Wikikutip idwikiquote https://id.wikiquote.org/wiki/Halaman_Utama MediaWiki 1.47.0-wmf.16 first-letter Media Istimewa Pembicaraan Pengguna Pembicaraan Pengguna Wikikutip Pembicaraan Wikikutip Berkas Pembicaraan Berkas MediaWiki Pembicaraan MediaWiki Templat Pembicaraan Templat Bantuan Pembicaraan Bantuan Kategori Pembicaraan Kategori TimedText TimedText talk Modul Pembicaraan Modul Acara Pembicaraan Acara 0 14969 56411 56370 2026-08-25T02:44:33Z Nourish25 20876 56411 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://www.perpussmadaberau.sch.id/opac/pencarian-sederhana?action=pencarianSederhana&katakunci=Gita+Savitri+Devi&ruas=Pengarang&bahan=1&fAuthor=&fPublisher=&fPublishLoc=&fPublishYear=2017&fSubject=&fBahasa=|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Savitri|first=Gita|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "In fact, being able to be vulnerable is very empowering."<ref name=":1" /> * "I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey."<ref name=":1" /> * "Rasa takut, whether you like it or not, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise."<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons."<ref name=":1" /> * "Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than."<ref name=":1" /> * "Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == an7b14z5unfgc55v2pzsggipt6nzmp1 56412 56411 2026-08-25T02:48:13Z Nourish25 20876 56412 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://www.perpussmadaberau.sch.id/opac/pencarian-sederhana?action=pencarianSederhana&katakunci=Gita+Savitri+Devi&ruas=Pengarang&bahan=1&fAuthor=&fPublisher=&fPublishLoc=&fPublishYear=2017&fSubject=&fBahasa=|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Savitri|first=Gita|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, whether you like it or not, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise."<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons."<ref name=":1" /> * "Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than."<ref name=":1" /> * "Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == ns3fxzwam25opzghttb3ciqeltsovvn 56413 56412 2026-08-25T02:50:58Z Nourish25 20876 56413 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://www.perpussmadaberau.sch.id/opac/pencarian-sederhana?action=pencarianSederhana&katakunci=Gita+Savitri+Devi&ruas=Pengarang&bahan=1&fAuthor=&fPublisher=&fPublishLoc=&fPublishYear=2017&fSubject=&fBahasa=|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Savitri|first=Gita|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, suka atau tidak, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "Kamu adalah pejuang. Kamu luar biasa. Kamu benar-benar keren. Jangan biarakan orang lain mengatakan yang sebaliknya." (''You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise''.)<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons."<ref name=":1" /> * "Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than."<ref name=":1" /> * "Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == mljwpujhthkq1acqdg6c3ow9kduwk3j 56414 56413 2026-08-25T02:52:34Z Nourish25 20876 56414 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://www.perpussmadaberau.sch.id/opac/pencarian-sederhana?action=pencarianSederhana&katakunci=Gita+Savitri+Devi&ruas=Pengarang&bahan=1&fAuthor=&fPublisher=&fPublishLoc=&fPublishYear=2017&fSubject=&fBahasa=|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Savitri|first=Gita|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, suka atau tidak, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "Kamu adalah pejuang. Kamu luar biasa. Kamu benar-benar keren. Jangan biarakan orang lain mengatakan yang sebaliknya." (''You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise''.)<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons."<ref name=":1" /> * "Saat orang lain mendikte siapa dirimu, bagaimana perasaanmu, dan apa yang harus kamu lakukan, hal itu menyakitkan dan bisa membuatmu merasa rendah diri." (Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than)."<ref name=":1" /> * "Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == rxkgz6lfvqjm3iyh4wo88prqdvn0emt 56415 56414 2026-08-25T02:54:24Z Nourish25 20876 56415 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://www.perpussmadaberau.sch.id/opac/pencarian-sederhana?action=pencarianSederhana&katakunci=Gita+Savitri+Devi&ruas=Pengarang&bahan=1&fAuthor=&fPublisher=&fPublishLoc=&fPublishYear=2017&fSubject=&fBahasa=|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Savitri|first=Gita|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, suka atau tidak, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "Kamu adalah pejuang. Kamu luar biasa. Kamu benar-benar keren. Jangan biarakan orang lain mengatakan yang sebaliknya." (''You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise''.)<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons."<ref name=":1" /> * "Saat orang lain mendikte siapa dirimu, bagaimana perasaanmu, dan apa yang harus kamu lakukan, hal itu menyakitkan dan bisa membuatmu merasa rendah diri." (''Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than'')."<ref name=":1" /> * "Tidak memiliki anak memang merupakan cara alami untuk mencegah penuaan. Kamu bisa tidur selama 8 jam setiap hari tanpa stres karena mendengar anak-anak menjerit. Dan saat kerutan muncul, kamu punya uang untuk membayar perawatan botox." (''Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox'')." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == m0fhanvdb8q4c0xj3roxxp1d87024oa 56416 56415 2026-08-25T02:59:42Z Nourish25 20876 56416 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia. == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://isbn.perpusnas.go.id/bo-penerbit/penerbit/isbn/data/view-kdt/445523|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Devi|first=Gita Savitri|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, suka atau tidak, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "Kamu adalah pejuang. Kamu luar biasa. Kamu benar-benar keren. Jangan biarakan orang lain mengatakan yang sebaliknya." (''You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise''.)<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons." * "Saat orang lain mendikte siapa dirimu, bagaimana perasaanmu, dan apa yang harus kamu lakukan, hal itu menyakitkan dan bisa membuatmu merasa rendah diri." (''Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than'')."<ref name=":1" /> * "Tidak memiliki anak memang merupakan cara alami untuk mencegah penuaan. Kamu bisa tidur selama 8 jam setiap hari tanpa stres karena mendengar anak-anak menjerit. Dan saat kerutan muncul, kamu punya uang untuk membayar perawatan botox." (''Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox'')." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == s32r19zqz6p71iqsdbolgekcy0ik9lt 56452 56416 2026-08-25T10:04:29Z Nourish25 20876 56452 wikitext text/x-wiki '''Gita Savitri Devi''' (lahir di Palembang, 27 Juli 1992) adalah seorang ''content creator, YouTuber, vlogger, blogger,'' ''social media influencer'', dan penulis asal Indonesia.<ref>{{Cite web|date=2025-12-18|title=Biografi Gita Savitri: dari YouTuber hingga Penulis dan Influencer|url=https://bukunesia.com/tokoh/biografi-gita-savitri/|website=Penerbit Bukunesia|language=id|access-date=2026-08-25}}</ref> == Kutipan == * "Jika kamu ingin semua orang memperlakukanmu dengan istimewa hanya karena kamu adalah minoritas, menurut saya ada yang salah dengan dirimu. Tidak ada seorang pun yang mendapatkan perlakuan khusus atau hak istimewa karena ras atau agamanya. Semua orang itu setara, seperti yang mungkin sudah kamu ketahui." (If you want everybody to treat you like special snowflakes just because you're a minority, I think there's something wrong with you. Nobody gets any special treatment or privilege because of their race or religion. Everybody is equal as you might already know.)<ref name=":0">{{Cite book|last=Devi|first=Gita Savitri|date=2017|url=https://isbn.perpusnas.go.id/bo-penerbit/penerbit/isbn/data/view-kdt/445523|title=Rentang Kisah|location=Jakarta|publisher=Gagas Media|isbn=978-979-780-903-4|url-status=live}}</ref> * "Dunia ini sebenarnya bukanlah tuntutan. Karena sesungguhnya nggak ada yang menuntut kita harus punya particular life atau particular things yang harus dicapai."<ref name=":0" /> * "Cinta itu bukan sebatas kata-kata manis, bukan sebatas tangan yang membelai kepala, bukan sebatas tangan yang memeluk. Cinta itu adalah perbuatan dan pengorbanan."<ref name=":0" /> * "Kita sering kali malu untuk mengakui jika kehidupan yang kita punya jauh berbeda dari gambaran ideal orang-orang."<ref name=":0" /> * "Hidup di lingkaran sosial yang cukup erat memang seringkali merenggut kebebasan diri dalam mengambil keputusan."<ref name=":1">{{Cite book|last=Devi|first=Gita Savitri|date=2020|url=https://books.google.co.id/books/about/A_Cup_of_Tea.html?id=XhuhzgEACAAJ&redir_esc=y|title=A Cup of Tea|publisher=Gagas Media|isbn=9789797809577|url-status=live}}</ref> * "Tanggung jawab kita adalah dengan memberi filter di otak masing-masing bahwa semua orang memiliki kecenderungan untuk memperlihatkan sisi terbaik mereka."<ref name=":1" /> * "Menikah bukan soal menggantungkan hidup dengan orang lain, tapi berjalan bersama-sama."<ref name=":1" /> * "Faktanya, kemampuan untuk bersikap rentan justru sangat memberdayakan." (''In fact, being able to be vulnerable is very empowering''.)<ref name=":1" /> * "Saya begitu memercayai diri sendiri hingga saya tahu bahwa saya tidak akan mengecewakannya. Saya begitu memercayai diri sendiri sehingga saya tahu bahwa saya mampu melakukannya. Saya begitu memercayai diri sendiri hingga saya yakin akan menjadi pemimpin yang sempurna bagi hidup saya, menentukan jalan saya sendiri, dan menjalani perjalanan hidup saya sendiri." (''I trust myself so much that I know I will not let my own self down. I trust myself so much that I know I can do it. I trust myself so much that I will be a perfect leader of my own life, making my own path, going through my own journey''.)<ref name=":1" /> * "Rasa takut, suka atau tidak, membantu kita untuk mengerti kehidupan dan diri kita lebih dalam."<ref name=":1" /> * "Kamu adalah pejuang. Kamu luar biasa. Kamu benar-benar keren. Jangan biarakan orang lain mengatakan yang sebaliknya." (''You are a fighter. You are awesome. You are 100% that bitch. Don't let other people say otherwise''.)<ref name=":1" /> * "Mungkin saat ini kita nggak tahu apa yang harus kita lakukan untuk mencapai cita-cita tersebut. Kita cuma ingin. Akan tetapi, kita harus selalu punya keyakinan bahwa kita pasti bisa meraihnya di kemudian hari."<ref name=":1" /> * "Mencari tahu untuk menghilangkan rasa ketidaktahuan. Bukan malah mencurigai lalu membenci."<ref name=":1" /> * "Ternyata pernikahan itu nggak ada aturannya. Pernikahan itu semacam suatu situasi dan terserah mau bagaimana berkiprah di dalamnya. If it works, then it works."<ref name=":1" /> * "Mendengar untuk mengerti, bukan untuk merespons." * "Saat orang lain mendikte siapa dirimu, bagaimana perasaanmu, dan apa yang harus kamu lakukan, hal itu menyakitkan dan bisa membuatmu merasa rendah diri." (''Having people telling you who you are, how you feel and what you need to do is hurtful and can make you feel less than'')."<ref name=":1" /> * "Tidak memiliki anak memang merupakan cara alami untuk mencegah penuaan. Kamu bisa tidur selama 8 jam setiap hari tanpa stres karena mendengar anak-anak menjerit. Dan saat kerutan muncul, kamu punya uang untuk membayar perawatan botox." (''Not having kids is indeed natural anti aging. You can sleep for 8 hours every day, no stress hearing kids screaming. And when you finally got wrinkles, you have the money to pay for botox'')." * "Ketika kamu berani menuliskan cita-cita semoga menjadi pengingat abadi biar kamu nggak mudah menyerah." == Referensi == 95ye160ndwzimru0ourlcf50tv5t4l5 3 15002 56418 56277 2026-08-25T03:34:38Z Badak Jawa 15604 /* H.O.S. Tjokroaminoto */ bagian baru 56418 wikitext text/x-wiki {{Selamat datang}} [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 21 Agustus 2026 12.59 (UTC) == [[H.R. Rasuna Said]] == Selamat malam kak Ibrohim saya melihat kakak membuat artikel baru mengenai Rasuna Said yang sebenarnya sudah ada di Wikikutip Indonesia berjudul [[Rasuna Said]] oleh karena itu bolehkah saya mengalihkan ke artikel yang sudah ada jika kak Ibrohim tidak keberatan? Salam [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 22 Agustus 2026 11.41 (UTC) :selamat malam juga kak, sangat diperbolehkan kak [[Pengguna:Ibrohim tijani|Ibrohim tijani]] ([[Pembicaraan Pengguna:Ibrohim tijani|bicara]]) 22 Agustus 2026 11.47 (UTC) ::Saya telah mengalihkan ke artikel Rasuna Said. Terima kasih telah menanggapi pesan saya [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 22 Agustus 2026 11.50 (UTC) == [[H.O.S. Tjokroaminoto]] == Halo lagi kak Ibrohim saya ingin menginformasikan kepada kakak bahwa artikel tersebut rupanya sudah ada di Wikikutip Indonesia berjudul [[Oemar Said Tjokroaminoto]] dan telah diinterwiki menggunakan Wikidata ke proyek Wikimedia lain oleh karena apakah anda tidak keberatan jika saya mengalihkan artikel buatan anda ke artikel yang sudah ada? [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 25 Agustus 2026 03.34 (UTC) nvukl5g0mc7emoovxsga4h3l2s0elig 56419 56418 2026-08-25T04:16:06Z Ibrohim tijani 21218 /* H.O.S. Tjokroaminoto */ Balas 56419 wikitext text/x-wiki {{Selamat datang}} [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 21 Agustus 2026 12.59 (UTC) == [[H.R. Rasuna Said]] == Selamat malam kak Ibrohim saya melihat kakak membuat artikel baru mengenai Rasuna Said yang sebenarnya sudah ada di Wikikutip Indonesia berjudul [[Rasuna Said]] oleh karena itu bolehkah saya mengalihkan ke artikel yang sudah ada jika kak Ibrohim tidak keberatan? Salam [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 22 Agustus 2026 11.41 (UTC) :selamat malam juga kak, sangat diperbolehkan kak [[Pengguna:Ibrohim tijani|Ibrohim tijani]] ([[Pembicaraan Pengguna:Ibrohim tijani|bicara]]) 22 Agustus 2026 11.47 (UTC) ::Saya telah mengalihkan ke artikel Rasuna Said. Terima kasih telah menanggapi pesan saya [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 22 Agustus 2026 11.50 (UTC) == [[H.O.S. Tjokroaminoto]] == Halo lagi kak Ibrohim saya ingin menginformasikan kepada kakak bahwa artikel tersebut rupanya sudah ada di Wikikutip Indonesia berjudul [[Oemar Said Tjokroaminoto]] dan telah diinterwiki menggunakan Wikidata ke proyek Wikimedia lain oleh karena apakah anda tidak keberatan jika saya mengalihkan artikel buatan anda ke artikel yang sudah ada? [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 25 Agustus 2026 03.34 (UTC) :boleh kak [[Pengguna:Ibrohim tijani|Ibrohim tijani]] ([[Pembicaraan Pengguna:Ibrohim tijani|bicara]]) 25 Agustus 2026 04.16 (UTC) 7xo77wx70jtpssudr0egy7emtlly6rh 0 15032 56436 56278 2026-08-25T07:44:55Z Badak Jawa 15604 ←Mengalihkan ke [[Oemar Said Tjokroaminoto]] 56436 wikitext text/x-wiki #ALIH [[Oemar Said Tjokroaminoto]] clzijnxlra732f4x1ghznqos82q5jtz 0 15060 56385 56384 2026-08-24T11:59:42Z JumadilM 13443 /* Tentang */ menambahkan nama subjudul 56385 wikitext text/x-wiki '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah teori, lesbianisme adalah praktik.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory, lesbianism is a practice''.’’<ref name=":0" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] 3ibh3tf45qhjlucjkf3k5km7galsi4t 56386 56385 2026-08-24T12:03:24Z JumadilM 13443 menambahkan kutipan dan sumber kutipan 56386 wikitext text/x-wiki '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] hhzt0w4v0w6erd9snppd4xqppzzatcp 56387 56386 2026-08-24T12:14:33Z JumadilM 13443 menambahkan kutipan dan sumber kutipan 56387 wikitext text/x-wiki '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Tentang feminis == * ‘‘Saya tidak mengenal seorang feminis sejati pun yang jika dipaksa memilih antara kebebasan dan seks, akan memilih seks. Ia pasti akan selalu memilih [[kebebasan]].’’<ref name=":2">{{Cite book|last=Sekolah Hukum Gould|date=1996|url=https://www.google.co.id/books/edition/Southern_California_Review_of_Law_and_Wo/UjhMAQAAIAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=Southern California Review of Law and Women's Studies Volume 6|publisher=Diterbitkan oleh Sekolah Hukum Gould, Pusat Hukum, Universitas California Selatan|pages=164|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time''.’’<ref name=":2" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] ektdx3h8awywh0mv9b7npj9nyv9r9j0 56388 56387 2026-08-24T12:32:29Z JumadilM 13443 menambahkan keterangan pada paragraf pembuka dan rujukannya 56388 wikitext text/x-wiki '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> Pada tahun 1968, Ti-Grace Atkinson memprakarsai Gerakan 17 Oktober yang kemudian berkembang menjadi kelompok feminis liberal yang aktif menyuarakan feminisme hingga tahun 1973. Pada akhir 1960-an hingga awal 1970-an, Ti-Grace Atkinson menjadi aktivis feminisme liberal dengan menerbitkan sendiri sejumlah pamflet sambil berpidato mengenai isu feminisme pada forum kampus di kota-kota Amerika Serikat, Kanada, Prancis dan Jerman.<ref>{{Cite book|last=Fahs|first=Breanne|date=2018|url=https://www.google.co.id/books/edition/Firebrand_Feminism/wIhQDwAAQBAJ?hl=id&gbpv=1&dq=Ti-Grace+Atkinson+activist&pg=PA18&printsec=frontcover|title=Firebrand Feminism: The Radical Lives of Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore|location=Seattle|publisher=University of Washington Press|isbn=978-0-29574-317-2|pages=18|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Tentang feminis == * ‘‘Saya tidak mengenal seorang feminis sejati pun yang jika dipaksa memilih antara kebebasan dan seks, akan memilih seks. Ia pasti akan selalu memilih [[kebebasan]].’’<ref name=":2">{{Cite book|last=Sekolah Hukum Gould|date=1996|url=https://www.google.co.id/books/edition/Southern_California_Review_of_Law_and_Wo/UjhMAQAAIAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=Southern California Review of Law and Women's Studies Volume 6|publisher=Diterbitkan oleh Sekolah Hukum Gould, Pusat Hukum, Universitas California Selatan|pages=164|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time''.’’<ref name=":2" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] 6k0vxhtkrqfw4mya8dlai3pj3o2twgd 56389 56388 2026-08-24T12:33:25Z JumadilM 13443 menambahkan gambar dan takarir 56389 wikitext text/x-wiki [[Berkas:Ti-Grace_Atkinson_in_1970_(portrait).jpg|jmpl|Ti-Grace Atkinson pada tahun 1970.]] '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> Pada tahun 1968, Ti-Grace Atkinson memprakarsai Gerakan 17 Oktober yang kemudian berkembang menjadi kelompok feminis liberal yang aktif menyuarakan feminisme hingga tahun 1973. Pada akhir 1960-an hingga awal 1970-an, Ti-Grace Atkinson menjadi aktivis feminisme liberal dengan menerbitkan sendiri sejumlah pamflet sambil berpidato mengenai isu feminisme pada forum kampus di kota-kota Amerika Serikat, Kanada, Prancis dan Jerman.<ref>{{Cite book|last=Fahs|first=Breanne|date=2018|url=https://www.google.co.id/books/edition/Firebrand_Feminism/wIhQDwAAQBAJ?hl=id&gbpv=1&dq=Ti-Grace+Atkinson+activist&pg=PA18&printsec=frontcover|title=Firebrand Feminism: The Radical Lives of Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore|location=Seattle|publisher=University of Washington Press|isbn=978-0-29574-317-2|pages=18|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Tentang feminis == * ‘‘Saya tidak mengenal seorang feminis sejati pun yang jika dipaksa memilih antara kebebasan dan seks, akan memilih seks. Ia pasti akan selalu memilih [[kebebasan]].’’<ref name=":2">{{Cite book|last=Sekolah Hukum Gould|date=1996|url=https://www.google.co.id/books/edition/Southern_California_Review_of_Law_and_Wo/UjhMAQAAIAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=Southern California Review of Law and Women's Studies Volume 6|publisher=Diterbitkan oleh Sekolah Hukum Gould, Pusat Hukum, Universitas California Selatan|pages=164|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time''.’’<ref name=":2" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] qg8pwyvfeuvteynyrw75onmkcvf29ko 56390 56389 2026-08-24T12:35:12Z JumadilM 13443 melengkapi keterangan pada paragraf pembuka 56390 wikitext text/x-wiki [[Berkas:Ti-Grace_Atkinson_in_1970_(portrait).jpg|jmpl|Ti-Grace Atkinson pada tahun 1970.]] '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> Pada tahun 1968, Ti-Grace Atkinson memprakarsai Gerakan 17 Oktober yang kemudian berkembang menjadi kelompok feminis liberal yaitu The Feminist yang aktif menyuarakan feminisme hingga tahun 1973. Pada akhir 1960-an hingga awal 1970-an, Ti-Grace Atkinson menjadi aktivis feminisme liberal dengan menerbitkan sendiri sejumlah pamflet sambil berpidato mengenai isu feminisme pada forum kampus di kota-kota Amerika Serikat, Kanada, Prancis dan Jerman.<ref>{{Cite book|last=Fahs|first=Breanne|date=2018|url=https://www.google.co.id/books/edition/Firebrand_Feminism/wIhQDwAAQBAJ?hl=id&gbpv=1&dq=Ti-Grace+Atkinson+activist&pg=PA18&printsec=frontcover|title=Firebrand Feminism: The Radical Lives of Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore|location=Seattle|publisher=University of Washington Press|isbn=978-0-29574-317-2|pages=18|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Tentang feminis == * ‘‘Saya tidak mengenal seorang feminis sejati pun yang jika dipaksa memilih antara kebebasan dan seks, akan memilih seks. Ia pasti akan selalu memilih [[kebebasan]].’’<ref name=":2">{{Cite book|last=Sekolah Hukum Gould|date=1996|url=https://www.google.co.id/books/edition/Southern_California_Review_of_Law_and_Wo/UjhMAQAAIAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=Southern California Review of Law and Women's Studies Volume 6|publisher=Diterbitkan oleh Sekolah Hukum Gould, Pusat Hukum, Universitas California Selatan|pages=164|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time''.’’<ref name=":2" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] 5d66hx70dq65ho1dqrnlcrcl7zd5xsu 56391 56390 2026-08-24T12:35:36Z JumadilM 13443 melengkapi keterangan pada paragraf pembuka 56391 wikitext text/x-wiki [[Berkas:Ti-Grace_Atkinson_in_1970_(portrait).jpg|jmpl|Ti-Grace Atkinson pada tahun 1970.]] '''Ti-Grace Atkinson''' (lahir 1938) adalah seorang penulis dan feminis asal [[Amerika Serikat]].<ref name=":0">{{Cite book|date=2021|url=https://www.google.co.id/books/edition/The_New_Yale_Book_of_Quotations/FtU4EAAAQBAJ?hl=id&gbpv=1|title=The New Yale Book of Quotations|location=New Haven dan London|publisher=Yale University Press|isbn=978-0-30026-278-0|editor-last=Shapiro|editor-first=Fred R.|pages=32|language=EN|url-status=live}}</ref> Pada tahun 1968, Ti-Grace Atkinson memprakarsai Gerakan 17 Oktober yang kemudian berkembang menjadi kelompok feminis liberal bernama The Feminist yang aktif menyuarakan feminisme hingga tahun 1973. Pada akhir 1960-an hingga awal 1970-an, Ti-Grace Atkinson menjadi aktivis feminisme liberal dengan menerbitkan sendiri sejumlah pamflet sambil berpidato mengenai isu feminisme pada forum kampus di kota-kota Amerika Serikat, Kanada, Prancis dan Jerman.<ref>{{Cite book|last=Fahs|first=Breanne|date=2018|url=https://www.google.co.id/books/edition/Firebrand_Feminism/wIhQDwAAQBAJ?hl=id&gbpv=1&dq=Ti-Grace+Atkinson+activist&pg=PA18&printsec=frontcover|title=Firebrand Feminism: The Radical Lives of Ti-Grace Atkinson, Kathie Sarachild, Roxanne Dunbar-Ortiz, and Dana Densmore|location=Seattle|publisher=University of Washington Press|isbn=978-0-29574-317-2|pages=18|language=EN|url-status=live}}</ref> == Tentang cinta == * ‘‘Cinta adalah tanggapan korban terhadap pemerkosa.’’<ref name=":0" /> ** Diterjemahkan dari bahasa Inggris: ‘‘''Love is the victims response to the rapist''.’’<ref name=":0" /> ** Dikutip dalam ''Sunday Times'' edisi tanggal 14 September 1969 di London.<ref name=":0" /> == Tentang feminisme dan lesbianisme == * ‘‘Feminisme adalah sebuah teori dan lesbianisme adalah sebuah praktik.’’<ref name=":1">{{Cite book|last=Judell|first=Brandon|date=1997|url=https://www.google.co.id/books/edition/The_Gay_Quote_Book/WZhYAAAAYAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=The Gay Quote Book|publisher=Diterbitkan oleh Dutton|isbn=978-0-525-94185-9|pages=188|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''Feminism is a theory and lesbianism is a practice''.’’<ref name=":1" /> ** Diucapkan oleh Ti-Grace Atkinson dalam pidato tahun 1970.<ref name=":0" /> ** Dikutip dalam ''Sappho Was a Right-On Woman'' yang ditulis oleh Sidney Abbott dan Barbara Love lalu diterbitkan pada tahun 1972.<ref name=":0" /> == Tentang feminis == * ‘‘Saya tidak mengenal seorang feminis sejati pun yang jika dipaksa memilih antara kebebasan dan seks, akan memilih seks. Ia pasti akan selalu memilih [[kebebasan]].’’<ref name=":2">{{Cite book|last=Sekolah Hukum Gould|date=1996|url=https://www.google.co.id/books/edition/Southern_California_Review_of_Law_and_Wo/UjhMAQAAIAAJ?hl=id&gbpv=1&bsq=Ti-Grace+Atkinson+quotations&dq=Ti-Grace+Atkinson+quotations&printsec=frontcover|title=Southern California Review of Law and Women's Studies Volume 6|publisher=Diterbitkan oleh Sekolah Hukum Gould, Pusat Hukum, Universitas California Selatan|pages=164|language=EN|url-status=live}}</ref> ** Diterjemahkan dari bahasa Inggris: ‘‘''I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time''.’’<ref name=":2" /> == Referensi == {{Reflist}} [[Kategori:Penulis Amerika Serikat]] [[Kategori:Feminis Amerika Serikat]] k5s7e7efn2j22iyao1w0pbjhnu63sob 0 15061 56392 2026-08-25T00:18:20Z Nourish25 20876 ←Membuat halaman berisi ''''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." * "''We can't conserve anything, and especially not soc...' 56392 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." 6vk2yiv2q7escexmp9kvtvzwejx688v 56393 56392 2026-08-25T00:21:23Z Nourish25 20876 56393 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) d3ka38curko9syfnseeb3b6g4541upn 56394 56393 2026-08-25T00:26:05Z Nourish25 20876 56394 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) oo2i0jnborvrz0hry7py0gkf33y1glh 56395 56394 2026-08-25T00:27:59Z Nourish25 20876 56395 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) sh6o1d9mf8p80qks96jxknt6fjh4i6t 56396 56395 2026-08-25T00:40:37Z Nourish25 20876 56396 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) jfkxejsx378p47isg97bqwag1ur1do5 56397 56396 2026-08-25T00:48:17Z Nourish25 20876 56397 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) 9hw3ekfghbpjopk8ohurm538ngfyna9 56398 56397 2026-08-25T00:52:58Z Nourish25 20876 56398 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) eij8mwgg3gf6k5zo8i8o5pk6urdkz98 56399 56398 2026-08-25T01:04:56Z Nourish25 20876 56399 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Alice (Halaman 334) sw9nrh74zvx5tn88jlx1r39ylwc4ofu 56400 56399 2026-08-25T01:08:26Z Nourish25 20876 56400 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''." ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) 0ezc2n0btxnudj9dbpfp686wcchenlo 56401 56400 2026-08-25T01:31:20Z Nourish25 20876 56401 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * ''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such - time moves in one direction only''."<ref>{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 3vyk0455vttcctko70qzox73wu9e2t4 56402 56401 2026-08-25T01:38:30Z Nourish25 20876 56402 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''"The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only."'')<ref>{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way''." ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 6wyj3628r5kcsd9fmp2twmwozufkw65 56403 56402 2026-08-25T01:44:35Z Nourish25 20876 56403 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"People think that socialism is sustained by force - the forcible expropriation of property - but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements." **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 5uujooqtpnfiskuqxe4bd8h4zitpet5 56404 56403 2026-08-25T01:47:55Z Nourish25 20876 56404 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontionuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them." **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> qrtjrb070nhowb3oe5s3ol1qjmn7a84 56405 56404 2026-08-25T01:59:38Z Nourish25 20876 56405 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Everything we tell about ourselves about human civilisation is a lie." **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> k2aqbmem6xl4uk3emyb6v3jew2rk9by 56406 56405 2026-08-25T02:01:51Z Nourish25 20876 56406 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.) **Dikutip dari Tokoh Alice (Halaman 40) *"If novelist wrote honestly about their own lives, no one would read novels - and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is - how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be." **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful." **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror." **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care." **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 5z7n7jllyitf1e46noxbv2fkk3eo620 56407 56406 2026-08-25T02:06:42Z Nourish25 20876 56407 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 40) *"Jika para novelis menulis secara jujur ​​tentang kehidupan mereka, takkan ada orang yang mau membaca novel—dan memang seharusnya begitu! Mungkin saat itulah kita akhirnya harus menghadapi kenyataan betapa keliru, betapa secara filosifis kelirunya, sistem produksi sastra saat ini—bagaimana sistem itu menjauhkan penulis dari kehidupan sehari-hari, menutup pintu rapat-rapat di belakang mereka, serta terus-menerus meyakinkan mereka betapa istimewanya diri mereka dan betapa pentingnya pendapat mereka." (''If novelist wrote honestly about their own lives, no one would read novels—and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is —how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tastless or simply artistically unsuccessful."<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror."<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care."<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 5hddz1fpg3ops35n5au0mmde9mmhf6u 56408 56407 2026-08-25T02:16:18Z Nourish25 20876 56408 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 40) *"Jika para novelis menulis secara jujur ​​tentang kehidupan mereka, takkan ada orang yang mau membaca novel—dan memang seharusnya begitu! Mungkin saat itulah kita akhirnya harus menghadapi kenyataan betapa keliru, betapa secara filosifis kelirunya, sistem produksi sastra saat ini—bagaimana sistem itu menjauhkan penulis dari kehidupan sehari-hari, menutup pintu rapat-rapat di belakang mereka, serta terus-menerus meyakinkan mereka betapa istimewanya diri mereka dan betapa pentingnya pendapat mereka." (''If novelist wrote honestly about their own lives, no one would read novels—and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is —how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Masalah pada novel kontemporer Euro-Amerika terletak pada integritas strukturalnya yang bergantung pada penyembunyian realitas kehidupan yang dijalani oleh sebagian besar manusia di bumi. Menghadapi kemiskinan dan penderitaan yang terpaksa dialami oleh jutaan orang, serta menempatkan kenyataan akan kemiskinan dan penderitaan tersebut berdampingan dengan kehidupan para 'tokoh utama' novel, akan dinilai hambar atau sederhananya gagal secara artistik." (''The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tasteless or simply artistically unsuccessful''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror."<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care."<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 64vr77f5314ylttphg18gyeryvyyqli 56409 56408 2026-08-25T02:22:04Z Nourish25 20876 56409 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 40) *"Jika para novelis menulis secara jujur ​​tentang kehidupan mereka, takkan ada orang yang mau membaca novel—dan memang seharusnya begitu! Mungkin saat itulah kita akhirnya harus menghadapi kenyataan betapa keliru, betapa secara filosifis kelirunya, sistem produksi sastra saat ini—bagaimana sistem itu menjauhkan penulis dari kehidupan sehari-hari, menutup pintu rapat-rapat di belakang mereka, serta terus-menerus meyakinkan mereka betapa istimewanya diri mereka dan betapa pentingnya pendapat mereka." (''If novelist wrote honestly about their own lives, no one would read novels—and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is —how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Masalah pada novel kontemporer Euro-Amerika terletak pada integritas strukturalnya yang bergantung pada penyembunyian realitas kehidupan yang dijalani oleh sebagian besar manusia di bumi. Menghadapi kemiskinan dan penderitaan yang terpaksa dialami oleh jutaan orang, serta menempatkan kenyataan akan kemiskinan dan penderitaan tersebut berdampingan dengan kehidupan para 'tokoh utama' novel, akan dinilai hambar atau sederhananya gagal secara artistik." (''The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tasteless or simply artistically unsuccessful''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Saya tidak bisa menerima gagasan untuk melakukan aborsi hanya karena takut akan perubahan iklim. Bagi saya (dan mungkin hanya bagi saya), hal itu merupakan tindakan yang sakit dan tidak waras, merusak kehidupan nyata saya demi tunduk pada masa depan yang masih berupa bayang-bayang. Saya tidak ingin menjadi bagian dari gerakan politik yang membuat saya memandang tubuh saya sendiri dengan rasa curiga dan ketakutan." (''I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror''.)<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 334) *"I want that - to prove that the most ordinary thing about human beings is not violence or greed but love and care."<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> tkb0lhh0bj8hyt6v2fljb0nk9mozsd4 56410 56409 2026-08-25T02:25:00Z Nourish25 20876 56410 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021, dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 40) *"Jika para novelis menulis secara jujur ​​tentang kehidupan mereka, takkan ada orang yang mau membaca novel—dan memang seharusnya begitu! Mungkin saat itulah kita akhirnya harus menghadapi kenyataan betapa keliru, betapa secara filosifis kelirunya, sistem produksi sastra saat ini—bagaimana sistem itu menjauhkan penulis dari kehidupan sehari-hari, menutup pintu rapat-rapat di belakang mereka, serta terus-menerus meyakinkan mereka betapa istimewanya diri mereka dan betapa pentingnya pendapat mereka." (''If novelist wrote honestly about their own lives, no one would read novels—and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is —how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Masalah pada novel kontemporer Euro-Amerika terletak pada integritas strukturalnya yang bergantung pada penyembunyian realitas kehidupan yang dijalani oleh sebagian besar manusia di bumi. Menghadapi kemiskinan dan penderitaan yang terpaksa dialami oleh jutaan orang, serta menempatkan kenyataan akan kemiskinan dan penderitaan tersebut berdampingan dengan kehidupan para 'tokoh utama' novel, akan dinilai hambar atau sederhananya gagal secara artistik." (''The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tasteless or simply artistically unsuccessful''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Saya tidak bisa menerima gagasan untuk melakukan aborsi hanya karena takut akan perubahan iklim. Bagi saya (dan mungkin hanya bagi saya), hal itu merupakan tindakan yang sakit dan tidak waras, merusak kehidupan nyata saya demi tunduk pada masa depan yang masih berupa bayang-bayang. Saya tidak ingin menjadi bagian dari gerakan politik yang membuat saya memandang tubuh saya sendiri dengan rasa curiga dan ketakutan." (''I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror''.)<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 334) *"Saya ingin membuktikan bahwa hal paling lumrah tentang manusia bukanlah kekerasan dan keserakahan, melaikankan cinta dan kepedulian." (''I want that—to prove that the most ordinary thing about human beings is not violence or greed but love and care''.)<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> 83q0yomly0t7dwajdt7gru3sz8u3e62 56453 56410 2026-08-25T10:08:00Z Nourish25 20876 56453 wikitext text/x-wiki '''''Beautiful World, Where Are You''''' adalah sebuah novel yang ditulis oleh seorang penulis asal Irlandia bernama Sally Rooney. Novel ini resmi dirilis pada tanggal 7 September 2021,<ref>{{Cite book|last=Williams|first=John|date=2021-09-01|url=https://www.nytimes.com/2021/09/01/books/review-sally-rooney-beautiful-world-where-are-you.html|title=Sally Rooney and Love in the Time of General Systems Collapse|language=en-US|issn=0362-4331}}</ref> dan berhasil meraih penghargaan bestseller ''New York Times'' dan IndieBound. == Kutipan == * "Gagasan tentang 'konservatisme' sendiri sudah keliru, karena pada dasarnya tidak ada yang bisa dilestarikan—waktu hanya bergerak ke satu arah." (''The idea of 'conservatism' is in itself false, because nothing can be conserved, as such—time moves in one direction only.'')<ref name=":0">{{Cite book|last=Rooney|first=Sally|date=2021|title=Beautiful World, Where Are You|location=London|publisher=Faber|isbn=978-0-571-36544-9|url-status=live}}</ref> ** Dikutip dari Tokoh Alice (Halaman 16) * "Kita tidak dapat melestarikan apapun, terutama hubungan sosial, tanpa mengubah kondisi awalnya, menghentikan sebagian interaksi mereka dengan waktu dengan cara yang tidak alami." (''We can't conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.)<ref name=":0" />'' ** Dikutip dari Tokoh Alice (Halaman 17) *"Orang beranggapan bahwa sosialisme ditopang oleh kekerasan—perampasan paksa atas hak milik—namun saya berharap mereka mau mengakui bahwa kapitalisme pun ditopang oleh kekerasan yang sama persis namun dengan arah yang berlawanan, yaitu perlindungan paksa terhadap tatanan kepemilikan yang ada saat ini." (''People think that socialism is sustained by force—the forcible expropriation of property—but I wish they would just admit that capitalism is also sustained by exactly the same force in the opposite direction, the forcible protection of existing property arrangements.'')<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 38) *"Kita terbiasa menikmati karya budaya dengan latar 'masa kini'. Namun, kesan keberlanjutan semacam itu bukan lagi ciri kehidupan kita. Masa kini telah menjadi sesuatu yang terputus-putus. Setiap hari, bahkan setiap jam, mengganti dan membuat waktu sebelumnya tidak relevan lagi, peristiwa-peristiwa dalam hidup kita hanya dapat dipahami dalam kaitannya dengan linimasa konten berita yang terus-menerus diperbarui. Jadi, ketika kita menyaksikan karakter dalam film duduk di meja makan atau berkendara, merencanakan pembunuhan atau meratapi kisah cinta mereka, secara alami kita ingin tahu kapan tepatnya mereka melakukan hal-hal tersebut, dalam kaitannya dengan peristiwa sejarah dahsyat yang membentuk persepsi kita tentang realitas saat ini. Tidak ada lagi latar yang netral. Yang ada hanyalah linimasa. Saya tidak benar-benar tahu apakah hal ini akan memunculkan bentuk-bentuk seni baru atau justru menandai berakhirnya seni itu sendiri, setidaknya dalam bentuk yang kita kenal selama ini." (''We're used to engaging with cultural works set 'in the present'. But this sense of continuous is no longer a feature of our lives. The present has become discontinuous. Each day, even each hour of each day, replaces and makes irrelevant the time before, and the events of our lives make sense only in relation to a perpetually updating timeline of news content. So when we watch characters in films sit at dinner tables or drive around in cars, plotting to carry out murders or feeling sad about their love affairs, we naturally want to know at what exact point they are doing these things, relative to the cataclysmic historic events that structure our present sense of reality. There is no longer neutral setting. There is only the timeline. I don't know really whether this will give rise to new forms in the arts or just mean the end of the arts altogether, at least we know them''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 39) *"Semua yang kita katakan tentang peradaban manusia adalah kebohongan." (''Everything we tell ourselves about human civilisation is a lie''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 40) *"Jika para novelis menulis secara jujur ​​tentang kehidupan mereka, takkan ada orang yang mau membaca novel—dan memang seharusnya begitu! Mungkin saat itulah kita akhirnya harus menghadapi kenyataan betapa keliru, betapa secara filosifis kelirunya, sistem produksi sastra saat ini—bagaimana sistem itu menjauhkan penulis dari kehidupan sehari-hari, menutup pintu rapat-rapat di belakang mereka, serta terus-menerus meyakinkan mereka betapa istimewanya diri mereka dan betapa pentingnya pendapat mereka." (''If novelist wrote honestly about their own lives, no one would read novels—and quite rightly! Maybe then we would finally have to confront how wrong, how deeply philosophically wrong, the current system of literary production really is —how it takes writers away from normal life, shuts the door behind them, and tells them again and again how special they are and how important their opinions must be''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Masalah pada novel kontemporer Euro-Amerika terletak pada integritas strukturalnya yang bergantung pada penyembunyian realitas kehidupan yang dijalani oleh sebagian besar manusia di bumi. Menghadapi kemiskinan dan penderitaan yang terpaksa dialami oleh jutaan orang, serta menempatkan kenyataan akan kemiskinan dan penderitaan tersebut berdampingan dengan kehidupan para 'tokoh utama' novel, akan dinilai hambar atau sederhananya gagal secara artistik." (''The problem with the contemporary Euro-American novel is that it relies for its structural integrity on suppresing the lived realities of most human beings on earth. To confront the poverty and misery in which millions of people are forced to live to, to put the fact of that poverty, that misery, side by side with the lives of the 'main characters' of a novel, would be deemed either tasteless or simply artistically unsuccessful''.)<ref name=":0" /> **Dikutip dari Tokoh Alice (Halaman 95) *"Saya tidak bisa menerima gagasan untuk melakukan aborsi hanya karena takut akan perubahan iklim. Bagi saya (dan mungkin hanya bagi saya), hal itu merupakan tindakan yang sakit dan tidak waras, merusak kehidupan nyata saya demi tunduk pada masa depan yang masih berupa bayang-bayang. Saya tidak ingin menjadi bagian dari gerakan politik yang membuat saya memandang tubuh saya sendiri dengan rasa curiga dan ketakutan." (''I could not stomach the idea of having an abortion just because I'm afraid of climate change. For me (and maybe only for me) it would be a sort of sick, insane thing to do, a way of mutilating my real life as a gesture of submission to an imagined future. I don't want to belong to a political movement that makes me view my own body with suspicion and terror''.)<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 334) *"Saya ingin membuktikan bahwa hal paling lumrah tentang manusia bukanlah kekerasan dan keserakahan, melaikankan cinta dan kepedulian." (''I want that—to prove that the most ordinary thing about human beings is not violence or greed but love and care''.)<ref name=":0" /> **Dikutip dari Tokoh Eileen (Halaman 337) == Referensi == <references /> j0czey2fyl3i4162jnyg0ol2qqwvfrn 3 15062 56417 2026-08-25T03:31:08Z Badak Jawa 15604 /* */ 56417 wikitext text/x-wiki {{Selamat datang}} [[Pengguna:Badak_Jawa|<font style="color:#fff; #000;font-size: 13px;border:2px solid #000;background:#000;box-shadow:-2px 2px #fe2c55;">𝄃𝄃𝄂Badak𝄂𝄀𝄁𝄃</font>]] [[Pembicaraan Pengguna:Badak_Jawa|<font style="color:#fff;background:#000;">📩</font>]] 25 Agustus 2026 03.31 (UTC) drju0ugacz42pm3yh4x89cez6rpbn9p 0 15063 56420 2026-08-25T06:35:35Z Nourish25 20876 ←Membuat halaman berisi ''''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That rev...' 56420 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) sll0g53614ymdxtygkgb75d06byfnwa 56421 56420 2026-08-25T06:37:01Z Nourish25 20876 56421 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) 6mcyxmusjt9l3cfrq6way231f3nxar7 56422 56421 2026-08-25T06:39:09Z Nourish25 20876 56422 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) lpf3kej1qqcwl4sfe4wuqnrdm7pqn5w 56423 56422 2026-08-25T06:46:56Z Nourish25 20876 56423 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) nk379g5npqth7vildu17nkob9fpq658 56424 56423 2026-08-25T06:48:33Z Nourish25 20876 56424 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''Perhaps that's the price of professional success: isolation from jealous peers''. Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else. ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) oinvzjgynpax67sd4a0kmcw4eckk6c2 56425 56424 2026-08-25T06:49:08Z Nourish25 20876 56425 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) c32y776u620fda257luu2ddm1xpwskw 56426 56425 2026-08-25T06:50:32Z Nourish25 20876 56426 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) 0t4ac5tkse16lwyw344jd5cj0r0ngl9 56427 56426 2026-08-25T06:51:50Z Nourish25 20876 56427 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) f4lps5jhnjpuq267e66r3r9hwhd2g8e 56428 56427 2026-08-25T06:55:01Z Nourish25 20876 56428 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) gcfajzcjs9bn0jkrm1aga2cin8qx6px 56429 56428 2026-08-25T06:58:12Z Nourish25 20876 56429 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) odenm2gqzkyncv1hn0ak242gyogh04v 56430 56429 2026-08-25T07:00:49Z Nourish25 20876 56430 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) 26qbq93kuwpjvef47amzinvkc6aaxr0 56431 56430 2026-08-25T07:01:40Z Nourish25 20876 56431 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) b8gb2ha3lp6eb7v6utuf7ok2oqxxi3t 56432 56431 2026-08-25T07:03:01Z Nourish25 20876 56432 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''Knowing the precise moment it'll hit and where will make things hurt less.'' ** ''Dikutip dari Tokoh June Hayward (Halaman 149)'' ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) dglh31da55qadn6ae8qhfkseutgd69c 56433 56432 2026-08-25T07:06:34Z Nourish25 20876 56433 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''Awards in this industry are very silly and arbitrary, less a merker of prestige or literary quality and more an indiction that you've won a popularity contest with a very small, skewed group of voters.'' ** ''Dikutip dari Tokoh June Hayward (Halaman 122)'' *''Knowing the precise moment it'll hit and where will make things hurt less.'' ** ''Dikutip dari Tokoh June Hayward (Halaman 149)'' * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) cu1wc3wx4hbdlib10erhtb4ygn4uffs 56434 56433 2026-08-25T07:10:07Z Nourish25 20876 56434 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did.'' ** ''Dikutip dari Tokoh Athena Liu (Halaman 110)'' *''Awards in this industry are very silly and arbitrary, less a merker of prestige or literary quality and more an indiction that you've won a popularity contest with a very small, skewed group of voters.'' ** ''Dikutip dari Tokoh June Hayward (Halaman 122)'' *''Knowing the precise moment it'll hit and where will make things hurt less.'' ** ''Dikutip dari Tokoh June Hayward (Halaman 149)'' * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''. ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''. ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''. ** Dikutip dari Tokoh June Hayward (Halaman 317) bi7thtxp3oijaq0dh6d9j8572y0oqlc 56435 56434 2026-08-25T07:15:45Z Nourish25 20876 56435 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did.''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** ''Dikutip dari Tokoh Athena Liu (Halaman 110)'' *''Awards in this industry are very silly and arbitrary, less a merker of prestige or literary quality and more an indiction that you've won a popularity contest with a very small, skewed group of voters.<ref name=":0" />'' ** ''Dikutip dari Tokoh June Hayward (Halaman 122)'' *''Knowing the precise moment it'll hit and where will make things hurt less.<ref name=":0" />'' ** ''Dikutip dari Tokoh June Hayward (Halaman 149)'' * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == eawvngqjuiogyqefv1t45co1h501b7f 56437 56435 2026-08-25T09:30:23Z Nourish25 20876 56437 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *''"''Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''." (I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** ''Dikutip dari Tokoh Athena Liu (Halaman 110)'' *''Awards in this industry are very silly and arbitrary, less a merker of prestige or literary quality and more an indiction that you've won a popularity contest with a very small, skewed group of voters.<ref name=":0" />'' ** ''Dikutip dari Tokoh June Hayward (Halaman 122)'' *''Knowing the precise moment it'll hit and where will make things hurt less.<ref name=":0" />'' ** ''Dikutip dari Tokoh June Hayward (Halaman 149)'' * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == bewkayd84gg4ezedadg4k4uxb6k8epu 56438 56437 2026-08-25T09:31:18Z Nourish25 20876 56438 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *''Awards in this industry are very silly and arbitrary, less a merker of prestige or literary quality and more an indiction that you've won a popularity contest with a very small, skewed group of voters.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *''Knowing the precise moment it'll hit and where will make things hurt less.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == 7wy7pclv0wqlaf6uffj3igceg7nkv21 56439 56438 2026-08-25T09:33:50Z Nourish25 20876 56439 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *''Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *''Knowing the precise moment it'll hit and where will make things hurt less.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == ct5qqqlj4euulgj8hlsgljvl0epw8wt 56440 56439 2026-08-25T09:37:44Z Nourish25 20876 56440 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *''Knowing the precise moment it'll hit and where will make things hurt less.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == lzod0zjpiriqt40svvctoiou7x6o7f2 56441 56440 2026-08-25T09:41:10Z Nourish25 20876 56441 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * ''Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == s2gvqfbmbhd1b5nmpvcyol1ok6bwvh7 56442 56441 2026-08-25T09:42:34Z Nourish25 20876 56442 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *''Reputation in publishing are built and destroyed, constantly, online.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == 5exi82wefbezksnp75r7kwyd2babdzs 56443 56442 2026-08-25T09:43:44Z Nourish25 20876 56443 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *''The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == hhm2nn2r963msh6qxgywh7fl3vvej7l 56444 56443 2026-08-25T09:45:19Z Nourish25 20876 56444 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * ''Editorial assisstant come and go all the time. They're underpaid entry-level employees in the most expensive city in the world-illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == svf6kd0qef7rtga0oa8nt09cpfgmpok 56445 56444 2026-08-25T09:47:51Z Nourish25 20876 56445 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * ''Writing gives you power to shape your own world when the real one hurts too much.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == cq84i6ddovwu04tj5dzanzrvvrj3nve 56446 56445 2026-08-25T09:49:15Z Nourish25 20876 56446 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * ''Teaching is'' ''unassailably noble calling.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * ''Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == sc2vqj9tkubas62mxzjbxg3xod4a3bv 56447 56446 2026-08-25T09:52:24Z Nourish25 20876 56447 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * ''But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product-your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == d8kz4cwisfxh2ela2e68ei93n0ahlrr 56448 56447 2026-08-25T09:56:23Z Nourish25 20876 56448 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * "Namun, begitu Anda masuk ke dunia penerbitan profesional, menulis seketika menjadi ajang kecemburuan profesional, urusan anggaran pemasaran yang tidak transparan, serta uang muka yang nilainya kalah dibandingkan rekan-rekan sesama penulis. Para editor akan masuk dan mengutak-atik kata-kata serta visimu. Bagian pemasaran dan humas memaksamu memadatkan ratusan halaman berisi renungan yang cermat dan bernuansa menjadi poin-poin pembicaraan yang ringkas dan menarik ala cuitan media sosial. Pembaca membebankan ekspektasi mereka sendiri, tidak hanya terhadap ceritanya, tetapi juga terhadap pandangan politik, filosofi, dan sikap etismu. Kamu, bukan tulisanmu—yang menjadi produknya: penampilan, kecerdasan, balasan komentar yang jenaka dan tajam, serta keberpihakanmu dalam perseteruan daring yang sebenarnya tidak dipedulikan siapa pun di dunia nyata. Dan begitu kamu menulis untuk pasar, cerita apa yang berkobar di dalam dirimu tidak lagi penting; yang penting adalah apa yang ingin dilihat oleh audiens." ''(But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product—your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * ''The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == ie7fdqc4tkeve4klna110ny3wx8qe0g 56449 56448 2026-08-25T09:57:26Z Nourish25 20876 56449 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * "Namun, begitu Anda masuk ke dunia penerbitan profesional, menulis seketika menjadi ajang kecemburuan profesional, urusan anggaran pemasaran yang tidak transparan, serta uang muka yang nilainya kalah dibandingkan rekan-rekan sesama penulis. Para editor akan masuk dan mengutak-atik kata-kata serta visimu. Bagian pemasaran dan humas memaksamu memadatkan ratusan halaman berisi renungan yang cermat dan bernuansa menjadi poin-poin pembicaraan yang ringkas dan menarik ala cuitan media sosial. Pembaca membebankan ekspektasi mereka sendiri, tidak hanya terhadap ceritanya, tetapi juga terhadap pandangan politik, filosofi, dan sikap etismu. Kamu, bukan tulisanmu—yang menjadi produknya: penampilan, kecerdasan, balasan komentar yang jenaka dan tajam, serta keberpihakanmu dalam perseteruan daring yang sebenarnya tidak dipedulikan siapa pun di dunia nyata. Dan begitu kamu menulis untuk pasar, cerita apa yang berkobar di dalam dirimu tidak lagi penting; yang penting adalah apa yang ingin dilihat oleh audiens." ''(But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product—your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * '':''"Cara terbaik untuk menghadapi kilas balik yang memicu kepanikan adalah dengan menganggapnya sebagai adegan dari film horor." ''(The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * ''People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == tah4jzp9d4d1ij59r6ijbl749t4o76z 56450 56449 2026-08-25T09:59:42Z Nourish25 20876 56450 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * "Namun, begitu Anda masuk ke dunia penerbitan profesional, menulis seketika menjadi ajang kecemburuan profesional, urusan anggaran pemasaran yang tidak transparan, serta uang muka yang nilainya kalah dibandingkan rekan-rekan sesama penulis. Para editor akan masuk dan mengutak-atik kata-kata serta visimu. Bagian pemasaran dan humas memaksamu memadatkan ratusan halaman berisi renungan yang cermat dan bernuansa menjadi poin-poin pembicaraan yang ringkas dan menarik ala cuitan media sosial. Pembaca membebankan ekspektasi mereka sendiri, tidak hanya terhadap ceritanya, tetapi juga terhadap pandangan politik, filosofi, dan sikap etismu. Kamu, bukan tulisanmu—yang menjadi produknya: penampilan, kecerdasan, balasan komentar yang jenaka dan tajam, serta keberpihakanmu dalam perseteruan daring yang sebenarnya tidak dipedulikan siapa pun di dunia nyata. Dan begitu kamu menulis untuk pasar, cerita apa yang berkobar di dalam dirimu tidak lagi penting; yang penting adalah apa yang ingin dilihat oleh audiens." ''(But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product—your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * '':''"Cara terbaik untuk menghadapi kilas balik yang memicu kepanikan adalah dengan menganggapnya sebagai adegan dari film horor." ''(The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * "Orang-orang yang beranggapan bahwa, hanya karena mereka 'tertindas' dan 'terpinggirkan', maka mereka bebas melakukan atau mengatakan apa pun yang mereka mau. Bahwa dunia seharusnya mengagung-agungkan mereka dan melimpahi mereka dengan berbagai kesempatan. Bahwa rasisme terhadap kelompok mayoritas itu boleh-boleh saja." ''(People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *''The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == paaaau5tb67a2hclq30m46h2oxdgorr 56451 56450 2026-08-25T10:02:39Z Nourish25 20876 56451 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter. == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * "Namun, begitu Anda masuk ke dunia penerbitan profesional, menulis seketika menjadi ajang kecemburuan profesional, urusan anggaran pemasaran yang tidak transparan, serta uang muka yang nilainya kalah dibandingkan rekan-rekan sesama penulis. Para editor akan masuk dan mengutak-atik kata-kata serta visimu. Bagian pemasaran dan humas memaksamu memadatkan ratusan halaman berisi renungan yang cermat dan bernuansa menjadi poin-poin pembicaraan yang ringkas dan menarik ala cuitan media sosial. Pembaca membebankan ekspektasi mereka sendiri, tidak hanya terhadap ceritanya, tetapi juga terhadap pandangan politik, filosofi, dan sikap etismu. Kamu, bukan tulisanmu—yang menjadi produknya: penampilan, kecerdasan, balasan komentar yang jenaka dan tajam, serta keberpihakanmu dalam perseteruan daring yang sebenarnya tidak dipedulikan siapa pun di dunia nyata. Dan begitu kamu menulis untuk pasar, cerita apa yang berkobar di dalam dirimu tidak lagi penting; yang penting adalah apa yang ingin dilihat oleh audiens." ''(But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product—your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * '':''"Cara terbaik untuk menghadapi kilas balik yang memicu kepanikan adalah dengan menganggapnya sebagai adegan dari film horor." ''(The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * "Orang-orang yang beranggapan bahwa, hanya karena mereka 'tertindas' dan 'terpinggirkan', maka mereka bebas melakukan atau mengatakan apa pun yang mereka mau. Bahwa dunia seharusnya mengagung-agungkan mereka dan melimpahi mereka dengan berbagai kesempatan. Bahwa rasisme terhadap kelompok mayoritas itu boleh-boleh saja." ''(People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *"Kebenaran itu tidak pasti. Selalu ada cara lain untuk memelintir cerita, gangguan lain untuk mengacaukan narasi yang ada." ''(The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == pwhbk8u3h9176m51o01o31g8hl0et5c 56454 56451 2026-08-25T10:09:30Z Nourish25 20876 56454 wikitext text/x-wiki '''''Yellowface''''' adalah novel satir tahun 2023 yang ditulis oleh R. F. Kuang. Novel ini digambarkan sebagai sebuah satir mengenai keanekaragaman ras dalam industri penerbitan, serta sebuah metafiksi tentang media sosial, terutama Twitter.<ref>{{Cite web|last=Lin|first=Amy Y. Q.|date=2023-05-17|title=Very Little of This Book Is Made-up: Talking with R.F. Kuang about her Novel|url=https://therumpus.net/2023/05/17/very-little-of-this-book-is-made-up-talking-with-r-f-kuang-about-her-novel/|website=The Rumpus|language=en-US|access-date=2026-08-25}}</ref> == Kutipan == *"Menurut saya, cara kita mempelajari sejarah di ruang kelas begitu steril. Hal itu membuat berbagai pergulatan masa lalu terasa sangat jauh, seolah-olah pergulatan tersebut tidak mungkin terjadi pada kita, seakan-akan kita tidak akan pernah mengambil keputusan yang sama seperti orang-orang dalam buku-buku sejarah itu''.''" ''(I think the way we learn about history in classrooms is so antiseptic. It makes those struggles feel so far away, like they could never happen to us, like we would never make the same decisions that the people in those textbooks did).''<ref name=":0">{{Cite book|last=Kuang|first=Rebecca F.|date=2023|url=https://books.google.co.id/books/about/Yellowface.html?id=iJPhEAAAQBAJ&redir_esc=y|title=Yellowface|publisher=HarperCollins|url-status=live}}</ref> ** Dikutip dari Tokoh Athena Liu (Halaman 110) *"Penghargaan dalam industri ini (industri penerbitan) sangat konyol dan sewenang-wenang; penghargaan tersebut bukan penanda wibawa atau kualitas sastra, tetapi lebih merupakan indikasi bahwa kamu telah memenangkan kontes popularitas di kalangan kelompok pemilih yang sangat kecil dan bias." ''(Awards in this industry are very silly and arbitrary, less a marker of prestige or literary quality and more an indication that you've won a popularity contest with a very small, skewed group of voters.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 122) *"Mengetahui dengan tepat kapan dan di mana suatu momen buruk akan menghantam akan membuat rasanya tidak terlalu menyakitkan." ''(Knowing the precise moment it'll hit and where will make things hurt less.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 149) * "Twitter adalah kehidupan nyata; bahkan lebih nyata daripada kehidupan nyata itu sendiri, karena di situlah ranah ekonomi sosial penerbitan berada, sebab industri ini tidak memiliki alternatif lain." ''(Twitter is real life; it's realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 153) *"Reputasi dalam dunia penerbitan terus-menerus dibangun dan dihancurkan secara daring." ''(Reputation in publishing are built and destroyed, constantly, online.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 154) *"Pasar pemrograman juga dengan cepat menjadi terlalu jenuh bagi siapa pun yang tidak memiliki bakat alami." ''(The programming market is also quickly becoming too saturated for anyone who isn't a natural talent.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 169) * "Asisten redaksi datang dan pergi setiap saat. Mereka adalah karyawan tingkat pemula dengan bayaran rendah yang hidup di kota termahal di dunia—diperlakukan dengan buruk, diabaikan, dan dibebani pekerjaan berlebih, dengan sedikit peluang untuk naik jabatan. Dibutuhkan kegigihan yang luar biasa untuk bisa bertahan di dunia penerbitan." ''(Editorial assisstant come and go all the time. They're underpaid entry—level employees in the most expensive city in the world—illtreated, overlooked, and overworked with minimal opportunities for advancement. It takes inhuman drive to hack it in publishing.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 214) * "Menulis memberimu kekuatan untuk membentuk duniamu sendiri saat dunia nyata terasa terlalu menyakitkan." (''Writing gives you power to shape your own world when the real one hurts too much.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 225) * "Mengajar adalah panggilan mulia yang tak terbantahkan." ''(Teaching is'' ''unassailably noble calling.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 240) * "Mungkin itulah harga yang harus dibayar untuk kesuksesan profesional: keterasingan dari rekan-rekan yang merasa iri. Mungkin, saat menulis menjadi sarana kemajuan pribadi, ia jadi mustahil dibagikan kepada siapa pun." ''(Perhaps that's the price of professional success: isolation from jealous peers''. ''Perhaps, once writing becomes a matter of individual advancement, it's impossible to share with anyone else.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 244) * "Namun, begitu Anda masuk ke dunia penerbitan profesional, menulis seketika menjadi ajang kecemburuan profesional, urusan anggaran pemasaran yang tidak transparan, serta uang muka yang nilainya kalah dibandingkan rekan-rekan sesama penulis. Para editor akan masuk dan mengutak-atik kata-kata serta visimu. Bagian pemasaran dan humas memaksamu memadatkan ratusan halaman berisi renungan yang cermat dan bernuansa menjadi poin-poin pembicaraan yang ringkas dan menarik ala cuitan media sosial. Pembaca membebankan ekspektasi mereka sendiri, tidak hanya terhadap ceritanya, tetapi juga terhadap pandangan politik, filosofi, dan sikap etismu. Kamu, bukan tulisanmu—yang menjadi produknya: penampilan, kecerdasan, balasan komentar yang jenaka dan tajam, serta keberpihakanmu dalam perseteruan daring yang sebenarnya tidak dipedulikan siapa pun di dunia nyata. Dan begitu kamu menulis untuk pasar, cerita apa yang berkobar di dalam dirimu tidak lagi penting; yang penting adalah apa yang ingin dilihat oleh audiens." ''(But enter professional publishing, and suddenly writing is a matter of professional jealousies,obscure marketing budgets, and advances that don't measure up to those of your peers. Editors go in and mess around with your words, your vision. Marketing and publicity make you distill hundreds of pages of careful, nuanced reflection into cute, tweet-size talking points. Readers inflict their own expectations, not just on the story, but on your politics, your philosophy, your stance on all things ethical. You, not your writing, become the product—your looks, your wit, your quippy clapbacks and factional alignments with online beefs that no one in the real world gives a shit about. And once you're writing for the market, it doesn't matter what stories are burning inside you. It matters what audiences want to see.)<ref name=":0" />'' ** Dikutip dari Tokoh June Hayward (Halaman 256) * '':''"Cara terbaik untuk menghadapi kilas balik yang memicu kepanikan adalah dengan menganggapnya sebagai adegan dari film horor." ''(The best way to deal with panic-inducing flashbacks is to think of them as scenes from a horror movie''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 269) * "Orang-orang yang beranggapan bahwa, hanya karena mereka 'tertindas' dan 'terpinggirkan', maka mereka bebas melakukan atau mengatakan apa pun yang mereka mau. Bahwa dunia seharusnya mengagung-agungkan mereka dan melimpahi mereka dengan berbagai kesempatan. Bahwa rasisme terhadap kelompok mayoritas itu boleh-boleh saja." ''(People who think that, just because they're 'oppressed' and 'marginalized', they can do or say whatever they want. That the world should put them on a pedestal and shower them with opportunities. That reverse racism is okay''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 309) *"Kebenaran itu tidak pasti. Selalu ada cara lain untuk memelintir cerita, gangguan lain untuk mengacaukan narasi yang ada." ''(The truth is fluid. There is always another way to spin the story, another wrench to throw into the narrative''.)<ref name=":0" /> ** Dikutip dari Tokoh June Hayward (Halaman 317) == Referensi == 2niulvb0fbi9g5hnfssggtwxp0xo1cp