Bee Gees

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Bee Gees là một ban nhạc nổi tiếng gồm ba anh em người Úc gốc Anh sinh tại đảo Man – Barry, Robin, và Maurice Gibb. Người ta thường cho rằng tên của ban nhạc bắt nguồn từ hai chữ "B.G.", viết tắt của Brothers Gibb (tiếng Anh của "Anh em nhà Gibb").

Ban nhạc này đoạt giải Grammy hơn một lần, họ thành công trong cả thời gian 40 năm thâu nhạc, nhưng họ có hai thời thành công riêng – là ban nhạc "soft rock" hòa âm vào cuối thập niên 1960 và đầu thập niên 1970, và là những danh vọng hạng đầu trong thời disco vào cuối thập niên 1970.

Có nguồn cho rằng hơn 180 triệu đô la bằng album và nhạc riêng của Bee Gees được bán, khiến ban nhạc này là một trong những tác giả bán được nhiều nhất trong lịch sử. Viện bảo tàng Rock and Roll Hall of Fame tại Cleveland, Ohio có câu từ 1997 đề "Chỉ có Elvis Presley, the Beatles, Michael Jackson, Garth Brooks và Paul McCartney bán được nhiều hơn Bee Gees."[1]


Bee Gees
Vlcsnap-105468.png
L-R Maurice Gibb, Robin Gibb, and Barry Gibb c. 1997
Tên khai sinh: {{{Birth name}}}
Tên thường gọi: {{{Tên thường gọi}}}
Ngày sinh: {{{Born}}}
Quê hương : {{{Origin}}}
Chiều cao : {{{Height}}}
Năm hoạt động: 1958–2003
Thể loại nhạc: Pop, Disco, Soft rock, Rock, R&B
Nghề nghiệp: {{{Occupation}}}
Loại hình biểu diễn: {{{Instrument}}}
Hãng đĩa: Festival, Polydor, Atco, RSO, Warner Bros., Rhino
Cựu thành viên: Barry Gibb
Maurice Gibb
Robin Gibb

Vince Melouney
Colin Petersen
Geoff Bridgeford
Alan Kendall
Dennis Bryon
Blue Weaver
Website: Official Bee Gees.com


Mục lục

[sửa] Lịch sử ban nhạc

[sửa] Khởi đầu

Anh em nhà Gibbs được sinh ra trên đảo Man thuộc Anh. Barry Alan Crompton Gibb sinh ngày 1 tháng 9 1946, và hai anh em sinh đôi Robin Hugh Gibb and Maurice Ernest Gibb ra đời ngày 22 tháng 12 1949.

Cả gia đình quay trở lại Chorlton-cum-Hardy, Manchester, England - nơi ông bố Hugh Gibb đã từng lớn lên vào đầu những năm 1950. Ba chàng trai bắt đầu đi hát đồng ca, lần đầu tiên tại một rạp chiếu bóng trong một dịp lễ đáng nhớ. Lúc đầu họ định hát nhép nhưng do Maurice đánh rơi mất bản nhạc trên đường đi, họ buộc phải tự hát và được hưởng ứng nồng nhiệt. Điều này đã cổ vũ 3 anh em bắt đầu sự nghiệp ca hát của mình.

Năm 1958, gia đình Gibb, di cư tới Redcliffe, Brisbane, Queensland, Australia. Ba anh em, tuổi đời vẫn còn rất trẻ, bắt đầu trình diễn lấy để xin tiền xu từ khách qua đường. Ban nhạc thay đổi tên từ Rattlesnakes, sau là Wee Johnny Hayes & the Bluecats, họ được Bill Goode giới thiệu với radio DJ Bill Gates (không được nhầm lẫn với người sáng lập Microsoft) sau khi xem họ biểu diễn tại Rạp xiếc Speedway Brisbane. Gates đổi tên viết tắt của ban nhạc theo tên đầu của mình và Goode.[2][3]

Vào năm 1960, Bee Gees được lên truyền hình, và trong vài năm sau đó ban nhạc bắt đầu trình diễn đều đặn tại các khu nghỉ mát dọc bờ biển Queensland. Barry đã làm cho ngôi sao Australia Col Joye chú ý vì khả năng sáng tác, và Joye giúp các chàng trai có được hợp đồng thu âm với Festival Records trong năm 1963 với cái tên "Bee Gees." Ban nhạc ra 2-3 đĩa đơn mỗi năm, và Barry viết một số bản nhạc cho các ca sỹ khác.

Năm 1965, "Wine and Women," đã trở thành đĩa LP đầu tiên Barry Gibb and the Bee Gees Sing and Play 14 Barry Gibb Songs. Đến cuối năm 1966, cả gia đình quyết định quay trở lại Anh để phát triển sự nghiệp âm nhạc. Ngay khi đang ở trên tàu biển đầu năm 1967, họ nghe qua radio bài "Spicks and Specks", một bài hát họ thu âm năm 1966, đã đứng đầu bảng xếp hạng tại Australia.

[sửa] Thập kỷ 60 tại Anh

Tại thời điểm 1967 tại Anh, Bee Gees không được chú ý. Tuy vậy họ cũng nhanh chóng ký được hợp đồng với Robert Stigwood, và bổ sung nhạc sĩ người Australia Vince Melouney (guitar) và Colin Petersen (trống) vào ban nhạc. Đĩa đơn đầu tiên được thu âm tại Anh "New York Mining Disaster 1941" (1967), đã đứng trong Top 20 tại cả Anh và Mỹ. Robert Stigwood mạnh dạn tuyên bố rằng Bee Gees là "tài năng âm nhạc nổi bật nhất trong năm 1967". Album của họ Bee Gees' 1st được công chúng đón nhận nhiệt tình, với sự pha trộn mới mở giữa rock và các ballad hợp xướng, điển hình là các bài "To Love Somebody" và "I Can't See Nobody."

Đĩa đơn thành công lớn tiếp theo "Massachusetts" đã đưa ban nhạc lên hàng ngôi sao. Tiếp theo đó là bài "Words". Trong năm 1968 Bee Gees ra hai album, "Horizontal" và "Idea." Album sau có hai bài top hit nữa: "I've Gotta Get a Message to You" và "I Started a Joke."

The Bee Gees' next release was Odessa (1969), a dense and complex prog rock album with orchestral accompaniment. By this time, Barry and Robin were increasingly at odds about the creative direction of the group. Once Robert Stigwood made clear that he preferred to promote Barry as the act's leader, Robin left. Barry and Maurice released an LP as a duo, Cucumber Castle (the soundtrack to a television special), which contained the #2 UK hit "Don't Forget to Remember". Meanwhile, Robin released a solo album, Robin's Reign, which included his #2 UK hit "Saved by the Bell."

[sửa] Đầu thập kỷ 70

The three brothers reunited in the later part of 1970, their feelings about the split perhaps reflected in many songs about heartache and loneliness. Although they had lost traction on the British charts, the Bee Gees hit #3 in America with "Lonely Days" (from the reunion LP 2 Years On) and had their first U.S. #1 with "How Can You Mend a Broken Heart?" (from Trafalgar). In 1972, they hit #16 with "Run to Me" from the LP To Whom It May Concern; the single also returned them to the British top ten for the first time in three years.

By 1973, however, the Bee Gees were in a rut. The album, Life in a Tin Can, and its lead-off single, "Saw a New Morning," sold poorly with the single peaking at #94. This was followed by an unreleased album (known as A Kick in the Head Is Worth Eight in the Pants).

On the advice of Ahmet Ertegun of their U.S. label Atlantic Records, Stigwood arranged for the group to record with famed soul music producer Arif Mardin. The resulting LP, Mr. Natural, included few ballads and foreshadowed the R&B direction of the rest of their career. But when it too failed to attract much interest, Mardin encouraged them to work with the soul music style.

The brothers attempted to assemble a live stage band that could replicate their studio sound. Lead guitarist Alan Kendall had come on board in 1971, but didn't have much to do until Mr Natural. For that album, they added drummer Dennis Bryon, and they later added ex-Strawbs keyboard player Blue Weaver, completing the late 1970s "Bee Gees band". Maurice, who'd previously performed on piano, guitar, organ, mellotron, and bass guitar, as well as exotica like mandolin and Moog, now confined himself to bass onstage.

At Eric Clapton's suggestion, the brothers relocated to Miami, Florida early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood and crafted more rhythmic disco songs like "Jive Talkin'" and "Nights on Broadway." The latter featured Barry Gibb's first attempts at singing falsetto, in the backing vocals toward the end. The band liked the resulting new sound, and this time the public agreed, sending the LP Main Course (album), which became their first R&B album, up the charts. Barry Gibb's falsetto would become a staple of subsequent recordings. Mardin was unable to work with the group afterwards, but the Bee Gees enlisted Albhy Galuten and Karl Richardson who'd worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s.

The next album, Children of the World, was drenched in Barry's newfound falsetto and Blue's synthesizer disco licks. Led off by the single "You Should Be Dancing," it pushed the Bee Gees to a level of stardom they had not previously achieved in the USA, though their new R&B/disco sound was not as popular with some die hard fans from the 1960s. The Bee Gees' band was now closer to a rock act, with rhythm guitar and real drums behind the falsetto.

[sửa] Cuối thập kỷ 70: Saturday Night Fever

Hình:TheBeeGeesSaturdayNightFeveralbumcover.jpg
"Saturday Night Fever", became the number one best-selling soundtrack of all time, selling over 40 million copies.

Following a successful live album, Here at Last...The Bee Gees...Live, The Bee Gees agreed to participate in the creation of the Saturday Night Fever soundtrack. It was the turning point of their career. The cultural impact of both the film and the soundtrack was tremendous not only in the United States but in the world, bringing the nascent disco scene into the mainstream.

Three Bee Gees singles ("How Deep Is Your Love", "Stayin' Alive", and "Night Fever") reached #1 in the United States and in most countries around the world, launching the most popular period of the disco era. They also penned the song "If I Can't Have You" which became a #1 hit for Yvonne Elliman. Such was the popularity of Saturday Night Fever that two different versions of the song "More Than a Woman" received airplay, one by The Bee Gees, which was the B-side of "Stayin' Alive," and another by Tavares, which was the hit. The Gibb sound was inescapable. During an eight-month period beginning in the Christmas season of 1977, the brothers wrote six songs that held the #1 position on the U.S. charts for 25 of 32 consecutive weeks-- three under their own name, two for brother Andy Gibb, and the Yvonne Elliman single.

Fueled by the movie's success, the album broke multiple records, becoming the highest-selling album in recording history to that point. Saturday Night Fever has since sold circa 40 million copies worldwide, making it the best selling soundtrack album of all time.

During this era, Barry and Robin wrote "Emotion" for Samantha Sang, who made it a Top Ten hit (the Bee Gees sang back-up vocals). A year later, Barry wrote the title song to the movie version of the Broadway musical Grease for Frankie Valli to perform, which went to #1. At one time, five songs written by the brothers Gibb were in the U.S. top ten at the same time. It was the first time this kind of chart dominance had been seen since April 1964, when the Beatles had all five of the top-five American singles.

In 1976, the Bee Gees recorded three Beatles cover songs "Golden Slumbers/Carry that Weight", "She Came in Through the Bathroom Window" and "Sun King" for the transitory musical documentary All This and World War II. The three Bee Gees also co-starred with Peter Frampton in the movie Sgt. Pepper's Lonely Hearts Club Band (1978) loosely inspired by the classic Beatles album released in 1967. The film had been heavily promoted prior to release, and was expected to enjoy great commercial success. However, the disjointed film was savaged by the movie critics, and ignored by the public.

During this period, the Bee Gees' younger brother Andy followed his older siblings into a music career, and enjoyed considerable success. Produced by Barry, Andy Gibb's first three singles all topped the U.S. charts.

The Bee Gees' follow-up to Saturday Night Fever was the Spirits Having Flown album. It yielded three more #1 hits: "Too Much Heaven", "Tragedy", and "Love You Inside Out." This gave the act six consecutive #1 singles in America within a year and a half (a record only surpassed by Whitney Houston). "Too Much Heaven" ended up as the Bee Gees' musical contribution to the Music for UNICEF Concert at the United Nations General Assembly in January 1979, a benefit organized by the Bee Gees, Robert Stigwood, and David Frost for UNICEF that was broadcast worldwide. The brothers donated the royalties from the song to the charity.

The Bee Gees even had a country hit in 1979 with "Rest Your Love On Me", the flip side of their pop hit "Too Much Heaven", written by Barry and made the Top 40 on the country charts. In 1981, Conway Twitty took "Rest Your Love On Me" to the top of the Country charts.

The Bee Gees' overwhelming success rose and fell with the disco bubble. By the end of 1979, disco was rapidly declining in popularity, and the backlash against disco put the Bee Gees' American career in a tailspin. Following their remarkable run from 1975-79, the act would only have one more top ten single in the U.S., and not until 1989. The Bee Gees' international popularity sustained somewhat less damage.

[sửa] Thập kỷ 80 và 90

In 1981, the Bee Gees released the album Living Eyes, but with the disco backlash still running strong, the album failed to make the US top 40. In 1983, the Bee Gees had greater success with the soundtrack to Staying Alive, the sequel to Saturday Night Fever. The soundtrack was certified platinum in the US, and included their Top 30 hit "Woman In You".

Robin and Barry Gibb released various solo albums in the 1980s, but only with sporadic and moderate chart success. However, the brothers had continuing success behind the scenes, writing and producing for artists such as Barbra Streisand, Dionne Warwick, Diana Ross and Kenny Rogers, including Rogers' multi-million seller and U.S. #1 hit with Dolly Parton, "Islands in the Stream".

The Bee Gees released the album E.S.P. in 1987, which sold over 3 million copies. The single "You Win Again" went to #1 in numerous countries, including Britain, but only reached #75 in the US.

On March 10, 1988, their younger brother, Andy, died at age 30 from myocarditis, an inflammation of the heart muscle due to a recent viral infection. His brothers acknowledge that Andy's past drug and alcohol use probably made his heart more susceptible to the ailment. The Bee Gees' following album, One (1989), featured a song dedicated to Andy, "Wish You Were Here". The album also contained their first U.S. top ten hit (#7) in a decade, "One". After the album's release, they embarked on their first world tour in ten years.

Ironically, just before Andy's death, it was actually decided by the group that Andy would join them, making the group a four piece.

Following their next album, High Civilization, which contained the UK top five hit "Secret Love," the Bee Gees went on a European tour. After the tour, Barry Gibb began to battle a serious back problem, which required surgery. In the early 1990s, Barry Gibb was not the only Bee Gee living with pain. Maurice had a serious drinking problem, which he had battled for many years, but finally conquered with the help of Alcoholics Anonymous.

In 1993, they released the album Size Isn't Everything, which contained the UK top five hit "For Whom the Bell Tolls". Four years later, they released the album Still Waters, which sold over four million copies, and debuted at #11 in the US. The album's first single, "Alone", gave them another UK Top 5 hit and a top 30 hit in the US.

In 1997 the group made headlines in the UK when they walked out on Clive Anderson during his BBC One chat show, after their revelation that the group was originally called "Les Tosserus" prompted Anderson to jokingly remark: "Well, you'll always be tossers to me"[4].

During the interview Barry (and Robin to a lesser extent) had become increasingly irate with their apparently unsympathetic host, who awkwardly stressed the low points of their personal lives and careers, and then riffed off their replies. After a reference to Barry and Maurice's less than successful solo stints during the group's 15-month break-up, Barry took his microphone off, stood up, and started to leave, stopping only to call the interview a "set-up" and pointing to Clive whilst saying "You're the tosser, pal!" Robin left with Barry, leaving Maurice and Clive behind.

When it became apparent that they weren't returning, Maurice said "Oh well, I guess I'd better join them". After Clive asked him to stay he adds "Well I'd love to but I don't do impressions".

Clive Anderson later admitted in an interview on BBC Radio 4's Chain Reaction that he thought that they had made a joke and were inviting him to add to it [5].

In late 1997, the Bee Gees performed a live concert in Las Vegas called One Night Only. The CD of the performance sold over 5 million copies. This led to a world tour of "One Night Only" concerts. The tour included playing to 56,000 people at London's Wembley Stadium on September 5, 1998, and concluded in the newly-built Olympic Stadium in Sydney, Australia in March 1999. The Bee Gees closed the decade with what turned out to be their last full-sized concert, known as "BG2K", on December 31, 1999.

[sửa] Những năm gần đây

In 2001, they released what turned out to be their final album of new material as a group, This Is Where I Came In. The album gave each member a chance to write in their own way, as well as composing songs together. For example, Maurice's compositions and leads are the "Man in the Middle" and "Walking on Air," while Robin contributed "Déjà Vu," "Promise the Earth," and "Embrace," and Barry contributed "Loose Talk Costs Lives," "Technicolour Dreams", and "Voice in the Wilderness". The other songs are collaborative in writing and vocals. The Bee Gees' last public live show together was Live by Request, a special shown on A&E.

Maurice, who had been the musical director of the Bee Gees during their final years as a group, died suddenly on January 12, 2003 from a strangled intestine. Initially, his surviving brothers announced that they intended to carry on the name "Bee Gees" in his memory. But as time passed they decided to retire the group name, leaving it to represent the three brothers together. The same week Maurice died, Robin's solo album Magnet was released.

Although there was talk of a memorial concert featuring both surviving brothers and invited guests, nothing materialized.[cần chú thích] Since then Barry and Robin have continued to work independently and have both released recordings with other artists.

[sửa] Sau khi tan rã

In late 2004, Robin embarked on a solo tour of Germany, Russia and Asia. During January 2005, Barry, Robin and several legendary rock artists recorded "Grief Never Grows Old," the official Tsunami relief record for the Disasters Emergency Committee. Later that year, Barry reunited with Barbra Streisand for her top-selling album Guilty Pleasures, released as Guilty Too in the UK as a sequel album to the previous Guilty. Robin continued touring in Europe.

In February 2006 Barry and Robin reunited on stage for a Miami charity concert to benefit the Diabetes Research Institute. It was their first public performance since the death of brother Maurice. Barry and Robin also played at the 30th annual Prince's Trust Concert in the UK on May 20, 2006.

[sửa] Thành công về âm nhạc

The Bee Gees have been incredibly successful, selling in excess of 180 million records and singles worldwide. "How Deep Is Your Love" is their most popular composition, with over 400 versions by other artists in existence.

Their songs have been covered by singers of all stripes including Elvis Presley, Janis Joplin, Al Green, Eric Clapton, Lulu, Elton John, Tom Jones, and Nina Simone as well as newer acts like John Frusciante, and Feist singing a soulful "Inside and Out", Billy Corgan and Robert Smith (musician) covering "To Love Somebody", Steps and Destiny's Child. Songs written by the Gibbs but better known through versions by other artists include, "Immortality" by Celine Dion, "If I Can't Have You" by Yvonne Elliman, "Chain Reaction" by Diana Ross, "Emotion" by Samantha Sang and Destiny's Child, "Warm Ride" by Graham Bonnet, "Guilty" and "Woman In Love" by Barbra Streisand, "Heartbreaker" by Dionne Warwick, "Islands in the Stream" by Kenny Rogers and Dolly Parton, "Grease" by Frankie Valli, and "Only One Woman" by The Marbles. Many hit covers and album tracks of the Bee Gees' songs have been recorded, and the band's music has also been sampled by dozens of hip hop artists.

[sửa] Các giải thưởng

The Bee Gees were inducted into The Rock and Roll Hall of Fame in 1997; fittingly, the presenter of the award to "Britain's first family of harmony"[6] was Brian Wilson, leader of the Beach Boys, America's first family of rock harmony. The Bee Gees were inducted into The Vocal Group Hall of Fame in 2001 as well as the ARIA Hall of Fame in 1997.


[sửa] Các album

  • 1967 - Bee Gees 1st UK #8, US #7
  • 1968 - Horizontal UK #16, US #12
  • 1968 - Idea UK #4, US #17
  • 1969 - Odessa UK #10, US #20
  • 1970 - Cucumber Castle UK #57, US #94
  • 1970 - 2 Years On UK Did Not Chart, US #32
  • 1971 - Trafalgar UK Did Not Chart, US #34
  • 1972 - To Whom It May Concern UK Did Not Chart, US #35
  • 1973 - Life in a Tin Can UK Did Not Chart, US #68
  • 1974 - Mr. Natural UK Did Not Chart, US #178
  • 1975 - Main Course UK Did Not Chart, US #14
  • 1976 - Children of the World UK Did Not Chart, US #8
  • 1979 - Spirits Having Flown UK #1, US #1
  • 1981 - Living Eyes UK #73, US #41
  • 1987 - E.S.P. UK #5, US #96
  • 1989 - One UK #29, US #68
  • 1991 - High Civilization UK #24, US Did Not Chart
  • 1993 - Size Isn't Everything UK #23, US #153
  • 1997 - Still Waters UK #2, US #11
  • 2001 - This Is Where I Came In UK #6, US #16

[sửa] Các đĩa đơn tại Anh

  • "Spicks and Specks" (1966) Did Not Chart
  • "New York Mining Disaster 1941" (1967) #12
  • "To Love Somebody" (1967) #41
  • "Massachusetts" (1967) #1
  • "World" (1967) #9
  • "Words" (1968) #8
  • "Jumbo" / "The Singer Sang His Song" (1968) #25
  • "I Started A Joke" (1968) Did Not Chart
  • "I Gotta Get A Message To You" (1968) #1
  • "First of May" (1969) #6
  • "Tomorrow, Tomorrow" (1969) #23
  • "Don't Forget To Remember" (1969) #2
  • "I.O.I.O" (1970) #49
  • "Lonely Days" (1970) #33
  • "How Can You Mend A Broken Heart?" (1971) Did Not Chart
  • "Don't Want To Live Inside Myself" (1971) Did Not Chart
  • "My World" (1972) #16
  • "Run To Me" (1972) #9
  • "Alive" (1972) Did Not Chart
  • "Saw A New Morning" (1973) Did Not Chart
  • "Wouldn't I Be Someone" (1973) Did Not Chart
  • "Mr. Natural" (1974) Did Not Chart
  • "Throw A Penny" (1974) Did Not Chart
  • "Charade" (1974) Did Not Chart
  • "Jive Talkin'" (1975) #5
  • "Nights on Broadway" (1975) Did Not Chart
  • "Fanny (Be Tender With My Love)" (1976) Did Not Chart
  • "You Should Be Dancing" (1976) #5
  • "Love So Right" (1976) #41
  • "Boogie Child" (1977) Did Not Chart
  • "How Deep Is Your Love?" (1977) #3
  • "Stayin' Alive" (1977) #4
  • "Night Fever" (1978) #1
  • "Too Much Heaven" (1978) #3
  • "Tragedy" (1979) #1
  • "Love You Inside Out" (1979) #13
  • "Spirits (Having Flown)" (1980) #16
  • "He's A Liar" (1981) Did Not Chart
  • "Living Eyes" (1981) Did Not Chart
  • "The Woman In You" (1982) Did Not Chart
  • "Someone Belonging To Someone" (1983) #49
  • "You Win Again" (1987) #1
  • "E.S.P." (1987) #51
  • "Ordinary Lives" (1988) #54
  • "One" (1989) #71
  • "Bodyguard" (1990) Did Not Chart
  • "Secret Love" (1991) #5
  • "The Only Love" (1991) Did Not Chart
  • "When He's Gone" (1992) Did Not Chart
  • "Paying The Price Of Love" (1993) #23
  • "For Whom The Bell Tolls" (1993) #4
  • "How To Fall In Love, Part 1" (1994) #30
  • "Kiss of Life" (1995) Did Not Chart
  • "Alone" (1997) #5
  • "I Could Not Love You More" (1997) #14
  • "Still Waters Run Deep" (1997) #18
  • "Immortality" (1998) #5
  • "This Is Where I Came In" (2001) #18

[sửa] Các đĩa đơn tại Mỹ

  • "New York Mining Disaster 1941" (1967) #14
  • "To Love Somebody" (1967) #17
  • "Holiday" (1967) #16
  • "Massachusetts" (1967) #11
  • "Words" (1968) #15
  • "Jumbo"/"The Singer Sang His Song" (1968) #57
  • "I Started A Joke" (1968) #6
  • "I've Gotta Get A Message To You" (1968) #8
  • "First of May" (1969) #37
  • "Tomorrow Tomorrow" (1969) #54
  • "Don't Forget To Remember" (1969) #73
  • "I.O.I.O" (1970) #94
  • "If I Only Had My Mind On Something Else" (1970) #91
  • "Lonely Days" (1970) #3
  • "How Can You Mend A Broken Heart?" (1971) #1 (4 weeks)
  • "Don't Want To Live Inside Myself" (1971) #53
  • "My World" (1972) #16
  • "Run To Me" (1972) #16
  • "Alive" (1972) #34
  • "Saw A New Morning" (1973) #94
  • "Wouldn't I Be Someone" (1973) Did Not Chart
  • "Mr. Natural" (1974) #93
  • "Throw A Penny" (1974) Did Not Chart
  • "Charade" (1974) Did Not Chart
  • "Jive Talkin'" (1975) #1 (2 weeks)
  • "Nights on Broadway" (1975) #7
  • "Fanny (Be Tender With My Love)" (1976) #12
  • "You Should Be Dancing" (1976) #1 (1 week)
  • "Love So Right" (1976) #3
  • "Boogie Child" (1977) #12
  • "Edge of the Universe (Live)" (1977) #26
  • "How Deep Is Your Love" (1977) #1 (3 weeks)
  • "Stayin' Alive" (1977) #1 (4 weeks)
  • "Night Fever" (1978) #1 (8 weeks)
  • "Too Much Heaven" (1978) #1 (2 weeks)
  • "Tragedy" (1979) #1 (2 weeks)
  • "Love You Inside Out" (1979) #1 (1 week)
  • "Rest Your Love On Me" (1979) #39 Country, flip side of "Too Much Heaven", only country hit for The Bee Gees.
  • "He's A Liar" (1981) #30
  • "Living Eyes" (1981) #45
  • "Paradise" (1981) Did Not Chart
  • "The Woman In You" (1983) #24
  • "Someone Belonging To Someone" (1983) #49
  • "You Win Again" (1987) #75
  • "E.S.P." (1987) Did Not Chart
  • "One" (1989) #7
  • "Bodyguard" (1989) #9 A/C
  • "Secret Love" (1991) Did Not Chart
  • "When He's Gone" (1991) Did Not Chart
  • "Happy Ever After" (1991) Did Not Chart
  • "Paying The Price Of Love" (1993) #74
  • "For Whom The Bell Tolls" (1993) #29 A/C
  • "Kiss of Life" (1994) Did Not Chart
  • "Alone" (1997) #28
  • "I Could Not Love You More" (1997) Did Not Chart
  • "Still Waters (Run Deep)" (1997) #57
  • "This Is Where I Came In" (2001) #23 A/C

[sửa] Chú thích và tham khảo

  1. Văn bản đầy đủ
  2. Dolgins, Adam: Rock Names: From Abba to ZZ Top, 3rd ed., p.24. Citadel Press, 1998.
  3. http://www.beegeesfanclub.org/Bee%20Gees/bgfcbiopg1.htm
  4. Maurice Gibb comments on the walkout here.
  5. Chain Reaction [1] website
  6. R&RHofF citation

[sửa] See also

  • Best selling music artists
  • List of artists who reached number one on the Hot 100 (U.S.)
  • List of artists who reached number one on the U.S. Dance chart
  • List of Number 1 Dance Hits (United States)
  • List of artists by total number of USA number one singles
  • List of number-one hits (United States)

[sửa] External links

Tiêu bản:Bee Gees


[sửa] Chú thích

  1. Văn bản đầy đủ
  2. Dolgins, Adam: Rock Names: From Abba to ZZ Top, 3rd ed., p.24. Citadel Press, 1998.
  3. http://www.beegeesfanclub.org/Bee%20Gees/bgfcbiopg1.htm
  4. Maurice Gibb comments on the walkout here.
  5. Chain Reaction [2] website
  6. R&RHofF citation