to ''konafa'' and other such pastries across the Middle East; consists of [[Cookbook:Almond|almond]] paste filling surrounded by a shredded semolina dough
* ''Madeleine aux amandes'': molded [[Cookbook:Cake|cakes]] with an almond filling similar to [[Cookbook:Frangipane|frangipane]]
* ''Tamina'': [[Cookbook:Semolina|semolina]] cake with [[Cookbook:Honey|honey]], [[Cookbook:Cinnamon|cinnamon]], and [[Cookbook:Orange Flower Water|orange flower water]]
* ''Baqlawa'': Algerian version of baklava; layered pastry filled with [[Cookbook:Pistachio|pistachios]], [[Cookbook:Almond|almonds]], and [[Cookbook:Walnut|walnuts]], and a perfumed [[Cookbook:Syrup|syrup]]
* ''Samsa'': fried triangular pastry filled with nuts and honey
&lt;gallery mode=&quot;packed&quot; caption=&quot;Algerian sweets&quot;&gt;
File:Cornes de gazelle.JPG|''Tcharak'', Algerian horn-shaped cookies
File:Zlabia algérienne.jpg|Algerian version of ''zlabia''
File:Kaak glacé.jpg|''Kaak''
File:Mekrout el koucha.jpg|''Mekrout el koucha''
File:Mchewek, patisserie Algeroise.jpg|''Mchewek''
File:Tcharek el ariane (algerian pastry).jpg|''Tcharek el ariane''
File:Cigare Pastries of Algeria.jpg|''Cigares''
File:Griouech tressée (griwesh, griwèche).jpg|''Griouech''
File:Mchekla algérienne.jpg|''Mchekla''
File:Tamena.jpg|''Tamina''
File:Samsa (gâteau).jpg|''Samsa''
File:Baqlawa dz.jpg|Algerian ''baqlawa''
File:Makrout ellouz.jpg|''Makrout ellouz'', an Algerian pastry made using almonds, sugar and lemon
File:Mkhabez.jpg|''Mkhabez''
File:Kaak nekkash.jpg|''Kaak nekkash'', an Algerian pastry stuffed with date paste and perfumed with orange flower water
&lt;/gallery&gt;

=== Beverages ===
[[Cookbook:Coffee|Coffee]] in Algeria is typically served strong. [[Cookbook:Tea|Tea]] is very popular and is often served with [[Cookbook:Mint|mint]]. Fruit juices are also widely consumed, as well as fruit/nut-flavored drinks called ''sharbats''. Both goat and cow [[Cookbook:Milk|milk]] are available, and they are used to make the drink ''sahlab''

== Common ingredients ==

=== Vegetables ===
[[Cookbook:Eggplant|Eggplant]], [[Cookbook:Tomato|tomato]], [[Cookbook:Zucchini|zucchini]]

=== Fruit and nuts ===
[[Cookbook:Date|Dates]], [[Cookbook:Almond|almonds]], [[Cookbook:Olive|olives]]

=== Meat ===
[[Cookbook:Mutton|Mutton]]/[[Cookbook:Lamb|lamb]], [[Cookbook:Beef|beef]]

=== Grains ===
[[Cookbook:Rice|Rice]], [[Cookbook:Wheat|wheat]]

=== Seasonings ===
[[Cookbook:Cinnamon|Cinnamon]], [[Cookbook:Cumin|cumin]], [[Cookbook:Mint|mint]], [[Cookbook:Marjoram|marjoram]], [[Cookbook:Caraway|caraway]], [[Cookbook:Coriander|coriander]], [[Cookbook:Black Pepper|black pepper]], [[Cookbook:Chiles|chili pepper]], ''[[Cookbook:Ras el Hanout|ras el hanout]]'', ''[[Cookbook:Harissa|harissa]]'', ''[[Cookbook:Baharat|baharat]]''

== Customs ==
Due to the high prevalence of Islam, Algerian cooking is almost always [[Cookbook:Halal|halal]]. Food is often eaten with three fingers of the right hand. Hospitality is widespread, and sharing of food and drink is common.

== Gallery ==
&lt;gallery mode=&quot;packed&quot;&gt;
File:DobaraAlgerienne.jpg|Algerian ''dobara''
File:Mtewem.jpg|Algerian ''mtewem''
File:Halwet tabaa.png|''Halwet tabaa''
File:Rechtaalgeroise.jpg|Algerian ''rechta'' from Algiers
File:Plat de hmiss.jpg|Green pepper and tomato ''hmiss''
File:Arbit et galette de semoule.jpg|''Arbit''
File:Bourekalgerien.jpg|Algerian ''bourek''
File:Dersa sauce with potatoes.jpg|''Batata chtitha''
File:Meatballtajine.jpg|Algerian ''tajine zitoun'' with chicken and meatballs
File:Yahni algérien.jpg|Traditional Algerian dish caleed ''yahne'' made of chicken fritters and a spicy sauce
File:Sfenj sprinkled with sugar and served on a plate.jpg|thumb|Sfen sprinkled with sugar
&lt;/gallery&gt;

==Recipes==
=== Dishes ===
*[[Cookbook:Algerian Couscous|Algerian Couscous]]
*[[Cookbook:Rechta|Rechta]]
*[[Cookbook:Algerian Thin Flatbread Pieces with Meat Sauce (Chakhchoukha)|Chakhchoukha]]
*[[Cookbook:Shakshouka|Shakshouka]]
*[[Cookbook:Lham Lhlou|Lham Lhalou]]
*[[Cookbook:Tajine Zitoune|Tajine Zitoune]]
*[[Cookbook:Chorba|Chorba]]
*[[Cookbook:Algerian White Chicken Vermicelli Soup (Chorba Beida)|Chorba Beida]]
*[[Cookbook:Harira|Harira]]
*[[Cookbook:Mechoui|Mechoui]]
*[[Cookbook:Algerian Spiced Liver|Kebda Mchermla]]

=== Side dishes ===
*[[Cookbook:Maakouda|Maakouda]]
*[[Cookbook:Bourek|Bourek]]

=== Condiments ===
*[[Cookbook:Algerian Sauce|Sauce Algérienne]]
*[[Cookbook:Adreze n'taguela|Adreze n'taguela]]
*[[Cookbook:Boufedjoukh|Boufedjoukh]]
*[[Cookbook:Harissa|Harissa]]

=== Spices ===
*[[Cookbook:Ras el Hanout|Ras el Hanout]]
*[[Cookbook:Charmoula|Charmoula]]
*[[Cookbook:Dersa|Dersa]]
*[[Cookbook:Hror|Hror]]
*[[Cookbook:Tabil|Tabil]]

=== Street food ===
*[[Cookbook:Mhajeb|Mahdjouba]]
*[[Cookbook:Garantita|Garantita]]
*[[Cookbook:Pizza Carrée|Pizza Carrée]]
*[[Cookbook:Algerian Coca|Coca]]

=== Breads ===
*[[Cookbook:Kesra|Kesra/Aghroum]] (كسرة)
*[[Cookbook:Msemmen|Msemmen]] (مسمن)
*[[Cookbook:Matlouh|Matlouh]] (المطلوع)
*[[Cookbook:Khobz el Dar|Khobz el Dar]] (خبز الدار)
*[[Cookbook:Mbesses|Mbesses]] (مبسس)
*[[Cookbook:Taguella|Taguella]]
*[[Cookbook:Chrik|Chrik]]
*[[Cookbook:Tamtunt|Tamtunt]]
*[[Cookbook:Lamouna|Lamouna]]
*[[Cookbook:Mtabga|Mtabga]]

=== Desserts ===
*[[Cookbook:Tamina|Tamina]] (الطمينة)
*[[Cookbook:Sfenj|Sfenj]] (السفنج)
*[[Cookbook:Baghrir|Baghrir]] (البغرير)
*[[Cookbook:Kalb el Louz|Heart of Almonds]] (قلب اللوز)
*[[Cookbook:Mouskoutchou|Mouskoutchou]]
*[[Cookbook:Tcharek|Tcharek]]
*[[Cookbook:Makrout|Makrout]]
*[[Cookbook:Basboussa|Basboussa]]

=== Beverages ===
*[[Cookbook:Cherbet Mazhar|Orange Blossom Cherbet]] (شربات ماء زهر)
*[[Cookbook:Algerian Lemonade|Algerian Lemonade]] (شربات القارص)
*[[Cookbook:Algerian Mint Tea|Algerian Mint Tea]] (أتاي جزائري)
*[[Cookbook:Mazagran|Mazagran]] (مزغران)
*[[Cookbook:Habet Hlawa|Anise Syrup]] (حبة حلاوة)
*[[Cookbook:Hlib Tmer|Sahara Date Milk]] (حليب التمر)
*[[Cookbook:Cherbet Meliana|Cherbet Meliana]] (شربات مليانة)
*[[Cookbook:Lekhchef|Lekhchef]] (الخشاف)
*[[Cookbook:Tisane ma Louisa|Verbena Remedy Tea]] (شاي ماء لويزة)
*[[Cookbook:Kahwa Zazwa|Kahwa Zazwa]] (قهوة ززوة)
*[[Cookbook:Ouazouaza|Ouazouaza]] (الوازوازة)
*[[Cookbook:El Bared|El Bared]] (البارد)
*[[Cookbook:Maâjoun el Heroor|Maâjoun el Heroor]] (معجون الحرور)
*[[Cookbook:Mocha with Goat Milk|Mocha with Goat Milk]] (موكا بحليب الماعز) 
*[[Cookbook:Takerouayet|Takerouayet]] (تكروايت)

== External links ==

* http://www.foodbycountry.com/Algeria-to-France/Algeria.html
* https://www.algeria.com/culture/cuisine/
* http://thetealtadjine.blogspot.com/p/guide-to-algeria-cuisine.html

[[fr:Livre de cuisine/Recettes de cuisine algérienne]]
[[Category:African cuisines|A]]</text>
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    <title>History of wireless telegraphy and broadcasting in Australia/Topical/Publications/Radio in ANZ/Issues/1923 04 04</title>
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{{TOC right|limit=3}}

==Link to Issue PDF==

[https://worldradiohistory.com/index.htm| WorldRadioHistory.com's] scan of Radio in Australia and New Zealand - Vol. I No. 01 - 4 April 1923 has been utilised to create the partial content for this page and can be downloaded at this link to further extend the content and enable further text correction of this issue: [https://worldradiohistory.com/AUSTRALIA/Archive-Radio-in-Australia-and-New-Zealand/1923/Radio-in-A&amp;NZ-1923-04-04.pdf Radio in ANZ 1923 04 04]

In general, only content which is required for other articles in this Wikibook has been entered here and text corrected. The material has been extensively used, inter alia, for compilation of [[b:History_of_wireless_telegraphy_and_broadcasting_in_Australia/Topical/Biographies| biographical articles]], [[b:History_of_wireless_telegraphy_and_broadcasting_in_Australia/Topical/Clubs| radio club articles]] and [[b:History_of_wireless_telegraphy_and_broadcasting_in_Australia/Topical/Stations| station articles]].

==Front Cover==

Issued every second Wednesday — Sixpence

'''RADIO IN AUSTRALIA &amp; NEW ZEALAND''' — incorporating &quot;Sea, Land and Air&quot;

VOL I. — APRIL 4, 1923 — No. 1

CONTENTS INCLUDE:

WIRELESS WORK ON R.M.S. &quot;NIAGARA&quot; 

VALUE OF GOOD EARTH AND COUNTERPOISE IN TRANSMITTING By C. D. MACLURCAN

WIRELESS CALL LETTERS

WHEN RADIO ENTERS THE HOME

Registered at G.P.O., Sydney, for transmission by post as a newspaper.

==Inside Front Cover - William Adams &amp; Co Ltd Ad==

Indispensable to
and Dental
the Medical
Professions
NO BATTERIES.
£4/-/-
Complete in neat case,
The nbove enth'ely dispenses with dry celle,
nccumnlators, etc:-., llght is absolutely 1nex- bnustible, and nlw:1;ve there when required.
Lnmp cn.n be u1:1ed without Lnryngoscope, thn• llavlug a &lt;lonhle purpoee. Connection Is
by menDR ot nn 1netnutnueoue contact plog. 

NO REFILLS.
£4/-/-
Complete in neat case.
Fur working, operate lever, ns illuRtro.ted, &amp;D long n~ light is reqnirNl. AccessoriP~ wlth this
outfit m·e &lt;IS follows:-Angled conenve mirror,
tongue ])lute, three epecial lllliguifying · bulbH, contact ping and tlex. All . bright pnrts nre
11tnted. Tt.e entll'e outOt c~n be e:1rrled · hi your pocket. 

&quot;Electro-Automate&quot; Pocket Lamp
The &quot;Electro-Automate&quot; is a self-generating Electric Pocket Lamp,
-the construction of which is carefully carried out by specially skilled
clock-mak ers.
J'_he &quot;Electro-Automate&quot; is beautifully finisheli in polished aluminium,
without a battery or accumulator; no batteries, accumulators, or refills
-ot a ny kind are required. T0 operate the Iii.mp all that is needed _is to
work the lever, and the result is the production of an inexhaustible
·bright light.
The electrlcoJ generator is totally enclosed, the cover being perfectly
-tight and dust-prnof. The machine is perfectly moisture-proof-in
fact, can be operated under water, without detrimental effect.
'The &quot;Electro-Automate&quot; will everywhere render the utmost service,
,giving a t will a clear white light.
PRICE, 35/- EACH.
Wholesale Prices on app::ication,

CBTAINABLE FROM
WILLIAM ADAMS &amp; CO. LTD.
175 CLARENCE STREET, SYDNEY .
.Howard Smith Chambers, Street, Newca stle, N.S.W.

==P.01 - Contents Banner==

'''RADIO in AUSTRALIA &amp; NEW ZEALAND'''

Managing Editor: S. E. TATHAM        Associate Editor: M. DIXON

CONTENTS

Volume I.   APRIL 4, 1923    Number 1

==P.01 - Contents==

'''CONTENTS.''' 

Radiotorial . . . Page 3

Wireless Work on Board &quot;G.B.E.&quot; . . . Page 4

The Value of a Good Earth and Counterpoise In Transmitting . . . Page 6

New Zealand Amateur's Record . . . Page 8

The Experimenters' Corner . . . Page 10

Radio Fun . . . Page 11

In Radio Land . . . Page 12

Club Notes and News . . . Page 14

When Radio Enters the Home . . . Page 16

Call Letters . . . Page 18

The Link that Will Bind . . . Page 20

The Deaf Hear . . . Page 21

Obituary: Mr. L. L. Meredith . . . Page 22

Queries Answered . . . Page 24

==P.01 - Publication Notes==

Published by: THE WIRELESS PRESS, 97 CLARENCE ST., SYDNEY; 422-24 Lt. Collins St., Melbourne; Australasia Chambers, Wellington, N.Z.

PRICE, 6d. per Copy; Subscription Rate, 10/- per annum (26 issues) throughout Australia and New Zealand; Foreign Rate, 12/6 (26 issues)

OVERSEAS REPRESENTATIVES:

Canada and United States of America: The Wireless Press Inc., 326 Broadway, New York City

Great Britain: The Wireless Press Ltd., 12-13 Henrietta St., London, W.C.2

==P.02 - Ads==

===Radio Company Ad===

===O'Sullivan's Electric Shop===

==P.03 - Radiotorial==

'''&quot;Radio&quot; Makes Its Bow'''

The publication of a new journal necessarily calls for a statement of policy. The publishers of &quot;Radio&quot; feel that Australian and New Zealand wireless engineers, operators and experimenters are entitled to know something about the aims and aspirations of this new paper, which now bids for their support. It is hardly necessary to emphasise that the cardinal point in our policy is the general advancement of radio in Australia and New Zealand. With that as our objective we feel confident of enlisting the enthusiastic support of the whole of the wireless fraternity in the wide area over which &quot;Radio&quot; will circulate. The launching of this new journal is not a project that has been undertaken lightly. Careful enquiry has revealed the type of magazine required to meet the needs of the ever-growing army of those interested in wireless. It is our confident belief that at the very outset we can produce that magazine and keep on producing it. In giving this undertaking we are conscious of the fact that the standard of the readers amongst whom &quot;Radio&quot; will circulate is exceptionally high. Australian and New Zealand amateurs have demonstrated on numerous occasions that the skill and enterprise required to achieve something of outstanding importance in the field of radio research and experiment is an important part in their make-up. To
cater for the needs of these enterprising young men will be the constant aim of &quot;Radio.&quot; We believe we can give them the articles and information they need, and which, up to the present, they have had to depend on getting from text books and overseas publications. For the raw beginner — the experimenter, who is in his swaddling clothes — we have also a special message. It is our intention to feature simple technical articles which will enable him to climb, step by step, to the goal at which every experimenter aims. Last, but not least, we recognise that in the near future thousands of homes in Australia and New Zealand will be equipped with receiving sets. The possessors of those sets will want to know how to derive the utmost pleasure and benefit from their ability to &quot;listen in&quot; to the musical items and other information broadcasted for their especial benefit. The new magazine will endeavour to render a service to these people which will ensure that &quot;Radio&quot; will enter the home in a double sense. With this plain statement of policy, &quot;Radio&quot; makes its bow to the experimenters of Australia and New Zealand.

'''Radio Experimenting'''

The fear has been expressed in some quarters that, owing to the delay which has occurred in the commencement of broadcasting, many experimenters are in danger of losing their enthusiasm, and business is likely to become dull. Such an assertion can do no good, and is likely to do a great deal of harm, mainly because many experimenters are likely to accept it as an authentic statement regarding the position of radio in Australia. It is beyond question that many experimenters embraced radio as a hobby chiefly because it appealed to them as something which provided interest, education and amusement not otherwise obtainable. These young men were naturally very enthusiastic at the outset, and felt that the goal of their ambition would be reached when they were able to &quot;listen in&quot; and hear Morse signals, music or speech. Because they were not able to do this immediately their optimistic outlook was in danger of becoming clouded. A moment's consideration will convince anyone interested in radio that the field for experiment is so limitless that after the first flush of disappointment at not being able to pick up broadcast music, etc., immediately has worn off those enthusiasts who have undertaken the hobby will settle down to work along lines which offer a fruitful field for experiment. There is so much to be learned about radio that no experimenter need feel disappointed at not being able to plunge into the joys of home receiving in the early days of his radio career. The goal to be aimed at is the complete mastery of the practical and theoretical sides of the science, and when the experimenter has advanced far along that road he will find himself well equipped to undertake the most intricate work into which ambition or circumstances may lead him.

==P.04 - Wireless Work on board &quot;GBE&quot;==

Wireless Work on board &quot;GBE&quot;, The Well-known Trans-Pacific Liner, &quot;Niagara&quot;

By S. E. Tatham

PRACTICALLY every wireless operator and experimenter in Australia and New Zealand has at some time heard the call letters GBE speeding through the ether at 186,000 miles per second flashing messages to various coast and ship stations. Those three wireless call letters — GBE — belong to the Canadian-Australian Trans-Pacific R.M.S. Niagara, the flagship of the Union Steamship Company of N.Z., Ltd., and the biggest vessel plying between Australia and New Zealand and the West Coast of America. As the Niagara is such a commodious ship and so well known and popular among the travelling public, we will get to the point and take a peep into the wireless telegraph office, located on the boat deck. Here, from the time the Niagara leaves one wharf until arrival at the next, a continuous watch is maintained throughout. Visit the wireless office any time at sea, day or night, and one of the operators will be found on duty busy handling traffic. For this purpose three operators are carried, and at the time this was written Messrs. W. J. Martin, E.W. Coldwell and W. P. D'Arcy were the senior, second and third operators respectively on the Niagara, whose photographs are reproduced herewith. 

(Start Photo Caption) Wireless Operators on &quot;Niagara.&quot; Left to. Right: Messrs. E. W. Coldwell (2nd), W. J. Martin (1st), and W. P. D'Arcy (3rd). (End Photo Caption)

The number of messages sent to and from the Niagara is really enormous, many thousands of words being handled each voyage. But handling between one and two hundred messages in twenty-four hours is all part of a day's work at GBE. 

(Start Photo Caption) The Canadian-Australian R.M.S. &quot;Niagara&quot; leaving Sydney, N.S.W., for Vancouver, B.C., via New Zealand, Fiji and Honolulu. (End Photo Caption)

Obviously the wireless apparatus for such a station must be of the best type, and the Niagara's installation is maintained and operated by Amalgamated Wireless (A'asia), Ltd. The transmitter is a 2½ K.W. quenched spark set, and, in addition to this, there is an emergency set, which can be operated from a special battery of accumulators should the main power fail. The receiving apparatus is the most up-to-date in the world to-day, and is known as a &quot;P1&quot; panel type receiver, designed and manufactured in Australia by Amalgamated Wireless. This receiver has given excellent results, and will receive both wireless telegraph and telephone signals on wavelengths up to 25,000 metres. Regularly every trip GBE works various stations direct at least 4,000 miles distant, and in many cases over 5,000 miles. On board the Niagara all wireless messages for transmission are accepted at the enquiry office, and the ship is not far outside Sydney Heads when passengers commence sending farewell greetings to their friends ashore. Additional to &quot;greetings,&quot; &quot;au-revoir,&quot; &quot;fine weather,&quot; &quot;miss you very much,&quot; and all sorts of other cheer-up messages, many business men from all parts of the world who travel on the GBE continually utilise the wireless office for keeping in touch with their business on shore. Then messages pertaining to general ship's business are handled, these including advices regarding time of arrival, stores and water required, etc., etc. Auckland (New Zealand) is the first port of call after Sydney, and the day prior to arrival GBE is sending and receiving all kinds of messsages to and from passengers and their Maori-land friends. Immediately Auckland is left GBE commences to work the first tropical radio station on the run across the Pacific, situated at Suva (Fiji), call
letters VPD. This station is well-known by all operators and a number of experimenters in New Zealand and Australia, who have heard VPD working other islands and ships. Simultaneously with VPD, the first American radio stations are heard working, Pago Pago, Samoa (NPU), Honolulu (KHK) coming into range on 600 metres wavelength. On long waves, between 10,000 and 25,000 metres, many stations are heard, including Manila, Philippine Islands (NPO), Pearl Harbour (NPM), San Francisco (NPG), Bolinas, Cal. (KET), Annapolis (NSS), Carnarvon, Wales (MUU), Saint Assise, France (UFT), and others too numerous to mention. These stations can be regularly intercepted every day of the voyage between Australia, New Zealand, Fiji, Honolulu and Vancouver, and read quite comfortably. Wireless men generally will recognise the modernity and sensitivity of the P1 panel type receiver installed on the Niagara when it is stated that only one valve is used to receive the stations above mentioned. After leaving Suva the run to Honolulu is commenced, and on 600 metres many more commercial stations are heard as the ship gets further north. San Francisco (KPH), the well-known Radio Corporation's coast station and the Canadian Government coast station at Estevan, Vancouver Island (VAE) come within range, and passengers can send messages direct to Canada and the United States when still several thousand miles away. 

(Start Photo Caption) A corner of the Wireless Office on the &quot;Niagara,&quot; showing an operator at work receiving messages with the &quot;P1&quot; Panel Type Receiver. (End Photo Caption)

After crossing the equator most of the Australian and New Zealand coastal and intercolonial ships are out of range, but then Canadian and American ships are heard, as well as broadcasting stations at Honolulu and the mainland of America; but very little time is given to listening to broadcasting on ships at sea, as the operators are generally too busy, and it is against rules to be off 600 metres wave-length for long, except as provided for in the international wireless regulations. Throughout the voyage Press messages are copied from wireless stations in various parts of the world, and thus passengers are kept posted of world affairs every day. Shortly a daily newspaper will be published on the Niagara while at sea. Between Honolulu and Vancouver, the last lap of the three weeks' voyage, traffic pours in. Passengers wireless for hotel accommodation, and those travelling overland make railway reservations, as well as advising their friends of their arrival, etc. So it can be readily understood that the operators on the GBE are kept busy. In between watches the operators sleep and have plenty of recreation on deck, and join in the numerous shipboard games and dances held on the voyage. In port they are free most of the time, and after a stay of seven days in Vancouver the Niagara departs homeward bound to Australia, and then again for three weeks GBE is flashing messages to all points of the Pacific and to ships at sea. The three operators are all experts at their work, and with the highly efficient transmitting and receiving apparatus installed are able to give passengers aboard the Niagara a speedy, reliable and accurate wireless service every day throughout the voyage. It is by no means a stretch of imagination to say these men are kept busy at sea, and on the homeward voyage immediately Australian and New Zealand coast stations come within range they know Sydney is not far distant, where, on arrival, they will have a week's spell before commencing another run of over 7,000 miles across the Pacific.

==P.06 - Value of a Good Earth and Counterpoise==

'''The Value of a Good Earth and Counterpoise in Transmitting'''

By Chas. D. Maclurcan - (Special to &quot;Radio&quot;)

QUITE a number of experimenters in Australia now have transmitting licenses, and no doubt many more will obtain them in the near future, so that it will not be out of place to consider questions of efficiency in connection with the transmitting station. The power allowed experimenters by the regulations varies according to the position of the amateur's station in relation to land stations, but, in the city area at any rate, it usually is from 10 to 25 watts input. At first thought this may seem a ridiculously small amount of power, and a few years ago would have been considered hardly enough to send across the back yard, QRM permitting. But this power, low as it may seem, can be made to cover remarkable distances, provided the apparatus used is efficiently designed and constructed. The writer has transmitted C.W. telegraphy over 2,000 miles on less than nine watts input power; so there should be no difficulty in covering at least 500 miles at night with a properly designed 10-watt set. Perhaps the most important part of the station to be considered is the aerial-earth system. Often it is a very difficult problem, because one is largely governed by the physical features of the property on which the aerial is to be erected. But whatever these features may be, three important points should be remembered when designing an aerial. Firstly, the ohmic resistance must be kept as low as possible; secondly, losses by absorption must be guarded against, and, thirdly, a good earthing system is essential.
Almost any type of aerial and earth connection will give good results for receiving, but it is quite another story when it comes to transmitting long distances with a minimum of power. The best method of reducing the resistance losses in a transmitting aerial is to erect a counterpoise (or earth screen, as it is sometimes called) in addition to a good earth. But before going on to the discussion of this a few words about the earthing system will be helpful. Most experimenters use the water pipe for their earth, and this answers very well. For transmitting, however, at least three separate leads, of not less than 7/20 copper wire, should be run and all soldered to the waterpipe. It will, of course, be necessary to turn off the water at the meter before attempting the soldering. One or two leads should be run by the shortest path to the nearest water pipe, and one should be taken to the street side of the water meter. This one obviously cannot be soldered, but it should be securely attached with a good pipe clip. The pipe should first be thoroughly cleaned with emery cloth, then several layers of heavy tin foil wrapped round, after which the clip may be tightly bedded down on to the pipe. At the writer's station (2CM) the radiation with a certain small transmitting set was 1.3 amps., using one 7/20 earth wire. A second wire was then run to the street side of the water meter and the radiation increased to 1.5 amps., an increase of 200 milli-amps. A third wire was then connected to the water pipe between the two former ones, which resulted in a further increase of ten milli-amps. A fourth wire caused no further increase in radiation, so that it was reasonable to suppose that with three wires the resistance was reduced to a minimum. Now when a counterpoise was erected, and correctly tuned to the transmitted wave length, the radiation was further raised to 1.9 amps. The resistance of the aerial without counterpoise was six ohms. With the counterpoise, only two ohms. From these figures it will be seen how very important it is that resistance losses should be reduced as much as possible. Dealing with the erection and method of tuning the counterpoise, it can be considered to be an intermediate aerial, suspended directly between the main aerial and earth. It should be a &quot;shadow&quot; of the main aerial, with the same number of wires extending a few feet beyond at either end, and be of greater width. Like any aerial, it must be thoroughly insulated, and the lead-in wires brought into the operating-room through a proper insulator. The height above the ground varies under different conditions, but it should be high enough to allow one to walk freely underneath. Where a &quot;T&quot; aerial is used the counterpoise must also be a &quot;T,&quot; and where the aerial is an &quot;L&quot; so also must be the counterpoise. As stated, it must be as like the aerial as possible.

'''Tuning the Counterpoise.''' The capacity of the aerial to earth being greater than the capacity of the aerial to counterpoise, it is obvious that either inductance must be placed in series with the counterpoise or capacity placed in series with the earth lead to correctly tune the circuits in resonance. When the circuits are properly adjusted removing either the ground connection or counterpoise connection will not change the antenna wave length, but will change the antenna resistance only. First disconnect the counterpoise clip and tune the aerial and earth alone to the desired wave length. Then disconnect the earth clip and tune again to the same wave length, using the counterpoise only. When this is done both earth and counterpoise may be connected. Now watch the hot-wire ammeter burst its G string! There are three methods of effecting this tuning. Figure 1 shows the easiest and least expensive way. First tune to the desired wave length with
the aerial and counterpoise alone. Then try the ground clip on different turns until the point is found where the wave length is the same as with the counterpoise alone. The ground clip should be adjusted to within a half-turn on a large diameter helix. When the ground clip is at the neutral point the inductive impedance of the helix below the ground point tunes with the capacity impedance of the counterpoise, forming a series-tuned circuit of comparatively low resistance. The total antenna current divides between the earth and counterpoise inversely proportional
to the effective resistances of the ground and counterpoise circuits. Figure 2 shows another method, using a separate inductance in the counterpoise lead. This inductance may consist of 50 turns of No. 18 D.C.C. wire wound on a tube of 3½ inches diameter. A heavy spring slider, ebonite insulated throughout, provides a turn to turn adjustment. With this arrangement the aerial is
first tuned to the desired wave length with the earth only connected. Then the counterpoise is joined up, and the slider on the inductance moved slowly from turn to turn until a point is reached that gives the maximum reading on the aerial hot-wire ammeter. The circuits are then in proper adjustment. In Figure 3 a variable condenser is used in the earth lead. This condenser
has to be capable of withstanding the full earth current, and is preferably a strongly-built one, with a fair spacing between the plates, immersed in oil. The capacity should be about .0015 micro-farad. The tuning is effected as in the last method, except that the aerial is first tuned to the desired wave length with the counterpoise alone. The experimenter who follows the
advice given in the foregoing will find himself amply repaid for the slight expense and trouble involved, besides having the satisfaction of knowing that he &quot;has done things right.&quot;

===P.07 - Colville Moore Wireless Supplies Ad===

'''The Secret of Long Distance Reception''' of Morse Signals or Telephony lies in the Construction and Materials of the Wireless Receiving Set. Coupling experience, good workmanship, and material of the highest quality, we have produced a Receiver capable of operation over any desired wavelength from 200 to 20,000 metres. European and American stations are received on this set with ease, and, provided a good aerial system is available, telephony over a range of 100 to 300 miles is possible.

THE ONE SET THAT'S WORTH MORE YET COSTS LESS, £16. THE ABOVE SET COMPLETE WITH COILS TO COVER WAVELENGTHS FROM 400 to 1,800 METRES.

Apparatus and parts for the construction of your own set comprise another of our specialities, and our stock and prices are worthy of your inspection. All apparatus and materials supplied by us is guaranteed best procurable on the world's markets.

THE COLVILLE-MOORE WIRELESS SUPPLIES, 10 ROWE STREET, SYDNEY.

==P.08 - New Zealand Amateur's Record==

'''New Zealand Amateur's Record; American Stations Received; Has Anyone Done Better?'''

EVERY radio experimenter in Australia and New Zealand will be intensely interested in the remarkable success achieved by Mr. R. Slade, of Waimataitai (N.Z.), in his effort to pick up American
amateur stations. Mr. Slade is one of the keenest experimenters in N.Z., and his most recent success is a call to amateurs in Australia to emulate what he has done. Nothing serves to emphasise the progress made by radio experimenters in recent years more than the fact that countries like Australia and New Zealand, although separated from America by a wide expanse of ocean, can be brought into daily touch through the agency of the &quot;magic spark.&quot; It is impossible to accurately describe the feelings of the &quot;listener-in&quot; who is able to decipher the call signs, indicating that his aerial has picked up such distant stations as Los Angeles, New York City, Fort Worth, Texas, San Francisco, Seattle, San Diego, etc. A station of high efficiency is necessarily required to accomplish such excellent reception, and every amateur cannot afford this at the beginning. The work carried out by those who can, however, indicates the high standard of efficiency
of the radio experimenters in Australia and New Zealand, and acts as an inspiration to present and prospective enthusiasts to endeavour to excel their efforts. Any other experimenter who has achieved results similar to or better than Mr. Slade is invited to forward full particulars for publication in Radio. A full list of call signs heard by Mr. Slade, together with the name of the station and the owner's address, is published hereunder.

The stations heard loudest by Mr. Slade are situated on the Pacific Coast of the United States, and following are particulars:—
* Call. Owner and Address of Station.
* 6KA — F. E. Nikirk, 1050 W. 89th St., Los Angeles, Cal.
* 6IF — L. J. Reidman, 1731 Atlantic Ave., Long Beach, Cal.
* 6JD — V. M. Bitz, 825 53rd St., Los Angeles, Cal.
* 5PX — E. Colston, Tipton, 200 Clark Ave., Fort Worth, Texas.
* 6AVR — C. Yates, R.F.D. No. 3, Box 104A, Fullerton, Cal.

Other stations also heard by Mr. Slade at various periods are:—
* Call. Owner and Address of Station.
* 1EL — Roger E. Bates, 184 Pine St., Wollaston, Massachusetts.
* 2FP — Harold Peiler, 321 E. 90th Street, New York City.
* 5GJ — John McCaal, 1021 Fairmount St., Anniston, Alabama.
* 5PB — James Greenwood, 9218 Main St., Houston, Texas.
* 5SF — H. Hendrix, 1616 Worth St., Fort Worth, Texas.
* 5XT — H. S. Richards, Radio Shop, 1911 Washin St., Oklahama City, Okla.
* 5XAJ — (No record).
* 5ZAK — (No record).
* 6EN — H. A. and E. C. Duvall, 4965 Wadsworth St., Los Angeles, Cal.
* 6KU — C. C. Brown, Volta Power House, Manton, Shasta Co., Cal.
* 6PD — J. J. McArdle, 263 Day St., San Francisco, Cal.
* 6ZI — (No record).
* 6ZZ — Harry L. Gooding, Douglas, Arizona.
* 6GG — H. W. Larkin, 2487 Aytadina Ave., Pasadena, Cal.
* 6VM — P. Parsons, 633 Middlefield Rd., Pals Alto, Cal.
* 6BO — H. M. Preston, 514 Macdonald Ave., Richmond, Cal.
* 6TI — H. R. Greer, 414 Fairmount St., Oakland, Cal.
* 6JN — B. Brener, 1284 W. 67th St., Emeryville, Cal.
* 6BCR — C. Foreman, 1714 Alameda Ave., Alameda, Cal.
* 6XAD — Lawrence Mott, Avalon, Cal.
* 6AVD — J. R. Alsip, R.F.D. No. 3, Box 735, Watts, Cal.
* 6ANH — D. E. Chambers, 639 E. St., San Diego, Cal.
* 6AWP — E. Thacher, 407 W. First St., Santa Ana, Cal.
* 6ARB — C. Duncan, 3029 Baket St., San Fran., Cal.
* 6AJF — Frank E. Jones, 1822 Hearst Ave., Berkeley, Cal.
* 6BQC — (No record).
* 7SC — W. A. C. Hemrich, 503 Melrose Ave., Seattle, Wn.
* 7GS — Lyle Evans, 518 No. 79th St., Seattle, Wn.
* 7ZU — (No record).
* 7LR — Royal Howard, 425 Ellsworth St., Albany, Oreg.
* 8ZY — H. A. Deurk, Defiance, Ohio.
* 8BXX — Homer Forschner, 7 Ford St., Norwalk, Ohio.
* 8CEI — (No record).
* 9UU — Roy William Weisbach, 6784 So State St., Chicago, Ill.
* 9GK — C. and W. Quinn, 425 Sherry St., Neenah, Wisconish.
* 9LG — Darl F. Wood, 311 W. Exchange St., Jerseyville, Ill.
* 9VAJ — St. Claff College, Northfield, Minn.
* 9BED — Leslie B. Essington, 4412 Farlm Ave., St. Louis, Mo.
* 9AJP — Albert P. Upton, 2328 Taylor St., Minneapolis, Minn.
* 9CNS — (No record).
* 9AWM — Lloid V. Berkner, 117 E. Summitt St., Sleepy Eye, Minn.
* 9BSG — (No record).
* 9XAC — Karlowa Rds. Cpn,, 611 Best Bldg., Rock Isld., Ill.
* 9ANS — Clarence A. Gunther, 320 40th St,, Omaha, Neb.
* 9DPD — Marson H. French, 423 E. First St., Hutchinson, Kans.
* 9DGE — Harold Olson, 4217 S. Sheridan Ave., Minneapolis, Minn.
* 9CXP — (No record).
* 9AYU — Aubrey H. Williams, 1630 Adams Rt., Denver, Cal.
* 9CIP — (No record).
The illustrations accompanying this article show Mr. Slade's receiving apparatus, sketch of aerial arrangement, and diagram of circuit connections. The situation of the station is on a hill about 200 feet above sea level and about half a mile from the sea. The aerial is of the inverted L type, and consists of three 16-gauge copper wires, 2ft. 6in. apart, 110ft. long, and leading-in wires 15ft. long. One end of the aerial is supported by a pole 40 ft. high, the other end being suspended from the top part of the house, 22 ft. high. Earthing system consists of one lead to a water pipe and another lead to a washhouse copper, filled with ashes to retain the moisture, buried about 6 feet below the ground. Diagram of connections is reproduced herewith, and it will be seen that the circuit is an ordinary regenerative, which with the new regulations is now prohibited in New Zealand. C1 is a variable condenser .001 mfd, C2 .0005 mfd., and C3 .001 mfd. All
variation of tuning is done by the aerial tuning condenser C1 and C3 across phones and B battery, final adjustments being made by the filament resistance until CW signals come in with maximum strength. The phones used are Brande's superior 2,000 ohms resistance, the B battery being made from accumulator plates cut up and placed in test tubes 6 inches long and 1 inch diameter. Several valves have been used, including Marconi ER, Mullard-Ora, Cunningham and V24. The Marconi ER and V24 bring in the signals loudest, but when using the V24 static is not so noticeable and only 20 volts are used on the plate. The tuning coils used are made up as follows: Primary consists of 20 turns of No. 20 D.C.C. wire wound on a thin cylindrical frame, 4¼ inches diameter. No taps are taken from this coil, tuning being effected by the condenser C1. No shellac is used, the wire being kept in place by silk thread. The tickler or reaction coil consists of 20 turns of 20 gauge D.C.C. wire, also on a cylindrical frame 4 inches in diameter, no taps or shellac being used with this coil either. The coupling between the two coils is always kept tight. Mr. Slade states that he has used both Duo-Lateral and Giblin Remler coils, but he does not consider they are as good as the two coils he is using for short wave reception. With the above described coils and the condenser C1 in series he is able to get American amateur stations on 200 metres anywhere between 10° and 110° on the 180° condenser coil. Vernier condenser or lever attachment on the tuning condensers is necessary, as the stations have exceptionally sharp tuning, the capacity of the hand cutting them right out altogether. Mr. Slade intercepts the American amateur stations as early as 6.30 p.m. New Zealand Mean Time, and as late as 12.30 a.m.

==P.14 - Club Notes &amp; News==

Wireless Institute of Australia

NEW SOUTH WALES DIVISION.
THE Annual Dinner of this Division
was held at the Pekin Caff, Sydney,
on Tuesday evening, March
20, and a most convivial time was
spent. Owing to pressure of business,
the President (Mr. C. P. Bartholomew)
was unable to attend, so Mr. F. Basil Cooke
(Vice-President) was Chairman for the
evening.
A most excellent menu was arranged by
the Council, ea.ch course being appropriately
coupled with radio terms and members
names. It is reprinted hereunder:
MENU:
Oscillating Olives
Souperegenerative Soup, with Grid Leeks
Crocker Dial Soup
Single Slide Oysters
Knob and Dial Pie
Flat,. Top Beef
Perried Rice
Mjri1,a,.Yed Marrow Stowed Sauce
Ci:Jo.lfed Carrots Unearthed Potatoes
Broadcasted Beans
Tickler Tarts
Eddy Currents
Aerial Waters for small capacities
Quenching Beer for larger capacities
· (50 farads and upwards)
Singing Spark Cigarettes

The toasts of the evening were:
The King.
The Institute (proposed by Mr. S. E.
Tatham, responded by Mr. I&lt;'.
Basil Cooke).
The Visitors (proposed by Mr. P. Renshaw,
responded by Messrs. W. T.
Crawford, W. M. Maclardy, R.
Steane and S. E. Tatham).
·when proposing the toast of &quot;The Institute&quot;
Mr. Tatham briefly outlined the
progress of amateur wireless in Australia
during the past twelve months, and instanced
the many changes that had taken
place &quot;Last year,&quot; said Mr. Tatham,
&quot;there were only .about three experimental
wireless bodies in Sydney, but to-day there
is, in addition to several city clubs. a club
in practically every one of the leading
suburbs around Sydney, as well as other
States. Where last year there were only
two or three firms retailing exparimental
wireless apparatus, at the present time
there are at least twenty firms handling
goods for wireless enthusiasts. I think,&quot;
continued Mr. Tatham, &quot;that that is evidence
of the great progress amateur wireless
has made since your last Annual
Dinner, and I hope that the progress will
be such during the ensuing year that at
your next Annual Dinner your membership

will have increased to such proportions
that you will have six tables instead
of one.&quot;
Mr. Tatham then told the gathering of
his impressions of wireless work generally
in Canada and the United States of
America gained during a recent business
trip. He described a visit to the highpower
trans-ocean wireless stations of the
Radio Corporation of America that communicate
direct from San Francisco to
Honolulu and Japan. At each point there
are two stations, one for receiving and one
for transmitting, the former being situated
40 miles and the latter 65 miles from San
Francisco, the distance between the two,
being approximately 45 miles. These stations
are operated direct from the heart
of San Francisco by means of a .long distance
control, and so heavy is the traffic
handled that they work duplex practically
all the time. As for broadcasting this was
a great innovation in practically every
home in America, and although there was
great confusion &quot;in the air&quot; some time ago
the various broadcasters .had got together,
and now all stations work to a schedule.
&quot;In Los Angeles,&quot; said Mr.· Tatham, &quot;quite
recently several of the leading broadcasting
stations joined forces, scrapped their
stations, and built one big station, and

since this ha:;i been operating there has
been a marked improvement in the service
and mueh &quot;jamming&quot; has been eliminated.&quot;
Great work is done by members
of the American Radio Relay League,
he stated, and some of the members have
magnificent stations. .
Mr. Basil Cooke in responding cordially
thallked Mr. Tatham for the American
mdio information he had given members,
alllo for his good wishes for the Institute's
welfare.· Mr. Cooke, too, hoped that the
coming year would be a prosperous one
for the Institute, and desired to see a much
bigger gather:ng at the next Annual
Dinner.
Mr. Renshaw, In proposing the toast of
&quot;The Visitors&quot; (Messrs. Crawford, Tatham,
Maclardy an&lt;l Steane) very heartily welcomed
them as the Institute's guests, and
then outlined the work of the Institute during
the preceding year. Mr .. Renshaw said:
&quot;I wish to. Impress upon. our visitors that
the Institute is not, as has been stated in
some quarters, connected, governed or Influenced
by any party, parties, company or
organisation. The Institute is governed by
its own council, and its aim Is to further
the interests o_f wireless experimenters.&quot;
In conclusion, Mr. Renshaw said he hoped
that the visitors would be with them
again next year.
In responding to the toast of &quot;The
Visitors,&quot; Mr. W. T. Crawford (Government
Radio Inspector) thanked Mr. Renshaw
for the he.arty welcome extended.
He then explained the matter of honorary
radio inspectors being appointed to assist
in having the regulations complied with,
and brought to members' attention the
number of unlicensed stations there must
be, and also the number of licensed stations
that are breaking the-regulations. A
lot of experimenters are using valves and
allowing the:in to &quot;howl,&quot; thus causing
interference with other stations. Mr.
Crawford also pointed out that e.xperim_
ental wave lengths should be kept down
to 425 metres, as above that they are liable
to Interfere with commercial work on 460
metres.
In conclusion, he stated that wireless
experimenters are a great asset to Australia.
and in the course of his duty in
examining amateurs for valve licenses he
found that their knowledge of wireless
and telegraphic speed was very good; in
fact, far above expectations.
Mr. W. M. Maclardy (Wireless Weekly)
also responded, and fully agreed with Mr.
Crawford's remarks regarding experimenters
observing, ·regulations. Mr. Maclardy
also stressed unity of experimenters,
and considered that they would achieve far
more abiding by regulations and working
collectively than proceeding haphazardly
individually.
Mr. S·teane, a visitor from the Victorian
Division, also responded. and stated that
very good results were being achieved with
honorary radio inspectors in Melbourne.
Mr. Malcom Perry, in the course of a
speech, welcomed back to the Institute one
of its oldest members and a former president,
Mr. Spencer Nolan. Mr. Perry said
he remembered back in the old days when
Mr. Nolan had a 6-inch spark coil and a
rotary spark gap-operated by water power,
Which W&amp;.s considered to be bqth 11, unique

and an efficient arrangement in thol!le
days.
The first thing Mr. Nolan did when responding
was to correct Mr. Perry by saying:
&quot;It was not a 6-inch coll I had, but
a 12-inch.&quot; (Laughter.} He then said he
was · pleased to be among the Institute
members once again, and hoped to see
them more frequently in the future.
The pleasant evening concluded with
everybody joining hands and :iinging &quot;Auld
Lang Syne.&quot;
SOUTH AUSTRALIAN DIVISION.
The March meeting of the above Society
was held at the University of Adelaide
on Wednesday, March 7.
The President (Mr. Hambly Clarke)
mentioned the recent visit of the Radio
Inspector (Mr.· Martin), who emphasised
the fact that no circuit capable of
energizing the aerlal was permissable
under the existing regulations. In · his
remarks Mr. Clarke mentioned that interference
to local telephony sometlmeA
occurs. Some very fine programmes are
presented which are often marred by oscillating
valves. Fortunately, however, this
trouble seems to be cut down to a very
appreciable extent now.
Mr. Bland supplemented the President's
remarks by exhibiting and explaining cir-

cults that comply with the above rule. He
drew a number of practical circuits utilising
one or two valves which have been
proved to be of exceptional merit.
Mr. R. B. Caldwell then described and
exhibited an easy method of receiving from
the A.C. lighting mains. By means of an
ordinary adaptor and a length of flex It is
possible to couple an ordinary receiving
set, without any_ further apparatus, direct
to the mains and obtain excellent results
with both crystal and valves.
A general discussion followed the lectures.
.
A s1Jec;-ial ci;,mmitte~ have been appointed

to secure a suitable room, where it Is hoped
to instal the transmitting and receiving
sets, and also carry out the construction
of apparatus. practical demonstr~tions,
etc.
WAVERLEY AMATEUR RADIO CLUB.
The meetings during the past couple of
months have been largely attended. The
Club is now open on Tuesday nights for
buzzer practice and technical discussions.
Additional me.mbers have been enrolled,
and a boom Is anticipated in the near
future.
Messrs. Howell and Lavington have
been appointed delegates to the Radio Ar.sociatlon
of New South Wales . .
The Club's new tuner has be.en. Installed,
and is working in a most satisfactory
manner, all the Australian and New Zealand
coast stations and ships being copied
easily on one valve. Several concerte have
also been received.
After a great deal of discussion It has
been practically decided to install a single
tube transmitting set with an electrolytic
rectifier. When funds permit a two-valve
rectifier and more power tubes will be
added.
The Club has also entered for the TransPacific
Tests, and for some time to come
its activities will be concentrated in preparing
for this .event. All communications
regarding the Club should be addressed to:
G. ·Thomson, 87 McPherson Street. Waverley.
ILLAWARRA RADIO CLUB.
Excellent attendances have been a feature
· of this Club's meetings during the
past few months.

A transmitting and receiving licence has
been granted to Mr. C. A. Gorman on be-·
half of the Club, and great activity is now
being displayed in putting the station in
proper working order. Renewed Interest
amongst members is certain to be evinced
once the sets are in operation.
One highly interesting lecture delivered
before members recently was that on
&quot;Crystals,&quot; by Mr. Watkin-Brown. Mr.
Brown's knowledge of mineralogy and
crystallography enabled him to explain
many interesting facts concerning crystals,
which do not, as a rule, enter into the
considerations of the average amateur, and
the information gained was greatly appreciated.
At a later meeting Mr. Gorman lectured
on &quot;Experimental Wireless from 1911 to
1923,&quot; in the course of which he related
some interesting f~cts concerning the doings
of experimenters of some ten years
ag o. He produced a log showing the numerous
stations heard and worked. including
Macquarie Island (MQI), which was consistently
logged---a record for those days.
Mr. Gorman concluded with a reference
to recent valve experiments, pointing out
the great results which are being achieved
through the use of radio frequency amplification.
The April meetings of the Club will be
held on the evenings of the 12th and 26th.
The Secretary's address is Mr. W. D.
Graham, 44 Cameron Street, Rockdale.
NORTH SYDNEY RADIO CLUB.
The members of the above Club have
been exceedingly busy during the past
month. Much practical work has been
undertaken, and in addition a fine series
of lectures have engaged members&quot; attention.
Mr. C. McClure lectured on &quot;C.W
Receivers,&quot; and Mr Raymond McIntosh in
a series of three disc01\rses 11lealt exhaustively
with &quot;Amplification.&quot; The last
lecture was devoted· solely to the Armstrong
super-regenerative receiver.
LEICH HARDT AND DISTRl~T RADIO
SOCIETY.
The membership · of this Club Is gradu..
ally increasing, due to the fact that business
of interest to all radio experimenters
is regularly served up.
Mr. w. J. Zech delivered two lectures
during February, the first on &quot;Inductance&quot;
and the second on &quot;The Condenser and
its Uses&quot;
Mr. F. Thompson also lectured on&quot;&quot;Alternating
Currents.&quot;
Members expressed their lteenest appreciation
of the information gleaned from
these lectures. ·
The Society has now been in existence
six months. and judging by its record
will accomplish much useful work before
the year is out.
MA RRICKVILLE AND DISTRICT
RADIO CLUB.
The radio enthusiasts of Marrickvllle ·
and District have not been slow to show
their appreciation of the above Club. The
membership is constantly increasing, and
now includes several ladles: A qualified
wireless operator Is present a t all meet-

ings, and the office-bearers include two
radio mechanics, whose advice and assistance
regarding the construction of apparatus
is always eagerly availed of by
members.
The Club receiving set will be In operation
in the near future. A publicity and
entertainment committee has taken charge
of social matters, and a dance Is to be
held at an_ early date.
The Secretary (Mr. R. G. Ellis) is
thoroughly experienced in radio matters.
He was apprenticed to the trade eleven
years ago, and later served with the Wireless
Squadron in India, Egypt and Arabia
during the war
Can It be wondered that a Club so well
equipped with competent and enthusiastic
officers should make the excellent progress
which has marked the Marrickvllle's
Club's existence?
MANLY RADIO CLU B.
The Manly and District Radio Club was
formed on February 26 under circumstances
which tested t he enthusiasm and
initiative of all who made up their minds
to be present.
Firstly, heavy showers of rain made outdoor
conditions unpleasant, and, seconc;lly,
the failure of the electric light rendered
It necessary to use candles to light the hall.
But neither the rain nor the poor illumination
affected the enthusiasm of those present,
and when the meeting was well in
progress, under t he able chairmanship of
Mr. F. C. Swinburne (one ·of the promoters
of the Club), the &quot;juice&quot; once more
consented to flow, and the room was flooded
with light.
After the objects of the meeting had been
explained, and the desirability of forming
a club affirmed, the various matters incldental
thereto were decided by the meeting.
Twenty-seven members joined the buzzer
class, which it wM decided should be held
every Wednesday evening.
The election of officers resulted as follows:
President: Mr. F. C. Swinburne.
Vice-President: Mr. A. Brown. Secretary:
Mr. O. Sandel. Treasurer: Mr. F. Clark.
Committee: Messrs. M. Dixon, C. Crocker
and B. Symes.
At the first General Meeting of the
Club, held on March 5, the business co~slsted
of a lantern lecture on the world s
high-power wireless stations by Mr. F.
C. Swinburne. The lecturer dealt with his
subject In a lucid &lt;!-nd interesting manner,
and the large audience WM enabled to
appreciate the scope and dimensions of
radio work In different parts of the world.
KURING -GAI RADIO SOCiETY.
Excellent progress has marked the
activities of the above Club since the inaugural
meeting early In December. The
membership is now close to the fifty mark,
and at the steady rate of · progress being
achieved; it should soon be doubled.
At the first meeting In March Mr. R.
Hill lectured on valve circuits, in the course
of which he explained all about high and
low frequency amplification.
The Society has joined up with· the
newly-formed Radio Association of New
South Wales, and on a ballot being taken
Mr. Renshaw was elected as delegate.

==P.16 - When Radio Enters the Home==

'''When Radio Enters the Home. What It Will Mean to Rural Australia. A Peep into the Near Future.'''

N O one who has followed the truly
remarkable progress made by
rijdio during the past few
years can doubt that the time
is close at hand when, by means
of radio telephony, thousands · of
homes throughout Australia will
be · brought into intimate touch
with the outside world. In seeking
for an object lesson as to how far
the broadcasting of concerts, news,
weather report.s and other items will
go towards improving the lot of the
people living in isolated districts we
cannot do better than · turn · to
America. With their usual enterprise
in making the most of any invention
or discovery which looks like
making life easier and pleasanter,
and business more profitaple, the
Americans have exploited the possibilities
of radio broadcasting to its
full\est iextent. Not only have receiving
sets been installed in tens
of thousands of homes for the entertainment
of the inmates, but banks
and other big institutions have installed
transmitting and receiving
set.s for the express purpose of providing
a service of practical value to
their numerous clients. The most
specialised farm broadcasting in
America to-day is carried out by the
leading banking institutions, which
send out the latest market reports
daily to their country clients, thus
enabling them to forward their produce
to market when the best prices
are ruling-. Not content with that. a
service has also been arranged !by
which the latest weather report.s and
other items of intense lor.al interest
are received at the head offices of the
banks and posted on boards for the
information of country customers
who may be in town. America thus
teaehes a lesson to Australia. Here
country folk visiting the capital cities
have to rely on the scanty information
posted outside the G.P.O. to
apprise them of the weather conditions
prevailing in the different dist:
rfotEJ, 'l'h.~!J~ mar see:m imrnn thingEJ

interest to those concerned, and the
country which pays most attention to
them is on the high road towards ensuring
national prosperity through
the agency of rural settlement.
To obtain an even more arresting
picture of what a radio broadcasting
service will mean to thousands of
homes in outback Australia, it is only
necessary to visualise the tremendous
boon which the general adoption of
motor cars, telephones, mail services,
etc., has been to those·who have dedicated
their lives to pioneering work ·
in the &quot;great outback.&quot; Prior to the
introduction of motor cars any district
not directly on a railway line
had to be content with a transport
service conducted by slow, if sure,
horse or bullock teams. The coming
of the &quot;buzz waggon&quot; altered that.

Similarly, the introduction of· telephones
and the establishment of mail
services helped, within limitations, to
destroy 'the hitherto hopeless isolation
inseparable from rural settlement.
It now remains for radio, the
greatest discovery of- all time, to
bridge the gap separating country
from city in a way which no other
means of communication can hope to
equal, let alone excel. . . ·
The stately mansion situated in
·close proximity to the city and the
more humble abode out on the edge
of the Never Never will be put on
an equal footing, so far as communication
is concerned, when ~adio
broadcasting becomes an established
fact in Australia.
Briefly, the lines on which it is
anticipated broadcasting will be conducted
in the Commonwealth will

probably be similar to those obtaining
in England. The issue of
the regulations governing this phase
of the matter will define the position,
which, in effect, will be that companies
willing and able to· undertake
broadcasting will be obliged to conform
to certain laws regarding the
manufacture and sale of apparatus.
A standard type of receiving set will
be manufactured, which, for all practical
purposes, will be foolproof.
Whether the purchaser lives in close
proximity to Sydney or any other
broadcasting centre, or hundreds of
miles away, . makes no di,fference.
Each set will be equipped and adjusted
according to the distance over
which it will have to receive, and in
this way the purchaser will have an
absolute guarantee of service.
Simple Sets.
Each set will be simplicity itself, and
it can be definitely stated that anyone
able to manipulate an ordinary phonograph
or a player-piano will be quite
at home with a radio receiving set. No
technical or mechanical skill whatsoever
is neerled, and the few simple
adjustments which have to be carried
out when it is desired to operate the set will be so clearly explained that a child could follow them. The erection of the aerial will be equally
simple-just a single wire running
from two elevated points, the higher
· the better. · ·. · · · ·
What It Will Cost:
It necessarily follows that the cost of a set to receive, say, ·over 500 miles, will be slightly higher than one operating over a quarter or half that
. distance. This is accounted · for by the fact that while one valve may suffice over the shorter distance, two or more will be required when receiving
over a greater ·range; In any case, the cost of. the whole outfit, even for the longest&quot; distances, will not exceed
that paid for an average· gramophone.
Included in this amount will be the cost of the annual license for

receiving the broadcast programmes.
A percentage of this sum will go to the broadcasting company to recoup it for the expense incurred, and the remainder will go to the Government.
Broadcasting Programmes.
It is confidently anticipated that the Australian public will expect only the very highest class of vocal and instrumental items to be broadcasted for their entertainment. Bearing this in mind, it can be said with equal confidence that nothing but the best will be offered. them, regardless of expense. Programmes · of the
various items to be broadcasted will be published daily, and all interested will know at exactly what hour the music, weather and market reports, etc., will be sent out.
When the scheme is properly organised it is highly probable that in order to reach even the most distant centres, stations will be established in various parts of the country. The music, etc., from the chief broadcasting centre will be transmitted to these stations over special telephone wires, and from there radiated over the district to be served. This will ensure a service of the very highest quality at a minimum of expense to those living in isolated localities. The truly wonderful sensation of hearing the human voice coming out of space, with all the clearness and quality that one is accustomed to in a faceto-face conversation, will be one not
easily forgotten. It is something which will grip Australians as it has gripped the people of other countries. 'fhere will, however, · be this difference.
The confusion and chaos which characterised the commencement of broadcasting in those countries, notably America, will be absent here. The delay in framing regulation; and perfecting an ·organisation which some people are complaining of will later on be recognised as having been well worth while.

==P.18 - Call Letters==

'''Call Letters.'''

This is the first list of call letters of Australian and New Zealand ship and land stations. In subsequent issues of &quot;Radio&quot; further lists will appear, all of which should be preserved so that readers will have a complete list of both local and overseas stations.— Ed.

* VHA s.s. Hobart.
* VHB s.s. Levuka.
* VHD s.s. Kanowna.
* VHE s.s. Karoola.
* VHF s.s. Bombala.
* VHG s.s. Emita.
* VHH s.s. Eromanga.
* VHI s.s. Iron Baron.
* VHJ s.s. Erriba.
* VHK s.s. Wodonga.
* VHL s.s. Dimboola.
* VHM s.s. Kangaroo.
* VHN s.s. Katoomba.
* VHO s.s. Canberra.
* VHP s.s. Nairana.
* VHQ s.s. Fiona.
* VHR s.s. Flora.
* VHS s.s. Lady Loch.
* VHT s.s. Montoro.
* VHU s.s. Mataram.
* VHV s.s. Yankalilla.
* VHW s.s. Wyandra.
* VHX s.s. Victoria.
* VHY s.s. Ulimaroa.
* VHZ s.s. Baldina.
* VIA Adelaide Radio.
* VIB Brisbane Radio.
* VIC Cooktown Radio.
* VID Darwin Radio.
* VIE Esperance Radio.
* VIF Woodlark Island Radio.
* VIG Port Moresby Radio.
* VIH Hobart Radio.
* VII Thursday Island Radio.
* VIJ Samarai Radio.
* VIK s.s. Time.
* VIL Flinders Island Radio.
* VIM Melbourne Radio.
* VIN Geraldton Radio.
* VIO Broome Radio.
* VIP Perth Radio.
* VIQ s.s. Buninyong.
* VIR Rockhampton Radio.
* VIS Sydney Radio.
* VIT Townsville Radio.
* VIU Kieta Radio.
* VIV Madang Radio.
* VIW Wyndham Radio
* VIX Misima Radio.
* VJA s.s. Riverina.
* VJB s.s. Westralia.
* VJC s.s. Zealandia.
* VJD s.s. Bingera.
* VJE s.s. Cooma.
* VJF s.s. Morinda.
* VJG s.s. Wyreema.
* VJH s.s. Loongana.
* VJI s.s. Suva.
* VJJ s.s. Aramac.
* VJK s.s. Gilgai.
* VJL s.s. Werribee.
* VJM s.s. Alabama.
* VJP s.s. Bulla.
* VJQ s.s. Boonah.
* VJR s.s. Barambah.
* VJS s.s. Bukara.
* VJT s.s. Boorara.
* VJV s.s. Araluen.
* VJW s.s. Dongarra.
* VJY s.s. Mindini.
* VJZ Rabaul Radio.
* VKA s.s. Barunga.
* VKB s.s. Merriwa.
* VKC s.s. Milluna.
* VKD s.s. Aldinga.
* VKE s.s. Aroona.
* VKF s.s. Aeon.
* VKG s.s. Wear.
* VKH s.s. Saros.
* VKI s.s. Mallina.
* VKJ s.s. Chronos.
* VKK s.s. Century.
* VKL s.s. Monaro.
* VKM s.s. Woolgar.
* VKN Navy Office, Melbourne.
* VKO H.M.A.S. Cerberus.
* VKP Flinders Naval Base.
* VKQ Garden Island Base.
* VKR Cockburn Sound Base.
* VKS Port Stephens Base.
* VKT Nauru Radio.
* VKU s.s. Parattah.
* VKV s.s. Arawatta.
* VKW s.s. Ceduna.
* VKX s.s. Goulburn.
* VKY s.s. Marsina.
* VKZ s.s. Burwah.
* VLA Awanui Radio.
* VLB Awarua Radio.
* VLC Chatham Islands.
* VLD Auckland Radio.
* VLH s.s. Kaiapoi.
* VLI s.s. Kaitangata.
* VLQ s.s. Kanna.
* VLS s.s. Mapourika.
* VLT s.s. Kaituna.
* VLW Wellington Radio.
* VLX s.s. Tutanekai.
* VLY s.s. Paloona.
* VMA s.s. Arahura.
* VMB s.s. Karori.
* VMC s.s. Kauri.
* VMD s.s. Koromiko.
* VME s.s. Rakanoa.
* VMF s.s. Tarawera.
* VMG Apia Radio.
* VMH s.s. Terawhiti.
* VMI s.s. Rewa.
* VML s.s. Whangape.
* VMM s.s. Monowai.
* VMN s.s. Katoa.
* VMO s.s. Waipori.
* VMP s.s. Wanaka.
* VMQ Raratonga Radio.
* VMR s.s. Rotomahana.
* VMS s.s. Mararoa.

==P.20 - Direct Radio Service to England==

'''The Link That Will Bind. Direct Radio Service to England. Last Barrier Removed.'''

FEELINGS of relief and satisfaction were felt . on all sides
· sides at the recent announcement that the British Government had decided to allow private enterprise to erect radio stations in England,
capable of transmitting direct with overseas countries. For many months the question was in abeyance, and beyond an admission that the &quot;Government was considering the
matter,&quot; the Prime Minister (Mr Bonar Law) would make no definite statement. Now that the issue ·is decided, and the path ahead quite clear, those interested . in spreading the network of radio between the most scattered portions of the British Empire may be expected to get busy. .
The next two years should witness unprecedented activity in the erection and operation of high-power radio stations. Once that becomes an accomplished fact the few remaining doubtful ones regarding the value of an inter-Empire radio service will have their . fears dispelled. Most people are aware of the partnership existing between the Australian Government and Amalgamated Wireless (Aust.), Ltd., for the conduct of a direct high-power wireless service between Australia and England. Businessmen in both countries rejoice that the inauguration of this service will mean a one-third reduction in the present cost of cabling, added to which the messages will be handled with a consistency .. and., ,despatch which the best organised cable service could never hope to equal. This cost-cutting will unquestionably stimulate business at the very outset, mainly because of the increased facilities it will afford for, ascertaining the requirements of the different countries.
Furthermore, the · wireless transmission of news at a cheaper rate than at present will enable the daily newspapers in both countries to devote considerably· more ·space to publishing news matter calculated to bring the peoples Qf. the different countries into· closer and more intimate touch~ Isolation· breeds misunderstanding and . distrust; to say nothing of perpetuating in the minds of the people of-the British Isles an ignorance regarding··the possibilities and aspirations of Australia, which is as regrettable as it is harmful.
The defence of the British Empire is also another matter definitely linked up with the -establishment of long-distance radio services: The cable lines invariably receive the attention of the enemy immediately on the· outbreak of war, and once this means of communication is severed serious ~ position. arises. A direct radio service will obviate thIS possibility{{typo help inline|reason=similar to ability|date=October 2022}}, mainly because the- stations will be located in a position practically immune from attack, and once the messages are transmitted their safe reception follows as a matter of course. .
Australia may well · congratulate herself that. in a comparatively short time she will be placed in- a forefront position so far as up-to-date communication with other parts of the world is concerned. No fears need be felt as to the ultimate success of the venture, and it is safe to prophesy that a few years hence people. will wonder how any progress worth mentioning was achieved without the aid of radio.

==P.22 - Obituary - Mr. L. L. Meredith==

'''Obituary - Mr. L. L. Meredith'''

Wireless men throughout Australia, New Zealand and other parts of the world will be sorry to read that Mr. Llewellyn L. Meredith, late Traffic Manager of Amalgamated Wireless (A/sia), Ltd., passed away in Sydney on March 18, and it is with very deep regret that we record his death in these columns. The late Mr. Meredith was born in London on February 24, 1885, and first became associated in commercial wireless with the Marconi Wireless Telegraph Company of England in March 1910. After serving as junior operator on the Empress of Britain and Ben-My Chree, he was in May, 1910, appointed senior operator of the Montrose, and later served on the Himalaya, Batavier III., China and St. Louis. In November, 1910, he crossed the United States and joined the Union Company R.M.S. Aorangi in San Francisco, and thus entered the Australian service. During his time at sea in the Australian service he served on the Tofua, Bombala, Maunganui, Kanowna and Katoomba, and in January, 1913, was appointed sea-going Sub-Inspector of Amalgamated Wireless (A/sia), Ltd. In May, 1915, he was transferred to the Sydney office, and later was appointed
Traffic Manager. He held this position until 1920, when, owing to ill health, he reluctantly resigned from the Company, and since then has been residing in Sydney. The funeral took place at Rookwood Cemetery, Sydney, on Monday, March 19, and those present included: Mr. F. W. Larkins (representing Amalgamated Wireless, Ltd.), Captain S. Toombs (representing Radio Telegraphists'
Institute), Mr. A. R. Mancer (Marconi Schools of Wireless), Mr. S. E. Tatham (The Wireless Press), Mr. A. Vipan (Technical Department Amalgamated Wireless), Messrs. P. M. Farmer and W. H. C. Phillips (Inspectors, Traffic Department); Sub-Inspectors T. A. Jones (s.s. Katoomba), H. Johnson (s.s. Kanowna), A. Beard (s.s. Victoria); Wireless Operators: J. W. Mackay, G. Pow, F. A. Cooke, J. F. McGinley, T. O. Sexton, E. F. Hayes; Mr. De Laurence, of Cronulla, N.S.W., and Mr. S. Stacey, of Stacey &amp; Co, Sydney. The many wireless men who came in contact with the late Mr. Meredith will well remember him for his great personality, and being a very popular man, he had a wide circle of friends quite outside the wireless sphere altogether. On our own and their behalf we extend the deepest sympathy to his family, who reside in England, in their sad bereavement.


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    <title>Chess Opening Theory/1. e4/1...e5/2. Bc4/2...Qh4</title>
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== 2...Qh4? ==
{{Chess/sideline}}
Black attempts to play for an immediate mating attack. Essentially they are playing the Parham attack or &quot;wayward queen&quot; attack with colours reversed. 

The immediate threat is ...Qxe4+, so White should defend their e-pawn with '''3. Nc3'''. Then, Black may try 3...Bc5, bringing another attacker to f2 and hoping White will blunder and allow ...Qxf2#. 4. g3 prevents the queen from seeing f2, and after 4...Qf6, White plays 5. Nf3 to defend the f2-pawn again. 

After all this, what has Black to show for it? In violation of opening principles, they have spent two moves moving their queen around that could have been spent on developing their minor pieces and castling. White is better. 

White may try for their own &quot;scholar's mate&quot; with '''3. Qf3!?''', which also defends e4, but Black can parry this just as easily with 3...Nf6. White has allowed Black to &quot;get away&quot; with violating opening principles, and still has to develop their minor pieces having taken away the f3 square from their knight. 

{{ChessMid}}

== References ==
{{reflist}}
=== See also ===
{{Wikipedia|Bishop's Opening}}
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[[image:Giperbola-koord.png|right]]
[[image:Drini-conjugatehyperbolas.svg|right|400px|thumb]]

Hyperbolas can be thought of as the &quot;opposite&quot; of ellipses - instead of the sum of distances from two foci, the difference is used. This leads to two curves that point in opposite directions. The major axis is 2a units long, and the transverse axis is 2b units long. When a&lt;sup&gt;2&lt;/sup&gt; + b&lt;sup&gt;2&lt;/sup&gt; = c&lt;sup&gt;2&lt;/sup&gt;, eccentricity is again c/a. The foci are at either side of the major axis, c units away from the center.

Hyperbolas come in conjugate pairs: An &quot;east-west&quot; hyperbola is written as:
:&lt;math&gt;\frac{\left( x-h \right)^2}{a^2} - \frac{\left( y-k \right)^2}{b^2} = 1&lt;/math&gt;
while a &quot;north-south&quot; one is written as:
:&lt;math&gt;\frac{\left( y-k \right)^2}{a^2} - \frac{\left( x-h \right)^2}{b^2} = 1&lt;/math&gt;
The east-west hyperbola is ''conjugate'' to the north-south one, and vice versa. The conjugates can be written in a unified form:
:&lt;math&gt;\frac{\left( x-h \right)^2}{a^2} - \frac{\left( y-k \right)^2}{b^2} = \pm \ 1 ,&lt;/math&gt;
where either sign gives a hyperbola and the opposite sign its ''conjugate hyperbola''.

For rectangular hyperbolas with the coordinate axes parallel to their asymptotes:

As the curve progresses, it gets closer and closer to two lines called '''asymptotes'''. In the second image, the asymptotes are y = ±x. The length of each latus rectum is (..?)</text>
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  </page>
  <page>
    <title>Dog Breed Reference Manual/Breed Profiles/Portuguese Water Dog</title>
    <ns>0</ns>
    <id>476805</id>
    <revision>
      <id>4641084</id>
      <parentid>4633718</parentid>
      <timestamp>2026-06-24T19:45:50Z</timestamp>
      <contributor>
        <username>Gimkited</username>
        <id>3609639</id>
      </contributor>
      <minor />
      <comment>No edit summary</comment>
      <origin>4641084</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="1780" sha1="iwefp2u0dtkgn10ee1lnxcaf5xu8e0h" xml:space="preserve">= Portuguese Water Dog =
== Breed ==
Portuguese Water Dog
== Nickname ==
Portie
== Group ==
Working
== Origin ==
Portugal
== Appearance ==
* Size: Medium
* Build: Solid
* Height: 18 to 23 inches (45.5 to 58.5 centimeters)
* Weight: 35 to 60 pounds (16 to 27 kilograms)
* Coat Length: Medium
* Hypoallergenic: Yes
== Temperament ==
* Affection: 4/5
* Playfulness: 4/5
* Good with Children: 4/5
* Good with Dogs: 4/5
* Good with Pets: 4/5
* Barking: 3/5
* Protectiveness: 4/5
== Training ==
* Energy: 5/5
* Intelligence: 5/5
* Trainability: 5/5
* Total Daily Activity: 720 to 800 minutes
* Activity Intensity: Painless
== Grooming ==
* Shedding: 2/5
* Grooming: 3/5
* Brushing: Every 3 to 4 days
* Bathing: Every 6 to 8 weeks
== Health ==
* Lifespan: 12 to 14 years
* Health Issues: 3/5
* Common Issues: Hip Dysplasia (CHD), Progressive Retinal Atrophy (PRA), Addison’s Disease
== Suitability ==
* Experience Level: 3/5
* First-Time Owner: Not Suitable
* Apartment Living: 3/5
== Summary ==
The Portuguese Water Dog, or Portie, is a medium, solid breed originally from Portugal, known for its curly waterproof coat, swimming skills, and energetic nature. As part of the Working Group, it thrives in a house with a spacious yard. With a need for 60 to 90 minutes of daily activity, the breed suits an active, family-oriented owner (with children) who enjoys outdoor and water activities, as well as training. Porties have a life expectancy of 12 to 14 years and are prone to Hip Dysplasia, Progressive Retinal Atrophy, and Addison’s Disease.
== More Information ==
* [https://pawsomeauthority.com/dog-breeds/portuguese-water-dog/profile/ Pawsome Authority Portuguese Water Dog Profile]
[[Dog Breed Reference Manual/Dog Breed Groups/Working|← Back to Working Group]]
{{BookCat}}</text>
      <sha1>iwefp2u0dtkgn10ee1lnxcaf5xu8e0h</sha1>
    </revision>
    <revision>
      <id>4641105</id>
      <parentid>4641084</parentid>
      <timestamp>2026-06-25T02:54:44Z</timestamp>
      <contributor>
        <username>Kittycataclysm</username>
        <id>3371989</id>
      </contributor>
      <minor />
      <comment>[[WB:REVERT|Reverted]] edit by [[Special:Contributions/Gimkited|Gimkited]] ([[User talk:Gimkited|talk]]) to last version by Kittycataclysm</comment>
      <origin>4633718</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="1786" sha1="7eij0ikw0klbkaaiwx66dmfl0f8596q" xml:space="preserve">= Portuguese Water Dog =
== Breed ==
Portuguese Water Dog
== Nickname ==
Portie
== Group ==
Working
== Origin ==
Portugal
== Appearance ==
* Size: Medium
* Build: Solid
* Height: 18 to 23 inches (45.5 to 58.5 centimeters)
* Weight: 35 to 60 pounds (16 to 27 kilograms)
* Coat Length: Medium
* Hypoallergenic: Yes
== Temperament ==
* Affection: 4/5
* Playfulness: 4/5
* Good with Children: 4/5
* Good with Dogs: 4/5
* Good with Pets: 4/5
* Barking: 3/5
* Protectiveness: 4/5
== Training ==
* Energy: 5/5
* Intelligence: 4/5
* Trainability: 4/5
* Total Daily Activity: 60 to 90 minutes
* Activity Intensity: Moderate to High
== Grooming ==
* Shedding: 2/5
* Grooming: 3/5
* Brushing: Every 3 to 4 days
* Bathing: Every 6 to 8 weeks
== Health ==
* Lifespan: 12 to 14 years
* Health Issues: 3/5
* Common Issues: Hip Dysplasia (CHD), Progressive Retinal Atrophy (PRA), Addison’s Disease
== Suitability ==
* Experience Level: 3/5
* First-Time Owner: Not Suitable
* Apartment Living: 3/5
== Summary ==
The Portuguese Water Dog, or Portie, is a medium, solid breed originally from Portugal, known for its curly waterproof coat, swimming skills, and energetic nature. As part of the Working Group, it thrives in a house with a spacious yard. With a need for 60 to 90 minutes of daily activity, the breed suits an active, family-oriented owner (with children) who enjoys outdoor and water activities, as well as training. Porties have a life expectancy of 12 to 14 years and are prone to Hip Dysplasia, Progressive Retinal Atrophy, and Addison’s Disease.
== More Information ==
* [https://pawsomeauthority.com/dog-breeds/portuguese-water-dog/profile/ Pawsome Authority Portuguese Water Dog Profile]
[[Dog Breed Reference Manual/Dog Breed Groups/Working|← Back to Working Group]]
{{BookCat}}</text>
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    </revision>
  </page>
  <page>
    <title>Vehicle Identification Numbers (VIN codes)/Audi/VIN Codes</title>
    <ns>0</ns>
    <id>483747</id>
    <revision>
      <id>4641081</id>
      <parentid>4641042</parentid>
      <timestamp>2026-06-24T19:20:13Z</timestamp>
      <contributor>
        <username>JustTheFacts33</username>
        <id>3434282</id>
      </contributor>
      <comment>/* Position 5, Engine Type: */</comment>
      <origin>4641081</origin>
      <model>wikitext</model>
      <format>text/x-wiki</format>
      <text bytes="35363" sha1="7q0tuw33chdabqs36kx1kmu25k609cb" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'22), A4 Allroad  45 TFSI ('21-'22),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'22), A5 Sportback 45 TFSI ('21-'22),&lt;br&gt; Q5 45 TFSI ('21-'22), Q5 Sportback 45 TFSI ('21-'22)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'22)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'22), A5 Sportback 40 TFSI ('21-'22), Q5 40 TFSI ('22)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'22), RS7 ('21-'22)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T ('19-'22)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'22), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'22)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'22), S7 ('20-'22)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'22)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'22)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'22)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'22), RS5 Sportback ('19, '21-'22)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'22), SQ8 ('20-'22)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'22)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'22)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'22), A6 Allroad ('20-'22), A7 3.0T/55 TFSI ('19-'22)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'22)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'22), S5 coupe/cabriolet ('18-'22), S5 Sportback ('18-'22), SQ5 ('18-'22),&lt;br&gt; SQ5 Sportback ('21-'22)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('22)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21), e-tron Sportback quattro ('21)
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'22), A4 Allroad  45 TFSI ('21-'22),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'22), A5 Sportback 45 TFSI ('21-'22),&lt;br&gt; Q5 45 TFSI ('21-'22), Q5 Sportback 45 TFSI ('21-'22)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'22)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'22), A5 Sportback 40 TFSI ('21-'22), Q5 40 TFSI ('22)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'22), RS7 ('21-'22)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T ('19-'22)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'22), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'22)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'22), S7 ('20-'22)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'22)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'22)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 48v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV.&lt;br&gt; TSI. Timing chain. 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'22)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'22), RS5 Sportback ('19, '21-'22)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'22), SQ8 ('20-'22)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'22)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'22)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'22), A6 Allroad ('20-'22), A7 3.0T/55 TFSI ('19-'22)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'22)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'22), S5 coupe/cabriolet ('18-'22), S5 Sportback ('18-'22), SQ5 ('18-'22),&lt;br&gt; SQ5 Sportback ('21-'22)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('22)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21), e-tron Sportback quattro ('21)
|-
|}

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'22), A4 Allroad  45 TFSI ('21-'22),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'22), A5 Sportback 45 TFSI ('21-'22),&lt;br&gt; Q5 45 TFSI ('21-'22), Q5 Sportback 45 TFSI ('21-'22)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'22)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'22), A5 Sportback 40 TFSI ('21-'22), Q5 40 TFSI ('22)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'22), RS7 ('21-'22)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T ('19-'22)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'22), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'22)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'22), S7 ('20-'22)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'22)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'22)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 48v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV.&lt;br&gt; TSI. Timing chain. 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'22)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'22), RS5 Sportback ('19, '21-'22)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'22), SQ8 ('20-'22)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'22)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'22)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'22), A6 Allroad ('20-'22), A7 3.0T/55 TFSI ('19-'22)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'22)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'22), S5 coupe/cabriolet ('18-'22), S5 Sportback ('18-'22), SQ5 ('18-'22),&lt;br&gt; SQ5 Sportback ('21-'22)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('22)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21-'22), e-tron Sportback quattro ('21-'22)
|-
| C ||APA320 (1 Front) / ATA250 (2 Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron S quattro ('22), e-tron S Sportback quattro ('22)
|-
| C ||APP310 (Rear) || Electricity || Rear ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 40 ('23), Q4 e-tron Sportback 40 ('23)
|-
| H ||V662 (Front) Code EBGA / V663 (Rear) (Higher output-Code EBEA)|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi RS e-tron GT quattro ('22-)
|-
| J ||V662 (Front) Code EBGA / V663 (Rear) Code EBFA|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi e-tron GT quattro ('22-)
|-
| 2 ||HASCO Magna asynchronous motor (Front) / APP310 (Rear) || Electricity || All ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 50 quattro ('22-'23), Q4 e-tron Sportback 50 quattro ('22-'23)
|}
HASCO Magna=HASCO Magna Electric Drive Systems Co., Ltd.

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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      <id>4641100</id>
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      <timestamp>2026-06-24T23:03:08Z</timestamp>
      <contributor>
        <username>JustTheFacts33</username>
        <id>3434282</id>
      </contributor>
      <comment>/* Position 6, Restraint Systems: */</comment>
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===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'22), A4 Allroad  45 TFSI ('21-'22),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'22), A5 Sportback 45 TFSI ('21-'22),&lt;br&gt; Q5 45 TFSI ('21-'22), Q5 Sportback 45 TFSI ('21-'22)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'22)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'22), A5 Sportback 40 TFSI ('21-'22), Q5 40 TFSI ('22)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'22), RS7 ('21-'22)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T ('19-'22)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'22), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'22)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'22), S7 ('20-'22)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'22)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'22)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 48v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV.&lt;br&gt; TSI. Timing chain. 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'22)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'22), RS5 Sportback ('19, '21-'22)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'22), SQ8 ('20-'22)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'22)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'22)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'22), A6 Allroad ('20-'22), A7 3.0T/55 TFSI ('19-'22)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'22)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'22), S5 coupe/cabriolet ('18-'22), S5 Sportback ('18-'22), SQ5 ('18-'22),&lt;br&gt; SQ5 Sportback ('21-'22)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('22)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21-'22), e-tron Sportback quattro ('21-'22)
|-
| C ||APA320 (1 Front) / ATA250 (2 Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron S quattro ('22), e-tron S Sportback quattro ('22)
|-
| C ||APP310 (Rear) || Electricity || Rear ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 40 ('23), Q4 e-tron Sportback 40 ('23)
|-
| H ||V662 (Front) Code EBGA / V663 (Rear) (Higher output-Code EBEA)|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi RS e-tron GT quattro ('22-)
|-
| J ||V662 (Front) Code EBGA / V663 (Rear) Code EBFA|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi e-tron GT quattro ('22-)
|-
| 2 ||HASCO Magna asynchronous motor (Front) / APP310 (Rear) || Electricity || All ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 50 quattro ('22-'23), Q4 e-tron Sportback 50 quattro ('22-'23)
|}
HASCO Magna=HASCO Magna Electric Drive Systems Co., Ltd.

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4, A6, Allroad)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4, A6, Allroad)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'23), A4 Allroad  45 TFSI ('21-'23),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'23), A5 Sportback 45 TFSI ('21-'23),&lt;br&gt; Q5 45 TFSI ('21-'23), Q5 Sportback 45 TFSI ('21-'23)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'23), R8 GT Rwd ('23)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'23), A5 Sportback 40 TFSI ('21-'23), Q5 40 TFSI ('22-'23)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'23), RS7 ('21-'23)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('23)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T/55 TFSI ('19-'23)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'23), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'23)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22-'23)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'23), S7 ('20-'23)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'23)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'23)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi Q3 40 TFSI ('23)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 48v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV.&lt;br&gt; TSI. Timing chain. 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22-'23)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'23)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'23), RS5 Sportback ('19, '21-'23)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'23), SQ8 ('20-'23)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'23)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'23)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'23), A6 Allroad ('20-'23), A7 3.0T/55 TFSI ('19-'23)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'23)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22-'23)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22-'23)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'23), S5 coupe/cabriolet ('18-'23), S5 Sportback ('18-'23), SQ5 ('18-'23),&lt;br&gt; SQ5 Sportback ('21-'23)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine. 401 hp.&lt;br&gt; Audi RS3 ('22-'23)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21-'22), e-tron Sportback quattro ('21-'22)
|-
| C ||APA320 (1 Front) / ATA250 (2 Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron S quattro ('22), e-tron S Sportback quattro ('22)
|-
| C ||APP310 (Rear) || Electricity || Rear ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 40 ('23), Q4 e-tron Sportback 40 ('23)
|-
| H ||V662 (Front) Code EBGA / V663 (Rear) (Higher output-Code EBEA)|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi RS e-tron GT quattro ('22-)
|-
| J ||V662 (Front) Code EBGA / V663 (Rear) Code EBFA|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi e-tron GT quattro ('22-)
|-
| 2 ||HASCO Magna asynchronous motor (Front) / APP310 (Rear) || Electricity || All ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 50 quattro ('22-'23), Q4 e-tron Sportback 50 quattro ('22-'23)
|}
HASCO Magna=HASCO Magna Electric Drive Systems Co., Ltd.

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4, A6, Allroad)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4, A6, Allroad)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

{{BookCat}}</text>
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    </revision>
    <revision>
      <id>4641109</id>
      <parentid>4641108</parentid>
      <timestamp>2026-06-25T07:02:20Z</timestamp>
      <contributor>
        <username>JustTheFacts33</username>
        <id>3434282</id>
      </contributor>
      <comment>/* Motor codes for Electric Vehicles */</comment>
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      <text bytes="36782" sha1="4j207p4vudvp3d952ppoympydetdgtf" xml:space="preserve">{{Vehicle Identification Numbers (VIN codes)/Warning}}{{clear}}

===Positions 1–3, World Manufacturer Identifier:===  
* WAU - Audi (Audi AG) passenger car
* WA1 - Audi (Audi AG) SUV
* WUA - Audi passenger car - quattro GmbH/Audi Sport GmbH (RS3, RS4, RS5, RS6, RS7, TT RS ['18-'22], R8,&lt;br&gt; S4 Cabriolet ['04-'09], S4 25quattro Special Edition sedan ['06], S8 plus ['16-'18], Non-North American Mkt. RS Q3, Q7 V12 TDI)
* WU1 - Audi SUV - Audi Sport GmbH (RS Q8)
* TRU - Audi Hungary (Audi Hungaria Motor Kft.) passenger car (only used for TT/TTS &amp; '12-'13 TT RS)
* 3U5 - Audi Mexico SUV

===Position 5, Engine Type: ===

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Size !! Type !! Fuel !! Valvetrain !! Engine Family/Notes/Applications
|-
| A || 1.7L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000 4E/4000S 4E ('81-'83)
|-
| A || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('84)
|-
| A || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| A || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| A || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S6 ('95 &amp; '96-'97 in Canada)
|-
| A || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95), Cabriolet ('95-'98), A4 2.8 ('96-'97), A6 sedan ('95-'97), A6 wagon ('95-'98)
|-
| A || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A6 sedan 2.8 ('98-'99), A6 Avant 2.8 ('99)
|-
| A || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 560 hp.&lt;br&gt; Audi RS7 ('17-'18)
|-
| A || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 532 hp.&lt;br&gt; Audi R8 V10 Quattro ('17-'18), R8 V10 RWS ('18), R8 Rwd ('21)
|-
| A || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q7 3.0T ('17-'19)
|-
| A || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 45 TFSI ('21-'23), A4 Allroad  45 TFSI ('21-'23),&lt;br&gt; A5 Coupe/Cabriolet 45 TFSI ('21-'23), A5 Sportback 45 TFSI ('21-'23),&lt;br&gt; Q5 45 TFSI ('21-'23), Q5 Sportback 45 TFSI ('21-'23)
|-
| B || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000 ('81), Coupe ('81-'83), 5000/5000S ('81-'84)
|-
| B || 1.8L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 4000S ('85-'87) [Pos. 7-8 of VIN is 81]
|-
| B || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 4000S Quattro ('84-'85), 4000CS Quattro ('86-'87) [Pos. 7-8 of VIN is 85],&lt;br&gt; 5000S ('85-'86)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('88-'89), 90 ('88)
|-
| B || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 100 ('89), 100 Quattro ('89)
|-
| B || 2.0L || I4 || Gas || SOHC,&lt;br /&gt; 8 valve || MPI. VW EA827 engine.&lt;br&gt; Audi 80 ('90)
|-
| B || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 1.8T ('97-'99)
|-
| B || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 602 hp.&lt;br&gt; Audi R8 V10 Plus Quattro ('17-'18), R8 V10 Performance Quattro ('20-'23), R8 GT Rwd ('23)
|-
| B || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 201 hp.&lt;br&gt; Audi A4 40 TFSI ('21-'23), A5 Sportback 40 TFSI ('21-'23), Q5 40 TFSI ('22-'23)
|-
| C || 2.1L || I5 Turbo || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000 Turbo ('81-'83)
|-
| C || 2.1L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Quattro Coupe ('82‡ &amp; '83-'85), 5000S Turbo ('84-'85)
|-
| C || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91-'92), 80 Quattro ('88-'92), 90 ('88-'91), 90 Quattro ('88-'89),&lt;br&gt; 5000S ('87-'88), 5000S Quattro ('88), 100 ('90-'91), 100 Quattro ('90-'91)
|-
| C || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo ('89), 200 Turbo Quattro ('89)
|-
| C || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi A6 sedan ('95-'97), A6 wagon ('96-'98)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. &lt;br&gt; Audi A4 sedan/Avant 1.8T ('00-Mid '05), A4 Cabriolet 1.8T ('03-'06), TT [180 hp] ('00-'06)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid (Early '14)
|-
| C || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('15)
|-
| C || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi SQ5 ('16-'17)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q3 ('17-'18) 
|-
| C || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS6 Avant ('21-'23), RS7 ('21-'23)
|-
| C || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('23)
|-
| D || 2.1L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('84)
|-
| D || 2.2L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT ('85-'87)
|-
| D || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 80 ('91), 80 Quattro ('90-'91), 90 ('90)
|-
| D || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe Quattro 20V ('90)
|-
| D || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo ('86-'88), 200 Turbo ('90-'91), 200 Turbo Quattro ('90)
|-
| D || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('98-'99)
|-
| D || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi S4 ('00-'02), A6 2.7T ('00-'04), Allroad Quattro 2.7T ('02-'05)
|-
| D || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi A3 3.2 ('06-'09), TT 3.2 ('05-'06, '08-'09)
|-
| D || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A8 3.0T/55 TFSI ('19-'23)
|-
| E || 2.3L || I5 || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi Coupe GT 2.3 &quot;Special Build&quot; (Late '87)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || SOHC,&lt;br /&gt; 10 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 5000CS Turbo Quattro ('86-'88)
|-
| E || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('90-'91)
|-
| E || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 200 Turbo Quattro 20V ('91)
|-
| E || 3.6L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi V8 Quattro ('90-'91)
|-
| E || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('95)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T ('08-'13)
|-
| E || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18-'20), TT ('19-'23), Q3 2.0T/45 TFSI ('19-'20), Q3 S Line 45 TFSI ('21-'23)
|-
| E || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 453 hp.&lt;br&gt; Audi A8 4.0T ('19-'21)
|-
| E || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine. 562 hp.&lt;br&gt; Audi R8 V10 Quattro ('20), R8 V10 Performance Rwd ('22-'23)
|-
| F || 2.3L || I5 || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi 90 Quattro 20V ('90-'91), Coupe Quattro 20V ('91)
|-
| F || 3.7L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. Audi A8 3.7 ('97-'99)
|-
| F || 3.2L || 15° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || MPI. VW EA390 engine.&lt;br&gt; Audi TT 3.2 ('04-'05)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine. FSI. Timing belt. &lt;br&gt; Audi A3 2.0T ('06-'08), A4 sedan 2.0T (Mid '05-'08), A4 Avant 2.0T (Mid '05-'08),&lt;br&gt; A4 Cabriolet 2.0T ('07-'09), TT ('08-'09), TTS ('09)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T ('08-'11), A3 2.0T Quattro ('12-'13), A4 sedan 2.0T ('09-'12), A4 sedan 2.0T Fwd ('13-'16), A4 sedan 2.0T Quattro w/man. trans. ('13-'16), A4 sedan 2.0T Quattro w/auto. trans. (Early '13),&lt;br&gt; A4 Avant 2.0T ('09-'12), Allroad 2.0T (Early '13), A5 2.0T ('10-'12),&lt;br&gt; A5 Coupe 2.0T Quattro w/man. trans. ('13-'15), A5 Cabriolet 2.0T Fwd ('13-'14),&lt;br&gt; A5 2.0T Quattro w/auto. trans. (Early '13), A6 2.0T ('12-'16), TT ('09-'15), Q3 ('15-'16),&lt;br&gt; Q5 2.0T ('11-Early '13)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 2.0T (Early prod. '12)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A4 sedan 2.0T Quattro w/auto. trans. ('13-'16), Allroad 2.0T ('13-'16),&lt;br&gt; A5 2.0T Quattro w/auto. trans. ('13-'15), Q5 2.0T ('13-'15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('15)
|-
| F || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('15)
|-
| F || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 450 hp.&lt;br&gt; Audi S6 ('17-'18), S7 ('17-'18)
|-
| F || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S6 ('20-'23), S7 ('20-'23)
|-
| G || 1.6L || I4 || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Diesel ('82)
|-
| G || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('81)
|-
| G || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A8 4.2 ('97-'99)
|-
| G || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 (Mid '05-'06), A6 3.2 ('05-'06)
|-
| G || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S4 ('10-'16), S5 Cabriolet ('10-'15, Early '16), S5 coupe ('13-'15), A6 3.0T ('09-'16),&lt;br&gt; A7 3.0T ('12-'16), A8 3.0T ('13-'15), Q5 3.0T ('13-'15), SQ5 ('14-'15), Q7 3.0T ('11-'15)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/man. trans. ('16-'17)
|-
| G || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('16)
|-
| G || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('16)
|-
| H || 1.6L || I4 Turbo || Diesel || SOHC,&lt;br /&gt; 8 valve || Indirect injection. VW EA827 engine. Audi 4000 Turbo Diesel ('83)
|-
| H || 2.0L || I5 || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Diesel ('82)
|-
| H || 2.0L || I5 Turbo || Diesel || SOHC,&lt;br /&gt; 10 valve || Indirect injection. Audi 5000 Turbo Diesel ('83)
|-
| H || 2.8L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi A4 2.8 ('00-'01), A6 2.8 ('00-'01)
|-
| H || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A4 sedan/Avant 3.2 ('06-'08), A4 Cabriolet 3.2 ('07-'09), A6 3.2 ('06-'09)
|-
| H || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 2.0T ('17-'19)
|-
| H || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A8 60 TFSI e ('20-'21)
|-
| J || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'94), 100 ('92-'94)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. VW EA189 engine.&lt;br&gt; Audi A3 TDI ('10-'13)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 16 valve || Common-Rail Direct injection. SCR. VW EA288 engine.&lt;br&gt; Audi A3 TDI ('15)
|-
| J || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi Q7 45 TFSI ('20-'22)
|-
| K || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi 90 ('93-'95), 100 ('92-'94) 
|-
| K || 3.2L || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3197cc. &lt;br&gt; Audi A4 sedan 3.2 ('09), A5 3.2 ('08-'10), A6 3.2 ('10-'11), Q5 3.2 ('09-'12)
|-
| L || 2.8L || 90° V6 || Gas || SOHC,&lt;br /&gt; 12 valve || MPI. Audi EA835 engine - Gen 1. Iron Block. &lt;br&gt; Audi Cabriolet ('94-'95)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi A6 4.2 ('00-'04), A8 4.2 ('00-'06)
|-
| L || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S4 sedan/Avant ('04-'08), S4 Cabriolet ('04-'09),&lt;br&gt; A6 4.2 ('05-'06), Allroad Quattro 4.2 ('04-'05)
|-
| M || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine.&lt;br&gt; Audi A6 TDI ('14-'16), A7 TDI ('14-'16), A8 TDI ('14-'15), Q5 TDI ('14-'15), Q7 TDI ('09-'15)
|-
| M || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 188 hp.&lt;br&gt; Audi A4 Ultra 2.0T Fwd ('17-'18), A4 2.0T Fwd ('19-'20)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Audi EA824 V10 engine.&lt;br&gt; Audi S6 ('07-'11), S8 ('07-'09)
|-
| N || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 ('10-'12, '14-'15)
|-
| N || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - ULEV. TSI. Timing chain. &lt;br&gt; Audi A4 2.0T Fwd/Quattro ('17-'18), A4 2.0T Quattro ('19-'20), A4 Allroad Quattro ('17-'20),&lt;br&gt; A5 Coupe/Cabriolet 2.0T Quattro ('18-'20), A5 Sportback 2.0T Quattro ('18-'20),&lt;br&gt; Q5 2.0T Quattro ('18-'20)
|-
| P || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('92-'93)
|-
| P || 2.7L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 2. Iron Block.&lt;br&gt; Audi Allroad Quattro 2.7T ('01)
|-
| P || 1.4L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. VW EA211 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi A3 Sportback e-tron ('16-'18)
|-
| P || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; SULEV.&lt;br&gt; Audi A7 55 TFSI e ('21-'22)
|-
| R || 2.2L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA828 I5 engine. &lt;br&gt; Audi S4 [C4 (4A)] ('93-'94)
|-
| R || 6.0L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || MPI. VW W12 engine. Audi A8 W12 ('05-'09)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi RS7 performance ('16-'18)
|-
| R || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi A8 TDI ('16)
|-
| R || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 591 hp.&lt;br&gt; Audi RS Q8 ('20-'23)
|-
| S || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT (Early '00)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S8 ('16)
|-
| S || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('18-'22)
|-
| S || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 563 hp.&lt;br&gt; Audi S8 ('20-'23)
|-
| T || 1.8L || I4 Turbo Twin [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. High Output - 225 hp. Single Turbo, Twin Intercoolers. &lt;br&gt; Audi TT ('01-'06)
|-
| T || 3.0L || 90° V6 || Gas || DOHC,&lt;br /&gt; 30 valve || MPI. Audi EA835 engine - Gen 3. Aluminum block.&lt;br&gt; Audi A4 sedan/Avant 3.0 ('02-Mid '05), A4 Cabriolet 3.0 ('03-'06), A6 3.0 ('02-'04)
|-
| T || &quot;3.2L&quot; || 90° V6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. 3.1L=3123cc.&lt;br&gt; Audi A6 3.2 ('05)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi S6 Avant ('02-'03), S8 ('01-'03)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS4 sedan ('07-'08), RS4 Cabriolet ('08)
|-
| U || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Dry sump lubrication. Audi EA824 engine. 4163cc.&lt;br&gt; Audi R8 ('08-'12, '14-'15)
|-
| U || 5.2L || 90° V10 || Gas || DOHC,&lt;br /&gt; 40 valve || Direct injection. Dry sump lubrication. Audi EA824 V10 engine.&lt;br&gt; Audi R8 V10 coupe w/man. trans. (Early '14) [when U in 5th pos. of VIN follows G in 4th pos. of VIN]
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - PZEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('17)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi A3 2.0T Fwd ('18-'20), Q3 40 TFSI ('21-'22)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - ULEV. TSI. Timing chain. Detuned version: 184 hp.&lt;br&gt; Audi Q3 40 TFSI ('23)
|-
| U || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 48v Mild Hybrid. Direct injection. Miller Cycle (B-Cycle). Intake AVS. Audi EA888 engine - SULEV.&lt;br&gt; TSI. Timing chain. 201 hp.&lt;br&gt; Audi A3 40 TFSI ('22-'23)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'93)
|-
| V || 4.2L || 90° V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 40 valve || MPI. Audi V8 engine. 4172cc.&lt;br&gt; Audi RS6 (US: '03, Canada: '04)
|-
| V || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi S5 coupe ('08-'12), A6 4.2 ('07-'11), A8 4.2 ('07-'12), Q7 4.2 ('07-'10)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Diesel || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA897 engine. Audi Q5 TDI ('16)
|-
| V || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q8 3.0T/55 TFSI ('19-'23)
|-
| W || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || MPI. Audi V8 engine. 4172cc. Audi V8 Quattro ('92-'94)
|-
| W || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi RS3 ('17-'20)
|-
| W || 2.9L || 90° V6 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi RS5 coupe ('18-'19, '21-'23), RS5 Sportback ('19, '21-'23)
|-
| W || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || 48v Mild Hybrid. Direct injection. Porsche-Audi EA825 engine. 3996cc. 500 hp.&lt;br&gt; Audi SQ7 ('20-'23), SQ8 ('20-'23)
|-
| X || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || MPI. Audi EA827/EA113 engine. 180 hp. &lt;br&gt; Audi TT ('01-'02)
|-
| X || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi Q7 55 TFSI ('20-'23)
|-
| Y || 3.6L || 10.6° VR6 || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. VW EA390 engine.&lt;br&gt; Audi Q7 3.6 ('07-'10)
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA113 engine - ULEV. FSI. Timing belt.&lt;br&gt; Audi TTS ('10-'15) 
|-
| 1 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 288 hp.&lt;br&gt; Audi S3 Quattro ('16-'20), TTS ('16-'23)
|-
| 2 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi S6 ('13-'16), S7 ('13-'16), RS7 ('14-'16), A8 4.0T ('13-'15), S8 ('13-'15)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas/E85 || DOHC,&lt;br /&gt; 16 valve || Flex Fuel. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A5 2.0T w/auto. trans. ('16-'17), Q5 2.0T ('16-'17)
|-
| 2 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi A6 3.0T ('17), A7 3.0T ('17)
|-
| 2 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || 48v Mild Hybrid. Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi A6 3.0T/55 TFSI ('19-'23), A6 Allroad ('20-'23), A7 3.0T/55 TFSI ('19-'23)
|-
| 2 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric [[w:Plug-in hybrid|PHEV]] || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack. TSI. Timing chain.&lt;br&gt; Audi Q5 55 TFSI e ('20-'23)
|-
| 3 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine.&lt;br&gt; Audi TT RS ('12-'13)
|-
| 3 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc.&lt;br&gt; Audi A8 4.0T ('16-'18)
|-
| 3 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine. Higher Output: 340 hp.&lt;br&gt; Audi A6 3.0T Competition ('17), A6 3.0T ('18), A7 3.0T Competition ('17), A7 3.0T ('18)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 261 hp.&lt;br&gt; Audi A6 Sport 45 TFSI ('21), A6 45 TFSI ('22-'23)
|-
| 3 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. High Output: 306 hp.&lt;br&gt; Audi S3 Quattro ('22-'23)
|-
| 4 || 6.3L || 72° W12 || Gas || DOHC,&lt;br /&gt; 48 valve || Direct injection. VW W12 engine. Audi A8 W12 ('12-'15)
|-
| 4 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi S5 coupe ('16-'17), S5 Cabriolet ('16-'17), A8 3.0T ('16-'18)
|-
| 4 || 3.0L || 90° V6 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi-Porsche EA839 engine.&lt;br&gt; Audi S4 ('18-'23), S5 coupe/cabriolet ('18-'23), S5 Sportback ('18-'23), SQ5 ('18-'23),&lt;br&gt; SQ5 Sportback ('21-'23)
|-
| 4 || 2.5L || I5 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 20 valve || Direct injection. Audi EA855 engine. 401 hp.&lt;br&gt; Audi RS3 ('22-'23)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi TT ('16-'17)
|-
| 5 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Exhaust AVS. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi TT ('18)
|-
| 5 || 4.0L || V8 Twin Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi-Bentley EA824 engine. 3993cc. 605 hp.&lt;br&gt; Audi S8 plus ('16-'18)
|-
| 6 || 4.2L || 90° V8 || Gas || DOHC,&lt;br /&gt; 32 valve || Direct injection. Audi EA824 engine. 4163cc.&lt;br&gt; Audi RS5 ('13-'15)
|-
| 7 || 1.8L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 Fwd 1.8T ('16)
|-
| 7 || 3.0L || 90° V6 supercharged [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 24 valve || Direct injection. Audi EA837 engine.&lt;br&gt; Audi Q5 3.0T ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas-Electric Hybrid || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine + electric motor. Lithium-ion Battery Pack.&lt;br&gt; Audi Q5 Hybrid ('13-'15)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - PZEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('16-'17)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - SULEV. TSI. Timing chain.&lt;br&gt; Audi A3 2.0T Quattro ('18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain.&lt;br&gt; Audi A6 2.0T ('17-'18)
|-
| 8 || 2.0L || I4 Turbo [[w:Intercooler|IC]] || Gas || DOHC,&lt;br /&gt; 16 valve || 12v Mild Hybrid. Direct injection. Audi EA888 engine - ULEV. TSI. Timing chain. 248 hp.&lt;br&gt; Audi A6 2.0T/45 TFSI ('19-'21)
|}

‡1982 Audi Quattro: 3-4 cars were imported to the US for marketing purposes and as press cars. They remained in the US after those uses ended and transitioned into private ownership. These cars carry US-style VINs rather than European-style VINs. 3 VINs have been found. Their serial numbers (last 6 digits of VIN) are 900565, 900586, and 900648. The Audi Quattro was officially sold in the US for the 1983-1985 model years.

====Motor codes for Electric Vehicles====

{| class=&quot;wikitable&quot;
|+Position 5
|-
! VIN !! Motor Designation !! Fuel !! Drive Wheels !! Battery Size !! Application/Notes
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 83.6 Kwh (net) || Audi e-tron quattro ('19), e-tron Sportback quattro ('20)
|-
| A ||APA250 (Front) / AKA320 (Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron quattro ('21-'23), e-tron Sportback quattro ('21-'23)
|-
| C ||APA320 (1 Front) / ATA250 (2 Rear)|| Electricity || All ||95 Kwh (gross) / 86.5 Kwh (net) || Audi e-tron S quattro ('22-'23), e-tron S Sportback quattro ('22-'23)
|-
| C ||APP310 (Rear) || Electricity || Rear ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 40 ('23), Q4 e-tron Sportback 40 ('23)
|-
| H ||V662 (Front) Code EBGA / V663 (Rear) (Higher output-Code EBEA)|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi RS e-tron GT quattro ('22-'23)
|-
| J ||V662 (Front) Code EBGA / V663 (Rear) Code EBFA|| Electricity || All ||93.4 Kwh (gross) / 83.7 Kwh (net) || Audi e-tron GT quattro ('22-'23)
|-
| 2 ||HASCO Magna asynchronous motor (Front) / APP310 (Rear) || Electricity || All ||82 Kwh (gross) / 77 Kwh (net) || Audi Q4 e-tron 50 quattro ('22-'23), Q4 e-tron Sportback 50 quattro ('22-'23)
|}
HASCO Magna=HASCO Magna Electric Drive Systems Co., Ltd.

===Position 6, Restraint Systems:===
*0 = Active (Manual) 3-point Seat Belts only
*5 = Driver-side Airbag, Driver and Passenger Active (Manual) 3-point Seat Belts
*8 = Driver and Passenger Front Airbags

*2 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front Side Airbags ('00-'06 TT)
*4 = Active (Manual) belts plus Driver and Passenger Front Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('04-'07 A8)
*5 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (A3, A4, A6, Allroad)
*6 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('06-'09 A3, A4, A6, Allroad)

*3 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('08-'09 TT, R8, '09 TTS)
*4 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags ('03-'09 A4 Cabriolet, '04-'09 S4 Cabriolet, '08 RS4 Cabriolet)
*7 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags (Except '08-'09 A8/S8)
*9 = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('08-'09 A8/S8)

*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Front Knee Airbags ('10- A5/S5 Cabriolet, '10- TT/TTS, '12-'13 TT RS, '10- R8)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10-'11 A5/S5 Coupe, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*B = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags ('10- A3, '10- A4/S4, '10- A6/S6, '12- A7, '10- Q5, '10- Q7)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('12- A5/S5 Coupe)
*A = Active (Manual) belts plus Driver and Passenger Front Advanced Airbags &amp; Front and Rear Side Airbags &amp; Sideguard Side Curtain Airbags &amp; Front Knee Airbags ('10-' A8)

===Position 7-8, Model Line:===
1981-2009:
*8P = A3 ('06-'09)
*81 = 4000 Fwd ('81-'87)
*85 = 4000 Quattro ('84-'87), Coupe ('81-'83), Coupe GT ('84-'87), Quattro ('82‡ &amp; '83-'85)
*89 = 80/90 ('88-'89)
*8A = 80 ('90-'92), 90 ('90-'91)
*8C = 90 ('93-'95)
*8B = Coupe Quattro ('90-'91)
*8G = Cabriolet ('94-'98)
*8D = A4 ('96-'01), S4 ('00-'02)
*8E = A4 ('02-'08), S4 ('04-'08), RS4 ('07-'08)
*8H = A4 Cabriolet ('03-'09), S4 Cabriolet ('04-'09), RS4 Cabriolet ('08)
*8K = A4 ('09)
*8T = A5 coupe ('08-'09), S5 coupe ('08-'09)
*43 = 5000 ('81-'83)
*44 = 5000 ('84-'88), 100/200 ('89-'91)
*4A = 100/S4 ('92-'94), A6 sedan ('95-'97), A6 wagon ('95-'98), S6 ('95 &amp; '96-'97 in Canada)
*4B = A6 sedan ('98-'04), A6 Avant wagon ('99-'04), Allroad ('01-'05), S6 ('02-'03), RS6 (US: '03, Canada: '04)
*4F = A6 ('05-'09), S6 ('07-'09)
*44 = V8 Quattro ('90)
*4A = V8 Quattro ('91-'94)
*4D = A8 ('97-'03), S8 ('01-'03)
*4E = A8 ('04-'09), S8 ('07-'09)
*8N = TT ('00-'06)
*8J = TT ('08-'09), TTS ('09)
*42 = R8 ('08-'09)
*8R = Q5 ('09)
*4L = Q7 ('07-'09)

2010-:
*FM (Type 8P) = A3 ('10-'13)
*FF (Type 8V) = A3 ('15-'20), S3 ('15-'20), RS3 ('17-'20), A3 Sportback e-tron [PHEV] '16-'18
*GY (Type 8Y) = A3/S3/RS3 ('22-)
*FL (Type 8K) = A4 ('10-'16), Allroad ('13-'16), S4 ('10-'16)
*F4 (Type 8W) = A4 ('17-'25), A4 Allroad ('17-'25), S4 ('18-'25)
*FR (Type 8T) = A5 Coupe ('10-'17), S5 Coupe ('10-'17), RS5 Coupe ('13-'15)
*FH (Type 8F) = A5 Cabriolet ('10-'17), S5 Cabriolet ('10-'17), RS5 Cabriolet ('13-'15)
*F5 = A5 ('18-'25), S5 ('18-'25), RS5 ('18-'19, '21-'25) [Coupe/Cabriolet: '18-'24, Sportback: '18-'25]
*FU = A5/S5 ('25-)
*FB (Type 4F) = A6 ('10-'11), S6 ('10-'11)
*FC (Type 4G) = A6 ('12-'18), S6 ('13-'18)
*FC (Type 4G) = A7 ('12-'18), S7 ('13-'18), RS7 ('14-'18)
*F2 (Type 4A) = A6 ('19-'25), S6 ('20-'25), RS6 Avant ('21-'26), A6 Allroad ('20-'26)
*F2 (Type 4K) = A7 ('19-'25), S7 ('20-'25), RS7 ('21-'26)
*FN = A6 ('26-)
*GH = A6 e-tron, S6 e-tron ('25-)
*FA (Type 4E) = A8 ('10)
*FD (Type 4H) = A8 ('11-'18), S8 ('13-'16), S8 plus ('16-'18)
*F8 (Type 4N) = A8 ('19-'26), S8 ('20-'26)
*FW (Type F8) = e-tron GT ('22-'24), RS e-tron GT ('22-'24), S e-tron GT ('25-), RS e-tron GT performance ('25-)
*FK (Type 8J) = TT ('10-'15), TTS ('10-'15), TT RS ('12-'13)
*FV (Type FV or 8S) = TT ('16-'23), TTS ('16-'23), TT RS ('18-'22)
*FG (Type 42) = R8 ('10-'12, '14-'15)
*FX (Type 4S) = R8 ('17-'18, '20-'23)
*FS (Type 8U) = Q3 ('15-'18)
*F3 = Q3 ('19-'25)
*FJ = Q3 ('26-)
*FZ (Type F4) = Q4 e-tron, Q4 e-tron Sportback ('22-)
*FP (Type 8R) = Q5 ('10-'17), SQ5 ('14-'17)
*FY = Q5 ('18-'25), SQ5 ('18-'25), Q5 Sportback ('21-'25), SQ5 Sportback ('21-'25)
*GU = Q5 ('25-'26), SQ5 ('25-'26), Q5 Sportback ('25-'26), SQ5 Sportback ('25-'26)
*GF = Q6 e-tron, SQ6 e-tron, Q6 e-tron Sportback, SQ6 e-tron Sportback ('25-)
*FE (Type 4L) = Q7 ('10-'15)
*F7 (Type 4M) = Q7 ('17-), SQ7 ('20-)
*F1 (Type 4M) = Q8 ('19-), SQ8 ('20-), RS Q8 ('20-)
*GE = e-tron ('19, '21-'23), e-tron S ('22-'23), e-tron Sportback ('20-'23), e-tron S Sportback ('22-'23),&lt;br&gt; Q8 e-tron ('24), SQ8 e-tron ('24), Q8 e-tron Sportback ('24), SQ8 e-tron Sportback ('24)

===Position 9, Check Digit===
[[Vehicle Identification Numbers (VIN codes)/Check digit |Check digit]]

Check Digit in 9th position of VIN was always used in US &amp; Canada. In Europe, Check Digit in 9th position of VIN was adopted for 2002 model year. Prior to the 2002 model year, a letter Z was used in the 9th position of the VIN in Europe.

===Position 10, Model Year: ===                      
[[Vehicle Identification Numbers (VIN codes)/Model year|Model year]]

===Position 11, Production Plant:===
* A:    Ingolstadt, Germany
* B:    Brussels, Belgium
* D:    Bratislava, Slovakia
* E:    Emden, Germany
* K:    Rheine, Germany (Karmann plant: Cabriolet ['98], A4 Cabriolet ['03-'09], S4 Cabriolet ['04-'09], RS4 Cabriolet ['08]
* N:    Neckarsulm, Germany
* P:    Zwickau, Germany
* R:    Martorell, Spain
* 1:    Gyor, Hungary
* 2:    San Jose Chiapa, Puebla state, Mexico
* 7:    Heilbronn, Germany

Other plant codes for non-North American models:
* G:    Graz, Austria (Steyr-Daimler-Puch plant: V8L) 
* U:    Uitenhage, South Africa
* X:    Poznan, Poland
* Z:    Zuffenhausen, Germany (Porsche plant: RS2 Avant)
* 3:    Changchun, China (FAW-VW plant)
* 4:    Sao Jose dos Pinhais, Parana state, Brazil (Curitiba plant)
* 9:    Sarajevo, Bosnia and Herzegovina (Volkswagen Sarajevo d.o.o. plant)

'''Positions 12–17, Serial Number'''

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    <title>Cookbook:Algerian White Chicken Vermicelli Soup (Chorba Beida)</title>
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      <comment>Created page with &quot;{{recipesummary | category = Soup recipes | time = 1 hour | difficulty = 2 }}  {{recipe}} | [[Cookbook:Cuisine of Algeria|Algerian Cuisine]]  '''Chorba Beida''' (Arabic: شربة بيضاء, meaning &quot;white soup&quot;), also known as &quot;'''jari beida'''&quot;, is a traditional Algerian soup characterized by its pale broth, delicate flavor and velvety texture. It is typically prepared with [[Cookbook:Chicken|chicken]], [[Cookbook:Onion|onion]], [[Cookbook:Chickpea|chickpeas]], and C...&quot;</comment>
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| category = Soup recipes
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{{recipe}} | [[Cookbook:Cuisine of Algeria|Algerian Cuisine]]

'''Chorba Beida''' (Arabic: شربة بيضاء, meaning &quot;white soup&quot;), also known as &quot;'''jari beida'''&quot;, is a traditional Algerian soup characterized by its pale broth, delicate flavor and velvety texture. It is typically prepared with [[Cookbook:Chicken|chicken]], [[Cookbook:Onion|onion]], [[Cookbook:Chickpea|chickpeas]], and [[Cookbook:Vermicelli|vermicelli]] and is finished with a mixture of [[Cookbook:Egg|egg yolk]] and [[Cookbook:Lemon|lemon juice]], which gives the soup its distinctive creamy consistency. Chorba beida is especially associated with the city of Algiers and is commonly served during [[Cookbook:Ramadan|Ramadan]] or on special family occasions. Regional and household variations exist, with some recipes incorporating different herbs, spices or cuts of meat. The following recipe describes a common version prepared with chicken, chickpeas and vermicelli.

==Ingredients==
===For the soup===
* 500 g [[Cookbook:Chicken|chicken]] (thighs, drumsticks or breast) (cut into pieces)
* 1 large [[Cookbook:Onion|onion]] (finely chopped)
* 1 tbsp neutral oil
* 1 tbsp [[Cookbook:Butter|butter]] or ''smen''
* 1 [[Cookbook:Cinnamon|cinnamon]] stick
* ½ tsp ground white pepper
* [[Cookbook:Salt|Salt]] (to taste)
* 1 L water or chicken stock
* 1 handful [[Cookbook:Chickpea|chickpeas]] (soaked overnight)
* 50 g [[Cookbook:Vermicelli|vermicelli]]
===For the binder===
* 1 [[Cookbook:Egg|egg yolk]]
* Juice of 1 [[Cookbook:Lemon|lemon]]
* 2 tbsp [[Cookbook:Parsley|parsley]] (finely chopped)
==Procedure==
* Heat the oil and butter (or ''smen'') in a large pot over medium heat.
* Add the onion and cook until translucent.
* Add the chicken, cinnamon stick, white pepper and salt. Cook for several minutes, stirring occasionally, until the chicken is lightly browned.
* Pour in the water or chicken stock and add the soaked chickpeas.
* Bring to a boil, then reduce the heat, cover and simmer for 40–50 minutes or until the chicken is tender and the chickpeas are cooked.
* Remove the chicken from the pot. Discard the bones and shred the meat into small pieces.
* Add the vermicelli to the broth and cook for 5–7 minutes until tender.
* In a bowl, whisk together the egg yolk, lemon juice and parsley.
* Gradually add a ladleful of hot broth to the egg mixture while whisking continuously.
* Reduce the soup to very low heat and slowly stir the egg mixture into the pot.
* Return the shredded chicken to the soup and stir well.
* Serve immediately.
==Notes, tips, and variations==
* Ground cinnamon is generally avoided, as it darkens the broth and alters the soup's characteristic pale appearance.

* Chorba Beida is commonly accompanied by [[Cookbook:Bourek|bourek]] or other savory pastries during Ramadan.
* The soup should not be allowed to boil after the egg mixture has been added, as this may cause curdling.
[[Category:Algerian recipes]] [[Category:Soup recipes]] [[Category:Recipes using chicken]] [[Category:Recipes using chickpeas]] [[Category:Recipes using vermicelli]] [[Category:Recipes using egg]] [[Category:Recipes using lemon]] [[Category:Ramadan recipes]]</text>
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      <text bytes="185" sha1="5gtwk1d9bwh43rtry3ay1wj6z3hmvw4" xml:space="preserve">== Match  ==

faty change the name of your account 

[[Special:Contributions/&amp;#126;2026-36686-21|&amp;#126;2026-36686-21]] ([[User talk:&amp;#126;2026-36686-21|talk]]) 18:01, 24 June 2026 (UTC)</text>
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      <text bytes="422" sha1="qzife9vr6vl23t1iruswxshb31o60ry" xml:space="preserve">== Match  ==

faty change the name of your account 

[[Special:Contributions/&amp;#126;2026-36686-21|&amp;#126;2026-36686-21]] ([[User talk:&amp;#126;2026-36686-21|talk]]) 18:01, 24 June 2026 (UTC)

== 766818867 is not safe anymore so we can go to the office and do something for the weekend  ==

Tim  [[Special:Contributions/&amp;#126;2026-36686-21|&amp;#126;2026-36686-21]] ([[User talk:&amp;#126;2026-36686-21|talk]]) 18:04, 24 June 2026 (UTC)</text>
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;Please 
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:Sign and date your submission with four tildes &lt;nowiki&gt;~~~~&lt;/nowiki&gt;, so that other readers know who said what and whom to ask about it (and whether it's so old that it may have been answered elsewhere)</text>
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'''[[Wikibooks:Welcome, newcomers|Welcome]] to [[Wikibooks:What is Wikibooks?|Wikibooks]]''', a collaborative project to produce a complete from scratch. We started in January 2003 and already have '''about {{NUMBEROFARTICLES}} articles.''' We want to make over 100,000, so let's get to work--''anyone'' can edit any article--copyedit, expand an article, write a little, write a lot.

The content of Wikipedia is covered by the [[GNU Free Documentation License]], which means that it is free and will remain so forever.</text>
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